Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE PORT" CIRCA 1906. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Helen Rundell Signed and Numbered Original Lithograph - Behind David's Barn
Helen Rundell double signed and numbered original lithograph titled, "Behind David's Barn". Approx. size: 18x24.
Galle Signed Floral Lamp
Galle Signed Floral Lamp 34"X24"X24"
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, "LE NE BLEU", CIRCA 1907 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Other World", comes with certificate of authenticity, framing available at an additional cost.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pino on Canvas - The Dancer
Beautiful on canvas by artist Pino, "The Dancer".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With fireplace" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASAMENTI SU MOLO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2CT, CLARITY: VS2 COLOR: G.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "La Passante" circa 1894, this painting of a stroller on a Paris boulevard was same year Bonnard produced a series of colour lithograph illustrating scenes of Paris street life. This shows the enormous influence of Japanese design on Bonnard's representation of figures and architectural forms. The style is one of suggestion rather than complete statement. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "PAYSAGE". CIRCA 1906. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Christ in Limbo". Comes with ceritificate of authenticity, framing available at an additonal cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Helen Rundell Signed and Numbered Original Lithograph - Country Lane
Helen Rundell double signed and numbered original lithograph titled, "Country Lane". Approx. size: 18x24.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "TETE RENVERSEE", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Smaller and Smaller", comes with certificate of authenticity, framing available at an additional cost.
Loose 2295ct Oval Cut Emerald
One loose oval cut emerald weighing 2295.00cts and measuring 79.05 x 94.4 x 45.13mm. The color is green and opaque.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled 'The Rape Of Sabines" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Danseus D'Ankara - Real, Fine Silver Sculpture by Chiparus
This Chiparus sculpture, "Danseus D' Ankara" contains approx. 10 troy ounces of fine silver. Comes with foundry assay. Approx size: 15"X10"X5".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BELMONT SHORE" CIRCA 1970. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Maternal Figure" comes with certificate of authenticity, framing available at an additional charge.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Circus Rider" circa 1897, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "PAYSAGE". CIRCA 1909 GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Kapurthala - Real, Fine Silver Sculpture by Chiparus
This Chiparus sculpture, "Kapurthula" contains approx. 10 troy ounces of fine silver. Comes with foundry assay. Approx size: 29"X18"X8".
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Uncle Dominque". Comes with ceritificate of authenticity, framing available at an additonal cost.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Helen Rundell Signed and Numbered Original Lithograph - Snow Shadows
Helen Rundell double signed and numbered original lithograph titled, "Snow Shadows". Approx. size: 18x24.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS DANS", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Circle Limit III", comes with certificate of authenticity, framing available at an additional cost.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Picasso - Limited Edition - Femme Couchee
Pablo Picasso limited edition, "Femme Couchee". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Two Women On The Beach" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - American Pride by De Lier
This original, fine silver sculpture by De Lier is called, "American Pride" and measures approx. 20" x 15" x 12" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO ERCOLE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50CT CLARITY IS VS2 COLOR IS I
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Nocturnal Fragments" comes with certificate of authenticity, framing available at an additional charge.
#45 Fancy Diamond Ring
Fancy Diamond Ring. Approx .25ct Red Diamond

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Bronze Sculpture - Blue Heron by D. Scott
This bronze sculpture by D. Scott is called, "Blue Heron" and measures approx. 44" x 14" x 19" and weighs approx. 97lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Street" circa 1900, Bonnard's admiration for Oriental composition is shown here in his affirmative use of space and the abrupt placement of the principle figure, the woman at the lower right. Comes with certificate of authenticity, framing available at an additional cost.
The Creed - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, The Creed . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE", CIRCA 1912 GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Marc Chagall Original Lithograph - Doble Retrato Con Vaso de Vino
Signed original lithograph, "Doble Retrato Con Vaso de Vino" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Exotic Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Exotic Dancer" contains approx. 21"H x 6"Wx 9"D and contains approx. 10 troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Max Ernst Original, limited Edition Bronze -Apaisament
Max Ernst signed and numbered bronze sculpture, "Apaisament ". Comes with COA. Some variation in patina might occur. Approx. size: 14x7x5.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Stove in the Studio". Comes with ceritificate of authenticity, framing available at an additonal cost.
Illuminated Temple Goddess - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Temple Goddess. Lights up . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18". CC111500
Limited Edition Picasso - Still life with Skull, Leek and Pottery - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still life with Skull, Leek and Pottery". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Archangel Gabriel". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Helen Rundell Signed and Numbered Original Lithograph - North Fork
Helen Rundell double signed and numbered original lithograph titled, "North Fork". Approx. size: 18x24.
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Female Torso
Pablo Picasso Signed and Numbered 24K gold layered bronze sculpture, "Female Torso". Comes with foundry assay. Some variations in marble might occur. Approx. size: 15"x8"x4".
Interior with A Violin Case - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "Interior With A Violin Case". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "PORTRAIT DE BOURGEAT", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Knots", comes with certificate of authenticity, framing available at an additional cost.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Rufino Tamayo Original, limited Edition Bronze - The Circus Performer
Rufino Tamayo signed and numbered bronze sculpture. "The Circus Performer". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17".
Picasso - Limited Edition - Girl Before A Mirror
Pablo Picasso limited edition, "Girl Before A Mirror". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Figure" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM CLIFF DRIVE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

LADIES FANCY BRIDAL SET RINGS
LADIES FANCY BRIDAL SEX RING SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1CT CLARTY IS VS2 COLOR IS G
Limited Edition Picasso - Couple Relaxing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Couple Relaxing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Figure" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar - Flying Pizza
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "Flying Pizza".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Metamorphosis" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ladies 14K Gold Ring
Ladies 14K Gold Water Fall Diamond Cluster 2K Diamonds VS2 Silver Cape Heavy Ladies Mount
Bronze Sculpture - American Pride by De Lier
This bronze sculpture by De Lier is called, "American Pride" and measures approx. 20" x 15" x 12" and weighs approx. 60lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "La Loge" circa 1908, Gaston and Josse Bernheim were owners of mone of the most prestigious art galleries in Paris, a gallery in which Bonnard's works were exhibited many times throughout his career. The Bernheims commissioned the artist to portray them, with their wives, in their boc at the Paris Opera. The resulting painting shows Bonnard's mischievous, somewhat ironic sense of humour, for he has relegated two of the gigures to the background and cut off half of one face. This arbitrary compositonal device concentrates attention on the other figures, and especially on the elegant gowns of the women. Unlike Bonnard's gayer cafe concert and circus paintings, this portrait group is a study in cool detachment and ennui, accenuated by contrast with the warm, lush tones of the upholstery and hangings of the elegant theatre box. Comes with certificate of authenticity, framing available at an additional cost.
Signed Chiparus Bronze and Ivory - Footsteps
Signed bronze and ivory art deco sculpture "Footsteps" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "PAPIER COLLE" CIRCA 1914. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Marc Chagall Original Lithograph - The Poet Reclining
Signed original lithograph, "The Poet Reclining" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Real Silver RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros" contains approx. 10Troy ounces of fine silver. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
Pablo Picasso Original, limited Edition Bronze -Femme
Pablo Picasso signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x3x3.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Achille Emperaire". Comes with ceritificate of authenticity, framing available at an additonal cost.
Bal Costume - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Bal Costume. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - Bather with a Sand Shovel - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather with a Sand Shovel". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series , "Church and Empire". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Authentic Gents Two Tone 18K Oyster Perpetual Rolex
Authentic gentlemans Oyster Perpetual Date Adjust Two Tone Rolex wristwatch. Approx. date: 1987. IRA0006000
Helen Rundell Signed and Numbered Original Lithograph - Round the Bend
Helen Rundell double signed and numbered original lithograph titled, "Round the Bend". Approx. size: 18x24.
Dali Limited Edition 24K Gold Layered Bronze Sculpture -Giraffe Woman With Drawers
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "Giraffe Woman With Drawers". Sculpture measures approx. 19"x 8.5" x 4".
Gaylord Soli - Original Etching with hand color, commemorating the "Doors"
This is a hand signed by Gaylord and also sing by a member of the group "The Doors" ( Robby Krieger). Original Etching with hand color, commemorating the "Doors" . The inspiration for Gaylord Soli's creations is his fascination with primitive man. He has studied anthropology extensively by traveling the world working and living among ancient cultures and lands. His themes draw to mind the cultures of Native America, Hellenic Greece, and Africa, which are reflected in his figurative and abstract works. One important goal of Soli's art and vision is to capture what is universal to man. Beautiful art piece on Paper. Paper measures 16" x 15". Hand signed by the artist. Comes unframed. In mint condition!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

The Dream - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Dream". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FRUITS ET FEUILLAGES", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Unique Design 14 kt White Gold Pink Sapphire & Diamond Ring
Lady's Unique 14 kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 2cts, Diamonds approx 1.50 cts VS1, Color G.
La Levandou - Signed Limited Edition Lithograph- Picot
Jean-Claude Picot signed limited edition lithograph, "La Levandou". Comes with COA, CC
Fransisco Goya Limited Edition - "NUDE MAYA"
Fransisco Goya limited edition, "NUDE MAYA". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 16"x20".
Robert Lyn Nelson Mix Media Litho/Serigraph
Over the World by Artist Robert Lyn Nelson Mix Media Litho/Serigraph , hand signed, approx dimension 21X39 in.
Persistance De La Memoire by Dali
Original Lithograph. Dimensions are approx. 12"x16"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Hand with Reflecting Sphere", comes with certificate of authenticity, framing available at an additional cost.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Peace" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Day's End by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF AVALON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.05CT CLARITY IS VS1 AND COLOR IS G
Bustamante Limited Edition.999 Silver Sculpture -Sun King
Bustamante signed and numbered silver sculpture, "Sun King". Contains approx. 10 Troy ounces of fine .999 silver and comes with the foundry assay.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Ink And Wash Drawing Attributed to Marc Chagall - Unknown Title
Original Ink And Wash drawing attributed to Marc Chagall. - Unknown Title. Comes with COA.
Unisex 14K Gold Ruby Diamond Ring
Unise 14K Yellow Gold Pigeons Blood Diamond Ruby Ring. Ruby 2K Diamonds .5K VS1 Color G
Bronze Sculpture - Autumn by D. Scott
This bronze sculpture by D. Scott is called, "Autumn" and measures approx. 48" x 35" x 17" and weighs approx. 240bs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude with a Lamp" circa 1912, This painting can be considered the very essence of Bonnard's intimist style and subject matter. A moment of complete privacy of relaxed self-absorption, has been caught forever, with loving delicacy that privacy seems not to be invaded. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUES, , MINT CONDITION, VERY RARE PIECE TITLED "VERRE ET PIPE" CIRCA 1917. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Silvia A.- IN THE COUNTRY -Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "IN THE COUNTRY". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Marc Chagall Original Lithograph - The Large Grey Circus
Signed original lithograph, "The Large Grey Circus" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Pablo Picasso Original, limited Edition Bronze -GLASS
Pablo Picasso signed and numbered bronze sculpture, "GLASS". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Washing of a Corpse". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Odalisque
Signed bronze and ivory art deco sculpture "Odalisque" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Hell) , "Cerebrus". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Authentic Gents Stainless Steel Sub Mariner Rolex Watch
Authentic Gents Stainless Steel Sub Mariner Rolex Watch 50th Anniversary Edition - dated approx. 2007. IRA00010000
Helen Rundell Signed and Numbered Original Lithograph - Early Morning In Greenport
Helen Rundell double signed and numbered original lithograph titled, "Early Morning In Greenport". Approx. size: 18x24.
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7in. x2 in. x 2in.
Cristine Avenue "Butterfly's" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Butterfly's" by Cristine Avenue . Image Size: 28" x 21" Medium is Serigraph on thick paper with gorgeous rich colors. . Comes unframed. In mint condition!
The Egyptian Curtain - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Egyptian Curtain". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "ODALISQUE A LA JUPE DE TULLE", CIRCA 1923 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Rembrandt Limited Edition - Masters of the Cloth Guild
Rembrandt Limited Edition, "Masters of the Cloth Guild". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Robert Lyn Nelson "Under the World" Mix Media Litho/Serigraph
"Under the World" by Famed Artist Robert Lyn Nelson Mix Media Litho/Serigraph , hand signed, approx dimension 21X39 in.
Homage to Venice by Dali
Limited Edition Lithograph by Dali "VENICE". Dimensions are approx. 15"x21"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Circle Limit IV", comes with certificate of authenticity, framing available at an additional cost.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Diego Giacometti Original, limited Edition Bronze -
Diego Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Salvador Dali Signed Limited Edition - Set Of The Ballet (Tristan)
Salvador Dali signed limited edition, "Set Of The Ballet (Tristan)". Comes with COA. Edition number may vary from pictured.
Picasso - Limited Edition - El Corrida Horizontal
Pablo Picasso limited edition, "El Corrida Horizontal". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN FRANCISCO WHARF" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3CT

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - The Lovers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Lovers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition I" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar - The Parade
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "The Parade".
Original Ink And Wash Drawing Attributed to Marc Chagall - Unknown Title
Original Ink And Wash drawing attributed to Marc Chagall. - Unknown Title. Comes with COA.
Lady's Antique Style 14 kt White Gold Diamond Ring
Lady's Antique Style 14 kt White Gold Diamond Ring, Diamonds approx 1.25 ct VS2, Color G.(4KJ)
Henri Matisse- Limited edition - Vereve IV
Henri Matisse-Limited Edition On Paper. Title: "Verve IV" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Very Fancy Diamond Cluster 14K
Unisex Very Fancy Diamond Cluster VSI Color G 14K Yellow Gold Mount
Bronze Sculpture - Spirit of America by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of America" and measures approx. 24" x 17" x 10" and weighs approx. 145lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "After the Flood" circa 1909-10, Comes with certificate of authenticity, framing available at an additional cost.
Exotic Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Exotic Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x27"x9".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "AS DE TREFLE" CIRCA 1918. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ballet Dancer - Bronze and Ivory Sculpture by Preiss
Preiss Bronze and ivory sculpture, Ballet Dancer. Base signed , carved ivory beautiful bronze. Approx size: 13x5x4.
Silvia A.- RED ABSTRACT- Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "RED ABSTRACT". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Woman With Dress
Pablo Picasso signed and numbered bronze sculpture, "Woman With Dress". Comes with COA. Some variation in patina might occur. Approx. size: 14x5x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Reading Aloud (Zola & Alexis)". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - A Slight Accident
Signed bronze and ivory art deco sculpture "A Slight Accident" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Limited Edition Picasso - The Bird Cage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bird Cage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno) , "The Delightful Mount". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Gents Authentic Stainless Steel Copper Face Rolex Air King
Gents Authentic Stainless Steel Copper Face Rolex Air King - dated approx. 1999. IRA0004000
David Mann Signed and Numbered Lithograph - Tribute to Ben Franklin
Hand signed and numbered lithorgraph by David Mann, titled, "Tribute to Ben Franklin". Approx. size: 18x25.
Cristine Avenue "Butterfly's II" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Butterfly's II" by Cristine Avenue . Image Size: 28" x 21" Medium is Serigraph on thick paper with gorgeous rich colors. . Comes unframed. In mint condition!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

The Goldfish - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Goldfish". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE FACE", CIRCA 1948 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Maurice Utrillo Signed Limited Edition - WINDMILLS
Maurice Utrillo signed limited edition, "WINDMILLS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Bonaparte Study by Dali
Original Lithograph by Dali "Bonaparte Study" . Dimensions are approx. 17"x12"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Balcony", comes with certificate of authenticity, framing available at an additional cost.
Ladie's 14k White Gold Diamond Ring
This ladies 14K white gold diamond ring is comprised of one 1.90CT 4-prongs set round brilliant cut diamond surrounded by 37 round brilliant cut diamonds. Total carat weight of 37 surrounding diamonds is .75ctw. l1 l2 clarity and I j color. The total weight of the ring is 6.60grams.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Fritz Wotruba Original, limited Edition Bronze
Fritz Wotruba signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Salvador Dali Signed Limited Edition - Portrait Of Madame Isabel
Salvador Dali signed limited edition, "Portrait Of Madame Isabel". Comes with COA. Edition number may vary from pictured.
Picasso - Limited Edition - El Corrida Vertical
Pablo Picasso limited edition, "El Corrida Vertical". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Child Playing With Toy truck" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Eagle 15 by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eagle 15" and measures approx. 15" x 11" x 6" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DARSENA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3.02CT
Limited Edition Picasso - Running On the Beach - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Running On the Beach". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition III" comes with certificate of authenticity, framing available at an additional charge.
Bronze Sculpture - Spirit of American (small) by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and weighs approx. 12lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Natanson Girls" circa 1910, Comes with certificate of authenticity, framing available at an additional cost.
Signed Chiparus Bronze and Ivory - Simplicity
Signed bronze and ivory art deco sculpture "Simplicity" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 20"x6"x8"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1926. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Silvia A. - COUNTRY VINEYARD- Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "COUNTRY VINEYARD". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
Marc Chagall Original Lithograph
Signed original lithograph, .Beautifully framed and comes with COA. Approx. size:17" x 13".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Dali Limited Edition Real Silver Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed real silver sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. This piece contains approx. 10 troy ounces of fine silver and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
Pablo Picasso Original, limited Edition Bronze -Seated Woman
Pablo Picasso signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x7x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Seashells and Black Clock". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Anestesia
Signed bronze and ivory art deco sculpture "Anestesia" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Limited Edition Picasso - Bather - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise) , "Dante". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Gents Authentic Stainless Steel Oyster Perpetual Rolex Watch
Gents Authentic Stainless Steel Oyster Perpetual Date Adjust Rolex Watch - dated approx. 1987. IRA0004200
David Mann Signed and Numbered Lithograph - Airplane
Hand signed and numbered lithorgraph by David Mann, titled, "Airplane". Approx. size: 18x25.
Rearl Origanal limited edition 24k gold Art Deco Chiparus Sculpture -Lady Dancer
This Chiparus sculpture, , Origanal limited edition 24k gold layered comes with COA exstreamly Rare "Lady Dancer".
Cristine Avenue "Butterfly's III" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Butterfly's III" by Cristine Avenue . Image Size: 28" x 21" Medium is Serigraph on thick paper with gorgeous rich colors. . Comes unframed. In mint condition!
The Red Room - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Red Room". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Unique Style 14 kt White Gold Royal Blue Topaz & Diamond Ring
Lady's Unique Style 14 kt White Gold Royal Blue Topaz & Diamond Ring, Royal Blue Topaz approx 3 cts, Diamonds approx .50 cts, VS1 color G.
Marc Chagall Signed Limited Edition - The Large Circus
Marc Chagall limited edition, "The Large Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Two Dancers on a Stage by Degas
Signed Original Lithograph by Degas "Two Dancers on a Stage". Dimensions are approx. 14"x12"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Ascending and Descending", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 18k Yellow Gold International Watch Co. Wrist Watch
Ladies 18K yellow gold International Watch Co. wrist watch with winding movement.
Salvador Dali Signed Limited Edition - Leda Atomica
Salvador Dali signed limited edition, "Leda Atomica". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 4 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - 3 Musicians
Pablo Picasso limited edition, "3 Musicians". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Dead Cock And Jar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fancy Bronze and Marble From 1850's
Beautiful, Fancy Bronze and Marble From 1850's. Approx size: 41" x 50" Approx Lbs. 1500.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA SUMMER" CIRCA 1978.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Fine Sculpture Frederic Remington Real .999 Silver - The Rattlesnake
This Large Frederick Remington silver sculpture, "The Rattle Snake" contains approx 10 plus troy ounces of real, fine .999 silver. It measures approx. 21"H x 18"Wx 8"D. Placed on beautiful marble base. Comes with foundry assay. Remington (1861-1909) born in Canton in northern New York. Remington was the son of the local newspaper publisher, and in 1878 entered the Yale School of Fine Arts for one year, excelling at football and art. He dropped out of school once his father died in 1880. In the fall of 1884 he married Eva Adele Caten, unfortunetly Eva left to her fathers home shortly after due to some bad business deals. Remington left to the desert in search for some soul searching, he then returned to claim his wife and all his rightful responsibilities. During this time Remington’s art career advanced and developed into one of the most prolific artistes of his time. He is best known for his art depicting the cowboys, soldiers and Native Americans of the Old West. His style was realistic, and much of his work was narrative with strong implication that the West belonged to the white man, but his Indians were portrayed with dignity and nobility. He created 22 different subjects in bronze before his death at 48.
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Limited Edition Picasso - The Kiss - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Kiss". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Faded Roses" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed.
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Beautiful Unisex 14kt White Gold Diamond Ring
Beautiful Unisex 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color G.(10KJ)
Henri Matisse- Limited edition -The Circus
Henri Matisse-Limited Edition On Paper. Title "The Circus" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Rapture by Deniz
This bronze sculpture by Deniz is called, "Rapture" and measures approx. 24" x 12" x 6" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Seine at Vernon" circa 1930, Comes with certificate of authenticity, framing available at an additional cost.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Signed Bouraine Bronze and Ivory - Master of the Beast
Signed bronze and ivory art deco sculpture "Master of the Beast" by artist Bouraine, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 30"x10"x4"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Silvia A. -GREEN ABSTRACT -Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "GREEN ABSTRACT". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
Marc Chagall Original Lithograph
Signed original lithograph, .Beautifully framed and comes with COA. Approx. size:17" x 13".
Real Silver Art Deco Chiparus Sculpture -Lady Dancer
This Chiparus sculpture, "Lady Dancer" contains approx. 10Troy ounces of fine silver. Comes with foundry assay.
Salvador Dali Enchanting Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway Cutting". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Chorus Girl
Signed bronze and ivory art deco sculpture "Chorus Girl" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Limited Edition Picasso - Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Vase of Flowers". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise) , "The Angel of the First Heaven". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

David Mann Signed and Numbered Lithograph - Al's Barbershop
Hand signed and numbered lithorgraph by David Mann, titled, "Al's Barbershop". Approx. size: 18x25.
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signedbronze sculpture layered with 24K gold. It is entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7.5 in. x 7 in. x 4 in.
Dorothy Spangler "Penny Place" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Dorothy Spangler titled "Penny Place". Beautiful art piece on extra thick paper. Paper measures 38" x 45". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Cockatoo -Icart - Limited Edition on Cancas
Louis Icart Limited Edition on canvas, "Cockatoo". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU DE PROFIL, FIGURE LISANT", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy 14 kt White Gold Peridot & Diamond Ring
Unisex Fancy 14 kt White Gold Peridot Ring, Peridot approx 3 cts,s, Diamonds approx .10 cts, VS1 color G.
Klimt Limited Edition - Church at Unterach
Klimt limited edition, "Church at Unterach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Regular Division of the Plane III, comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Palladio's Thalia
Salvador Dali signed limited edition, "Palladio's Thalia". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace, Sapphires approx 20 cts & Diamonds total weight 5 cts.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso - Limited Edition - Portrait Of Marie Therese Walter
Pablo Picasso limited edition, "Portrait Of Marie Therese Walter". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Skull, leeks and Pitcher" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Eaglehead by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DELAGE" CIRCA 1975.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Fine Sculpture Frederic Remington Real .999 Silver - Mountain Man
This Large Frederick Remington silver sculpture, "Mountain Man" contains approx 10 plus troy ounces of real, fine .999 silver. It measures approx. 28"H x 14"Wx 10"D. Placed on beautiful marble base. Comes with foundry assay. Remington (1861-1909) born in Canton in northern New York. Remington was the son of the local newspaper publisher, and in 1878 entered the Yale School of Fine Arts for one year, excelling at football and art. He dropped out of school once his father died in 1880. In the fall of 1884 he married Eva Adele Caten, unfortunetly Eva left to her fathers home shortly after due to some bad business deals. Remington left to the desert in search for some soul searching, he then returned to claim his wife and all his rightful responsibilities. During this time Remington’s art career advanced and developed into one of the most prolific artistes of his time. He is best known for his art depicting the cowboys, soldiers and Native Americans of the Old West. His style was realistic, and much of his work was narrative with strong implication that the West belonged to the white man, but his Indians were portrayed with dignity and nobility. He created 22 different subjects in bronze before his death at 48.
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 8.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Limited Edition Picasso - Portrait of Jacqueline Roque with Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Jacqueline Roque with Flowers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Fruit Tree" comes with certificate of authenticity, framing available at an additional charge.
Original Ink And Wash Drawing Attributed to Marc Chagall - Unknown Title
Original Ink And Wash drawing attributed to Marc Chagall. - Unknown Title. Comes with COA.
Rare Salvador Dali Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". New Listing. Some variation in patina might occur. Approx. size: 15"x13"x16".
Bronze Sculpture - Great American Fisherman by D. Hunter
This bronze sculpture by D. Hunter is called, "Great American Fisherman" and measures approx. 30" x 45" x 21" and weighs approx.150lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original linocuts. Pencil signed in lower right. Together they make the perfect pair. Frame Size: 22”x32”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Red and Yellow Still Life" circa 1931, Bonnard has here expressed his delighted preception of a group of orange and golden fruits. Arranged simply in a basket or bowl of harmonious colour, and surrounded by domestic objects humble in themselves yet obviously beautiful to the artist. Comes with certificate of authenticity, framing available at an additional cost.
Signed E. Drouot Bronze and Ivory - The Hunter
Signed bronze and ivory art deco sculpture "The Hunter" by artist E. Drouot, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 23x25x9.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "MARINE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Cafe Terrace At Night - Van Gogh - Limited Edition on Canvas
Vincent Van Gogh Limited Edition on canvas, "Cafe Terrace At Night". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph
Signed original lithograph, .Beautifully framed and comes with COA. Approx. size:17" x 13".
Large Remington Real .999 Silver -Outlaw
This Frederick Remington sculpture, "Outlaw" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur. Approx. size: 18x7x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Verlag, Vienna". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Guiraud Riviere Bronze and Ivory - Nordica
Signed bronze and ivory art deco sculpture "Nordica" by artist Guiraud Riviere, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Limited Edition Picasso - Woman In Yellow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Yellow". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Avaricious and the Prodigal". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11".
Jett Jackson "Don’t Worry" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Jett Jackson titled "Don’t Worry" . Beautiful art piece on extra thick paper. Paper measures 37" x 37". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Danseuses Basculant - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Danseuses Basculant". Comes with COA. Approx. size: 20"x24". HC-0051
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Femme dans la Nuit". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Klimt Limited Edition - Cartoon for the Stoclet Frieze
Klimt signed limited edition, "Cartoon for the Stoclet Frieze". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Sky and Water I", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 10ct Diamond Solitaire
Ladies 14K white gold ring mounted with one genuine 10ct Round Brilliant cut diamond. The ring weighs a total of 4.00g and fits a finger size 6.75. The setting measures 13.60 x 11.78 mm. The diamonds clarity is I-1 and color is I-J. The cut grade is 6.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Goddess Leaning On Her Elbow
Salvador Dali signed limited edition, "Goddess Leaning On Her Elbow". Comes with COA. Edition number may vary from pictured.
Picasso - Limited Edition - Women Running On The Beach
Pablo Picasso limited edition, "Women Running On The Beach". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Man And Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roy Lichtenstein Lithograph
Roy Lichtenstein Lithograph. Comes with COA.
Pablo Picasso Original, Limited Edition Bronze - Etude Pour Yury Gagarin
Just arrived, Pablo Picasso signed and numbered Relief (sculpture), " Etude Pour Yury Gagarin". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
Exotic Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Exotic Dancer" is approx. 21"H x 6"Wx 9"D and 29lbs. It is a Limited Edition out of 399. SB9H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SOUVENIRS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed on back of canvas. Approx. size: 41"x30".
Large Fine Sculpture Frederic Remington Real .999 Silver - Bronco Buster
This Large Frederick Remington silver sculpture, "Bronco Buster" contains approx 10 plus troy ounces of real, fine .999 silver. It measures approx. 21"H x 18"Wx 8"D. Placed on beautiful marble base. Comes with foundry assay. Remington (1861-1909) born in Canton in northern New York. Remington was the son of the local newspaper publisher, and in 1878 entered the Yale School of Fine Arts for one year, excelling at football and art. He dropped out of school once his father died in 1880. In the fall of 1884 he married Eva Adele Caten, unfortunetly Eva left to her fathers home shortly after due to some bad business deals. Remington left to the desert in search for some soul searching, he then returned to claim his wife and all his rightful responsibilities. During this time Remington’s art career advanced and developed into one of the most prolific artistes of his time. He is best known for his art depicting the cowboys, soldiers and Native Americans of the Old West. His style was realistic, and much of his work was narrative with strong implication that the West belonged to the white man, but his Indians were portrayed with dignity and nobility. He created 22 different subjects in bronze before his death at 48.
LADIES FANCY DIAMOND SKELETON KEY NECKLACE
LADIES FANCY DIAMOND SKELETON KEY NECKLACE, DIAMONDS ARE APPROXIMATELY 0.60CT CLARITY IS VS1 COLOR IS G
Real Silver Pablo Picasso Limited Edition Sculpture - Helping Hand
Picasso Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx.10Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Limited Edition Picasso - Woman With A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With A Flower". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Land Fracture" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar - I Found It!
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "I Found It!".
Original Pencil Sketch on Paper. Signed Joseph Descomps
Original pencil skectch on paper. In the manner of Joseph Descomps. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
#39 - Fancy Ladys 14K Ruby and Diamond Ring
Fancy Ladys 14K Ruby and Diamond Ring. Ruby approx 1ct, Diamond approx .25ct VS1 color G
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Three Glorious Emigas" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Majestic Eagle by De Lier
This bronze sculpture by De Lier is called, "Majestic Eagle" and measures approx. 42" x 36" x 41" and weighs approx. 204lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Lady's 14kt White Gold, Diamond & Solitaire Ring
This lady’s 14kt white gold diamond solitaire ring comprised of 6 prongs set round brilliant cut diamond. Total estimated diamond’s total weight is 10.cts. The total weight of the ring is 3.95g. Clarity I1 I2 Color IJ size 11.49x11.50x6.86 mm.
Andy Warhol Lithographs
Andy Warhol: 2 Piece Color Lithograph Set includes an Orange Marilyn and Campbell’s Elvis by Andy Warhol. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude Before a Mirrior" circa 1933, This is one of Bonnard's many variations of the same theme: a nude - generally his wife Marthe - standing before a mirror in undisturned self-contemplation. As the artist's friend Natanson wrote" 'The colours of a woman's flesh and their correspondences with the surrounding atomsphere constitute the real subject of the picture.' The subtle yet pervasive gold, blues, pinks and greens that define forms and surfaces throughout the room are all repeated in the model's luminous flesh tones. Comes with certificate of authenticity, framing available at an additional cost.
Butterfly Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Butterfly Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE DUO" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
The Starry Night- Van Gogh - Limited Edition on Canvas
Vincent Van Gogh Limited Edition on canvas, "The Starry Night". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - A Wheatfield on a Summer's Afternoon
Signed original lithograph, "A Wheatfield on a Summer's Afternoon" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Captivating Original Original, limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Interior with Girl Playing Piano". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Starfish
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 29"x10.5"x4.5".
Limited Edition Picasso - The Resevoir - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Resevoir". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise) , "The Ascent to Venus". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" , is a limited edition 24K gold layered bronze sculpture.
Danseuses Vertes - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Danseuses Vertes". Comes with COA. Approx. size: 20"x24". HC-0052

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU AU ROCKING CHAIR", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Marc Chagall Signed Limited Edition - Circus Arena
Marc Chagall limited edition, "Circus Arena". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Serigraph on Paper by Claude Fauchère -LA VIE EN LA ROUGE
Original Serigraph on Paper by Claude Fauchère "La Vie En Rouge". Image Dimensions: 21.5" x 25.75". Edition Size: 400. About the Art: Born in Paris in 1936, Fauchère has the distinction of graduating from both the Collège des arts appliquès and the Ècole supèrieure nationale des maîtres d'arts. Fauchère has also won a number of distinguished awards in France, including the Gold and Silver Medals of French Artists, the medal of the General Counsel of Seine-Saint-Denis and the Medal of the City of Paris. Along with the many exhibitions in his native France, including those at Galerie Maig Davaud and Galerie Mars in Paris and the Galerie Saint-Hubert in Lyons, he has also been honored at Coulombes, Charenton-et-Pont, Vanves, Ballancourt, Montluçon, Alfortville, Les Plessis-Bouchard, Gomez-le-Chatel and Ruel-Malmaison. In addition, a number of his works have been acquired by the Rèpublic of France along with The city of Puteaux, The city of Hauts-de-Seine, The city of Seine-Saint-Denis and The city of Côtes d'Armor. Fauchère's work can be found in museums and private collections on every continent.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Cycle", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 14k White Gold Pearl/Diamond Pendant
This ladies 14K white gold pearl/diamond pendant is comprised of fancy set pearl surrounded by 163 round brilliant cut diamonds. Total estimated diamonds estimated total carat weight is .19ctw, sl1 sl2 clarity and l j color and pearl weight is 7.50cts. The total weight of the pendant is 3.80 grams
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:11x4x3.
Salvador Dali Signed Limited Edition - The Dream
Salvador Dali signed limited edition, "The Dream". Comes with COA. Edition number may vary from pictured.
Lady's 14kt White Gold Blue Sapphire/Diamond Necklace
Lady's 14kt White Gold Blue Sapphire/Diamond Necklace, Diamonds weight 10 cts, SI1 SI2, color H I.
Picasso - Limited Edition - Turkish Sheet
Pablo Picasso limited edition, "Turkish Sheet". From edition of 95. Number will vary. Comes with COA.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Couple With A Bird" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Spirit of American (small) by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and contains approx.10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SPRINGTIME COLORS" CIRCA 1977.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed on back of canvas. Approx. size: 41"x30".
LADIES STUNNING DIAMOND HEART KEY & LOCKET CHARM NECKLACE
LADIES STUNNING DIAMOND HEART, LOCKET AND KEY CHARM NECKLACE, SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50 CT CLARITY IS VS2 AND COLOR IS G
Limited Edition Picasso - Portrait of Jacqueline Roque with Arms Crossed - Collection Domaine Picass
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Jacqueline Roque with Arms Crossed". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Parched Land" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar - Suprise!
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "Suprise!".
Frederic Remington Original Watercolor on Paper -The Pony
Original watercolor on paper, "The Pony"In the manner of Frederic Remington. Comes beautfully framed and with COA.
Salvador Dali Enchanting Limited Edition Bronze- CANOE
Salvador Dali signed and numbered bronze sculpture "CANOE". Comes with COA. Some variation in patina might occur. Approx. size: 5"x13"x5".
Moore Original limited Edition Bronze Sculpture -FALLING WARRIOR
Moore signed and numbered bronze, "Falling Warrior" Comes with COA. Some variation in patina might occur.. Approx. size: 10x6x5 Inch.
ladies 14K Gold Ring
Ladies 14K gold Beautiul Fancy diamond Cluster 2K VSI Color G

