Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Smoky Quartz Topaz 60 CT.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Portrait of a Young Girl - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of a Young Girl". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, "LE NE BLEU", CIRCA 1907 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Other World", comes with certificate of authenticity, framing available at an additional cost.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASAMENTI SU MOLO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2CT, CLARITY: VS2 COLOR: G.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "La Passante" circa 1894, this painting of a stroller on a Paris boulevard was same year Bonnard produced a series of colour lithograph illustrating scenes of Paris street life. This shows the enormous influence of Japanese design on Bonnard's representation of figures and architectural forms. The style is one of suggestion rather than complete statement. Comes with certificate of authenticity, framing available at an additional cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "PAYSAGE". CIRCA 1906. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch Tanzanite, Mother Of Pearl.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Christ in Limbo". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Man with Guitar - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man with Guitar". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "TETE RENVERSEE", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Smaller and Smaller", comes with certificate of authenticity, framing available at an additional cost.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BELMONT SHORE" CIRCA 1970. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Maternal Figure" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Circus Rider" circa 1897, Comes with certificate of authenticity, framing available at an additional cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "PAYSAGE". CIRCA 1909 GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ulysses and Eumaeus by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Uncle Dominque". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Claude and Paloma at Play - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Claude and Paloma at Play". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS DANS", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Louis Icart Lithographs from Le Faust suite - A Desperate Plea
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "A Desperate Plea". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Circle Limit III", comes with certificate of authenticity, framing available at an additional cost.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO ERCOLE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Nocturnal Fragments" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Street" circa 1900, Bonnard's admiration for Oriental composition is shown here in his affirmative use of space and the abrupt placement of the principle figure, the woman at the lower right. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE", CIRCA 1912 GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Stove in the Studio". Comes with ceritificate of authenticity, framing available at an additonal cost.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "PORTRAIT DE BOURGEAT", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Knots", comes with certificate of authenticity, framing available at an additional cost.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM CLIFF DRIVE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
LADIES FANCY BRIDAL SET RINGS
LADIES FANCY BRIDAL SEX RING SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1CT CLARTY IS VS2 COLOR IS G
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Figure" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "La Loge" circa 1908, Gaston and Josse Bernheim were owners of mone of the most prestigious art galleries in Paris, a gallery in which Bonnard's works were exhibited many times throughout his career. The Bernheims commissioned the artist to portray them, with their wives, in their boc at the Paris Opera. The resulting painting shows Bonnard's mischievous, somewhat ironic sense of humour, for he has relegated two of the gigures to the background and cut off half of one face. This arbitrary compositonal device concentrates attention on the other figures, and especially on the elegant gowns of the women. Unlike Bonnard's gayer cafe concert and circus paintings, this portrait group is a study in cool detachment and ennui, accenuated by contrast with the warm, lush tones of the upholstery and hangings of the elegant theatre box. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "PAPIER COLLE" CIRCA 1914. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Achille Emperaire". Comes with ceritificate of authenticity, framing available at an additonal cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FRUITS ET FEUILLAGES", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Hand with Reflecting Sphere", comes with certificate of authenticity, framing available at an additional cost.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF AVALON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.05CT CLARITY IS VS1 AND COLOR IS G
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude with a Lamp" circa 1912, This painting can be considered the very essence of Bonnard's intimist style and subject matter. A moment of complete privacy of relaxed self-absorption, has been caught forever, with loving delicacy that privacy seems not to be invaded. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUES, , MINT CONDITION, VERY RARE PIECE TITLED "VERRE ET PIPE" CIRCA 1917. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Washing of a Corpse". Comes with ceritificate of authenticity, framing available at an additonal cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "ODALISQUE A LA JUPE DE TULLE", CIRCA 1923 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Circle Limit IV", comes with certificate of authenticity, framing available at an additional cost.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN FRANCISCO WHARF" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3CT
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition I" comes with certificate of authenticity, framing available at an additional charge.
Bronze Sculpture - Spirit of America by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of America" and measures approx. 24" x 17" x 10" and weighs approx. 145lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Licenced Disney Etchings Mickey Mouse
Licenced Disney Etchings "Mickey Mouse" hand colored, Limited Edition, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "After the Flood" circa 1909-10, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dusty Miller Original Serigraph
Dusty Miller Original Serigraph, approx dimension 26"x30". Just look at the details this artist uses. It will bring an added touch of detail, not to off set your décor, but to compliment it. The possibilities are unlimited! Bid and win today!! CC
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "AS DE TREFLE" CIRCA 1918. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Mint Condition Tiger Eye Stone 100 CT.
Tiffany Style Floor Lamp
Tiffany style art deco design lamp with bronze base. Lamp is about 70Hx22W in.
Silvia A.- RED ABSTRACT- Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "RED ABSTRACT". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
Unisex Very Fancy Yellow Sterling White Sapphire Ring
Unisex Very Fancy Yellow Sterling White Sapphire Ring, White Sapphires approx 3ct.
Ulysses Makes Himself Known by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Pablo Picasso Original, limited Edition Bronze -Woman With Dress
Pablo Picasso signed and numbered bronze sculpture, "Woman With Dress". Comes with COA. Some variation in patina might occur. Approx. size: 14x5x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Reading Aloud (Zola & Alexis)". Comes with ceritificate of authenticity, framing available at an additonal cost.
Exotic Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Exotic Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x27"x9".
Lady's Fancy PEAR Shaped Tourmaline & White Sapphire Necklace
Lady's Fancy PEAR Shaped Tourmaline & White Sapphire Necklace, Tourmaline approx 8 ct, White Sapphire approx 3 ct.
Limited Edition Picasso - The Bird Cage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bird Cage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Fine Silver Sculpture - Eagle 15 by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eagle 15" and measures approx. 15" x 11" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
Lady's Fancy 14 kt White Gold Sapphire Ring
Lady's Fancy 14 kt White Gold Sapphire Ring, Sapphire approx 5 ct.(150DD)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Bronze Neptune Sculpture Keliam
Bronze Neptune sculpture by artist Keliam, dimensions are about 41x15x18
The Goldfish - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Goldfish". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE FACE", CIRCA 1948 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Louis Icart Lithographs from Le Faust suite - Together Again
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Together Again". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Maurice Utrillo Signed Limited Edition - WINDMILLS
Maurice Utrillo signed limited edition, "WINDMILLS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Bonaparte Study by Dali
Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Balcony", comes with certificate of authenticity, framing available at an additional cost.
Fritz Wotruba Original, limited Edition Bronze
Fritz Wotruba signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Child Playing With Toy truck" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pineapple and Anemones by Henri Mattisse "Lithograph"
Pineapple and Anemones by Henri Mattisse. Limited Edition
Mihail Chemiakin Original Lithograph "Carnaval St. Petersbourg"
Mihail Chemiakin Original Lithograph "Carnaval St. Petersbourg", Unsigned Specimen.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DARSENA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3.02CT
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition III" comes with certificate of authenticity, framing available at an additional charge.
R. Wood Watercolor Painting
Original Watercolor on paper In the manner of R. Wood. The Praire, Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno) , "The Delightful Mount". Comes with COA and beautifully framed.
Bronze Sculpture - Spirit of American (small) by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and weighs approx. 12lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Licenced Disney Etchings Mickey Mouse
Licenced Disney Etchings "Mickey Mouse" hand colored, Limited Edition, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Natanson Girls" circa 1910, Comes with certificate of authenticity, framing available at an additional cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Beautiful Tiffany Co. Necklace
Lady's Beautiful Tiffany Co. Necklace(51DN)
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1926. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Black Onyx Approx. 50 CT.
Silvia A. - COUNTRY VINEYARD- Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "COUNTRY VINEYARD". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
"Poseidon" by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Pablo Picasso Original, limited Edition Bronze -Seated Woman
Pablo Picasso signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x7x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Seashells and Black Clock". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Simplicity
Signed bronze and ivory art deco sculpture "Simplicity" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 20"x6"x8"
Limited Edition Picasso - Bather - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Eaglehead by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Rearl Origanal limited edition 24k gold Art Deco Chiparus Sculpture -Lady Dancer
This Chiparus sculpture, , Origanal limited edition 24k gold layered comes with COA exstreamly Rare "Lady Dancer".
Cristine Avenue "Butterfly's III" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Butterfly's III" by Cristine Avenue . Image Size: 28" x 21" Medium is Serigraph on thick paper with gorgeous rich colors. . Comes unframed. In mint condition!
Signed Bronze Rattlesnake Fountain Remington
Signed bronze rattlesnake fountain by artist Frederic Remington, fountain is pre plumbed dimensions are about 61x29x30
The Red Room - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Red Room". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Marc Chagall Signed Limited Edition - The Large Circus
Marc Chagall limited edition, "The Large Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Ballet Dancers by Degas
Signed Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Ascending and Descending", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Dead Cock And Jar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lithograph by Alberto Giacometti " Man Pointing Lithograph"
Man Pointing by Alberto Giacometti. Limited Edition

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso Hand Signed Limited Edition Drawing
Pablo Picasso Hand Signed Limited Edition Drawing
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA SUMMER" CIRCA 1978.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Picasso Signed and Numbered Real Silver Sculpture - Helping Hand
Picasso Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx. 10 Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Faded Roses" comes with certificate of authenticity, framing available at an additional charge.
Paul Bonnard Watercolor Painting
Original Watercolor on paper in the manner of Paul Bonnard , Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "Dante". Comes with COA and beautifully framed.
Henri Matisse- Limited edition -The Circus
Henri Matisse-Limited Edition On Paper. Title "The Circus" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Rapture by Deniz
This bronze sculpture by Deniz is called, "Rapture" and measures approx. 24" x 12" x 6" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Licenced Disney Etchings Pluto
Licenced Disney Etchings "Pluto" hand colored, Limited Edition, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Limited Edition Pete Rose REDS Jersey
This is a Limited Edition Pete Rose Red's (#14)Jersey, framed in a Shadow Box, frame on Red Swede with laser cut Red's logo and two 8x10 photos. Original hand sign by Pete Rose Himself he also signed unusual (CHARLY HUSTLER). This piece is numbered from an edition of 500. The inside dimension is 29"H x 40"W.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Seine at Vernon" circa 1930, Comes with certificate of authenticity, framing available at an additional cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Silvia A. -GREEN ABSTRACT -Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "GREEN ABSTRACT". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
Preparation for the Candidate's Feast by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Enchanting Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway Cutting". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Bouraine Bronze and Ivory - Master of the Beast
Signed bronze and ivory art deco sculpture "Master of the Beast" by artist Bouraine, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 30"x10"x4"
Limited Edition Picasso - Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Vase of Flowers". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Spirit of American (small) by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beautiful Rolex Watch
Gents Gold Patek Philippe Tiffany & Co 18KT Yellow Gold. IRA00018000
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signedbronze sculpture layered with 24K gold. It is entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7.5 in. x 7 in. x 4 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Cockatoo -Icart - Limited Edition on Cancas
Louis Icart Limited Edition on canvas, "Cockatoo". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU DE PROFIL, FIGURE LISANT", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Bob Dylan Giclee with Gold Record and notes
"Bob Dylan" Giclee with Gold Record and notes, approx dimension 22x24.
Klimt Limited Edition - Church at Unterach
Klimt limited edition, "Church at Unterach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Regular Division of the Plane III, comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bufallo" by G. Huerta
Original Hand Carved Marble "Bufallo" by G. Huerta, Original Hand Carved Marble "Bufallo" by G. Huerta, Black, approx size 8X12 in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Skull, leeks and Pitcher" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Portrait of a Woman by Paul Cezanne "Lithograph"
Portrait of a Woman by Paul Cezanne. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DELAGE" CIRCA 1975.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
STUNNING UNISEX DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET SET IN FINE STERLING SILVER, DIAMONDS APPROXIMATELY 8.50CT CLARITY IS I1 COLOR IS SILVER CAPE.

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Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Fruit Tree" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "The Angel of the First Heaven". Comes with COA and beautifully framed.
Boy with Lamb Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Lamb”. Dimensions: 16"H 6"W 5"D
Rare Salvador Dali Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". New Listing. Some variation in patina might occur. Approx. size: 15"x13"x16".
Bronze Sculpture - Great American Fisherman by D. Hunter
This bronze sculpture by D. Hunter is called, "Great American Fisherman" and measures approx. 30" x 45" x 21" and weighs approx.150lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Jimi Hendrix Giclee with mini guitar
"Jimi Hendrix " Giclee with mini guitar, comes in Beautiful custom matt & frame, approx dimension 15x18.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Red and Yellow Still Life" circa 1931, Bonnard has here expressed his delighted preception of a group of orange and golden fruits. Arranged simply in a basket or bowl of harmonious colour, and surrounded by domestic objects humble in themselves yet obviously beautiful to the artist. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
McClanahan Original Lithograph
McClanahan Original Lithograph, unframed, approx dimension 26"x32". Signed and truly a delightful piece to own. Great for new season room changes. Light to comtemperary. Come appreciate this humble piece and make it yours to own today! Bid and Win
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(57DN)
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "MARINE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.

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Cafe Terrace At Night - Van Gogh - Limited Edition on Canvas
Vincent Van Gogh Limited Edition on canvas, "Cafe Terrace At Night". Comes with COA. Approx. size: 20"x24". HC-0045
Combat Between Ulysses and Irus by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur. Approx. size: 18x7x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Verlag, Vienna". Comes with ceritificate of authenticity, framing available at an additonal cost.
Exotic Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Exotic Dancer" is approx. 21"H x 6"Wx 9"D and 29lbs. It is a Limited Edition out of 399. SB9H
Signed E. Drouot Bronze and Ivory - The Hunter
Signed bronze and ivory art deco sculpture "The Hunter" by artist E. Drouot, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 23x25x9.
Limited Edition Picasso - Woman In Yellow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Yellow". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Arc of the Covenant by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11".
Jett Jackson "Don’t Worry" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Jett Jackson titled "Don’t Worry" . Beautiful art piece on extra thick paper. Paper measures 37" x 37". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Danseuses Basculant - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Danseuses Basculant". Comes with COA. Approx. size: 20"x24". HC-0051

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EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Femme dans la Nuit". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Klimt Limited Edition - Cartoon for the Stoclet Frieze
Klimt signed limited edition, "Cartoon for the Stoclet Frieze". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Sky and Water I", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Beautiful Illuminated Chiparus Marble and Onyx Pedastal
Illuminating white marble and Onyx Chiparus pedastal. Approx. 39x21x9
Original Oil on Canvas. Grapes by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Lady's Beautiful Sterling Bermuda Pigeon Blood Ruby Necklace
Lady's Beautiful Sterling Bermuda Pigeon Blood Ruby Necklace, approx 140 ct.
Salvador Dali Signed Limited Edition - Goddess Leaning On Her Elbow
Salvador Dali signed limited edition, "Goddess Leaning On Her Elbow". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - The Dancer- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Dancer". This very special edition is extremely limited. Image Size: 35" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Man And Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Constructors with Tree by Fernand Leger "Lithograph"
Constructors with Tree by Fernand Leger. Limited Edition

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Lady's Antique Style Promise Sterling Silver Cubic Zirconia Ring
Lady's Antique Style Promise Sterling Silver Cubic Zirconia Ring
Pablo Picasso Original, Limited Edition Bronze - Etude Pour Yury Gagarin
Just arrived, Pablo Picasso signed and numbered Relief (sculpture), " Etude Pour Yury Gagarin". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SOUVENIRS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Outlaw
This Frederick Remington sculpture, "Outlaw" is approx. .10 Troy ounces of real .999 silver. Comes with foundry Assay.
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns. Approx. size: 12"x3"x3".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Land Fracture" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Avaricious and the Prodigal". Comes with COA and beautifully framed.
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Salvador Dali Enchanting Limited Edition Monumental Bronze- Venus a La Giraffe
Salvador Dali signed and numbered Monumental bronze sculpture "Venus a La Giraffe". Comes with COA. Some variation in patina might occur. Approx. size: 35"x16"x7".
Bronze Sculpture - Majestic Eagle by De Lier
This bronze sculpture by De Lier is called, "Majestic Eagle" and measures approx. 42" x 36" x 41" and weighs approx. 204lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
The Kiss Giclee with Gold Record
"The Kiss" Giclee with Gold Record, comes in Beautiful custom matt & frame, approx dimension 16"x20".

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Andy Warhol Lithographs
Andy Warhol: 2 Piece Color Lithograph Set includes an Orange Marilyn and Campbell’s Elvis by Andy Warhol. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude Before a Mirrior" circa 1933, This is one of Bonnard's many variations of the same theme: a nude - generally his wife Marthe - standing before a mirror in undisturned self-contemplation. As the artist's friend Natanson wrote" 'The colours of a woman's flesh and their correspondences with the surrounding atomsphere constitute the real subject of the picture.' The subtle yet pervasive gold, blues, pinks and greens that define forms and surfaces throughout the room are all repeated in the model's luminous flesh tones. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE DUO" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
The Starry Night- Van Gogh - Limited Edition on Canvas
Vincent Van Gogh Limited Edition on canvas, "The Starry Night". Comes with COA. Approx. size: 20"x24". HC-0045
Ulysses and Euryclea by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Captivating Original Original, limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Interior with Girl Playing Piano". Comes with ceritificate of authenticity, framing available at an additonal cost.
Eagle Console Table Bronze and Marble From The 1850's
Beautiful, Fancy, Eagle Console Table - Bronze and Marble From The 1850's. Approx size: 41" x 50" Approx Lbs. 1500.
Butterfly Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Butterfly Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17".
Limited Edition Picasso - The Resevoir - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Resevoir". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Forgiven Soldier by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beautiful Rolex Watch
Real Ladies 14KT Gold With Diamond Bezel. IRA0005000
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" , is a limited edition 24K gold layered bronze sculpture.
Fredrick Phillip Serigraph Limited Edition
Fredrick Phillip Serigraph Limited Edition Beautiful art piece on extra thick paper. This piece is numbered from a limited edition of 295. Paper measures 39" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Bronze Maiden Fountain Moreau
Bronze Maiden fountain by artist Moreau, dimensions are about 37x15x12
Danseuses Vertes - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Danseuses Vertes". Comes with COA. Approx. size: 20"x24". HC-0052
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU AU ROCKING CHAIR", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
God Father Double Giclee
"God Father" Double Giclee with Diamond Crown Cigar Box, Gun, Bullets & Rose, approx dimension 20x34.
Original Louis Icart Lithographs from Le Faust suite - Devil's Distress
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Devil;s Distress". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Marc Chagall Signed Limited Edition - Circus Arena
Marc Chagall limited edition, "Circus Arena". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "La Grande Station"
Filmore Mix Media Lithograph "La Grande Station" , hand signed Limited Edition, approx dimension 20x20 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Cycle", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Original Oil on Canvas. Flowers by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:11x4x3.
Salvador Dali Signed Limited Edition - The Dream
Salvador Dali signed limited edition, "The Dream". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Couple With A Bird" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Frieze by Jackson Pollock "Lithograph"
Frieze by Jackson Pollock. Limited Edition
Unisex Very Fancy Sterling Silver Diamond Ring
Unisex Very Fancy Sterling Silver Diamond Ring, Diamonds approx 1ct, VS2, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SPRINGTIME COLORS" CIRCA 1977.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
LADIES STUNNING DIAMOND HEART KEY & LOCKET CHARM NECKLACE
LADIES STUNNING DIAMOND HEART, LOCKET AND KEY CHARM NECKLACE, SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50 CT CLARITY IS VS2 AND COLOR IS G

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Parched Land" comes with certificate of authenticity, framing available at an additional charge.
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "The Ascent to Venus". Comes with COA and beautifully framed.
Daniel Christian, 1840. Whale tooth with Orante Hand carvings
Daniel Christian, 1840. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 12"x2"
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Salvador Dali Enchanting Limited Edition Bronze- CANOE
Salvador Dali signed and numbered bronze sculpture "CANOE". Comes with COA. Some variation in patina might occur. Approx. size: 5"x13"x5".
Moore Original limited Edition Bronze Sculpture -FALLING WARRIOR
Moore signed and numbered bronze, "Falling Warrior" Comes with COA. Some variation in patina might occur.. Approx. size: 10x6x5 Inch.
Bronze Sculpture - Eagle's Nest by D. Hunter
This bronze sculpture by D. Hunter is called, "Eagle's Nest" and measures approx. 15" x 11" x 6" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
CARLOS SANTANA Giclee with Gold Record
"Carlos Santana" Giclee with Gold Record, comes in Beautiful custom matt & frame, approx dimension 20"x16".
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph Set includes The Loge and Young Women at the Water's Edge by Pierre-Auguste Renoir. Together they make the perfect pair. Frame Size: 22”x31”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude in the Bath" circa 1935, Comes with certificate of authenticity, framing available at an additional cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct. (33DN)
Rec Room- Van Gogh - Limited Edition on Canvas
Vincent Van Gogh Limited Edition on canvas, "Rec Room". Comes with COA. Approx. size: 20"x24". HC-0045
Athene Puts Ulysses to Sleep by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Magnificent Original, limited Edition Bronze - The First Study For The Madonna
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Auvers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signal Man - Bronze and Ivory Sculpture by Pierre Le Faguays
Pierre Le Faguays broze and ivory sculpture, Signal Man. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - Girl with a Mandolin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Girl with a Mandolin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Buffalo Hunter by C.M. Russell
This Original Fine Silver sculpture by C.M. Russell is called, "Buffalo Hunter" and measures approx. 15" x 14" x 5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Lady's Gorgeous White Gold Sapphire & Diamond Ring
Lady's White Gold Sapphire & Diamond Ring, Blue Sapphire approx 8 ct, Diamonds approx 30 points VS1, G in color.(26DD)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali Limited Edition 24K Gold Layered Bronze Sculpture- Winged Bust on Marble Base
Dali bronze sculpture layered with 24K gold, "Winged Bust" on marble base. Comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
LLado VENETIA Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "VENETIA ". Beautiful art piece on extra thick paper. Paper measures 24" x 34". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Bronze Maiden Fountain La Rivoli
Bronze Maiden fountain by artist La Rivoli, dimensions are about 52x18x18
Horses with Jockeys - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Horses with Jockeys". Comes with COA. Approx. size: 20"x24". HC-0053
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TORSE, LES YEUX NOIRS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Elvis & Ali Giclee of both in Las Vegas
"Elvis & Ali" Giclee of both in Las Vegas with real poker chips and Ali wearing the robe Elvis gave him, approx dimension 29x32.
Original Louis Icart Lithographs from Le Faust suite - Satan's Contract
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Satan's Contract". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Salvador Dali Signed Limited Edition - Illustration for don Quixote I
Salvador Dali signed limited edition, "Illustration for don Quixote I". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890"
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890" , hand signed Limited Edition, approx dimension 20x20 in.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Metamorphosis III", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Hand Carved Marble "Bear" by G. Huerta
Original Hand Carved Marble "Bear" by G. Huerta, Black, approx size 8X14 in.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Joan Miro Original, limited Edition Bronze - Woman with Beautiful Breasts
Joan Miro signed and numbered bronze sculpture, "Woman with Beautiful Breasts". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x5x4.
Salvador Dali Signed Limited Edition - Elephants And Swans
Salvador Dali signed limited edition, "Elephants And Swans". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Angelica- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Angelica". This very special edition is extremely limited. Image Size: 42" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Harlequin With Guitar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Hermitage Garden. Mainson Rouge by Camille Pissarro "Lithograph"
Hermitage Garden. Mainson Rouge by Camille Pissarro. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREES IN DIABLO" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Furies". Comes with COA and beautifully framed.
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Antique Prison Lock
2nd Generation, Yuma Arizona Antique Prison Lock
Salvador Dali Enchanting Limited Edition Bronze- Millet's Angelus
Salvador Dali signed and numbered bronze sculpture "Millet's Angelus". Comes with COA. Some variation in patina might occur. Approx. size: 13"x5"x3".
Botero Original limited Edition Bronze Sculpture - COW
Botero signed and numbered bronze, " Cow ". Comes with COA. Some variation in patina might occur. Approx. size: 19x12x8 Inch.
Henri Matisse Limited Edition
Limited Edition On Paper. Henri Matisse Title "Nightmare Of White Elephant" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Louis Icart Original Litographs
3 Piece Color Lithograph by Louis I cart. Set includes 3 beautiful Lithographs. Pencil signed in lower right. Frame Size: 18”x32”. Wonderful and Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Open Window" circa 1921, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1939. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.(34DN)
Circus- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Circus". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Yellow Sterling White Sapphires, Rose Garnet & Amethyst Ring
Lady's Fancy Yellow Sterling White Sapphires & Rose Garnet Ring, White Sapphires approx 3ct, Rose Garnes approx 1.5 ct & Amethysts approx 1ct.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Theoclymenus by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Exquisite Original, limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Quai De Beray in Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Book Lady - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Book Lady. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Limited Edition Picasso - The Aficionado - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Aficionado". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - El Caballero by Estevez
This Original Fine Silver sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beautiful Rolex Watch
Real Gents 2 Tone Rolex date With Diamond Dial. IRA0009400
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Fernando Valls Limited Edition Original Limited Edition 24K Gold Layered Bronze Sculpture - Boy
Fernando Valls , "Boy", is a limited edition 24K gold layered bronze sculpture.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Race Horses - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Race Horses". Comes with COA. Approx. size: 20"x24". HC-0054

