6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Tarkay - Velvet- . -Original oil on Canvas
Tarkay - " Velvet " . -Original oil on Canvas Comes with COA.
Medium - Sculptures
Bronze Sculpture - American Pride by De Lier
This bronze sculpture by De Lier is called, "American Pride" and measures approx. 20" x 15" x 12" and weighs approx. 60lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
The Beatles Giclee, mini guitar & engraved signatures
"The Beatles" Giclee, mini guitar & engraved signatures, comes in Beautiful custom matt & frame, approx dimension 19x14.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "La Loge" circa 1908, Gaston and Josse Bernheim were owners of mone of the most prestigious art galleries in Paris, a gallery in which Bonnard's works were exhibited many times throughout his career. The Bernheims commissioned the artist to portray them, with their wives, in their boc at the Paris Opera. The resulting painting shows Bonnard's mischievous, somewhat ironic sense of humour, for he has relegated two of the gigures to the background and cut off half of one face. This arbitrary compositonal device concentrates attention on the other figures, and especially on the elegant gowns of the women. Unlike Bonnard's gayer cafe concert and circus paintings, this portrait group is a study in cool detachment and ennui, accenuated by contrast with the warm, lush tones of the upholstery and hangings of the elegant theatre box. Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "PAPIER COLLE" CIRCA 1914. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Fashion Jewelry
Stylish 14 kt White Gold Alexandrite & Pigeon Blood Ruby Ring
Stylish 14 kt White Gold Alexandrite & Pigeon Blood Ruby Ring, Alexandrite approx 1.5 ct, Rubies approx 1.10 ct.
Glassware
Nippon Fine Procelain 1924
Nippon Fine Procelain 1924
General - Prints/Reproductions
"Athene and Telemachus" by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Femme
Pablo Picasso signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x3x3.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Achille Emperaire". Comes with ceritificate of authenticity, framing available at an additonal cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Bather with a Sand Shovel - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather with a Sand Shovel". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - American Pride by De Lier
This original, fine silver sculpture by De Lier is called, "American Pride" and measures approx. 20" x 15" x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture -Giraffe Woman With Drawers
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "Giraffe Woman With Drawers". Sculpture measures approx. 19"x 8.5" x 4".
Medium - Sculptures
Pablo Picasso Original, 24k Gold limited Edition Bronze -Femme
Pablo Picasso signed and numbered bronze sculpture, "Femme". 24k gold layered Comes with COA. Approx. size: 13x3x3. 24K layered gold, marble base, (if provided) is separate and may vary.
Art
The Dream - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Dream". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FRUITS ET FEUILLAGES", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.05CT CLARITY IS VS1 AND COLOR IS G
Fine Jewelry
Lady's Fancy 14kt White Gold White Sapphire Ring
Lady's Fancy 14kt White Gold White Sapphire Ring, White Sapphire approx 3ct.(32LK)
General - Prints/Reproductions
Fransisco Goya Limited Edition - "NUDE MAYA"
Fransisco Goya limited edition, "NUDE MAYA". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 16"x20".
General - Old Masters
Corner of the Garden at Montgeron by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Hand with Reflecting Sphere", comes with certificate of authenticity, framing available at an additional cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Simplicity with Pedestal
Signed bronze and ivory art deco sculpture "Simplicity" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Comes with signed Chiparus Marble pedestal Approx size: 20"x6"x8"
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Peace" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Small Red Painting by Robert Rauschenberg "Lithograph"
Small Red Painting by Robert Rauschenberg. Limited Edition
Decorative Collectibles
Roseville Porcelain approx dimensions are 3x8x8
2nd Generation Roseville Porcelain approx dimensions are 3x8x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF AVALON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Female Bust
Dali sculpture, "Female Bust" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
Fine Jewelry
Tiffany & Co. Belly Button Ring
Tiffany & Co. silver belly button ring, natural stones.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series(Paradise) , "Church and Empire". Comes with COA and beautifully framed.
Western Americana
Original Relics of the West Shadowbox George Custer
Advantages: Ally Group (Friends in High Places, including General Sheridan); Military Rank (Lieutenant-Colonel, Regular Army); Military Rank (Major General, United States Volunteers); Military Rank (Brevet Major General); Reputation (Brilliant Officer, +4).Skills: Acting-14; Administration-14; Area Knowledge-12 (The Plains); Dancing-12; Diplomacy-10; Fast-Talk-12; Guns-15 (Pistol); Guns-14 (Rifle); Heraldry-12 (Indian Tribes); Intelligence.Analysis-10; Law-10 (Military); Leadership-10; Politics-14; Riding-15 (Horses); Savoir-Faire-14; Sign Language-10; Strategy- 12; Tactics-12.General George Armstrong Custer was loved by his superiors and hated by most of his men. His over-zealousness resulted in the massacre of Black Kettle's village at the Washita River. Custer and his superiors attempted to disguise the fact that most of the Indian casualties were women and children, but the Eastern press got the story anyhow. On June 25, 1876, he and his 260 soldiers were wiped out near the Little Big Horn River.Original Relics of the West Shadowbox Contains Brands, Barbedwire, Horseshoes and Badges. Original Relics that tamed the wild west and still linger today. L: 23" W: 17" H: 3" CCG-5164
Medium - Sculptures
Bronze Sculpture - Autumn by D. Scott
This bronze sculpture by D. Scott is called, "Autumn" and measures approx. 48" x 35" x 17" and weighs approx. 240bs. It comes with foundry paperwork and is part of an edition of 299 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Bob Marley Giclee, mini guitar & Rock Legend I.D. card
"Bob Marley" Giclee, mini guitar & Rock Legend image of the I.D. card, comes in Beautiful custom matt & frame, approx dimension 14x18.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude with a Lamp" circa 1912, This painting can be considered the very essence of Bonnard's intimist style and subject matter. A moment of complete privacy of relaxed self-absorption, has been caught forever, with loving delicacy that privacy seems not to be invaded. Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Jacqueline Figel
Limited Edition Lithograph by Jacqueline Figel. Signed & numbered. approx dimension 22"x30".