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Bronze Sculpture - Eagle's Nest by D. Hunter
This bronze sculpture by D. Hunter is called, "Eagle's Nest" and measures approx. 15" x 11" x 6" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Lady's 14K White Gold, Diamond Ring
This lady’s 14K white gold diamond ring comprised of 4 prongs set round brilliant cut diamond surrounded by 60 round diamonds. Total estimated center diamond’s total weight is 1.50 ctw. The total weight of the ring is 2.61g. Clarity: S1-S2, Color: HI
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph Set includes The Loge and Young Women at the Water's Edge by Pierre-Auguste Renoir. Together they make the perfect pair. Frame Size: 22”x31”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude in the Bath" circa 1935, Comes with certificate of authenticity, framing available at an additional cost.
Signal Man - Bronze and Ivory Sculpture by Pierre Le Faguays
Pierre Le Faguays broze and ivory sculpture, Signal Man. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Rec Room- Van Gogh - Limited Edition on Canvas
Vincent Van Gogh Limited Edition on canvas, "Rec Room". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Magnificent Original, limited Edition Bronze - The First Study For The Madonna
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Auvers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 18"x7.5"x5"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Girl with a Mandolin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Girl with a Mandolin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Furies". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
David Mann Signed and Numbered Lithograph - Gothic House
Hand signed and numbered lithorgraph by David Mann, titled, "Gothic House". Approx. size: 18x25.
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Winged Bust on Marble Base
Dali bronze sculpture layered with 24K gold, "Winged Bust" on marble base. Comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
LLado VENETIA Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "VENETIA ". Beautiful art piece on extra thick paper. Paper measures 24" x 34". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Horses with Jockeys - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Horses with Jockeys". Comes with COA. Approx. size: 20"x24". HC-0053
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TORSE, LES YEUX NOIRS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14 kt White Gold Black Diamond Ring
Lady's Fancy 14 kt White Gold Black Diamond Ring, Black Diamond approx .75 cts.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - The Joker-
Leroy Neiman Double Signed Lithograph -"The Joker". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 20in x 14in. Comes with COA.
Salvador Dali Signed Limited Edition - Illustration for don Quixote I
Salvador Dali signed limited edition, "Illustration for don Quixote I". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890"
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890" , hand signed Limited Edition, approx dimension 20x20 in.
Serigraph on Paper by Claude Fauchère -LADY IN BLUE
Original Serigraph on Paper by Claude Fauchère "Lady in Blue". Image Dimensions: 21.5" x 25.75". Edition Size: 350. About the Art: Born in Paris in 1936, Fauchère has the distinction of graduating from both the Collège des arts appliquès and the Ècole supèrieure nationale des maîtres d'arts. Fauchère has also won a number of distinguished awards in France, including the Gold and Silver Medals of French Artists, the medal of the General Counsel of Seine-Saint-Denis and the Medal of the City of Paris. Along with the many exhibitions in his native France, including those at Galerie Maig Davaud and Galerie Mars in Paris and the Galerie Saint-Hubert in Lyons, he has also been honored at Coulombes, Charenton-et-Pont, Vanves, Ballancourt, Montluçon, Alfortville, Les Plessis-Bouchard, Gomez-le-Chatel and Ruel-Malmaison. In addition, a number of his works have been acquired by the Rèpublic of France along with The city of Puteaux, The city of Hauts-de-Seine, The city of Seine-Saint-Denis and The city of Côtes d'Armor. Fauchère's work can be found in museums and private collections on every continent.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Metamorphosis III", comes with certificate of authenticity, framing available at an additional cost.
Ladies 14k White Gold Diamond Ring
This ladies 14K white gold diamond ring is comprised of one 4-prongs set round brilliant cut diamond surrounded by 2 round brilliant cut diamonds. Total estimated center diamonds total weights is .50cts and side 2 diamonds estimated total carat weight is .50ctw. Si2 clarity and JK color. the total weight of the ring is 2.90 grams.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph-Looking Out to Sea
Norman Rockwell lithograph, "Looking Out to Sea ". Framing available at additional charge.
Emile Bellet Hand Signed and Numbered Serigraph - Sur la Terrasse Fleurie
Beautiful Emile Bellet serigraph, "Sur la Terrasse Fleurie". This piece is hand signed and numbered.
Joan Miro Original, limited Edition Bronze - Woman with Beautiful Breasts
Joan Miro signed and numbered bronze sculpture, "Woman with Beautiful Breasts". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x5x4.
Salvador Dali Signed Limited Edition - Elephants And Swans
Salvador Dali signed limited edition, "Elephants And Swans". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 4 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Pierret Smiling
Pablo Picasso limited edition, "Pierret Smiling". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Harlequin With Guitar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREES IN DIABLO" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed in lower right of canvas. Approx. size: 35"x35".
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1CT.
Limited Edition Picasso - Portrait of Marie Therese Walter - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Marie Therese Walter". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar - Candy Store
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "Candy Store".
Salvador Dali Enchanting Limited Edition Bronze- Millet's Angelus
Salvador Dali signed and numbered bronze sculpture "Millet's Angelus". Comes with COA. Some variation in patina might occur. Approx. size: 13"x5"x3".
Botero Original limited Edition Bronze Sculpture - COW
Botero signed and numbered bronze, " Cow ". Comes with COA. Some variation in patina might occur. Approx. size: 12x12x8 Inch.
Henri Matisse Limited Edition
Limited Edition On Paper. Henri Matisse Title "Nightmare Of White Elephant" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Lady's Fancy Sterling Royal Blue Sapphire Necklace
Lady's Fancy Sterling Royal Blue Sapphire Necklace, Sapphire Approx 100.cts
Louis Icart Original Litographs
3 Piece Color Lithograph by Louis I cart. Set includes 3 beautiful Lithographs. Pencil signed in lower right. Frame Size: 18”x32”. Wonderful and Rare!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Open Window" circa 1921, Comes with certificate of authenticity, framing available at an additional cost.
Book Lady - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Book Lady. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1939. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Circus- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Circus". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - La Caduta Di Icaro
Signed original lithograph, " La Caduta Di Icaro" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Exquisite Original, limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Quai De Beray in Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Tanara
Signed bronze and ivory art deco sculpture "Tanara" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 22"x8"x8"
Limited Edition Picasso - The Aficionado - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Aficionado". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise) , "Dante In Doubt". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

David Mann Signed and Numbered Lithograph - Boneshaker
Hand signed and numbered lithorgraph by David Mann, titled, "Boneshaker". Approx. size: 18x25.
Fernando Valls Limited Edition Original Limited Edition 24K Gold Layered Bronze Sculpture - Boy
Fernando Valls , "Boy", is a limited edition 24K gold layered bronze sculpture.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Race Horses - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Race Horses". Comes with COA. Approx. size: 20"x24". HC-0054
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU ASSIS DE DOS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Ballarat Atlantic City-
Leroy Neiman Double Signed Lithograph -"Ballarat Atlantic City". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 33in x 24in. Comes with COA.
Salvador Dali Signed Limited Edition - Atavistc Vestiges After the Rain
Salvador Dali signed limited edition, " Atavistc Vestiges After the Rain". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Serigraph on Paper by Claude Fauchère -BLUE MARKET
Original Serigraph on Paper by Claude Fauchère "Blue Market". Image Dimensions: 21.5" x 25.75". Edition Size: 350. About the Art: Born in Paris in 1936, Fauchère has the distinction of graduating from both the Collège des arts appliquès and the Ècole supèrieure nationale des maîtres d'arts. Fauchère has also won a number of distinguished awards in France, including the Gold and Silver Medals of French Artists, the medal of the General Counsel of Seine-Saint-Denis and the Medal of the City of Paris. Along with the many exhibitions in his native France, including those at Galerie Maig Davaud and Galerie Mars in Paris and the Galerie Saint-Hubert in Lyons, he has also been honored at Coulombes, Charenton-et-Pont, Vanves, Ballancourt, Montluçon, Alfortville, Les Plessis-Bouchard, Gomez-le-Chatel and Ruel-Malmaison. In addition, a number of his works have been acquired by the Rèpublic of France along with The city of Puteaux, The city of Hauts-de-Seine, The city of Seine-Saint-Denis and The city of Côtes d'Armor. Fauchère's work can be found in museums and private collections on every continent.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Belvedere", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Norman Rockwell Lithograph-Saturday Evening Post Cover, Dec. 3, 1921
Norman Rockwell lithograph, "Saturday Evening Post Cover, Dec. 3, 1921 ". Framing available at additional charge.
Chirstian Title Original Hand Signed and Numbered Serigraph - Woman at Stream
Christian Title (American, 1932-). "Woman at Stream", original serigraph. Image dimension 30" x 23". Hand signed and numbered by artist. Limited edition
Braque Original, limited Edition Bronze - Unknown
Braque signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 13x9x6.
Salvador Dali Signed Limited Edition - Illuminated Pleasures
Salvador Dali signed limited edition, "Illuminated Pleasures". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Blue Sapphire/Diamond Necklace
Lady's 14 kt White Gold Blue Sapphire/Diamond Necklace, Sapphires weight 2.60, Diamonds weight 5. cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Compote Dish And Pitcher By The Window
Pablo Picasso limited edition, "Compote Dish And Pitcher By The Window". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Olga Picasso" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Arc of the Covenant by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AMALFI" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed in lower right of canvas. Approx. size: 36"x36".
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1.05CT.
Limited Edition Picasso - Three Musicians - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Three Musicians". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Interior II" comes with certificate of authenticity, framing available at an additional charge.
Frederic Remington Original Watercolor on Paper -The Saddle
Original watercolor on paper, "The Saddle"In the manner of Frederic Remington. Comes beautfully framed and with COA.
#28 Ladys 14K Yellow Gold Diamond Ring
Ladys 14K Yellow Gold Diamond Ring. Approx .75ct Diamonds VS1 Color G
Salvador Dali Enchanting Limited Edition Bronze- FARANESE MANIEQUIN
Salvador Dali signed and numbered bronze sculpture "FARANESE MANIEQUIN". Comes with COA. Some variation in patina might occur. Approx. size: 10"x11"x14".
Constantine Brancusi Original, limited Edition Bronze -MAJESTIC
Constantine Brancusi signed and numbered bronze sculpture, "Majestic". Comes with COA. Some variation in patina might occur. Approx. size: 17"x13"x7"
Lady's Very Stylish 14 kt Yellow Gold Multi Sapphire/Diamond Ring
Lady's Very Stylish 14 kt Yellow Gold Multi Sapphire/Diamond Ring, Multi color Sapphires approx weight 5.0 cts, Diamonds approx .30 cts, S1 S2, color H & I. Approx Total weight 5.00 gms.
Bronze Sculpture - Last Dance by De Lier
This bronze sculpture by De Lier is called, "Last Dance" and measures approx. 15" x 8" x 6" and weighs approx.16lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Lady's Fancy Sterling Pigeon Blood Ruby Necklace
Lady's Fancy Sterling Pigeon Blood Ruby Necklace, Ruby Approx 90.cts
Picasso Original Lithographs Hand Pulled and Signed.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 29”x18”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Dining Room Overlooking Garden" circa 1934, Comes with certificate of authenticity, framing available at an additional cost.
THE ARCHER - Bronze and Ivory Sculpture by Pierre-Nicolas Tourgueneff
Pierre-Nicolas Tourgueneff bronze and ivory sculpture, "The Archer". This sculpture offers exceptional detail of a medieval archer, signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 36"x22"x14".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le Cirque 4- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque 4". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Birth
Signed original lithograph, "Birth" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Magnificent Original, limited Edition Bronze - Soft Construction With Boiled Beans
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Theresa and Her Loving Does - Bronze and Ivory Sculpture by Richeers
L. Richeers extremely rare bronze and ivory sculpture. "Theresa and Her Loving Does". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.Circa 1926 Approx size: 100pd
Limited Edition Picasso - The Accordionist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Accordionist". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Beaterice Resolves Dante's Doubt". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
David Mann Signed and Numbered Lithograph - The Old Boat
Hand signed and numbered lithorgraph by David Mann, titled, "The Old Boat". Approx. size: 18x25.
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze Sculpture - Torso
Alexander Archipenko original limited edition 24K gold layered bronze sculpture, "Torso".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Seated Dancer - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Seated Dancer". Comes with COA. Approx. size: 20"x24". HC-0055
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TETE PENCHEE VERS LA GAUCHE", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14 kt White Gold Marqui Shaped Peridot & Diamond Ring
Lady's Fancy 14 kt White Gold Marqui Shaped Peridot & Diamond Ring, Peridot approx 3 cts, Diamonds approx 2.25 cts, VS1 color G.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Fouquet's-
Leroy Neiman Double Signed Lithograph -"Fouquet's". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 28in. Comes with COA.
Salvador Dali Signed Limited Edition - The Weaning of Furniture
Salvador Dali signed limited edition, "The Weaning of Furniture". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Sea Port"
Filmore Mix Media Lithograph "Sea Port" , hand signed Limited Edition, approx dimension 20x20 in.
Landscape with Figures by Van Gogh
Original Lithograph by Van Gogh " Landscape with Figures". Dimensions are approx. 10"x14"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Reptiles", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph
Norman Rockwell plate signed lithograph. Beautifully framed and comes with COA. CCH105

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Carl Impaglia Original Hand Signed and Numbered Serigraph - The Big Band
Beautiful original serigraph in the Art Deco style. Calr Impaglia's "The Big Band" is hand signed and numbered.
Leo Mol Original, limited Edition Bronze
Leo Mol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14x6x5.
Salvador Dali Signed Limited Edition - Warning Of Furniture - Nutrition
Salvador Dali signed limited edition, "Warning Of Furniture - Nutrition". Comes with COA. Edition number may vary from pictured.
Lady's 18 kt White Gold Amethyst/Diamond Necklace
Lady's 18 kt White Gold Amethyst/Diamond Necklace, Amethyst weight 5.38 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Landscape
Pablo Picasso limited edition, "Landscape". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Bullfighter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TYRRHENIAN SEA" CIRCA 1979.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed in lower right of canvas. Approx. size: 35"x35".
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .30CT
Limited Edition Picasso - Seated Woman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In An Armchair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Sterling Silver "Royal" Design Tiffany Ring
Unisex Fancy Sterling Silver "Royal" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Figure and Pond Reflection" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Watercolor by Victoria Ponikvar - Watch Out!
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "Watch Out!".
Salvador Dali Enchanting Limited Edition Bronze- Still Life with Pears
Salvador Dali signed and numbered bronze sculpture "Still Life with Pears". Comes with COA. Some variation in patina might occur. Approx. size: 10"x8"x4".
Brancusi Limited Edition Bronze - Le Coq
Brancusi signed and numbered bronze sculpture, "Le Coq". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper.Title " Lagoons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy 14 kt Yellow Gold 7" Pearl Bracelet
Lady's Very Fancy 14 kt Yellow Gold 7" Pearl Bracelet, Compromised of 32 4.8 mm pearls, approx total weight 9.50 gms.
Bronze Sculpture - Victory Over Gravity by D. Scott
This bronze sculpture by D. Scott is called, "Victory Over Gravity" and measures approx. 15" x 8" x 9" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut hand pulled and signed. These are beautifully framed and matted. Size 22"x19". Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Self Portrait" circa 1944-45, Comes with certificate of authenticity, framing available at an additional cost.
John Waterhouse Hand Signed Lithograph- Reflections
John Waterhouse hand signed lithograpgh,"Reflections". Approx. image size 29"x22".
Signed Chiparus Bronze and Ivory - The Squall
Signed bronze and ivory art deco sculpture "The Squall" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 30"x10"x4"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "TETE DE FEMME" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le CirQue 5- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque 5". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Half Past Three (The Poet)
Signed original lithograph, "Half Past Three". Beautifully framed and comes with COA. Approx. size:17" x 13".
Dali Real .999 Silver Sculpture - Venus on a Shell
Dali sculpture, "Venus on a Shell" contains approx. 7.05 oz of fine .999 silver. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Salvador Dali Enchanting Original, limited Edition Bronze -Geopolitical Child Watches The Birth Of T
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". Comes with COA. Some variation in patina might occur. Approx. size: 12x13x4.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Portrait of Victor Choqurt". Comes with ceritificate of authenticity, framing available at an additonal cost.
Male Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Male Russian Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base .
Limited Edition Picasso - Harlequin with Violin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin with Violin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Bishop Cum Troubador". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
David Mann Signed and Numbered Lithograph - Tarzan
Hand signed and numbered lithorgraph by David Mann, titled, "Tarzan". Approx. size: 18x25.
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Galle Signed Flare Necked Bowl Vase wth Floral Design
Galle Signed Flare Necked Bowl Vase wth Floral Design
LLado FLORAL II Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL II ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
The Star - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "The Star". Comes with COA. Approx. size: 20"x24". HC-0056
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "LA NUIT", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Ballarat-
Leroy Neiman Double Signed Lithograph -"Ballarat". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 33in. Comes with COA.
Jan Vermeer Limited Edition - The Concert
Jan Vermeer Limited Edition , "The Concert". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Starry Night by Van Gogh
Original Lithograph by Van Gogh "Starry Night". Dimensions are approx. 12"x14"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Relativity", comes with certificate of authenticity, framing available at an additional cost.
Original Hand Carved Marble "Horses" by G. Huerta
Original Hand Carved Marble "Horses" by G. Huerta, 2 pcs, each fig approx size 9X7 in., stand not included.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph-Game Called Because of Rain
Norman Rockwell lithograph, "Game Called Because of Rain ". Framing available at additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Frederick Waugh Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Frederick Waugh. Comes with COA.
Lipschitz Original, limited Edition Bronze - Man with Clarinet
Lipschitz signed and numbered bronze sculpture, "Man with Clarinet". Comes with COA. Some variation in patina might occur. Approx. size: 16x5x5 Inch.
Salvador Dali Signed Limited Edition - The Great Paranoiac
Salvador Dali signed limited edition, "The Great Paranoiac". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Diamond Necklace
Lady's 14 kt White Gold Diamond Necklace, Diamonds weight 15 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Woman With A Flower
Pablo Picasso limited edition, "Woman With A Flower". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Rooster On A Chair Under A Lamp" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Bronze by Michael Schofield - Alexandrite
This is the first piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Alexandrite adorning the piece. "Alexandrite" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Original Fine Silver Sculpture - Forgiven Soldier by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and contains approx.10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed on back of canvas. Approx. size: 35"x35".
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .33CT
Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Picasso Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx.10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Woman In A Hat Seated In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Hat Seated In An Armchair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Sterling Silver "1837 T&Co. Band" Design Tiffany Ring
Unisex Fancy Sterling Silver "1837 T&Co. Band" Design Tiffany Ring
Dali Limited Edition Bronze Sculpture - Woman With Drawers
This is a limited edition, signed bronze sculpture entitled "WOMAN WITH DRAWERS" by Salvador Dali. Dali painted "Burning Giraffe" during his exile in the United States. Although Dali declared himself apolitical, "I am Dali, and only that.", this painting shows his personal struggle with the battle in his home country. Approx. Dimensions: 7.5 in. x 5 in. x 3.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure in a Landscape" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor by Victoria Ponikvar - Give Me This!
This is a vibrant original watercolor by artist Victoria Ponikvar, an illustrator out of California. It is hand signed and titled "Give Me This!".
#48 - 14K Gold Promise Ring
14K Gold Promise Ring
Salvador Dali Enchanting Limited Edition Bronze- ATOMIC NOSTALGIC
Salvador Dali signed and numbered bronze sculpture "ATOMIC NOSTALGIC". Comes with COA. Some variation in patina might occur. Approx. size: 10"x5"x5".
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "Woman Head". Comes with COA. Some variation in patina might occur. Approx. size: 11x5x4.
Lady's Fancy 14 kt Yellow Gold Mabe Pearl Ring
Lady's Fancy 14 kt Yellow Gold Mabe Pearl Ring, Ash color Mabe Pearl 16 mm approx weight 7.50 grams.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 22”x31”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED " LES POISSONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le Cirque 6- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque 6". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Jew at Prayer
Signed original lithograph, "Jew at Prayer".Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Enchanting Original, limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Starlight
Signed bronze and ivory art deco sculpture "Starlight" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Limited Edition Picasso - Mother and Child - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mother and Child". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Blashemers". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
David Mann Signed and Numbered Lithograph - Fisheye View of Wall Street
Hand signed and numbered lithorgraph by David Mann, titled, "Fisheye View of Wall Street". Approx. size: 18x25.
Salvador Dali Original Limited Edition 24K Gold Layered Bronze Sculpture -Venus Di Milo
Salvador Dali limited edition 24K gold layered bronze sculpture "Venus Di Milo".
Horses - Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas. "Horses". Comes with COA. Approx. size: 20"x24". HC-0045

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EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA ROBE JAUNE, RUBANS NOIRS", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Disco Bunnies-
Leroy Neiman Double Signed Lithograph -" Disco Bunnies ". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size:23in x 23in. Comes with COA.
Salvador Dali Signed Limited Edition - The Sublime Moment
Salvador Dali signed limited edition, "The Sublime Moment". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Café Terrace at Night(Place du Forum in Arles) by Van Gogh
Original Lithograph by Van Gogh "Café Terrace at Night(Place du Forum in Arles)". Dimensions are approx. 14"x12"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Unknown Norman Rockwell
Beautifully framed and comes with COA. CCH106
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
"Bacchanale" - Dali - Limited Edition
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Three Young Surrealist Women
Salvador Dali signed limited edition, "Three Young Surrealist Women". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 5 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Bullfight 2
Pablo Picasso limited edition, "Bullfight 2". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Cockeral Of The Liberation" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Michael Schofield Original Oil on Canvas
This is a Extra Large original oil on canvas by Michael Schofield . The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists. Signed on back of canvas. Approx. size: 35"x35".
FANCY 18K GENTS SUBMARINER ROLEX
FANCY AUTHENTIC GENTS SUBMARINER ROLEX, 18K TWO TONE, BLUE FACE
Limited Edition Picasso - Man With A Straw Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Straw Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Frederic Remington Original Watercolor on Paper -The Stand Off
Original watercolor on paper, "The Stand Off"In the manner of Frederic Remington. Comes beautfully framed and with COA.
Salvador Dali Enchanting Limited Edition Bronze- METAMORPHOSIS OF NARCISSOS
Salvador Dali signed and numbered bronze sculpture "METAMORPHOSIS OF NARCISSOS". Comes with COA. Some variation in patina might occur. Approx. size: 11"x5"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Brancusi Limited Edition Bronze -MALE TORSO
Brancusi signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x6.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title "The Horse, Rider and Clown" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 10 kt Yellow Gold Diamond Bracelet
Lady's Fancy 10 kt Yellow Gold Diamond Bracelet, compromised of 2 prongs set 49 round diamonds, Diamonds approx 6.00 cts, clarity SI2 I1, color K & L. Total weight 8.10 gms.
Bronze Sculpture - Spirit of Ecstacy by C. Sykes
This bronze sculpture by C. Sykes is called, "Spirit of Ecstacy" and measures approx. 30" x 16" x 16" and weighs approx. 88lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
4 Pieces Color Lithograph
4 Pieces Color Lithograph Set includes: Edgar Degas Lithograph, 2- Jasper Johns Lithographs and Pierre-Auguste Renoir Lithograph. Frame Size: 29”x38”. Very Rare!
Clara - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Clara. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x31x7".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CARAFE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le Cirque III- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque III". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Signed Chiparus Bronze and Ivory - Parrot Dancer
Signed bronze and ivory art deco sculpture "Parrot Dancer" by artist Chiparus, base signed, carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 22"x6"x6"
Limited Edition Picasso - Man Leaning On A Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man Leaning On A Table". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Cross of Mars". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Michelle Lithograph - Wildwood
Hand signed and numbered lithograph by Michelle titled, "Wildwood".
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10".
LLado GIVER MY Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "GIVER MY ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Seaside- Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas, "Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE, FOND MOUCHARABI", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Beautiful 14 kt White Gold Quartz & Diamond Ring
Lady's Beautiful 14 kt White Gold Quartz & Diamond Ring, Quartz approx 5 cts, Diamonds approx .50 cts, VS1 color G.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Salvador Dali Signed Limited Edition - Fighting the Minotaur
Salvador Dali signed limited edition, "Fighting the Minotaur". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

The Olive trees by Vincent Van Gogh
Original Lithograph by Vincent Van Gogh"The Olive trees". Dimensions are approx. 10"x14"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Mobius Strip II", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bulls" by G. Huerta
Original Hand Carved Marble "Bulls" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph-Doctor and Doll
Norman Rockwell lithograph, "Doctor and Doll ". Framing available at additional charge.
Joan Miro Original, limited Edition Bronze-L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Ne
Joan Miro signed and numbered bronze sculpture, "L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Nests In Bloom Fingers)". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
"St John on the Cross" - Dali - Limited Edition
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Diamond Necklace
Lady's 14 kt White Gold Diamond Necklace, Diamonds weight 12 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Suppliant
Pablo Picasso limited edition, "Suppliant". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman IN Turkish Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Fine Silver Sculpture - Buffalo Hunter by C.M. Russell
This Original Fine Silver sculpture by C.M. Russell is called, "Buffalo Hunter" and measures approx. 15" x 14" x 5" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VERMOUTH BOTTLES" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
STUNNING 18K DATE JUST ROLEX
STUNNING AUTHENTIC DATE JUST ROLEX, 18K TWO TONE, 2004 HAS BOOKLET AND BOX.
Limited Edition Picasso - Harlequin and His Companion - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin and His Companion". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Stylish Sterling Silver Tiffany Ring
Lady's Fancy Stylish Sterling Silver Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Enchanting Limited Edition Bronze- Furniture Nutrition
Salvador Dali signed and numbered bronze sculpture "Furniture Nutrition". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7".
Botero Original limited Edition Bronze Sculpture - PEDRITO
Botero signed and numbered bronze, "Pedrito". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x8 Inch.
Lady's Very Fancy 14 kt Yellow Gold Diamond Ring
Lady's Very Fancy 14 kt Yellow Gold Diamond Ring, Diamonds approx 1.50 cts, clarity s1 s2, approx total weight 3.10 gms.
Bronze Sculpture - Ballerina by De Lier
This bronze sculpture by De Lier is called, "Ballerina" and measures approx. 15" x 8" x 6" and weighs approx. 16bs. It comes with foundry paperwork and is part of an edition of 399 pieces.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the suit "Le Gout du Bonheur". Together they make the perfect pair. Frame Size: 29”x18”.
Cleopatra - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le Cirque VII- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque VII". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Adam and Eve
Signed original lithograph, "Adam and Eve".Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Dish". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Oriental Dancer
Signed bronze and ivory art deco sculpture "Oriental Dancer" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size:16"x6"x6"
Limited Edition Picasso - Studio with Plaster Bust - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Studio with Plaster Bust". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "In the Hands of Antaeus". Comes with COA and beautifully framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Max Karp Hand Signed and Numbered Serigraph - Snow Birds
Max Karp limited edition, hand-signed serigraph on paper, "Snow Birds".
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed sculpture made from bronze and layered with 24K gold entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
Harlequin - Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Harlequin". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE A LA CHAISE - LONGUE DANS PAYSAGE", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Arnie in the Rain-
Leroy Neiman Double Signed Lithograph -"Arnie in the Rain". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 30in. Comes with COA.
George Suerat Signed Limited Edition - Bathers at Asnieres
George Suerat signed limited edition, "Bathers at Asnieres". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Bedroom at Arles by Van Gogh
Original Lithograph by Van Gogh "Bedroom at Arles". Dimensions are approx. 12"x15"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Snakes", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bulls" by G. Huerta
Original Hand Carved Marble "Bulls" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.

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Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
"St George and the Dragon" by Dali
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Music - The Red Orchestra
Salvador Dali signed limited edition, "Music - The Red Orchestra". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet, Tanzanite weight 13 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Unknown
Pablo Picasso limited edition, "Unknown". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Marie Therese Walter III" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA SAN MARCO" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
STUNNING LADIES ROYAL BLUE TOPAZ & DIAMOND RING
STUNNING LADIES ROYAL BLUE AND DIAMOND RING IN AN ANTIQUE FILLIGRE, BLUE TOPAZ IS APPROXIMATELY 6.00CT AND DIAMONDS ARE APPROXIMATELY 0.60CT VS1 CLARITY AND G COLOR.
Limited Edition Picasso - Cafe At Royan - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Cafe At Royan". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Stylish Sterling Silver Tiffany Ring
Unisex Fancy Stylish Sterling Silver Tiffany Ring

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Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Frederic Remington Original Watercolor on Paper -Lone Bull
Original watercolor on paper, "Lone Bull"In the manner of Frederic Remington. Comes beautfully framed and with COA.
Salvador Dali Enchanting Limited Edition Bronze- THE ROM
Salvador Dali signed and numbered bronze sculpture "THE ROM". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x6".
Henry Moore Limited Edition Bronze - Thin Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Thin Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:4x12x6.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title " The Codomas" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Unique Style 10 kt Yellow Gold 7" Diamond Bracelet
Lady's Very Unique Style 10 kt Yellow Gold 7" Diamond Bracelet, compromised of 4 prongs set 252 round diamonds, Diamonds approx 5.00cts, Clarity SI2 I1, color H & I. Approx total weight 12.1 gms.
Bronze Sculpture - Perfection by De Lier
This bronze sculpture by De Lier is called, "Perfection" and measures approx. 15" x 11" x 8" and weighs approx. 28bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 22”x30”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TROIS CITRONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.

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Le Cirque VIII- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque VIII". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Bridge Over The Seine
Signed original lithograph, "Bridge Over The Seine". Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Original, limited Edition Bronze - Space Venus
Salvador Dali signed and numbered bronze sculpture, "Space Venus". Comes with COA. Some variation in patina might occur.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Melting Snow at Fontainbleau". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - MIss Paris
Signed bronze and ivory art deco sculpture "MIss Paris" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Limited Edition Picasso - Woman With Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With Pigeons". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Bertram dal Bornio". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Marisol Escobar Hand Signed and Numbered Lithograph - Blackbird Love
Vibrant limited edition lithograph, hand signed, by Marisol Escobar, "Blackbird Love". Approx. size: 30x23.
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington Monumental sculpture, "Rattlesnake" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x16"x10".
Mardi Gras- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Mardi Gras". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PETITE LISEUSE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

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Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph -Double Roulette-
Leroy Neiman Double Signed Lithograph -"Double Roulette". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 33in x 24in. Comes with COA.
Marc Chagall Signed Limited Edition - The large Grey Circus
Marc Chagall Signed Limited Edition, "The large Grey Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Houses at Auvers by Van Gogh
Original Lithograph by Van Gogh "Houses at Auvers". Dimensions are approx. 12"x14"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bulls" by G. Huerta
Original Hand Carved Marble "Bulls" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.
Ladies 14k White Gold Diamond Ring
This ladies 14K white gold diamond ring is is comprised of 64 2-prong set round brilliant cut diamonds. Total estimated diamonds weight is .33ctw. SI1 SI2 clarity and IJ color. The total weight of the ring is 3.40grams.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Evgeniy Vuchetich Original, limited Edition Bronze - Sword Into Plowshare
Signed and numbered bronze by Evgeniy Vuchetich titled, "Sword Into Plowshare". Some variation in patina might occur.
"Two Fishes" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in

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Salvador Dali Signed Limited Edition - The Pieces Of Bread
Salvador Dali signed limited edition, "The Pieces Of Bread". Comes with COA. Edition number may vary from pictured.
Lady's 14 kt White Gold Ruby/Diamond Bracelet
Lady's 14 kt White Gold Ruby/Diamond Bracelet, Ruby approx 8 cts & Diamonds approx weight 4 cts, SI1 SI2 I1, color H I.
Picasso - Limited Edition - Three Women At The Spring
Pablo Picasso limited edition, "Three Women At The Spring". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude De Personnages" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - El Caballero by Estevez
This Original Fine Silver sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
FANCY LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 3.00CT AND DIAMONDS ARE APPROXIMATELY 0.10CT VS1 CLARITY COLOR G.
Limited Edition Picasso - Bather With Beach Ball - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather With Beach Ball". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Sterling Silver "9.25 T&CO" Design Tiffany Ring
Unisex Fancy Sterling Silver "9.25 T&CO" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!