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU ASSIS DE DOS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Giclees of The 10 Greatest Vegas Movies
"The 10 Greatest Vegas Movies", approx dimension 30x34.
Salvador Dali Signed Limited Edition - Atavistc Vestiges After the Rain
Salvador Dali signed limited edition, " Atavistc Vestiges After the Rain". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Belvedere", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Braque Original, limited Edition Bronze - Unknown
Braque signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 13x9x6.
Salvador Dali Signed Limited Edition - Illuminated Pleasures
Salvador Dali signed limited edition, "Illuminated Pleasures". Comes with COA. Edition number may vary from pictured.
Patek Philippe Re-Pro Watch.
Extremely Facy, Patek Philippe Reproduction Watch, Diamond face.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Olga Picasso" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Portrait of Paul Guillaume by Amedeo Modigliani "Lithograph"
Portrait of Paul Guillaume by Amedeo Modigliani. Limited Edition
Lady's Antique Style Promise Sterling Silver White Sapphire Ring
Lady's Antique Style Promise Sterling Silver White Sapphire Ring, White Sapphires approx 2 cts.
Set of 2 Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Set of 2 Roseville Porcelain approx dimensions are 5x4x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AMALFI" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fernando Valls Limited Edition Real Silver Sculpture - Boy
Fernando Valls signed and numbered real silver sculpture, "Boy". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver..
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1.05CT.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Interior II" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "Dante In Doubt". Comes with COA and beautifully framed.
The Ship Sachem 1858-59. Genuine Whale tooth with Orante Hand carvings
The Ship The Ship Sachem 1858-59. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 14"x3"
Antique Prison Lock
2nd Generation, Georgia State Sanitarium Antique Prison Lock
Salvador Dali Enchanting Limited Edition Bronze- FARANESE MANIEQUIN
Salvador Dali signed and numbered bronze sculpture "FARANESE MANIEQUIN". Comes with COA. Some variation in patina might occur. Approx. size: 10"x11"x14".
Constantine Brancusi Original, limited Edition Bronze -MAJESTIC
Constantine Brancusi signed and numbered bronze sculpture, "Majestic". Comes with COA. Some variation in patina might occur. Approx. size: 17"x13"x7"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Last Dance by De Lier
This bronze sculpture by De Lier is called, "Last Dance" and measures approx. 15" x 8" x 6" and weighs approx.16lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
B.B. King Giclee with Gold Record
"B.B. King" Giclee with Gold Record, comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Dining Room Overlooking Garden" circa 1934, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Smokey Topaz Approx 140CTS.
Le Cirque 4- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque 4". Comes with COA. Approx. size: 20"x24". HC-0045
Penelope and Ulysses' Bow by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Magnificent Original, limited Edition Bronze - Soft Construction With Boiled Beans
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
The Creed - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, The Creed . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Limited Edition Picasso - The Accordionist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Accordionist". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - The Rabi by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze Sculpture - Torso
Alexander Archipenko original limited edition 24K gold layered bronze sculpture, "Torso".
LLado Trail of Flowers Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "Trail of Flowers ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Seated Dancer - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Seated Dancer". Comes with COA. Approx. size: 20"x24". HC-0055
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TETE PENCHEE VERS LA GAUCHE", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Giclees of The 10 Greatest Guitar Players
Guitar Greatest "The 10 Greatest Guitar Players" Giclees of B.B. King, Buddy Guy, Jimi Hendrix, Jimmy Page, Jeff Beck, Eric Clapton, Duane Allman, Carlos Santana, Stevie Ray Vaughan & Warren Haynes, approx dimension 32x34.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - The Weaning of Furniture
Salvador Dali signed limited edition, "The Weaning of Furniture". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Sea Port"
Filmore Mix Media Lithograph "Sea Port" , hand signed Limited Edition, approx dimension 20x20 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Olive Trees by Van Gogh
Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Reptiles", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Leo Mol Original, limited Edition Bronze
Leo Mol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14x6x5.
Salvador Dali Signed Limited Edition - Warning Of Furniture - Nutrition
Salvador Dali signed limited edition, "Warning Of Furniture - Nutrition". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Fanciful Dreams- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Fanciful Dreams". This very special edition is extremely limited. Image Size: 54" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Patek Philippe Re-Pro Watch.
One Great Patek Philippe Reproduction Watch, wine color background.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Bullfighter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
I Believe that Great Art by Steven A. Wynn "Lithograph"
I Believe that Great Art by Steven A. Wynn. Limited Edition
Lady's Very Fancy Sterling Silver & White Sapphire Ring
Lady's Very Fancy Sterling Silver & White Sapphire Ring, White Sapphires approx 2 cts.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Roseville Porcelain approx dimensions are 4x6x5
2nd Generation Roseville Porcelain approx dimensions are 4x6x5
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TYRRHENIAN SEA" CIRCA 1979.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Dali Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Figure and Pond Reflection" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Beaterice Resolves Dante's Doubt". Comes with COA and beautifully framed.
Girl with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Girl with Basket”. Dimensions: 22"H 9"W 9"D
Antique Prison Lock
2nd Generation, Georgia Convict Camp Antique Prison Lock
Salvador Dali Enchanting Limited Edition Bronze- Still Life with Pears
Salvador Dali signed and numbered bronze sculpture "Still Life with Pears". Comes with COA. Some variation in patina might occur. Approx. size: 10"x8"x4".
Brancusi Limited Edition Bronze - Le Coq
Brancusi signed and numbered bronze sculpture, "Le Coq". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper.Title " Lagoons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Victory Over Gravity by D. Scott
This bronze sculpture by D. Scott is called, "Victory Over Gravity" and measures approx. 15" x 8" x 9" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 18"x14".
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Self Portrait" circa 1944-45, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "TETE DE FEMME" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Lapis Approx 150.CTS, diamond Approx .50CT, Color VS1 - G.
Very Fancy Ruby Pendant
Very Fancy Ruby Pendant, Ruby approx 22ct.(147DD)
Tiffany Style Lamp Shades
Tiffany Style Lamp Shades. 2 pcs.
Le CirQue 5- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque 5". Comes with COA. Approx. size: 20"x24". HC-0045
Ulysses' Bow by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Enchanting Original, limited Edition Bronze -Geopolitical Child Watches The Birth Of T
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". Comes with COA. Some variation in patina might occur. Approx. size: 12x13x4.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Portrait of Victor Choqurt". Comes with ceritificate of authenticity, framing available at an additonal cost.
Original Bronze by Michael Schofield - Alexandrite
This is the first piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Alexandrite adorning the piece. "Alexandrite" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Signed Chiparus Bronze and Ivory - The Squall
Signed bronze and ivory art deco sculpture "The Squall" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 30"x10"x4"
Limited Edition Picasso - Harlequin with Violin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin with Violin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Jesus and the Children by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Children" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.
Bronze Kids on See Saw Moreau
Bronze Kids on SeeSaw by artist Moreau, dimensions are about 44x24x52
The Star - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "The Star". Comes with COA. Approx. size: 20"x24". HC-0056
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "LA NUIT", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Casino Pictures of movie scenes
"Casino" Pictures of movie scenes with cigar, gun, bullets & real Casino Chips, from various Las Vegas Casinos, approx dimension 30x32.
Jan Vermeer Limited Edition - The Concert
Jan Vermeer Limited Edition , "The Concert". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Peter Darro Limited Edition Lithograph
Peter Darro Limited Edition Lithograph, signed & numbered, approx dimension 15x12 in.
Starry Night by Van Gogh
Original Lithograph. Dimensions are approx 20x21
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Relativity", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Lipschitz Original, limited Edition Bronze - Man with Clarinet
Lipschitz signed and numbered bronze sculpture, "Man with Clarinet". Comes with COA. Some variation in patina might occur. Approx. size: 16x5x5 Inch.
Salvador Dali Signed Limited Edition - The Great Paranoiac
Salvador Dali signed limited edition, "The Great Paranoiac". Comes with COA. Edition number may vary from pictured.
Patek Philippe Re-Pro Watch.
One Great Patek Philippe Reproduction Watch, color background.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Rooster On A Chair Under A Lamp" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
A Woman Contemplating a Yellow Cup by Roy Lichtenstein "Lithograph"
A Woman Contemplating a Yellow Cup by Roy Lichtenstein. Limited Edition
Lady's Beautiful Promise Ring Sterling Silver Diamond Ring
Lady's Beautiful Promise Ring Sterling Silver Diamond Ring, Diamond approx .60 ct.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Roseville Porcelain approx dimensions are 5x4x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Venus on a Shell
Dali sculpture, "Venus on a Shell" is approx. 7.05 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .33CT
Dali Limited Edition Bronze Sculpture - Woman With Drawers
This is a limited edition, signed bronze sculpture entitled "WOMAN WITH DRAWERS" by Salvador Dali. Dali painted "Burning Giraffe" during his exile in the United States. Although Dali declared himself apolitical, "I am Dali, and only that.", this painting shows his personal struggle with the battle in his home country. Approx. Dimensions: 7.5 in. x 5 in. x 3.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure in a Landscape" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Bishop Cum Troubador". Comes with COA and beautifully framed.
The Ship. Whale tooth with Orante Hand carvings
The Ship. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 4"x2"
Boy with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Basket”. Dimensions: 22"H 8"W 8"D
Salvador Dali Enchanting Limited Edition Bronze- ATOMIC NOSTALGIC
Salvador Dali signed and numbered bronze sculpture "ATOMIC NOSTALGIC". Comes with COA. Some variation in patina might occur. Approx. size: 10"x5"x5".
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "Woman Head". Comes with COA. Some variation in patina might occur. Approx. size: 11x5x4.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 22”x31”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED " LES POISSONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Diamond Badavici Watch
Ladies Fancy Diamond Badavici Watch One of a kind.
Le Cirque 6- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque 6". Comes with COA. Approx. size: 20"x24". HC-0045
The Massacre of the Candidates by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Enchanting Original, limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady's Beautiful Sterling Golden & White Saphire Necklace
Lady's Beautiful Sterling Golden & White Saphire Necklace, Golden Sapphire approx 7 ct, White Sapphire approx 2.5 ct.
Limited Edition Picasso - Mother and Child - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mother and Child". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - End of the Trail by Fraiser
This Original Fine Silver sculpture by Fraiser is called, "End of the Trail" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Salvador Dali Original Limited Edition 24K Gold Layered Bronze Sculpture -Venus Di Milo
Salvador Dali limited edition 24K gold layered bronze sculpture "Venus Di Milo".
Bronze Tiny Moreau
Bronze Tiny by artist Moreau dimensions are about 36x18x12
Horses - Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas. "Horses". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA ROBE JAUNE, RUBANS NOIRS", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - The Sublime Moment
Salvador Dali signed limited edition, "The Sublime Moment". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Café Terrace at Night by Van Gogh
Original Lithograph. Dimensions are approx 20x22
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bulls" by G. Huerta
Original Hand Carved Marble "Bulls" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Original Oil on Canvas. Grapes by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Lady's Fancy Style Sterling Colombian Emerald Earings
Lady's Fancy Style Sterling Colombian Emerald Earings, approx 30 ct.
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
"Bacchanale" - Dali - Limited Edition
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Three Young Surrealist Women
Salvador Dali signed limited edition, "Three Young Surrealist Women". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Dreaming in Color- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming in Color". This very special edition is extremely limited. Image Size: 34" x 42" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Cockeral Of The Liberation" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bathers by Paul Gauguin "Lithograph"
Bathers by Paul Gauguin. Limited Edition
Lady's Fancy Antique Style Sterling Silver Graduated Garnet Ring
Lady's Fancy Antique Style Sterling Silver Graduated Garnet Ring, Graduated Garnets approx 2.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's 14K White Gold Emerald/Diamond Ring
This lady’s 14K White Gold Emerald/Diamond Ring is comprised of 4 prongs set emerald cut emerald, 4 prongs set round cut 19 diamonds and bezel set 37 baguette cut diamonds. Total estimated diamond’s weight are 2.15 cts. Total estimated emerald's weight is 1.85 cts. The total weight of the ring is 15.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Blashemers". Comes with COA and beautifully framed.
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 13"H 13"W
Salvador Dali Enchanting Limited Edition Bronze- METAMORPHOSIS OF NARCISSOS
Salvador Dali signed and numbered bronze sculpture "METAMORPHOSIS OF NARCISSOS". Comes with COA. Some variation in patina might occur. Approx. size: 11"x5"x5".
Brancusi Limited Edition Bronze -MALE TORSO
Brancusi signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x6.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title "The Horse, Rider and Clown" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Spirit of Ecstacy by C. Sykes
This bronze sculpture by C. Sykes is called, "Spirit of Ecstacy" and measures approx. 30" x 16" x 16" and weighs approx. 88lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Frank Sinatra Giclee with Gold Record
"Frank Sinatra" Giclee with Gold Record "Summer Wind", also with Biography, comes in Beautiful custom matt & frame, approx dimension 18"x14".
4 Pieces Color Lithograph
4 Pieces Color Lithograph Set includes: Edgar Degas Lithograph, 2- Jasper Johns Lithographs and Pierre-Auguste Renoir Lithograph. Frame Size: 29”x38”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CARAFE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Super Techno Mens Diamond Watch
This watch is 0.12 cts of diamonds, polished stainless steel case and Black band, scratch-free crystal glass. The face is White & Yellow .Fine Japan-made quartz movement with chronograph function. Water-resistant to 100 m (330 ft).Come with two extra band.
Very Fancy Ruby Pendant
Very Fancy Ruby Pendant, Ruby approx 22ct.(151DD)
Le Cirque III- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque III". Comes with COA. Approx. size: 20"x24". HC-0045
Ulysses and Penelope by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Spirit of Ecstasy - Fine Sculpture by Charles Robinson Sykes
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This a antique Gold Patina sculpture . Comes with foundry assay. Some variations in marble might occur.
Clara - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Clara. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x31x7".
Lady's Fancy Almandine Garnet With White Sapphire Pendant
Lady's Fancy Almandine Garnet With White Sapphire Pendant, Garnet approx 8 ct, White Sapphireapprox 2 ct .
Limited Edition Picasso - Man Leaning On A Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man Leaning On A Table". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Fine Silver Sculpture - Unknown by Shrady
This Original Fine Silver sculpture by Shrady is called, "Unknown" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10".
LLado GIVER MY Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "GIVER MY ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Bronze Sisters Moreau
Bronze Sisters by artist Moreau dimensions are about 31x14x12
Seaside- Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas, "Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE, FOND MOUCHARABI", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Salvador Dali Signed Limited Edition - Fighting the Minotaur
Salvador Dali signed limited edition, "Fighting the Minotaur". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Landscape with Figures 188 by Van Gogh
Original Lithograph. Dimensions are approx 20x23
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Mobius Strip II", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Joan Miro Original, limited Edition Bronze-L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Ne
Joan Miro signed and numbered bronze sculpture, "L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Nests In Bloom Fingers)". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
"St John on the Cross" - Dali - Limited Edition
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Crucifixion (Corpus Hypercubus)
Salvador Dali signed limited edition, "Crucifixion (Corpus Hypercubus)". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman IN Turkish Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Mademoiselle Pogany II by Constantin Brancusi "Lithograph"
Mademoiselle Pogany II by Constantin Brancusi. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VERMOUTH BOTTLES" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Victor Villareal Limited Edition Real Silver Sculpture - Take Five
Victor Villareal signed and numbered real silver sculpture, "Take Five". Contains approx. 10 Troy ounces of real silver.
Lady's 14K White Gold Yellow Diamond/Sapphire Necklace
This ladies 14K White Gold Yellow Diamond/Sapphire Necklace is comprised of 4 prongs set 38 oval cut sapphires, 4 prongs set 76 baguette cut diamonds. Total estimated diamond's weights are 4.00 cts and total estimated yellow sapphire's weights are 24.50 cts. SI 1, SI 2, I 1 clarity and H I color. The total weight of the necklace is 35.80 grams.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Cross of Mars". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 15"H 12"W
Salvador Dali Enchanting Limited Edition Bronze- Furniture Nutrition
Salvador Dali signed and numbered bronze sculpture "Furniture Nutrition". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7".
Botero Original limited Edition Bronze Sculpture - PEDRITO
Botero signed and numbered bronze, "Pedrito". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x8 Inch.
Bronze Sculpture - Ballerina by De Lier
This bronze sculpture by De Lier is called, "Ballerina" and measures approx. 15" x 8" x 6" and weighs approx. 16bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Good Fellas Giclee & bullet
Good Fellas Giclee & bullet, comes in Beautiful custom matt & frame, approx dimension 18"x14"
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the suit "Le Gout du Bonheur". Together they make the perfect pair. Frame Size: 29”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Diamond Approx 5.CTS
Porcelain Urn
Porcelain Urn 20x20x38
Le Cirque VII- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque VII". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Very Fancy Yellow Sterling ROSE Design Golden Sapphire Ring.
Lady's Very Fancy Yellow Sterling ROSE Design Golden Sapphire Ring, Golden Sapphires approx 5 ct.
The Festival by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Dish". Comes with ceritificate of authenticity, framing available at an additonal cost.
Cleopatra - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace, Golden Sapphire approx 6 ct, Diamonds approx .50 ct VS1, G in color.
Limited Edition Picasso - Studio with Plaster Bust - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Studio with Plaster Bust". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Gift Dancer by Kauba
This Original Fine Silver sculpture by Kauba is called, "Gift Dancer" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed sculpture made from bronze and layered with 24K gold entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
LLado "Trail of Flowers II" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "Trail of Flowers II". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Swordfish Fountain Moigneiz
Bronze Swordfish fountain by artist Moigneiz, fountain is pre plumbed, dimensions are about 79x40x19
Harlequin - Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Harlequin". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE A LA CHAISE - LONGUE DANS PAYSAGE", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
George Suerat Signed Limited Edition - Bathers at Asnieres
George Suerat signed limited edition, "Bathers at Asnieres". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Bedroom at Arles by Van Gogh
Original Lithograph. Dimensions are approx 20x24
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Snakes", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
"St George and the Dragon" by Dali
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - Music - The Red Orchestra
Salvador Dali signed limited edition, "Music - The Red Orchestra". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Dancing in Barcelona- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dancing in Barcelona". . This very special edition is extremely limited . Image Size: 52" x 38" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Marie Therese Walter III" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Stylish 14 kt Yellow Gold Heart & Pearl Earrings
Stylish 14 kt Yellow Gold Heart & Pearl Earrings
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas "Lithograph"
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas. Limited Edition
Lady's Beautiful Princess Cut Promise Ring Sterling Silver White Sapphire Ring
Lady's Beautiful Princess Cut Promise Ring Sterling Silver White Sapphire Ring, White Sapphire approx 3 cts.
Pablo Picasso Original, Limited Edition Bronze -L' Homme en Prole a la Paix Couronne Dl Espoir
New arrived, Pablo Picasso signed and numbered Relief (sculpture), "L' Homme en Prole a la Paix Couronne Dl Espoir". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA SAN MARCO" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "In the Hands of Antaeus". Comes with COA and beautifully framed.
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 17"H 17"W
Salvador Dali Enchanting Limited Edition Bronze- THE ROM
Salvador Dali signed and numbered bronze sculpture "THE ROM". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x6".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Henry Moore Limited Edition Bronze - Thin Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Thin Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:4x12x6.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title " The Codomas" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Perfection by De Lier
This bronze sculpture by De Lier is called, "Perfection" and measures approx. 15" x 11" x 8" and weighs approx. 28bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
SOPRANOS Giclee & bullet
SOPRANOS Giclee & bullet, comes in Beautiful custom matt & frame, approx dimension 18"x14"
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 22”x30”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Mark Stevens Original Lithograph
Mark Stevens Original Lithograph, signed, NOT FRAMED! approx dimension 21"x29". Is beautiful to have in this in season piece for you, or an advanced collector. Bid and win on it today!!!
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TROIS CITRONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le Cirque VIII- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque VIII". Comes with COA. Approx. size: 20"x24". HC-0045
Ulysses' Bed by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original, limited Edition Bronze - Space Venus
Salvador Dali signed and numbered bronze sculpture, "Space Venus". Comes with COA. Some variation in patina might occur.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Melting Snow at Fontainbleau". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Preiss Bronze and Ivory - Tennis Player
Signed bronze and ivory art deco sculpture "Tennis Player" by artist Preiss, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 13"x11"x6"
Limited Edition Picasso - Woman With Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With Pigeons". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Arizona by Unknown
This Original Fine Silver sculpture by Unknown is called, "Arizona".It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington Monumental sculpture, "Rattlesnake" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x16"x10".
Platinum Gold Mountain Man Remington
Platinum and gold patina bronze Mountain Man fountain, fountain is pre plumbed dimensions are about 62x29x30
Mardi Gras- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Mardi Gras". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PETITE LISEUSE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Marc Chagall Signed Limited Edition - The large Grey Circus
Marc Chagall Signed Limited Edition, "The large Grey Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Houses at Auvers by Van Gogh
Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Evgeniy Vuchetich Original, limited Edition Bronze - Sword Into Plowshare
Signed and numbered bronze by Evgeniy Vuchetich titled, "Sword Into Plowshare". Some variation in patina might occur.
"Two Fishes" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Pieces Of Bread
Salvador Dali signed limited edition, "The Pieces Of Bread". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude De Personnages" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Highway by Jasper Johns "Lithograph"
Highway by Jasper Johns. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali Signed Limited Edition Bronze - Terpsicore
Dali signed, limited edition Dali sculpture, "Terpsicore". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" City News" In the manner of Norman Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Bertram dal Bornio". Comes with COA and beautifully framed.
Mother & Son Bronzite Sculpture
This is an Resin Sculpture with bronze finish “Mother & Son”. Dimensions: 16"H 9"W 9"D
Salvador Dali Enchanting Limited Edition Bronze- Unknown Title
Salvador Dali signed and numbered bronze sculpture "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 5"x9"x4".
Henry Moore Limited Edition Bronze - Reclining Figure: Fragments
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Fragments". Comes with COA. Some variation in patina might occur. Approx. size: 7x13x4.
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Very Very Fany Badavici Watch
Ladies Very Very Fany Badavici Watch Georgous Multi Color Stone, White Sapphire, Amethyst, Citrine, Aqua Marine
Lady's Fancy Sterling Peridot & White Sapphire Necklace
Lady's Fancy Sterling Peridot & White Sapphire Necklace, Sapphire approx 7.5 ct, Peridot approx 6 ct.(39DN)

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Le Cirque- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque". Comes with COA. Approx. size: 20"x24". HC-0045
In Hell by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - Venus A La Giraffe
Salvador Dali signed and numbered bronze sculpture, "Venus A La Giraffe". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H
Dolly Sisters - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Dolly Sisters. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Sergeant by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Sergeant" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Clear Turkish Crystal Punch Bowl
Clear Turkish Crystal Punch Bowl

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Platinum Gold Bronze Buster Fountain Remington
Platinum and gold patina bronze fountain by artist Frederic Remington Bronco Buster, signed, fountain is pre plumbed dimensions are about 61x29x32
Still Life with Apples- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Still Life with Apples". Comes with COA. Approx. size: 20"x24". HC-0046
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CAPELINE EN PAILLE D'ITALIE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Le Faune". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Pierre Renoir Limited Edition - TWO SISTERS
Pierre Renoir Limited Edition, "TWO SISTERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mike Stidham Limited Edition Lithograph "Jumping Trout"
Mike Stidham Limited Edition Lithograph "Jumping Trout", signed & numbered, approx dimension 20x16 in.
Mountain Paradise by Thomas Kinkade
Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Drawing Hands", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Outstanding Onyx and Bronze Pedastal
Onyx and Bronze Pedastal. Approx 38x14x14. Outstanding piece of art perfect for displaying a gorgeous sculpture, or anything else!
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"Personages, Birds and Star" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Transparent Simulacrim
Salvador Dali signed limited edition, "The Transparent Simulacrim". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Everlasting Beauty- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Everlasting Beauty". . This very special edition is extremely limited . Image Size: 28" x 40" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Au Cheau Gris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
999 Gold Chinese Zodiac Pendants (ROOSTER)
999 Gold Chinese Zodiac Pendants (ROOSTER)
Flag on Orange Field II by Jasper Johns "Lithograph"
Flag on Orange Field II by Jasper Johns. Limited Edition
Roseville Porcelain approx dimensions are 7x5x2
2nd Generation Roseville Porcelain approx dimensions are 7x5x2
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF SAN GIORGIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Thin Man
Dali sculpture, "Thin Man" is approx. 3.52 oz of fine real .999 silver. Sculpture measures approx. 9". Comes with foundry Assay.
Dali Signed and Numbered Bronze Sculpture - St. John On The Cross
Dali Signed and Numbered Bronze Sculpture - St. John On The Cross. Approx. size: 12"x3"x3".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" Clower Stall" In the manner of Norman Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Logician Devil". Comes with COA and beautifully framed.
Young Girl Garden Figure
This is an Resin Garden Figure “Young Girl”. Dimensions: 22"H 10"W 9"D
Salvador Dali Enchanting Limited Edition Bronze- DREAMS
Salvador Dali signed and numbered bronze sculpture "DREAMS". Comes with COA. Some variation in patina might occur. Approx. size: 9"x6"x5".
Alberto Giacometti Original, limited Edition Bronze - Walking Man II
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man II". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title "The Cowboy" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Buffalo Standing by Kauba
This bronze sculpture by Kauba is called, "Buffalo Standing". It comes with foundry paperwork.
Beach Boys Giclee with Gold Record
"Beach Boys" Giclee with Gold Record , also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CUVETTE BLEUE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Georgous All natural Abolone Approx 250CTS.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Fancy 14 Kt White Gold Black & White Diamond Ring
Black Diamond approx 1.25 ct, White Diamonds approx .15 ct VS1, G in color.
Night Bouquet- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Night Bouqet". Comes with COA. Approx. size: 20"x24". HC-0045
Eupeithes by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Girl Possessed By Her Chastity
Salvador Dali signed and numbered bronze sculpture, "Girl Possessed By Her Chastity". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape in Northern Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Everlasting Love - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Everlasting Love. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x20.5"x7".
Limited Edition Picasso - Jacqueline With Crossed Hands - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline With Crossed Hands". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Wicked Pony by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Wicked Pony" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Limited Edition 24K Gold Layered Bronze RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros". It is cast in bronze and then layered with 24K gold. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
Clear Turkish Crystal Dessert Dish
Clear Turkish Crystal Dessert Dish

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

View of Auvers from above- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "View of Auvers from above". Comes with COA. Approx. size: 20"x24". HC-0047
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU MAGNOLIA", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Marc Chagall Signed Limited Edition - The Sources of Music
Marc Chagall Signed Limited Edition, "The Madonna in a Red Robe". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Lithograph
Charles Jeffrey Lithograph, hand signed, approx dimension 15x25 in.
Garden of Sunflowers by Klimt
Original Lithograph. Dimensions are approx 14x24
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Three Spheres I", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bears" by G. Huerta
Original Hand Carved Marble "Bears" by G. Huerta, 2 pcs, each fig approx size 6X8 in., stand not included.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Lucien Alliot Original, limited Edition Bronze - Woman
Lucien Alliot signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size:

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

"Bather" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Five Allegories Of Giovanni Bellini
Salvador Dali signed limited edition, "Five Allegories Of Giovanni Bellini". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Jacqueline In The Studio" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Untitled (Red, Yellow and Green) by Willem De Kooning "Lithograph"
Untitled (Red, Yellow and Green) by Willem De Kooning. Limited Edition
Unisex Fancy Sterling Silver Diamond Band Ring
Unisex Fancy Sterling Silver Diamond Band Ring, Diamonds approx .20 ct, VS1, color G.
Pablo Picasso Original, Limited Edition Bronze - Pensative Woman
New arrived, Pablo Picasso signed and numbered Relief (sculpture), "Pensative Woman". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real .999 Silver Pablo Picasso Limited Edition- Vase Face.
Dali Signed and Numbered Real Silver Sculpture, " Vase Face.". Contains approx. 10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Manto". Comes with COA and beautifully framed.
Mother & Son Bronzite Sculpture
This is an Resin Sculpture with bronze finish “Mother & Son”. Dimensions: 16"H 15"W 9"D
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy I
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy I". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x10".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Abraham Lincoln Memorial Sculpture
Bronze recreation of the Lincoln Memorial. Great detail. Some variation of patina may occur. Approx. size: 11"x5"x5".
Bronze Sculpture - Unknown by Shrady
This bronze sculpture by Shrady is called, "Unknown". It comes with foundry paperwork.
Cristina Aguilera Giclee with Gold Record
"Cristina Aguilera " Giclee with Gold Record "Come on baby all I want is you", also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
Jasper Johns Lithographs
Jasper Johns: 2 Piece Color Lithograph Set includes an Highway and Flag on Orange Field II by Jasper Johns. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Santoloni Lithograph
Santoloni Lithograph, unframed approx. 20x20, beautiful depth, creation at his best. Have his piece to start a collection! Bid and win this beauty today! CC
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA PALETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch Georous Blue Lapis Appox 125.CTS
Still Life with Flowers- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Still Life With Flowers". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Yellow Sterling White Sapphire & Golden Citrine Ring
Lady's Fancy Yellow Sterling White Sapphire & Golden Citrine Ring, White Sapphires approx 2ct, Golden Citrines approx 4ct.
Peace Rediscovered by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original, limited Edition Bronze - Galatea, Nude
Salvador Dali signed and numbered bronze sculpture, "Galatea, Nude". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Roofs". Comes with ceritificate of authenticity, framing available at an additonal cost.
Diane and the Wolves - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Diane and the Wolves". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:20x25x9.
Limited Edition Picasso - Still Life With Bulls Head - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Bulls Head". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Scales of Justice by Mayer
This Original Fine Silver sculpture by Mayer is called, "Scales of Justice". It measures approx. 68" x21"x17.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture
Bruno Bruni limited edition 24K gold layered bronze sculpture.
Clear Turkish Crystal Vase
Clear Turkish Crystal Vase
Sailing Boats at Saint-Adresse - Raoul Dufy - Limited Edition On Canvas
Raoul Dufy Limited Edition on canvas, "Sailing Boats at Saint-Adresse".Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE, CULOTTE RAYEE, PROFIL REFLETE DANS LA GLACE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Original Gangsters Giclees
Original Gangsters Lucky Luciano, Al Capone & John Gotti Giclees with gun & bullets. Approx dimension 35x34.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Marc Chagall Signed Limited Edition - The Madonna in a Red Robe
Marc Chagall Signed Limited Edition, " The Sources of Music". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Lithograph "Polar Bear"
Charles Jeffrey Lithograph "Polar Bear", hand signed, approx dimension 23x30 in.
Drowning Girl by Lichtenstein
Original Lithograph. Dimensions are approx 12x16
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Stars", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Nadelman Original, limited Edition Bronze - Standing Woman
Nadelman signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size:
"Woman Walking Down The Street" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - From Tristan and Isolde
Salvador Dali signed limited edition, "From Tristan and Isolde". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Sunday at the Balcony- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Sunday at the Balcony". This very special edition is extremely limited . Image Size: 42" x 30" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Vase Of Flowers" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Police Gazelle by Willem De Kooning "Lithograph"
Police Gazelle by Willem De Kooning. Limited Edition
Lady's Antique Style Sterling Silver White Sapphire Ring
Lady's Antique Style Sterling Silver White Sapphire Ring, White Sapphires approx 1 ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Bruno Bruni Limited Edition Real Silver Sculpture
Bruno Bruni signed and numbered real silver sculpture, . Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Waterfall of the Phlegethon". Comes with COA and beautifully framed.
Child Golfer Sculpture
This is an Resin Sculpture with bronze finish “Child Golfer”. Dimensions: 16"H 9"W 7"D
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy II
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy II". Comes with COA. Some variation in patina might occur. Approx. size: 13"x15"x6".
Alexander Archipenko Limited Edition Sculpture - Dancer's Pose
Alexander Archipenko signed and numbered bronze sculpture, "Dancer's Pose". Comes with COA. Some variation in patina might occur. Approx. size: 13X4X4.
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Toreador II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Unknown by Elwell
This bronze sculpture by Elwell is called, "Unknown". It comes with foundry paperwork.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Britney Spears Giclee with Gold Record
"Britney Spears " Giclee with Gold Record "Baby one more time", also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant, Diamonds Approx 1.25 cts, Color VS1 - G
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE GUERIDON ROUGE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Agate White Approx 100.cts, Diamond Approx .50CT, Color VS1 - G.
The Bay of Angels- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Tha Bay of Angels". Comes with COA. Approx. size: 20"x24". HC-0045
Ulysses at Alcinous' Palace by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Salvador Dali Original, limited Edition Bronze - The Dream
Salvador Dali signed and numbered bronze sculpture, "The Dream". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bridge in the Forest". Comes with ceritificate of authenticity, framing available at an additonal cost.
Shimmer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Shimmer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:26"x10"x6.
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace, Almadine Garnet approx 10 CT, Diamonds .50 ct VS1, G in color.
Limited Edition Picasso - Le Dejeuner sur l'Herbe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Le Dejeuner sur l'Herbe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Angel of Peace - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
icart1-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Unknown". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE JEUNE FILL E AU COL ORGANDI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Marilyn Monroe Large Hologram with Gold Record
Marilyn Monroe 3D Giclee with Gold Record, approx dimension 33x33.
Klimt Limited Edition - Malcesine on Lake Garda
Klimt limited edition, "Malcesine on Lake Garda". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph "Mt. Goats"
Michael Coleman Mix Media Litho/Serigraph "Mt. Goats", hand signed, approx dimension 24x18 in.
Poppy Field by Monet
Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Waterfall", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Brilliant Jean Arp Original, limited Edition Bronze - Sculptural Element
Jean Arp signed and numbered bronze sculpture, "Sculptural Element". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
"Swallow Love" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Study for Sentimental Colloquy
Salvador Dali signed limited edition, "Study for Sentimental Colloquy". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
The Loge by Pierre-Auguste Renoir "Lithograph"
The Loge by Pierre-Auguste Renoir. Limited Edition
Lady's Beautiful Sterling Silver White Sapphire Ring
Lady's Beautiful Sterling Silver White Sapphire Ring, White Sapphires approx 1.5 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "In the Heaven of Mercury". Comes with COA and beautifully framed.
Lady and Gentlemen Golfers Sculpture
This is an Resin Sculpture with bronze finish “Lady and Gentlemen”. Dimensions: 17"H 12"W 8"D

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Enchanting Limited Edition Bronze- Atmospheric Skull Sodomizing a Grand Piano
Salvador Dali signed and numbered bronze sculpture "Atmospheric Skull Sodomizing a Grand Piano ". Comes with COA. Some variation in patina might occur. Approx. size: 10"x12"x7".
Brancusi Limited Edition Bronze -SEAL
Brancusi signed and numbered bronze sculpture, "Seal". Comes with COA. Some variation in patina might occur. Approx. size: 18x10x7.
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Toredor I" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Boy with Torch by Moreau
This bronze sculpture by Moreau is called, "Boy with Torch" and measures approx. 16" x 9.5" x 7". It comes with foundry paperwork.
Smokey Robinson Giclee with Gold Record
"Smokey Robinson " Giclee with Gold Record "THE TEAR OF THE CLOWN", also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thornhill Original Lithograph
Thornhill Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "RAISIN" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch White Opal Approx 60.CTS
Beautiful Unisex 14kt White Gold Diamond Ring
Beautiful Unisex 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color G.(10KJ)
The Birthday- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Birthday". Comes with COA. Approx. size: 20"x24". HC-0045
Ulysses Disguised as a Beggar by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

F. Preiss Original Pencil on Paper.
original signed pencil In the manner of F. Preiss . Signed . Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Impeccable Original, limited Edition Bronze - Surrealist Angel
Salvador Dali signed and numbered bronze sculpture, "Surrealist Angel". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:16x18x5
Limited Edition Picasso - The Abduction Of The Sabine Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Abduction Of The Sabine Women". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Tango by Icart
This Original Fine Silver sculpture by Icart is called, "Tango". It measures approx. 17" x 16" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
Clear Turkish Crystal Vase
Clear Turkish Crystal Vase
Bronze Fighting Aligator Bayre
Bronze fighting aligator by artist Bayre, dimensions are about 29x45
Lacender Lady-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Lavender Lady". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ACCOUDEE DEVANT PARAVENT FLEURI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Scarface Large Hologram The World Is Yours!
Scarface 3D Giclees, set of 4 with narrative, approx dimension 34x32.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - JULIET'S TOMB
Salvador Dali signed limited edition, "JULIET'S TOMB". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Clyde Aspeving Mix Media Litho/Serigraph "Tongue River Country"
Clyde Aspeving Mix Media Litho/Serigraph "Tongue River Country", hand signed.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Double Planetoid", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Pigs" by G. Huerta
Original Hand Carved Marble "Pigs" by G. Huerta, 2 pcs, each fig approx size 5X8 in., stand not included.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Diego Giacometti Original, limited Edition Bronze -Horse
Diego Giacometti signed and numbered bronze sculpture, "Horse". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x6.
"The First Spark of the Dog" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Rocks
Salvador Dali signed limited edition, "Rocks". Comes with COA. Edition number may vary from pictured.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pino on Canvas - Second Thought- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Second Thought". This very special edition is extremely limited . Image Size: 44" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Man With Barbione" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Young Women at the Water's Edge by Pierre-Auguste Renoir "Lithograph"
Young Women at the Water's Edge by Pierre-Auguste Renoir. Limited Edition
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 10x8
Pablo Picasso Original, Limited Edition Bronze -Safir
Pablo Picasso signed and numbered Relief (sculpture), "Safir". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4 Inch.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE D'INVERNO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Song of the Wise Spirits". Comes with COA and beautifully framed.
Classical Male Bust Sculpture
This is an Resin Sculpture with bronze finish “Male Bust ”. Dimensions: 17"H 9"W 6"D
Salvador Dali Original, limited Edition Sculpture - Alice III
Salvador Dali signed and numbered sculpture sculpture, "Alice III". Comes with COA. Some variation in patina might occur. Approx. size: 20"x20"x7".
Alberto Giacometti Original, limited Edition Bronze - MAN SHOULDERS
Alberto Giacometti signed and numbered bronze sculpture, " MAN SHOULDERS ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Disappearing Bust Of Voltaire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Alpine Boy by Haubner
This bronze sculpture by Haubner is called, "Alpine Boy" and measures approx. 26" x 10" x 9". It comes with foundry paperwork.
SHANIA TWAIN 2 Giclees
"Shania Twain" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
F. Maul Original Lithograph
F. Maul Lithograph. Unframed, signed, a must have in your art collection, approx dimension 15"x20". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 1.40 cts, color VS1 - G.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Citrine Approx 50.CTS.
The Female Acrobat II- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "TheFemale Acrobat II". Comes with COA. Approx. size: 20"x24". HC-0045
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - The Centuar
Salvador Dali signed and numbered bronze sculpture, "The Centuar". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "L'estaque and the Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Finale - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Finale. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Limited Edition Picasso - Jacqueline Seated with Her Black Cat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline Seated with Her Black Cat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Archer by Fauays
This Original Fine Silver sculpture by Fauays is called, "Archer". It measures approx. 24.5" x 5.9"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Clear Turkish Crystal glass set
Clear Turkish Crystal glass set
Number2-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 2". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FIGURE ASSISE, BOUQUET DE FLEURS DEVANT LA MER", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Fluid Premonition
Salvador Dali signed limited edition, "Fluid Premonition". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Litho/Sirograph "Opening Night 1931"
Filmore Mix Media Litho/Sirograph "Opening Night 1931", hand signed Limited Edition, approx dimension 24x28 in.
Purple Petunias 1925 by Georgia O'Keefe
Original Lithograph. Dimensions are approx 12x16
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dream", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