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Original Ink And Wash Drawing Attributed to Marc Chagall - Unknown Title
Original Ink And Wash drawing attributed to Marc Chagall. - Unknown Title. Comes with COA.
#35Ladys Fancy Marquis Diamond Ring
Ladys Fancy Marquis Diamond Ring. Approx .5ct Diamond VVS1 Color G
Salvador Dali Enchanting Limited Edition Bronze- Unknown Title
Salvador Dali signed and numbered bronze sculpture "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 5"x9"x4".
Henry Moore Limited Edition Bronze - Reclining Figure: Fragments
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Fragments". Comes with COA. Some variation in patina might occur. Approx. size: 7x13x4.
Lady's Fancy 10 kt Yellow Gold Aquamarine/Diamond Ring
Lady's Fancy 10 kt Yellow Gold Aquamarine/Diamond Ring, cushion shape aquamarine approx weight 4.50 cts, surrounded 20 round brilliant cut diamonds. Diamonds approx .10cts. Approx Total weight 4.20 gms.
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
John Meyer Hand Signed Lithograph - Expectations
John Meyer hand signed lithograph paper, "Expectations". Approx. image size 27" x 30".
Dolly Sisters - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Dolly Sisters. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Le Cirque- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Le Cirque". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Thin Man
Dali sculpture, "Thin Man" contains approx. 3.52 oz of fine .999 silver. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Original, limited Edition Bronze - Venus A La Giraffe
Salvador Dali signed and numbered bronze sculpture, "Venus A La Giraffe". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Ecstacy
Signed bronze and ivory art deco sculpture "Ecstacy" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Marisol Escobar Hand Signed and Numbered Lithograph - Budding
Vibrant limited edition lithograph, hand signed, by Marisol Escobar, "Budding". Approx. size: 30x23.
Galle Signed Blue Nautical Vase
Galle Signed Blue Nautical Vase with Flared Neck and Pedestal Style Foot, 24"X9"X9"
Still Life with Apples- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Still Life with Apples". Comes with COA. Approx. size: 20"x24". HC-0046
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CAPELINE EN PAILLE D'ITALIE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Leroy Neiman Double Signed Lithograph - Frank Sinatra-
Leroy Neiman Double Signed Lithograph - "Frank Sinatra". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 24in x 24in. Comes with COA.
Pierre Renoir Limited Edition - TWO SISTERS
Pierre Renoir Limited Edition, "TWO SISTERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mountain Paradise by Thomas Kinkade
Original Lithograph by Thomas Kinkade " Mountain Paradise". Dimensions are approx. 12"x14"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Drawing Hands", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Linnea Pergola Signed and Numbered Serigraph
Linnea Pergola, with Martin Lawrence Galleries, signed and numbered serigraph.
Frederick Waugh Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Frederick Waugh. Comes with COA.
"Personages, Birds and Star" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Transparent Simulacrim
Salvador Dali signed limited edition, "The Transparent Simulacrim". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - A Soft Place In My Heart
Beautiful on canvas by artist Pino, "A Soft Place In My Heart".
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Au Cheau Gris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"Red Horseman" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H

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ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF SAN GIORGIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
STUNNING LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 1.50CT AND DIAMONDS ARE APPROXIMATELY 1.00CT VS1 CLARITY COLOR I.
Limited Edition Picasso - The Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Pigeons". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Enchanting Limited Edition Bronze- DREAMS
Salvador Dali signed and numbered bronze sculpture "DREAMS". Comes with COA. Some variation in patina might occur. Approx. size: 9"x6"x5".
Alberto Giacometti Original, limited Edition Bronze - Walking Man II
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man II". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title "The Cowboy" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Cross Shape 10 kt Yellow Gold Cross Pendant.
Lady's Fancy Cross Shape 10 kt Yellow Gold Cross Pendant, compromised of channel set CZ stones. Approx Total weight 10.20 gms.
Bronze Sculpture - Buffalo Standing by Kauba
This bronze sculpture by Kauba is called, "Buffalo Standing". It comes with foundry paperwork.
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Everlasting Love - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Everlasting Love. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x20.5"x7".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CUVETTE BLEUE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Night Bouquet- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Night Bouqet". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Girl Possessed By Her Chastity
Salvador Dali signed and numbered bronze sculpture, "Girl Possessed By Her Chastity". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape in Northern Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Testris
Signed bronze and ivory art deco sculpture "Testris" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Limited Edition Picasso - Jacqueline With Crossed Hands - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline With Crossed Hands". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
A.E. Ruffing Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph by A.E. Ruffing. Approx. size: 18x30.
Salvador Dali Limited Edition 24K Gold Layered Bronze RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros". It is cast in bronze and then layered with 24K gold. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
View of Auvers from above- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "View of Auvers from above". Comes with COA. Approx. size: 20"x24". HC-0047

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU MAGNOLIA", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14 kt White Gold Pear Shape Royal Blue Topaz Ring
Lady's Fancy 14 kt White Gold Pear Shape Royal Blue Topaz Ring, Royal Blue Topaz approx 4 cts.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Marc Chagall Signed Limited Edition - The Sources of Music
Marc Chagall Signed Limited Edition, "The Madonna in a Red Robe". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Three Spheres I", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 14k White Gold Diamond/Sapphire Ring
This ladies 14K white gold sapphire and diamond ring is comprised of one 2.00ct 4-prong set oval cut blue sapphire surrounded by 65 round brilliant cut diamonds. Diamonds estimated total carat weight is 1.55ctw. SI1 SI2 clarity ans IJ color. The total weight of the ring is 5.00grams
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Original Cannon Oil On Canvas
Original floral still life oil on canvas signed Cannon. Comes framed,
Lucien Alliot Original, limited Edition Bronze - Woman
Lucien Alliot signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size:
"Bather" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Five Allegories Of Giovanni Bellini
Salvador Dali signed limited edition, "Five Allegories Of Giovanni Bellini". Comes with COA. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2.50 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Jacqueline In The Studio" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pablo Picasso Original, Limited Edition Bronze - Pensative Woman
New arrived, Pablo Picasso signed and numbered Relief (sculpture), "Pensative Woman". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
Original Fine Silver Sculpture - The Rabi by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
FANCY LADIES DIAMOND ENGAGEMENT RING
FANCY LADIES DIAMOND ENGAGEMENT RING SET IN WHITE GOLD, CENTER DIAMOND IS APPROXIMATELY 1.37CT VS2 CLARITY AND I COLOR ROUND BRILLIANT CUT, 2 DIAMOND BAGQUETTE DIAMONDS ARE APPROXIMATELY 0.25CT.
Limited Edition Picasso - The Rape of the Sabine Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rape of the Sabine Women". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Stylish Sterling Silver "Leafs" Design Tiffany Ring
Unisex Stylish Sterling Silver "Leafs" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

#47Unisex Fancy Sapphire and Diamond Ring
Unisex Fancy Sapphire and Diamond Ring. Saphire approx 1ct. Diamond approx .25ct VS1 color G.
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy I
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy I". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x10".
Abraham Lincoln Memorial Sculpture
Bronze recreation of the Lincoln Memorial. Great detail. Some variation of patina may occur. Approx. size: 11"x5"x5".
Lady's Fancy 14 kt Yellow Gold Diamond Ring
Lady's Fancy 14 kt Yellow Gold Diamond Ring, Diamonds approx 1.50 cts, clarity S1 S2, color H & I. Approx total weight 7.00 gms.
Bronze Sculpture - Unknown by Shrady
This bronze sculpture by Shrady is called, "Unknown". It comes with foundry paperwork.
Jasper Johns Lithographs
Jasper Johns: 2 Piece Color Lithograph Set includes an Highway and Flag on Orange Field II by Jasper Johns. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
Diane and the Wolves - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Diane and the Wolves". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:20x25x9.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA PALETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Still Life with Flowers- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Still Life With Flowers". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Le Jongleur
Signed original lithograph, " Le Jongleur" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Salvador Dali Original, limited Edition Bronze - Galatea, Nude
Salvador Dali signed and numbered bronze sculpture, "Galatea, Nude". Comes with COA. Some variation in patina might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Roofs". Comes with ceritificate of authenticity, framing available at an additonal cost.
Mexican Hat Dancer - Bronze and Ivory Sculpture by C. Mirval
C. Mirval bronze and ivory sculpture, Mexican Hat Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6".
Limited Edition Picasso - Still Life With Bulls Head - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Bulls Head". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dimitrov Hand Signed and Numbered Lithograph - Atlantic Shore
Hand signed and numbered lithograph by Dimitrov, "Atlantic Shore". Approx. size: 22x27.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture
Bruno Bruni limited edition 24K gold layered bronze sculpture.
Sailing Boats at Saint-Adresse - Raoul Dufy - Limited Edition On Canvas
Raoul Dufy Limited Edition on canvas, "Sailing Boats at Saint-Adresse".Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE, CULOTTE RAYEE, PROFIL REFLETE DANS LA GLACE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Michael Jordan-
Leroy Neiman Double Signed Lithograph -"Michael Jordan". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 27in x 24in. Comes with COA.
Marc Chagall Signed Limited Edition - The Madonna in a Red Robe
Marc Chagall Signed Limited Edition, " The Sources of Music". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Drowning Girl by Lichtenstein
Original Lithograph by Roy Lichtenstein "Drowning Girl ". Dimensions are approx. 14"x10"
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Stars", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bears" by G. Huerta
Original Hand Carved Marble "Bears" by G. Huerta, 2 pcs, each fig approx size 6X8 in., stand not included.
Ladies 14K Yellow Gold Diamond Ring
This ladies 14K yellow gold diamond ring is comprised of one 1.00ct 6-prong set marquise cut diamond surrounded by 24 round brilliant cut diamonds and 14 baguette cut diamonds. Side diamonds estimated total carat weight is 1.25ctw. SI1 SI2 clarity and IJ color. The total weight of the ring is 9.00grams
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph-Fortune Teller
Norman Rockwell lithograph, "Fortune Teller ". Framing available at additional charge.
Herbelot Original Watercolor Lithograph
Signed, hand numbered original watercolor lithograph by French painter Herbelot.
Nadelman Original, limited Edition Bronze - Standing Woman
Nadelman signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size:
"Woman Walking Down The Street" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - From Tristan and Isolde
Salvador Dali signed limited edition, "From Tristan and Isolde". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Sunday at the Balcony-
Beautiful on canvas by artist Pino, titled "Sunday at the Balcony". Image Size: 42" x 30" . Comes unframed, unstretched. In Mint Condition!.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring, Ruby approx 9 cts & Diamonds approx weight 1 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Vase Of Flowers" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Mediterranean Landscape - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mediterranean Landscape". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Sterling Silver Stylish Design Tiffany Ring
Lady's Fancy Sterling Silver Stylish Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy II
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy II". Comes with COA. Some variation in patina might occur. Approx. size: 13"x15"x6".
Alexander Archipenko Limited Edition Sculpture - Dancer's Pose
Alexander Archipenko signed and numbered bronze sculpture, "Dancer's Pose". Comes with COA. Some variation in patina might occur. Approx. size: 13X4X4.
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Toreador II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Unknown by Elwell
This bronze sculpture by Elwell is called, "Unknown". It comes with foundry paperwork.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut hand pulled and signed. These are beautifully framed and matted. Size 22"x19". Very Rare!
Shimmer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Shimmer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:26"x10"x6.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE GUERIDON ROUGE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
The Bay of Angels- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "Tha Bay of Angels". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Original Lithograph - Wedding Over City
Signed original lithograph, "Wedding Over City" .Beautifully framed and comes with COA. Approx. size:17" x 13".
Angel of Peace - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" contains approx. 21"H x 6"W x 9"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Salvador Dali Original, limited Edition Bronze - The Dream
Salvador Dali signed and numbered bronze sculpture, "The Dream". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bridge in the Forest". Comes with ceritificate of authenticity, framing available at an additonal cost.
Dourga - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Dourga. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6".
Limited Edition Picasso - Le Dejeuner sur l'Herbe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Le Dejeuner sur l'Herbe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "In the Heaven of Mercury". Comes with COA and beautifully framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Norman Gautreau Hand Signed and Numbered Lithograph - Lindbergh's Solo Flight Across the Atlantic -
Hand signed and numbered lithograph by Norman Gautreau, "Lindbergh's Solo Flight Across the Atlantic - May 1927". Approx. size: 13x23.
Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Unknown". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE JEUNE FILL E AU COL ORGANDI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Leroy Neiman Double Signed Lithograph - Kilimonjaro Bulls-
Leroy Neiman Double Signed Lithograph -"Kilimonjaro Bulls". LeRoy Neiman (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman and his mother, Lydia, were forced to fend for themselves. Neiman distinguished himself by drawing. In 1942, Neiman left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 31in. Comes with COA.
Klimt Limited Edition - Malcesine on Lake Garda
Klimt limited edition, "Malcesine on Lake Garda". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Waterfall", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bears" by G. Huerta
Original Hand Carved Marble "Bears" by G. Huerta, 2 pcs, each fig approx size 6X8 in., stand not included.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph-Paying the Bills
Norman Rockwell lithograph, "Paying the Bills ". Framing available at additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Brilliant Jean Arp Original, limited Edition Bronze - Sculptural Element
Jean Arp signed and numbered bronze sculpture, "Sculptural Element". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
"Swallow Love" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Study for Sentimental Colloquy
Salvador Dali signed limited edition, "Study for Sentimental Colloquy". Comes with COA. Edition number may vary from pictured.
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamonds weight 2 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pablo Picasso Original, Limited Edition Bronze -Erotic II
Pablo Picasso signed and numbered Relief (sculpture), "Erotic II". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x4 Inch.
Original Fine Silver Sculpture - Jesus and the Children by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Children" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Woman In Distress - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Distress". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Sterling Silver "Hearts Band" Design Tiffany Ring
Unisex Fancy Sterling Silver "Hearts Band" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

After Degas Original Watercolor on Paper
After Degas Watercolor on Paper ,"Unknown". Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Pencil Sketch on Paper. Signed Joseph Descomps
Original pencil skectch on paper. In the manner of Joseph Descomps. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Limited Edition Bronze- Atmospheric Skull Sodomizing a Grand Piano
Salvador Dali signed and numbered bronze sculpture "Atmospheric Skull Sodomizing a Grand Piano ". Comes with COA. Some variation in patina might occur. Approx. size: 10"x12"x7".
Brancusi Limited Edition Bronze -SEAL
Brancusi signed and numbered bronze sculpture, "Seal". Comes with COA. Some variation in patina might occur. Approx. size: 18x10x7.
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Toredor I" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Unique Style 14 kt Yellow Gold Sapphire/Diamond Ring
Lady's Unique Style 14 kt Yellow Gold Sapphire/Diamond Ring, Diamonds approx 1.00 cts, S1 S2, color H & I, Blue Sapphire approx 1.35 cts. Approx total weight 7.60 gms.
Bronze Sculpture - Boy with Torch by Moreau
This bronze sculpture by Moreau is called, "Boy with Torch" and measures approx. 16" x 9.5" x 7". It comes with foundry paperwork.
PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original linocuts. Pencil signed in lower right. Together they make the perfect pair. Frame Size: 34”x23”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "RAISIN" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
The Birthday- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Birthday". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Impeccable Original, limited Edition Bronze - Surrealist Angel
Salvador Dali signed and numbered bronze sculpture, "Surrealist Angel". Comes with COA. Some variation in patina might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
Limited Edition Picasso - The Abduction Of The Sabine Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Abduction Of The Sabine Women". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Song of the Wise Spirits". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Norman Gautreau Hand Signed and Numbered Lithograph - Tall Ships Visit Boston Bicentennial
Hand signed and numbered lithograph by Norman Gautreau, "Tall Ships Visit Boston Bicentennial". Approx. size: 13x23.
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
Lavender Lady-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Lavender Lady". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ACCOUDEE DEVANT PARAVENT FLEURI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - JULIET'S TOMB
Salvador Dali signed limited edition, "JULIET'S TOMB". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Double Planetoid", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
"The Four Ages Of Love" - Rockwell - Lithograph
Rockwell's "The Four Ages Of Love" plate signed limited edition lithograph. Numbered 586/1200. Beautifully framed and comes with COA. Approx. size:28x31. CC-C108
Diego Giacometti Original, limited Edition Bronze -Horse
Diego Giacometti signed and numbered bronze sculpture, "Horse". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x6.
"The First Spark of the Dog" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Rocks
Salvador Dali signed limited edition, "Rocks". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Second Thought-
Beautiful on canvas by artist Pino, titled " titled "Second Thought". Image Size:Image Size: 44" x 35" . Comes unframed, unstretched. In Mint Condition!.
Men's 14 kt White Gold Blue Sapphire/Diamond Ring
Men's 14 kt White Gold Blue Sapphire/Diamond Ring, Sapphire approx 3 cts, Diamonds weight 1 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Man With Barbione" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pablo Picasso Original, Limited Edition Bronze -Safir
Pablo Picasso signed and numbered Relief (sculpture), "Safir". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4 Inch.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE D'INVERNO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Weeping Woman In Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Weeping Woman In Red Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Stylish Unique Sterling Silver "Heart" Design Tiffany Ring
Lady's Stylish Unique Sterling Silver "Heart" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
After Degas Original Hand Draw on paper
After Degas Watercolor on Paper ,"Unknown". Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Sculpture - Alice III
Salvador Dali signed and numbered sculpture sculpture, "Alice III". Comes with COA. Some variation in patina might occur. Approx. size: 20"x20"x7".
Alberto Giacometti Original, limited Edition Bronze - MAN SHOULDERS
Alberto Giacometti signed and numbered bronze sculpture, " MAN SHOULDERS ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x4".
Bronze Sculpture - Alpine Boy by Haubner
This bronze sculpture by Haubner is called, "Alpine Boy" and measures approx. 26" x 10" x 9". It comes with foundry paperwork.
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
King Double Signed Photo Lithograph - Champagne and Silk
Gordon King hand signed photo lithograph, "Champagne and Silk". Approx. image size24"x28".
Finale - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Finale. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Female Acrobat II- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "TheFemale Acrobat II". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Terpsicore
Dali sculpture, "Terpsicore" contains approx. 50 g of fine .999 silver. Sculpture measures approx. 8 3/8"x 2" x 2". Comes with foundry assay. Some variations in marble might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Original, limited Edition Bronze - The Centuar
Salvador Dali signed and numbered bronze sculpture, "The Centuar". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "L'estaque and the Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Chorus Line - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture. This piece was inspired by the famous chorus lines of les annees folles. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
Limited Edition Picasso - Jacqueline Seated with Her Black Cat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline Seated with Her Black Cat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Dust of Souls". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Vic Herman Signed and Numbered Lithograph - Our Daily Bread
Hand signed and numbered lithorgraph by Vic Herman, titled, "Our Daily Bread". Approx. size: 23x16.
Galle Signed Tall Table Lamp with Floral Deisgn
Galle Signed Tall Table Lamp with Floral Deisgn
Cockatoo-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Cockatoo". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FIGURE ASSISE, BOUQUET DE FLEURS DEVANT LA MER", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Fluid Premonition
Salvador Dali signed limited edition, "Fluid Premonition". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Purple Petunias by Georgia O'Keefe
Original Lithograph by Georgia O'Keefe "Purple Petunias". Dimensions are approx. 14"x10"

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Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dream", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Bears" by G. Huerta
Original Hand Carved Marble "Bears" by G. Huerta, 2 pcs, each fig approx size 6X8 in., stand not included.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Lithograph-Breaking Home Ties
Norman Rockwell lithograph, "Breaking Home Ties ". Framing available at additional charge.
Original Watercolor on Paper
Original watercolor on paper.
"The Nightengales Song" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Simoniacs
Salvador Dali signed limited edition, "The Simoniacs". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Quatre Nus Au Harem" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Manolo Hugue Original, limited Edition Bronze - Reclining Man
Manolo Hugue signed and numbered bronze sculpture, "Reclining Man". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x4".
Original Fine Silver Sculpture - End of the Trail by Fraiser
This Original Fine Silver sculpture by Fraiser is called, "End of the Trail" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GONDOLE A SAN MARCO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

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Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Real .999 Silver Pablo Picasso Limited Edition- Unknown
Picasso Signed and Numbered Real Silver Sculpture, "Unknown". Contains approx. 10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Limited Edition Picasso - Woman Crying - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Crying". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Beautiful Sterling Silver "Band" Tiffany Ring
Unisex Beautiful Sterling Silver "Band" Tiffany Ring
Dali Limited Edition Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Human
This is a limited edition, signed bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN" watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
After Degas Original Watercolor on Paper DANCER
After Degas Watercolor on Paper ,"DANCER". Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Frederic Remington Original Watercolor on Paper -Two Warriors
Original watercolor on paper, "Two Warriors"In the manner of Frederic Remington. Comes beautfully framed and with COA.
#54 - Fancy Unisex Diamond Ring
Fancy Unisex Diamond Ring. VVS1 Diamond approx .75ct.
Salvador Dali Original, limited Edition Sculpture - Alice II
Salvador Dali signed and numbered sculpture sculpture, "Alice II". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Alberto Giacometti Original, limited Edition Bronze - HOMME
Alberto Giacometti signed and numbered bronze sculpture, " HOMME ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. " Self Portrait Studio Arttire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Lady's Beautiful 14 kt White Gold Diamond Ring
Lady's Beautiful 14 kt White Gold Diamond Ring. Diamonds approx 1.10 cts, S1 S2, color H & I. Approx total weight 4.40 gms.
Bronze Sculpture - Dove In Hands by D. Hunter
This bronze sculpture by D. Hunter is called, "Dove In Hands" and measures approx. 9" x 13" x 10" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
La Bayadere- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "La Bayadere". Bayadere, from the Portuguese word for dancer, bailaderia, was used in the late 20's to describe Indian dancers and. by extension, dancers in general. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The female acrobat- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "TheFemale Acrobat". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway near L'estaque". Comes with ceritificate of authenticity, framing available at an additonal cost.
Miro - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Miro. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
Limited Edition Picasso - Man With A Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Pipe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of Dante's Great-Great-Grandfather". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Vic Herman Signed and Numbered Lithograph - Tortillas are the Staff of Life
Hand signed and numbered lithorgraph by Vic Herman, titled, "Tortillas are the Staff of Life". Approx. size: 9x22.
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10".
Little Spider-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Little Spider". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA JUPE TULLE", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Woman Imitating a Schooner
Salvador Dali signed limited edition, "Woman Imitating a Schooner". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Concentric Space", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Dennis Curry Hand Signed and Numebred Original Mylar Lithograph - Morning Hunt
"Morning Hunt", original lithograph by Dennis Curry. Only 375 were printed, signed and numbered. Printed in 1984.
David Alfaro Siqueros Original, limited Edition Bronze - Woman With Child
David Alfaro Siqueiros signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
"Ladders Cross the Blue Sky" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Giant Flying Mocca Cup
Salvador Dali signed limited edition, "Giant Flying Mocca Cup". Comes with COA. Edition number may vary from pictured.

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Pino on Canvas - Country Girl-
Beautiful on canvas by artist Pino, "Country Girl". Image Size: 43" x 32" . Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Couchee II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Salvador Dali Captivating Original, limited Edition Bronze - MONUMENTAL
Salvador Dali signed and numbered bronze sculpture, "MONUMENTAL". Comes with COA. Some variation in patina might occur. Approx. size: 27"x20"x13"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WINTER CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Still Life - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Sterling Silver "Hears" Design Tiffany Diamond Ring
Lady's Fancy Sterling Silver "Hears" Design Tiffany Diamond Ring, Diamonds approx .25 VS1, color G.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - DESECRATION OF THE MACHINES
Salvador Dali signed and numbered bronze sculpture, "DESECRATION OF THE MACHINES". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x6".
Alberto Giacometti Original, limited Edition Bronze -MALE
Alberto Giacometti signed and numbered bronze sculpture, " MALE ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Soy Y Dalie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - The Rabi by D. Hunter
This bronze sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 30”x21”. Wonderful and Rare!
Flame Leaper - Bronze and Ivory Sculpture by Preiss
Preiss broze and ivory sculpture, Flame Leaper. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17"x21".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Jugglar- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Jugglar". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Exquisite Original, limited Edition Bronze -Venus Di Milo
Salvador Dali signed and numbered bronze sculpture, "Venus Di Milo". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Avenue of Chestnuts at the Jas De Bouffan in Winter". Comes with ceritificate of authenticity, framing available at an additonal cost.
Cleopatra - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 15x8x4.
Limited Edition Picasso - Maternity - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maternity". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Original Perfection". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Janopoulous Hand Signed and Numbered Serigraph - Reggae Woman
Janopoulous limited edition, hand-signed serigraph on paper, "Reggae Woman". Approx. size: 22x17.
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Le Chapeau-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Le Chapeau". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE DEBOUT ET PLATEAU DE FRUITS", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Critical Solitude
Salvador Dali signed limited edition, "Critical Solitude". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dragon", comes with certificate of authenticity, framing available at an additional cost.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Hand Carved Marble "Buffalos" by G. Huerta
Original Hand Carved Marble "Buffalos" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Fritz Wotruba Original, limited Edition Bronze - Walking Man
Fritz Wotruba signed and numbered bronze sculpture, "Walking Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x9x6.
"Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Backdrop of Tristan
Salvador Dali signed limited edition, "Backdrop of Tristan". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "After Velazquez" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jacque Lipchitz Original, limited Edition Bronze- UNKNOWN
Jacque Lipchitz signed and numbered bronze sculpture UNTITLED. Comes with COA. Some variation in patina might occur. Approx. size: 18"x14"x7"
Original Fine Silver Sculpture - Unknown by Shrady
This Original Fine Silver sculpture by Shrady is called, "Unknown" and contains approx. 10Troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN TENEMENTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Woman In Green - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Green". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Stylish Sterling Silver " O " Design Tiffany Ring
Lady's Stylish Sterling Silver " O " Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures and Root" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Dali - Tree of Life -
Original Hand Draw, Ink Drawing In the manner Dali "Tree of Life" . - Signed. Beautifully framed . Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Eocene Beach with Phone
Salvador Dali signed and numbered bronze sculpture, "Eocene Beach with Phone". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x4".
Alberto Giacometti Original, limited Edition Bronze - WOMAN ON CHARRIOT
Alberto Giacometti signed and numbered bronze sculpture, " WOMAN ON CHARRIOT". Comes with COA. Some variation in patina might occur. Approx. size: 17"x5"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy 10 kt Yellow Gold 7" Diamond Bracelet
Lady's Fancy 10 kt Yellow Gold 7" Diamond Bracelet, Diamonds approx 2.00 cts, SI2 I1, color I & J. Approx total weight 9.50 gms.
Bronze Sculpture - Forgiven Soldier by D. Scott
This bronze sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and weighs approx. 49lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
3 Pieces Color Lithograph
3 Pieces Color Lithograph Set includes: 2-Andy Warhol Lithograph and Pierre-Auguste Renoir Lithograph. Frame Size: 32”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The pinch of snuff- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Pinch of Snuff". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Arc Valley". Comes with ceritificate of authenticity, framing available at an additonal cost.
Monica - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Monica. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24x13x7.
Limited Edition Picasso - Man In A Straw Hat With An Ice Cream Cone - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man In A Straw Hat With An Ice Cream Cone". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida's History Lesson". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph by Chris Hester
Hand signed and numbered lithograph by Chris Hester. Approx. size: 19x27.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Masquerade -Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Masquerade". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU COUSSIN BLEU", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Atmospheric Skull
Salvador Dali signed limited edition, "Atmospheric Skull". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Three Musicians by Picasso
Original Lithograph by Picasso "Three Musicians". Dimensions are approx. 10"x14"
Original Hand Carved Marble " Buffalos" by G. Huerta
Original Hand Carved Marble " Buffalos" by G. Huerta, 2 pcs, .each fig approx size 6X7 in., stand not included.
Ladies 14K White Gold Diamond/ Ruby Pendant
This ladies 14K white gold diamond and ruby pendant is comprised of one 0.74ct, 3-prong set pear cut ruby surrounded by 13 round diamonds. Diamonds estimated total carat weight is .18ctw, SI1 SI2 clarity and IJ color. The total weight of the pendant is 1.95grams
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Rufino Tamayo Original, limited Edition Bronze - The Wizard
Rufino Tamayo signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 13x11x5.
"Ciphers & Constellation" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Condoltiere
Salvador Dali signed limited edition, "Condoltiere". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pages Playing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 15"x15"x7".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO BELVEDERE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Still Life With Guitar - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Guitar". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Beautiful Stylish Sterling Silver Tiffany Ring
Unisex Beautiful Stylish Sterling Silver Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Large Figure" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - Soft Watch
Salvador Dali signed and numbered bronze sculpture ( Chromium-plated Edition) "SOFT WATCH". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 8" x 8"
Alberto Giacometti Original, limited Edition Bronze - GIRL
Alberto Giacometti signed and numbered bronze sculpture, " GIRL ". Comes with COA. Some variation in patina might occur. Approx. size: 17"x4"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Cosmic Athlete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Designn 14 kt White Gold Rose Garnet & Diamond Ring
Lady's Very Fancy Designn 14 kt White Gold Rose Garnet & Diamond Ring, Garnet approx 4cts, Diamonds approx 1.25 cts, VS1, color I.
Bronze Sculpture - Eye of God by D. Hunter
This bronze sculpture by D. Hunter is called, "Eye of God" and measures approx. 22" x 14" x 6" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

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PICASSCO ORIGINAL LINOCUTS.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original linocuts. Pencil signed in lower right. Frame Size: 30”x35”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Red House- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The Red House". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some varitations of patina might occur. Approx. size: Approx. size:
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Blue Vase". Comes with ceritificate of authenticity, framing available at an additonal cost.
Almeria - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Almeria. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
Limited Edition Picasso - Bust Of A Woman In A Striped Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman In A Striped Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Two Circles of Spirits". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph. Approx. size: 21x15.
Caldwell "Puerto del Rey" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Puerto del Rey" by Caldwell. Image Size: 30" x 30" Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Number7-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 7". Comes with COA. Approx. size: 20"x24". HC-0045

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EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED FIGURE DANS UN INTERIEUR"", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Suez
Salvador Dali signed limited edition, "Suez". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Buffalos" by G. Huerta
Original Hand Carved Marble "Buffalos" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Ladies 18k White Gold Rolex Watch
This Ladies rolex 18K gold wrist watch, winding, leather band
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Jean Arp Limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 16X4X4.
"The Gentleman" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
Picasso - Limited Edition - Nude In An Armchair
Pablo Picasso limited edition, "Nude In An Armchair". From edition of 95. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Gift Dancer by Kauba
This Original Fine Silver sculpture by Kauba is called, "Gift Dancer" and contains approx. 10Troy ounces of real, fine silver. It comes with foundry assay .

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ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL GRANDE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Reclining Nude at Beach - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude at Beach". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU
Salvador Dali signed and numbered bronze sculpture " Tristan Fou". New listing, Some varitations of patina might occur. Approx. size: 10"x 16" x 8" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - MAN POINTING
Alberto Giacometti signed and numbered bronze sculpture, " MAN POINTING ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x10"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Blue Horns" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Antique Style 14 kt Yellow Gold Ruby & Diamond Ring
Unisex Antique Style 14 kt Yellow Gold Ruby & Diamond Ring, Ruby approx 3 cts, Diamonds approx 1.5 cts, VS1, color G.
Bronze Sculpture - Jerusalem by De Lier
This bronze sculpture by De Lier is called, "Jerusalem" and measures approx. 20" x23" x 17" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Limited Edition Serigraphs by - Kerman
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Kerman Set includes 2 Original Serigraphs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
Harlequine Lamp - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Harlequine Lamp. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The White Window- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition on canvas, "The White Window". Comes with COA. Approx. size: 20"x24". HC-0045
Original Real Silver Eagle Sculpture by De Lier- Survival
This is an original, real .999 silver sculpture by De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture contains approx. 12"x9"x10" and contains approx.10 Troy oz. of silver. It comes with the foundry assay. Some variations in marble might occur.
Salvador Dali Original, limited Edition Bronze - El Gran Masturbador
Salvador Dali signed and numbered bronze sculpture, "El Gran Masturbador". Comes with COA. Some variation in patina might occur. Approx. size: 14x17x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Actress - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Actress. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6".
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida Sees Dante's Exile in God". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Leroy Neiman Signed Limited Edition Serigraph - Indoor Cycling
Signed and numbered serigraph by Leroy Neiman, "Indoor Cycling". Comes with publisher's COA and is approx. 13.75x14.75in.
Limited Edition 24K Gold Layered Bronze Eagle Sculpture by De Lier- Survival
This is a limited edition bronze and then layered with 24K gold. By De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 12"x9"x10". It comes with the foundry assay.
Galle Signed Wedge Bowl Vase with Flared Lip and Wintery Forest Scene
Galle Signed Wedge Bowl Vase with Flared Lip and Wintery Forest Scene, 14"X10"X10"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Le Pais Amis-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Le Pais Amis -1". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CULOTTE BAYADERE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14kt White Gold Oval Shape Pink Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Oval Shape Pink Sapphire & Diamond Ring , Pink Sapphire approx 2cts, Diamonds approx .20 cts VS1, Color G.
Salvador Dali Signed Limited Edition -The Apotheosis of Homer
Salvador Dali signed limited edition, "The Apotheosis of Homer ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Rockwell Original Gold-Signed Lithograph - Dancing Partners
Rockwell Original Gold-Signed Lithograph - Dancing Partners. Edition of 200 numbered series, which included 60 artist proofs and 35 additional examples with Roman numerals. Comes with paperwork.. Museum stanped. Approx. size: 21"x27". CC-2H5FF
Hand Signed and Numbered Schimmel Serigraph - The Greatest Love
This is a beautiful hand signed and numbered Schim Schimmel serigraph, "The Greatest Love".
Winslow Homer Original Watercolor on Paper -
Homer Original Watercolor on Paper In the manner of Winslow. Comes with COA.
Jean Arp Original, limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 14X5X5.
"Painting, Cat. 30" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Poetry Of America
Salvador Dali signed limited edition, "Poetry Of America". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Restful
Beautiful on canvas by artist Pino, "Restful".
Picasso Limited Edition - Child With Dove - from Collection Domaine Picasso
Pablo Picasso limited edition, "Child With Dove". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme A La Toilette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"Landscape With Red Roof" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and 30lbs. It is a Limited Edition out of 399. SB6H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FERMATA RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Still Life With Candle, Pallette and Red Head of Minotaur - Collection Dom
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Candle, Pallette and Red Head of Minotaur". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Unique Style Sterling Silver "Raddle Snake Tail" Design Tiffany Ring
Lady's Unique Style Sterling Silver "Raddle Snake Tail" Design Tiffany Ring
Dali Gala Plaque
Bronze plaque rendition of Dali's "Gala" painting. Medium: bronze with silver finish. Weight: 250 g. Size: 168cmx221cm. Edition size:1500
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Pencil Sketch on Paper. Signed Dali -Killing a Cello -
Original pencil skectch on paper. In the manner of Dali "Killing a Cello". Signed. Beautifully framed . Approx. size:15" x 11".
Pablo Picasso Original, limited Edition Bronze -DOVE
Pablo Picasso signed and numbered bronze sculpture, "DOVE" New Listing. Some variation in patina might occur. Approx. size: 9"x 10"x 6". Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - HEAD OF DIEGO
Alberto Giacometti signed and numbered bronze sculpture, "HEAD OF DIEGO ". Comes with COA. Some variation in patina might occur. Approx. size: 18"x4"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Cosmic Rays" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Antique Style 14 kt Yellow Gold Blueish Green Emerald & Diamond Ring
Unisex Antique Style 14 kt Yellow Gold Blueish Green Emerald & Diamond Ring, Emerald approx 3 cts, Diamonds approx 2 cts, VS1, color G.
Limited Edition Lithographs by Wooster Scott
2 Piece Color Lithograph by Wooster Scott. Set includes 2 beautiful Lithographs. Pencil signed in lower right and numbered. Frame Size: 34”x24”. Wonderful and Rare!
Jesters - Bronze and Ivory Sculpture by Peyre
Peyre bronze and ivory sculpture, Jesters. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x21.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Christian Knight- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Christian Knight". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Traces of War
Salvador Dali signed and numbered bronze sculpture, "Traces of War". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Mont Sainte Victorie Seen From Bellevue". Comes with ceritificate of authenticity, framing available at an additonal cost.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Les Girls - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Les Girls". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
Limited Edition Picasso - Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Beatrice Comforts The Poet". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Karry Lithograph
Hand signed and numbered lithograph by Karry. Approx. size: 18x24.
Miska "Bon Jour" Hand Signed Limited Ed. Colograph
This is a hand signed Limited Ed. Colograph by Miska titled "Bon Jour" . Beautiful art piece on paper. Paper measures 29" x 22". Hand signed and numbered by the artist. Comes unframed.
Bather - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA CULOTTE DE SATIN ROUGE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition -SINGULARITIES
Salvador Dali signed limited edition, "SINGULARITIES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladie's 14k Two Toned Gold Diamond Bracelet
This ladies 14K two tone gold diamond bracelet is comprised of 96 invisible set princess cut dimonds. Diamonds total estimated carat weight is 2.00ctw, SI1 SI2 clarity and I J color. The total weight of the bracelet is 10.2grams and it measures 7".
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Constantin Brancusi Original, limited Edition Bronze -Seagull
Constantin Brancusi signed and numbered bronze sculpture, "Seagull". Comes with COA. Some variation in patina might occur. Approx. size: 21x4x3 Inch.
"Woman and Birds in a Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - Raphaelesque Head Exploding
Salvador Dali signed limited edition, "Raphaelesque Head Exploding". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Cliffside Retreat-
Beautiful on canvas by artist Pino, titled "Cliffside Retreat". Image Size: 42" x 35" . Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Nude In AN Armchair - from Collection Domaine Picasso
Pablo Picasso limited edition, "Nude In AN Armchair". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Lobster and Cat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Arizona by Unknown
This Original Fine Silver sculpture by Unknown is called, "Arizona".It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZETTA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Lady's Fancy Sterling Silver "Mesh" Design Tiffany Ring
Lady's Fancy Sterling Silver "Mesh" Design Tiffany Ring
Renoir Posthumous Etching - Chapeau Epingle
Renoir Posthumous Etching - Chapeau Epingle. Museum hand stamped on back. CC-5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Kneeling Figure" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - Archeoligical Millets Angelus
Salvador Dali signed and numbered bronze sculpture " Archeoligical Millets Angelus". New Listing . Some varitations of patina might occur. Approx. size: 13"x 10" x 4" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - TALL FIGURE
Alberto Giacometti signed and numbered bronze sculpture, " TALL FIGURE ". Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Die Aura" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Antique Style 14 kt Yellow Gold Golden Sapphire & Diamond Ring
Unisex Antique Style 14 kt Yellow Gold Golden Sapphire & Diamond Ring, Sapphire approx 3.5 cts, Diamonds approx 1.5 cts, VS1, color G.
Bronze Sculpture - Standing Jesus by D. Hunter
This bronze sculpture by D. Hunter is called, "Standing Jesus" and measures approx. 19" x 6" x 8" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original linocuts. Pencil signed in lower right. Together they make the perfect pair. Frame Size: 32”x22”. Very Rare!
Kamorna - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kamorna. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x21".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Illustration of Don Quixote- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Illustration of Don Quixote". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Limited Edition Real Silver Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signed real silver sculpture entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali. This piece contains approx. 10 troy ounces of fine silver and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7.5 in. x 7 in. x 4 in.
Salvador Dali Original, limited Edition Bronze - Old Age
Salvador Dali signed and numbered bronze sculpture, "Old Age". Comes with COA. Some variation in patina might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bather". Comes with ceritificate of authenticity, framing available at an additonal cost.
X- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "X". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
Limited Edition Picasso - Women On The Banks Of The Seine - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Women On The Banks Of The Seine". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Constellation of the Blessed Spirits". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Rickson Hand Signed and Numbered Lithograph - Hawk
Hand signed, limited edition lithograph by Rickson, "Hawk". Approx. size: 19x10
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Standing Woman, 194
Pablo Picasso original limited edition 24K gold layered bronze sculpture, "Standing Woman".
Green Dutch Interior I and II - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Green Dutch Interior I and II". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS A LA CHEMISE DE TULLE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Spider of Evening
Salvador Dali signed limited edition, "Spider of Evening". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Rhinos" by G. Huerta
Original Hand Carved Marble "Rhinos" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Ladies 14k White Gold Heart Necklace
This Ladies 14K white gold necklace's total weight is 13.9grams
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Limited Edition Limited Edition - At The Doctor's Office
Norman Rockwell limited edition signed Limited Edition, " At The Doctor's Office". Comes with COA. Framing available at additional charge.
"Catalan Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Salvador Dali Signed Limited Edition - The Madonna Of Port Ligat
Salvador Dali signed limited edition, "The Madonna Of Port Ligat". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - The Bedroom Window-
Beautiful on canvas by artist Pino, titled "The Bedroom Window". Image Size: 26" x 34" . Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Dora Maar Seated - from Collection Domaine Picasso
Pablo Picasso limited edition, "Dora Maar Seated". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Spring Time" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DI RIALTO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Large Still Life On A Pedestal Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Still Life On A Pedestal Table". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Unique Fancy Style Sterling Silver Tiffany Ring
Unisex Unique Fancy Style Sterling Silver Tiffany Ring

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Renoir Posthumous Etching - Sur La Plage
Renoir Posthumous Etching - Sur La Plage. Museum hand stamped on back. CC-5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures in a Room" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x11".
Salvador Dali Original, limited Edition Bronze - Homenage to Newton
Salvador Dali signed and numbered bronze sculpture " Homenage to Newton". New Listing . Some varitations of patina might occur. Approx. size: 9"x 7" x 7" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - WOMAN
Alberto Giacometti signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 19"x5"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Nuclear Head Of An Angle" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Antique Style 14 kt Yellow Gold Pink Sapphire & Diamond Ring
Unisex Antique Style 14 kt Yellow Gold Pink Sapphire & Diamond Ring, Sapphire approx 3 cts, Diamonds approx 2 cts, VS1, color G.
Bronze Sculpture - Jesus and the Blindman by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 30”x21”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady Godiva- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Lady Godiva". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Modern Lolita - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" contains approx. 13"H x5"W x 3"D and contains approx. 10Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9x14x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Pierrot and the Harlequin". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Large Heads - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Heads". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Cellestial Staircase". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph. Approx. size: 20x28.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Geopolitical Child Watches The Birth Of T
This is a limited edition bronze layered with 24K gold entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN (1943)" by Salvador Dali. This statue adaptation of The Birth of the New Human is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Lanscape - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Landscape". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU VISAGE VOILE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - The Architectural Angelus of Millet
Salvador Dali signed limited edition, "The Architectural Angelus of Millet". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Rhinos" by G. Huerta
Original Hand Carved Marble "Rhinos" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
"The Great Gate of Kiev" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Shades Of Night Descending
Salvador Dali signed limited edition, "Shades Of Night Descending". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - The Embrace - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Embrace". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Smoke In Vallauris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Sergeant by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Sergeant" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIALTO BRIDGE - DUSK" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Interior With A Girl Drawing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Interior With A Girl Drawing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Stylish Sterling Silver "Star" Design Tiffany Ring
Lady's Stylish Sterling Silver "Star" Design Tiffany Ring

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Renoir Posthumous Etching - Seated Nude
Renoir Posthumous Etching - Seated Nude. Museum hand stamped on back. Framing available at additional charge. CC-5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Untitled. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original drawing by Chagall
Original drawing on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension 15x12 inches.
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU II
Salvador Dali signed and numbered bronze sculpture " Tristan Fou II ". New Listing. Some varitations of patina might occur. Approx. size: 16"x 11" x 6" Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - HEAD OF MAN
Alberto Giacometti signed and numbered bronze sculpture, " HEAD OF MAN ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Die Schneekonigin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Silver "Ballerina Ring" Blue Sapphire & Diamond Ring
Lady's Very Fancy Silver "Ballerina Ring" Blue Sapphire & Diamond Ring, Sapphire approx 2 cts, Diamonds approx 1.50 cts, VS1, color G.
Bronze Sculpture - Jesus and the Children by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Children" and measures approx. 20" x 11" x13" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 32”x26”.
Leotard Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Leotard Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x22".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Young Virgin- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Young Virgin". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12x8x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Basket". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Semiramus
Signed bronze and ivory art deco sculpture "Semiramus" by artist Chiparus. Semiramus was the Queen of the Assyrians and was the subject an 18th century play by Voltaire. Voltaire's play inspired many theatrical and operatic productions and the two best known were popular in Paris during the time Chiparus was designing his bronze and ivory figures. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 27.5"x21".
Limited Edition Picasso - Seated Man with A Sword and A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Man with A Sword and A Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Divine Impenetrability". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph. Approx. size: 20x28.
Cats - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Cats". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE ET COUPE DE FRUITS", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - St. George and the Dragon
Salvador Dali signed limited edition, "St. George and the Dragon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Adventurers Between Adventures by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx. 16"x14"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 14k White Gold Diamond Pendant
This ladies 14K white gold diamond pendant is comprised of 68 pave set round brilliant cut diamonds. Diamonds estimated total carat weight is .47ctw, SI1 SI2 clarity and IJ color. The total weight of the pendant is 5.40 grams
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Limited Edition Limited Edition - The Tattooist
Norman Rockwell limited edition signed Limited Edition, " The Tattooist". Comes with COA. Framing available at additional charge.
Henry Moore Original, limited Edition Bronze - Recumbant Figure
Henry Moore signed and numbered bronze sculpture, "Recumbant Figure". Comes with COA. Some variation in patina might occur. Approx. size:
"All Saints" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - The Virgin Of Guadalupe
Salvador Dali signed limited edition, "The Virgin Of Guadalupe". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Dreaming of Paris-
Beautiful on canvas by artist Pino, titled "Dreaming of Paris". Image Size: 34" x 28" . Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Portrait of Sylvette David - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait of Sylvette David". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Womans Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE ROSSO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Bull Fight, Death Of A Torreador - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bull Fight, Death Of A Torreador". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Sterling Silver "Hears" Design Tiffany Diamond Ring
Lady's Fancy Sterling Silver "Hears" Design Tiffany Diamond Ring, Diamonds approx .20 VS1, color G.
Renoir Posthumous Etching - The Bather
Renoir Posthumous Etching - The Bather. Museum hand stamped on back. Framing available at additional charge. CC-5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Chagall
Original Hand Draw, Ink Drawing In the manner Chagall "Untitled" . - Signed. Beautifully framed . Approx. size:15" x 11".
Original Watercolor by Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Pablo Picasso Original, limited Edition Bronze -OWL
Pablo Picasso signed and numbered bronze sculpture, "OWL". New Listing. Some variation in patina might occur. Approx. size: 9"x 8"x 8". Comes with COA.
Alberto Giacometti Original, limited Edition Bronze - MALE HEAD
Alberto Giacometti signed and numbered bronze sculpture, "MALE HEAD ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Meissonier" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Silver "Ballerina Ring" Blue Sapphire & Diamond Ring
Lady's Very Fancy Silver "Ballerina Ring" Blue Sapphire & Diamond Ring, Sapphire approx 1.75 cts, Diamonds approx 1.35 cts, VS1, color G.
Bronze Sculpture - Arc of the Covenant by D. Hunter
This bronze sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Claude Mars Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Claude Mars Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bullfight III- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Bullfight III". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Billy Goat
Dali sculpture, "Billy Goat" contains approx. 7.05oz of fine .999 silver. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.
Salvador Dali Enchanting Original, limited Edition Bronze - Spain
Salvador Dali signed and numbered bronze sculpture, "Spain". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Antinea
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 26"x10.5".
Limited Edition Picasso - The Birdcage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Birdcage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Garden of Christ". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Conrad Schwiering Hand Signed and Numbered Lithograph - Daily Roper
Conrad Schwiering hand signed, limited edition lithograph titled, "Daily Roper". Approx. size: 18x24.
Renoux Hand Signed Limited Edition Lithograph "P.Legrand"
This is a hand signed Limited Edition Lithograph by Renoux titled "P.Legrand", signed & numbered, approx dimension 22x26 in.
Painting - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FEMME AU COLLIER", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - The Image Disappears
Salvador Dali signed limited edition, "The Image Disappears". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Pride of Parenthood- puppy by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx. 16"x14"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
14K Yellow Gold Diamond Rope Chain
14K Yellow Gold Diamond Rope Chain approx. 24-26". Chain is looped around display twice in photo.
Picasso Original Lithographs - Hand Pulled and Signed
Picasso original lithographs hand pulled and signed. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Norman Rockwell Limited Edition Limited Edition - Homecoming G.I.
Norman Rockwell limited edition signed Limited Edition, " Homecoming G.I.". Comes with COA. Framing available at additional charge.
Henry Moore Original, limited Edition Bronze - Two-Piece Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Two-Piece Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: .
"Arch and Point" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Nativity Of A New World
Salvador Dali signed limited edition, "Nativity Of A New World". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Indian Girl - from Collection Domaine Picasso
Pablo Picasso limited edition, "Indian Girl". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Card Player" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Bronze by Michael Schofield - Aquamarine Dancer
This is the second piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Aquamarine adorning the piece. "Aquamarine Dancer" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee.During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Original Fine Silver Sculpture - Wicked Pony by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Wicked Pony" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DEI SOSPIRI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Seated Woman with Red and Blue Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman with Red and Blue Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Sterling Silver "Love Me Not" Design Tiffany Ring
Unisex Fancy Sterling Silver "Love Me Not" Design Tiffany Ring
Renoir Posthumous Etching - Reclining Nude
Renoir Posthumous Etching - Reclining Nude. Museum hand stamped on back. CC-5FF
Dali Limited Edition Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
After Chagall Original Watercolor on Paper
After Chagall Watercolor on Paper "Untitled". Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Toulouse Lautrec Watercolor Painting.
Original Watercolor on paper In the manner of Toulouse Lautrec . Comes framed. Approx dimension :15"x11".
#68 - 2.5ct Tanzanite Earrings
2.5ct Tanzanite Earrings

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Original, limited Edition Bronze - Rhino on Space
Salvador Dali signed and numbered bronze sculpture " Rhino on Space". New Listing. Some varitations of patina might occur. Approx. size: 18"x 7" x 5". Comes with COA.
Alberto Giacometti Original, limited Edition Bronze -THE HAND
Alberto Giacometti signed and numbered bronze sculpture, " THE HAND ". Comes with COA. Some variation in patina might occur. Approx. size: 13"x12"x6".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Figure With Swans" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Silver "Ballerina Ring" Blue Sapphire & Diamond Ring
Lady's Very Fancy Silver "Ballerina Ring" Blue Sapphire & Diamond Ring, Sapphire approx 1.5 cts, Diamonds approx 1.25 cts, VS1, color G.
Bronze Sculpture - Anticipation by Matthews
This bronze sculpture by Matthews is called, "Anticipation" and measures approx. 21" x 10" x 9" and weighs approx. 36lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 33”x28”.
Split Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cavalier with Pipe- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Cavalier with Pipe". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Galatea of the Spheres
Salvador Dali signed and numbered bronze sculpture, "Galatea of the Spheres". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Joy of the Blessed". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Conrad Schwiering Hand Signed and Numbered Lithograph - Tapestry of Spring
Conrad Schwiering hand signed, limited edition lithograph titled, "Tapestry of Spring". Approx. size: 18x24.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Shallow-Love - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Shallow Love". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LISEUSE ET BOUQUET DE ROSES", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - The Sing of Anguish
Salvador Dali signed limited edition, "The Sing of Anguish". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Norman Rockwell Limited Edition Limited Edition - Breaking Home Ties
Norman Rockwell limited edition signed Limited Edition, " Breaking Home Ties". Comes with COA. Framing available at additional charge.
Maillol Original, limited Edition Bronze -Male Torso
Maillol signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur.
"Upward" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - The Alert
Salvador Dali signed limited edition, "The Alert". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Poetry in Motion-
Beautiful on canvas by artist Pino, titled "Poetry in Motion". Image Size: 33" x 22" . Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Portrait Of The Son Of The Artist - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of The Son Of The Artist". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Studio At Cannes " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DELLE PRIGIONI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Lady's Stylish Sterling Silver "Heart" Design Tiffany Ring
Lady's Stylish Sterling Silver "Heart" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
After Chagall Original Watercolor on Paper
After Chagall Watercolor on Paper "Untitled". Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Pencil Sketch on Paper. Signed Picasso
Original pencil skectch on paper. In the manner of Picasso. Signed. Beautifully framed . Approx. size:15" x 11".
Alberto Giacometti Original, limited Edition Bronze - THE LEG
Alberto Giacometti signed and numbered bronze sculpture, " THE LEG ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x6".
Pierre Renior Limited Edition
Pierre Renior Limited Edition On Paper. "The End Of Lunch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Unisex Antique Style 10 kt Yellow Golg Black Onix Ring
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring, Blk Onyx approx 4 cts.
Chagall Original Lithographs .
4 Piece Color Lithograph by Chagall. Set includes 4 beautiful Lithographs From L'Odyssée Suite Vol. II. Pencil signed in lower right. Frame Size: 34”x28”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Interior with a Girl Drawing- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Interior With A Girl". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Limited Edition Real Silver Sculpture - Geopolitical Child Watches The Birth Of The New Human
This is a limited edition, signed real silver sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN" watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Contains approx. 10 troy ounces of fine silver and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - The Dance - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dance". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of St. James". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Sydney Taylor Hand Signed and Numbered Lithograph - Lion Portrait
Sydney Taylor hand signed, limited edition lithograph titled, "Lion Portrait". Approx. size: 16x26.
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

The First Spark of the day - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The First Spark Of The Day". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ETUDE DE JAMBERS IV (DEMI-LUNE)", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition -Six Apparitjons of Lenin a Grand Piano
Salvador Dali signed limited edition, "Six Apparitjons of Lenin a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Peter Darro Limited Edition Lithograph
Peter Darro Limited Edition Lithograph, signed & numbered, approx dimension 15x12 in.
Gaily Sharing Vintage Times by Rockwell
Original Lithograph. Dimensions are approx. 14"x16"
Original Hand Carved Marble "Turtles" by G. Huerta
Original Hand Carved Marble "Turtles" by G. Huerta, 2 pcs, each fig approx size 3X7 in., stand not included.
Ladies 18K Yellow Gold Rolex Wtach
This is a ladies 18K yellow gold Rolex Oyster Perpetual DateJust wrist watch. It has an 18K yellow gold sapphire bezel, automatic movement and a hidden deployment clasp.
Norman Rockwell Limited Edition Limited Edition - Discovering Santa
Norman Rockwell limited edition signed Limited Edition, " Discovering Santa". Comes with COA. Framing available at additional charge.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Eduardo Cortez . Comes with COA.
Victor Villareal Limited Edition Bronze - Unknown
Victor Villareal signed and numbered bronze, "Unknown" Comes with COA. Some variation in patina might occur.. Approx. size: 7x16x6 Inch.
"Composition X" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - The Railway Station At Perpignan
Salvador Dali signed limited edition, "The Railway Station At Perpignan". Comes with COA. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - Seated Nude - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Nude". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Bureau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Scales of Justice by Mayer
This Original Fine Silver sculpture by Mayer is called, "Scales of Justice". It measures approx. 68" x21"x17.5" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DE LA VERONA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Lady's Unique Style Sterling Silver "Mesh & Heart" Design Tiffany Ring
Lady's Unique Style Sterling Silver "Mesh & Heart" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Dali -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Dali "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor by Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Alberto Giacometti Original, limited Edition Bronze - DOG
Alberto Giacometti signed and numbered bronze sculpture, " DOG ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x5".
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring, Blk Onyx approx 5 cts.
Etching Set by A. Durand Rembrandt
3 PIECES CONSISTING OF A FRAMED ARTWORK BY A. REMBRANDT Set includes 3 Original Etchings. Frame Size: 24”x20”. Very Rare!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
La Coiffure- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "La Coiffure". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Sculpture - Alice In Wonderland
Salvador Dali signed and numbered sculpture sculpture, "Alice In Wonderland".Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Snake Dancer - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, "Snake Dancer" Base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 23.5"x11.5".
Limited Edition Picasso - Seated Woman II - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman II". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Apotheosis of the Virgin Mary". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Shlomo Lithograph
Hand signed and numbered lithograph signed Shlomo. Approx. size: 22x16.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
The Gentleman - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The Gentleman". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PORTRAIT DE CORTOT", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Catigula's Horse
Salvador Dali signed limited edition, "Catigula's Horse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mike Stidham Limited Edition Lithograph "Jumping Trout"
Mike Stidham Limited Edition Lithograph "Jumping Trout", signed & numbered, approx dimension 20x16 in.
Original Hand Carved Marble "Turtles" by G. Huerta
Original Hand Carved Marble "Turtles" by G. Huerta, 2 pcs, each fig approx size 3X7 in., stand not included.
Norman Rockwell Lithograph-
Norman Rockwell lithograph, " ". Framing available at additional charge.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Eduardo Cortez . Comes with COA.
Henry Moore Original, limited Edition Bronze - Half Figure #1
Henry Moore signed and numbered bronze sculpture, "Half Figure #1". Comes with COA. Some variation in patina might occur. Approx. size: 9x7x4 Inch.
"Unbroken Line" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Book Transforming Itself
Salvador Dali signed limited edition, "Book Transforming Itself". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Solace-
Beautiful on canvas by artist Pino, titled "Solace". Image Size: 33" x 28" . Comes unframed, unstretched. In Mint Condition!.
Picasso Limited Edition - Portrait Of Bibi La Puree - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Bibi La Puree". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of Bull In Front Of Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NEAR RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - The Family - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Family". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Beautiful Sterling Silver "Love Heart" Design Tiffany Ring
Lady's Beautiful Sterling Silver "Love Heart" Design Tiffany Ring
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Dali -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Dali "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Hand Draw, Ink Drawing . Signed Picasso
Original Hand Draw, Ink Drawing. In the manner of Picasso. Signed. Beautifully framed . Approx. size:15" x 11".
Alberto Giacometti Original, limited Edition Bronze - CHARIOT
Alberto Giacometti signed and numbered bronze sculpture, " CHARIOT". Comes with COA. Some variation in patina might occur. Approx. size: 21"x9"x7".
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "Dance Class" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring, Blk Onyx approx 12 cts.
Bronze Sculpture - On The Fly by W. Whitten
This bronze sculpture by W. Whitten is called, "On The Fly" and measures approx. 18" x 8" x7" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
4 Pieces Color Fine Art Lithograph by Tarkay
4 Pieces Color Lithograph Set includes: 4 Lithographs by Tarkay. Frame Size: 23”x21”. Very Rare!
Victoria - Bronze and Ivory Sculpture by Colinet
Colinet broze and ivory sculpture,Victoria. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 18x6x6.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pipes of Pan- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Pipes of Pan". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze - Fille
Pablo Picasso signed and numbered bronze sculpture, "Fille". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Man with Crossed Arms". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Star
Signed bronze and ivory art deco sculpture "Star" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Limited Edition Picasso - Wolman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Wolman In An Armchair". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Angels of the Empyrean". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Norman Gatreau Double Signed Limited Edition Lithorgraph - Chelsea Fire - Oct 14, 1973
Norman Gatreau double signed and numbered lithograph of the 1973 fire in Chelsea, Mass. Approx. size: 16x25.
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Outlaw
This Frederick Remington sculpture, "Outlaw" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Limited Edition Lithograph "Bridge"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bridge", signed & numbered, approx dimension 16x14 in.
Woman Walking Down Street - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Woman Walking Down the Street". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU MAIN A L'EPAULE (ARABESQUE III)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Family of Marsupial Centaurs
Salvador Dali signed limited edition, " Family of Marsupial Centaurs". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Lithograph
Charles Jeffrey Lithograph, hand signed, approx dimension 15x25 in.
Prelude by Rodo Boulanger
Original Lithograph by Rodo Boulanger "Prelude". Dimensions are approx. 20"x24"
Original Hand Carved Marble "Turtles" by G. Huerta
Original Hand Carved Marble "Turtles" by G. Huerta, 2 pcs, each fig approx size 3X7 in., stand not included.
Gents 18K MJ Tobias Pocket Watch
Gents 18K yellow gold MJ Tobias pocket watch with winding movement.
Norman Rockwell Lithograph-
Norman Rockwell lithograph, " ". Framing available at additional charge.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Eduardo Cortez . Comes with COA.
"Composition VII" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Salvador Dali Signed Limited Edition - Nuclear Cross
Salvador Dali signed limited edition, "Nuclear Cross". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Portrait Of Sylvette - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Sylvette". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Owl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Fine Silver Sculpture - Tango by Icart
This Original Fine Silver sculpture by Icart is called, "Tango". It measures approx. 17" x 16" x 6" and contains approx. 10Troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE CON BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Pitcher And A Bowl Of Fruit - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Pitcher And A Bowl Of Fruit". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Unisex Fancy Sterling Silver "Unique Style" Design Tiffany Ring
Unisex Fancy Sterling Silver "Unique Style" Design Tiffany Ring
Cezanne Etching - Self Portrait with William Hanging
Cezanne Etching - Self Portrait with William Hanging. Museum hand stamped on back. CC-5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Dali -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Dali "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring
Unisex Antique Style 10 kt Yellow Golg Black Onyx Ring, Blk Onyx approx 10 cts.
Bronze Sculpture - Cheyenne by F. Remington
This bronze sculpture by F. Remington is called, "Cheyenne" and measures approx. 19" x 21" x8" and weighs approx. 133lbs. It comes with foundry paperwork.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 23”x16”.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

King Double Signed Photo Lithograph - Swan Maiden
Gordon King hand signed photo lithograph, "Swan Maiden". Approx. image size 27"x31".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Seated Bather- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Seated Bather". Comes with COA. Approx. size: 20"x24". HC-0045
Picasso Real Silver Sculpture - Man with Guitar
Real Silver Picasso sculpture, "Man with Guitar". Contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur.
Pablo Picasso Original Original, limited Edition Bronze - Flowers
Pablo Picasso signed and numbered bronze sculpture, "Flowers". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Italian Girl". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - A Day At The Beach
Signed bronze and ivory art deco sculpture by Chiparus "A Day At The Beach" sits on a marble/onyx base. Signed Chiparus, Etling Paris foundry mark and is about 11x8x25
Limited Edition Picasso - The Couple - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Couple". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "St. Peter and Dante". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph - At the Dentist
Hand signed limited edition lithograph, signed Y. Mahler, "At the Dentists". Approx. size: 20x16.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Galle Signed Tall Vase with Pale Blue and Green Ship at Sea Decoration
Galle Signed Tall Vase with Pale Blue and Green Ship at Sea Decoration, 24"X9"X9"
Nude - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Nude". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE ET COUPE DE FRUITS", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14 kt White Gold Horse Shoe Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Horse Shoe Shape Golden Sapphire & Diamond Ring, Golden Sapphires approx 1.50 cts, Diamonds approx .50 cts, VS1 color G.
Salvador Dali Signed Limited Edition - THREE AGES
Salvador Dali signed limited edition, "THREE AGES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Lithograph "Polar Bear"
Charles Jeffrey Lithograph "Polar Bear", hand signed, approx dimension 23x30 in.
Ladies 14K White Gold Diamond Solitaire Ring
This ladies 14K white gold diamond solitaire is comprised of one 0.75ct, 4-prong set round brilliant cut diamond. SI1 SI2 clarity and JK color. The total weight of the ring is 1.70grams
Norman Rockwell Lithograph-
Norman Rockwell lithograph, " ". Framing available at additional charge.
Emile Bellet Hand Signed and Numbered Serigraph - Bain de Mer
Beautiful Emile Bellet serigraph, "Bain de Mer". This piece is hand signed and numbered.
Henry Moore Original, limited Edition Bronze - Rock Chair
Henry Moore signed and numbered bronze sculpture, "Rock Chair". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x3 Inch.
"Circus Fan Dancer" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Birh Of A New Man
Salvador Dali signed limited edition, "Birh Of A New Man". Comes with COA. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pino on Canvas - Angelica
Beautiful on canvas by artist Pino, "Angelica".
Picasso Limited Edition - The Turkish Shawl - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Turkish Shawl". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Green" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"The Kiss" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and 28lbs. It is a Limited Edition out of 399. SB9H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA II" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Seated Woman With Yellow and Green Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman With Yellow and Green Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Sterling Silver "1837 Lock Charm Band" Design Tiffany Ring
Lady's Fancy Sterling Silver "1837 Lock Charm Band" Design Tiffany Ring
Rembrandt Etching - The Goldweigher - Printed by A. Durand
Rembrandt Etching - The Goldweigher. Printed by A. Durand. Museum hand stamped on back. CC-6FF
Dali Sculpture- Winged Bust on Marble Base
Dali "Winged Bust" on marble base. Signed and numbered. Approx . Size: 14" x 7"x 5".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Draw, Ink Drawing Signed Dali -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Dali "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "WOMAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x5.
Gustave Caillebotte Limited Edition
Gustave Caillebotte Limited Edition On Paper. "A Rainy Day" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Very Fancy Silver 925 Ruby Bracelet
Unisex Very Fancy Silver 925 Ruby Bracelet, Rubies approx 105 cts.
Mossant Original Lithographs .
2 Piece Color Lithograph by Mossant. Set includes 2 beautiful Lithographs. signed .These are beautifully framed and matted. Size: 16”x20”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Seated Woman I- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Seated Woman I". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -Vase Head
Pablo Picasso signed and numbered bronze sculpture, "Vase Head". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Woman". Comes with ceritificate of authenticity, framing available at an additonal cost.
Girl On The Wall - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Girl On The Wall . Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 11"x9"x6".
Limited Edition Picasso - Head Of A Woman With A Self Portrait - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Head Of A Woman With A Self Portrait". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "Arrival at the Empyrean". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph - At the Dentist
Hand signed limited edition lithograph, signed Y. Mahler, "The Waiting Room". Approx. size: 19x15.
Bather - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU BRAS GAUCHE SUR LA TETE (ARABESQUE V)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Soft Watch at Moment of Explotion
Salvador Dali signed limited edition, "Soft Watch at Moment of Explotion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph "Mt. Goats"
Michael Coleman Mix Media Litho/Serigraph "Mt. Goats", hand signed, approx dimension 24x18 in.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Norman Rockwell Lithograph-A Family Tree
Norman Rockwell lithograph, "A Family Tree ". Framing available at additional charge.
"Les Roses" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Invisible Afgan with Apparition
Salvador Dali signed limited edition, "Invisible Afgan with Apparition". Comes with COA. Edition number may vary from pictured.
Pino on Canvas -A Song in Her Heart-
Beautiful on canvas by artist Pino, titled "A Song in Her Heart"". Image Size: 33" x 28" . Comes unframed, unstretched. In Mint Condition!.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - Landscape - from Collection Domaine Picasso
Pablo Picasso limited edition, "Landscape". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nude sitting In an Armchair" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Archer by Fauays
This Original Fine Silver sculpture by Fauays is called, "Archer". It measures approx. 24.5" x 5.9"x 6" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Lady's Fancy Sterling Silver "Hearts Band" Design Tiffany Ring
Lady's Fancy Sterling Silver "Hearts Band" Design Tiffany Ring
Rembrandt Etching - The Windmill - Printed by A.Durand
Rembrandt Etching - The Windmill. Printed by A. Durand. Museum hand stamped on back. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Dali -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Dali "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Alejandro Marquez Original, limited Edition Bronze -ballerina-
Alejandro Marquez signed and numbered bronze sculpture "BALLERINA". Comes with COA. Some variation in patina might occur. Approx. size: 20"x10"x10".
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "Café Concert" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Very Fancy Silver 925 "Multi Shape" Blue Sapphire Bracelet
Lady's Very Fancy Silver 925 "Multi Shape" Blue Sapphire Bracelet, Sapphires approx 120 cts.
Bronze Sculpture - El Caballero by Estevez
This bronze sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Ulysses and Euryclea by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite "Ulysses and Euryclea". Signed and framed. Comes with COA Frame Size: 21”x18”.
Pajama Girl - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Pajama Girl. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Seated Woman II- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "Seated Woman II". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Female Bust
Dali sculpture, "Female Bust" contains approx. 3.88 oz of fine .999 silver. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Iconic Pablo Picasso Original, limited Edition Bronze - Profile Portrait
Pablo Picasso signed and numbered bronze sculpture, "Profile Portrait". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Gustave Geffroy". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Infinite Beauty of Beatrice". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Hand Signed and Numbered Lithograph - At the Dentist
Hand signed limited edition lithograph, signed Y. Mahler, "Knockout!". Approx. size: 20x16.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Limited Edition 24K Gold Layered Bronze Sculpture- Wicked Pony by F. Remington
This Frederick Remington sculpture, "Wicked Pony" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Gabrielle And The Jewels - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Gabrielle And The Jewels". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE, REFLET DANS LA GLACE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14 kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14 kt White Gold Amethyst & Diamond Ring, Amethysts approx 6 cts, Diamonds approx .50 cts, VS1 color G.
Salvador Dali Signed Limited Edition - THE BURNING GIRAFFE
Salvador Dali signed limited edition, "THE BURNING GIRAFFE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Owls" by G. Huerta
Original Hand Carved Marble "Owls" by G. Huerta, 2 pcs, each fig approx size 8X4 in., stand not included.
Ladies 14K White Gold Diamond/Blue Sapphire Pendant
This ladies 14K white gold diamond and sapphire pendant is comprised of one 1.90ct, bezel set oval cut blue sapphire surrounded by 35 round cut diamonds. Diamonds estimated total carat weight is .28ctw, SI1 SI2 clarity and I J color. The total weight of the pendant is 2.90 grams
Norman Rockwell Lithograph-Checkup
Norman Rockwell lithograph, "Checkup ". Framing available at additional charge.
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

"Wedding" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Debris Of An Automobile
Salvador Dali signed limited edition, "Debris Of An Automobile". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Portrait Of Jacqueline - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Jacqueline". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Toreo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Silenus Dancing In Company - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Silenus Dancing In Company". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Sterling Silver " Wave" Design Tiffany Puzzle Ring
Lady's Fancy Sterling Silver " Wave" Design Tiffany Puzzle Ring
Rembrandt Etching - Man At A Desk - Printed by A. Durand
Rembrandt Etching - Man At A Desk. Printed by A. Durand. Museum hand stamped on back. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Dali -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Dali "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