"The Nightengales Song" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Simoniacs
Salvador Dali signed limited edition, "The Simoniacs". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Quatre Nus Au Harem" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Peasant Woman against a Background of Wheat by Vincent Van Gogh "Lithograph"
Peasant Woman against a Background of Wheat by Vincent Van Gogh. Limited Edition
Lady's Antique Style Sterling Silver Diamond Ring
Lady's Antique Style Sterling Silver Diamond Ring, Diamonds approx 1 ct, VS2, color G.
Manolo Hugue Original, limited Edition Bronze - Reclining Man
Manolo Hugue signed and numbered bronze sculpture, "Reclining Man". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x4".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GONDOLE A SAN MARCO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Terpsicore
Dali sculpture, "Terpsicore" is approx. 25 g of fine real .999 silver. Sculpture measures approx. 8 3/8"x 2" x 2". Comes with foundry Assay.
Dali Limited Edition Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Human
This is a limited edition, signed bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN" watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Dust of Souls". Comes with COA and beautifully framed.
Bull Rider Sculpture
This is an Resin Sculpture with bronze finish “Bull Rider ”. Dimensions: 12"H 11"W 5.50"D

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original, limited Edition Sculpture - Alice II
Salvador Dali signed and numbered sculpture sculpture, "Alice II". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Alberto Giacometti Original, limited Edition Bronze - HOMME
Alberto Giacometti signed and numbered bronze sculpture, " HOMME ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. " Self Portrait Studio Arttire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Dove In Hands by D. Hunter
This bronze sculpture by D. Hunter is called, "Dove In Hands" and measures approx. 9" x 13" x 10" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
CARRIE UNDERWOOD 2 Giclees
"Carrie Underwood" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lithograph by Chiam Gross.
Chiam Gross Lithograph. Unframed, Signed and Numbered a must have in your art collection, approx dimension 15"x20" .
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 2.25 cts, Color VS1 - G.
Ladies Georgous Badavici Quartz Watch
Ladies Georgous Badavici Quartz Watch, with Diamonds
The female acrobat- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "TheFemale Acrobat". Comes with COA. Approx. size: 20"x24". HC-0045
Unisex Fancy Yellow Sterling Rose Garnet & White Sapphires Ring
Unisex Fancy Yellow Sterling Rose Garnet& White Sapphires Ring, Garnet approx 12 ct, White Sapphires approx 3ct.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Pencil Sketch on Paper. Signed Phillipe
Original pencil skectch on paper. In the manner of Phillipe. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway near L'estaque". Comes with ceritificate of authenticity, framing available at an additonal cost.
La Bayadere- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "La Bayadere". Bayadere, from the Portuguese word for dancer, bailaderia, was used in the late 20's to describe Indian dancers and. by extension, dancers in general. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x6".
Limited Edition Picasso - Man With A Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Pipe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - At the River by Moreau
This Original Fine Silver sculpture by Moreau is called, "At the River". It measures approx. 21" x 7"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10".
GALLE VASE
2st Generation Galle Vase, approx dimensions are: 14"x 6"
Number4-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 4". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA JUPE TULLE", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - Woman Imitating a Schooner
Salvador Dali signed limited edition, "Woman Imitating a Schooner". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Engine Company No. Four"
Filmore Mix Media Lithograph "Engine Company No. Four", hand signed Limited Edition, approx dimension 20x20 in.
Shady Lane by Patchell-Olsen
Hand Signed Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Concentric Space", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
David Alfaro Siqueros Original, limited Edition Bronze - Woman With Child
David Alfaro Siqueiros signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
"Ladders Cross the Blue Sky" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Giant Flying Mocca Cup
Salvador Dali signed limited edition, "Giant Flying Mocca Cup". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Country Girl- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Country Girl". This very special edition is extremely limited . Image Size: 43" x 32" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Couchee II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Entrance to a Quarry by Vincent Van Gogh "Lithograph"
Entrance to a Quarry by Vincent Van Gogh. Limited Edition
Lady's Fancy Sterling Silver White Sapphire Ring
Lady's Fancy Sterling Silver White Sapphire Ring, White Sapphires approx 1.5 cts.
Salvador Dali Captivating Original, limited Edition Bronze - MONUMENTAL
Salvador Dali signed and numbered bronze sculpture, "MONUMENTAL". Comes with COA. Some variation in patina might occur. Approx. size: 27"x20"x13"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WINTER CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of Dante's Great-Great-Grandfather". Comes with COA and beautifully framed.
Angel - stone finish Sculpture
This is an Resin Sculpture with stone finish “ANGEL ”. Dimensions: 24"H 13"W 9"D
Salvador Dali Enchanting Original, limited Edition Bronze - DESECRATION OF THE MACHINES
Salvador Dali signed and numbered bronze sculpture, "DESECRATION OF THE MACHINES". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x6".
Alberto Giacometti Original, limited Edition Bronze -MALE
Alberto Giacometti signed and numbered bronze sculpture, " MALE ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Soy Y Dalie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - The Rabi by D. Hunter
This bronze sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 18"x14".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 30”x21”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds are 1.50 ct, Color VS1 - G.
The Jugglar- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Jugglar". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Exquisite Original, limited Edition Bronze -Venus Di Milo
Salvador Dali signed and numbered bronze sculpture, "Venus Di Milo". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Avenue of Chestnuts at the Jas De Bouffan in Winter". Comes with ceritificate of authenticity, framing available at an additonal cost.
Flame Leaper - Bronze and Ivory Sculpture by Preiss
Preiss broze and ivory sculpture, Flame Leaper. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17"x21".
Lady's Beautiful Sterling Citrine & Diamond Necklace
Lady's Beautiful Sterling Citrine & Diamond Necklace, Citrine approx 10 ct, Diamonds approx .33 ct VS1, G in color.
Limited Edition Picasso - Maternity - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maternity". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Starfish by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Starfish". It measures approx. 22" x 3.5"x 3" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Lady's Fancy 14 Kt Garnet & Diamond Ring
Garnet approx 3 ct, Diamonds approx 20 points VS1, G in color.(76DD)

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
GALLE VASE
2st Generation Galle Vase, approx dimensions are: 14"x 6"
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Number5-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 5". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE DEBOUT ET PLATEAU DE FRUITS", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Las Vegas Real Gambling Cards with Chips
"Las Vegas"20 Different Real Gambling Cards & 20 different Chips, approx dimension 27x34.
Salvador Dali Signed Limited Edition - Critical Solitude
Salvador Dali signed limited edition, "Critical Solitude". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph "Grizzlies"
Michael Coleman Mix Media Litho/Serigraph "Grizzlies", hand signed, approx dimension 22x25 in.
The 1834 House by Patchell-Olsen
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dragon", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Fritz Wotruba Original, limited Edition Bronze - Walking Man
Fritz Wotruba signed and numbered bronze sculpture, "Walking Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x9x6.
"Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Backdrop of Tristan
Salvador Dali signed limited edition, "Backdrop of Tristan". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "After Velazquez" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Orange Marilyn by Andy Warhol "Lithograph"
Orange Marilyn by Andy Warhol. Limited Edition
Lady's Antique Style Sterling Silver White Graduated Garnet Ring
Lady's Antique Style Sterling Silver White Graduated Garnet Ring, Garnets approx 3.5 cts.
Jacque Lipchitz Original, limited Edition Bronze- UNKNOWN
Jacque Lipchitz signed and numbered bronze sculpture UNTITLED. Comes with COA. Some variation in patina might occur. Approx. size: 18"x14"x7"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN TENEMENTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures and Root" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Original Perfection". Comes with COA and beautifully framed.
Venus Figure Sculpture
This is an Resin Sculpture with bronze finish “VENUS ”. Dimensions: 19"H 6"W 6"D

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Enchanting Original, limited Edition Bronze - Eocene Beach with Phone
Salvador Dali signed and numbered bronze sculpture, "Eocene Beach with Phone". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x4".
Alberto Giacometti Original, limited Edition Bronze - WOMAN ON CHARRIOT
Alberto Giacometti signed and numbered bronze sculpture, " WOMAN ON CHARRIOT". Comes with COA. Some variation in patina might occur. Approx. size: 17"x5"x5".
Bronze Sculpture - Forgiven Soldier by D. Scott
This bronze sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and weighs approx. 49lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Taylor Swift 2 Giclees
"Taylor Swift" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
3 Pieces Color Lithograph
3 Pieces Color Lithograph Set includes: 2-Andy Warhol Lithograph and Pierre-Auguste Renoir Lithograph. Frame Size: 32”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Elke Sommer- Lithograph
Elke Sommer Lithograph, hand signed, not framed, if you loved her movies, you can totally appreciate her from life art. Look at the texture, and definition of what pops in this portrait. Ponder the thought's. Would make a great lead up to your main decor or center piece of the room you have decorated. CC Bid and Win today!!cc
Lady's Fancy 14kt Gold Emerald Earings
Lady's Fancy 14kt Gold Emerald Earings, Emerald Approx .75 ct.
The pinch of snuff- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Pinch of Snuff". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Yellow Sterling White & Pink Sapphire Ring
Lady's Fancy Yellow Sterling White & Pink Sapphire Ring, White Sapphires approx 1ct, Pink Sapphires approx 3ct.
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Arc Valley". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady's Fancy Sterling Multi Color Natural Spinel Necklace
Lady's Fancy Sterling Multi Color Natural Spinel Necklace, Spinel approx 15 ct.
Limited Edition Picasso - Man In A Straw Hat With An Ice Cream Cone - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man In A Straw Hat With An Ice Cream Cone". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Cheyenne by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Aldo Luango "Dawn" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Aldo Luango titled "Dawn". Beautiful art piece on extra thick paper. Paper measures 38" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Number6-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 6". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU COUSSIN BLEU", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - Atmospheric Skull
Salvador Dali signed limited edition, "Atmospheric Skull". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Three Musicians by Picasso
Original Lithograph. Dimensions are approx 12x16
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Rufino Tamayo Original, limited Edition Bronze - The Wizard
Rufino Tamayo signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 13x11x5.
"Ciphers & Constellation" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Condoltiere
Salvador Dali signed limited edition, "Condoltiere". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pages Playing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol "Lithograph"
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol. Limited Edition
Lady's Very Fancy Sterling Silver Diamond Ring
Lady's Very Fancy Sterling Silver Diamond Ring, Diamonds approx .50 ct, VS2, color G.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 15"x15"x7".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO BELVEDERE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Family - Real Silver Sculpture by Henry Moore
Family - Real Silver Sculpture by Henry Moore, comes with foundry Assay. Contains approx. 10 oz of real silver. Some variation in marble might occur.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Large Figure" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida's History Lesson". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Gold bust Sculpture
This is an Resin Bust Sculpture with Gold finish . Dimensions: 25"H 13"W 8"D
Salvador Dali Original, limited Edition Bronze - Soft Watch
Salvador Dali signed and numbered bronze sculpture ( Chromium-plated Edition) "SOFT WATCH". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 8" x 8"
Alberto Giacometti Original, limited Edition Bronze - GIRL
Alberto Giacometti signed and numbered bronze sculpture, " GIRL ". Comes with COA. Some variation in patina might occur. Approx. size: 17"x4"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Cosmic Athlete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Eye of God by D. Hunter
This bronze sculpture by D. Hunter is called, "Eye of God" and measures approx. 22" x 14" x 6" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
The RollingStones Giclee, mini guitar & engraved signatures
"The RollingStones" Giclee in San Antonio TX. with mini guitar & engraved signatures, comes in Beautiful custom matt & frame, approx dimension 19"x14".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Fancy Columbian 14kt Gold Emerald Earings
Lady's Fancy Columbian 14kt Gold Emerald Earings, Emerald Approx .60 ct.
The Red House- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Red House". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy ROSE Design Yellow Sterling Pearl & Pink Sapphire Ring
Lady's Very Fancy ROSE Design Yellow Sterling Pearl & Pink Sapphire Ring, Pink Sapphires approx 3ct, Pearl approx 6mm.
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some varitations of patina might occur. Approx. size: Approx. size:

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Blue Vase". Comes with ceritificate of authenticity, framing available at an additonal cost.
The Golfer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "The Golfer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x6"x4".
Limited Edition Picasso - Bust Of A Woman In A Striped Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman In A Striped Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Buffalo by Elwell
This Original Fine Silver sculpture by Elwell is called, "Buffalo" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Number7-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 7". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED FIGURE DANS UN INTERIEUR"", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Bob Dylan Giclee with engraved signature
"Bob Dylan" Giclee, unused event ticket, mini guitar & engraved signature. Approx dimension 22x26.
Salvador Dali Signed Limited Edition - Suez
Salvador Dali signed limited edition, "Suez". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Renoix Serigraph on Canvas
Renoix Serigraph on Canvas, A/P hand signed, approx dimension 22x17 in.
Two Girls at the Piano by Renoir
Original Lithograph. Dimensions are approx 20x20
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Jean Arp Limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 16X4X4.
"The Gentleman" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Cambells Elvis by Andy Warhol "Lithograph"
Cambells Elvis by Andy Warhol. Limited Edition
Lady's Fancy Antique Style Sterling Silver Diamond Ring
Lady's Fancy Antique Style Sterling Silver Diamond Ring, Diamonds approx .30 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL GRANDE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
St. John - Real Silver Sculpture by Salvador Dali
St. John - Real Silver Sculpture by Salvador Dali, comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Two Circles of Spirits". Comes with COA and beautifully framed.
Boy on Fish Sculpture
This is an Resin Sculpture with bronze finish “Boy on Fish ”. Dimensions: 20"H 13"W 13"D

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original, limited Edition Bronze - TRISTAN FOU
Salvador Dali signed and numbered bronze sculpture " Tristan Fou". New listing, Some varitations of patina might occur. Approx. size: 10"x 16" x 8" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - MAN POINTING
Alberto Giacometti signed and numbered bronze sculpture, " MAN POINTING ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x10"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Blue Horns" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Jerusalem by De Lier
This bronze sculpture by De Lier is called, "Jerusalem" and measures approx. 20" x23" x 17" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Lady Antebellum Two Giclees
"Lady Antebellum" Two Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Limited Edition Serigraphs by - Kerman
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Kerman Set includes 2 Original Serigraphs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The White Window- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The White Window". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - El Gran Masturbador
Salvador Dali signed and numbered bronze sculpture, "El Gran Masturbador". Comes with COA. Some variation in patina might occur. Approx. size: 14x17x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and 30lbs. It is a Limited Edition out of 399. SB6H

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Harlequine Lamp - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Harlequine Lamp. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - First Out by Renfro
This Original Fine Silver sculpture by Renfro is called, "First Out" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(53DN)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Limited Edition 24K Gold Layered Bronze Eagle Sculpture by De Lier- Survival
This is a limited edition bronze and then layered with 24K gold. By De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 12"x9"x10". It comes with the foundry assay.
Untitled-1-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Untitled -1". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CULOTTE BAYADERE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Femme et Oiseau". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition -The Apotheosis of Homer
Salvador Dali signed limited edition, "The Apotheosis of Homer ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Shung Serigraph Limited Edition
Shung Serigraph Limited Edition, hand signed, approx dimension 28x28 in.
The Loge by Renoir
Original Lithograph. Dimensions are approx 20x20
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Jean Arp Original, limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 14X5X5.
"Painting, Cat. 30" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Poetry Of America
Salvador Dali signed limited edition, "Poetry Of America". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Cliffside Retreat- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Cliffside Retreat". . This very special edition is extremely limited . Image Size: 42" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Child With Dove - from Collection Domaine Picasso
Pablo Picasso limited edition, "Child With Dove". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme A La Toilette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Franklin 1731 by Rockwell "Lithograph"
Franklin 1731 by Rockwell. Limited Edition

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Unisex Fancy Sterling Silver White Sapphire Band Ring
Unisex Fancy Sterling Silver White Sapphire Band Ring, White Sapphires approx 2 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FERMATA RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Gala Plaque
Bronze plaque rendition of Dali's "Gala" painting. Medium: bronze with silver finish. Weight: 250 g. Size: 168cmx221cm. Edition size:1500
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Picasso Watercolor Painting.
Original Watercolor on paper "Bull Fight"In the manner of Picasso . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida Sees Dante's Exile in God". Comes with COA and beautifully framed.
Young Boy and Girl Sculpture
This is an Resin Sculpture with bronze finish “Young Boy and Girl”. Dimensions: 15"H 11"W 9"D
Pablo Picasso Original, limited Edition Bronze -DOVE
Pablo Picasso signed and numbered bronze sculpture, "DOVE" New Listing. Some variation in patina might occur. Approx. size: 9"x 10"x 6". Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - HEAD OF DIEGO
Alberto Giacometti signed and numbered bronze sculpture, "HEAD OF DIEGO ". Comes with COA. Some variation in patina might occur. Approx. size: 18"x4"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Cosmic Rays" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Amy Winehouse Two Giclees & Legend I.D. card
Amy Winehouse Two Giclees & Legend image of the I.D. card, comes in Beautiful custom matt & frame, approx dimension 14x18.
Limited Edition Lithographs by Wooster Scott
2 Piece Color Lithograph by Wooster Scott. Set includes 2 beautiful Lithographs. Pencil signed in lower right and numbered. Frame Size: 34”x24”. Wonderful and Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Mark Stevens Original Lithograph
Mark Stevens Original Lithograph, signed, NOT FRAMED! approx dimension 15"x18". Is beautiful to have in this in season piece for you, or an advanced collector. Bid and win on it today!!!
Christian Knight- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Christian Knight". Comes with COA. Approx. size: 20"x24". HC-0045
Unisex Yellow Sterling Garnet & White Sapphire Ring
Unisex Yellow Sterling Garnet & White Sapphire Ring, Garnets approx 6 ct & White Sapphire approx 2 ct.
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Traces of War
Salvador Dali signed and numbered bronze sculpture, "Traces of War". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Mont Sainte Victorie Seen From Bellevue". Comes with ceritificate of authenticity, framing available at an additonal cost.
Jesters - Bronze and Ivory Sculpture by Peyre
Peyre bronze and ivory sculpture, Jesters. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x21.5".
Limited Edition Picasso - Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Savage by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Savage" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bather - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA CULOTTE DE SATIN ROUGE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Michael Jackson Giclee with Gold Record & Song Notes
"Michael Jackson" Giclee with Gold Record & Song Notes "EPIC", approx dimension 23x24.
Salvador Dali Signed Limited Edition -SINGULARITIES
Salvador Dali signed limited edition, "SINGULARITIES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
JT Jado Serigraph "The Secret Garden"
JT Jado Serigraph "The Secret Garden", signed, approx dimension 30x44 in.
Tulips in a Vase by Renoir
Signed Original Lithograph. Dimensions are approx 20x20
Original Hand Carved Marble " Rhinos" by G. Huerta
Original Hand Carved Marble " Rhinos" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Constantin Brancusi Original, limited Edition Bronze -Seagull
Constantin Brancusi signed and numbered bronze sculpture, "Seagull". Comes with COA. Some variation in patina might occur. Approx. size: 21x4x3 Inch.
"Woman and Birds in a Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Raphaelesque Head Exploding
Salvador Dali signed limited edition, "Raphaelesque Head Exploding". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Nude In AN Armchair - from Collection Domaine Picasso
Pablo Picasso limited edition, "Nude In AN Armchair". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Lobster and Cat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
April - Limited Edition Signed "Lithograph"
April - Limited Edition Signed. Serigraph. Approx 22x26. Stunningly vibrant colors. Beautiful and Breath-taking
Lady's Beautiful Sterling Silver Swirl Diamond Ring
Lady's Beautiful Sterling Silver Swirl Diamond Ring, Diamonds approx .20 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZETTA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Kneeling Figure" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Beatrice Comforts The Poet". Comes with COA and beautifully framed.
Water Girl Sculpture
This is an Resin Sculpture with bronze finish “Water Girl”. Dimensions: 18"H 10"W 9"D
Salvador Dali Original, limited Edition Bronze - Archeoligical Millets Angelus
Salvador Dali signed and numbered bronze sculpture " Archeoligical Millets Angelus". New Listing . Some varitations of patina might occur. Approx. size: 13"x 10" x 4" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - TALL FIGURE
Alberto Giacometti signed and numbered bronze sculpture, " TALL FIGURE ". Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Die Aura" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Standing Jesus by D. Hunter
This bronze sculpture by D. Hunter is called, "Standing Jesus" and measures approx. 19" x 6" x 8" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Elvis Presley Two Giclees
"Elvis Presley" Two Giclees with mini guitar, comes in Beautiful custom matt & frame, approx dimension 14"x18".
PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original linocuts. Pencil signed in lower right. Together they make the perfect pair. Frame Size: 32”x22”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Santoloni Lithograph
Santoloni Lithograph, unframed approx. 20x20, beautiful depth, creation at his best. Have his piece to start a collection! Bid and win this beauty today! CC
Beautiful One loose round brilliant cut black diamond
Beautiful One loose round brilliant cut black diamond Approx .3 ct.
Illustration of Don Quixote- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Illustration of Don Quixote". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - Old Age
Salvador Dali signed and numbered bronze sculpture, "Old Age". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bather". Comes with ceritificate of authenticity, framing available at an additonal cost.
Kamorna - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kamorna. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x21".
Limited Edition Picasso - Women On The Banks Of The Seine - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Women On The Banks Of The Seine". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Tall Feather by Moretti
This Original Fine Silver sculpture by Moretti is called, "Tall Feather" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Standing Woman, 194
Pablo Picasso original limited edition 24K gold layered bronze sculpture, "Standing Woman".
John Auduborn Lithograph "Common American Swan"
Lithograph by John Auduborn titled "Common American Swan", approx dimension 16x22in.
Green Dutch Interior I and II - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Green Dutch Interior I and II". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS A LA CHEMISE DE TULLE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Bob Marley Small Hologram
"Bob Marley" 3D Giclee with engraved signature, mini gold record and mini guitar. Approx dimension 23x25.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - Spider of Evening
Salvador Dali signed limited edition, "Spider of Evening". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Pence Serigraph
Pence Serigraph, A/P hand signed, approx dimension 24x42 in.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

"Catalan Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Madonna Of Port Ligat
Salvador Dali signed limited edition, "The Madonna Of Port Ligat". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - The Bedroom Window- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Bedroom Window". This very special edition is extremely limited . Image Size: 26" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Dora Maar Seated - from Collection Domaine Picasso
Pablo Picasso limited edition, "Dora Maar Seated". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Spring Time" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Holly - Limited Edition Signed "Lithograph"
Holly - Limited Edition Signed. Serigraph. Approx 22x26. Stunningly vibrant colors. Beautiful and Breath-taking
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6x13
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DI RIALTO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Rare Pablo Picasso Limited Edition Real Silver Sculpture - Standing Woman, 1947
Pablo Picasso signed and numbered real silver sculpture, "Standing Woman", 1947. Contains approx. 10 Troy ounces of real silver.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures in a Room" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Constellation of the Blessed Spirits". Comes with COA and beautifully framed.
Young Boy Sculpture
This is an Resin Sculpture with bronze finish “Young Boy”. Dimensions: 14"H 7"W 7"D

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original, limited Edition Bronze - Homenage to Newton
Salvador Dali signed and numbered bronze sculpture " Homenage to Newton". New Listing . Some varitations of patina might occur. Approx. size: 9"x 7" x 7" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - WOMAN
Alberto Giacometti signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 19"x5"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Nuclear Head Of An Angle" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Jesus and the Blindman by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Willie Nelson Two Giclees
"Willie Nelson " Two Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 30”x21”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lithograph by Koslow.
Koslow Lithograph, approx dimension 22"x30", unframed, rolled, get this all time classic now! Bid and win today! CC
Lady Godiva- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Lady Godiva". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Sterling Garnet & White Sapphire Ring
Lady's Fancy Sterling Garnet & White Sapphire Ring, Garnets approx 8ct, White Sapphires approx 3ct.
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9x14x7.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Pierrot and the Harlequin". Comes with ceritificate of authenticity, framing available at an additonal cost.
Clock - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Clock . Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 11"x9"x6".
Limited Edition Picasso - Large Heads - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Heads". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Modern Lolita - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Geopolitical Child Watches The Birth Of T
This is a limited edition bronze layered with 24K gold entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN (1943)" by Salvador Dali. This statue adaptation of The Birth of the New Human is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Lanscape - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Landscape". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU VISAGE VOILE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - The Architectural Angelus of Millet
Salvador Dali signed limited edition, "The Architectural Angelus of Millet". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Limited Edition Etching "Artict Dancers"
Charles Jeffrey Limited Edition Etching "Artict Dancers", hand signed, approx dimension 17x15 in.
A Boy Meets his Dog by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx 22x26
Original Lithographs Museum Stamped . Printed in 1800's
Original Lithographs. Printed in the late 1800's museum stamped. . These are the only surviving images from the flood that distoyed the museum in 1904 . Drawings and Ecthings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. This is a MASTER PIECE TO BEHOLD! Framed and Museum Stamped.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"The Great Gate of Kiev" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Shades Of Night Descending
Salvador Dali signed limited edition, "Shades Of Night Descending". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - The Embrace - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Embrace". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Smoke In Vallauris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Unisex Fancy Sterling Silver Diamond Band Ring
Unisex Fancy Sterling Silver Diamond Band Ring, Diamonds approx .20 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIALTO BRIDGE - DUSK" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real .999 Silver Salvador Dali Limited Edition- The First Study For the Madonna
Dali Signed and Numbered Real Silver Sculpture, "The First Study For the Madonna". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Bonnard Watercolor Painting.
Original Watercolor on paper "Fall" In the manner of Bonnard . Comes framed. Approx. size:15" x 11".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Cellestial Staircase". Comes with COA and beautifully framed.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro. - Signed. Beautifully framed . Approx. size:15" x 12".
Bust - Lady Sculpture
This is an Resin Bust Sculpture "LADY" . Dimensions: 19"H 9"W 7"D
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU II
Salvador Dali signed and numbered bronze sculpture " Tristan Fou II ". New Listing. Some varitations of patina might occur. Approx. size: 16"x 11" x 6" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - HEAD OF MAN
Alberto Giacometti signed and numbered bronze sculpture, " HEAD OF MAN ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Die Schneekonigin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Jesus and the Children by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Children" and measures approx. 20" x 11" x13" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Elvis Presley Two Giclees
"Elvis Presley" Two Giclees with mini guitar, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 32”x26”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Young Virgin- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Young Virgin". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12x8x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Basket". Comes with ceritificate of authenticity, framing available at an additonal cost.
Leotard Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Leotard Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x22".
Limited Edition Picasso - Seated Man with A Sword and A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Man with A Sword and A Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Pipilon by Bessin
This Original Fine Silver sculpture by Bessin is called, "Pipilon". It measures approx. 20" x 8"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.
Cats - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Cats". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE ET COUPE DE FRUITS", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - St. George and the Dragon
Salvador Dali signed limited edition, "St. George and the Dragon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Limited Edition Lithograph
Michael Coleman Limited Edition Lithograph, hand signed & numbered.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Adventurers Between Adventures by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx 22x26
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Recumbant Figure
Henry Moore signed and numbered bronze sculpture, "Recumbant Figure". Comes with COA. Some variation in patina might occur. Approx. size:
Salvador Dali Signed Limited Edition - The Virgin Of Guadalupe
Salvador Dali signed limited edition, "The Virgin Of Guadalupe". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Dreaming of Paris- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming of Paris" . This very special edition is extremely limited . Image Size: 34" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Portrait of Sylvette David - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait of Sylvette David". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Womans Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Sterling Silver Diamond Band Ring
Unisex Sterling Silver Diamond Band Ring, Diamonds approx 0.50 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE ROSSO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Divine Impenetrability". Comes with COA and beautifully framed.
Chiparus Alabaster Sculpture
This is an 2nd Generation, Chiparus Alabaster Sculpture “THAIS”. Dimensions: 12"H 14"W 6"D
Pablo Picasso Original, limited Edition Bronze -OWL
Pablo Picasso signed and numbered bronze sculpture, "OWL". New Listing. Some variation in patina might occur. Approx. size: 9"x 8"x 8". Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - MALE HEAD
Alberto Giacometti signed and numbered bronze sculpture, "MALE HEAD ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Meissonier" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Arc of the Covenant by D. Hunter
This bronze sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 18"x14".
Claude Mars Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Claude Mars Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bullfight III- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Bullfight III". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Spain
Salvador Dali signed and numbered bronze sculpture, "Spain". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Bronze by Michael Schofield - Aquamarine Dancer
This is the second piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Aquamarine adorning the piece. "Aquamarine Dancer" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee.During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Signed Chiparus Bronze and Ivory - Footsteps
Signed bronze and ivory art deco sculpture "Footsteps" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base.Approx size: 22" x 9"x5".
Limited Edition Picasso - The Birdcage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Birdcage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Diane Lamp by Moreau
This Original Fine Silver sculpture by Moreau is called, "Diane Lamp". It measures approx. 25.5" x 11.5"x 8.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Painting - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FEMME AU COLLIER", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Salvador Dali Signed Limited Edition - The Image Disappears
Salvador Dali signed limited edition, "The Image Disappears". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Fredrick Phillip Serigraph Limited Edition "Enclave"
Fredrick Phillip Serigraph Limited Edition "Enclave", hand signed, approx dimension 33x40 in.
Pride of Parenthood- puppy by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx 22x26

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Two-Piece Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Two-Piece Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: .
"Arch and Point" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Nativity Of A New World
Salvador Dali signed limited edition, "Nativity Of A New World". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Indian Girl - from Collection Domaine Picasso
Pablo Picasso limited edition, "Indian Girl". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Card Player" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DEI SOSPIRI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Billy Goat
Dali sculpture, "Billy Goat" is approx. 7.05oz of fine real .999 silver. Sculpture measures approx. 5.5". Comes with foundry Assay.
Dali Limited Edition Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Chuck Elliot Watercolor Painting.
Original Watercolor on paper "Day Cruise"In the manner of Chuck Elliot . Comes framed. Approx. size:8"x10".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Garden of Christ". Comes with COA and beautifully framed.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro. - Signed. Beautifully framed . Approx. size:15" x 12".
Boy and Girl with Sunflower Sculpture
This is an Resin Sculpture with stone finish “Boy and Girl with Sunflower ”. Dimensions: 20"H 15"W 15"D
Salvador Dali Original, limited Edition Bronze - Rhino on Space
Salvador Dali signed and numbered bronze sculpture " Rhino on Space". New Listing. Some varitations of patina might occur. Approx. size: 18"x 7" x 5". Comes with COA.
Alberto Giacometti Original, limited Edition Bronze -THE HAND
Alberto Giacometti signed and numbered bronze sculpture, " THE HAND ". Comes with COA. Some variation in patina might occur. Approx. size: 13"x12"x6".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Figure With Swans" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Anticipation by Matthews
This bronze sculpture by Matthews is called, "Anticipation" and measures approx. 21" x 10" x 9" and weighs approx. 36lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Elvis Presley Two Giclees
"Elvis Presley" Two Giclees with mini guitar, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 33”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hayse Lithograph
Hayse Original Lithograph, signed, NOT FRAMED!, approx dimension 22"x26" . Own this Horse painting now! CC
Cavalier with Pipe- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Cavalier with Pipe". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Very Fancy Sterling FOX Design Black Diamonds & White Sapphires Ring
Lady's Very Fancy Sterling FOX Design Black Diamonds & White Sapphires Ring, Blk Diamonds approx 1ct, White Sapphires approx 1ct.
Salvador Dali Enchanting Original, limited Edition Bronze - Galatea of the Spheres
Salvador Dali signed and numbered bronze sculpture, "Galatea of the Spheres". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Split Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Beautiful Sterling Citrine & White Sapphire Pendant
Lady's Beautiful Sterling Citrine & White Sapphire Pendant, Citrine approx 8 ct, White Saphire 3 ct
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Girl with Parrot by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Girl with Parrot". It measures approx. 14" x 18"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Renoux Hand Signed Limited Edition Lithograph "Droguerie"
This is a hand signed Limited Edition Lithograph by Renoux titled "Droguerie", signed & numbered, approx dimension 24x26in.
Shallow-Love - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Shallow Love". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LISEUSE ET BOUQUET DE ROSES", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Chicago Bulls 10 Giclees of the greatest players!
"Chicago Bulls" 10 Giclees of the greatest players with engravings, approx dimension 23x26.
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - The Sing of Anguish
Salvador Dali signed limited edition, "The Sing of Anguish". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Laguna Beach"
Limited Edition Lithograph by Jacobson titled "Laguna Beach" , hand signed, approx dimension 12x13 in.
The Runaway by Rockwell
Original Lithograph. Dimensions are approx 22x26
Original Hand Carved Marble "Turtles" by G. Huerta
Original Hand Carved Marble "Turtles" by G. Huerta, 2 pcs, each fig approx size 3X7 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Maillol Original, limited Edition Bronze -Male Torso
Maillol signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur.
"Upward" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - The Alert
Salvador Dali signed limited edition, "The Alert". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Poetry in Motion- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Poetry in Motion". This very special edition is extremely limited . Image Size: 33" x 22" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Limited Edition - Portrait Of The Son Of The Artist - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of The Son Of The Artist". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Studio At Cannes " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Lady's Beautiful Sterling Silver White Graduated Garnet Wedding Set
Lady's Beautiful Sterling Silver White Graduated Garnet Wedding Set, Grad. Garnets approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DELLE PRIGIONI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Chuck Elliot Watercolor Painting.
Original Watercolor on paper "Fishing the guilt sea" In the manner of Chuck Elliot . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Joy of the Blessed". Comes with COA and beautifully framed.
Teaching Golf Sculpture
This is an Resin Sculpture with bronze finish “Teaching Golf”. Dimensions: 17"H 9"W 9"D
Alberto Giacometti Original, limited Edition Bronze - THE LEG
Alberto Giacometti signed and numbered bronze sculpture, " THE LEG ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x6".
Pierre Renior Limited Edition
Pierre Renior Limited Edition On Paper. "The End Of Lunch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Elvis Presley Two Giclees & event ticket
"Elvis Presley" Two Giclees with image of event ticket, comes in Beautiful custom matt & frame, approx dimension 14"x18".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Chagall Original Lithographs .
4 Piece Color Lithograph by Chagall. Set includes 4 beautiful Lithographs From L'Odyssée Suite Vol. II. Pencil signed in lower right. Frame Size: 34”x28”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Delacroix Lithograph
Delacroix Lithographs- approx 18x12. Unframed, Beautiful piece. Come bid and win today! CC
Interior with a Girl Drawing- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Interior With A Girl". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.
Limited Edition Picasso - The Dance - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dance". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - By the Sea by Cardassi
This Original Fine Silver sculpture by Cardassi is called, "By the Sea". It measures approx. 23" x 8.5"x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.
The First Spark of the day - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The First Spark Of The Day". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ETUDE DE JAMBERS IV (DEMI-LUNE)", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Boston Celtics 10 Giclees of the greatest players!
"Boston Celtics" 10 Giclees of the greatest players, with engravings, approx dimension 23x26.
Original Louis Icart Lithographs from Le Faust suite - Follow Me
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Follow Me". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Salvador Dali Signed Limited Edition -Six Apparitjons of Lenin a Grand Piano
Salvador Dali signed limited edition, "Six Apparitjons of Lenin a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Court Yard"
Limited Edition Lithograph by Jacobson titled "Court Yard" , hand signed, approx dimension 12x13 in.
Gaily Sharing Vintage Times by Rockwell
Original Lithograph. Dimensions are approx 22x26
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Victor Villareal Limited Edition Bronze - Unknown
Victor Villareal signed and numbered bronze, "Unknown" Comes with COA. Some variation in patina might occur.. Approx. size: 7x16x6 Inch.
"Composition X" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - The Railway Station At Perpignan
Salvador Dali signed limited edition, "The Railway Station At Perpignan". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Seated Nude - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Nude". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Bureau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 3 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DE LA VERONA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Marin Watercolor Painting.
Original Watercolor on paper "Country Cottage" In the manner of Marin . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of St. James". Comes with COA and beautifully framed.
Standing Composer Sculpture
This is an Resin Sculpture with bronze finish “Standing Composer”. Dimensions: 30"H 9"W 9"D
Alberto Giacometti Original, limited Edition Bronze - DOG
Alberto Giacometti signed and numbered bronze sculpture, " DOG ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x5".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Etching Set by A. Durand Rembrandt
3 PIECES CONSISTING OF A FRAMED ARTWORK BY A. REMBRANDT Set includes 3 Original Etchings. Frame Size: 24”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lithograph by Artist Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet, signed & numbered, NOT FRAMED!, approx dimension 17"x12"
La Coiffure- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "La Coiffure". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Sculpture - Alice In Wonderland
Salvador Dali signed and numbered sculpture sculpture, "Alice In Wonderland".Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
Limited Edition Picasso - Seated Woman II - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman II". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Clara by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Clara". It measures approx. 24" x 31"x 16" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

The Gentleman - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The Gentleman". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PORTRAIT DE CORTOT", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Louis Icart Lithographs from Le Faust suite - Sweet Dreams
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Sweet Dreams". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Salvador Dali Signed Limited Edition - Catigula's Horse
Salvador Dali signed limited edition, "Catigula's Horse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Outside Cafe"
Limited Edition Lithograph by Jacobson titled "Outside Cafe" , hand signed, approx dimension 12x13 in.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Half Figure #1
Henry Moore signed and numbered bronze sculpture, "Half Figure #1". Comes with COA. Some variation in patina might occur. Approx. size: 9x7x4 Inch.
"Unbroken Line" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Book Transforming Itself
Salvador Dali signed limited edition, "Book Transforming Itself". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Solace- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Solace". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Portrait Of Bibi La Puree - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Bibi La Puree". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of Bull In Front Of Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Diamond Wedding Set
Lady's Beautiful Sterling Silver Diamond Wedding Set, Diamonds approx 1.25 cts, VS1, color G.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 7x11
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NEAR RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Marin Watercolor
Original Watercolor on paper "Tibaron" In the manner of Marin . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apotheosis of the Virgin Mary". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Alberto Giacometti Original, limited Edition Bronze - CHARIOT
Alberto Giacometti signed and numbered bronze sculpture, " CHARIOT". Comes with COA. Some variation in patina might occur. Approx. size: 21"x9"x7".
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "Dance Class" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - On The Fly by W. Whitten
This bronze sculpture by W. Whitten is called, "On The Fly" and measures approx. 18" x 8" x7" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
4 Pieces Color Fine Art Lithograph by Tarkay
4 Pieces Color Lithograph Set includes: 4 Lithographs by Tarkay. Frame Size: 23”x21”. Very Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pipes of Pan- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Pipes of Pan". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze - Fille
Pablo Picasso signed and numbered bronze sculpture, "Fille". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Man with Crossed Arms". Comes with ceritificate of authenticity, framing available at an additonal cost.
Victoria - Bronze and Ivory Sculpture by Colinet
Colinet broze and ivory sculpture,Victoria. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 18x6x6.
Limited Edition Picasso - Wolman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Wolman In An Armchair". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Jesus and the Blindman by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Outlaw
This Frederick Remington sculpture, "Outlaw" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Woman Walking Down Street - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Woman Walking Down the Street". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU MAIN A L'EPAULE (ARABESQUE III)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Pitsburg Steelers 10 Giclees of the greatest players!
"Pitsburg Steelers" 10 Giclees of the greatest players with engravings, approx dimension 23x26.
Salvador Dali Signed Limited Edition - Family of Marsupial Centaurs
Salvador Dali signed limited edition, " Family of Marsupial Centaurs". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Side Street Cafe"
Limited Edition Lithograph by Jacobson titled "Side Street Cafe" , hand signed, approx dimension 11x15 in.
Prelude by Boulabger
Signed Original Lithograph. Dimensions are approx 20x20
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"Composition VII" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Nuclear Cross
Salvador Dali signed limited edition, "Nuclear Cross". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Portrait Of Sylvette - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Sylvette". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Owl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 3 cts.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE CON BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Marin Watercolor Painting.
Original Watercolor on paper "Full Sail" In the manner of Marin . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Angels of the Empyrean". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Bronze Sculpture - Cheyenne by F. Remington
This bronze sculpture by F. Remington is called, "Cheyenne" and measures approx. 19" x 21" x8" and weighs approx. 133lbs. It comes with foundry paperwork.
The Beatles Giclee, mini guitar & engraved signatures
"The Beatles" Giclee, mini guitar & engraved signatures, comes in Beautiful custom matt & frame, approx dimension 15"x18".
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 23”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lithograph by Bruno.
Bruno Lithograph, approx dimension 27"x26", unframed, rolled, get this all time classic now! Bid and win today! CC
Seated Bather- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Seated Bather". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso Original Original, limited Edition Bronze - Flowers
Pablo Picasso signed and numbered bronze sculpture, "Flowers". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Italian Girl". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and 28lbs. It is a Limited Edition out of 399. SB9H
Limited Edition Picasso - The Couple - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Couple". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Bronco Buster by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(50DN)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Down Hill"
This is a hand signed Limited Edition Lithograph by Renoux titled "Down Hill", signed & numbered, approx dimension 16x14 in.
Nude - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Nude". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE ET COUPE DE FRUITS", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "L'Oiseau Solaire". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Indianapolis Colts 10 Giclees of the greatest players!
"Indianapolis Colts" 10 Giclees of the greatest players with engrvings, approx dimension 23x26.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - THREE AGES
Salvador Dali signed limited edition, "THREE AGES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Country Harbor"
Limited Edition Lithograph by Jacobson titled "Country Harbor" , hand signed, approx dimension 11x15 in.
Jumping Rope by Boulanger
Original Lithograph. Dimensions are approx 20x20
Onyx and White Marble Chiparus Pedestal
Beautiful onyx pedestal with white marble details. Approx. size: 39x29x9.`
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Rock Chair
Henry Moore signed and numbered bronze sculpture, "Rock Chair". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x3 Inch.
"Circus Fan Dancer" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Birh Of A New Man
Salvador Dali signed limited edition, "Birh Of A New Man". Comes with COA. Edition number may vary from pictured.
Pino on Canvas -A Song in Her Heart- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "A Song in Her Heart". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - The Turkish Shawl - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Turkish Shawl". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Green" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Beautiful Sterling Silver Graduated Garnet Wedding Set
Lady's Beautiful Sterling Silver Graduated Garnet Wedding Set, Grad. Garnets approx 3 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6 1/2 x 6 1/3
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA II" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Sculpture- Winged Bust on Marble Base
Dali "Winged Bust" on marble base. Signed and numbered. Approx . Size: 14" x 7"x 5".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "St. Peter and Dante". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "WOMAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x5.
Gustave Caillebotte Limited Edition
Gustave Caillebotte Limited Edition On Paper. "A Rainy Day" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Mossant Original Lithographs .
2 Piece Color Lithograph by Mossant. Set includes 2 beautiful Lithographs. signed .These are beautifully framed and matted. Size: 16”x20”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thornhill Original Lithograph
Thornhill Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Seated Woman I- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Seated Woman I". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring, Amethyst approx 5ct, White Sapphires approx 5ct.
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze -Vase Head
Pablo Picasso signed and numbered bronze sculpture, "Vase Head". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Woman". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace, Spinels approx 10 ct.
Limited Edition Picasso - Head Of A Woman With A Self Portrait - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Head Of A Woman With A Self Portrait". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Abe by D. Volk
This Original Fine Silver sculpture by D. Volk is called, "Abe" and measures approx. 8" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Bather - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU BRAS GAUCHE SUR LA TETE (ARABESQUE V)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Elvis Small Hologram
"Elvis"3D Giclee, mini guitar, mini gold disk & engraved signature, approx dimension 23x25.
Salvador Dali Signed Limited Edition - Soft Watch at Moment of Explotion
Salvador Dali signed limited edition, "Soft Watch at Moment of Explotion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Flower Stall"
Limited Edition Lithograph by Jacobson titled "Flower Stall" , hand signed, approx dimension 12x14 in.
Still Life by Chagall
Limited Edition Lithograph. Dimensions are approx 20x20
Original Hand Carved Marble "Owls" by G. Huerta
Original Hand Carved Marble "Owls" by G. Huerta, 2 pcs, each fig approx size 8X4 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"Les Roses" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Invisible Afgan with Apparition
Salvador Dali signed limited edition, "Invisible Afgan with Apparition". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Landscape - from Collection Domaine Picasso
Pablo Picasso limited edition, "Landscape". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nude sitting In an Armchair" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver White Sapphire Ring
Lady's Beautiful Sterling Silver White Sapphire Ring, Sapphires approx 1.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Arrival at the Empyrean". Comes with COA and beautifully framed.
Alejandro Marquez Original, limited Edition Bronze -ballerina-
Alejandro Marquez signed and numbered bronze sculpture "BALLERINA". Comes with COA. Some variation in patina might occur. Approx. size: 20"x10"x10".
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "Café Concert" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - El Caballero by Estevez
This bronze sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Two movie stills from Pirates of The Caribbean
Two movie stills from Pirates of The Caribbean, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 20"x14".
Ulysses and Euryclea by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite "Ulysses and Euryclea". Signed and framed. Comes with COA Frame Size: 21”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thornhill Original Lithograph
Thornhill Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Seated Woman II- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Seated Woman II". Comes with COA. Approx. size: 20"x24". HC-0045
Iconic Pablo Picasso Original, limited Edition Bronze - Profile Portrait
Pablo Picasso signed and numbered bronze sculpture, "Profile Portrait". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Gustave Geffroy". Comes with ceritificate of authenticity, framing available at an additonal cost.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pajama Girl - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Pajama Girl. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - On The Fly by Whitten
This Original Fine Silver sculpture by Whitten is called, "On The Fly" and measures approx.18" x 8" x 7". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition 24K Gold Layered Bronze Sculpture- Wicked Pony by F. Remington
This Frederick Remington sculpture, "Wicked Pony" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Limited Edition Lithograph "Down Hill"
This is a hand signed Limited Edition Lithograph by Renoux titled "Down Hill", signed & numbered, approx dimension 16x14 in.
Gabrielle And The Jewels - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Gabrielle And The Jewels". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE, REFLET DANS LA GLACE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - THE BURNING GIRAFFE
Salvador Dali signed limited edition, "THE BURNING GIRAFFE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "View to the West"
Limited Edition Limited Edition Lithograph by Jacobson titled "View to the West" , hand signed, approx dimension 12x16 in.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
"Wedding" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Debris Of An Automobile
Salvador Dali signed limited edition, "Debris Of An Automobile". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Portrait Of Jacqueline - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Jacqueline". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Toreo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
James Sessions Watercolor Painting.
Original Watercolor on paper "Harbor knights" In the manner of James Sessions . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Infinite Beauty of Beatrice". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
David Alfaro Siqueros Limited Edition Bronze - Warrior
David Alfaro Siqueiros signed and numbered bronze sculpture, "WARRIOR". Comes with COA. Some variation in patina might occur. Approx. size: 11x16x5.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Edouard Manet Limited Edition
Edouard Manet Limited Edition On Paper. "The Pier At Boulogue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - End of the Trail by Fraiser
This bronze sculpture by Fraiser is called, "End of the Trail" and measures approx. 21" x 16" x 6" and weighs approx. 152lbs. It comes with foundry paperwork.
John F. Kennedy Giclee with engraved signature
John F. Kennedy Giclee with engraved signature, also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 15"x18".
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph . Together they make the perfect pair. Frame Size: 18”x23”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Sleeping Nude- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, Sleeping Nude. Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Unique Style Sterling BEATLE Design Sapphire Ring
Lady's Unique Style Sterling BEATLE Design Sapphire Ring, Sapphires approx 1.5 ct.
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze - Pregnant Woman
Pablo Picasso signed and numbered bronze sculpture, "Pregnant Woman". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape with Mont Sainte Victorie". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Nude With A Bouqet Of Irises - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude With A Bouqet Of Irises". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Lady Peacock - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3".
L'Estaque - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "L'Estaque". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TORSE A L'AIGUIERE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
The Godfather Small Black & White Hologram
"The Godfather" 3D Giclee & engraved signature, approx dimension 23x25.
Salvador Dali Signed Limited Edition - The Knight Death
Salvador Dali signed limited edition, "The Knight Death". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Renoux Limited Edition Lithograph "Morning Café"
Limited Edition Lithograph by Renoux titled "Morning Café", signed & numbered, approx dimension 15x12 in.
Hortensia by Scherer
Signed Original Lithograph. Dimensions are approx 20x28
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Elephants" by G. Huerta
Original Hand Carved Marble "Elephants" by G. Huerta, 2 pcs, each fig approx size 7X5 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze -Standing Woman
Henry Moore signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x3 Inch.
"Les Lupin Bleu" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Hyperidological Sky
Salvador Dali signed limited edition, "Hyperidological Sky". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Le Coq - from Collection Domaine Picasso
Pablo Picasso limited edition, "Le Coq". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nature Morte au Verre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Heart Shaped Sterling Silver Diamond Wedding Set
Lady's Heart Shaped Sterling Silver Diamond Wedding Set, Diamonds approx 1.5 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN WINDOWS" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Geo Post Watercolor Painting.
Original Watercolor on paper "The white House" In the manner of Geo Post . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Loyal Angels". Comes with COA and beautifully framed.
Rufino Tamayo Original, limited Edition Bronze - MAN
Rufino Tamayo signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 20"x10"x10".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Savage by F. Remington
This bronze sculpture by F. Remington is called, "Savage" and measures approx. 12" x 8" x 8".. It comes with foundry paperwork.
Licenced Disney Etchings The Nightmare Before Christmas
Licenced Disney Etchings "The Nightmare Before Christmas" hand colored, comes in Beautiful custom matt & frame, approx dimension 18x14. An original hand painted etching was created with a steel engraving needle scratched by the artist into a varnish covered zinc or copper plate. In an acid bath the etch is created to the desired depth. The printing press on wet hand made paper. After drying the etchings are hand colored with water colors. comes in Beautiful custom matt & frame Edition 500.
Renoir Posthumous Etching Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR Set includes 2 Posthumous Etchings. Frame Size: 24”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thornhill Original Lithograph
Thornhill Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
The Old Blind Guitar Player- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "The Old Blind Guitar Player". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze - Ambitieuse
Pablo Picasso signed and numbered bronze sculpture, "Ambitieuse". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Persian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Persian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 25"x16".
Lady's Fancy Ruby & Dimond Necklave with Pendant
Lady's Fancy Ruby & Dimond Necklave with Pendant, Ruby approx 1 ct, 20 points VS1 G in color
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Semper Fidelis by DeLier
This Original Fine Silver sculpture by DeLier is called, "Semper Fidelis" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Post"
This is a hand signed Limited Edition Lithograph by Renoux titled "Post", signed & numbered, approx dimension 16x14 in.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE DE BOUT, VISAGE COUPE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Mohamed Ali Small Hologram
"Mohamed Ali" 3D Giclee, biography & engraved signature, approx dimension 23x25.
Salvador Dali Signed Limited Edition - Fountain Flowing from a Grand Piano
Salvador Dali signed limited edition, "Fountain Flowing from a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Berhens Limited Edition Lithograph "Country Line"
Limited Edition Lithograph by Berhens titled "Country Line", signed & numbered, approx dimension 11x14 in.
Le Scale del Paese by Borelli
Original Lithograph. Dimensions are approx: 16x20
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Alberto Giacometti Original, limited Edition Bronze - Untitled
Alberto Giacometti signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur.
"Tree Over Village" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - Figures Lying On The Sand
Salvador Dali signed limited edition, "Figures Lying On The Sand". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Assise Pre D'une Fenetre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Stylish Diamond Ring
Lady's Very Stylish Diamond Ring, Diamond approx .25 ct, VS1 G in color.
Lady's Antique Sterling Silver White Sapphire Trio Ring, Earrings & Pendant.
Lady's Antique Sterling Silver White Sapphire Trio Ring, Earrings & Pendant, Sapphires approx 7 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASE VENEZIANE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Geo Post Watercolor Painting.
Original Watercolor on paper "California Hills"In the manner of Geo Post . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Archangel Gabriel". Comes with COA and beautifully framed.
Rufino Tamayo Original, limited Edition Bronze - Man at the Door
Rufino Tamayo signed and numbered bronze sculpture, "Man at the Door". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x5".
Picasso Limited Edition
Picasso Limited Edition On Paper. "The End of The Number" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sergeant by F. Remington
This bronze sculpture by F. Remington is called, "Sergeant" and measures approx. 11" x 5" x 4". It comes with foundry paperwork.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Licenced Disney Etchings The Nightmare Before Christmas
Licenced Disney Etchings "The Nightmare Before Christmas " hand colored, comes in Beautiful custom matt & frame, approx dimension 18x14. An original hand painted etching was created with a steel engraving needle scratched by the artist into a varnish covered zinc or copper plate. In an acid bath the etch is created to the desired depth. The printing press on wet hand made paper. After drying the etchings are hand colored with water colors. comes in Beautiful custom matt & frame Edition 500.
Louis Icart Original Litographs
2 Piece Color Lithograph by Louis I cart. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 15”x22”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Apparatus and Hand- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Apparatus and Hand". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Exciting Pablo Picasso Original, limited Edition Bronze - Helping Hand
Pablo Picasso signed and numbered bronze sculpture, "Helping Hand". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Romeo and Juliette - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, Romeo and Juliette. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
Limited Edition Picasso - The Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Weeping Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Anticipation by Matthews
This Original Fine Silver sculpture by Matthews is called, "Anticipation" and measures approx. 25" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Spirit of Ecstasy - 24K Gold Layered Limited Edition Sculpture
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This is a limited edition bronze and then layered with 24K gold. Comes with foundry assay. Some variations in marble might occur.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE AU MIROIR", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Etincelles" from - L'Oiseau Solaire. Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Michael Jackson Small Hologram
"Michael Jackson" 3D Giclee, mini disk & engraved signature, approx dimension 23x25.
Salvador Dali Signed Limited Edition - Enchanted Beach
Salvador Dali signed limited edition, "Enchanted Beach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph
Michael Coleman Mix Media Litho/Serigraph, titled "Grizzly", signed & numbered, approx dimension 19X22 in.
Faithful Friend by Lambert
Original Lithograph. Dimensions are approx 28x24
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Braque Original, limited Edition Bronze -Steed
Braque signed and numbered bronze sculpture, "Steed". Comes with COA. Some variation in patina might occur.
"Bouqet Over City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Rotting Dokey
Salvador Dali signed limited edition, "The Rotting Dokey". Comes with COA. Edition number may vary from pictured.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Cock And Knife" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Sterling Unique Design Tri-Color Stone Ring
Lady's Sterling Unique Design Tri-Color Stone Ring, Pink Sapphires approx 2ct, White Sapphires approx 3.5 ct, Aquamarines approx 2ct.
Lady's Antique Sterling Silver White Sapphire & Diamond Trio Ring, Earrings & Pendant.
Lady's Antique Sterling Silver White Sapphire & Diamond Trio Ring, Earrings & Pendant, Sapphires & Diamonds approx 10cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Melting Clock
Dali sculpture, "Melting Clock" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
Dali Limited Edition Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. In 1948 Dali decided, after a very fruitful eight-year-long stay in the United States, to return to Europe to devote himself to "nuclear mysticism" with the expert motto his insight that the "the skillful arts of painting were developed once and forever and with the greatest perfection and influence during the Renaissance and that the decadence of modern art finds its origins in skepticism and a lack of faith, which is a consequence of mechanical materialism. Although still filled with Dali-like symbolism, Picasso's portrait has stylistic neoclassical elements. Approx. Dimensions: 5.25 in. x 3.25 in. x 1.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Geo Post Watercolor Painting.
Original Watercolor on paper "Heading Out"In the manner of Geo Post . Comes framed. Approx. size:15" x 11".
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Rufino Tamayo Original, limited Edition Bronze -BOY
Rufino Tamayo signed and numbered bronze sculpture, "BOY". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x12"x5".
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "At The Races" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bob Dylan Giclee with Gold Record
"Bob Dylan " Giclee with Gold Record "LIKE A ROLLING STONE", mini guitar & Biography, comes in Beautiful custom matt & frame , approx dimension 21"x18".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

3 Pieces Color Lithograph by Picasso
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 17”x34”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lark in the Park by Wooster Scott
Lark in the Park by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Apparition Of Face On A Fruit Dish - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Apparition Of Face On A Fruit Dish". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Yellow Sterling Amethyst & Diamond Ring
Lady's Fancy Yellow Sterling Amethyst & Diamond Ring, Amethyst approx 2 ct, Diamonds approx 10 points VS1 G in color.
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze -Female Face
Pablo Picasso signed and numbered bronze sculpture, "Female Face". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Russian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. .
Limited Edition Picasso - The Sculptor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sculptor". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Field of Dreams by Monreau
This Original Fine Silver sculpture by Monreau is called, "Field of Dreams" and measures approx. 29.5" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Renoux Hand Signed Limited Edition Lithograph "Boulangerie"
This is a hand signed Limited Edition Lithograph by Renoux titled "Boulangerie", signed & numbered, approx dimension 20x20 in.
Madame Henriot - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Madame Henriot". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU TURBAN", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Landscape near Port ligot
Salvador Dali signed limited edition, " Landscape near Port ligot". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Son Serigraph "Tiger"
Serigraph by Michael Son signed & numbered approx dimension 35x29 in.
The Couple II by Zule
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x10
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur.
"Bella and the Red Horse" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Woman By The Cliffs
Salvador Dali signed limited edition, "Woman By The Cliffs". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "La Fille De L'Artiste A Deux ans Et Demi Avec Un Bateau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Antique Style Sterling Silver Black & White Diamond Pendant
Lady's Antique Style Sterling Silver Black & White Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CHIESA DELLA SALUTE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Gio Betts Watercolor Painting.
Original Watercolor on paper "Charming Sea" In the manner of Gio Betts . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Flatterer". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Rufino Tamayo Original, limited Edition Bronze - WOMAN
Rufino Tamayo signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17"x10"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Dante" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tall Feather by Moretti
This bronze sculpture by Moretti is called, "Tall Feather" and measures approx. 15" x 10" x 6".. It comes with foundry paperwork.
Giclee Giclee on Canvas of the RAT PACK
Giclee Giclee on Canvas of the RAT PACK Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 22"x25".
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 31”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Clowning Around by Wooster Scott
Clowning Around by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Bacchanale - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Bacchanale". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Sterling Yellow Rose Camile & Broca Pearl Ring
Lady's Fancy Sterling Yellow Rose Camile & Broca Pearl Ring.
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of the Gardener Vallier". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady's Beautiful Star Sterling White Diamond Pendant
Lady's Beautiful Star Sterling White Diamond Pendant, Diamonds approx 1 ct VS1, G in color.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Government by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Government" and measures approx. 33" x 12" x 12". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
William Han by Tony Cloffet 1901
Bronze William Han by Tony Cloffet 1901, dimensions are about 22x7.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Nude Study - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Nude Study". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS, BRAS GAUCHE SUR LA TETE", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Elvis Hologram
"Elvis"3D Giclee, gold record & mini guitar, approx dimension 25x27.
Salvador Dali Signed Limited Edition - Castration Complex
Salvador Dali signed limited edition, "Castration Complex". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
The Couple I by Zule
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x11
Original Hand Carved Marble "Owls" by G. Huerta
Original Hand Carved Marble "Owls" by G. Huerta, 2 pcs, each fig approx size 7X4 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Andreas Urteil Original, limited Edition Bronze - Der Fechter, 1960
Andreas Urteil signed and numbered bronze sculpture, "Der Fechter",1960. Comes with COA. Some variation in patina might occur.
"King David" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Endless Enigma
Salvador Dali signed limited edition, "The Endless Enigma". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Et Minotaur" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Very Fancy Sterling White & Pink Sapphire Ring
Very Fancy Sterling White & Pink Sapphire Ring, White Sapphires approx 3ct, Pink Sapphires approx 2ct.
Lady's Very Fancy Sterling Silver "Tear Drop" Diamond Pendant
Lady's Very Fancy Sterling Silver "Tear Drop" Diamond Pendant, Diamonds approx .50 ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM PIAZZALE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Santarco Watercolor Painting.
Original Watercolor on paper "Venice" In the manner of Santarco . Comes framed. Approx. size:13" x 10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Sodomites". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Rufino Tamayo Original, limited Edition Bronze - WIZARD
Rufino Tamayo signed and numbered bronze sculpture, "WIZARD". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x4".
Bronze Sculpture - Wicked Pony by F. Remington
This bronze sculpture by F. Remington is called, "Wicked Pony" and measures approx. 21" x 19" x 7" . It comes with foundry paperwork .
Giclee Giclee on Canvas of Michael Jackson
Giclee Giclee on Canvas of Michael Jackson Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 25"x22".
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Home Before Dark by Wooster Scott
Home Before Dark by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Chariot - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Chariot". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original Original, limited Edition Bronze - Three Faces
Pablo Picasso signed and numbered bronze sculpture, "Three Faces". Comes with COA. Some variation in patina might occur.
Kapurthala - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Kapurthala. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 2"x10"
Limited Edition Picasso - Seated Woman In A Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In A Garden". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Lovers
Dali sculpture, "Lovers", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Lithograph "Alberge de la bonnie Franquette"
This is a hand signed Lithograph by Renoux titled "Alberge de la bonnie Franquette", signed , approx dimension 24x17 in.
Painting - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE, CHALE SUR LES JAMBES", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Candle in the wind Giclee
"Candle in the wind" Giclee with Marilyn Monroe & Princess Diana with an Elton John gold record, approx dimension 21x27.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Rembrandt Limited Edition - HEAD OF CHRIST
Rembrandt signed limited edition, "HEAD OF CHRIST". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
By the Garden Path by Robert Lui
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x23
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze -Three Points
Henry Moore signed and numbered bronze sculpture, "Three Points". Comes with COA. Some variation in patina might occur. Approx. size: 9X12X6 Inch.
"King David Artist" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Apotheosis Of Homer
Salvador Dali signed limited edition, "The Apotheosis Of Homer". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "L'Alesienne" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Very Fancy Sterling White & Golden Sapphire Ring
Very Fancy Sterling White & Golden Sapphire Ring, White Sapphires approx 3ct, Golden Sapphires approx 2ct.
Lady's Antique Style Sterling Silver White Sapphire Pendant
Lady's Antique Style Sterling Silver White Sapphire PendantWhite Sapphires approx 2 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ROOF TOPS" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
D. Hardy Watercolor Painting.
Original Watercolor on paper "Reclining Nude" In the manner of D. Hardy . Comes framed. Approx. size:13" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Fraud". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Rufino Tamayo Original, limited Edition Bronze - GIRL
Rufino Tamayo signed and numbered bronze sculpture, "GIRL". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x8"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Education Of The Young" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Win, Place, Show by D. Scott
This bronze sculpture by D. Scott is called, "Win, Place, Show" and measures approx. 19" x 41" x 10" . It comes with foundry paperwork and is part of an edition of 299 pieces.
Giclee Giclee on Canvas of Elvis Presley
Giclee Giclee on Canvas of Elvis Presley Beautiful Matted & Framed , comes in Beautiful custom matt & frame, approx dimension 25"x22".
Zule Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Zule Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 23”x26”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beacon on the Beach by Wooster Scott
Beacon on the Beach by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Christ Of St. John Of The Cross - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Christ Of St. John Of The Cross". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rare Pablo Picasso Original Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
D. Mc Caw Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph by D. Mc Caw. Image Size: 33" x 32" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
The English Peartree - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "The English Pear Tree". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE (SOL AUX CARREAUX ROUGES)", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition -CHRISTMAS
Salvador Dali signed limited edition, "CHRISTMAS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Candelabra by Theodore Tobiasse
Original Lithograph. Dimensions are approx 27x32
Original Hand Carved Marble "Buffalo & Goat" by G. Huerta
Original Hand Carved Marble "Buffalo & Goat" by G. Huerta, 2 pcs, each fig approx size 7X9 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"Reverie" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Landscapes With Telephones On A Plane
Salvador Dali signed limited edition, "Landscapes With Telephones On A Plane". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Personnage Et Colombe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Unique Antique Style Sterling Silver Diamond Pendant
Lady's Very Fancy Unique Antique Style Sterling Silver Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA POGGI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Sonuhalter Watercolor Painting.
Original Watercolor on paper "Reclining Nude" In the manner of Sonuhalter . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Corrupt". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Rufino Tamayo Original, limited Edition Bronze - SPINNER
Rufino Tamayo signed and numbered bronze sculpture, " SPINNER". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x9"x6".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Bronco Buster by F. Remington
This bronze sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It comes with foundry paperwork.
Giclee Giclee on Canvas of the RAT PACK
Giclee Giclee on Canvas of the RAT PACK Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 22"x25".
Victoria Ponikvar Original Watercolors
4 Piece Watercolors by Victoria Ponikvar. Set includes 4 beautiful Watercolors. Pencil signed in lower right. Frame Size: 25”x25”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salem Shipyard by Wooster Scott
Wooster Scott Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 14"x13". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Cosmic Horseman - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Cosmic Horseman". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze - Bull
Pablo Picasso signed and numbered bronze sculpture, "Bull". Comes with COA. Some variation in patina might occur. Approx. size:
Fantasy Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and 32lbs. It is a Limited Edition out of 399. SB9H
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