David Alfaro Siqueros Limited Edition Bronze - Warrior
David Alfaro Siqueiros signed and numbered bronze sculpture, "WARRIOR". Comes with COA. Some variation in patina might occur. Approx. size: 11x16x5.
Edouard Manet Limited Edition
Edouard Manet Limited Edition On Paper. "The Pier At Boulogue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Silver 925 "Pear Shape" Blue Sapphires Necklace
Lady's Very Fancy Silver 925 "Pear Shape" Blue Sapphires Necklace, Sapphires approx 100 cts.
Bronze Sculpture - End of the Trail by Fraiser
This bronze sculpture by Fraiser is called, "End of the Trail" and measures approx. 21" x 16" x 6" and weighs approx. 152lbs. It comes with foundry paperwork.
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph . Together they make the perfect pair. Frame Size: 18”x23”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Sleeping Nude- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, Sleeping Nude. Comes with COA. Approx. size: 20"x24". HC-0045
Lady Peacock - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" contains approx. 22"H x12"W x 4"D and contains approx. 10 troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Pablo Picasso Original, limited Edition Bronze - Pregnant Woman
Pablo Picasso signed and numbered bronze sculpture, "Pregnant Woman". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape with Mont Sainte Victorie". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Nude With A Bouqet Of Irises - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude With A Bouqet Of Irises". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "The Loyal Angels". Comes with COA and beautifully framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph - At the Dentist
Hand signed limited edition lithograph, signed Y. Mahler, "Extraction". Approx. size: 20x16.
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3".
Renoux Hand Signed Limited Edition Lithograph "Passage"
This is a hand signed Limited Edition Lithograph by Renoux titled "Passage", signed & numbered, approx dimension 16x14 in.
L'Estaque - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "L'Estaque". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TORSE A L'AIGUIERE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Very Fancy 14 kt White Gold Brown Lapist Ring
Unisex Very Fancy 14 kt White Gold Brown Lapist Ring, Brown Lapist approx 5 cts.
Salvador Dali Signed Limited Edition - The Knight Death
Salvador Dali signed limited edition, "The Knight Death". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 14K Gold Diamond Brooch
This ladies white gold diamond brooch is comprised of three 4-prong set round brilliant cut diamonds surrounded by 85 uncut diamonds crystals. Diamonds estimated total carat weight is 3.50ctw , SI1 Si2 clarity and I J color. The total weight of the brooch is 13.8grams.
Norman Rockwell Lithograph-
Norman Rockwell lithograph, " ". Framing available at additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Henry Moore Original, limited Edition Bronze -Standing Woman
Henry Moore signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x3 Inch.
"Les Lupin Bleu" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Hyperidological Sky
Salvador Dali signed limited edition, "Hyperidological Sky". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Le Coq - from Collection Domaine Picasso
Pablo Picasso limited edition, "Le Coq". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nature Morte au Verre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - At the River by Moreau
This Original Fine Silver sculpture by Moreau is called, "At the River". It measures approx. 21" x 7"x 7" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN WINDOWS" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Still Life with Candle, Pallette and Black Bull's Head - Collection Domain
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Candle, Pallette and Black Bull's Head". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Rembrandt Etching - The Omval
Rembrandt Etching - The Omval. Museum hand stamped on back. Framing available at additional charge. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Watercolor Signed Dali
Original Watercolor on paper In the manner of Dali. Beautifully framed and Signed. Approx dimension :15"x11".
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Rufino Tamayo Original, limited Edition Bronze - MAN
Rufino Tamayo signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 20"x10"x10".
Lady's Very Fancy Silver 925 "Multi Shape" Ruby Necklace
Lady's Very Fancy Silver 925 "Multi Shape" Ruby Necklace, Rubies approx 100 cts.
Bronze Sculpture - Savage by F. Remington
This bronze sculpture by F. Remington is called, "Savage" and measures approx. 12" x 8" x 8".. It comes with foundry paperwork.
Renoir Posthumous Etching Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR Set includes 2 Posthumous Etchings. Frame Size: 24”x20”. Very Rare!
Persian Dancers - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Persian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 25"x16".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Old Blind Guitar Player- Picasso- Limited Edition on Canvas
Picasso Limited Edition on canvas, "The Old Blind Guitar Player". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze - Ambitieuse
Pablo Picasso signed and numbered bronze sculpture, "Ambitieuse". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Wooster-Scott Lithograph - Birds of a Feather
Hand signed Wooster-Scott limited edition lithograph, "Birds of a Feather". Approx. size: 12x12.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE DE BOUT, VISAGE COUPE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Very Fancy 14 kt White & Yellow Gold with White Diamond Ring
Lady's Very Fancy 14 kt White & Yellow Gold with White Diamond Ring, Diamonds approx .25 cts, VS1 color G.
Salvador Dali Signed Limited Edition - Fountain Flowing from a Grand Piano
Salvador Dali signed limited edition, "Fountain Flowing from a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Elephants" by G. Huerta
Original Hand Carved Marble "Elephants" by G. Huerta, 2 pcs, each fig approx size 7X5 in., stand not included.
Ladies 14K White Gold Diamond Ring
This ladies 14K white gold diamond ring is comprised of one 1.00ct, 4-prong set round brilliant cut diamond surrounded by 2 baguette cut diamonds who's estimated total carat weight is .20ctw. SI2 clarity and JK color. The total weight of the ring is 3.10grams
Norman Rockwell Lithograph-Advertisement for Masachussettes Mutual Life Insurance
Norman Rockwell lithograph, "Advertisement for Masachussettes Mutual Life Insurance ". Framing available at additional charge.
Alberto Giacometti Original, limited Edition Bronze - Untitled
Alberto Giacometti signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur.
"Tree Over Village" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Figures Lying On The Sand
Salvador Dali signed limited edition, "Figures Lying On The Sand". Comes with COA. Edition number may vary from pictured.
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Assise Pre D'une Fenetre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASE VENEZIANE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Woman with Sculpture - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman with Sculpture". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings, Shape "Four Leaf Clover" pair
Rembrandt Etching - Adam and Eve
Rembrandt Etching - Adam and Eve. Museum hand stamped on back. Framing available at additional charge. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
Rufino Tamayo Original, limited Edition Bronze - Man at the Door
Rufino Tamayo signed and numbered bronze sculpture, "Man at the Door". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x5".
Picasso Limited Edition
Picasso Limited Edition On Paper. "The End of The Number" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy 14kt Yellow Gold London Blue Sapphire Necklace
Lady's Fancy 14kt Yellow Gold London Blue Sapphire Necklace, Sapphire approx 3.5 cts.
Bronze Sculpture - Sergeant by F. Remington
This bronze sculpture by F. Remington is called, "Sergeant" and measures approx. 11" x 5" x 4". It comes with foundry paperwork.
Louis Icart Original Litographs
2 Piece Color Lithograph by Louis I cart. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 15”x22”. Wonderful and Rare!
Tonnard Hand Signed - Paysage I
Tonnard hand signed lithograph,"Paysage I". Approx. image size 9"x 11".
Romeo and Juliette - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, Romeo and Juliette. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Apparatus and Hand- Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Apparatus and Hand". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Melting Clock
Dali sculpture, "Melting Clock" contains approx. 3.88 oz of fine .999 silver. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Exciting Pablo Picasso Original, limited Edition Bronze - Helping Hand
Pablo Picasso signed and numbered bronze sculpture, "Helping Hand". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - The Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Weeping Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise), "St. Bernard's Prayer to the Virgin". Comes with COA and beautifully framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
R. Adkins Hand Signed Relief Lithograph- Piano Keys
Hand signed relief lithograph by R. Adkins, "Piano Keys".
Spirit of Ecstasy - 24K Gold Layered Limited Edition Sculpture
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This is a limited edition bronze and then layered with 24K gold. Comes with foundry assay. Some variations in marble might occur.
Galle Signed Orange Tone Elephant Pitcher Vase
Galle Signed Orange Tone Elephant Pitcher Vase
Renoux Hand Signed Limited Edition Lithograph "Bar de l’artiste"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bar de l’artiste", signed & numbered, approx dimension 22x14 in.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE AU MIROIR", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy 14 kt Gold Alexandrite 2 color change Ring
Unisex Fancy 14 kt Gold Alexandrite 2 color change Ring, Alexandrite approx 3 cts.
Salvador Dali Signed Limited Edition - Enchanted Beach
Salvador Dali signed limited edition, "Enchanted Beach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph "Grizzlies"
Michael Coleman Mix Media Litho/Serigraph "Grizzlies", hand signed, approx dimension 22x25 in.
Original Hand Carved Marble "Elephants" by G. Huerta
Original Hand Carved Marble "Elephants" by G. Huerta, 2 pcs, each fig approx size 7X5 in., stand not included.
Ladies 14K Yellow Gold Diamond Necklace
This ladies 14K yellow gold diamond necklace is comprised of .75cts of channel set baguette cut diamonds. I1 I2 clarity and IJ color. The total weight of the necklace is 44.20grams
Norman Rockwell Lithograph-
Norman Rockwell lithograph, " ". Framing available at additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

James Sessions Original Watercolor on Paper -
Original Watercolor on Paper In the manner of James Sessions . Comes with COA.
Braque Original, limited Edition Bronze -Steed
Braque signed and numbered bronze sculpture, "Steed". Comes with COA. Some variation in patina might occur.
"Bouqet Over City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Rotting Dokey
Salvador Dali signed limited edition, "The Rotting Dokey". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Cock And Knife" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Starfish by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Starfish". It measures approx. 22" x 3.5"x 3" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Limited Edition Picasso - Painter In His Studio - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Painter In His Studio". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Dali Limited Edition Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. In 1948 Dali decided, after a very fruitful eight-year-long stay in the United States, to return to Europe to devote himself to "nuclear mysticism" with the expert motto his insight that the "the skillful arts of painting were developed once and forever and with the greatest perfection and influence during the Renaissance and that the decadence of modern art finds its origins in skepticism and a lack of faith, which is a consequence of mechanical materialism. Although still filled with Dali-like symbolism, Picasso's portrait has stylistic neoclassical elements. Approx. Dimensions: 5.25 in. x 3.25 in. x 1.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".
#73 - Tanzanite Earrings
Tanzanite Earrings. 2.5ct approx
Rufino Tamayo Original, limited Edition Bronze -BOY
Rufino Tamayo signed and numbered bronze sculpture, "BOY". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x12"x5".
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "At The Races" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14kt Yellow Gold London Blue Sapphire Necklace
Lady's Fancy 14kt Yellow Gold London Blue Sapphire Necklace, Sapphire approx 4 cts.
3 Pieces Color Lithograph by Picasso
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 17”x34”. Very Rare!
Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Russian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Apparition Of Face On A Fruit Dish - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Apparition Of Face On A Fruit Dish". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -Female Face
Pablo Picasso signed and numbered bronze sculpture, "Female Face". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - The Sculptor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sculptor". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Flatterer". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Madame Henriot - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Madame Henriot". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU TURBAN", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Landscape near Port ligot
Salvador Dali signed limited edition, " Landscape near Port ligot". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Pence Serigraph
Pence Serigraph, A/P hand signed, approx dimension 24x42 in.
The Couple II by Zule
Hand Signed Limited Edition Lithograph by Zule "The Couple II" . Dimensions are approx. 20"x10"
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Hand Carved Marble "Elephants" by G. Huerta
Original Hand Carved Marble "Elephants" by G. Huerta, 2 pcs, each fig approx size 7X5 in., stand not included.
Ladies 14K White Gold Diamond Pendant
This Ladies 14K white gold diamond pendant is comprised of 66 4-prong set round brilliant cut diamonds.Diamonds total estimated carat weight is 6.50ctw, SI1 SI2 clarity and I J color. The total weight of the pendant is 12.60 grams

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Norman Rockwell Lithograph-After the Prom
Norman Rockwell lithograph, "After the Prom ". Framing available at additional charge.
Dennis Curry Signed and Numbered Original Lithograph
Original lithograph by Dennis Curry. Signed and Numbered. Beautifully framed.
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur.
"Bella and the Red Horse" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Woman By The Cliffs
Salvador Dali signed limited edition, "Woman By The Cliffs". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "La Fille De L'Artiste A Deux ans Et Demi Avec Un Bateau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CHIESA DELLA SALUTE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on paper Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Watercolor on paper Made on arches quality paper. Paper measures 12" x 16". In excellent condition, comes unframed. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall and Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x11".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Rufino Tamayo Original, limited Edition Bronze - WOMAN
Rufino Tamayo signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17"x10"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Dante" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14kt Yellow Gold London Blue Sapphire Necklace
Lady's Fancy 14kt Yellow Gold London Blue Sapphire Necklace, Sapphire approx 4.5 cts.
Bronze Sculpture - Tall Feather by Moretti
This bronze sculpture by Moretti is called, "Tall Feather" and measures approx. 15" x 10" x 6".. It comes with foundry paperwork.
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph Set. Frame Size: 31”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bacchanale - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Bacchanale". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of the Gardener Vallier". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Sodomites". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Del Valle Lithograph - Hand Signed and Numbered - On Deck
Del Valle hand signed limited edition lithograph, "On Deck".
Renoux Hand Signed Limited Edition Lithograph "Restaurant Paul"
This is a hand signed Limited Edition Lithograph by Renoux titled "Restaurant Paul", signed & numbered, approx dimension 20x24 in.
Nude Study - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Nude Study". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS, BRAS GAUCHE SUR LA TETE", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Castration Complex
Salvador Dali signed limited edition, "Castration Complex". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Limited Edition Etching "Artict Dancers"
Charles Jeffrey Limited Edition Etching "Artict Dancers", hand signed, approx dimension 17x15 in.
The Couple I by Zule
Hand Signed Limited Edition Lithograph by Zule "The Couple I" . Dimensions are approx. . 20"x10"
Ladies 18K Yellow Gold Sapphire EarRings
This ladies 18K yellow gold sapphire earrings are comprised of two 4-prong set oval cut sapphires. The total weight of the earrings is 3.50 grams
Norman Rockwell Lithograph-No Swimming
Norman Rockwell lithograph, "No Swimming ". Framing available at additional charge.
Andreas Urteil Original, limited Edition Bronze - Der Fechter, 1960
Andreas Urteil signed and numbered bronze sculpture, "Der Fechter",1960. Comes with COA. Some variation in patina might occur.
"King David" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Endless Enigma
Salvador Dali signed limited edition, "The Endless Enigma". Comes with COA. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Et Minotaur" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Cheyenne by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM PIAZZALE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Weeping Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Double Heart Earrings
Lady's Fancy Tiffany Sterling Silver Double Heart Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Picasso -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Picasso "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - WIZARD
Rufino Tamayo signed and numbered bronze sculpture, "WIZARD". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x4".
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Necklace, Emerald approx 1.25 cts.
Bronze Sculpture - Wicked Pony by F. Remington
This bronze sculpture by F. Remington is called, "Wicked Pony" and measures approx. 21" x 19" x 7" . It comes with foundry paperwork .

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
Kapurthala - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Kapurthala. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 2"x10"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Chariot - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Chariot". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original Original, limited Edition Bronze - Three Faces
Pablo Picasso signed and numbered bronze sculpture, "Three Faces". Comes with COA. Some variation in patina might occur.
Signed Preiss Bronze and Ivory - Tennis Player
Signed bronze and ivory art deco sculpture "Tennis Player" by artist Preiss, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 13"x11"x6"
Limited Edition Picasso - Seated Woman In A Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In A Garden". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Fraud". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Isaac Goody Lithograph
Isaac Goody hand signed limited edition lithograph by Isaac Goody. Approx. size: 26x20.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali 24K Gold Layered Bronze Sculpture- Lovers
Dali sculpture, "Lovers", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Painting - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE, CHALE SUR LES JAMBES", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Rembrandt Limited Edition - HEAD OF CHRIST
Rembrandt signed limited edition, "HEAD OF CHRIST". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Owls" by G. Huerta
Original Hand Carved Marble "Owls" by G. Huerta, 2 pcs, each fig approx size 7X4 in., stand not included.
Henry Moore Original, limited Edition Bronze -Three Points
Henry Moore signed and numbered bronze sculpture, "Three Points". Comes with COA. Some variation in patina might occur. Approx. size: 9X12X6 Inch.
"King David Artist" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Apotheosis Of Homer
Salvador Dali signed limited edition, "The Apotheosis Of Homer". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "L'Alesienne" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ROOF TOPS" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - Harlequin Leaning On His Elbow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin Leaning On His Elbow". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Very fancy Tiffany Sterling Silver Womens Earings
Very fancy Tiffany Sterling Silver Womens Earings

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Rufino Tamayo Original, limited Edition Bronze - GIRL
Rufino Tamayo signed and numbered bronze sculpture, "GIRL". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x8"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Education Of The Young" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Necklace, Emerald approx 1.40 cts.
Bronze Sculpture - Win, Place, Show by D. Scott
This bronze sculpture by D. Scott is called, "Win, Place, Show" and measures approx. 19" x 41" x 10" . It comes with foundry paperwork and is part of an edition of 299 pieces.
Zule Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Zule Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 23”x26”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Christ Of St. John Of The Cross - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Christ Of St. John Of The Cross". Comes with COA. Approx. size: 20"x24". HC-0045
Rare Pablo Picasso Original Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur.
The Golfer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "The Golfer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x6"x4".
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Corrupt". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph - At the Dentist
Hand signed limited edition lithograph, signed Y. Mahler, "The Judge". Approx. size: 19x14.
D. Mc Caw Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph by D. Mc Caw. Image Size: 33" x 32" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
The English Peartree - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "The English Pear Tree". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE (SOL AUX CARREAUX ROUGES)", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition -CHRISTMAS
Salvador Dali signed limited edition, "CHRISTMAS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
"Reverie" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Landscapes With Telephones On A Plane
Salvador Dali signed limited edition, "Landscapes With Telephones On A Plane". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Personnage Et Colombe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Buffalo by Elwell
This Original Fine Silver sculpture by Elwell is called, "Buffalo" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA POGGI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x12". In excellent condition, comes unframed
Limited Edition Picasso - The Rooster - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rooster". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - SPINNER
Rufino Tamayo signed and numbered bronze sculpture, " SPINNER". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x9"x6".
Lady's Fancy 14 kt Yellow Gold "Heart Shape"Emerald Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape"Emerald Necklace, Emerald approx 1.5 cts.
Bronze Sculpture - Bronco Buster by F. Remington
This bronze sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It comes with foundry paperwork.
Victoria Ponikvar Original Watercolors
4 Piece Watercolors by Victoria Ponikvar. Set includes 4 beautiful Watercolors. Pencil signed in lower right. Frame Size: 25”x25”. Wonderful and Rare!
Tonnard Hand Signed - Paysage II
Tonnard hand signed lithograph,"Paysage II". Approx. image size 9"x 11".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cosmic Horseman - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Cosmic Horseman". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Large Pure Real .999 Silver Bear and the Bull Sculpture by Delair
This large sculpture, "Bear and the Bull" by Delair contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur. Approx. size: 7 1/2"x4"x4".
Pablo Picasso Original, limited Edition Bronze - Bull
Pablo Picasso signed and numbered bronze sculpture, "Bull". Comes with COA. Some variation in patina might occur. Approx. size:
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Ugolino and Ruggieri". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph. Approx. size: 20x23.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Galle Signed Vase Featuring Mountain Landscape
Galle Signed Pedestal Vase with Flared Neck Featuring Mountain Landscape, 33"X12"X12"
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
TheGreatBoulevards - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "The Great Boulevards". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE DE DOS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Marc Chagall Signed Limited Edition - The Lovers
Marc Chagall Signed Limited Edition, "The Lovers". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Sassone Hand Signed Serigraph - Venice Canal
From the Martin Lawrence Galleries, "Venice Canal" hand signed Sassone serigraph.
James Sessions Original Watercolor on Paper -
Original Watercolor on Paper In the manner of James Sessions . Comes with COA.
Marino Marini Bronze Sculpture - Nude
Marino Marini signed and numbered bronze sculpture, "Nude". Comes with COA. Some variation in patina might occur.
"Bouqet Above City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Vision Of Eternity
Salvador Dali signed limited edition, "Vision Of Eternity". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Flamenco In Red
Beautiful on canvas by artist Pino, "Flamenco In Red".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Homage To The Spainards" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"The Melodie Haunts My Reverie" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Fantasy Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and 32lbs. It is a Limited Edition out of 399. SB9H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE ROSA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Limited Edition Picasso - Bacchanal - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bacchanal". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings, shape "XX" pair
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - HAT MAN
Rufino Tamayo signed and numbered bronze sculpture, "HAT MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 11"x9"x4".
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Modern Rhapsody" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14kt White Gold Pink Sapphire Necklace
Lady's Fancy 14kt White Gold Pink Sapphire Necklace, Sapphire approx 5 cts.
Bronze Sculpture - Gift Dancer by Kauba
This bronze sculpture by Kauba is called, "Gift Dancer" . It comes with foundry paperwork .
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 20”x27”. Very Rare!
Slit Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Slit Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Daddy Long Legs Of The Evening - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Daddy Long Legs Of The Evening". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze - Female Torso
Pablo Picasso signed and numbered bronze sculpture, "Female Torso". Comes with COA. Some variation in patina might occur.
Limited Edition Picasso - Woman In A Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Red Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Punishment of Vanni Fucci". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Vincent Lithograph
Hand signed and numbered lithograph by Vincent. Approx. size: 16x24.
Dali 24K Gold Layered Bronze Sculpture- Anthropormorphic
Dali sculpture, "Anthropormorphic" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE VOILEE AUX DEUX BRACELETS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Marc Chagall Signed Limited Edition - Circus Acrobats
Marc Chagall Signed Limited Edition, "Circus Acrobats ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Laguna Beach"
Limited Edition Lithograph by Jacobson titled "Laguna Beach" , hand signed, approx dimension 12x13 in.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ladies 14K White Gold Tanzanite and Diamond Ring
Centering one oval-cut Tanzanite, weighing 2.08 cts., accented by 46 round-cut diamonds weighing a total of 0.58 ct., set in an 14K white gold mounting weighing 4.41 grams. Ring Size 6-3/4 Appraised Value: $ 5,400.00
Botero Original limited Edition Bronze Sculpture - Dove
Botero signed and numbered bronze, " Dove ". Comes with COA. Some variation in patina might occur. Approx. size: 30x13x9 Inch.
"Bowl of Cherries" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femmes Sur La Plage Jouant Au Ballon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - First Out by Renfro
This Original Fine Silver sculpture by Renfro is called, "First Out" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE FLOOD OF FLORENCE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Original Hand Draw on paper Signed Chagall
Original Hand Draw on paper In the manner Chagall.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Wounded Soft Watch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14kt White Gold Pink Sapphire Necklace
Lady's Fancy 14kt White Gold Pink Sapphire Necklace, Sapphire approx 4 cts.
Bronze Sculpture - First Out by Renfro
This bronze sculpture by Renfro is called, "First Out" and measures approx. 16" x 24" x 87". It comes with foundry paperwork.
Limited Edition Lithographs Set by Artist Urbain Hutchet
2 PIECES CONSISTING OF A FRAMED ARTWORK BY HUTCHET Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 22”x29”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Discovery Of America - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Discovery Of America". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -Flower
Pablo Picasso signed and numbered bronze sculpture, "Flower". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x5.
Limited Edition Picasso - Sleeping Woman Before Green Shutters - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Woman Before Green Shutters". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Centuar". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

D. Zion Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph by D. Zion. Approx. size: 27x19.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE BRASERO ET COUPE DE FRUITS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
George Suerat Limited Edition - Sunday Afternoon
George Suerat Limited Edition, "Sunday Afternoon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Court Yard"
Limited Edition Lithograph by Jacobson titled "Court Yard" , hand signed, approx dimension 12x13 in.
Captivating Alberto Giacometti Original, limited Edition Bronze -Man and Woman
Alberto Giacometti signed and numbered bronze sculpture, "Man and Woman". Comes with COA. Some variation in patina might occur.
"Nighttime Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Skull Of Zurbaran
Salvador Dali signed limited edition, "Skull Of Zurbaran". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Owl And A Chair Of Sea Urchins" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Still Life with Candle - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Candle". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Heart Earrings
Lady's Fancy Tiffany Sterling Silver Heart Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso"UNTITLED". Beautifully framed and Signed. Approx dimension :15"x11".
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze -Fish
Joan Miro signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x10x10.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. "A Man Seated At A table" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14kt White Gold Pink Sapphire Necklace
Lady's Fancy 14kt White Gold Pink Sapphire Necklace, Sapphire approx 3 cts.
Bronze Sculpture - Arizona by Unknown
This bronze sculpture by Unknown is called, "Arizona".It comes with foundry paperwork.
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
Spring Awakening - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Spring Awakening. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 14"x8".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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Espana - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Espana". Comes with COA. Approx. size: 20"x24". HC-0045
Fantasy Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" contains approx. 22"H x8"Wx 12"D and contains approx. 10 troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Rare Pablo Picasso Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4.
Limited Edition Picasso - Portrait Of A Painter, After El Greco - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait Of A Painter, After El Greco". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Simoniac". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Isaac Goody Lithograph - The Rabbi
Isaac Goody hand signed limited edition lithograph by Isaac Goody, "The Rabbi". Approx. size: 26x20.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LE RENARD BLANC", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Klimt Signed Limited Edition - lady with a Feathered Boa
Klimt Signed Limited Edition, "lady with a Feathered Boa". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Outside Cafe"
Limited Edition Lithograph by Jacobson titled "Outside Cafe" , hand signed, approx dimension 12x13 in.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Botero Original limited Edition Bronze Sculpture - Horse with Saddle
Botero signed and numbered bronze, " Horse with Saddle ". Comes with COA. Some variation in patina might occur. Approx. size: 10x9x6 Inch.
"Horsewoman With Doves" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Suburbs Of A Paranoiac
Salvador Dali signed limited edition, "Suburbs Of A Paranoiac". Comes with COA. Edition number may vary from pictured.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Savage by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Savage" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AFTERMATH" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - The Embrace - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Embrace". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Picasso -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Picasso "UNTITLED" . -Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze - Head
Joan Miro signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
Picasso Limited Edition
Picasso Limited Edition On Paper. "La Disuse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold London Blue Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold London Blue Sapphire Necklace, Sapphire approx 2 cts.
Bronze Sculpture - Freedom Rising by D. Scott
This bronze sculpture by D. Scott is called, "Freedom Rising" and measures approx. 48" x 28" x 26" and weighs approx.160lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hallucinogenic Toreador - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Hallucinogenic Toreador". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze - Baboon and Young
Pablo Picasso signed and numbered bronze sculpture, "Baboon and Young". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x5.
Limited Edition Picasso - Maya With A Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya With A Doll". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Mohammed". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - The Flutist
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "The Flutist". Approx. size: 7x6.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali 24K Gold Plated Bronze Sculpture- Female Bust
Dali sculpture, "Female Bust", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PERSANE", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Salvador Dali Signed Limited Edition - Portrait of Paul Eluard
Salvador Dali signed limited edition, "Portrait of Paul Eluard". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Side Street Cafe"
Limited Edition Lithograph by Jacobson titled "Side Street Cafe" , hand signed, approx dimension 11x15 in.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Jean Arp Original, limited Edition Bronze - Fleur de Reve au Museau
Jean Arp signed and numbered bronze sculpture, "Fleur de Reve au Museau ". Comes with COA. Some variation in patina might occur.
"Ten Commandments" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Chemist of Ampurdian
Salvador Dali signed limited edition, "The Chemist of Ampurdian". Comes with COA. Edition number may vary from pictured.
"Painter and Model" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Musician" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "HUNTINGTON HARBOUR" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Hand Draw, Ink Drawing Signed Picasso -UNTITLED -
Original Hand Draw, Ink Drawing In the manner Picasso "UNTITLED" . -Hand Signed. Paper Size: 16"x 13", comes in Beautiful custom matt & frame. In mint condition!
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Alberto Giacometti Original Limited Edition Bronze -
Alberto Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Pierre Renior Limited Edition
Pierre ReniorLimited Edition On Paper. "The Loge" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold London Blue Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold London Blue Sapphire Necklace, Sapphire approx 2.5 cts.
Bronze Sculpture - Day's End by D. Scott
This bronze sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and weighs approx. 500lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Limited Edition Serigraphs by - TARKAY
2 PIECES CONSISTING OF A FRAMED ARTWORK BY TARKAY Set includes 2 Original Serigraphs. Signed and Numbered. Together they make the perfect pair. Frame Size: 26”x18”. Very Nice Set!
Tonnard Hand Signed - Paysage III
Tonnard hand signed lithograph,"Paysage III". Approx. image size 9"x 11".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Tango - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tango. This piece is thought to represent Rudolph Valentino and his wife Natasha Rambova, While Valentino is remembered most for his film career, he also danced with his wife for audiences in the U.S. and Europe. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Horseman - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Horseman". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Signed and Numbered Real Silver Sculpture - St. John On The Cross
Dali Signed and Numbered Real Silver Sculpture, "St. John On The Cross". Contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Gianni Schicchi's Bite". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Precious Time
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Precious Time". Approx. size: 7x6.
Galle Signed Pedestal Pitcher Shaped Vase with Phoenix Design
Galle Signed Pedestal Pitcher Shaped Vase with Phoenix Design
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE DANS FAUTEVIL", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

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Botero Limited Edition - Unknown
Botero Limited Edition, "Unknown". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Country Harbor"
Limited Edition Lithograph by Jacobson titled "Country Harbor" , hand signed, approx dimension 11x15 in.
At the Bar I by Yuri Trembler
Original Lithograph by Yuri Trembler "AT THE BAR I". Dimensions are approx. . 28"x28"
James Sessions Original Watercolor on Paper -
Original Watercolor on Paper In the manner of James Sessions . Comes with COA.
Zuniga Original Original, limited Edition Bronze - Mujer Con Nia
Zuniga signed and numbered bronze sculpture, "Mujer Con Nia". Comes with COA. Some variation in patina might occur.
"Artist and Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Labrynth
Salvador Dali signed limited edition, "Labrynth". Comes with COA. Edition number may vary from pictured.
"Bullfight III" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Muse II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Tall Feather by Moretti
This Original Fine Silver sculpture by Moretti is called, "Tall Feather" and contains approx. 10Troy ounces of real, fine silver. It comes with foundry assay.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHING BOATS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

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Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Dali Limited Edition Bronze Sculpture - Soft Self Portrait With Fried Bacon
This is a limited edition, signed bronze sculpture entitled "SOFT SELF PORTRAIT WITH FRIED BACON" (1941) by Salvador Dali. Dali painted this self-portrait during his eight-year-exile in the United States, where he had fled from the Spanish civil war. The, sometimes, childlike enthusiasm and the drive of the American society appealed to Dali and he had a most productive period there. Under this influence he appeared to reverse his "paranoid-critical" method. Now he painted more from the inside out, as his comment on his self-portrait indicates. Dali himself styles his self-portrait as "an anti-psychological self-portrait, instead of painting the soul, or the inner of oneself, to paint solely the appearance, the cover, my soul's glove. This glove of my soul can be eaten and is even a little sharp, like highbred game; therefor ants appear together with the fried bacon. As the most generous of all painters I continuously offer myself as food and thus give our era the most delicious delicacies. Approx. Dimensions: 4.75 in. x 3 in. x 3 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Aldo Luango Original Oil .
Aldo Luango signed original oil . Approx. size:12"x9".
Botero Bronze Sculpture - Dance Lesson
Botero signed and numbered bronze, " Dance Lesson". Comes with COA. Some variation in patina might occur.
Edouard Manet Limited Edition
Edouard Manet Limited Edition On Paper. "The Departure Of The Folkestone" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold London Blue Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold London Blue Sapphire Necklace, Sapphire approx 3 cts.
Bronze Sculpture - Rapture II by D. Scott
This bronze sculpture by D. Scott is called, "Rapture II" and measures approx. 64" x 43" x22" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 18”x26”. Very Rare!
Civa- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Civa. This piece was inspired by the exotic, tradional Eastern dance style adopted by Parisan revue performers such as Gipsy Rhouma-je and Perry. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Impressions Of Africa - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Impressions Of Africa". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Rock Star
Bustamante signed and numbered bronze sculpture, "Rock Star". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x3.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Progphecy of Vanni Fucci". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Love in Jerusalem
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Love in Jerusalem". Approx. size: 7x6.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Salvador Dali Signed Limited Edition - The Horsemen of Apocalypse
Salvador Dali signed limited edition, " The Horsemen of Apocalypse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Flower Stall"
Limited Edition Lithograph by Jacobson titled "Flower Stall" , hand signed, approx dimension 12x14 in.
At the Bar II by Yuri Trembler
Original Lithograph by Yuri Trembler. "AT THE BAR II". Dimensions are approx. . 28"x28"
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..