TheGreatBoulevards - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "The Great Boulevards". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE DE DOS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Marc Chagall Signed Limited Edition - The Lovers
Marc Chagall Signed Limited Edition, "The Lovers". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Ensamble by Sahall
Hand Signed & Unique Lithograph. Dimensions are approx 21x27
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Marino Marini Bronze Sculpture - Nude
Marino Marini signed and numbered bronze sculpture, "Nude". Comes with COA. Some variation in patina might occur.
"Bouqet Above City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Vision Of Eternity
Salvador Dali signed limited edition, "Vision Of Eternity". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Homage To The Spainards" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Antique Style Sterling Silver Black & White Diamond Pendant
Lady's Antique Style Sterling Silver Black & White Diamond Pendant, Black Diamonds approx 3 cts. White Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE ROSA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Pure Real .999 Silver Bear and the Bull Sculpture by Delair
This large sculpture, "Bear and the Bull" by Delair is 10 troy ounces of real .999 silver. Comes with foundry Assay. Approx. size: 7 1/2"x4"x4".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Night Stroll" In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Ugolino and Ruggieri". Comes with COA and beautifully framed.
A Company is best known by the competition it creates - Paper weight- Made of Genuine Whale tooth wi
A Company is best known by the competition it creates - Collectible Item- Made of Whale tooth with Orante Hand carvings out of estate. Dimensions are about 1x 3 1/2
Rufino Tamayo Original, limited Edition Bronze - HAT MAN
Rufino Tamayo signed and numbered bronze sculpture, "HAT MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 11"x9"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Modern Rhapsody" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Gift Dancer by Kauba
This bronze sculpture by Kauba is called, "Gift Dancer" . It comes with foundry paperwork .
Two movie stills from Pirates of The Caribbean
Two movie stills from Pirates of The Caribbean, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 20"x14".
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 20”x27”. Very Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Best in Show by Wooster Scott
Wooster Scott Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 14"x13". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Daddy Long Legs Of The Evening - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Daddy Long Legs Of The Evening". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze - Female Torso
Pablo Picasso signed and numbered bronze sculpture, "Female Torso". Comes with COA. Some variation in patina might occur.
Slit Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Slit Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - Woman In A Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Red Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali 24K Gold Layered Bronze Sculpture- Anthropormorphic
Dali sculpture, "Anthropormorphic" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE VOILEE AUX DEUX BRACELETS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

The Beatles 1964 in Las Vegas
"The Beatles" 1964 in Las Vegas, gambling at the Sahara Casino, approx dimension 28x23.
Marc Chagall Signed Limited Edition - Circus Acrobats
Marc Chagall Signed Limited Edition, "Circus Acrobats ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Lilacs and Lace by Marilyn Simandle
Signed Original Lithograph. Dimensions are approx 32x23
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bull & Donkey" by G. Huerta
Original Hand Carved Marble "Bull & Donkey" by G. Huerta, 2 pcs, each fig approx size 6X10 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture - Dove
Botero signed and numbered bronze, " Dove ". Comes with COA. Some variation in patina might occur. Approx. size: 30x13x9 Inch.
"Bowl of Cherries" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femmes Sur La Plage Jouant Au Ballon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex One Of A Kind Black Diamond & White Sapphire Ring
Unisex One Of A Kind Black Diamond & White Sapphire Ring, White Sapphires approx 3ct & Blk Diamonds approx 3ct.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Stylish Sterling Silver "CAT" Black & White Diamond Pendant
Lady's Stylish Sterling Silver "CAT" Black & White Diamond Pendant, Black & White Diamonds approx total .50 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 13x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE FLOOD OF FLORENCE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Winter Street" In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Punishment of Vanni Fucci". Comes with COA and beautifully framed.
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Wounded Soft Watch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - First Out by Renfro
This bronze sculpture by Renfro is called, "First Out" and measures approx. 16" x 24" x 87". It comes with foundry paperwork.
Louis Armstrong Giclee with Gold Record
"Louis Armstrong" Giclee with Gold Record " Giclee with Gold Record "Blueberry Hill" also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 21"x17".
Limited Edition Lithographs Set by Artist Urbain Hutchet
2 PIECES CONSISTING OF A FRAMED ARTWORK BY HUTCHET Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 22”x29”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ships Ahoy! By Wooster Scott
Ships Ahoy! By Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Discovery Of America - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Discovery Of America". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Flower
Pablo Picasso signed and numbered bronze sculpture, "Flower". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x5.
Limited Edition Picasso - Sleeping Woman Before Green Shutters - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Woman Before Green Shutters". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE BRASERO ET COUPE DE FRUITS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Bugsy Siegel Giclee, gun, cigar & bullets
"Bugsy" Siegel Giclee, gun, cigar & bullets, approx dimension 20x23
George Suerat Limited Edition - Sunday Afternoon
George Suerat Limited Edition, "Sunday Afternoon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Victorian Quarters by Marilyn Simandle
Signed Original Lithograph. Dimensions are approx 32x24
Original Hand Carved Marble "Buffalo & Lion" by G. Huerta
Original Hand Carved Marble "Buffalo & Lion" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Captivating Alberto Giacometti Original, limited Edition Bronze -Man and Woman
Alberto Giacometti signed and numbered bronze sculpture, "Man and Woman". Comes with COA. Some variation in patina might occur.
"Nighttime Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Skull Of Zurbaran
Salvador Dali signed limited edition, "Skull Of Zurbaran". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Owl And A Chair Of Sea Urchins" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Very Stylish Silver Heart Shaped Tri-color Stone Ring
Very Stylish Silver Heart Shaped Tri-color Stone Ring, White Sapphires approx 5ct, Aquamarines approx 3ct, Pink Sapphires approx 2ct, Golden Sapphires approx 2ct.
Lady's Stylish Sterling Silver "Butterfly" Diamond Pendant
Lady's Stylish Sterling Silver "Butterfly" Diamond Pendant, Diamonds approx .5 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Richard E. Elliot Watercolor Painting.
Original Watercolor on paper "Day Sailing Again" In the manner of Richard E. Elliot. Comes framed. Approx. size:14" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Centuar". Comes with COA and beautifully framed.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. "A Man Seated At A table" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Arizona by Unknown
This bronze sculpture by Unknown is called, "Arizona".It comes with foundry paperwork.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Doc's Day Off by Wooster Scott
Doc's Day Off by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Espana - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Espana". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rare Pablo Picasso Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4.
Spring Awakening - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Spring Awakening. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 14"x8".
Limited Edition Picasso - Portrait Of A Painter, After El Greco - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait Of A Painter, After El Greco". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Fantasy Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LE RENARD BLANC", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Klimt Signed Limited Edition - lady with a Feathered Boa
Klimt Signed Limited Edition, "lady with a Feathered Boa". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Young Woman with Flower by Sahall
Original Lithograph. Dimensions are approx 22x26
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bear & Goat" by G. Huerta
Original Hand Carved Marble "Bear & Goat" by G. Huerta, 2 pcs, each fig approx size 6X8 in., stand not included.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture - Horse with Saddle
Botero signed and numbered bronze, " Horse with Saddle ". Comes with COA. Some variation in patina might occur. Approx. size: 10x9x6 Inch.
"Horsewoman With Doves" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Suburbs Of A Paranoiac
Salvador Dali signed limited edition, "Suburbs Of A Paranoiac". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 2.5 ct.
Lady's Antique Style Sterling Silver Diamond Pendant
Lady's Antique Style Sterling Silver Diamond Pendant, Diamonds approx 1.5 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 9x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AFTERMATH" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "Study" In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Simoniac". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze - Head
Joan Miro signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
Picasso Limited Edition
Picasso Limited Edition On Paper. "La Disuse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Freedom Rising by D. Scott
This bronze sculpture by D. Scott is called, "Freedom Rising" and measures approx. 48" x 28" x 26" and weighs approx.160lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Beatles Giclee with Record, Music Notes
BEATLES Giclee with Record, Music Notes "SOMETHING" comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 22x24.
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Merrily We Roll Along by Wooster Scott
Merrily We Roll Along by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Hallucinogenic Toreador - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Hallucinogenic Toreador". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze - Baboon and Young
Pablo Picasso signed and numbered bronze sculpture, "Baboon and Young". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x5.
Lady's Beautiful Tiffany Co. Necklace
Lady's Beautiful Tiffany Co. Necklace
Limited Edition Picasso - Maya With A Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya With A Doll". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Plated Bronze Sculpture- Female Bust
Dali sculpture, "Female Bust", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

The Ruler by T. Davis 1854
Bronze "The Ruler" by T. Davis 1854, dimensions are about 24x13.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PERSANE", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Portrait of Paul Eluard
Salvador Dali signed limited edition, "Portrait of Paul Eluard". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Rue de L'Arc de Triump by Le Blanc
Hand Signed Silkscreen. Dimensions are approx 22x24
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Buffalo & Hippo" by G. Huerta
Original Hand Carved Marble "Buffalo & Hippo" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Jean Arp Original, limited Edition Bronze - Fleur de Reve au Museau
Jean Arp signed and numbered bronze sculpture, "Fleur de Reve au Museau ". Comes with COA. Some variation in patina might occur.
"Ten Commandments" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Chemist of Ampurdian
Salvador Dali signed limited edition, "The Chemist of Ampurdian". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Musician" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Sterling Amethyst & White Sapphire Ring
Lady's Sterling Amethyst & White Sapphire Ring, Amethyst approx 40 ct, White Sapphires approx 2ct.
Lady's Fancy Sterling Silver "Cross" Black Diamond Pendant
Lady's Fancy Sterling Silver "Cross" Black Diamond Pendant, Black Diamonds approx 2 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "HUNTINGTON HARBOUR" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "Round'n up" In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Mohammed". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Alberto Giacometti Original Limited Edition Bronze -
Alberto Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Pierre Renior Limited Edition
Pierre ReniorLimited Edition On Paper. "The Loge" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Day's End by D. Scott
This bronze sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and weighs approx. 500lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Giclees of The 10 Greatest Country STARS
"Giclees of "The 10 Greatest Country STARS" Woman Edition. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 23"x26".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Fisherman Mending Nets II by Chiam Gross
Fisherman Mending Nets II by Chiam Gross. Lithograph. Unframed, signed, approx dimension 26"x28", a must have in your art collection
Horseman - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Horseman". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Tango - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tango. This piece is thought to represent Rudolph Valentino and his wife Natasha Rambova, While Valentino is remembered most for his film career, he also danced with his wife for audiences in the U.S. and Europe. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6.5".
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE DANS FAUTEVIL", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Botero Limited Edition - Unknown
Botero Limited Edition, "Unknown". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

At the Bar II by Yuri Trembler
Original Lithograph. Dimensions are approx 29x27
Original Hand Carved Marble "Horses" by G. Huerta
Original Hand Carved Marble "Horses" by G. Huerta, 2 pcs, each fig approx size 8X7 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Zuniga Original Original, limited Edition Bronze - Mujer Con Nia
Zuniga signed and numbered bronze sculpture, "Mujer Con Nia". Comes with COA. Some variation in patina might occur.
"Artist and Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Labrynth
Salvador Dali signed limited edition, "Labrynth". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Muse II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Stylish Butterfly & Black Onix Ring
Unisex Stylish Butterfly & Black Onix Ring, Blk Onix approx 20 ct.
Lady's Very Stylish Sterling Silver "Lock & Key Charms" White Sapphire Pendants
Lady's Very Stylish Sterling Silver "Lock & Key Charms" White Sapphire Pendants, White Sapphires approx 1.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHING BOATS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - St. John
Dali sculpture, "St. John" is approx. 2.96 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali Limited Edition Bronze Sculpture - Soft Self Portrait With Fried Bacon
This is a limited edition, signed bronze sculpture entitled "SOFT SELF PORTRAIT WITH FRIED BACON" (1941) by Salvador Dali. Dali painted this self-portrait during his eight-year-exile in the United States, where he had fled from the Spanish civil war. The, sometimes, childlike enthusiasm and the drive of the American society appealed to Dali and he had a most productive period there. Under this influence he appeared to reverse his "paranoid-critical" method. Now he painted more from the inside out, as his comment on his self-portrait indicates. Dali himself styles his self-portrait as "an anti-psychological self-portrait, instead of painting the soul, or the inner of oneself, to paint solely the appearance, the cover, my soul's glove. This glove of my soul can be eaten and is even a little sharp, like highbred game; therefor ants appear together with the fried bacon. As the most generous of all painters I continuously offer myself as food and thus give our era the most delicious delicacies. Approx. Dimensions: 4.75 in. x 3 in. x 3 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "My Girl"In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Gianni Schicchi's Bite". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Botero Bronze Sculpture - Dance Lesson
Botero signed and numbered bronze, " Dance Lesson". Comes with COA. Some variation in patina might occur.
Edouard Manet Limited Edition
Edouard Manet Limited Edition On Paper. "The Departure Of The Folkestone" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Rapture II by D. Scott
This bronze sculpture by D. Scott is called, "Rapture II" and measures approx. 64" x 43" x22" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
SOPRANOS Giclee
SOPRANOS Giclee with Cigar , Gun & Bullets comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 27"x18".
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 18”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Impressions Of Africa - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Impressions Of Africa". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Rock Star
Bustamante signed and numbered bronze sculpture, "Rock Star". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x3.
Civa- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Civa. This piece was inspired by the exotic, tradional Eastern dance style adopted by Parisan revue performers such as Gipsy Rhouma-je and Perry. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Salvador Dali Signed Limited Edition - The Horsemen of Apocalypse
Salvador Dali signed limited edition, " The Horsemen of Apocalypse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
At the Bar I by Yuri Trembler
Original Lithograph. Dimensions are approx 29x28
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Zuniga Original Original, limited Edition Bronze - Unknown
Zuniga signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
"At the Circus" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Invention Of The Monsters
Salvador Dali signed limited edition, "The Invention Of The Monsters ". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Couple" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 5 ct.
Lady's Fancy Sterling Silver "Cross" Black & White Diamond Pendant
Lady's Fancy Sterling Silver "Cross" Black & White Diamond Pendant, Black & White Diamonds approx total 1.50 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISH CLEANED" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "Study II"In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Progphecy of Vanni Fucci". Comes with COA and beautifully framed.
Maillol Original Limited Edition Bronze
Maillol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Flordali ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Eaglehead by H. Scott
This bronze sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and weighs approx. 8lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Giclees of The 10 Greatest Country STARS
"Giclees of "The 10 Greatest Country STARS" Man Edition. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 23"x26".
Limited Edition Lithographs Set by Thornhill
2 PIECES CONSISTING OF A FRAMED ARTWORK BY THORNHILL Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 20”x28”. Very Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cain Lithograph
Cain Lithograph. Unframed, signed, approx dimension 18"x26", a must have in your art collection
Infanta Margarita - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Infanta Margarita". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Reclining Sun
Bustamante signed and numbered bronze sculpture, "Reclining Sun". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x3.
Tender Promises - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tender Promises. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x30".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Venus on a Shell
Dali sculpture, "Venus on a Shell", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.
Salvador Dali Signed Limited Edition - Illustration for don Quixote II
Salvador Dali signed limited edition, "Illustration for don Quixote II". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"Ameruese" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - Set Of Tristan
Salvador Dali signed limited edition, "Set Of Tristan". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Dejeuner Sur L'herbe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver Multiple Hearts in a Circle Diamond Pendant
Lady's Very Fancy Sterling Silver Multiple Hearts in a Circle Diamond Pendant, Diamonds approx 1.25 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CATALINA ISLAND MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "The Drive" In the manner of Borein . Comes framed. Approx. size:11"x15".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Traitor of Montaperti". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Jean Arp Original Limited Edition Bronze -Torso
Jean Arp signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size: 10x4x4.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Die Rolen Schuhe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Heron on a Branch by J. Townsend
This bronze sculpture by J. Townsend is called, "Heron on a Branch" and measures approx. 30" x 14" x 6" and weighs approx. 86lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Elvis Presley Three Giclees
Elvis Presley Three Giclees with Gold Records, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 26"x32".
Picasso Original Lithographs Hand Pulled and Signed.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Invisible Man - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Invisible Man". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Sun King
Bustamante signed and numbered bronze sculpture, "Sun King". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Thais - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Thais. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21.5"x23".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Air de Chasse"
This is a hand signed Limited Edition Lithograph by Renoux titled "Air de Chasse", signed & numbered, approx dimension 29x37 in.
Bob Marley Giclee
"Bob Marley" Giclee & mini guitar, approx dimension 22x26.
Salvador Dali Signed Limited Edition - Christian Knight
Salvador Dali signed limited edition, "Christian Knight". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Country Lane by Rundell
Signed Limited Edition Lithograph. Dimensions are approx 28x22

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"La Reve" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Ruin With Head Of Medusa
Salvador Dali signed limited edition, "Ruin With Head Of Medusa". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of A Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Heart" Diamond Pendant
Lady's Very Fancy Sterling Silver "Heart" Diamond Pendant, Diamonds approx .33 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHERMAN'S WHARF - EVENING" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Wooden Bridge". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Reassurance". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Joan Miro Original Limited Edition Bronze- Personage
Joan Miro signed and numbered bronze sculpture, "Personage". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x7.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Fire fire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Pelicans by Koop
This bronze sculpture by Koop is called, "Pelicans" and measures approx. 30" x 24" x 20" and weighs approx.125lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Giclee on Canvas by Roxy titled LAS VEGAS GOLD II
Limited Edition Giclee on Canvas by Roxy titled "LAS VEGAS GOLD II" gold signed, Edition 500. comes in Beautiful custom matt & frame, approx dimension 30"x40".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
King - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "King". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze - The Wizard
Bustamante signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x3.
The Secret - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Secret. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x13".
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant, Amethyst approx 2 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Renoux Hand Signed Limited Edition Lithograph "RISTORANTE"
This is a hand signed Limited Edition Lithograph by Renoux titled "RISTORANTE", signed & numbered, approx dimension 22x25 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Madonna Giclee
"Madonna" Giclee, pass & mini microphone, approx dimension 23x26.
Salvador Dali Signed Limited Edition - Two Woman with a town in the Background
Salvador Dali signed limited edition, "Two Woman with a town in the Background". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Lay of the Land by Dupre I
Original Lithograph. Dimensions are approx 38x20
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Fritz Wotruba Original Original, limited Edition Bronze - Figure
Fritz Wotruba signed and numbered bronze sculpture, "Figure". Comes with COA. Some variation in patina might occur.
"Chanukah" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - A Couple With Heads In The Clouds
Salvador Dali signed limited edition, "A Couple With Heads In The Clouds". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude Pour Le Nu A La Draperie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Sterling Silver White Sapphire Pendant
Lady's Fancy Sterling Silver White Sapphire Pendant, White Sapphires approx 1.5 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 5x5

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Summer Cottage". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Charon". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze - MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 17x10x4.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. " Drawer Of Memory" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Blue Marlins by Koop
This bronze sculpture by Koop is called, "Blue Marlins" and measures approx. 38" x 29" x 16" and weighs approx. 80lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Pablo Picasso and Salvador Dali-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and DALI, Set includes 2 Original lithographs. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
European Villa by Arthur Seiden
European Villa by Arthur Seiden. Limited Edition Lithograph. Unframed, signed, approx dimension 30"x22", a must have in your art collection
Lenin Tiger - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Lenin Tiger". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor Signed Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x11".
Bustamante Original, limited Edition Bronze -Sun Queen
Bustamante signed and numbered bronze sculpture, "Sun Queen". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x7.
Fiery Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF
Three Dancers - Bronze and Ivory Sculpture by Phillipe
Phillipe bronze and ivory sculpture, Three Dancers. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x17".
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet, Garnet approx 5 ct, Diamonds approx .75 ct VS1, G in color.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Plated Bronze Sculpture- Female Figure
Dali sculpture, "Female Figure" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Salvador Dali Signed Limited Edition - Woman with a Head of Roses
Salvador Dali signed limited edition, "Woman with a Head of Roses". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michelle's Potting Bench by Hong
Original Lithograph. Dimensions are approx 24x24
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture - Bull
Botero signed and numbered bronze, " Bull ". Comes with COA. Some variation in patina might occur. Approx. size: 8x13x8 Inch.
"Exodus" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Enigma Of Desire
Salvador Dali signed limited edition, "The Enigma Of Desire". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Navajo Indian Ensyned Lamp
Brilliant Turquoise and more!
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Blue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Sterling Silver Black & White Diamond Pendant
Lady's Fancy Sterling Silver Black & White Diamond Pendant, Black & White Diamonds approx total .50 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JACK IN BOX" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Limited Edition Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signed bronze sculpture entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali. During his years in America Dalí worked on cinema and designed for theatre and theatre and ballet productions. His first design for the ballet was Bacchanale (originally named in German "Venusberg"), for which he also wrote the scenario and designed the costumes. It was a Metropolitan Opera production, choreographed by Leonide Massine for the Ballet Russe de Monte Carlo. The ballet was set to the music of Richard Wagner, whose insane patron, king Ludwig II, was portrayed in the scenario. Approx. Dimensions: 7 in. x 4 in. x 3 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "News of the Lower Depths of Hell". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze - Woman In The Night
Joan Miro signed and numbered bronze sculpture, "Woman In The Night". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Picasso Limited Edition
Picasso Limited Edition On Paper. "Woman With A chignon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tuna by J. Townsend
This bronze sculpture by J. Townsend is called, "Tuna" and measures approx. 12" x 15" x 9" . It comes with foundry paperwork and is part of an edition of 399 pieces.
KISS double Giclee with Gold LP and Real Guitar
KISS double Giclee with Gold LP "Alive II" Real Guitar, Biagrophy & engraved signatures, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 35"x43".
Chagall Limited Edition Lithographs Set-
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Limited Edition Lithograph Set-Signed and numbered. Frame Size: 21”x31”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lincoln Vision - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Lincoln Vision". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Mermaid
Bustamante signed and numbered bronze sculpture, "Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 10x5x5.
Yambo - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Yambo. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x11"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - Sun Table
Salvador Dali signed limited edition, " Sun Table". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Trina's Potting Bench by Hong
Original Lithograph. Dimensions are approx 24x25
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Woman in Chair-
Henry Moore signed and numbered bronze sculpture, " Woman in Chaird". Comes with COA. Some variation in patina might occur. Approx. size: 10x8x4 Inch.
"Paris Opera Ceiling" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Self Portrait With Fried Bacon
Salvador Dali signed limited edition, "Self Portrait With Fried Bacon". Comes with COA. Edition number may vary from pictured.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Notre dame" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 2x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAILS AT BELMONT" CIRCA 1967. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Stone Bridge Rd". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Minos". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Alberto Giacometti Original Limited Edition Bronze - Femme
Alberto Giacometti signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 14"x7"x4"
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. "Study Of Oriental Standing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tenderness by J. Townsend
This bronze sculpture by J. Townsend is called, "Tenderness" and measures approx. 28" x 14" x 14" and weighs approx. 75lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Giclee on Canvas of the RAT PACK
Giclee on Canvas of the RAT PACK These Limited Edition canvas are hand embellished by Meegan. Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 22"x25". Edition 250
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph Set. Frame Size: 31”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Mad Tea Party - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Mad Tea Party". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Sun In Love
Bustamante signed and numbered bronze sculpture, "Sun In Love". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x6.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cap Martin - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Cap Martin". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Signed Limited Edition -PLAYERS
Marc Chagall Signed Limited Edition, "PLAYERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chianti Country I by Ede
Original Lithograph. Dimensions are approx 24x26
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Lions" by G. Huerta
Original Hand Carved Marble "Lions" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
"Artist and Model" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Dog" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Tear Drop" White Sapphire Pendant
Lady's Very Fancy Sterling Silver "Tear Drop" White Sapphire Pendant, White Sapphires approx 3 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 4x11

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA AT BELMONT" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Authum Colors". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Irascible". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Alvar Original Limited Edition Bronze
Alvar signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x12"x6"
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. " Portrait Of A Young Man" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - La Tortuga by J. Townsend
This bronze sculpture by J. Townsend is called, "La Tortuga" and measures approx. 423" x 16" x 16" and weighs approx. 104lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Scarface Large Hologram The World Is Yours!
Scarface 3D Giclees, also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x31".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 23”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Manhatten Skyline - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Manhatten Skyline". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - La Parisienne
Max Ernst signed and numbered bronze sculpture, "La Parisienne", 1950. Comes with COA. Some variation in patina might occur.
Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x19.5"x4.5".
Fiery Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali 24K Gold Layered Bronze Sculpture- Melting Clock
Dali sculpture, "Melting Clock", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Houses Parliament - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Houses Parliment". Comes with COA. Approx. size: 20"x24". HC-0045
Franz Halls Signed Limited Edition - The Laughin Cavalier
Marc Chagall Signed Limited Edition, "The Laughin Cavalier". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chianti Country II by Ede
Original Lithograph. Dimensions are approx 24x27
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Hugue Original, limited Edition Bronze - Man With Wings
Hugue signed and numbered bronze sculpture, "Man With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

"The Juggler" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Ballet" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Style Sterlilng Silver "Crown" Diamond Pendant
Lady's Fancy Style Sterlilng Silver "Crown" Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 5x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JILL" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Buddies". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Farinata". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - JAGUAR
Rufino Tamayo signed and numbered bronze sculpture. "JAGUAR". Comes with COA. Some variation in patina might occur. Approx. size: 7"x9"x5"
Salvador Dali - Signed Limited Edition
Salvador Dali - SignedLimited Edition On Paper. "Bureaucrat And Sewing Machine" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Fish On by J. Townsend
This bronze sculpture by J. Townsend is called, "Fish On" and measures approx. 17" x16" x 11" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
James Dean Large Hologram
James Dean Large Hologram with 3D Giclees, Biography, Legend image of the I.D. card & comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 35"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x27”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cinderella
Cinderella Serigraph by Sericell. Approx 11x14
Second Before Awakening - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Second Before Awakening". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
Damascene - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Damascene. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Beautiful Silver Citrine Bracelet
Lady's Beautiful Silver Citrine Bracelet, Citrine approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Japanese Bridge - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Japanese Bridge". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Signed Limited Edition - Paris
Salvador Dali signed limited edition, " PARIS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Devant Le Theatre by Andre D'Avignon
Signed Original Lithograph. Dimensions are approx 25x33
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Joan Miro Original, limited Edition Bronze - Her Majesty
Joan Miro signed and numbered bronze sculpture, "Her Majesty". Comes with COA. Some variation in patina might occur. Approx. size: 17x5x5.
"Couple In Paris" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head In Profile" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Stylish/Fancy Sterling Silver Diamond Pendant
Lady's Stylish/Fancy Sterling Silver Diamond Pendant, Diamonds approx .5 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BOATS AT DUSK" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Herbert Shuller Watercolor Painting.
Herbert Shuller Original Watercolor on paper "Up for the Winter"In the manner of Borein . Comes framed. Approx. size:8"x11".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "In Dark Limbo". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - SNAKE
Rufino Tamayo signed and numbered bronze sculpture. "SNAKE". Comes with COA. Some variation in patina might occur. Approx. size: 7"x8"x5"
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Happy Unicorn" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sailfish with Maihi by J. Townsend
This bronze sculpture by J. Townsend is called, "Sailfish with Maihi" and measures approx. 33" x 26" x 16" and weighs approx. 95lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
SCARFACE Hologram
Scarface Hologram with 3D Giclees, Cigar, Gun & Bullets. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 29"x35".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x19”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bougainvillea Cottage by Sergon
Bougainvillea Cottage by Sergon. Original Mixed Media. Approx 16x20
Slave Market Bust Of Voltaire - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Slave Market Bust Of Voltaire". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Signed A.R. Dergado Bronze and Ivory - Feuervogel
Signed bronze and ivory art deco sculpture "Feuervogel" by artist A.R. Dergado, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 12.2".
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 4 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
La Grenouillere - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "La Grenouilere". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Salvador Dali Signed Limited Edition - Roussicion
Salvador Dali signed limited edition, " Roussicion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Le Bistro Maxim's by Mark Sr Jhon
Hand Signed Original Lithograph. Dimensions are approx 16x20
Original Hand Carved Marble "Ducks" by G. Huerta
Original Hand Carved Marble "Ducks" by G. Huerta, 2 pcs, each fig approx size 6X6 in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
David Alfaro Siqueros Original, limited Edition Bronze - Revolutionary Protest
David Alfaro Siqueiros signed and numbered bronze sculpture, "Revolutionary Protest". Comes with COA. Some variation in patina might occur. Approx. size: 12x15x4.
"Circus Horse and Rider" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Bread and Fruit Bowl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Heart" White Sapphire Pendant
Lady's Very Fancy Sterling Silver "Heart" White Sapphire Pendant, White Sapphires approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ALAMITOS BAY MARINA" CIRCA 1970. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Anthropormorphic
Dali sculpture, "Anthropormorphic" is approx. 1.94 oz of fine real .999 silver. Sculpture measures approx. 4". Comes with foundry Assay.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Herbert Shuller Watercolor Painting.
Original Watercolor on paper "View From the Top" In the manner of Herbert Shuller . Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Minotaur". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Henry Moore Limited Edition Bronze - Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:10"x14"x9".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Das Meerweibchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Turtle Rock by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Rock" and measures approx. 32" x 26" x 19" and weighs approx. 140lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

God Father Large Hologram `
"God Father" 3D Giclees, with Biography & Rose. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 24”x21”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Sleep - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Sleep". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Young Man in Love
Max Ernst signed and numbered bronze sculpture, "Young Man in Love". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x4.
Encore - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Encore. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 8 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- St John on the Cross
Dali sculpture, "St John on the Cross" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
Nympheas - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Nympheas". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - Ecuyere Et Cheval
Salvador Dali signed limited edition, " Ecuyere Et Cheval". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Reclining Figure: Turned Head
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Turned Head". Comes with COA. Some variation in patina might occur. Approx. size: 7x12x7.
"The Birthday" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With An Open Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Stylish Sterling Silver "Heart" Diamond Pendant
Lady's Stylish Sterling Silver "Heart" Diamond Pendant, Diamonds approx 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREE ON THE BAY" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Herbert Shuller Watercolor Painting.
Original Watercolor on paper "Fall comes fast" In the manner of Herbert Shuller . Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Wood and the Suicide". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
David Alfaro Siqueros Limited Edition Bronze - Proletarian Victim
David Alfaro Siqueiros signed and numbered bronze sculpture, ""Proletarian Victim"". Comes with COA. Some variation in patina might occur. Approx. size: 12"x9"x6".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Das Meerweibchen ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Clowning Around by J. Townsend
This bronze sculpture by J. Townsend is called, "Clowning Around" and measures approx. 18" x 8" x 8" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Jimi Hendrix Large Hologram
Jimi Hendrix Hologram with 3D Giclees, Guitar, Biagrophy & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 22”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Heather;s Cottage by Sergon
Heather's Cottage by Sergon. Original Mixed Media. Approx 16x20
Soft Construction With Boiled Beans - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Soft Construction With Boiled Beans". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Kora- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kora. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
Lady's Gorgeous Silver Amethyst Bracelet
Lady's Gorgeous Silver Amethyst Bracelet, Amethyst approx 8 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Poppies - Monet - Limited Edition on Canvas\
Claude Monet Limited Edition on canvas, "Poppies". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - Goddess Flower
Salvador Dali signed limited edition, "Goddess Flower". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Once I Fished upon a Star by Gerard
Signed Original Lithograph. Dimensions are approx 26x20
Original Hand Carved Marble "Donkeys" by G. Huerta
Original Hand Carved Marble "Donkeys" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Alberto Giacometti Original, limited Edition Bronze - Annette VI
Alberto Giacometti signed and numbered bronze sculpture, "Annette VI". Comes with COA. Some variation in patina might occur. Approx. size:16x6x7.
"Me and the Village" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 2 cts.
Nippon Porcelain Head and Shoulders
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 5x4

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PATIO" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade Large Statue "The God of Happiness"
Siberian Jade Large Statue "The God of Happiness", this is one of the 3 wisemen. All hand carved from one solid piece of jade. Very detailed. Approx dimensions are 30x13x8 in. In house
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Waugh .
Original watercolor on paper In the manner of Waugh, titled "Evening". Comes framed. Approx. size:10"x12".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Seducers". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - MAN ON HORSE
Marino Marini signed and numbered bronze sculpture "MAN ON HORSE". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Surrealist Gondola" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Seahorse by J. Townsend
This bronze sculpture by J. Townsend is called, "Seahorse" and measures approx. 18" x 12" x 12" and weighs approx. 133lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Marilyn Monroe Large Hologram
Marilyn Monroe Large Hologram with 3D Giclees, Gold Record "HEAT WAVE" & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Arc de Triomphe by Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet. "Arc de Triomphe" Signed. approx dimension 17"x12".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Soft Watch - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Soft Watch". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Coleman
Original Watercolor on paper In the manner Coleman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Max Ernst Original, limited Edition Bronze - "Unknown"
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnet approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Poppies Argenteuil - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Poppies Argeteuil". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition -TAUROMACHIE V
Salvador Dali signed limited edition, "TAUROMACHIE V". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Roadrunner" by G. Huerta
Original Hand Carved Marble "Roadrunner" by G. Huerta2 pcs, each fig approx size 4X9 in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Seated Man-
Henry Moore signed and numbered bronze sculpture, " Seated Man". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x5 Inch.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

"Doves Over The City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Monte Carlo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape White Sapphire Earrings
Lady's Antique Style Sterling Silver Round Shape White Sapphire Earrings, White Sapphires approx 2.5 cts.
Romantic Flo Blue Staffordshire Porcelain
2nd Generation Romantic Flo Blue Staffordshire Porcelain. Approx dimensions are 6x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DIANE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Bonsai Flowers with vase"
Real Jade hot pink & light lavender Bonsai Flowers on vase, dimensions are approx 12x10 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Waugh .
Original watercolor on paper In the manner of Waugh, titled "Midnight Surf". Comes framed. Approx. size:10"x12".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "On Greyon's Back". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - CAVALIER
Marino Marini signed and numbered bronze sculpture "CAVALIER". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x6.
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Die Krote" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Playtime by J. Townsend
This bronze sculpture by J. Townsend is called, "Playtime" and measures approx. 65" x 30" x 28" and weighs approx. 350lbs. It comes with foundry paperwork and is part of an edition of 199 pieces.
ELVIS PRESLEY large Hologram
"Elvis"large Hologram with 3D Giclees, Gold Record "Can't help falling in love" & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original phey all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Place du Tetre by Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet. "Place du Tetre" Signed. approx dimension 17"x12".
Spinning Man - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Spinning Man". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Moon in Tub-
Bustamante signed and numbered bronze sculpture, "Moon in Tub". Comes with COA. Some variation in patina might occur. Approx. size: 7x8x4.
Signed Chiparus Bronze and Ivory - Tanara
Signed bronze and ivory art deco sculpture "Tanara" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 22"x8"x8"
Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1.5 ct, Ruby approx 1.5 ct & Deep Purple Amrthyst approx 1.5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Billy Goat
Dali sculpture, "Billy Goat", is cast in bronze and layered in 24K gold. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Poppy Field Giverny - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Poppy Field At Giverny". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition -VENICE
Salvador Dali signed limited edition, "VENICE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
il Giardino Fiorito by Borelli
Hand Signed Original Lithograph. Dimensions are approx 16x20
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Bronze Sculpture - Nude
Botero signed and numbered bronze, "Nude". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x5.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Girl With A Boat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Girl With A Boat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "studio window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1.25 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RAGAZZE ALLA SPIAGGIA" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Tangerine Tree"
Jade "Tangerine Tree", dimensions are approx 10x8 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Post Watercolor Painting.
Original Watercolor on paper In the manner of Post . Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Siren of the Dream". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 30X29
Jacque Lipchitz Original, limited Edition Bronze- FAMILY
Jacque Lipchitz signed and numbered bronze sculpture "FAMILY". Comes with COA. Some variation in patina might occur. Approx. size: 20"x12"x7"
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Le Vetement" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Key Largo Adventure by J. Townsend
This bronze sculpture by J. Townsend is called, "Key Largo Adventure" and measures approx. 22" x 16" x 19" and weighs approx. 92lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Four movie stills from GoodFellas
Good Fellas movie stills with Cards & bullet, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Place Vendome by Urbain Hutchet
Place Vendome by Urbain Hutchet. Signed. Comes with COA. Approx 8x11
St. George - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "St. George". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Crounching Figure
Max Ernst signed and numbered bronze sculpture, " Crounching Figure". Comes with COA. Some variation in patina might occur. Approx. size: 12x5x5 Inch.
Egyptian Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H1FF
Signed Chiparus Bronze and Ivory - Star
Signed bronze and ivory art deco sculpture "Star" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Fancy Silver Rose Garnet & Diamond Bracelet
Lady's Fancy Silver Rose Garnet & Diamond Bracelet, Garnet approx 10 ct, Diamonds approx 33 points VS1, G in color
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Terrace Seaside - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Terrace Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
He Devil She Devil Martini Posters by Michael Godard
"He Devil She Devil Martini" Posters by Michael Godard, approx dimension 22x19.
Salvador Dali Signed Limited Edition - TAUROMACHIE III
Salvador Dali signed limited edition, "TAUROMACHIE III". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
La Colina del Papaveri by Borelli
Hand Signed Original Lithograph. Dimensions are approx 16x21

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Naldeman Original, limited Edition Bronze Sculpture
Naldeman Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18x5x3.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Minotaur - from Collection Domaine Picasso
Pablo Picasso limited edition, "Minotaur". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Navajo Indian Ensyned Lamp
Beautiful pattern. Flower design.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Dans Un Fauteuil" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Square Shape White Topaz & Diamond Earrings
Lady's Antique Style Sterling Silver Square Shape White Topaz & Diamond Earrings, White Topaz & Diamonds approx total 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Salvador Dali RHINOCEROS Bronze Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Post Watercolor Painting.
Original Watercolor on paper In the manner of Post . Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Avaricious". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 31X25
Rufino Tamayo Original, limited Edition Bronze - DOG
Rufino Tamayo signed and numbered bronze sculpture. "DOG". Comes with COA. Some variation in patina might occur. Approx. size: 11"x14"x7"
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Assumpta Canaveral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Rogue by J. Townsend
This bronze sculpture by J. Townsend is called, "Rogue" and measures approx. 53" x 26" x 24" and weighs approx. 210lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Three Tv show stills from SOPRANOS
SOPRANOS Tv Shows stills with gun cigar & bullets, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 30"x33".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ponte Neuf by Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet. "Ponte Neuf" Signed. approx dimension 17"x12".
Still Life - Fast Moving - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Still Life - Fast Moving". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Twin Soul
Max Ernst signed and numbered bronze sculpture, " Twin Soul". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Signed Chiparus Bronze and Ivory - A Day At The Beach
Signed bronze and ivory art deco sculpture by Chiparus "A Day At The Beach" sits on a marble/onyx base. Signed Chiparus, Etling Paris foundry mark and is about 11x8x25

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 2 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Salvador Dali - Unknown Title
Salvador Dali original limited edition 24K gold layered bronze sculpture .
The River - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "The River". Comes with COA. Approx. size: 20"x24". HC-0045
T'D Off Posters by Michael Godard
"T'D Off" Posters by Michael Godard, approx dimension 22x19.
Salvador Dali Signed Limited Edition - NORMANDIE
Salvador Dali signed limited edition, "NORMANDIE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
La Barca al Tramonto by Borelli
Hand Signed Original Lithograph. Dimensions are approx 16x22
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Pigs" by G. Huerta
Original Hand Carved Marble "Pigs" by G. Huerta, 2 pcs, each fig approx size 5X7 in., stand not included.
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
G. Lachaise Original, limited Edition Bronze Sculpture
G. Lachaise Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17x14x9.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - 3 Musicians - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Musicians". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Graduated Garnet Earrings, Grad. Garnets approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NORTH LAGUNA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 15x13 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
J. Sessions Watercolor Painting.
Original Watercolor on paper "Harbor Morning" In the manner of J. Sessions. Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Golden Age". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size:23X21
Rufino Tamayo Original, limited Edition Bronze - SEATED DOG
Rufino Tamayo signed and numbered bronze sculpture. "SEATED DOG". Comes with COA. Some variation in patina might occur. Approx. size: 14"x8"x8"
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Quixote V" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Turtle Reef Table by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Reef Table" and measures approx. 19" x 25" x 19" and weighs approx. 125lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Bob Dylan Giclee and Gold Record
Bob Dylan Giclee and Gold Record "Greats Hits II" with mini guitar & engraved signature, comes in Beautiful custom matt & frame. comes in Beautiful custom matt & frame, approx dimension 34"x34".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 18”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Telephone - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Telephone". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Habajuk
Max Ernst signed and numbered bronze sculpture, " Habajuk". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Signed Chiparus Bronze and Ivory - Odalisque
Signed bronze and ivory art deco sculpture "Odalisque" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnetapprox 6 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Thin Man
Dali sculpture, "Thin Man", is cast in bronze and layered in 24K gold. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.
Venice at Dusk - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Venice at Dusk". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

No Lifeguard On Duty Posters by Michael Godard
"No Lifeguard On Duty" Posters by Michael Godard, approx dimension 21x18.
Salvador Dali Signed Limited Edition - VENUS
Salvador Dali signed limited edition, "VENUS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Trankquility by Kolisman
Hand Signed Original Lithograph. Dimensions are approx 16x20
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Jean Arp Original, limited Edition Bronze Sculpture
Jean Arp Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 10x4x4.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - L'Aubade - from Collection Domaine Picasso
Pablo Picasso limited edition, "L'Aubade". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Geclining Nude Before Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE CAPTAIN'S HOUSE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Prodigality". Comes with COA and beautifully framed.
Original Pencil Drawing on laid paper - signed Botero
Original Pencil Drawing on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 23X20
Rufino Tamayo Original, limited Edition Bronze - MAN HEAD
Rufino Tamayo signed and numbered bronze sculpture. "MAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 13"x11"x7"
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Geological Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Reef Dancer by J. Townsend
This bronze sculpture by J. Townsend is called, "Reef Dancer" and measures approx. 21" x 13" x 13" and weighs approx. 42lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Eric Clapton Giclee and Gold LP
Eric Clapton Giclee and Gold LP "461 Ocean Blue" with mini guitar & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 35"x35".
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 26”x22”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Temptations Of St. Anthony - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Temptations Of St. Anthony". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Double Life
Pablo Picasso signed and numbered bronze sculpture, "Double Life". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x6 Inch.
Signed Chiparus Bronze and Ivory - A Slight Accident
Signed bronze and ivory art deco sculpture "A Slight Accident" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Fancy Silver Garnet Bracelet
Lady's Fancy Silver Garnet Bracelet, Garnet approx 7 ct.
Egyptian Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.SB9H1FF
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
A Bar At The Follies Bergere - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "A Bar At The Follies Bergere". Comes with COA. Approx. size: 20"x24". HC-0045
Even Dirtier Martini Posters by Michael Godard
"Even Dirtier Martini" Posters by Michael Godard, approx dimension 21x18.
Salvador Dali Signed Limited Edition - Flower Magician
Salvador Dali signed limited edition, "Flower Magician". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Sunbather by Kolisman
Hand Signed Original Lithograph. Dimensions are approx 16x21
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Tamayo Original, limited Edition Bronze Sculpture
Tamayo Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 19x6x4.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - The Painter And The Model - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Painter And The Model". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings, Blue Sapphire & Diamonds approx total 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON FROM SUMMIT STREET" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Bonsai Flower Tree"
Jade "Bonsai Flower Tree", Red color Jade, dimensions are approx 12x9 in.
Original Watercolor on Paper by Geanette .
Original watercolor on paper In the manner of Geanette. Comes framed. Approx. size:10"x7".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Greed". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 23X20
Jean Arp Original, limited Edition Bronze Sculpture WOMAN TORSO
Jean Arp Original Limited Edition Bronze Sculpture, signed and numbered bronze sculpture " WOMAN TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 14"x5"x5".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Eucharistic still Life" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Harmony (small) by Deniz
This bronze sculpture by Deniz is called, "Harmony (small)" and measures approx. 21" x 14" x 9" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Giclees of The 10 Greatest Guitar Players
Giclees of "The 10 Greatest Guitar Players", comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 23"x27"
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hallucinogenic Toreador by Dali
Hallucinogenic Toreador by Dali. Signed Limited Edition. Comes with COA. Approx 22x26
The Anthropomorphic Cabinet - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Anthropomorphic Cabinet". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Safiro
Pablo Picasso signed and numbered bronze sculpture, "Safiro". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x4 Inch.
Signed Chiparus Bronze and Ivory - Anestesia
Signed bronze and ivory art deco sculpture "Anestesia" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Beautiful Silver Orange Garnet Bracelet
Lady's Beautiful Silver Orange Garnet Bracelet, Garnet approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Manet Painting Monet In His Studio Boat - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "Manet Painting Monet In His Studio Boat". Comes with COA. Approx. size: 20"x24". HC-0045
Gangster Martini Posters by Michael Godard
"Gangster Martini" Posters by Michael Godard, approx dimension 21x18.
Salvador Dali Signed Limited Edition - The Agony of Love
Salvador Dali signed limited edition, "The Agony of Love". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Evening Glow II by Jose
Signed Original Lithograph. Dimensions are approx 16x20
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Woman on Bench -
Henry Moore signed and numbered bronze sculpture, "Woman on Bench". Comes with COA. Some variation in patina might occur. Approx. size: 10x10x6 Inch.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Stil Life With Cat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Stil Life With Cat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Vase And Pipe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Design Sterling Silver White Topaz & Dimaond Earrings
Lady's Fancy Design Sterling Silver White Topaz & Dimaond Earrings, Topaz & Diamonds approx total 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE STUDIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Tangerine Tree"
Jade "Tangerine Tree", Dimensions are approx 15x12 in.
Cortina V. Watercolor Painting.
Original Watercolor on paper In the manner of Cortina V.. Comes framed. Approx. size:9"x12".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Tree of Punishment". Comes with COA and beautifully framed.
Original Pencil Drawing on laid paper - signed Botero
Original Pencil Drawing on laid Paper, Framed Under Glass In The Manner of Botero Approx. size: 20X25

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

1878 Hexagon shaped box made of 2nd Generation Whale tooth with Orante Hand carvings
1878 Hexagon shaped box made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 2x4
Jacque Lipchitz Original, limited Edition Bronze- Man with Guitar
Jacque Lipchitz signed and numbered bronze sculpture "Man with Guitar". Comes with COA. Some variation in patina might occur. Approx. size: 18"x8"x8"
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "Pierrots Funeral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Caribean Queen by D. Hunter
This bronze sculpture by D. Hunter is called, "Caribean Queen" and measures approx. 26" x 15" x 13" and weighs approx. 55lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
The Beatles 1964 in Las Vegas
"The Beatles" 1964 in Las Vegas, gambling at the Sahara Casino,comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 28x23.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 15”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lithograph by Artist Lui
Limited Edition Lithograph by Artist Lui, signed & numbered, NOT FRAMED!, approx dimension 17"x12"
The Disentigration Of The Persistence Of Memory - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Disentigration Of The Persistence Of Memory". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Woman With Child
Pablo Picasso signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Signed Chiparus Bronze and Ivory - Chorus Girl
Signed bronze and ivory art deco sculpture "Chorus Girl" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Beautiful Silver Sapphire & Diamonds Bracelet
Lady's Beautiful Silver Sapphire & Diamonds Bracelet, Sapphire approx 6 ct, Diamonds approx 30 points VS1, G in color.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Helping Hand
Picasso sculpture, "Helping Hand", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
The Fifer - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "The Fifer". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
$100 Dollar Bill with Dice Posters by Michael Godard
"$100 Dollar Bill with Dice" Posters by Michael Godard, approx dimension 17x23.
Salvador Dali Signed Limited Edition - ARLEQUIN
Salvador Dali signed limited edition, " ARLEQUIN". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Romantic Moments by Marilyn Simandele
Signed Original Lithograph. Dimensions are approx 12x16
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- King and Queen
Henry Moore signed and numbered bronze sculpture, " King and Queen". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x5 Inch.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Limited Edition - The Bathers - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Bathers". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Forces Of Peace and War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is approx. 10troy ounces of real .999 silver. Comes with foundry Assay.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" Snow Days"In the manner of Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Lustful". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Botero Approx. size:20X25
Hand Carved Horns-Pair
Fancy Hand Carved Bone And Scrimshaw Tusk (pair) Approx. 26" x 6" x 6"
Gregor Kruk Original, limited Edition Bronze- Man with Bandura
Gregor Kruk signed and numbered bronze sculpture " Man with Bandura". Comes with COA. Some variation in patina might occur. Approx. size: 17"x11"x7"
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Safe Harbor by D. Hunter
This bronze sculpture by D. Hunter is called, "Safe Harbor" and measures approx. 27" x19" x 15" and weighs approx. 93lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Frank Sinatra four Giclees with Gold Record
Frank Sinatra four Giclees with Gold Record "NEW YORK , NEW YORK", also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 30"x24".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x15”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dancing Figure Lithograph by Chiam Gross.
Dancing Figure Lithograph by Chiam Gross. Signed and Numbered. Approx 17x31
The First Study For The Madonna - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The First Study For The Madonna". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Equilibrist-
Bustamante signed and numbered bronze sculpture, "Equilibrist". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Lady's Fancy Silver Black Diamonds Bracelet
Lady's Fancy Silver Black Diamonds Bracelet, Black diamonds approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Maiden With Jug
Gold and Silver Patina Maiden with Jug Statue. Statue is about 14x14x35
Agneau Bleu - Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Agneau Bleu". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - ALSACE
Salvador Dali signed limited edition, "ALSACE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Male Dancer by Sahall
Hand Signed Original Lithograph. Dimensions are approx 16x12
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Cats" by G. Huerta
Original Hand Carved Marble "Cats" by G. Huerta, 2 pcs, each fig approx size 8X4 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Woman with Dress
Henry Moore signed and numbered bronze sculpture, " Woman with Dress". Comes with COA. Some variation in patina might occur. Approx. size: 9x11x5 Inch.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of A Faun" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fashionable Heart Design Sterling Silver Rhodolite Garnet Earrings
Lady's Fashionable Heart Design Sterling Silver Rhodolite Garnet Earrings, Rhodolites approx 2 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA PATIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" The Stream"In the manner of Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Two Crowds of the Lustful". Comes with COA and beautifully framed.
Original Ink Drawing on laid paper - signed Motherwell
Original Ink Drawing on laid paper, Framed Under Glass In The Manner of Motherwell. Approx. size: 21X24

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Joan Miro Original, limited Edition Bronze -FEMME ET OISEAU
Joan Miro signed and numbered bronze sculpture, "FEMME ET OISEAU". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. " A Hayrick Near A Farm" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Honu by D. Hunter
This bronze sculpture by D. Hunter is called, "Honu" and measures approx. 16" x 15" x 11" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Marilyn Monroe double Giclee
Marilyn Monroe double Giclee, with image of the marriege Certificate with Di Maggio and one of the fist contracts. Comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 33"x23".
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
MAGNOLIA
Magnolia- Botanical Original Lithograph. approx dimension 18"x13"
The Invisible Man - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Invisible Man". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Woman
Pablo Picasso signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x4 Inch.
Signed Guiraud Riviere Bronze and Ivory - Nordica
Signed bronze and ivory art deco sculpture "Nordica" by artist Guiraud Riviere, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Animaux Fabuleux- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Animaux Fabuleux". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - APOLLON
Salvador Dali signed limited edition, "APOLLON". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Weighty Matters by Norman Rockwell
Fine Art Lithograph. Dimensions are approx 16x12
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Alberto Giacometti Original, limited Edition Bronze - Walking Man III
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man III". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Seated Woman With A Red And Blue Hat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman With A Red And Blue Hat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Landscape II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FLOWER POTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on Paper by Chagall .
Original watercolor on paper In the manner of Chagall. Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Last Words". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Diego Giacometti Original, limited Edition Bronze -Man Head
Diego Giacometti signed and numbered bronze sculpture, "Man Head ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x6".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " St. John" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Gaurdian by D. Hunter
This bronze sculpture by D. Hunter is called, "Gaurdian" and measures approx. 32" x 36" x 22" and weighs approx. 113lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Frank Sinatra Three Giclees
Frank Sinatra Three Giclees with Gold Records, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 26"x32".
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 34”x22”. In excellent condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Metamorphosis Of Narcissus - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Metamorphosis Of Narcissus". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Head-
Pablo Picasso signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Signed Chiparus Bronze and Ivory - Starfish
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 29"x10.5"x4.5".
Lady's Beautiful Silver Rose Garnet Bracelet
Lady's Beautiful Silver Rose Garnet Bracelet, Garnet approx 8 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali Limited Edition 24K Gold Layered Bronze Sculpture - St. John On The Cross
Dali sculpture, "St. John On The Cross", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".
Moreau - Maiden at Rocks
Moreau - Maiden at Rocks, statue is about 11x11x26
Les Premiers Animaux- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Les Premiers Animaux". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-THE RED OVAL
Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moulin Rougue a la Nuit by Michael Delacroix
Fine Art Lithograph. Dimensions are approx 11x14
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Brancusi Original, limited Edition Bronze- Nude
Brancusi signed and numbered bronze sculpture,"Nude". Comes with COA. Some variation in patina might occur. Approx. size: 9x18x4.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Nude Young Man With Horse - from Collection Domaine Picasso
Pablo Picasso limited edition, "Nude Young Man With Horse". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Tete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .33 cts, VS1, color G.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Hand Painted Nippon Porcelain Vase
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 8x5
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LANDSCAPE" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Divine Forest". Comes with COA and beautifully framed.
Diego Giacometti Original, limited Edition Bronze -CAT
Diego Giacometti signed and numbered bronze sculpture, "CAT". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x7".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Christ And His Disciples" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Otter with Baby by D. Hunter
This bronze sculpture by D. Hunter is called, "Otter with Baby" and measures approx. 9" x 11" x 6" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Rolling Stones double Giclee
Giclee on Paper of the Rolling Stones These Giclee on Paper are hand embellished by Meegan. Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 40"x27".
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 20”x 30". In excellent condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Persistence Of Memory - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Persistence Of Memory". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Lady Moon-
Bustamante signed and numbered bronze sculpture, "Lady Moon". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x6 inch.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Signed Chiparus Bronze and Ivory - Semiramus
Signed bronze and ivory art deco sculpture "Semiramus" by artist Chiparus. Semiramus was the Queen of the Assyrians and was the subject an 18th century play by Voltaire. Voltaire's play inspired many theatrical and operatic productions and the two best known were popular in Paris during the time Chiparus was designing his bronze and ivory figures. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 27.5"x21".
Lady's Fancy Silver Black Diamond Bracelet
Lady's Fancy Silver Black Diamond Bracelet, Black Diamonds approx 6 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Saint Julien- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Saint Julien". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-IN BLUE
Wassily Kandinsky Limited Edition on paper, "IN BLUE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Louis Icart Litographs
Louis Icart Litograph signed, approx dimensions 20x20 in.
Late November by Hendershot
Signed Original Lithograph. Dimensions are approx 11x14
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Leo Mol Original, limited Edition Bronze -Changing
Leo Mol signed and numbered bronze sculpture, "Changing". Comes with COA. Some variation in patina might occur.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Women Of Algiers - from Collection Domaine Picasso
Pablo Picasso limited edition, "Women Of Algiers". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme assise Dans Un Fauteuil Tresse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fashionable Heart Design Sterling Silver Diamond off color Pinkish Earrings
Lady's Fashionable Heart Design Sterling Silver Diamond off color Pinkish Earrings, Diamonds approx 1 ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM TEMPLE HILLS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante and Beatrice". Comes with COA and beautifully framed.
Alejandro Marquez Original, limited Edition Bronze - VIOLINIST-
Alejandro Marquez signed and numbered bronze sculpture "VIOLINIST". Comes with COA. Some variation in patina might occur. Approx. size: 9"x8"x6".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Prinz And Prinzessin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Friends of the Deep by De Lier
This bronze sculpture by De Lier is called, "Friends of the Deep" and measures approx. 18" x 14" x 12" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Marilyn Monroe four Giclees with Gold Record
Marilyn Monroe four Giclees with Gold Record "HEAT WAVE", also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 31"x25".
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Sacrement Of The Last Supper - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Sacrement Of The Last Supper". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bustamante Original, limited Edition Bronze -Moon Mermaid-
Bustamante signed and numbered bronze sculpture, "Moon Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x8 inch.
Angel of War - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and 35lbs. It is a Limited Edition out of 399. SB9H
Signed Chiparus Bronze and Ivory - Antinea
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 26"x10.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Spingendes Pferd- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Springendes Pferd". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Wassily Kandinsky Limited Edition-The Great Gate of Kiev
Wassily Kandinsky Limited Edition on paper, "The Great Gate of Kiev".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mountain Paradise by Thomas Kinkade
Original Lithograph. Dimensions are approx 11x15
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Diego Giacometti Original Original, limited Edition Bronze -Ostrich
Diego Giacometti signed and numbered bronze sculpture, "Ostrich". Comes with COA. Some variation in patina might occur.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Baccanale - from Collection Domaine Picasso
Pablo Picasso limited edition, "Baccanale". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Victorian Mirror
Beautiful Victorian Mirror. Dimensions are approx. 24x36.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Fish" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Design Sterling Silver Round Shape Black Diamond Earrings
Lady's Fancy Design Sterling Silver Round Shape Black Diamond Earrings, Black Diamonds approx 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUE BIRD CANYON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Lovers
Dali sculpture, "Lovers" is approx. 2.82 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Picasso Bronze Sculpture - Seated Woman
Beautiful bronze Picasso sculpture, "Seated Woman". Gold accents and marble base. Approx. size: 21"x14"x11".
H. Moore pencil drawing - Unknown title
Original pencil drawing In the manner of H.Moore. Signed Beautifully framed and comes with COA. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante's Repentance". Comes with COA and beautifully framed.
Henry Moore Original, limited Edition Bronze- Man
Henry Moore signed and numbered bronze sculpture, "Man". Comes with COA. Some variation in patina might occur. Approx. size:12"x6"x4".
Picasso Limited Edition
Picasso Limited Edition On Paper. "Can can Dancer" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - New Beginnings by D. Scott
This bronze sculpture by D. Scott is called, "New Beginnings" and measures approx. 73" x 39" x 39" and weighs approx. 490lbs. It comes with foundry paperwork and is part of an edition of 99 pieces.
Marilyn Monroe Giclee on Canvas
Giclee on Canvas of Marilyn Monroe This Edition canvas are hand embellished by Meegan. Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 26"x34".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 34”x22”. In excellent condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Spectre Of Sex Appeal - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Spectre Of Sex Appeal". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Nostalgia Atomica
Dali sculpture, "Nostalgia Atomica",is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Platinum Gold Bronze Hanzel Grettle Fountain Moreau
Platinum and gold patina bronze Hanzel and Grettle fountain by artist Moreau, dimensions are about 66x46x20
The Yellow Cow- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "The Yellow Cow". Comes with COA. Approx. size: 20"x24". HC-0045
Bubbly Bath Posters by Michael Godard
"Bubbly Bath" Posters by Michael Godard, approx dimension 21x18.
Wassily Kandinsky Limited Edition-Small World II
Wassily Kandinsky Limited Edition on paper, "Small World II".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mossant 1938 by Cappielo
Original Lithograph. Dimensions are approx 12x9
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Alberto Giacometti Original, limited Edition Bronze - DIEGO (TÊTE AU COL ROULÉ)
Alberto Giacometti signed and numbered bronze sculpture, "DIEGO (TÊTE AU COL ROULÉ) ". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Woman With A Flower - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman With A Flower". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Marie Terese" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA WITH MOON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on Paper by Ann Hyun -85 .
Original watercolor on paper In the manner of Ann Hyun -85 .. Comes framed. Approx. size:17"x22".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante Re-Awakes". Comes with COA and beautifully framed.
Alexander Archipenko Original, limited Edition Sculpture -Egyptian Motive
Alexander Archipenko signed and numbered bronze sculpture, "Egyptian Motive". Comes with COA. Some variation in patina might occur. Approx. size: 12"X4"X4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Sigmund Freud" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tranquility by D. Scott
This bronze sculpture by D. Scott is called, "Tranquility" and measures approx. 36" x 24" x 18" and weighs approx. 190lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Tuna Fishing - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Tuna Fishing". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - ATHENS
Max Ernst signed and numbered bronze sculpture, "Athens". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x5.
Snake Dancer - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, "Snake Dancer" Base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 23.5"x11.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
All Saints I 1911 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "All Saints I 1911". Comes with COA. Approx. size: 20"x24". HC-0045
Last Crawl Posters by Michael Godard
"Last Crawl" Posters by Michael Godard, approx dimension 21x18.
Wassily Kandinsky Limited Edition-Small World III
Wassily Kandinsky Limited Edition on paper, "Small World III".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Parapluie-Revel by Cappielo
Original Lithograph. Dimensions are approx 12x10
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Roosters & Eagles" by G. Huerta
Original Hand Carved Marble "Roosters & Eagles" by G. Huerta2 pcs, each fig approx size 8X6 in., stand not included.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Alberto Giacometti Original, limited Edition Bronze - Homme (Apollon)
Alberto Giacometti signed and numbered bronze sculpture, "Homme (Apollon)". Comes with COA. Some variation in patina might occur. Approx. size: 15x12x5.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Still Life Beast and Palette - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life Beast and Palette". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Square Shape White Cubic Zirconia Earrings
Lady's Antique Style Sterling Silver Square Shape White Cubic Zirconia Earrings, C.Z. approx 4 cts.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 16x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE VICTOR HUGO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on Paper by Ann Hyun -85 .
Original watercolor on paper In the manner of Ann Hyun -85 . Comes framed. Approx. size17"x22".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Towards the Tree of Law". Comes with COA and beautifully framed.
Fernando Valls Original, limited Edition Bronze - Boy
Joan Miro signed and numbered bronze sculpture, "CHAIR". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Warrior" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Bronze Sculpture - Lost Treasure Dolphins by Piquera
This bronze sculpture by Piquera is called, "Lost Treasure Dolphins" and measures approx. 46" x 217" x 24" and weighs approx. 295lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
La Petite Maison by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
Village - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Village". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner Chagall. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - YOUNG WOMAN IN FLOWER SHAPE
Max Ernst signed and numbered bronze sculpture, "Young woman in Flower ". Comes with COA. Some variation in patina might occur. Approx. size: 14x15x4.
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet, Garnet approx 2 ct.
Angel of War - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Arch and Point - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Arch and Point". Comes with COA. Approx. size: 20"x24". HC-0045
Good Fellas Giclee
"Good Fellas" Giclee, gun, cigar & bulletsapprox dimension 20x23.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Wassily Kandinsky Limited Edition-UPWARD
Wassily Kandinsky Limited Edition on paper, "UPWARD".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Marbles Champ by Norman Rockwell
Original Lithograph. Dimensions are approx 11x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Goats" by G. Huerta
Original Hand Carved Marble "Goats" by G. Huerta, 2 pcs, each fig approx size 7X6 in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Unknown
Henry Moore signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x6 Inch.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Three Women - from Collection Domaine Picasso
Pablo Picasso limited edition, "Three Women". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Miller" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Emerald & Diamond Earrings
Lady's Antique Style Sterling Silver Emerald & Diamond Earrings, Emeralds approx .33 cts, Diamonds approx .50 cts, VS1, color G.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 7x11

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIN BEACH" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Post Watercolor Painting.
Original Watercolor on paper "Night Sailing"In the manner of Post. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante Purified". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -HOMME
Joan Miro signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x3".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Die Sandmannchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Village de montagne état II by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
The Scream - Munch - Limited Edition on Canvas
Edvard Munch Limited Edition on canvas, "The Scream". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :12"x16".
Salvador Dali Original, limited Edition Bronze - APPARATUS AND HAND
Salvador Dali signed and numbered bronze sculpture, "Apparatus and Hand". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x3".
Male Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Male Russian Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base .