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Original Hand Carved Marble "Horses" by G. Huerta
Original Hand Carved Marble "Horses" by G. Huerta, 2 pcs, each fig approx size 8X7 in., stand not included.
Audubon Original Planeography by Hitchcock
"Douglas Squirrel" from "The Quadrupeds of North America" planeograph. Published by Audubon. First Octavo Edition (1849-51-54). Includes COA.
Zuniga Original Original, limited Edition Bronze - Unknown
Zuniga signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
"At the Circus" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Invention Of The Monsters
Salvador Dali signed limited edition, "The Invention Of The Monsters ". Comes with COA. Edition number may vary from pictured.
"Maya and Doll" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Couple" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISH CLEANED" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Marc Chagall Original Lithograph
Signed original lithograph. Beautifully framed . Approx. size:16" x 11".
Maillol Original Limited Edition Bronze
Maillol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Flordali ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy 14 kt White Gold "Unique" Tanzanite Necklace
Lady's Very Fancy 14 kt White Gold "Unique" Tanzanite Necklace, Tanzanites approx 5 cts.
Bronze Sculpture - Eaglehead by H. Scott
This bronze sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and weighs approx. 8lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Limited Edition Lithographs Set by Thornhill
2 PIECES CONSISTING OF A FRAMED ARTWORK BY THORNHILL Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 20”x28”. Very Rare!
Tender Promises - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tender Promises. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x30".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Infanta Margarita - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Infanta Margarita". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Reclining Sun
Bustamante signed and numbered bronze sculpture, "Reclining Sun". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x3.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Traitor of Montaperti". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Brave Tin Soldier
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Brave Tin Soldier". Approx. size: 7x6.
Dali 24K Gold Layered Bronze Sculpture- Venus on a Shell
Dali sculpture, "Venus on a Shell", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.
Lady's Fancy 14 kt White Gold Band & Black Diamond Ring
Lady's Fancy 14 kt White Gold Band & Black Diamond Ring, Black Diamonds approx 0.75 cts.
Salvador Dali Signed Limited Edition - Illustration for don Quixote II
Salvador Dali signed limited edition, "Illustration for don Quixote II". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "View to the West"
Limited Edition Limited Edition Lithograph by Jacobson titled "View to the West" , hand signed, approx dimension 12x16 in.
Original Hand Carved Marble "Horses" by G. Huerta
Original Hand Carved Marble "Horses" by G. Huerta, 2 pcs, each fig approx size 8X7 in., stand not included.
"Ameruese" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Set Of Tristan
Salvador Dali signed limited edition, "Set Of Tristan". Comes with COA. Edition number may vary from pictured.
"Girls with Basket of Flowers" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Dejeuner Sur L'herbe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Pipilon by Bessin
This Original Fine Silver sculpture by Bessin is called, "Pipilon". It measures approx. 20" x 8"x 7" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CATALINA ISLAND MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Limited Edition Picasso - Portrait of Dora Maar Seated - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Dora Maar Seated". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x12".
Jean Arp Original Limited Edition Bronze -Torso
Jean Arp signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size: 10x4x4.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Die Rolen Schuhe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy 14 kt White Gold "Unique" Tanzanite Necklace
Lady's Very Fancy 14 kt White Gold "Unique" Tanzanite Necklace, Tanzanites approx 3 cts.
Bronze Sculpture - Heron on a Branch by J. Townsend
This bronze sculpture by J. Townsend is called, "Heron on a Branch" and measures approx. 30" x 14" x 6" and weighs approx. 86lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Original Lithographs Hand Pulled and Signed.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Thais - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Thais. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21.5"x23".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Invisible Man - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Invisible Man". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Sun King
Bustamante signed and numbered bronze sculpture, "Sun King". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Reassurance". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Bikkurim
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Bikkurim". Approx. size: 7x6.
Renoux Hand Signed Limited Edition Lithograph "Air de Chasse"
This is a hand signed Limited Edition Lithograph by Renoux titled "Air de Chasse", signed & numbered, approx dimension 29x37 in.
Salvador Dali Signed Limited Edition - Christian Knight
Salvador Dali signed limited edition, "Christian Knight". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Renoux Limited Edition Lithograph "Morning Café"
Limited Edition Lithograph by Renoux titled "Morning Café", signed & numbered, approx dimension 15x12 in.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Carved Marble "Horses" by G. Huerta
Original Hand Carved Marble "Horses" by G. Huerta, 2 pcs, each fig approx size 8X7 in., stand not included.
"La Reve" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Ruin With Head Of Medusa
Salvador Dali signed limited edition, "Ruin With Head Of Medusa". Comes with COA. Edition number may vary from pictured.
"Steel Life with Steers Skull" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of A Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHERMAN'S WHARF - EVENING" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - Paul As A Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Paul As A Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x12".
Joan Miro Original Limited Edition Bronze- Personage
Joan Miro signed and numbered bronze sculpture, "Personage". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x7.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Fire fire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy Unique Style 14 kt White Gold Tanzanite Necklace
Lady's Fancy Unique Style 14 kt White Gold Tanzanite Necklace, Tanzanite approx 2 cts.
Bronze Sculpture - Pelicans by Koop
This bronze sculpture by Koop is called, "Pelicans" and measures approx. 30" x 24" x 20" and weighs approx.125lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Disney Serigraphs by Sericell
2 PIECES CONSISTING OF A FRAMED ARTWORK BY SERICELL, set includes 2 Original Disney Serigraphs "DUMBO and WINNIE THE POOH".. Together they make the perfect pair. Frame Size: 26”x18”. Very Nice Set!
The Secret - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Secret. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x13".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
King - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "King". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze - The Wizard
Bustamante signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x3.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Charon". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Lovers with Bouqet
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Lovers with Bouqet". Approx. size: 7x6.
Renoux Hand Signed Limited Edition Lithograph "RISTORANTE"
This is a hand signed Limited Edition Lithograph by Renoux titled "RISTORANTE", signed & numbered, approx dimension 22x25 in.
Lady's Fancy 14 kt White Gold Oval Shape Black & White Diamond Ring
Lady's Fancy 14 kt White Gold Oval Shape Black & White Diamond Ring, Black Diamonds approx 3 cts, White Diamonds approx .30 cts, VS1 color G.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali Signed Limited Edition - Two Woman with a town in the Background
Salvador Dali signed limited edition, "Two Woman with a town in the Background". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Berhens Limited Edition Lithograph "Country Line"
Limited Edition Lithograph by Berhens titled "Country Line", signed & numbered, approx dimension 11x14 in.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Pigs" by G. Huerta
Original Hand Carved Marble "Pigs" by G. Huerta, 2 pcs, each fig approx size 5X7 in., stand not included.
Fritz Wotruba Original Original, limited Edition Bronze - Figure
Fritz Wotruba signed and numbered bronze sculpture, "Figure". Comes with COA. Some variation in patina might occur.
"Chanukah" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - A Couple With Heads In The Clouds
Salvador Dali signed limited edition, "A Couple With Heads In The Clouds". Comes with COA. Edition number may vary from pictured.
"The Artist" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude Pour Le Nu A La Draperie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - The Women of Avignon - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Women of Avignon". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x12".
Joan Miro Original Limited Edition Bronze - MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 17x10x4.
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. " Drawer Of Memory" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Unique Style 14 kt White Gold Tanzanite Necklace
Lady's Fancy Unique Style 14 kt White Gold Tanzanite Necklace, Tanzanite approx 2.5 cts.
Bronze Sculpture - Blue Marlins by Koop
This bronze sculpture by Koop is called, "Blue Marlins" and measures approx. 38" x 29" x 16" and weighs approx. 80lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Pablo Picasso and Salvador Dali-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and DALI, Set includes 2 Original lithographs. Frame Size: 28”x18”.
Tonnard Hand Signed - Paysage IV
Tonnard hand signed lithograph,"Paysage IV". Approx. image size 9"x 11".
Three Dancers - Bronze and Ivory Sculpture by Phillipe
Phillipe bronze and ivory sculpture, Three Dancers. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x17".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lenin Tiger - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Lenin Tiger". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Sun Queen
Bustamante signed and numbered bronze sculpture, "Sun Queen". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x7.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "News of the Lower Depths of Hell". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Love and Peace
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Love and Peace". Approx. size: 7x6.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali 24K Gold Plated Bronze Sculpture- Female Figure
Dali sculpture, "Female Figure" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
Galle Signed Mountainscape Urn-Shaped Vase
Galle Signed Mountainscape Urn-Shaped Vase, 33"X12"X12"
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Salvador Dali Signed Limited Edition - Woman with a Head of Roses
Salvador Dali signed limited edition, "Woman with a Head of Roses". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph
Michael Coleman Mix Media Litho/Serigraph, titled "Grizzly", signed & numbered, approx dimension 19X22 in.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Eduardo Cortez . Comes with COA.
Botero Original limited Edition Bronze Sculpture - Bull
Botero signed and numbered bronze, " Bull ". Comes with COA. Some variation in patina might occur. Approx. size: 8x13x8 Inch.
"Exodus" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - The Enigma Of Desire
Salvador Dali signed limited edition, "The Enigma Of Desire". Comes with COA. Edition number may vary from pictured.
Pino on Canvas - Purity
Beautiful on canvas by artist Pino, "Purity".
"Turkish Shawl" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Blue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"Portrait II" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Fiery Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JACK IN BOX" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Real Silver Alberto Giacometti Limited Edition- Walking Man
Alberto Giacometti signed and numbered pure silver sculpture, "Walking Man". Comes with foundry assay and contains approx. 10 Troy ounces of real silver.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Child Holding A Dove - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Child Holding A Dove". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Dali Limited Edition Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signed bronze sculpture entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali. During his years in America Dalí worked on cinema and designed for theatre and theatre and ballet productions. His first design for the ballet was Bacchanale (originally named in German "Venusberg"), for which he also wrote the scenario and designed the costumes. It was a Metropolitan Opera production, choreographed by Leonide Massine for the Ballet Russe de Monte Carlo. The ballet was set to the music of Richard Wagner, whose insane patron, king Ludwig II, was portrayed in the scenario. Approx. Dimensions: 7 in. x 4 in. x 3 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Michael Schofield Original Hand Signed, Hand Draw, Ink Drawing on Paper
This is a Michael Schofield Hand Draw, Ink Drawing on Paper. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x12".
#86 - Diamond and Heart Watch
Diamond and Heart Watch, Quartz
Joan Miro Original Limited Edition Bronze - Woman In The Night
Joan Miro signed and numbered bronze sculpture, "Woman In The Night". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Picasso Limited Edition
Picasso Limited Edition On Paper. "Woman With A chignon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold Blue Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold Blue Sapphire Necklace, Sapphire approx 3.5 cts.
Bronze Sculpture - Tuna by J. Townsend
This bronze sculpture by J. Townsend is called, "Tuna" and measures approx. 12" x 15" x 9" . It comes with foundry paperwork and is part of an edition of 399 pieces.
Chagall Limited Edition Lithographs Set-
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Limited Edition Lithograph Set-Signed and numbered. Frame Size: 21”x31”. Wonderful and Rare!

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Yambo - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Yambo. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lincoln Vision - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Lincoln Vision". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Mermaid
Bustamante signed and numbered bronze sculpture, "Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 10x5x5.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Minos". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Paris Dream
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Paris Dream". Approx. size: 7x6.
Salvador Dali Signed Limited Edition - Sun Table
Salvador Dali signed limited edition, " Sun Table". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Son Serigraph "Tiger"
Serigraph by Michael Son signed & numbered approx dimension 35x29 in.
Henry Moore Original, limited Edition Bronze- Woman in Chair-
Henry Moore signed and numbered bronze sculpture, " Woman in Chaird". Comes with COA. Some variation in patina might occur. Approx. size: 10x8x4 Inch.
"Paris Opera Ceiling" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Self Portrait With Fried Bacon
Salvador Dali signed limited edition, "Self Portrait With Fried Bacon". Comes with COA. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

"Leaning Harlequin" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Notre dame" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAILS AT BELMONT" CIRCA 1967. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Limited Edition Picasso - The Sailor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sailor". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x12".
Alberto Giacometti Original Limited Edition Bronze - Femme
Alberto Giacometti signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 14"x7"x4"
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. "Study Of Oriental Standing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold Blue Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold Blue Sapphire Necklace, Sapphire approx 4 cts.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Bronze Sculpture - Tenderness by J. Townsend
This bronze sculpture by J. Townsend is called, "Tenderness" and measures approx. 28" x 14" x 14" and weighs approx. 75lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph Set. Frame Size: 31”x16”.
Chorus Line - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture. This piece was inspired by the famous chorus lines of les annees folles. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6". marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Mad Tea Party - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Mad Tea Party". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Sun In Love
Bustamante signed and numbered bronze sculpture, "Sun In Love". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x6.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Irascible". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Celebration of Torah
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Celebration of Torah". Approx. size: 7x6.
Cap Martin - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Cap Martin". Comes with COA. Approx. size: 20"x24". HC-0045
Marc Chagall Signed Limited Edition -PLAYERS
Marc Chagall Signed Limited Edition, "PLAYERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Robert Wood Original Watercolor on Paper
Original Watercolor on Paper In the manner of Robert Wood. Comes with COA.
"Artist and Model" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
"Nude In An Armchair" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Dog" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA AT BELMONT" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - The Rescue - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rescue". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :15"x12".
Alvar Original Limited Edition Bronze
Alvar signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x12"x6"
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. " Portrait Of A Young Man" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy 14 kt White Gold White Tanzanite Necklace
Lady's Fancy 14 kt White Gold White Tanzanite Necklace, Tanzanite approx 2.5 cts.
Bronze Sculpture - La Tortuga by J. Townsend
This bronze sculpture by J. Townsend is called, "La Tortuga" and measures approx. 423" x 16" x 16" and weighs approx. 104lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Encore - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Encore. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Manhatten Skyline - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Manhatten Skyline". Comes with COA. Approx. size: 20"x24". HC-0045
Fiery Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" contains approx. 25"H x 8"Wx9"D and contains approx. 10 troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Max Ernst Original, limited Edition Bronze - La Parisienne
Max Ernst signed and numbered bronze sculpture, "La Parisienne", 1950. Comes with COA. Some variation in patina might occur.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "Farinata". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Original Lithograph by Zamy Steynovitz - Teaching Torah
Original lithograph, hand signed and numbered, by Zamy Steynovitz, titled, "Teaching Torah". Approx. size: 7x6.
Dali 24K Gold Layered Bronze Sculpture- Melting Clock
Dali sculpture, "Melting Clock", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Houses Parliament - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Houses Parliment". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Franz Halls Signed Limited Edition - The Laughin Cavalier
Marc Chagall Signed Limited Edition, "The Laughin Cavalier". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Wolfs" by G. Huerta
Original Hand Carved Marble "Wolfs" by G. Huerta, 2 pcs, each fig approx size 9X4 in., stand not included.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Eduardo Cortez . Comes with COA.
Hugue Original, limited Edition Bronze - Man With Wings
Hugue signed and numbered bronze sculpture, "Man With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
"The Juggler" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
"Still Life Dl" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Ballet" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Girl with Parrot by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Girl with Parrot". It measures approx. 14" x 18"x 6" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JILL" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x12".
Rufino Tamayo Original, limited Edition Bronze - JAGUAR
Rufino Tamayo signed and numbered bronze sculpture. "JAGUAR". Comes with COA. Some variation in patina might occur. Approx. size: 7"x9"x5"
Salvador Dali - Signed Limited Edition
Salvador Dali - SignedLimited Edition On Paper. "Bureaucrat And Sewing Machine" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt White Gold White Tanzanite Necklace
Lady's Fancy 14 kt White Gold White Tanzanite Necklace, Tanzanite approx 3 cts.
Bronze Sculpture - Fish On by J. Townsend
This bronze sculpture by J. Townsend is called, "Fish On" and measures approx. 17" x16" x 11" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Kora- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kora. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Second Before Awakening - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Second Before Awakening". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "In Dark Limbo". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

David Mann Signed and Numbered Lithograph - Jail House Game
Hand signed and numbered lithorgraph by David Mann, titled, "Jail House Game". Approx. size: 18x25.
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Japanese Bridge - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Japanese Bridge". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1.047 cts, VS2 color G.
Salvador Dali Signed Limited Edition - Paris
Salvador Dali signed limited edition, " PARIS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Wolfs" by G. Huerta
Original Hand Carved Marble "Wolfs" by G. Huerta, 2 pcs, each fig approx size 9X4 in., stand not included.
Joan Miro Original, limited Edition Bronze - Her Majesty
Joan Miro signed and numbered bronze sculpture, "Her Majesty". Comes with COA. Some variation in patina might occur. Approx. size: 17x5x5.
"Couple In Paris" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
"Bacchanale" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head In Profile" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BOATS AT DUSK" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Seated Old Man - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Old Man". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet, Shape "Tear Drops"
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor Signed Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x12".
Rufino Tamayo Original, limited Edition Bronze - SNAKE
Rufino Tamayo signed and numbered bronze sculpture. "SNAKE". Comes with COA. Some variation in patina might occur. Approx. size: 7"x8"x5"
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Happy Unicorn" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Unique Style 14 kt White Gold Pink Sapphire Necklace
Lady's Fancy Unique Style 14 kt White Gold Pink Sapphire Necklace, Sapphires approx 3 cts.
Bronze Sculpture - Sailfish with Maihi by J. Townsend
This bronze sculpture by J. Townsend is called, "Sailfish with Maihi" and measures approx. 33" x 26" x 16" and weighs approx. 95lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Tonnard Hand Signed - Paysage V
Tonnard hand signed lithograph,"Paysage V". Approx. image size 9"x 11".
Desmona - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Desmona". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:13x23x8.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Slave Market Bust Of Voltaire - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Slave Market Bust Of Voltaire". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Anthropormorphic
Dali sculpture, "Anthropormorphic" contains approx. 1.94 oz of fine .999 silver. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Minotaur". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Hand Signed and Numbered Lithograph
Hand signed and numbered lithograph. Approx. size: 21x25.
Galle Signed Brown and Blue Bowl Vase
Galle Signed Brown and Blue Bowl Vase
La Grenouillere - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "La Grenouilere". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - Roussicion
Salvador Dali signed limited edition, " Roussicion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
David Alfaro Siqueros Original, limited Edition Bronze - Revolutionary Protest
David Alfaro Siqueiros signed and numbered bronze sculpture, "Revolutionary Protest". Comes with COA. Some variation in patina might occur. Approx. size: 12x15x4.
"Circus Horse and Rider" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

"Harlequin and His Companion" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Bread and Fruit Bowl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - By the Sea by Cardassi
This Original Fine Silver sculpture by Cardassi is called, "By the Sea". It measures approx. 23" x 8.5"x 12" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ALAMITOS BAY MARINA" CIRCA 1970. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Limited Edition Picasso - Couple Dancing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Couple Dancing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Beautiful Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
A. Durand Rembrandt - Beggars Receiving Alms - Etching
A. Durand Remrandt etching, "Beggars Receiving Alms".Museum stamped on back. Framing available at additional charge. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
#87 - French Kitty Watch
French Kitty Watch

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Henry Moore Limited Edition Bronze - Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:10"x14"x9".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Das Meerweibchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Unique Style 14 kt White Gold Pink Sapphire Necklace
Lady's Fancy Unique Style 14 kt White Gold Pink Sapphire Necklace, Sapphires approx 3.25 cts.
Bronze Sculpture - Turtle Rock by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Rock" and measures approx. 32" x 26" x 19" and weighs approx. 140lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Oriental Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Oriental Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6"x4.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Sleep - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Sleep". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - Young Man in Love
Max Ernst signed and numbered bronze sculpture, "Young Man in Love". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x4.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Wood and the Suicide". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Helen Rundell Signed and Numbered Original Lithograph - Wolf Tracks
Helen Rundell double signed and numbered original lithograph titled, "Wolf Tracks". Approx. size: 18x24.
Dali 24K Gold Layered Bronze Sculpture- St John on the Cross
Dali sculpture, "St John on the Cross" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.

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Nympheas - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Nympheas". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1.04 cts, VS2 color G.
Salvador Dali Signed Limited Edition - Ecuyere Et Cheval
Salvador Dali signed limited edition, " Ecuyere Et Cheval". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
J.E. Gould Original Lithograph - Pteroglossus Hypoglacus
"Pteroglossus Hypoglacus" drawn by J.E. Gould. Printed by Hullmandel. Plate signed. Has paint spot and smear on wing of bird.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper In the manner of Eduardo Cortez . Comes with COA.
Henry Moore Original, limited Edition Bronze- Reclining Figure: Turned Head
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Turned Head". Comes with COA. Some variation in patina might occur. Approx. size: 7x12x7.
"The Birthday" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
"The Kiss" - Picasso - Limited Edition
Pablo Diego José Francisco de Paula Juan Nepomuceno María de los Remedios Cipriano de la Santísima Trinidad Ruiz y Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, draughtsman, and sculptor. He is best known for co-founding the Cubist movement and for the wide variety of styles embodied in his work. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and Guernica (1937), his portrayal of the German bombing of Guernica during the Spanish Civil War. Picasso demonstrated uncanny artistic talent in his early years, painting in a realistic manner through his childhood and adolescence; during the first decade of the twentieth century his style changed as he experimented with different theories, techniques, and ideas. His revolutionary artistic accomplishments brought him universal renown and immense fortunes throughout his life, making him the best-known figure in twentieth century art.limited edition print. Approx. size: 19in x 22in.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With An Open Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREE ON THE BAY" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

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Limited Edition Picasso - Reclining Nude with Sun - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude with Sun". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Georgous Tiffany Sterling Silver Bracelet
Lady's Georgous Tiffany Sterling Silver Bracelet, Shape "Heart"
Rembrandt Etching- The Flute Player - Printed by A. Durand
A. Durand Remrandt etching, "The Flute Player". Printed by A. Durand. Museum stamped on back. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
David Alfaro Siqueros Limited Edition Bronze - Proletarian Victim
David Alfaro Siqueiros signed and numbered bronze sculpture, ""Proletarian Victim"". Comes with COA. Some variation in patina might occur. Approx. size: 12"x9"x6".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Das Meerweibchen ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Neckalce
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Neckalce, Emerald approx 1 ct.
Bronze Sculpture - Clowning Around by J. Townsend
This bronze sculpture by J. Townsend is called, "Clowning Around" and measures approx. 18" x 8" x 8" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
The Favorite - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Favorite. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Soft Construction With Boiled Beans - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Soft Construction With Boiled Beans". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "The Seducers". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Poppies - Monet - Limited Edition on Canvas\
Claude Monet Limited Edition on canvas, "Poppies". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - Goddess Flower
Salvador Dali signed limited edition, "Goddess Flower". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Alberto Giacometti Original, limited Edition Bronze - Annette VI
Alberto Giacometti signed and numbered bronze sculpture, "Annette VI". Comes with COA. Some variation in patina might occur. Approx. size:16x6x7.
"Me and the Village" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Clara by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Clara". It measures approx. 24" x 31"x 16" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay .
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PATIO" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x12". In excellent condition, comes unframed
Limited Edition Picasso - Cavalier with Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Cavalier with Pipe". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
Rembrandt Etching - Canal with Large Boat and Bridge - Printed by A. Durand
Remrandt etching, "Canal with Large Boat and Bridge". Printed byA. Durand. Museum stamped on back.CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Marino Marini Original, limited Edition Bronze - MAN ON HORSE
Marino Marini signed and numbered bronze sculpture "MAN ON HORSE". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Emerald Neckalce
Emerald approx 1 ct.
Bronze Sculpture - Seahorse by J. Townsend
This bronze sculpture by J. Townsend is called, "Seahorse" and measures approx. 18" x 12" x 12" and weighs approx. 133lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Soft Watch - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Soft Watch". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Max Ernst Original, limited Edition Bronze - Max Ernst Original, limited Edition Bronze - "Unknown"
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno), "On Greyon's Back". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Poppies Argenteuil - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Poppies Argeteuil". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14kt White Gold White Sapphire & Black Diamond Ring
Lady's Fancy 14kt White Gold White Sapphire & Black Diamond Ring, White Sapphires approx 2 cts, Black Diamonds approx 1 ct, VS1 color G.
Salvador Dali Signed Limited Edition -TAUROMACHIE V
Salvador Dali signed limited edition, "TAUROMACHIE V". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze- Seated Man-
Henry Moore signed and numbered bronze sculpture, " Seated Man". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x5 Inch.
"Doves Over The City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Monte Carlo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DIANE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Reclining Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
A. Durand Rembrandt - Self Portrait with Saskia - Etching
A. Durand Remrandt etching, "Self Portrait with Saskia".Museum stamped on back. Framing available at additional charge. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Marino Marini Original, limited Edition Bronze - CAVALIER
Marino Marini signed and numbered bronze sculpture "CAVALIER". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x6.
Unisex Fancy Tiffany Silver Band Ring
Unisex Fancy Tiffany Silver Band Ring
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Die Krote" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Pink Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Pink Sapphire Necklace, Sapphire approx 4 cts.
Bronze Sculpture - Playtime by J. Townsend
This bronze sculpture by J. Townsend is called, "Playtime" and measures approx. 65" x 30" x 28" and weighs approx. 350lbs. It comes with foundry paperwork and is part of an edition of 199 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Spinning Man - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Spinning Man". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Bustamante Original, limited Edition Bronze -Moon in Tub-
Bustamante signed and numbered bronze sculpture, "Moon in Tub". Comes with COA. Some variation in patina might occur. Approx. size: 7x8x4.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Siren of the Dream". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Dali 24K Gold Layered Bronze Sculpture- Billy Goat
Dali sculpture, "Billy Goat", is cast in bronze and layered in 24K gold. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.
Poppy Field Giverny - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Poppy Field At Giverny". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition -VENICE
Salvador Dali signed limited edition, "VENICE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
il Giardino Fiorito by Borelli
Hand Signed Original Lithograph by Borelli "il Giardino Fiorito" . Dimensions are approx. 16"x20"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Ducks" by G. Huerta
Original Hand Carved Marble "Ducks" by G. Huerta, 2 pcs, each fig approx size 6X6 in., stand not included.
Botero Bronze Sculpture - Nude
Botero signed and numbered bronze, "Nude". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x5.
Picasso Limited Edition - Girl With A Boat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Girl With A Boat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "studio window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Jesus and the Blindman by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RAGAZZE ALLA SPIAGGIA" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Figure - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Figure". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany and Co. Sterling Silver Bracelet
A. Durand Rembrandt - The Good Samaritan - Etching
A. Durand Remrandt etching, "The Good Samaritan".Museum stamped on back. Framing available at additional charge. CC-6FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Jacque Lipchitz Original, limited Edition Bronze- FAMILY
Jacque Lipchitz signed and numbered bronze sculpture "FAMILY". Comes with COA. Some variation in patina might occur. Approx. size: 20"x12"x7"
Unisex Fancy Tiffany Silver Band Ring
Unisex Fancy Tiffany Silver Band Ring
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Le Vetement" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy 14 kt Yellow Gold "Heart Shape" Pink Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Pink Sapphire Necklace, Sapphire approx 3 cts.
Bronze Sculpture - Key Largo Adventure by J. Townsend
This bronze sculpture by J. Townsend is called, "Key Largo Adventure" and measures approx. 22" x 16" x 19" and weighs approx. 92lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Tonnard Hand Signed - Paysage VI
Tonnard hand signed lithograph,"Paysage VI". Approx. image size 9"x 11".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
St. George - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "St. George". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Limited Edition Real Silver Sculpture - Portrait Of Picasso
This is a limited edition, signed real silver sculpture entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. This piece contains approx. 10 troy ounces of fine silver and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7in. x2 in. x 2in.
Max Ernst Original, limited Edition Bronze - Crounching Figure
Max Ernst signed and numbered bronze sculpture, " Crounching Figure". Comes with COA. Some variation in patina might occur. Approx. size: 12x5x5 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Avaricious". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Galle Signed Vase Depicting Mountain Scape in Orange
Galle Signed Pedestal Vase with Flared Neck Depicting Mountain Scape in Orange 33"X12"X12"
Terrace Seaside - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Terrace Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - TAUROMACHIE III
Salvador Dali signed limited edition, "TAUROMACHIE III". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Naldeman Original, limited Edition Bronze Sculpture
Naldeman Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18x5x3.
Pino on Canvas - Fanciful Dreams
Beautiful on canvas by artist Pino, "Fanciful Dreams".
Picasso Limited Edition - Minotaur - from Collection Domaine Picasso
Pablo Picasso limited edition, "Minotaur". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Dans Un Fauteuil" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"Still Life with Lemons" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Egyptian Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H1FF
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Portrait of Maya With Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Maya With Doll". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
La Moulin de la Galette - Renoir - Colored Etching
Renoir colored etching, "La Moulin de la Galette" from the Ambroise Vollard Estate. Museum stamped on the back. Framing available at additional charge. CC-1H5FF
Salvador Dali RHINOCEROS Bronze Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Drawings Signed - Giacometti
Original Hand Draw In The Manner Of Giacometti "UNTITLED". He begins his art studies at the École des Beaux-Arts and the École des Arts Industriels in Geneva in 1919. Three years later he goes to Paris, where he attends the sculpting class of Antoine Bourdelle at the Académie de la Grande Chaumière until 1925. His oeuvre of paintings comprises numerous portraits of his brother, his wife and friends, but also still lifes, landscapes and studio pictures. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
#89 - Disney Watch
Disney Watch
Rufino Tamayo Original, limited Edition Bronze - DOG
Rufino Tamayo signed and numbered bronze sculpture. "DOG". Comes with COA. Some variation in patina might occur. Approx. size: 11"x14"x7"
Unisex Fancy Tiffany Silver Bracelet
Unisex Fancy Tiffany Silver Bracelet
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Assumpta Canaveral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Pink Sapphire Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Pink Sapphire Necklace, Sapphire approx 2 cts.
Bronze Sculpture - Rogue by J. Townsend
This bronze sculpture by J. Townsend is called, "Rogue" and measures approx. 53" x 26" x 24" and weighs approx. 210lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Still Life - Fast Moving - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Still Life - Fast Moving". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - Twin Soul
Max Ernst signed and numbered bronze sculpture, " Twin Soul". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Golden Age". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Salvador Dali - Unknown Title
Salvador Dali original limited edition 24K gold layered bronze sculpture .
The River - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "The River". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.22 cts, VS1 color H.
Salvador Dali Signed Limited Edition - NORMANDIE
Salvador Dali signed limited edition, "NORMANDIE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
La Barca al Tramonto by Borelli
Hand Signed Original Lithograph by Borelli "La Barca al Tramonto" . Dimensions are approx. 16"x20"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
G. Lachaise Original, limited Edition Bronze Sculpture
G. Lachaise Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17x14x9.
Picasso Limited Edition - 3 Musicians - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Musicians". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Bronco Buster by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NORTH LAGUNA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Maya with Boat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya with Boat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet, Shape "Dog"
La Femme au Mirror- Renoir - Colored Etching
Renoir colored etching, "La Femme au Mirror" from the Ambroise Vollard Estate. Museum stamped on the back. Framing available at additional charge. CC-1H5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - SEATED DOG
Rufino Tamayo signed and numbered bronze sculpture. "SEATED DOG". Comes with COA. Some variation in patina might occur. Approx. size: 14"x8"x8"
Unisex Stylish "Love Me Not" Tiffany Silver Ring
Unisex Stylish "Love Me Not "Tiffany Silver Ring Size 8
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Quixote V" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Tanzanite Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Tanzanite Necklace, Tanzanite approx 2.0 cts.
Bronze Sculpture - Turtle Reef Table by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Reef Table" and measures approx. 19" x 25" x 19" and weighs approx. 125lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Telephone - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Telephone". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - Habajuk
Max Ernst signed and numbered bronze sculpture, " Habajuk". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Prodigality". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Thin Man
Dali sculpture, "Thin Man", is cast in bronze and layered in 24K gold. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.
Venice at Dusk - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Venice at Dusk". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - VENUS
Salvador Dali signed limited edition, "VENUS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Trankquility by Kolisman
Hand Signed Limited Edition Lithograph by Kolisman "Trankquility" . Dimensions are approx. 10"x14"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Jean Arp Original, limited Edition Bronze Sculpture
Jean Arp Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 10x4x4.
Picasso Limited Edition - L'Aubade - from Collection Domaine Picasso
Pablo Picasso limited edition, "L'Aubade". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Geclining Nude Before Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE CAPTAIN'S HOUSE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet, Shape "Apples"
Le Repos- Renoir - Colored Etching
Renoir colored etching, "Le Repos" from the Ambroise Vollard Estate. Museum stamped on the back. Framing available at additional charge. CC-1H5FF
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - MAN HEAD
Rufino Tamayo signed and numbered bronze sculpture. "MAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 13"x11"x7"
Lady's Fancy Tiffany Silver Ring
Lady's Fancy Tiffany Silver Ring
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Geological Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Tanzanite Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Tanzanite Necklace, Tanzanite approx 2.5 cts.
Bronze Sculpture - Reef Dancer by J. Townsend
This bronze sculpture by J. Townsend is called, "Reef Dancer" and measures approx. 21" x 13" x 13" and weighs approx. 42lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Temptations Of St. Anthony - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Temptations Of St. Anthony". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Egyptian Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" contains approx . 10 Troy ounces of fine silver 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399 and comes with the foundry assay.SB9H1FF
Pablo Picasso Original, limited Edition Bronze -Double Life
Pablo Picasso signed and numbered bronze sculpture, "Double Life". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x6 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Greed". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
A Bar At The Follies Bergere - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "A Bar At The Follies Bergere". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.24 cts, VS1 color H.
Salvador Dali Signed Limited Edition - Flower Magician
Salvador Dali signed limited edition, "Flower Magician". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Sunbather by Kolisman
Hand Signed Limited Edition Lithograph by Kolisman "Sunbather " . Dimensions are approx. 10"x14"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Rabbits" by G. Huerta
Original Hand Carved Marble "Rabbits" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Tamayo Original, limited Edition Bronze Sculpture
Tamayo Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 19x6x4.
Picasso Limited Edition - The Painter And The Model - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Painter And The Model". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Bear and Bull by DeLier
This Original Fine Silver sculpture by DeLier is called, "Bear and Bull" and measures approx. 23" x 12" x12". It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON FROM SUMMIT STREET" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Maya Playing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya Playing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Beautiful Tiffany Sterling Silver Bracelet
Lady's Beautiful Tiffany Sterling Silver Bracelet
Femme a sa Coiffure - Renoir - Colored Etching
Renoir colored etching, "Femme a sa Coiffure" from the Ambroise Vollard Estate. Museum stamped on the back. CC-1H5FF
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Jean Arp Original, limited Edition Bronze Sculpture WOMAN TORSO
Jean Arp Original Limited Edition Bronze Sculpture, signed and numbered bronze sculpture " WOMAN TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 14"x5"x5".
Men's Tiffany Silver Band Ring
Men's Tiffany Silver Band Ring
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Eucharistic still Life" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Tanzanite Necklace
Lady's Fancy 14 kt Yellow Gold "Heart Shape" Tanzanite Necklace, Tanzanite approx 3.0 cts.
Bronze Sculpture - Harmony (small) by Deniz
This bronze sculpture by Deniz is called, "Harmony (small)" and measures approx. 21" x 14" x 9" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Anthropomorphic Cabinet - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Anthropomorphic Cabinet". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -Safiro
Pablo Picasso signed and numbered bronze sculpture, "Safiro". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x4 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Tree of Punishment". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Manet Painting Monet In His Studio Boat - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "Manet Painting Monet In His Studio Boat". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - The Agony of Love
Salvador Dali signed limited edition, "The Agony of Love". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze- Woman on Bench -
Henry Moore signed and numbered bronze sculpture, "Woman on Bench". Comes with COA. Some variation in patina might occur. Approx. size: 10x10x6 Inch.
Picasso Limited Edition - Stil Life With Cat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Stil Life With Cat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Vase And Pipe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE STUDIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Bust Of A Woman With Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman With Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet, Shape "Heart"
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Jacque Lipchitz Original, limited Edition Bronze- Man with Guitar
Jacque Lipchitz signed and numbered bronze sculpture "Man with Guitar". Comes with COA. Some variation in patina might occur. Approx. size: 18"x8"x8"
Lady's Fancy Tiffany Silver Hoops
Lady's Fancy Tiffany Silver Hoops
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "Pierrots Funeral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace, Sapphire approx 3 cts.
Bronze Sculpture - Caribean Queen by D. Hunter
This bronze sculpture by D. Hunter is called, "Caribean Queen" and measures approx. 26" x 15" x 13" and weighs approx. 55lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Tonnard Hand Signed - Paysage VII
Tonnard hand signed lithograph,"Paysage VII". Approx. image size 9"x 11".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Disentigration Of The Persistence Of Memory - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Disentigration Of The Persistence Of Memory". Comes with COA. Approx. size: 20"x24". HC-0045
Large Remington Real .999 Silver -Mountain Man
This Frederick Remington sculpture, "Mountain Man" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso Original, limited Edition Bronze -Woman With Child
Pablo Picasso signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Lustful". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Leroy Neiman Signed Limited Edition Serigraph - Sweet Serve
Signed and numbered serigraph by Leroy Neiman, "Sweet Serve". Comes with publisher's COA and is approx. 36x18in.
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Helping Hand
Picasso sculpture, "Helping Hand", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Galle Signed Orange Bullet Vase with Pedestal Foot
Galle Signed Orange Bullet Vase with Pedestal Foot
The Fifer - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "The Fifer". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - ARLEQUIN
Salvador Dali signed limited edition, " ARLEQUIN". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Romantic Moments by Marilyn Simandele
Signed Original Lithograph by Marilyn Simandele "Romantic Moments". Dimensions are approx. 12"x16"
Original Hand Carved Marble "Rhinos" by G. Huerta
Original Hand Carved Marble "Rhinos" by G. Huerta, 2 pcs, each fig approx size 5X7.5 in., stand not included.
Kennt Reid Original Watercolor on Paper - The Old Fort
Original Watercolor on Paper, "The Old Fort"In the manner of Kennet Reid. Comes framed.
Henry Moore Original, limited Edition Bronze- King and Queen
Henry Moore signed and numbered bronze sculpture, " King and Queen". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x5 Inch.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - The Bathers - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Bathers". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Forces Of Peace and War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Abe by D. Volk
This Original Fine Silver sculpture by D. Volk is called, "Abe" and measures approx. 8" x 8". It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Dream - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dream". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Earrings
Original Hand Draw, Ink Drawing . Signed Picasso
Original Hand Draw, Ink Drawing. In the manner of Picasso. Signed. Beautifully framed . Approx. size:15" x 11".
#97 - Pearl Necklace
Pearl Necklace
Gregor Kruk Original, limited Edition Bronze- Man with Bandura
Gregor Kruk signed and numbered bronze sculpture " Man with Bandura". Comes with COA. Some variation in patina might occur. Approx. size: 17"x11"x7"
Lady's Fancy Tiffany Silver Band
Lady's Fancy Tiffany Silver Band
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace, Sapphire approx 4 cts.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Bronze Sculpture - Safe Harbor by D. Hunter
This bronze sculpture by D. Hunter is called, "Safe Harbor" and measures approx. 27" x19" x 15" and weighs approx. 93lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The First Study For The Madonna - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The First Study For The Madonna". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Equilibrist-
Bustamante signed and numbered bronze sculpture, "Equilibrist". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Two Crowds of the Lustful". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Agneau Bleu - Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Agneau Bleu". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition - ALSACE
Salvador Dali signed limited edition, "ALSACE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Hand Signed and Numbered Original Lithograph by James Fisher - Pintail
Original, hand signed and numbered lithograph by James P. Fisher, "Pintail".
Henry Moore Original, limited Edition Bronze- Woman with Dress
Henry Moore signed and numbered bronze sculpture, " Woman with Dress". Comes with COA. Some variation in patina might occur. Approx. size: 9x11x5 Inch.
Picasso Limited Edition - Women Of Avignon - from Collection Domaine Picasso
Pablo Picasso limited edition, "Women Of Avignon". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of A Faun" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA PATIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Joy Of Living - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Joy Of Living". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Beautiful Tiffany Sterling Silver Two tone Bracelet
Lady's Beautiful Tiffany Sterling Silver Two tone (Gold) Bracelet
Original Hand Draw, Ink Drawing . Signed Picasso
Original Hand Draw, Ink Drawing. In the manner of Picasso. Signed. Beautifully framed . Approx. size:15" x 11".
Joan Miro Original, limited Edition Bronze -FEMME ET OISEAU
Joan Miro signed and numbered bronze sculpture, "FEMME ET OISEAU". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Unisex Fancy "Love" Tiffany Silver Ring
Unisex Fancy "Love" Tiffany Silver Ring
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. " A Hayrick Near A Farm" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace, Sapphire approx 4 cts.
Bronze Sculpture - Honu by D. Hunter
This bronze sculpture by D. Hunter is called, "Honu" and measures approx. 16" x 15" x 11" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Invisible Man - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Invisible Man". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso Original, limited Edition Bronze -Woman
Pablo Picasso signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x4 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Last Words". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Animaux Fabuleux- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Animaux Fabuleux". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.02 cts, VS2 color G.
Salvador Dali Signed Limited Edition - APOLLON
Salvador Dali signed limited edition, "APOLLON". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Frogs" by G. Huerta
Original Hand Carved Marble "Frogs" by G. Huerta, 2 pcs, each fig approx size 4X5.5 in., stand not included.
Alberto Giacometti Original, limited Edition Bronze - Walking Man III
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man III". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Picasso Limited Edition - Seated Woman With A Red And Blue Hat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman With A Red And Blue Hat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Landscape II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - On The Fly by Whitten
This Original Fine Silver sculpture by Whitten is called, "On The Fly" and measures approx.18" x 8" x 7". It contains approx.10 troy ounces of real, fine silver. It comes with foundry assay

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FLOWER POTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Musketeer - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Musketeer". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
Original Ink Drawing on laid paper - signed Motherwell
Original Ink Drawing on laid paper, Framed Under Glass In The Manner of Motherwell. Approx. size: 21X25
Diego Giacometti Original, limited Edition Bronze -Man Head
Diego Giacometti signed and numbered bronze sculpture, "Man Head ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x6".
Lady's Beautiful Tiffany Silver Bracelet
Lady's Beautiful Tiffany Silver Bracelet
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " St. John" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace
Lady's Fancy Style 14 kt Yellow Gold White Sapphire Necklace, Sapphire approx 5 cts.
Bronze Sculpture - Gaurdian by D. Hunter
This bronze sculpture by D. Hunter is called, "Gaurdian" and measures approx. 32" x 36" x 22" and weighs approx. 113lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Metamorphosis Of Narcissus - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Metamorphosis Of Narcissus". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -Head-
Pablo Picasso signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Divine Forest". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture - St. John On The Cross
Dali sculpture, "St. John On The Cross", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".
Les Premiers Animaux- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Les Premiers Animaux". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-THE RED OVAL
Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Cats" by G. Huerta
Original Hand Carved Marble "Cats" by G. Huerta, 2 pcs, each fig approx size 8X4 in., stand not included.
Brancusi Original, limited Edition Bronze- Nude
Brancusi signed and numbered bronze sculpture,"Nude". Comes with COA. Some variation in patina might occur. Approx. size: 9x18x4.
Picasso Limited Edition - Nude Young Man With Horse - from Collection Domaine Picasso
Pablo Picasso limited edition, "Nude Young Man With Horse". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Tete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LANDSCAPE" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet, Shape "4 Leaf Clover"
Original Color Pencil on laid paper - signed by Guayasamin
Original Color Pencil on laid paper, signed by Guayasamin. Framed Under Glass, Approx. size: 26X21

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Diego Giacometti Original, limited Edition Bronze -CAT
Diego Giacometti signed and numbered bronze sculpture, "CAT". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x7".
Lady's Stylish Tiffany Heart Shape Pendant Bracelet
Lady's Stylish Tiffany Heart Shape Pendant Bracelet
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Christ And His Disciples" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt White Gold "Heart" Blue Sapphires & Diamond Necklace
Lady's Fancy 14 kt White Gold "Heart" Blue Sapphires & Diamond Necklace, Sapphires approx 1.5 cts, Diamonds approx 1 ct, VS1, color G.
Bronze Sculpture - Otter with Baby by D. Hunter
This bronze sculpture by D. Hunter is called, "Otter with Baby" and measures approx. 9" x 11" x 6" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Persistence Of Memory - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Persistence Of Memory". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -Lady Moon-
Bustamante signed and numbered bronze sculpture, "Lady Moon". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x6 inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Dante and Beatrice". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Saint Julien- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Saint Julien". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.05 cts, VS2 color G.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Wassily Kandinsky Limited Edition-IN BLUE
Wassily Kandinsky Limited Edition on paper, "IN BLUE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Cats" by G. Huerta
Original Hand Carved Marble "Cats" by G. Huerta, 2 pcs, each fig approx size 8X4 in., stand not included.
Leo Mol Original, limited Edition Bronze -Changing
Leo Mol signed and numbered bronze sculpture, "Changing". Comes with COA. Some variation in patina might occur.
Picasso Limited Edition - Women Of Algiers - from Collection Domaine Picasso
Pablo Picasso limited edition, "Women Of Algiers". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme assise Dans Un Fauteuil Tresse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Semper Fidelis by DeLier
This Original Fine Silver sculpture by DeLier is called, "Semper Fidelis" and measures approx. 21" x 17" x 8". It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM TEMPLE HILLS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Artist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Artist". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Pencil Drawing on laid paper
Original Pencil Drawing on laid paper, Framed Under Glass. Approx. size: 26X21
Alejandro Marquez Original, limited Edition Bronze - VIOLINIST-
Alejandro Marquez signed and numbered bronze sculpture "VIOLINIST". Comes with COA. Some variation in patina might occur. Approx. size: 9"x8"x6".
Unisex Fancy Tiffany Sterling Silver Bracelet
Unisex Fancy Tiffany Sterling Silver 9.25 Bracelet

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Prinz And Prinzessin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy 14 kt Yellow Gold "Heart" Rose Sapphires & Diamond Necklace
Lady's Fancy 14 kt Yellow Gold "Heart" Rose Sapphires & Diamond Necklace, Sapphires approx 1 ct, Diamonds approx 1.25 ct, VS1, color G.
Bronze Sculpture - Friends of the Deep by De Lier
This bronze sculpture by De Lier is called, "Friends of the Deep" and measures approx. 18" x 14" x 12" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Tonnard Hand Signed - Paysage VIII
Tonnard hand signed lithograph,"Paysage VIII". Approx. image size 9"x 11".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Sacrement Of The Last Supper - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Sacrement Of The Last Supper". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real .999 Silver Sculpture - Lovers
Dali sculpture, "Lovers" contains approx. 2.82 oz of fine .999 silver. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Bustamante Original, limited Edition Bronze -Moon Mermaid-
Bustamante signed and numbered bronze sculpture, "Moon Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x8 inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Dante's Repentance". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Galle Signed Table Lamp with Floral Decoration in Shades of Orange
Galle Signed Lamp with Floral Decoration in Shades of Orange 34"X24"X24"
Spingendes Pferd- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Springendes Pferd". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Wassily Kandinsky Limited Edition-The Great Gate of Kiev
Wassily Kandinsky Limited Edition on paper, "The Great Gate of Kiev".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Hand Signed and Numbered Schim Schimmel Serigraph - Sands of Time
This is a beautiful hand signed and numbered Schim Schimmel serigraph, "Sands of Time".
Diego Giacometti Original Original, limited Edition Bronze -Ostrich
Diego Giacometti signed and numbered bronze sculpture, "Ostrich". Comes with COA. Some variation in patina might occur.
Pino on Canvas - Parisian Girl
Beautiful on canvas by artist Pino, "Parisian Girl".
Picasso Limited Edition - Baccanale - from Collection Domaine Picasso
Pablo Picasso limited edition, "Baccanale". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Fish" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
"Landscape with Figures and Rainbow"
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
Angel of War - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and 35lbs. It is a Limited Edition out of 399. SB9H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUE BIRD CANYON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Lovers (Clothed) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Lovers (Clothed)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
Picasso Bronze Sculpture - Seated Woman
Beautiful bronze Picasso sculpture, "Seated Woman". Gold accents and marble base. Approx. size: 21"x14"x11".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Color Pencil on laid paper - signed by Garfias
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Garfias Approx. size: 20X22
#98 - Coral Necklace
Coral Necklace
Henry Moore Original, limited Edition Bronze- Man
Henry Moore signed and numbered bronze sculpture, "Man". Comes with COA. Some variation in patina might occur. Approx. size:12"x6"x4".
Unisex Fancy Tiffany Silver Bracelet
Unisex Fancy Tiffany Silver Bracelet
Picasso Limited Edition
Picasso Limited Edition On Paper. "Can can Dancer" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - New Beginnings by D. Scott
This bronze sculpture by D. Scott is called, "New Beginnings" and measures approx. 73" x 39" x 39" and weighs approx. 490lbs. It comes with foundry paperwork and is part of an edition of 99 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Spectre Of Sex Appeal - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "The Spectre Of Sex Appeal". Comes with COA. Approx. size: 20"x24". HC-0045
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Dante Re-Awakes". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Nostalgia Atomica
Dali sculpture, "Nostalgia Atomica",is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
The Yellow Cow- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "The Yellow Cow". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Wassily Kandinsky Limited Edition-Small World II
Wassily Kandinsky Limited Edition on paper, "Small World II".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Alberto Giacometti Original, limited Edition Bronze - DIEGO (TÊTE AU COL ROULÉ)
Alberto Giacometti signed and numbered bronze sculpture, "DIEGO (TÊTE AU COL ROULÉ) ". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
Picasso Limited Edition - Woman With A Flower - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman With A Flower". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Marie Terese" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Anticipation by Matthews
This Original Fine Silver sculpture by Matthews is called, "Anticipation" and measures approx. 25" x 13" x 9". It contains approx. 10Troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA WITH MOON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet, Shape "Heart"
Original Ink wash on laid paper - signed Picasso
Original Ink Wash on laid Paper, Framed Under Glass In The Manner of Picasso. Approx. size: 11x15 Signed and dated.
Alexander Archipenko Original, limited Edition Sculpture -Egyptian Motive
Alexander Archipenko signed and numbered bronze sculpture, "Egyptian Motive". Comes with COA. Some variation in patina might occur. Approx. size: 12"X4"X4".
Unisex Fancy Tiffany Silver Bracelet
Unisex Fancy Tiffany Silver Bracelet
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Sigmund Freud" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tranquility by D. Scott
This bronze sculpture by D. Scott is called, "Tranquility" and measures approx. 36" x 24" x 18" and weighs approx. 190lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Tuna Fishing - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Tuna Fishing". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - ATHENS
Max Ernst signed and numbered bronze sculpture, "Athens". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x5.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Towards the Tree of Law". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
All Saints I 1911 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "All Saints I 1911". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Small World III
Wassily Kandinsky Limited Edition on paper, "Small World III".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Alberto Giacometti Original, limited Edition Bronze - Homme (Apollon)
Alberto Giacometti signed and numbered bronze sculpture, "Homme (Apollon)". Comes with COA. Some variation in patina might occur. Approx. size: 15x12x5.
Picasso Limited Edition - Still Life Beast and Palette - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life Beast and Palette". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE VICTOR HUGO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - The Bathers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bathers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Necklace
Lady's Fancy Tiffany Sterling Silver Bracelet
Original Ink wash on laid paper - signed Picasso
Original Ink Wash on laid Paper, Framed Under Glass In The Manner of Picasso. Approx. size: 11x15 Signed and dated
Fernando Valls Original, limited Edition Bronze - Boy
Joan Miro signed and numbered bronze sculpture, "CHAIR". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x5".
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Warrior" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Lost Treasure Dolphins by Piquera
This bronze sculpture by Piquera is called, "Lost Treasure Dolphins" and measures approx. 46" x 217" x 24" and weighs approx. 295lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Village - Dali - Limited Edition on Canvas
Salvador Dali Limited Edition on canvas, "Village". Comes with COA. Approx. size: 20"x24". HC-0045
Angel of War - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" contains approx. 23"H x 7"W x 9"D and contains approx. 10Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Max Ernst Original, limited Edition Bronze - YOUNG WOMAN IN FLOWER SHAPE
Max Ernst signed and numbered bronze sculpture, "Young woman in Flower ". Comes with COA. Some variation in patina might occur. Approx. size: 14x15x4.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Dante Purified". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Arch and Point - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Arch and Point". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-UPWARD
Wassily Kandinsky Limited Edition on paper, "UPWARD".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Henry Moore Original, limited Edition Bronze- Unknown
Henry Moore signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x6 Inch.
Picasso Limited Edition - Three Women - from Collection Domaine Picasso
Pablo Picasso limited edition, "Three Women". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Miller" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Field of Dreams by Monreau
This Original Fine Silver sculpture by Monreau is called, "Field of Dreams" and measures approx. 29.5" x 13" x 9". It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIN BEACH" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Seated Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze -HOMME
Joan Miro signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x3".
Lady's Fancy Style Tiffany Silver Necklace
Lady's Fancy Style Tiffany Silver Necklace
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Die Sandmannchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

The Scream - Munch - Limited Edition on Canvas
Edvard Munch Limited Edition on canvas, "The Scream". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Bronze - APPARATUS AND HAND
Salvador Dali signed and numbered bronze sculpture, "Apparatus and Hand". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x3".
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Reign of the Penitents". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Trooper Of The Plains
This Frederick sculpture, "Trooper Of The Plains", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Around The Circle - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Around The Circle". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Yellow Red and Blue
Wassily Kandinsky Limited Edition on paper, "Yellow Red and Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture - Dancer Female
Botero signed and numbered bronze, "Dancer Female". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x4 Inch.
Picasso Limited Edition - Still Life - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Picador" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original pen ink on laid paper - signed Dali
Original pen ink on laid Paper, Framed Under Glass In The Manner of Dali. Approx. size: 11x18

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Joan Miro Original, limited Edition Bronze -WOMAN
Joan Miro signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Lady's Fancy Cross Pendant Tiffany Silver Necklace
Lady's Fancy Cross Pendant Tiffany Silver Necklace
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Junge Entlein" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Tonnard Hand Signed - Paysage VIV
Tonnard hand signed lithograph,"Paysage VIV". Approx. image size 9"x 11".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moulin Rouge - Lautrec - Limited Edition on Canvas
Henri de Toulouse Lautrec Limited Edition on canvas, "Moulin Rouge". Comes with COA. Approx. size: 20"x24". HC-0046
Large Remington Real .999 Silver -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.
Pablo Picasso Original, limited Edition Bronze -WOMAN FACE
Pablo Picasso signed and numbered bronze sculpture, "Woman Face". Comes with COA. Some variation in patina might occur. Approx. size: 12x8x6 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Admonishment". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Galle Signed Orange Tiger Fluted Vase with Pedestal
Galle Signed Orange Tiger Fluted Vase with Pedestal
Blue Circle - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Blue Circle". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Wassily Kandinsky Limited Edition-Nature Study from Murnau
Wassily Kandinsky Limited Edition on paper, "Nature Study from Murnau".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Eagles" by G. Huerta
Original Hand Carved Marble "Eagles" by G. Huerta, 2 pcs, each fig approx size 10X4.5 in., stand not included.
Abraham Lincoln Memorial Sculpture by Daniel Chester French
Bronze recreation of the Lincoln Memorial by Daniel Chester French. Great detail. Some variation of patina may occur. Approx. size: 10x8x8.
Picasso Limited Edition - Still Life - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Fine Silver Sculpture - Government by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Government" and measures approx. 33" x 12" x 12". It contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ELEONOR'S SUN ROOM" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Sleeping Nude (Vertical) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude (Vertical)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Necklace
Lady's Fancy Tiffany Sterling Silver Necklace, Shape "Heart"
Picasso Original Signed Limited Edition Bronze Plaque - Bullfight Corrida Matador
Original signed, limited edition Picasso plaque with stand, "Bullfight Corrida Matador". Plaque measures approx. 10.75" x 9.5" .
Original ink and water color on laid paper - signed by miro
Original ink and water color on laid Paper, Framed Under Glass In The Manner of Miro Approx. size: 11x19
#100 - Coral Pendant
Coral Pendant

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Joan Miro Original, limited Edition Bronze -TABLE
Joan Miro signed and numbered bronze sculpture, "TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 10"x7"x7".
Lady's Stylish Charms Tiffany Silver Necklace
Lady's Stylish Charms Tiffany Silver Necklace
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Aerican Trotting" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
In The Well Of The Great Wave - Katsushika Hokusai - Limited Edition on Canvas
Katsushika Hokusai Limited Edition on canvas, "In The Well Of The Great Wave". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze -RECLINING WOMAN
Pablo Picasso signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 6x12x6 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Power's of Soul". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition No 7 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition No. 7". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-GNOMUS
Wassily Kandinsky Limited Edition on paper, "GNOMUS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture - Lady with Purse
Botero signed and numbered bronze, "Lady with Purse ". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4 Inch.
Picasso Limited Edition - Reclining Nude - from Collection Domaine Picasso
Pablo Picasso limited edition, "Reclining Nude". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Rapas De Infants" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT EUCALYPTUS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Sleeping Nude (Vertical) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude (Vertical)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Necklace
Lady's Fancy Tiffany Sterling Silver Necklace, "Love Me Not"
Original Water Color drawing on laid paper - signed by schofield
Original Water Color drawing by Michael Schofield, Approx. size: 11x20
Joan Miro Original, limited Edition Bronze -MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x5".
Lady's Fancy Tiffany Silver Necklace
Lady's Fancy Tiffany Silver Necklace approx 16 inches long.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "A Group Of Large Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ciphers and Constellations - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Ciphers and Constellations ". Comes with COA. Approx. size: 20"x24". HC-0045
Dali Real Silver Sculpture- Winged Bust on Marble Base
Dali real silver sculpture, "Winged Bust" on marble base. Contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
Salvador Dali Original, limited Edition Bronze - DAY DRESS
Salvador Dali signed and numbered bronze sculpture, "Day Dress". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Norther
This Frederick Remington sulpture, "Norther", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Wassily Kandinsky Limited Edition-Composition X
Wassily Kandinsky Limited Edition on paper, "Composition X".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Day Dream by Tarkay
Fine Art Lithograph by Tarkay "DAY DREAM" . Dimensions are approx. . 10"x8"
Henry Moore Original, limited Edition Bronze - Reclining Figure: Points
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Points". Comes with COA. Some variation in patina might occur. Approx. size: 11x9x5.
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With Lemons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD TRUCK" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Lady's Fancy Tiffany Sterling Silver Earrings
Lady's Fancy Tiffany Sterling Silver Necklace, Shape "Heart"
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Botero. Approx. size: 20X25
Henry Moore Limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 10x16x6.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "The Blind Tobit With Goat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Bubble Dolphin by Matthews
This bronze sculpture by Matthews is called, "Bubble Dolphin" and measures approx. 56" x 18" x 33" and weighs approx. 195lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Personages, Birds, Star - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Personages, Birds, Star ". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze -GENTLEMAN-
Bustamante signed and numbered bronze sculpture, "Gentleman". Comes with COA. Some variation in patina might occur. Approx. size: 16x12x7 inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Guiding Angel". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition VIII - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition VIII". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Around the Circle
Wassily Kandinsky Limited Edition on paper, "Around the Circle".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Old Jaffa Port by Tarkay
Fine Art Lithograph by Tarkay "Old Jaffa Port". Dimensions are approx. 10"x8"
Original Hand Carved Marble "Roosters" by G. Huerta
Original Hand Carved Marble "Roosters" by G. Huerta, 2 pcs, each fig approx size 8X6 in., stand not included.
Henry Moore Original, limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:8x10x4.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - Woman In Tears - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman In Tears". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Abstract - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Abstract". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Necklace
Lady's Fancy Tiffany Sterling Silver Necklace
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 30X27
Besse Potter Original, limited Edition THE FAMILY
Besse Potter Original, limited Edition "The Family" bronze sculpture, . Comes with COA. . Approx. size: 11X6X5.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Jacob's Dream" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Hog Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Hog Fish". It comes with foundry paperwork .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Nightingale's Song - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The Nightingale's Song ". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze -KNIGHT
Max Ernst signed and numbered bronze sculpture, " KNIGHT". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x8 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful Meets Violent Death". Comes with COA and beautifully framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition X - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition X". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Composition VIII
Wassily Kandinsky Limited Edition on paper, "Composition VIII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Eduardo Chillida Original, limited Edition Bronze - Peine de Viento
Eduardo Chillida signed and numbered bronze sculpture, "Peine de Viento". Comes with COA. Some variation in patina might occur. Approx. size:12x8x5.
Picasso Limited Edition - Mandolin And Guitar - from Collection Domaine Picasso
Pablo Picasso limited edition, "Mandolin And Guitar". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA - DUSK" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Bullhead with Still Life - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bullhead with Still Life". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Alvar Original Limited Edition Bronze - DOVE
Alvar signed and numbered bronze sculpture "DOVE" . Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7"
Picasso Limited Edition
Picasso Limited Edition On Paper. "French Can Can" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Lion Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Lion Fish" and measures approx. 12" x 12" x 6" and weighs approx. 28lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Daphnis Discovers Chloe- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Daphnis Discovers Chloe". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Dali Real .999 Silver Sculpture - Female Figure
Dali sculpture, "Female Figure" contains approx. 2.11 oz of fine .999 silver. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
Max Ernst Original, limited Edition Bronze -BORN SWIMMER
Max Ernst signed and numbered bronze sculpture, " Born Swimmer". Comes with COA. Some variation in patina might occur. Approx. size: 19x7x7 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Law of Climbing". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Icart Limited Edition 24K Gold Layered Bronze Sculpture- Illusion
This sculpture is cast in bronze then layered with beautiful 24K gold. By Icart, "Illusion". This piece comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
Galle Signed Vase in Green with Nature Scene
Galle Signed Vase in Green with Nature Scene 13"X7"X7"
Couple Riding - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Couple Riding". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-UNBROKEN
Wassily Kandinsky Limited Edition on paper, "UNBROKEN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Harmony byTarkay
Fine Art Lithograph byTarkay "Harmony" . Dimensions are approx. 10"x10"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Hand Signed and Numbered Schim Schimmel Serigraph
This is a beautiful hand signed and numbered Schim Schimmel serigraph,
Botero Original limited Edition Bronze Sculpture -Cat
Botero signed and numbered bronze, "Cat ". Comes with COA. Some variation in patina might occur. Approx. size: 6x19x4 Inch.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pino on Canvas - Dreaming In Color
Beautiful on canvas by artist Pino, "Dreaming In Color".
Picasso Limited Edition - Study For The Damselles Of Avignon - from Collection Domaine Picasso
Pablo Picasso limited edition, "Study For The Damselles Of Avignon". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
"Pow Wow" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in.CC-2H
Angel of Prayer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and 32lbs. It is a Limited Edition out of 399. SB7H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA TERRACE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Still Life with Mandolin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Mandolin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Lady's Fancy Tiffany Sterling Silver Bracelet
Lady's Fancy Tiffany Sterling Silver Bracelet
Picasso Bronze Sculpture - Man With Guitar
Beautiful bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9".
Rufino Tamayo Original limited Edition Bronze Sculpture -Girl with Flowers
Tamayo signed and numbered bronze, "Girl with Flowers" Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x6 Inch.
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "The Westpoort At Rhenen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Majestic Turtle and Ray by Matthews
This bronze sculpture by Matthews is called, "Majestic Turtle and Ray" and measures approx. 44" x 30" x 26" and weighs approx.125lbs. It comes with foundry paperwork.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Daphnis- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Daphnis". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze -ALLEGRO
Max Ernst signed and numbered bronze sculpture, " Allegro". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x8 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Gaurdians of the Valley of the Princes". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Decisive Pink - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Decisive Pink". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Composition VII
Wassily Kandinsky Limited Edition on paper, "Composition VII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Blue Hat by Tarkay
Fine Art Lithograph by Tarkay "BLUE HAT". Dimensions are approx. 8"x10"
Post Original Watercolor on Paper - Harbor View
Original Watercolor on Paper, "Harbor View" In the manner of Post. Comes framed.
Botero Original limited Edition Bronze Sculpture - Girl -
Botero signed and numbered bronze, "Girl ". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Picasso Limited Edition - The Flower Seller - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Flower Seller". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAR VISTA TERRACE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Children Writing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Children Writing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lady's Fancy Tiffany Sterling Silver Charm Bracelet
Lady's Fancy Tiffany Sterling Silver Charm Bracelet
Hugue Original, limited Edition Bronze -
Hugue signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Cottages Amongst High Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sea Otter by D. Hunter
This bronze sculpture by D. Hunter is called, "Sea Otter" and measures approx. 32" x 18" x 15" and weighs approx. 137lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Flight Of The Cicade- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Flight Of The Cicade". Comes with COA. Approx. size: 20"x24". HC-0046
Real Silver Art Deco Chiparus Sculpture - Jazz Dancer
This Chiparus sculpture, "Jazz Dancer" is made with approx. 10 troy ounces of fine silver. Comes with foundry assay.
Max Ernst Original, limited Edition Bronze -HEAD "Y"
Max Ernst signed and numbered bronze sculpture, " Head - Y". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x4 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Eagle of Grace". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture - Jazz Dancer
This Chiparus sculpture, "Jazz Dancer", is a limited edition 24K gold layered bronze sculpture.
From Small World - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small World". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Wassily Kandinsky Limited Edition-ALL SAINTS
Wassily Kandinsky Limited Edition on paper, "ALL SAINTS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Intimacy by Tarkay
Fine Art Lithograph by Tarkay "INTIMACY" . Dimensions are approx. 10"x10"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper After Chagall - Lovers
Original watercolor on paper, after Chagall, titled "Lovers". Comes framed.
Botero Original limited Edition Bronze Sculpture - Male Torso -
Botero signed and numbered bronze, "Male Torso ". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x4 Inch.
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Theater - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Theater". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Alexander Archipenko Limited Edition Sculpture - Woman Combing Her Hair
Alexander Archipenko signed and numbered bronze sculpture, "Woman Combing Her Hair". Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4"
Bronze Sculpture - King of the Sea/ Orca by P. George
This bronze sculpture by P. George is called, "King of the Sea/ Orca" and measures approx. 35" x 22" x 12" and weighs approx. 85lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Frontispice- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Frontispice". Comes with COA. Approx. size: 20"x24". HC-0047

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Angel of Prayer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" contains approx. 20"H x10"W x 10"D and contains approx. 10Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Max Ernst Original, limited Edition Bronze -BISHOP
Max Ernst signed and numbered bronze sculpture, " Bishop". Comes with COA. Some variation in patina might occur. Approx. size: 19x9x9 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Our Lady of the Annunciation". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau Limited Edition 24K Gold Layered Bronze Sculpture- Girl On A Swing
This sculpture is cast in bronze then layered with beautiful 24K gold. By Moreau, "Girl On A Swing". This piece comes with foundry assay. Some variations in marble might occur.
From Small Worlds II - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds II". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-OVERCAST
Wassily Kandinsky Limited Edition on paper, "OVERCAST".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Watercolor on Paper After Chagall - Angel
Original watercolor on paper, after Chagall, titled "Angel". Comes framed.
Henry Moore Original, limited Edition Bronze - Maquette for Three-Quarter Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for There-Quarter Figure". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Picasso Limited Edition - Woman Seated By The Window - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman Seated By The Window". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Sculptur's Studio - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sculptur's Studio". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Eduardo Chillida Limited Edition Bronze - Lura G 25
Eduardo Chillida signed and numbered bronze, "Lura G 25". Comes with COA. Some variation in patina might occur. Approx. size:10"x7"x7".
Edouard Manet- Limited Edition
Edouard Manet- Limited Edition On Paper. "The Swallows" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Playmates by Denis
This bronze sculpture by Denis is called, "Playmates" and measures approx. 25" x 12" x 13" and weighs approx. 63lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lamon Discovers Daphnis- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Lamon Discovers Daphnis". Comes with COA. Approx. size: 20"x24". HC-0049
Max Ernst Original, limited Edition Bronze -FACE
Max Ernst signed and numbered bronze sculpture, " Face". Comes with COA. Some variation in patina might occur. Approx. size: 18x12x4 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Proud One". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
From Small Worlds Type A - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type A". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-THE RED SPOT
Wassily Kandinsky Limited Edition on paper, "THE RED SPOT".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Constantine Brancusi Original, limited Edition Bronze -Fish
Constantine Brancusi signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x3