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Trooper Of The Plains
This Frederick sculpture, "Trooper Of The Plains", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Around The Circle - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Around The Circle". Comes with COA. Approx. size: 20"x24". HC-0045
The Beatles Cowles Poster Double Matted Framed
"The Beatles" Cowles Poster Double Matted Framed, approx dimension 23x18.
Wassily Kandinsky Limited Edition-Yellow Red and Blue
Wassily Kandinsky Limited Edition on paper, "Yellow Red and Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
The Check Up by Norman Rockwell
Original Lithograph. Dimensions are approx 8x10
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture - Dancer Female
Botero signed and numbered bronze, "Dancer Female". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x4 Inch.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Still Life - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Picador" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Fancy Design Sterling Silver Square Shape Black & White Diamond Earrings
Lady's Fancy Design Sterling Silver Square Shape Black & White Diamond Earrings, Black & White Diamonds approx total 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Black Jade "Bull" with Stand
Siberian Black Jade "Bull" with Stand, approx dimensions 4x10x6 in. In house
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Reign of the Penitents". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -WOMAN
Joan Miro signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Junge Entlein" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Village provencal dans les Alpilles by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
Moulin Rouge - Lautrec - Limited Edition on Canvas
Henri de Toulouse Lautrec Limited Edition on canvas, "Moulin Rouge". Comes with COA. Approx. size: 20"x24". HC-0046
Original Watercolor by Calder
Original Watercolor on paper In the manner Calder. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -WOMAN FACE
Pablo Picasso signed and numbered bronze sculpture, "Woman Face". Comes with COA. Some variation in patina might occur. Approx. size: 12x8x6 Inch.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Signed Chiparus Bronze and Ivory - Starlight
Signed bronze and ivory art deco sculpture "Starlight" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Blue Circle - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Blue Circle". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Rat Pack Giclee with Sand's Sculpture Giclees
"Rat Pack" Giclee with Sand's Sculpture Giclees, with engraved signatures and real cards, approx dimension 35x25.
Wassily Kandinsky Limited Edition-Nature Study from Murnau
Wassily Kandinsky Limited Edition on paper, "Nature Study from Murnau".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Before the Shot by Norman Rockwell
Original Lithograph. Dimensions are approx 10x8
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Abraham Lincoln Memorial Sculpture by Daniel Chester French
Bronze recreation of the Lincoln Memorial by Daniel Chester French. Great detail. Some variation of patina may occur. Approx. size: 10x8x8.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Still Life - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Sterling Silver Black & White Diamond Earrings
Lady's Fancy Sterling Silver Black & White Diamond Earrings, Black & White Diamonds approx 3 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ELEONOR'S SUN ROOM" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Picasso Signed Limited Edition Bronze Plaque - Bullfight Corrida Matador
Picasso signed, limited edition Picasso plaque with stand, "Bullfight Corrida Matador". Plaque measures approx. 10.75" x 9.5" .
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Admonishment". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -TABLE
Joan Miro signed and numbered bronze sculpture, "TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 10"x7"x7".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Aerican Trotting" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
St. Tropez by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
In The Well Of The Great Wave - Katsushika Hokusai - Limited Edition on Canvas
Katsushika Hokusai Limited Edition on canvas, "In The Well Of The Great Wave". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -RECLINING WOMAN
Pablo Picasso signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 6x12x6 Inch.
Signed Chiparus Bronze and Ivory - Parrot Dancer
Signed bronze and ivory art deco sculpture "Parrot Dancer" by artist Chiparus, base signed, carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 22"x6"x6"
Lady's Real Fancy Silver White & Blue Sapphire Bracelet
Lady's Real Fancy Silver White & Blue Sapphire Bracelet, Blue Sapphire approx 8ct, White Sapphires approx 1.75 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition No 7 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition No. 7". Comes with COA. Approx. size: 20"x24". HC-0045
Frank Sinatra Giclee with Image of a real check
"Frank Sinatra" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-GNOMUS
Wassily Kandinsky Limited Edition on paper, "GNOMUS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Café Select by Tarkay
Fine Art Lithograph. Dimensions are approx 11x8
Original Hand Carved Marble "Rhino & Hippo" by G. Huerta
Original Hand Carved Marble "Rhino & Hippo" by G. Huerta, 2 pcs, each fig approx size 5X5 in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Botero Original limited Edition Bronze Sculpture - Lady with Purse
Botero signed and numbered bronze, "Lady with Purse ". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4 Inch.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Reclining Nude - from Collection Domaine Picasso
Pablo Picasso limited edition, "Reclining Nude". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Rapas De Infants" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .5 cts, VS1, color G.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT EUCALYPTUS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Green Jade "Boat"
Siberian Green Jade "Boat", The best quality of Siberian Jade used to carv this boat. Approx dimensions 14x16. In house
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Power's of Soul". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x5".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "A Group Of Large Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso and Pollock-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and POLLOCK, Set includes 2 Original lithographs. Frame Size: 23”x22”.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Ciphers and Constellations - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Ciphers and Constellations ". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - DAY DRESS
Salvador Dali signed and numbered bronze sculpture, "Day Dress". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Signed Chiparus Bronze and Ivory - Oriental Dancer
Signed bronze and ivory art deco sculpture "Oriental Dancer" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size:16"x6"x6"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Norther
This Frederick Remington sulpture, "Norther", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Wassily Kandinsky Limited Edition-Composition X
Wassily Kandinsky Limited Edition on paper, "Composition X".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Day Dream by Tarkay
Fine Art Lithograph. Dimensions are approx10x8
Original Hand Carved Marble "Horses Heads" by G. Huerta
Original Hand Carved Marble "Horses Heads" by G. Huerta, 2 pcs, each fig approx size 6X8 in. in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Reclining Figure: Points
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Points". Comes with COA. Some variation in patina might occur. Approx. size: 11x9x5.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With Lemons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD TRUCK" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Multi Color Jade "Horses Mountain"
Siberian Multi Color Jade "Horses Mountain", approx dimensions 13x25 in. In house
Wiggins Watercolor Painting.
Original Watercolor on Paper In the manner of Wiggins "The Window" Comes framed. Approx. size:15" x 11". .
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful". Comes with COA and beautifully framed.
Corkscrew made of 2nd Generation Whale tooth with Orante Hand carvings
Corkscrew made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 4 x 4
Henry Moore Limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 10x16x6.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "The Blind Tobit With Goat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Bubble Dolphin by Matthews
This bronze sculpture by Matthews is called, "Bubble Dolphin" and measures approx. 56" x 18" x 33" and weighs approx. 195lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Claude Monet and Camille Pissarro-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY MONET and PISSARRO, Set includes 2 Original lithographs. Frame Size: 22”x15”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Personages, Birds, Star - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Personages, Birds, Star ". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -GENTLEMAN-
Bustamante signed and numbered bronze sculpture, "Gentleman". Comes with COA. Some variation in patina might occur. Approx. size: 16x12x7 inch.
Signed Chiparus Bronze and Ivory - MIss Paris
Signed bronze and ivory art deco sculpture "MIss Paris" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Lady's Fancy Golden Diamond Sapphire Bracelet
Lady's Fancy Golden Diamond Sapphire Bracelet , Sapphire approx 8 ct, Diamonds approx .20 ct VS1, G in color.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition VIII - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition VIII". Comes with COA. Approx. size: 20"x24". HC-0045

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

James Dean Giclee with Image of a real check
"James Dean" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-Around the Circle
Wassily Kandinsky Limited Edition on paper, "Around the Circle".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Old Jaffa Port by Tarkay
Fine Art Lithograph. Dimensions are approx 10x8
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:8x10x4.
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso Limited Edition - Woman In Tears - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman In Tears". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .60 cts, VS1, color G.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Town Square"In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Guiding Angel". Comes with COA and beautifully framed.
Besse Potter Original, limited Edition THE FAMILY
Besse Potter Original, limited Edition "The Family" bronze sculpture, . Comes with COA. . Approx. size: 11X6X5.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Jacob's Dream" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Hog Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Hog Fish". It comes with foundry paperwork .
2 Pieces Color Lithograph by Jean Fomard
2 Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 22”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Nightingale's Song - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The Nightingale's Song ". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper by Richard H. Clark
Original Watercolor on paper by Richard H. Clark. Hand Signed. Paper Size: 15"x 22". In mint condition!
Max Ernst Original, limited Edition Bronze -KNIGHT
Max Ernst signed and numbered bronze sculpture, " KNIGHT". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x8 Inch.
Signed Chiparus Bronze and Ivory - Ecstacy
Signed bronze and ivory art deco sculpture "Ecstacy" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Lady's Beautiful Silver Amethyst Bracelet
Lady's Beautiful Silver Amethyst Bracelet, Amethyst approx 4 ct.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition X - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition X". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Composition VIII
Wassily Kandinsky Limited Edition on paper, "Composition VIII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Rendezvous by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Sword Fishes" by G. Huerta
Original Hand Carved Marble "Sword Fishes" by G. Huerta, 2 pcs, fig approx size 11X12 in., stand not included.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Eduardo Chillida Original, limited Edition Bronze - Peine de Viento
Eduardo Chillida signed and numbered bronze sculpture, "Peine de Viento". Comes with COA. Some variation in patina might occur. Approx. size:12x8x5.
Picasso Limited Edition - Mandolin And Guitar - from Collection Domaine Picasso
Pablo Picasso limited edition, "Mandolin And Guitar". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Black Diamond Earrings
Lady's Antique Style Sterling Silver Black Diamond Earrings, Black Diamonds approx 3 cts.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 5x12

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA - DUSK" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Nigth Stroll"In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful Meets Violent Death". Comes with COA and beautifully framed.
Alvar Original Limited Edition Bronze - DOVE
Alvar signed and numbered bronze sculpture "DOVE" . Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7"
Picasso Limited Edition
Picasso Limited Edition On Paper. "French Can Can" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Lion Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Lion Fish" and measures approx. 12" x 12" x 6" and weighs approx. 28lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Daphnis Discovers Chloe- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Daphnis Discovers Chloe". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze -BORN SWIMMER
Max Ernst signed and numbered bronze sculpture, " Born Swimmer". Comes with COA. Some variation in patina might occur. Approx. size: 19x7x7 Inch.
Angel of Prayer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and 32lbs. It is a Limited Edition out of 399. SB7H
Signed Chiparus Bronze and Ivory - Testris
Signed bronze and ivory art deco sculpture "Testris" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1 ct, Ruby approx 1 ct & Deep Purple Amrthyst approx 1 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Icart Limited Edition 24K Gold Layered Bronze Sculpture- Illusion
This sculpture is cast in bronze then layered with beautiful 24K gold. By Icart, "Illusion". This piece comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
Couple Riding - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Couple Riding". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Jhon Lennon the so-called “smart Beatle” Giclee with Image of real check
Jhon Lennon the so-called “smart Beatle” Giclee with Image of real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-UNBROKEN
Wassily Kandinsky Limited Edition on paper, "UNBROKEN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Harmony byTarkay
Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture -Cat
Botero signed and numbered bronze, "Cat ". Comes with COA. Some variation in patina might occur. Approx. size: 6x19x4 Inch.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Limited Edition - Study For The Damselles Of Avignon - from Collection Domaine Picasso
Pablo Picasso limited edition, "Study For The Damselles Of Avignon". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Round Shape Cannery Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Cannery Sapphire & Diamond Earrings, Cannery Sapphires & Diamonds total approx 3 ct.
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 4x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA TERRACE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian White Jade "Devil Ball"
Siberian White Jade "Devil Ball", Ball has 16 small removable balls inside. Approx dimensions 3x3x3 in. In house
Dali Real .999 Silver Sculpture - Female Figure
Dali sculpture, "Female Figure" is approx. 2.11 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
Picasso Bronze Sculpture - Man With Guitar
Beautiful bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9".
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Waiting for High Tide". Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Law of Climbing". Comes with COA and beautifully framed.
Rufino Tamayo Original limited Edition Bronze Sculpture -Girl with Flowers
Tamayo signed and numbered bronze, "Girl with Flowers" Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x6 Inch.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "The Westpoort At Rhenen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Majestic Turtle and Ray by Matthews
This bronze sculpture by Matthews is called, "Majestic Turtle and Ray" and measures approx. 44" x 30" x 26" and weighs approx.125lbs. It comes with foundry paperwork.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Daphnis- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Daphnis". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze -ALLEGRO
Max Ernst signed and numbered bronze sculpture, " Allegro". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x8 Inch.
Mexican Hat Dancer - Bronze and Ivory Sculpture by C. Mirval
C. Mirval bronze and ivory sculpture, Mexican Hat Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15"x7".
Lady's Fancy Silver Amethyst Bracelet
Lady's Fancy Silver Amethyst Bracelet, Amethyst approx 3 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Decisive Pink - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Decisive Pink". Comes with COA. Approx. size: 20"x24". HC-0045
Steve McQueen Giclee with Image of real check
"Steve McQueen" Giclee with Image of real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-Composition VII
Wassily Kandinsky Limited Edition on paper, "Composition VII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Blue Hat by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture - Girl -
Botero signed and numbered bronze, "Girl ". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Picasso Limited Edition - The Flower Seller - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Flower Seller". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 4x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAR VISTA TERRACE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
G.Waran Original Watercolor
Original Watercolor on paper "At Dusk" In the manner of G.Waran. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Gaurdians of the Valley of the Princes". Comes with COA and beautifully framed.
Hugue Original, limited Edition Bronze -
Hugue signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Cottages Amongst High Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sea Otter by D. Hunter
This bronze sculpture by D. Hunter is called, "Sea Otter" and measures approx. 32" x 18" x 15" and weighs approx. 137lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Claude Mars Original Lithograph
Limited Edition Lithograph by Claude Mars , signed & numbered, NOT FRAMED!, approx dimension 12"x17"
Flight Of The Cicade- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Flight Of The Cicade". Comes with COA. Approx. size: 20"x24". HC-0046
Max Ernst Original, limited Edition Bronze -HEAD "Y"
Max Ernst signed and numbered bronze sculpture, " Head - Y". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x4 Inch.
Dourga - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Dourga. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6".
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 8.5 ct
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture - Jazz Dancer
This Chiparus sculpture, "Jazz Dancer", is a limited edition 24K gold layered bronze sculpture.
Bronze Brittish Bulldog
This ia a lovely, lifesize bronze sculpture of a Brittish Bulldog. Sculpture is about 24x14x20 1008cch
From Small World - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small World". Comes with COA. Approx. size: 20"x24". HC-0045
Elvis Giclee with Image of a real check
"Elvis" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-ALL SAINTS
Wassily Kandinsky Limited Edition on paper, "ALL SAINTS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Intimacy by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Botero Original limited Edition Bronze Sculpture - Male Torso -
Botero signed and numbered bronze, "Male Torso ". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x4 Inch.
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Round Shape White Cubic Zirconia Earrings
Lady's Antique Style Sterling Silver Round Shape White Cubic Zirconia Earrings, C.Z. approx 7 cts.
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 13x6
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade Bracelet (Red)
Siberian Jade Bracelet (Red), approx dimension 3x3 in. In house
Original Watercolor on Paper by Michael Cole Thomas .
Original watercolor on paper In the manner of Michael Cole Thomas, titled "Long Proats". Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Eagle of Grace". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Alexander Archipenko Limited Edition Sculpture - Woman Combing Her Hair
Alexander Archipenko signed and numbered bronze sculpture, "Woman Combing Her Hair". Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4"
Bronze Sculpture - King of the Sea/ Orca by P. George
This bronze sculpture by P. George is called, "King of the Sea/ Orca" and measures approx. 35" x 22" x 12" and weighs approx. 85lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Frontispice- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Frontispice". Comes with COA. Approx. size: 20"x24". HC-0047
Max Ernst Original, limited Edition Bronze -BISHOP
Max Ernst signed and numbered bronze sculpture, " Bishop". Comes with COA. Some variation in patina might occur. Approx. size: 19x9x9 Inch.
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau Limited Edition 24K Gold Layered Bronze Sculpture- Girl On A Swing
This sculpture is cast in bronze then layered with beautiful 24K gold. By Moreau, "Girl On A Swing". This piece comes with foundry assay. Some variations in marble might occur.
From Small Worlds II - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds II". Comes with COA. Approx. size: 20"x24". HC-0045
Clark Gable Giclee with Image of a real check
"Clark Gable" Giclee with Image of a real check, approx dimension 16x12.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Wassily Kandinsky Limited Edition-OVERCAST
Wassily Kandinsky Limited Edition on paper, "OVERCAST".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Summer Stroll by Patchell Olson
Hand Signed Limited Edition Lithograph. Dimensions are approx 8x38
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Maquette for Three-Quarter Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for There-Quarter Figure". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Picasso Limited Edition - Woman Seated By The Window - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman Seated By The Window". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Butterflies Style Sterling Silver Diamond Earrings
Lady's Butterflies Style Sterling Silver Diamond Earrings, Diamonds approx .33 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Edward Bates Watercolor Painting.
Original Watercolor on paper "Rainy Meeting" In the manner of Edward Bates. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Our Lady of the Annunciation". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze - Lura G 25
Eduardo Chillida signed and numbered bronze, "Lura G 25". Comes with COA. Some variation in patina might occur. Approx. size:10"x7"x7".
Edouard Manet- Limited Edition
Edouard Manet- Limited Edition On Paper. "The Swallows" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Playmates by Denis
This bronze sculpture by Denis is called, "Playmates" and measures approx. 25" x 12" x 13" and weighs approx. 63lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Lamon Discovers Daphnis- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Lamon Discovers Daphnis". Comes with COA. Approx. size: 20"x24". HC-0049
Max Ernst Original, limited Edition Bronze -FACE
Max Ernst signed and numbered bronze sculpture, " Face". Comes with COA. Some variation in patina might occur. Approx. size: 18x12x4 Inch.
Chorus Line - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture. This piece was inspired by the famous chorus lines of les annees folles. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fountain
Silver and Gold Patina cherub Fountain. Fountain is preplumbed for easy installation. Fountain is about 36x36x63
From Small Worlds Type A - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type A". Comes with COA. Approx. size: 20"x24". HC-0045
Walt Disney Giclee with Image of a real check
"Walt Disney" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-THE RED SPOT
Wassily Kandinsky Limited Edition on paper, "THE RED SPOT".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Roul Serigraph
Roul Limited Edition Serigraph 22x28

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Small Doves" by G. Huerta
Original Hand Carved Marble "Small Doves" by G. Huerta, 2 pcs, each fig approx size 4X5 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Constantine Brancusi Original, limited Edition Bronze -Fish
Constantine Brancusi signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x3
Picasso Limited Edition - The Embrace - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Embrace". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Round Shape Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Round Shape Graduated Garnet Earrings, Grad. Garnets approx 3 cts.
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 12x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade Bracelet (Black)
Siberian Jade Bracelet (Black), approx dimension 3x3 in. In house
Original Watercolor on Paper by Michael Cole Thomas .
Original watercolor on paper In the manner of Michael Cole Thomas, titled "Country Home". Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Proud One". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Woman Of The Future" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Splash by Koop
This bronze sculpture by Koop is called, "Splash" and measures approx. 35" x 10" x 17" and weighs 75lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Lamon and Drya's Dream- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Lamon and Drya's Dream". Comes with COA. Approx. size: 20"x24". HC-0050
Pablo Picasso Original, limited Edition Bronze -Dancer-
Pablo Picasso signed and numbered bronze sculpture, "Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x4".
Miro - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Miro. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
From Small Worlds Type B - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type B". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Lucy Giclee with Image of a real check
"Lucy" Giclee with Image of a real check, approx dimension 16x12.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Wassily Kandinsky Limited Edition-Small World I
Wassily Kandinsky Limited Edition on paper, "Small World I".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze - Vertebrae
Henry Moore signed and numbered bronze sculpture, "Vertebrae". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Picasso Limited Edition - 3 Women At The Spring - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Women At The Spring". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Square Shape Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Square Shape Graduated Garnet Earrings, Grad. Garnets approx 2 cts.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 13x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CRANES" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Dali Signed Limited Edition Bronze - Carmen, La Gitana
Dali signed, limited edition Dali sculpture, "Carmen, La Gitana". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Original Watercolor on Paper by G. Watson .
Original Watercolor on Paper In the manner of G. Watson , titled "Ken Pollard Barn". Comes framed. Approx. size:15"x11"..

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Ecstatic Visions". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Flordali l" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Courtship by Wallace
This bronze sculpture by Wallace is called, "Courtship" and measures approx. 18" x 12" x 12" and weighs approx. 47lbs. It comes with foundry paperwork and is part of an edition of 150 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Summery Lunch Hour- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Summery Lunch Hour". Comes with COA. Approx. size: 20"x24". HC-0051
Pablo Picasso Original, limited Edition Bronze -Man Standing-
Pablo Picasso signed and numbered bronze sculpture, "Man Standing". Comes with COA. Some variation in patina might occur. Approx. size: 17"x6"x6".
Cleopatra - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 15x8x4.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
24K Gold Layered Limited Edition Bear and the Bull Sculpture by Delair
This sculpture is cast in bronze then layered with beautiful 24K gold."Bear and the Bull" by Delair comes with foundry assay. Some variations in marble might occur. Approx. size: 7 1/2"x4"x4".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Gnomus - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Gnomus". Comes with COA. Approx. size: 20"x24". HC-0045
Marlon Brando Giclee with Image of real check
Marlon Brando Giclee with Image of real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-Couple Riding
Wassily Kandinsky Limited Edition on paper, "Couple Riding".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze
Henry Moore signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 5x11x4.
Lady's Antique Style Sterlilng Silver Round Shape Cannery Sapphire & Diamond Earrings
Lady's Antique Style Sterlilng Silver Round Shape Cannery Sapphire & Diamond Earrings, Cannery Sapphires & Diamonds total approx 1 ct.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 9x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK YARD" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Mixed colored grapes vine"
Siberian Jade "Mixed colored grapes vine", This beautiful work is made of 100% natural lavender jade, the tree leafs are made of Taiwan jade. approx dimensions 13x12 in. In house
Graham Watson Watercolor Painting.
Original Watercolor on paper "Country Bridge" In the manner of Graham Watson. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Second Cornice". Comes with COA and beautifully framed.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "A FarmHouse Amoung The Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Buubble Dolphin and Ray by Unknown
This bronze sculpture by Unknown is called, "Buubble Dolphin and Ray" and measures approx. 56" x 18" x 33" and weighs approx. 265lbs. It comes with foundry paperwork.
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
The Teaching Of Philetas- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "The Teaching Of Philetas". Comes with COA. Approx. size: 20"x24". HC-0052
Pablo Picasso Original, limited Edition Bronze -TORSO-
Pablo Picasso signed and numbered bronze sculpture, "TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
Monica - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Monica. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24x13x7.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Fan Dancer
This Chiparus sculpture, "Fan Dancer", is a limited edition 24K gold layered bronze sculpture.
Bronze Umbrella Kids Moreau
Bronze Umbrella Kids by artist Moreau, dimensions are about 38x17x14

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Kandinsky 45 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Kandinsky 45". Comes with COA. Approx. size: 20"x24". HC-0045
The God Father Giclee with actual film cel from the film
"The God Father" Giclee with actual film cel from the film, approx dimension 15x18.
Wassily Kandinsky Limited Edition-Arch and Point
Wassily Kandinsky Limited Edition on paper, "Arch and Point".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Nadelman Original, limited Edition Bronze - Standing Nude
Nadelman signed and numbered bronze sculpture, "Standing Nude". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x4.
Lady's Antique Sterling Silver Round Shape Black Diamond Earrings
Lady's Antique Sterling Silver Round Shape Black Diamond Earrings, Black Diamonds approx 1.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORS OF JUNK" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Green Jade Boat"
Siberian Jade "Green Jade Boat", This is a beautiful work made of 100% Green Jade, hand carved to perfection. Approx dimensions 45x58 in. In house
Edward Bates Watercolor Painting.
Original Watercolor on paper "Dry Dock" In the manner of Edward Bates. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Blind for Envy". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Moses" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Serenity by Koop
This bronze sculpture by Koop is called, "Serenity" and measures approx. 32" x 19" x 13" and weighs approx. 100lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
The Wolf Pit- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "The Wolf Pit". Comes with COA. Approx. size: 20"x24". HC-0053
Bustamante Original, limited Edition Bronze -Moon in Chair-
Bustamante signed and numbered bronze sculpture, "Moon in Chair". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x5 inch.
Almeria - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Almeria. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bronze Horse PJ Mene
Bronze Horse by PJ Mene, beautiful patina, dimensions are about 42x11x47
Lady In Moscow - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Lady In Moscow". Comes with COA. Approx. size: 20"x24". HC-0045
Bob Marley Giclee, mini guitar & Rock Legend I.D. card
"Bob Marley" Giclee, mini guitar & Rock Legend I.D. card, approx dimension 14x18.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Wassily Kandinsky Limited Edition-BLUE CIRCLE
Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x8.
Picasso Limited Edition - The Balcony - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Balcony". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN PEDRO REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Edward Bates Watercolor Painting.
Original Watercolor on paper "Café de Champs" In the manner of Edward Bates. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Angel of Mercy". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "The Dragon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Mahi Bull Dolphin by Piquera
This bronze sculpture by Piquera is called, "Mahi Bull Dolphin" and measures approx. 32" x 23" x 19" and weighs approx. 142lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet. "Musique Rouge" Signed. approx dimension 18"x14". A must have in your art collection
Trampled Flowers- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Trampled Flowers". Comes with COA. Approx. size: 20"x24". HC-0054
Pablo Picasso Original, limited Edition Bronze -HUNTER
Pablo Picasso signed and numbered bronze sculpture, "HUNTER". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Actress - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Actress. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6".
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bronze Laura Moreau
Bronze Laura by artist Moreau, dimensions are about 33x25x14
Nature Study from MurnauI 1909 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Nature Study from Murnaukl 1909". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Lady in Moscow
Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

"Masquesade" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Style Sterling Silver Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Graduated Garnet Earrings, Grad. Garnets approx 8 cts.
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 9x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DEPOSITO ROTTAMI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Smoke of Irascibility". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Still Life With Lilies" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -HOMME
Pablo Picasso signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x5".
Modern Eve - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Les Girls - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Les Girls". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
Lady's Beautiful Real Broka Black Pearl Necklace
Lady's Beautiful Real Broka Black Pearl Necklace
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Red Spot II - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Red Spot II". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph titled - "La Danse du feu". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Bruce Springsteen Giclee with mini guitar
"Bruce Springsteen" Giclee with mini guitar, approx dimension 15x18.
Wassily Kandinsky Limited Edition-Improvisational Gorge
Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Nadelman Original, limited Edition Bronze - Woman's Face
Nadelman signed and numbered bronze sculpture, "Woman's Face". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x5.
"Little Spider" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Antique Long Style Sterling White Topaz & Diamond Earrings
Lady's Antique Long Style Sterling White Topaz & Diamond Earrings, White Topaz & Diamonds approx total .50 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WEARHOUSE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 10x7 in.
Dali Signed and Numbered Bronze Sculpture - Dulcinea
Dali Signed and Numbered Bronze Sculpture - Dulcinea. Approx. size: 12"x3"x3".
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Study For St. Peter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fanz Kline and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and KLINE, Set includes 2 Original lithographs. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Voiliers a Saint-Tropez
Voiliers a Saint-Tropez. Signed Lithograph. Comes with COA. Approx 22x26
Pablo Picasso Original, limited Edition Bronze -MAN
Pablo Picasso signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
X- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "X". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
Lady's Beautiful Real Broka Pearl Necklace
Lady's Beautiful Real Broka Pearl Necklace

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Great Gate of Kiev - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "The Great Gate of Kiev". Comes with COA. Approx. size: 20"x24". HC-0045
Bob Marley Giclee, mini guitar & Biography
"Bob Marley" Giclee, mini guitar & Biography approx dimension 15x18.
Roy Lichtenstein Limited Edition-Landscape with Figures and Rainbow
Lichtenstein Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Doves" by G. Huerta
Original Hand Carved Marble "Doves" by G. Huerta, 2 pcs, each fig approx size 8X4.5 in., stand not included.
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Henry Moore Original, limited Edition Bronze- Reclining Figure -
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 8x10x7 Inch.
"Le Chapeau" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - Pierrot Sitting - from Collection Domaine Picasso
Pablo Picasso limited edition, "Pierrot Sitting". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Peach Tree"
Jade "Peach Tree", dimensions are approx 23x13 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Hand Carved Horns-Pair
Fancy Hand Carved Bone And Scrimshaw Tusk (Pair) Approx. 26" x 6" x 6"
Zuniga Limited Edition Bronze - Mujer de Pie con Rebozo (Standing Woman With Shawl)
Zuniga signed and numbered bronze sculpture, "Mujer de Pie con Rebozo (Standing Woman with Shawl) ". Comes with COA. Some variation in patina might occur. Approx. size: 22"x9"x8".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Cannibalism Of Objects" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Edgar Degas and Fernand Leger-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY DEGAS and LEGER, Set includes 2 Original lithographs. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Perfums de Mer". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Pablo Picasso Original, limited Edition Bronze -BULL
Pablo Picasso signed and numbered bronze sculpture, "BULL". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thirty - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Thirty". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-THE KISS
Lichtenstein Limited Edition on paper, "THE KISS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Frogs" by G. Huerta
Original Hand Carved Marble "Frogs" by G. Huerta, 2 pcs, each fig approx size 4X5.5 in., stand not included.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Joan Miro Original, limited Edition Bronze - Conch
Joan Miro signed and numbered bronze sculpture, "Conch". Comes with COA. Some variation in patina might occur. Approx. size: 15x14x11.
"Cockatoo" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - Cavalier - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cavalier". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Long Style Sterling Silver Pink Sapphire & Diamond Earrings
Lady's Antique Long Style Sterling Silver Pink Sapphire & Diamond Earrings, Pink Sapphires & Diamonds approx total 1.25 ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TUB BOAT REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 16x12 in.
Hugue Limited Edition Bronze -Angel
Hugue signed and numbered bronze sculpture, "Angel". Comes with COA. Some variation in patina might occur. Approx. size: 16"x7"x5".
Picasso Limited Edition
Picasso Limited Edition On Paper. "Maoulin De La Galette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Quietude Marine". Signed & numbered. approx dimension 18"x14". A must have in your art collection

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Max Ernst Original, limited Edition Bronze -Daughter
Max Ernst signed and numbered bronze sculpture, "Daughter". Comes with COA. Some variation in patina might occur. Approx. size: 7x9x8 Inch.
Modern Eve - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unbroken - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Unbroken". Comes with COA. Approx. size: 20"x24". HC-0045
Licenced Disney Etchings Donald Duck
Licenced Disney Etchings "Donald Duck" hand colored, approx dimension 16x12.
Roy Lichtenstein Limited Edition-George Washington
Lichtenstein Limited Edition on paper, "George Washington". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Rabbits" by G. Huerta
Original Hand Carved Marble "Rabbits" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Joan Miro Original, limited Edition Bronze -Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x16x16
"La Pais Amis" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Lady's Antique Style Sterling Silver Golden Citrine & Diamond Earrings
Lady's Antique Style Sterling Silver Golden Citrine & Diamond Earrings, Golden Citrine approx 1 ct, Diamonds approx .75 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Botero Original limited Edition Bronze Sculpture - Dove II
Botero signed and numbered bronze, " Dove II ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x9" Inch.
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Face Of War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pablo Picasso and Vincent Van Gogh -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and VAN GOGH, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Parmi Les Tournesols". Signed & numbered. approx dimension 18"x14". A must have in your art collection
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Upward - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Upward". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Portrait II
Lichtenstein Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali - Limited Edition - Gala's Dream
Dali limited edition "Gala's Dream". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - 3 Musicians - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Musicians". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Antique Long Style Sterling Silver Black Diamond Earrings
Lady's Antique Long Style Sterling Silver Black Diamond Earrings, Black Diamonds approx 2.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Bonsai Flowers with vase"
Real Jade Hot Pink Bonsai Flowers on vase, dimensions are approx 11x7 in.
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Colossus Of Rhodes" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pierre-Auguste Renoir and Jasper Johns -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR and JOHNS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Repos Champetre". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
The Aristocrats - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, The Aristocrats. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Yellow Red and Blue - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Yellow, Red and Blue". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-SUNRISE
Lichtenstein Limited Edition on paper, "SUNRISE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Dali Limited Edition - Dali Male, In Contemplation
Dali limited edition "Dali Male, In Contemplation". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - The Kiss - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Kiss". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Lady's Beautiful Stylish Sterling Silver White Sapphire Hoop Earrings
Lady's Beautiful Stylish Sterling Silver White Sapphire Hoop Earrings, White Sapphires approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIL BOXES" CIRCA 19777. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Signed Limited Edition Bronze - Ama de Llaves
Dali signed, limited edition Dali sculpture, "Ama de Llaves". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Constantin Brancusi and Robert Rauschenberg-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY BRANCUSI and RAUSCHENBERG, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Champs de Fleuers". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Pablo Picasso Original, limited Edition Bronze -HOMME II
Pablo Picasso signed and numbered bronze sculpture, "HOMME II". Comes with COA. Some variation in patina might occur. Approx. size: 19"x8"x5".
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Boats at Collioure - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "Boats at Collioure". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Artist Studio- with Model
Lichtenstein Limited Edition on paper, "Artist Studio- with Model".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Shark & Dolphin" by G. Huerta
Original Hand Carved Marble "Shark & Dolphin" by G. Huerta, 2 pcs, each fig approx size 10X8.5 in., stand not included.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Dali Limited Edition - Spinning Man
Dali limited edition "Spinning Man". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Leap Frog Bank Cast Iron
Leap Frog Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x6
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THREE-SEVEN-FOUR" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Pierre-Auguste Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze - FIGURE
Pablo Picasso signed and numbered bronze sculpture, "FIGURE". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x5".
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
La Tamise Et Tower Bridge - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "La Tamise Et Tower Bridge". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-POW WOW
Lichtenstein Limited Edition on paper, "POW WOW".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Dali Limited Edition - Gala's Castle At Pubol
Dali limited edition "Gala's Castle At Pubol". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
World's Fair Bank Cast Iron
World's Fair Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x7

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK ISLAND" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze - Young Man
Pablo Picasso signed and numbered bronze sculpture, "Young Man". Comes with COA. Some variation in patina might occur. Approx. size: 13"x6"x5".
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Avant La Course - Edgar Degas - Limited Edition on Canvas
Edgar Degas. Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Forest Scene
Lichtenstein Limited Edition on paper, "Forest Scene".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Original Water Color on Paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Water Color made on arches quality paper . Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Paper measures 12" x 16". In excellent condition, comes unframed.
Bruno Bruni Original, limited Edition Bronze
Bruno Bruni signed and numbered bronze sculpture, . Comes with COA. Some variation in patina might occur. Approx. size: 19x4x4.
Chagall Limited Edition - The Still Life With Flowers
Chagall limited edition "The Still Life With Flowers". Out of an edition of 95. Edition number may vary from pictured.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Limited Edition - Harliquin And His Companion - from Collection Domaine Picasso
Pablo Picasso limited edition, "Harliquin And His Companion". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Edouard Manet and Paul Cezanne-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY MANET and CEZANNE, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -MAN II
Pablo Picasso signed and numbered bronze sculpture, "MAN II". Comes with COA. Some variation in patina might occur. Approx. size: 14"x6"x5".
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Bronze "Carpenter" by artist Valtune.
Bronze "Carpenter" by artist Valtune, dimensions are approx 5x5x3 in.
Ballet At The Opera - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Ballet At The Opera". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Artist Studio - Foot Medication
Lichtenstein Limited Edition on paper, "Artist Studio - Foot Medication".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Cat & Dolphin" by G. Huerta
Original Hand Carved Marble "Cat & Dolphin" by G. Huerta, 2 pcs, each fig approx size 10X4.5 in., stand not included.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Fernando Valls Original, limited Edition Bronze - Boy
Fernando Valls signed and numbered bronze, "Boy". Comes with COA. Some variation in patina might occur. Approx. size: 13x8x4.
Picasso Limited Edition - Cavalier With Pipe - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cavalier With Pipe". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Constantin Brancusi Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY BRANCUSI and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 22”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -MAN III
Pablo Picasso signed and numbered bronze sculpture, "MAN III". Comes with COA. Some variation in patina might occur. Approx. size: 19"x9"x5".
Nocturnal Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Ballet Dancers On Stage - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Ballet Dancers On Stage". Comes with COA. Approx. size: 20"x24". HC-0046
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Roy Lichtenstein Limited Edition- Still Life with Net, Shell, Rope and Paper
Lichtenstein Limited Edition on paper, "Still Life with Net, Shell, Rope and Paper".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Dali Limited Edition - Invisible Sleeping Woman
Dali limited edition "Invisible Sleeping Woman". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Bullfight - from Collection Domaine Picasso
Pablo Picasso limited edition, "Bullfight". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORI SULLA BAIA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Bone Antique "King"
Bone Antique "King", approx dimensions 18x9x8 in. In house
Large Remington Real .999 Silver -Wicked Pony
This Frederick Remington sculpture, "Wicked Pony" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Head of Man" and "Pierrot". Together they make the perfect pair. Frame Size: 22”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
African Lilies Botanical
African Lilies Botanical Original Lithograph. approx dimension 18"x13"
Salvador Dali Enchanting Limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9"x14"x7".
Lady On The Steps - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Lady On The Steps. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Cafe Concert - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Cafe Concert". Comes with COA. Approx. size: 20"x24". HC-0047
Roy Lichtenstein Limited Edition-Still Life with Lemons
Lichtenstein Limited Edition on paper, "Still Life with Lemons".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Ballerina
Alexander Archipenko signed and numbered bronze sculpture, "Ballerina". Comes with COA. Some variation in patina might occur. Approx. size: 13X7X4.
Picasso Limited Edition - Seated Bather
Picasso limited edition "Seated Bather". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Still Life with Basket of Fruit and Pitcher of Flowers " and "The Painter in His Studio". Together they make the perfect pair. Frame Size: 22”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Plumeria
Plumeria- Botanical Original Lithograph. approx dimension 18"x13"
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Dancer In Green Tutu - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer In Green Tutu". Comes with COA. Approx. size: 20"x24". HC-0048

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Roy Lichtenstein Limited Edition-Landscape with Red Roof
Lichtenstein Limited Edition on paper, "Landscape with Red Roof".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Stehender Frauenakt
Alexander Archipenko signed and numbered bronze sculpture, "Stehender Frauenakt". Comes with COA. Some variation in patina might occur.
Picasso Limited Edition - Women Of Algiers
Picasso limited edition "Women Of Algiers". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ WATERFRONT" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Seated Woman " and "Portrait of Dora Maar". Together they make the perfect pair. Frame Size: 22”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Yucca
Yucca- Botanical Original Lithograph. approx dimension 18"x13"
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Nocturnal Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Bronze "1909's Indian Chief" by artist Dallin.
Bronze "1909's Indian Chief" by artist Dallin, dimensions are approx 6X4X2 in.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dancer With Bouqet - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer With Bouqet". Comes with COA. Approx. size: 20"x24". HC-0049
Roy Lichtenstein Limited Edition-RED HORSEMAN
Lichtenstein Limited Edition on paper, "RED HORSEMAN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Flat Torso
Alexander Archipenko signed and numbered bronze sculpture, "Flat Torso". Comes with COA. Some variation in patina might occur. Approx. size:
Chagall Limited Edition - Red House
Chagall limited edition "Red House". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Pitcher And A Bowl Of Fruit - from Collection Domaine Picasso
Pablo Picasso limited edition, "Pitcher And A Bowl Of Fruit". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ MARINA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dutch Artist Arie Van Selm Signed and Numbered Serigraph
Hand signed and numbered serigraph by artist Arie Van Selm, "Opulent". Printed in 1984.
Lithographs Set by Lichtenstein, Mattisse and Leger
3 PIECES CONSISTING OF A FRAMED ARTWORK BY DIFERENTS ARTISTS INCLUDES : "A Woman Contemplating a Yellow Cup" by Roy Lichtenstein, "Pineapple and Anemones" by Henri Mattisse AND "Constructors with Tree" by Fernand Leger. Frame Size: 32”x17”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cactus
Cactus- Botanical Orignal Lithograph. approx dimension 18"x13"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Top Hat - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Top Hat". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Dancer With Bouqet II - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer With Bouqet II". Comes with COA. Approx. size: 20"x24". HC-0050
Pierre August Renoir Limited Edition-The Point Neuf
Renoir Limited Edition on paper, "The Point Neuf".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Torso
Alexander Archipenko signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size:
Picasso Limited Edition - Unknown
Picasso limited edition "Unknown". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Compote Dish And Pitcher By The Window - from Collection Domaine Picasso
Pablo Picasso limited edition, "Compote Dish And Pitcher By The Window". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Lithographs Set by Picasso, Modigliani and Gauguin
3 PIECES CONSISTING OF A FRAMED ARTWORK BY DIFERENTS ARTISTS INCLUDES : "Child with Horse on Wheels" by Pablo Picasso, "Portrait of Paul Guillaume" by Amedeo Modigliani AND "Bathers" by Paul Gauguin. Frame Size: 20”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
White Brasil Pancratium Flower
White Brasil Pancratium Flower Botanical Original Lithograph. approx dimension 18"x13"

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Beauty in the Morning - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in Bronze, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8".
Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 18"x7.5"x5"
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Bronze "Inkwell" by artist Tiffany & Co. NY NY.
Bronze "Inkwell" by artist Tiffany & Co. New York New York, Face lifts up, dimensions are approx 6x3 in.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Pierre August Renoir Limited Edition-View at Guernsey
Renoir Limited Edition on paper, "View at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Joan Miro Original, limited Edition Bronze - Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x17x17.
Picasso Limited Edition - Mediterranian Landscape
Picasso limited edition "Mediterranian Landscape". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Two Women On The Beach - from Collection Domaine Picasso
Pablo Picasso limited edition, "Two Women On The Beach". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Large Remington Real .999 Silver -Trooper Of The Plains
This Frederick Remington sculpture, "Trooper Of The Plains" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Dali Limited Edition Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY
This is a limited edition sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Lithographs Set by Picasso and Kooning
3 PIECES CONSISTING OF A FRAMED ARTWORK BY TWO DIFERENTS ARTISTS INCLUDES : "Woman with Beret" and "Bust of a Man" by Pablo Picasso also "Red, Yellow and Green" by Willem De Kooning . Frame Size: 20”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-Marine at Guernsey
Renoir Limited Edition on paper, "Marine at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Seated Man
Henry Moore signed and numbered bronze sculpture, "Seated Man". Comes with COA. Some variation in patina might occur. Approx. size:12x8x6 Inch.
Picasso Limited Edition - The Artist
Picasso limited edition "The Artist". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "YACHT HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Roche Limited Edition
Roche Signed Limited Edition Lithograph. Approx 20x24
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Bronze "Frog" by artist Tiffany & Co. NY NY.
Bronze "Frog" by artist Tiffany & Co. NY NY, dimensions are approx 2x5x4 in.
Pierre August Renoir Limited Edition-Hills and the Bay of Moulin Huet
Renoir Limited Edition on paper, "Hills and the Bay of Moulin Huet".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Homme
Henry Moore signed and numbered bronze sculpture, "Homme". Comes with COA. Some variation in patina might occur. Approx. size:12x11x6 Inch.
Picasso Limited Edition - Italian Woman
Picasso limited edition "Italian Woman". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BARCA ROSSA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x26
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Beauty in the Morning - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in sculpture, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. Comes with the foundry assay.
Pierre August Renoir Limited Edition-Landscape near Menton
Renoir Limited Edition on paper, "Landscape near Menton".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Seated Woman
Henry Moore signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size:12x8x7 Inch.
Picasso Limited Edition - Le Coiffure
Picasso limited edition "Le Coiffure". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BAY REFLECTIONS" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x27
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-Seine at Camprosay
Renoir Limited Edition on paper, "Seine at Camprosay".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur. Approx dimension 12x5x5 inches.
Dali Limited Edition - Little Ashes
Dali limited edition "Little Ashes". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIFLESSI DI BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x28
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Pierre August Renoir Limited Edition-Rowers at Chatou
Renoir Limited Edition on paper, "Rowers at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble Bull by R. Xelano
Original hand carved marble Bull. Approx. size: 9x16x4.
Henry Moore Original, limited Edition Bronze- Reclining Woman
Henry Moore signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size:8x14x6 Inch.
Chagall Limited Edition - The Juggler
Chagall limited edition "The Juggler". Out of an edition of 95. Edition number may vary from pictured.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Norther
This Frederick Remington sculpture, "Norther" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Bronze "Young Wolf Bell" by artist Moreau.
Bronze "Young Wolf Bell" by artist Moreau, dimensions are approx 6x45 in.
Pierre August Renoir Limited Edition-View of Bougavil
Renoir Limited Edition on paper, "View of Bougavil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Sculptural Object
Henry Moore signed and numbered bronze sculpture, "Sculptural Object". Comes with COA. Some variation in patina might occur. Approx. size:15x5x5 Inch.
Picasso Limited Edition - Sleeping Nude
Picasso limited edition "Sleeping Nude". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ BAY" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor by F. Remington
Original Watercolo In the manner of Remington, "Draw or Die" approx dimension 11x14.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-The Bridge at Chatou
Renoir Limited Edition on paper, "The Bridge at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Botero Original limited Edition Bronze Sculpture - The Thinker
Botero signed and numbered bronze, "The Thinker ". Comes with COA. Some variation in patina might occur. Approx. size: 13x7x8 Inch.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Ole Friend" approx dimension 11x14.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x30
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-Rocky Crags at L'Estaque
Renoir Limited Edition on paper, "Rocky Crags at L'Estaque". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture -Ballet Dancer
Botero signed and numbered bronze, "Ballet Dancer "Comes with COA. Some variation in patina might occur.. Approx. size: 18x9x6 Inch.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Rained for Days" approx dimension 11x14.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x31
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-The Gust of Wind
Renoir Limited Edition on paper, "The Gust of Wind".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture -Gendarme
Botero signed and numbered bronze, "gendarme ".Comes with COA. Some variation in patina might occur. Approx. size: 11x10x7 Inch.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Cowboy" approx dimension 11x14.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x32
Illuminated Temple Goddess - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Temple Goddess. Lights up . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18". CC111500
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-Le Pont des Arts
Renoir Limited Edition on paper, "Le Pont des Art".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Botero Original limited Edition Bronze Sculpture -Nude Dancer
Botero signed and numbered bronze, "Nude Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 16x11x9 Inch.
Dali Limited Edition - Galleta Of The Spheres
Dali limited edition "Galleta Of The Spheres". Out of an edition of 95. Edition number may vary from pictured.
Salvador Dali Stunning Limited Edition Real Silver Sculpture - Apparatus and Hand
Salvador Dali signed and numbered real silver sculpture, "Apparatus and Hand". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Bull" approx dimension 11x14.
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x33
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Pierre August Renoir Limited Edition-Garden in the Rue Cortot
Renoir Limited Edition on paper, "Garden in the Rue Cortot".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - Unknown
Picasso limited edition "Unknown". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Scott Waller" approx dimension 11x14.
Oliver Lithograph
Oliver Signed Limited Edition Lithograph.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-DREAMING
Icart Limited Edition on paper, "DREAMING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - Portrait Of Bibi La Parte
Picasso limited edition "Portrait Of Bibi La Parte". Out of an edition of 95. Edition number may vary from pictured.
Oliver Lithograph
Oliver Signed Limited Edition Lithograph.
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-SWING
Icart Limited Edition on paper, "SWING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Unkown
Moore signed and numbered bronze sculpture, "Unkown". Comes with COA. Some variation in patina might occur. Approx. size:10x9x4 Inch.
Picasso Limited Edition - Cavalier With A Pipe
Picasso limited edition "Cavalier With A Pipe". Out of an edition of 95. Edition number may vary from pictured.
Dali Signed and Numbered Real Silver Sculpture - Birdman
Dali Signed and Numbered Real Silver Sculpture, "Birdman". Contains approx. 10Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Mountain Man" approx dimension 11x14.
Hutchet Original
Huchet Original. Signed Limited Edition Lithograph.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-He Loves me, he Loves me not
Icart Limited Edition on paper, "He Loves me, he Loves me not".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Original limited Edition Bronze Sculpture -Head of Warrior
Picasso signed and numbered bronze, "Head of Warrior "Comes with COA. Some variation in patina might occur.. Approx. size: 10x11x5 Inch.
Picasso Limited Edition - The Bathers
Picasso limited edition "The Bathers". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by F. Remington
Original Watercolo In the manner of Remington, "Last Stand" approx dimension 11x8.
Limited Edition Lithograph by Oliver
Limited Edition Lithograph by Artist Oliver, signed & numbered, NOT FRAMED!, approx dimension 22"x30"
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-Joy of Life
Icart Limited Edition on paper, "Joy of Life".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Tamayo Original limited Edition Bronze Sculpture -Man
Tamayo signed and numbered bronze, "Man "Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x5 Inch.
Dali Limited Edition - Apparition Of The Visage Of Aphrodite
Dali limited edition "Apparition Of The Visage Of Aphrodite". Out of an edition of 95. Edition number may vary from pictured.
Original Real Silver Eagle Sculpture by De Lier- Voyager
This is an original, real .999 silver sculpture by De Lier called, "Voyager". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 13"x9"x7" and consists of approx. 10 Troy oz. of silver. It comes with the foundry assay.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "The Heat Got It" approx dimension 11x14.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Limited Edition Lithograph by Oliver
Limited Edition Lithograph by Artist Oliver, signed & numbered, NOT FRAMED!, approx dimension 22"x30"
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-Symphony in Blue
Icart Limited Edition on paper, "Symphony in Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Structural Object
Moore signed and numbered bronze, "Structural Object "Comes with COA. Some variation in patina might occur.. Approx. size: 9x9x7 Inch.
Dali Limited Edition - The Torreador
Dali limited edition "The Torreador". Out of an edition of 95. Edition number may vary from pictured.
Park Scene Lithograph
Beautiful Black and White Park Scene approx dimension 8"x8", a must have in your art collection!
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-Cat caress
Icart Limited Edition on paper, "Cat caress".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "Family "Comes with COA. Some variation in patina might occur.. Approx. size: 11x12x4 Inch.
Dali Limited Edition - Specier of Vermeer
Dali limited edition "Specier of Vermeer". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "The Party", approx dimension 14x22.
Park Scene Lithograph
Beautiful Black and White Park Scene approx dimension 8"x8", a must have in your art collection!

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-MINUET
Icart Limited Edition on paper, "MINUET".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "family "Comes with COA. Some variation in patina might occur.. Approx. size: 12x7x4 Inch.
Dali Limited Edition - Head Bombarded With Grains Of Wheat
Dali limited edition "Head Bombarded With Grains Of Wheat". Out of an edition of 95. Edition number may vary from pictured.
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Time For Sugar", approx dimension 14x22.
Park Scene Lithograph
Beautiful Black and White Park Scene approx dimension 8"x8", a must have in your art collection!
Salvador Dali Original signed woodblocks
2 Piece Color Lithograph by Salvador Dali. Set includes 2 beautiful woodblocks from Dante's Divine Comedy Signed in lower right. Frame Size: 17”x24”. Very rare!!
Louis Icart Limited Edition-Tender Grapes
Icart Limited Edition on paper, "Tender Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Moore Original limited Edition Bronze Sculpture -Couple
Moore signed and numbered bronze, "Couple "Comes with COA. Some variation in patina might occur.. Approx. size: 10x5x4 Inch.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Picasso Limited Edition - Acrobat On A Ball
Picasso limited edition "Acrobat On A Ball". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "The Winner Is", approx dimension 14x22.
Original Lithograph by Berman
Limited Edition Lithograph by Berman, "Champs de Fleuers". Signed & numbered. approx dimension 17"x21".
Louis Icart Limited Edition-LILIES
Icart Limited Edition on paper, "LILIES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Interior With A Girl Drawing
Picasso limited edition "Interior With A Girl Drawing". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Need Name", approx dimension 14x22.
Lahaina Visions by Lassen
Lahaina Visions by Lassen
Louis Icart Limited Edition-YOUTH
Icart Limited Edition on paper, "YOUTH".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Seated Woman 2
Picasso limited edition "Seated Woman 2". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Bouncing Candy" approx dimension 14x22.
Dumbo
Dumbo Serigraph by Sericell. Approx 11x14
Vincent Van Gogh Limited Edition-Still Life with Mackerel
Van Gogh Limited Edition on paper, "Still Life with Mackerel".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Dali Limited Edition - The Maximum Speed of Raphael's Madonna
Dali limited edition "The Maximum Speed of Raphael's Madonna". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Catch!" approx dimension 14x22.
Sergon
Sergon. Original Mixed Media. Approx 16x20
Vincent Van Gogh Limited Edition-Bench with Figures
Van Gogh Limited Edition on paper, "Bench with Figures".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Dali Limited Edition - Meditative Rose
Dali limited edition "Meditative Rose". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Hello Down There", approx dimension 14x22.
Original Lithograph by Charles S. DunBadze
Limited Edition Lithograph by Charles S. DunBadze. Signed & numbered. approx dimension 24"x30".
Vincent Van Gogh Limited Edition-Fishing Boats on the Beach
Van Gogh Limited Edition on paper, "Fishing Boats on the Beach".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Rhinoerotic Disentigration of Ullysses
Dali limited edition "Rhinoerotic Disentigration of Ullysses". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Hello", approx dimension 14x14.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Limited Edition Lithograph "Lanscape Scene" by Artist Ella Fort
Limited Edition Lithograph "Lanscape Scene" by Artist Ella Fort, signed & numbered, approx dimension 15"x22".
Vincent Van Gogh Limited Edition-IRISES
Van Gogh Limited Edition on paper, "IRISES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Circus 511
Chagall limited edition "Circus 511". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "What Is This", approx dimension 14x14.
Vincent Van Gogh Limited Edition-Terrance of the Cafe
Van Gogh Limited Edition on paper, "Terrance of the Cafe".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Night Bouqet
Chagall limited edition "Night Bouqet". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "what Do You Think", approx dimension 14x14.
Limited Edition Lithograph by Chiam Gross.
Limited Edition Lithograph by Chiam Gross, Signed and Numbered. Approx 17x31
Vincent Van Gogh Limited Edition-Still Life with Open Bible
Van Gogh Limited Edition on paper, "Still Life with Open Bible".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Le Cirque 501
Chagall limited edition "Le Cirque 501". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "And The Winner Is", approx dimension 14x14.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Vincent Van Gogh Limited Edition-Houses in Auvers
Van Gogh Limited Edition on paper, "Houses in Auvers".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Lamon and Drya's Dream
Chagall limited edition "Lamon and Drya's Dream". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "The Winner", approx dimension 14x14.
Vincent Van Gogh Limited Edition-The Old Mill
Van Gogh Limited Edition on paper, "The Old Mill".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - The Old Guitarist
Picasso limited edition "The Old Guitarist". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Cottages with Thatched Roofs
Van Gogh Limited Edition on paper, "Cottages with Thatched Roofs".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Combination
Dali limited edition "Combination". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Lithograph by Artist Allen C. Friedman
Limited Edition Lithograph by Artist Allen C. Friedman, Signed & numbered, approx dimension 21"x27".
Louis Icart Limited Edition-RAIN
Icart Limited Edition on paper, "RAIN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Chagall Limited Edition - Circus 524
Chagall limited edition "Circus 524". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-THE WALK
Monet Limited Edition on paper, "THE WALK".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Circus 491
Chagall limited edition "Circus 491". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Lithograph by Artist Rochelle S.
Limited Edition Lithograph by Artist Rochelle S., Signed & numbered, approx dimension 26"x24".
Unknown Limited Edition-Sacred Heart of Jesus
Unknown Limited Edition on paper, "Sacred Heart of Jesus".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Premature Ossification at a Railway Station
Dali limited edition "Premature Ossification at a Railway Station". Out of an edition of 95. Edition number may vary from pictured.
Unknown Limited Edition-Sacred Heart of Mary
Unknown Limited Edition on paper, "Sacred Heart of Mary".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Honey Is Sweeter Than Blood
Dali limited edition "Honey Is Sweeter Than Blood". Out of an edition of 95. Edition number may vary from pictured.
Maumiardo Original Lithograph
Maumiardo Original Lithograph, approx dimension 20"x26". Just look at the details this artist uses. It will bring an added touch of detail, not to off set your décor, but to compliment it. The possibilities are unlimited! Bid and win today!! CC
Original Real Silver Sculpture by Michael Schofield - Alexandrite
This piece is approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real silver and comes with the foundry assay. Some variations in marble might occur. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Claude Monet Limited Edition-The Marina at Argenteuil
Monet Limited Edition on paper, "The Marina at Argenteuil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali Limited Edition - Accomodation of Desire
Dali limited edition "Accomodation of Desire". Out of an edition of 95. Edition number may vary from pictured.
Alberto Giacometti Limited Edition-ANNETTE
Alberto Giacometti Limited Edition on paper, "ANNETTE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Winter
Chagall limited edition "Winter". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Lithograph by Artist Henri Gorsbi
Limited Edition Lithograph by Artist Henri Gorsbi, Signed & numbered, approx dimension 22"x26".
Claude Monet Limited Edition-Pleasure Boats
Monet Limited Edition on paper, "Pleasure Boats".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Morning Ossification of the Cypress
Dali limited edition "Morning Ossification of the Cypress". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-Still Life with Pears and Grapes
Monet Limited Edition on paper, "Still Life with Pears and Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - Pipers Of Pan
Picasso limited edition "Pipers of Pan". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Lithograph by Artist Anderson
Limited Edition Lithograph by Artist Anderson, Signed & numbered, approx dimension 26"x20".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Dali Limited Edition - The Ecumenical Council
Dali limited edition "The Ecumenical Council". Out of an edition of 95. Edition number may vary from pictured.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - The White Window
Chagall limited edition "The White Window". Out of an edition of 95. Edition number may vary from pictured.
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
Limited Edition Lithograph by Artist Gross
Limited Edition Lithograph by Artist Gross, Signed & numbered, approx dimension 20"x20".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Dali Limited Edition - Anthromorphic Cabinet
Dali limited edition "Anthromorphic Cabinet". Out of an edition of 95. Edition number may vary from pictured.
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Zuniga Limited Edition Real Silver Sculpture - Unknown
Zuniga Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver. Some variation in marble might occur.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Salvador Dali Exquisite Limited Edition Real Silver Sculpture -Venus Di Milo
Salvador Dali Exquisite Limited Edition Real Silver Sculpture , "Venus Di Milo". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ballet Dancer - Real Silver Sculpture by Preiss
Preiss broze and ivory sculpture, Comes with foundry Assay. Contains approx. 10Troy oz of real silver. Some variation in marble might occur.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Oriental Waiter - Real Silver Sculpture by Preiss
Preiss Real Silver Sculpture, Comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble Nude Study by R. Xelano
Original hand carved marble Nude Study. Approx. size: 11x7x5.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble Flower Candelabra by R. Xelano
Original hand carved marble Flower Candelabra. Approx. size: 11x10x5.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Daniel's 5-17-12 200$ start! EVERYTHING!!!! But you Must Pre - Bid!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.