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - The Embrace - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Embrace". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Fruit With Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Fruit With Vase of Flowers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Woman Of The Future" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Splash by Koop
This bronze sculpture by Koop is called, "Splash" and measures approx. 35" x 10" x 17" and weighs 75lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lamon and Drya's Dream- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Lamon and Drya's Dream". Comes with COA. Approx. size: 20"x24". HC-0050
Large Remington Real .999 Silver -Cheyenne
This Frederick Remington sculpture, "Cheyenne" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.
Pablo Picasso Original, limited Edition Bronze -Dancer-
Pablo Picasso signed and numbered bronze sculpture, "Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x4".
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Ecstatic Visions". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Galle Signed Bullet Vase with Pedestal Foot and Dark Mermaid Design
Galle Signed Bullet Vase with Pedestal Foot and Dark Mermaid Design
From Small Worlds Type B - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type B". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Small World I
Wassily Kandinsky Limited Edition on paper, "Small World I".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Lithograph- PORTRAIT DE JAQUELINE
Original Lithograph by Picasso "PORTRAIT DE JAQUELINE". Dimensions are approx. 21"x16"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Elephants" by G. Huerta
Original Hand Carved Marble "Elephants" by G. Huerta, White, 2 pcs, each fig approx size 7X5 in., stand not included.
Original Watercolor on Paper After Lautrec - Man With Cigar
Original watercolor on paper, after Lautrec, titled "Man With Cigar". Comes framed.
Henry Moore Original, limited Edition Bronze - Vertebrae
Henry Moore signed and numbered bronze sculpture, "Vertebrae". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Picasso Limited Edition - 3 Women At The Spring - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Women At The Spring". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CRANES" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Original Signed Limited Edition Bronze - Carmen, La Gitana
Original signed, limited edition Dali sculpture, "Carmen, La Gitana". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Flordali l" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Courtship by Wallace
This bronze sculpture by Wallace is called, "Courtship" and measures approx. 18" x 12" x 12" and weighs approx. 47lbs. It comes with foundry paperwork and is part of an edition of 150 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Summery Lunch Hour- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Summery Lunch Hour". Comes with COA. Approx. size: 20"x24". HC-0051
Pablo Picasso Original, limited Edition Bronze -Man Standing-
Pablo Picasso signed and numbered bronze sculpture, "Man Standing". Comes with COA. Some variation in patina might occur. Approx. size: 17"x6"x6".
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Second Cornice". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
24K Gold Layered Limited Edition Bear and the Bull Sculpture by Delair
This sculpture is cast in bronze then layered with beautiful 24K gold."Bear and the Bull" by Delair comes with foundry assay. Some variations in marble might occur. Approx. size: 7 1/2"x4"x4".
Gnomus - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Gnomus". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Couple Riding
Wassily Kandinsky Limited Edition on paper, "Couple Riding".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Lithograph by Rene Morse
Hand Signed Limited Edition Lithograph by Rene Morse "The Highnoon Pleasure of Persians" . Dimensions are approx. 20"x16"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Carved Marble "Turtles" by G. Huerta
Original Hand Carved Marble "Turtles" by G. Huerta, 2 pcs, each fig approx size 4X7 in., stand not included.
G. Simmons Original Watercolor on Paper - Early Snow
Original Watercolor on Paper ," Early Snow" In the manner of G. Simmons. Comes framed.
Henry Moore Original, limited Edition Bronze
Henry Moore signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 5x11x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK YARD" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Nude Girl with Necklace - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Girl with Necklace". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "A FarmHouse Amoung The Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Buubble Dolphin and Ray by Unknown
This bronze sculpture by Unknown is called, "Buubble Dolphin and Ray" and measures approx. 56" x 18" x 33" and weighs approx. 265lbs. It comes with foundry paperwork.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Teaching Of Philetas- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "The Teaching Of Philetas". Comes with COA. Approx. size: 20"x24". HC-0052
Real Silver Art Deco Chiparus Sculpture -Fan Dancer
This Chiparus sculpture, "Fan Dancer" contains approx. 10 troy ounces of fine silver. Comes with foundry assay.
Pablo Picasso Original, limited Edition Bronze -TORSO-
Pablo Picasso signed and numbered bronze sculpture, "TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Blind for Envy". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Fan Dancer
This Chiparus sculpture, "Fan Dancer", is a limited edition 24K gold layered bronze sculpture.
Kandinsky 45 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Kandinsky 45". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Arch and Point
Wassily Kandinsky Limited Edition on paper, "Arch and Point".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Amen Lithograph- RINGMASTER
Hand Signed Limited Edition Lithograph by Amen "RINGMASTER". Dimensions are approx. 13"x18"
After Maurice Braun Original Watercolor on Paper - Autumn Color
After Maurice Braun Original Watercolor on Paper ," Autumn Color". Comes framed.
Nadelman Original, limited Edition Bronze - Standing Nude
Nadelman signed and numbered bronze sculpture, "Standing Nude". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORS OF JUNK" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Woman with Red and White Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman with Red and White Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Gabrielle et Jeane - Renoir - Colored Etching
Renoir colored etching, "Gabrielle et Jeane" from the Ambroise Vollard Estate. Museum stamped on the back. Framing available at additional charge. CC-1H5FF
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Moses" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Serenity by Koop
This bronze sculpture by Koop is called, "Serenity" and measures approx. 32" x 19" x 13" and weighs approx. 100lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Wolf Pit- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "The Wolf Pit". Comes with COA. Approx. size: 20"x24". HC-0053
Bustamante Original, limited Edition Bronze -Moon in Chair-
Bustamante signed and numbered bronze sculpture, "Moon in Chair". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x5 inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Angel of Mercy". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady In Moscow - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Lady In Moscow". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-BLUE CIRCLE
Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michelangelo Lithogrph -The Creation of Adam(detail)
Original Lithograph by Michelangelo "The Creation of Adam(detail)". Dimensions are approx. 11"x15"
Original Hand Carved Marble "Small Doves" by G. Huerta
Original Hand Carved Marble "Small Doves" by G. Huerta, 2 pcs, each fig approx size 4X5 in., stand not included.
After E. Cortes Original Watercolor on Paper - Flower Man
After E. Cortes Original Watercolor on Paper ," Flower Man". Comes framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x8.
Picasso Limited Edition - The Balcony - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Balcony". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN PEDRO REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Rembrandt Etching - Printed by A.Durand
Rembrandt Etching . Printed by A. Durand. Museum hand stamped on back. CC-6FF
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "The Dragon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Mahi Bull Dolphin by Piquera
This bronze sculpture by Piquera is called, "Mahi Bull Dolphin" and measures approx. 32" x 23" x 19" and weighs approx. 142lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Trampled Flowers- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Trampled Flowers". Comes with COA. Approx. size: 20"x24". HC-0054
Pablo Picasso Original, limited Edition Bronze -HUNTER
Pablo Picasso signed and numbered bronze sculpture, "HUNTER". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "The Smoke of Irascibility". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Nature Study from MurnauI 1909 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Nature Study from Murnaukl 1909". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Lady in Moscow
Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
BELLA AMALFI by Borelli
Gold Signed Original Lithograph by Borelli "BELLA AMALFI" . Dimensions are approx. 16"x20"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Turtles" by G. Huerta
Original Hand Carved Marble "Turtles" by G. Huerta, 2 pcs, each fig approx size 4X7 in., stand not included.
After E. Cortes Original Watercolor on Paper - Nanny
After E. Cortes Original Watercolor on Paper ," Nanny". Comes framed.
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
"Masquesade" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DEPOSITO ROTTAMI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Nude Lady With Scarf Over Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Lady With Scarf Over Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Rembrandt Etching - Self-Portrait, Drawing At A Window - Printed by A. Durand
Rembrandt Etching - Self-Portrait, Drawing At A Window. Printed by A. Durand. Museum hand stamped on back. CC-6FF

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Still Life With Lilies" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Winter- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Winter". Comes with COA. Approx. size: 20"x24". HC-0055
Dali Original LImited Edition Real Silver Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT A
This is a limited edition sculpture made from approx.10 troy ounces of fine silver, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.
Pablo Picasso Original, limited Edition Bronze -HOMME
Pablo Picasso signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x5".
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Purgatory), "Arachne". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Red Spot II - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Red Spot II". Comes with COA. Approx. size: 20"x24". HC-0045
Stairs to the Garden by Borelli
Hand Signed Original Lithograph by Borelli "Stairs to the Garden" . Dimensions are approx. 16"x20"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Nadelman Original, limited Edition Bronze - Woman's Face
Nadelman signed and numbered bronze sculpture, "Woman's Face". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x5.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

"Little Spider" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Lichtenstein Limited Edition "Artist Studio, with Model"
Lichtenstein "Artist Studio, with Model" Limited Edition on canvas. Approx. size: 29"x30". Comes Beautifully framed with COA. CC
Modern Eve - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WEARHOUSE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Limited Edition Picasso - Lady With Green Hair and Brown Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Lady With Green Hair and Brown Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Rembrandt Etching- The Return of the Prodigal Son - Printed by A. Durand
A. Durand Remrandt etching, "The Return of the Prodigal Son". Printed by A. Durand. Museum stamped on back. CC-6FF
Dali Signed and Numbered Bronze Sculpture - Dulcinea
Dali Signed and Numbered Bronze Sculpture - Dulcinea.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Study For St. Peter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -MAN
Pablo Picasso signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Paradise) , "Piccardi Donati". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Great Gate of Kiev - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "The Great Gate of Kiev". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Landscape with Figures and Rainbow
Lichtenstein Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze- Reclining Figure -
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 8x10x7 Inch.
"Le Chapeau" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - Pierrot Sitting - from Collection Domaine Picasso
Pablo Picasso limited edition, "Pierrot Sitting". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Zuniga Limited Edition Bronze - Mujer de Pie con Rebozo (Standing Woman With Shawl)
Zuniga signed and numbered bronze sculpture, "Mujer de Pie con Rebozo (Standing Woman with Shawl) ". Comes with COA. Some variation in patina might occur. Approx. size: 22"x9"x8".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Cannibalism Of Objects" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pablo Picasso Original, limited Edition Bronze -BULL
Pablo Picasso signed and numbered bronze sculpture, "BULL". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x5".
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series , "The Slothful". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thirty - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Thirty". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-THE KISS
Lichtenstein Limited Edition on paper, "THE KISS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Lithograph- Nude Bather
Original Lithograph by Picasso "Nude Bather". Dimensions are approx. 10"x12"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
After Carl Evers Original Watercolor on Paper - Day Sailing
After Carl Evers Original Watercolor on Paper ," Day Sailing". Comes framed.
Joan Miro Original, limited Edition Bronze - Conch
Joan Miro signed and numbered bronze sculpture, "Conch". Comes with COA. Some variation in patina might occur. Approx. size: 15x14x11.
"Cockatoo" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - Cavalier - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cavalier". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TUB BOAT REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Hugue Limited Edition Bronze -Angel
Hugue signed and numbered bronze sculpture, "Angel". Comes with COA. Some variation in patina might occur. Approx. size: 16"x7"x5".
Picasso Limited Edition
Picasso Limited Edition On Paper. "Maoulin De La Galette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Modern Eve - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" contains approx. 21"H x6"W x 9"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Max Ernst Original, limited Edition Bronze -Daughter
Max Ernst signed and numbered bronze sculpture, "Daughter". Comes with COA. Some variation in patina might occur. Approx. size: 7x9x8 Inch.
Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and very beautiful!! This is from Dante's Divine Comedy Series (Inferno) , "The Black Cherub". Comes with COA and beautifully framed.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unbroken - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Unbroken". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-George Washington
Lichtenstein Limited Edition on paper, "George Washington". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Lithograph- TWO MUSICIANS
Original Lithograph by Picasso "TWO MUSICIANS". Dimensions are approx. 10"x12"
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
After Ken Potter Original Watercolor on Paper - The Path
After Ken Potter Original Watercolor on Paper ," The Path". Comes framed.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Joan Miro Original, limited Edition Bronze -Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x16x16
"La Pais Amis" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Picasso Limited Edition - The Artist - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Artist". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Buckled Shoed Man - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Buckled Shoed Man". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Botero Original limited Edition Bronze Sculpture - Dove II
Botero signed and numbered bronze, " Dove II ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x9" Inch.
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Face Of War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Upward - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Upward". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Portrait II
Lichtenstein Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Miro Lithograph- LA LUNE
Original Lithograph by Miro " LA LUNE". Dimensions are approx. 12"x10"

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Hand Carved Marble "Lions" by G. Huerta
Original Hand Carved Marble "Lions" by G. Huerta, 2 pcs, each fig approx size 6X7 in., stand not included.
Dali Limited Edition - Gala's Dream
Dali , limited edition, "Gala's Dream". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - 3 Musicians - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Musicians". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Man With Nude Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With Nude Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x4".
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Colossus Of Rhodes" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Real Silver Limited Edition Icart Sculpture - Illusion
Beautiful real silver, limited edtition sculpture by Icart, "Illusion". This piece contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Galle Signed Autumn Table Lamp
Galle Signed Autumn Table Lamp
Yellow Red and Blue - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Yellow, Red and Blue". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-SUNRISE
Lichtenstein Limited Edition on paper, "SUNRISE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Miro Lithograph- COMPOSITION
Original Lithograph by Miro "LA LUNE". Dimensions are approx. 7"x 8"
After G. Post Original Watercolor on Paper - Harbor Morning
After G. Post Original Watercolor on Paper ," Harbor Morning". Comes framed.
Dali Limited Edition - Dali Male, In Contemplation
Dali , limited edition, "Dali Male, In Contemplation". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - The Kiss - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Kiss". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIL BOXES" CIRCA 19777. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Original Signed Limited Edition Bronze - Ama de Llaves
Original signed, limited edition Dali sculpture, "Ama de Llaves". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15"x7"x3".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -HOMME II
Pablo Picasso signed and numbered bronze sculpture, "HOMME II". Comes with COA. Some variation in patina might occur. Approx. size: 19"x8"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Boats at Collioure - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "Boats at Collioure". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Artist Studio- with Model
Lichtenstein Limited Edition on paper, "Artist Studio- with Model".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Lithograph by Marc Chagall BLUE BOUQUET
Hand Signed Limited Edition Lithograph by Marc Chagall "BLUE BOUQUET". Dimensions are approx. 26"x21"
After G. Post Original Watercolor on Paper - Pink House
After G. Post Original Watercolor on Paper ," Pink House". Comes framed.
Dali Limited Edition - Spinning Man
Dali , limited edition, "Spinning Man". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THREE-SEVEN-FOUR" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Real Silver Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" contains approx. 10 troy ounces of fine silver. Comes with foundry assay.
Pablo Picasso Original, limited Edition Bronze - FIGURE
Pablo Picasso signed and numbered bronze sculpture, "FIGURE". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x5".
La Tamise Et Tower Bridge - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "La Tamise Et Tower Bridge". Comes with COA. Approx. size: 20"x24". HC-0045

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Roy Lichtenstein Limited Edition-POW WOW
Lichtenstein Limited Edition on paper, "POW WOW".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
STILL LIFE by Vincent Van Gogh
Original Lithograph by Vincent Van Gogh"STILL LIFE". Dimensions are approx. 20"x16"
Original Hand Carved Marble "Doves on Heart" by G. Huerta
Original Hand Carved Marble "Doves on Heart" by G. Huerta, 2 pcs, each fig approx size 8X7.5 in., stand not included.
Dali Limited Edition - Gala's Castle At Pubol
Dali , limited edition, "Gala's Castle At Pubol". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK ISLAND" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze - Young Man
Pablo Picasso signed and numbered bronze sculpture, "Young Man". Comes with COA. Some variation in patina might occur. Approx. size: 13"x6"x5".
Avant La Course - Edgar Degas - Limited Edition on Canvas
Edgar Degas. Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Forest Scene
Lichtenstein Limited Edition on paper, "Forest Scene".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Original Hand Carved Marble "Doves on Heart" by G. Huerta
Original Hand Carved Marble "Doves on Heart" by G. Huerta, 2 pcs, each fig approx size 8X7.5 in., stand not included.
Bruno Bruni Original, limited Edition Bronze
Bruno Bruni signed and numbered bronze sculpture, . Comes with COA. Some variation in patina might occur. Approx. size: 19x4x4.
Chagall Limited Edition - The Still Life With Flowers
Chagall , limited edition, "The Still Life With Flowers". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Harliquin And His Companion - from Collection Domaine Picasso
Pablo Picasso limited edition, "Harliquin And His Companion". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Small Child With Two Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Small Child With Two Women". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x3"x2".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -MAN II
Pablo Picasso signed and numbered bronze sculpture, "MAN II". Comes with COA. Some variation in patina might occur. Approx. size: 14"x6"x5".
Ballet At The Opera - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Ballet At The Opera". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Artist Studio - Foot Medication
Lichtenstein Limited Edition on paper, "Artist Studio - Foot Medication".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Fernando Valls Original, limited Edition Bronze - Boy
Fernando Valls signed and numbered bronze, "Boy". Comes with COA. Some variation in patina might occur. Approx. size: 13x8x4.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - Cavalier With Pipe - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cavalier With Pipe". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Child On Man's Lap - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Child On Man's Lap". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Large Remington Real .999 Silver -Wicked Pony
This Frederick Remington sculpture, "Wicked Pony" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.
Pablo Picasso Original, limited Edition Bronze -MAN III
Pablo Picasso signed and numbered bronze sculpture, "MAN III". Comes with COA. Some variation in patina might occur. Approx. size: 19"x9"x5".
Galle Signed Vase in Dark Blue with Mountain Lake Scenery
Galle Signed Bullet-Style Vase with Flared Foot and Neck in Dark Blue with Mountain Lake Scenery 24"X6"X6"
Ballet Dancers On Stage - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Ballet Dancers On Stage". Comes with COA. Approx. size: 20"x24". HC-0046
Roy Lichtenstein Limited Edition- Still Life with Net, Shell, Rope and Paper
Lichtenstein Limited Edition on paper, "Still Life with Net, Shell, Rope and Paper".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Invisible Sleeping Woman
Dali , limited edition, "Invisible Sleeping Woman". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Bullfight - from Collection Domaine Picasso
Pablo Picasso limited edition, "Bullfight". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Lichtenstein Limited Edition "Still Life with Net, Shell, Rope and Pulley"
Lichtenstein "Still Life with Net, Shell, Rope and Pulley" Limited Edition on canvas. Approx. size: 29"x30". Comes Beautifully framed with COA. CC
Nocturnal Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORI SULLA BAIA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real Silver Sculpture by Henry Moore - Family
Family - Real Silver Sculpture by Henry Moore, comes with foundry assay. Some variations in marble might occur. Contains approx. 10 Troy ounces of real silver. Some variation in marble might occur.
Limited Edition Picasso - Seated Woman on Wood Chair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman on Wood Chair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 16"x4"x4".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9"x14"x7".
Cafe Concert - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Cafe Concert". Comes with COA. Approx. size: 20"x24". HC-0047
Roy Lichtenstein Limited Edition-Still Life with Lemons
Lichtenstein Limited Edition on paper, "Still Life with Lemons".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Alexander Archipenko Original, limited Edition Sculpture - Ballerina
Alexander Archipenko signed and numbered bronze sculpture, "Ballerina". Comes with COA. Some variation in patina might occur. Approx. size: 13X7X4.
Picasso Limited Edition - Seated Bather
Picasso , limited edition, "Seated Bather". Out of an edition of 95. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - Cafe In Royan - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cafe In Royan". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze -PERSONAJE
Joan Miro signed and numbered bronze sculpture, "PERSONAJE". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x7".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Real Silver Sculpture by Preiss - Oriental Waiter
Preiss Real Silver Sculpture, Comes with foundry assay. Some variations in marble might occur. Contains approx. 10 Troy oz of fine silver. Some variation in marble might occur.
Dancer In Green Tutu - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer In Green Tutu". Comes with COA. Approx. size: 20"x24". HC-0048
Roy Lichtenstein Limited Edition-Landscape with Red Roof
Lichtenstein Limited Edition on paper, "Landscape with Red Roof".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Alexander Archipenko Original, limited Edition Sculpture - Stehender Frauenakt
Alexander Archipenko signed and numbered bronze sculpture, "Stehender Frauenakt". Comes with COA. Some variation in patina might occur.
Picasso Limited Edition - Women Of Algiers
Picasso , limited edition, "Women Of Algiers". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Harlequin Leaning On His Elbow - from Collection Domaine Picasso
Pablo Picasso limited edition, "Harlequin Leaning On His Elbow". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ WATERFRONT" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze -MADAME
Joan Miro signed and numbered bronze sculpture, "MADAME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Nocturnal Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" contains approx. 21"H x 7"Wx 10"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Dancer With Bouqet - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer With Bouqet". Comes with COA. Approx. size: 20"x24". HC-0049
Roy Lichtenstein Limited Edition-RED HORSEMAN
Lichtenstein Limited Edition on paper, "RED HORSEMAN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Alexander Archipenko Original, limited Edition Sculpture - Flat Torso
Alexander Archipenko signed and numbered bronze sculpture, "Flat Torso". Comes with COA. Some variation in patina might occur. Approx. size:
Chagall Limited Edition - Red House
Chagall , limited edition, "Red House". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Pitcher And A Bowl Of Fruit - from Collection Domaine Picasso
Pablo Picasso limited edition, "Pitcher And A Bowl Of Fruit". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ MARINA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze -FEMME SOLEIL
Joan Miro signed and numbered bronze sculpture, "FEMME SOLEIL". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dancer With Bouqet II - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer With Bouqet II". Comes with COA. Approx. size: 20"x24". HC-0050
Pierre August Renoir Limited Edition-The Point Neuf
Renoir Limited Edition on paper, "The Point Neuf".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Alexander Archipenko Original, limited Edition Sculpture - Torso
Alexander Archipenko signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size:
Picasso Limited Edition - Unknown
Picasso , limited edition, "Unknown". Out of an edition of 95. Edition number may vary from pictured.
Picasso Limited Edition - Compote Dish And Pitcher By The Window - from Collection Domaine Picasso
Pablo Picasso limited edition, "Compote Dish And Pitcher By The Window". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Guernica - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Guernica". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Hugue Original, limited Edition Bronze - Woman With Wings
Hugue signed and numbered bronze sculpture, "Woman With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Large Remington Real .999 Silver -Trooper Of The Plains
This Frederick Remington sculpture, "Trooper Of The Plains" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.
Galle Signed Three Mushrooms Table Lamp
Galle Signed Three Mushrooms Table Lamp
Pierre August Renoir Limited Edition-View at Guernsey
Renoir Limited Edition on paper, "View at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Joan Miro Original, limited Edition Bronze - Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x17x17.
Picasso Limited Edition - Mediterranian Landscape
Picasso , limited edition, "Mediterranian Landscape". Out of an edition of 95. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Picasso Limited Edition - Two Women On The Beach - from Collection Domaine Picasso
Pablo Picasso limited edition, "Two Women On The Beach". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Beauty in the Morning - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in Bronze, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Limited Edition Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY
This is a limited edition sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 7"x5"x5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-Marine at Guernsey
Renoir Limited Edition on paper, "Marine at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Henry Moore Original, limited Edition Bronze- Seated Man
Henry Moore signed and numbered bronze sculpture, "Seated Man". Comes with COA. Some variation in patina might occur. Approx. size:12x8x6 Inch.
Picasso Limited Edition - The Artist
Picasso , limited edition, "The Artist". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "YACHT HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
M.Kostabi Original, limited Edition Bronze - THE SERVER
M.Kostabi signed and numbered bronze sculpture, "THE SERVER". Comes with COA. Some variation in patina might occur. Approx. size: 31"x13"x9".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Real Silver Sculpture by Preiss - Ballet Dancer
Preiss broze and ivory sculpture, Comes with foundry assay. Some variations in marble might occur. Contains approx. 10 troy ounces of fine silver. Some variation in marble might occur.
Pierre August Renoir Limited Edition-Hills and the Bay of Moulin Huet
Renoir Limited Edition on paper, "Hills and the Bay of Moulin Huet".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Henry Moore Original, limited Edition Bronze- Homme
Henry Moore signed and numbered bronze sculpture, "Homme". Comes with COA. Some variation in patina might occur. Approx. size:12x11x6 Inch.
Picasso Limited Edition - Italian Woman
Picasso , limited edition, "Italian Woman". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BARCA ROSSA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Lynn Chadwick Original, limited Edition Bronze -SEATED WOMAN
Lynn Chadwick signed and numbered bronze sculpture, "SEATED WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 11"x12"x8".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beauty in the Morning - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in sculpture, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8" and contains approx. 10 troy ounces of fine silver. Comes with the foundry assay.
Pierre August Renoir Limited Edition-Landscape near Menton
Renoir Limited Edition on paper, "Landscape near Menton".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Henry Moore Original, limited Edition Bronze- Seated Woman
Henry Moore signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size:12x8x7 Inch.
Picasso Limited Edition - Le Coiffure
Picasso , limited edition, "Le Coiffure". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BAY REFLECTIONS" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-Seine at Camprosay
Renoir Limited Edition on paper, "Seine at Camprosay".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur. Approx dimension 12x5x5 inches.
Dali Limited Edition - Little Ashes
Dali , limited edition, "Little Ashes". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIFLESSI DI BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Large Remington Real .999 Silver -Norther
This Frederick Remington sculpture, "Norther" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur.
Galle Signed Vase with Nature Scene in Autumny Colors
Galle Signed Vase with Nature Scene in Autumny Colors 21"X8"X8"
Pierre August Renoir Limited Edition-Rowers at Chatou
Renoir Limited Edition on paper, "Rowers at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Hand Signed and Numbered Schim Schimmel Serigraph - End of Innocence
This is a beautiful hand signed and numbered Schim Schimmel serigraph, "End of Innocence".
Henry Moore Original, limited Edition Bronze- Reclining Woman
Henry Moore signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size:8x14x6 Inch.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Chagall Limited Edition - The Juggler
Chagall , limited edition, "The Juggler". Out of an edition of 95. Edition number may vary from pictured.
"The Forest Scene" by Lichtenstein
Roy Lichtenstein (October 27, 1923 – September 29, 1997) was a prominent American pop artist. His work was heavily influenced by both popular advertising and the comic book style. He himself described pop art as, "not 'American' painting but actually industrial painting". Beautifully framed Limited Edition on canvas, comes with COA. Approx. size: 25in x 30in. CC-2H
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Woman In Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Garden". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-View of Bougavil
Renoir Limited Edition on paper, "View of Bougavil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Henry Moore Original, limited Edition Bronze- Sculptural Object
Henry Moore signed and numbered bronze sculpture, "Sculptural Object". Comes with COA. Some variation in patina might occur. Approx. size:15x5x5 Inch.
Picasso Limited Edition - Sleeping Nude
Picasso , limited edition, "Sleeping Nude". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ BAY" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Female Nude (Study for Les Demoiselles d' Avignon) - Collection Domaine Pi
Limited edition Picasso from the Collection Domaine Picasso, "Female Nude (Study for Les Demoiselles d' Avignon)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Chiparus Bronze and Silver Sculpture - Almeria
Chiparus Bronze and Silver Sculpture, "Almeria". Comes with foundry Assay. Contains approx. 10 troy ounces of Troy ounces of real silver.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Pierre August Renoir Limited Edition-The Bridge at Chatou
Renoir Limited Edition on paper, "The Bridge at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Small Doves" by G. Huerta
Original Hand Carved Marble "Small Doves" by G. Huerta, 2 pcs, each fig approx size 4X5 in., stand not included.
Botero Original limited Edition Bronze Sculpture - The Thinker
Botero signed and numbered bronze, "The Thinker ". Comes with COA. Some variation in patina might occur. Approx. size: 13x7x8 Inch.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-Rocky Crags at L'Estaque
Renoir Limited Edition on paper, "Rocky Crags at L'Estaque". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Hand Carved Marble "Bulls" by G. Huerta
Original Hand Carved Marble "Bulls" by G. Huerta, 2 pcs, each fig approx size 4X8 in., stand not included.
Botero Original limited Edition Bronze Sculpture -Ballet Dancer
Botero signed and numbered bronze, "Ballet Dancer "Comes with COA. Some variation in patina might occur.. Approx. size: 18x9x6 Inch.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-The Gust of Wind
Renoir Limited Edition on paper, "The Gust of Wind".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture -Gendarme
Botero signed and numbered bronze, "gendarme ".Comes with COA. Some variation in patina might occur. Approx. size: 11x10x7 Inch.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Real Silver Limited Edition Moreau Sculpture - Girl On A Swing
Beautiful real silver, limited edtition sculpture by Moreau, "Girl On A Swing". This piece contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur.
Pierre August Renoir Limited Edition-Le Pont des Arts
Renoir Limited Edition on paper, "Le Pont des Art".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture -Nude Dancer
Botero signed and numbered bronze, "Nude Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 16x11x9 Inch.
Dali Limited Edition - Galleta Of The Spheres
Dali , limited edition, "Galleta Of The Spheres". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Pierre August Renoir Limited Edition-Garden in the Rue Cortot
Renoir Limited Edition on paper, "Garden in the Rue Cortot".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Unknown
Picasso , limited edition, "Unknown". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-DREAMING
Icart Limited Edition on paper, "DREAMING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Portrait Of Bibi La Parte
Picasso , limited edition, "Portrait Of Bibi La Parte". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-SWING
Icart Limited Edition on paper, "SWING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Moore Original limited Edition Bronze Sculpture -Unkown
Moore signed and numbered bronze sculpture, "Unkown". Comes with COA. Some variation in patina might occur. Approx. size:10x9x4 Inch.
Picasso Limited Edition - Cavalier With A Pipe
Picasso , limited edition, "Cavalier With A Pipe". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-He Loves me, he Loves me not
Icart Limited Edition on paper, "He Loves me, he Loves me not".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Original limited Edition Bronze Sculpture -Head of Warrior
Picasso signed and numbered bronze, "Head of Warrior "Comes with COA. Some variation in patina might occur.. Approx. size: 10x11x5 Inch.
Picasso Limited Edition - The Bathers
Picasso , limited edition, "The Bathers". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Real Silver Eagle Sculpture by De Lier- Voyager
This is an original, real .999 silver sculpture by De Lier called, "Voyager". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture contains approx. 13"x9"x7" and consists of approx. 10 Troy oz. of silver. It comes with the foundry assay. Some variations in marble might occur.
Galle Signed Elephant Design Egg Shaped Vase
Galle Signed Elephant Design Egg Shaped Vase with Banded Foot and Neck 16"X11"X11"
Louis Icart Limited Edition-Joy of Life
Icart Limited Edition on paper, "Joy of Life".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Tamayo Original limited Edition Bronze Sculpture -Man
Tamayo signed and numbered bronze, "Man "Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x5 Inch.
Dali Limited Edition - Apparition Of The Visage Of Aphrodite
Dali , limited edition, "Apparition Of The Visage Of Aphrodite". Out of an edition of 95. Edition number may vary from pictured.

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-Symphony in Blue
Icart Limited Edition on paper, "Symphony in Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Structural Object
Moore signed and numbered bronze, "Structural Object "Comes with COA. Some variation in patina might occur.. Approx. size: 9x9x7 Inch.
Dali Limited Edition - The Torreador
Dali , limited edition, "The Torreador". Out of an edition of 95. Edition number may vary from pictured.
Louis Icart Limited Edition-Cat caress
Icart Limited Edition on paper, "Cat caress".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "Family "Comes with COA. Some variation in patina might occur.. Approx. size: 11x12x4 Inch.
Dali Limited Edition - Specier of Vermeer
Dali , limited edition, "Specier of Vermeer". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-MINUET
Icart Limited Edition on paper, "MINUET".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "family "Comes with COA. Some variation in patina might occur.. Approx. size: 12x7x4 Inch.
Dali Limited Edition - Head Bombarded With Grains Of Wheat
Dali , limited edition, "Head Bombarded With Grains Of Wheat". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Nude Lying Down - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Lying Down". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Louis Icart Limited Edition-Tender Grapes
Icart Limited Edition on paper, "Tender Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Couple
Moore signed and numbered bronze, "Couple "Comes with COA. Some variation in patina might occur.. Approx. size: 10x5x4 Inch.
Picasso Limited Edition - Acrobat On A Ball
Picasso , limited edition, "Acrobat On A Ball". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Sleeping Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Picasso Real Silver Sculpture - Seated Woman
Real Silver Picasso sculpture, "Seated Woman". Contains approx. 175ozs real silver and comes with foundry assay. Some variations in marble might occur.
Louis Icart Limited Edition-LILIES
Icart Limited Edition on paper, "LILIES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Interior With A Girl Drawing
Picasso , limited edition, "Interior With A Girl Drawing". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Reclining Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-YOUTH
Icart Limited Edition on paper, "YOUTH".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Seated Woman 2
Picasso , limited edition, "Seated Woman 2". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Rooster - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Rooster". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Vincent Van Gogh Limited Edition-Still Life with Mackerel
Van Gogh Limited Edition on paper, "Still Life with Mackerel".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Dali Limited Edition - The Maximum Speed of Raphael's Madonna
Dali , limited edition, "The Maximum Speed of Raphael's Madonna". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Bench with Figures
Van Gogh Limited Edition on paper, "Bench with Figures".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Meditative Rose
Dali , limited edition, "Meditative Rose". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Fishing Boats on the Beach
Van Gogh Limited Edition on paper, "Fishing Boats on the Beach".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Rhinoerotic Disentigration of Ullysses
Dali , limited edition, "Rhinoerotic Disentigration of Ullysses". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Picnic Group - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Picnic Group". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Large Remington Real .999 Silver -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Vincent Van Gogh Limited Edition-IRISES
Van Gogh Limited Edition on paper, "IRISES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Circus 511
Chagall , limited edition, "Circus 511". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Terrance of the Cafe
Van Gogh Limited Edition on paper, "Terrance of the Cafe".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Night Bouqet
Chagall , limited edition, "Night Bouqet". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Still Life with Open Bible
Van Gogh Limited Edition on paper, "Still Life with Open Bible".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Chagall Limited Edition - Le Cirque 501
Chagall , limited edition, "Le Cirque 501". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Houses in Auvers
Van Gogh Limited Edition on paper, "Houses in Auvers".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Lamon and Drya's Dream
Chagall , limited edition, "Lamon and Drya's Dream". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-The Old Mill
Van Gogh Limited Edition on paper, "The Old Mill".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - The Old Guitarist
Picasso , limited edition, "The Old Guitarist". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Cottages with Thatched Roofs
Van Gogh Limited Edition on paper, "Cottages with Thatched Roofs".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Combination
Dali , limited edition, "Combination". Out of an edition of 95. Edition number may vary from pictured.
Louis Icart Limited Edition-RAIN
Icart Limited Edition on paper, "RAIN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Circus 524
Chagall , limited edition, "Circus 524". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-THE WALK
Monet Limited Edition on paper, "THE WALK".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Circus 491
Chagall , limited edition, "Circus 491". Out of an edition of 95. Edition number may vary from pictured.
Unknown Limited Edition-Sacred Heart of Jesus
Unknown Limited Edition on paper, "Sacred Heart of Jesus".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

Colonel's 5-20-12 $75 Start Relatively EVERYTHING!!!! But you Must PRE - BID!!!!

Dali Limited Edition - Premature Ossification at a Railway Station
Dali , limited edition, "Premature Ossification at a Railway Station". Out of an edition of 95. Edition number may vary from pictured.
Unknown Limited Edition-Sacred Heart of Mary
Unknown Limited Edition on paper, "Sacred Heart of Mary".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Honey Is Sweeter Than Blood
Dali , limited edition, "Honey Is Sweeter Than Blood". Out of an edition of 95. Edition number may vary from pictured.
Original Real Silver Sculpture by Michael Schofield - Alexandrite
This piece contains approx. 10Troy ounces of fine silver and comes with the foundry assay. Some variations in marble might occur. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Claude Monet Limited Edition-The Marina at Argenteuil
Monet Limited Edition on paper, "The Marina at Argenteuil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Accomodation of Desire
Dali , limited edition, "Accomodation of Desire". Out of an edition of 95. Edition number may vary from pictured.
Alberto Giacometti Limited Edition-ANNETTE
Alberto Giacometti Limited Edition on paper, "ANNETTE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Winter
Chagall , limited edition, "Winter". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-Pleasure Boats
Monet Limited Edition on paper, "Pleasure Boats".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Morning Ossification of the Cypress
Dali , limited edition, "Morning Ossification of the Cypress". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-Still Life with Pears and Grapes
Monet Limited Edition on paper, "Still Life with Pears and Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

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Picasso Limited Edition - Pipers Of Pan
Picasso , limited edition, "Pipers of Pan". Out of an edition of 95. Edition number may vary from pictured.
Dali Limited Edition - The Ecumenical Council
Dali , limited edition, "The Ecumenical Council". Out of an edition of 95. Edition number may vary from pictured.
Angel of Worship - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Worship" contains approx. 21"H x10"W x 9"D and contains approx. 10 troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Chagall Limited Edition - The White Window
Chagall , limited edition, "The White Window". Out of an edition of 95. Edition number may vary from pictured.
Dali Limited Edition - Anthromorphic Cabinet
Dali , limited edition, "Anthromorphic Cabinet". Out of an edition of 95. Edition number may vary from pictured.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.