General - Original Works
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUES, , MINT CONDITION, VERY RARE PIECE TITLED "VERRE ET PIPE" CIRCA 1917. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Fashion Jewelry
Beautiful 14kt Yellow Gold Topaz pendant & necklace.
Beautiful 14kt Yellow Gold Topaz pendant & necklace, topaz approx 2.5 ct.
General - Prints/Reproductions
"The Omen: The Goshawk and the Dove" by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -GLASS
Pablo Picasso signed and numbered bronze sculpture, "GLASS". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x4.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Washing of a Corpse". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
The Favorite - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Favorite. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Original Fine Silver Sculpture - Day's End by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
Fine Jewelry
Unisex Beautiful Antique Amethyst & Malacai Black Lapist Ring
Unisex Beautiful Antique Amethyst & Malacai Black Lapist Ring, Amethyst approx 6 ct, Malacai approx 2 ct, Black Lapist approx .50 ct. (149DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7in. x2 in. x 2in.
General - Direct from the Artist
Cristine Avenue "Butterfly's" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Butterfly's" by Cristine Avenue . Image Size: 28" x 21" Medium is Serigraph on thick paper with gorgeous rich colors. . Comes unframed. In mint condition!
Medium - Sculptures
Pablo Picasso Original, 24k Gold limited Edition Bronze -GLASS
Pablo Picasso signed and numbered bronze sculpture, "GLASS". 24k gold layered Comes with COA. Approx. size: 12x7x4. 24K layered gold, marble base, (if provided) is separate and may vary.
Medium - Sculptures
Platinum Gold Bronze Neptune Fountain Keliam
Platinum and gold patina bronze Neptune fountain by artist Keliam, fountain is pre plumbed dimensions are about 41x15x18
Art
The Egyptian Curtain - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Egyptian Curtain". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "ODALISQUE A LA JUPE DE TULLE", CIRCA 1923 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3CT
Fine Jewelry
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings, Pigeon Blood Ruby approx 3ct, Diamonds approx 1 ct VS1, Color G.(140LK)
Fashion Jewelry
Unisex Fancy 14kt White Gold 2 Color Changing Alexandrite Ring
Unisex Fancy 14kt White Gold 2 Color Changing Alexandrite Ring, Alexandrite approx 2.5 ct.(33LK)
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Original Louis Icart Lithographs from Le Faust suite - Shackled Soul
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Shackled Soul". Approx. size: 10" x 7". Comes with COA and beautifully framed.
General - Prints/Reproductions
Rembrandt Limited Edition - Masters of the Cloth Guild
Rembrandt Limited Edition, "Masters of the Cloth Guild". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Collectibles
Rue de la Bavolle by Monet
Signed, Limited Edition Giclee on Paper
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Circle Limit IV", comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus with Pedestal
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Comes with signed Chiparus Pedestal Approx size: 18"x7.5"x5"
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -
Diego Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Set Of The Ballet (Tristan)
Salvador Dali signed limited edition, "Set Of The Ballet (Tristan)". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Water Lily Pond with Bridge by Claude Monet "Lithograph"
Water Lily Pond with Bridge by Claude Monet. Limited Edition
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN FRANCISCO WHARF" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Loose 175ct square shaped, Step cut-Columbian Emerald-
One Loose square shaped, Step cut, Columbian Emerald. Weighing 175.00cts .
General - Prints/Reproductions
Limited Edition Picasso - The Lovers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Lovers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co. Natural Stone Bracelett
Tiffany & co. silver natural stone bracelet, stones are approximately 125CT.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition I" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Hell) , "Cerebrus". Comes with COA and beautifully framed.
Medium - Sculptures
Bronze Sculpture - Spirit of America by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of America" and measures approx. 24" x 17" x 10" and weighs approx. 145lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Licenced Disney Etchings Mickey Mouse
Licenced Disney Etchings "Mickey Mouse" hand colored, Limited Edition, comes in Beautiful custom matt & frame, approx dimension 14"x18".
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "After the Flood" circa 1909-10, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Dusty Miller Original Serigraph
Dusty Miller Original Serigraph, approx dimension 26"x30". Just look at the details this artist uses. It will bring an added touch of detail, not to off set your décor, but to compliment it. The possibilities are unlimited! Bid and win today!! CC
General - Original Works
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "AS DE TREFLE" CIRCA 1918. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Mint Condition Tiger Eye Stone 100 CT.
General - Prints/Reproductions
Ulysses Makes Himself Known by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Woman With Dress
Pablo Picasso signed and numbered bronze sculpture, "Woman With Dress". Comes with COA. Some variation in patina might occur. Approx. size: 14x5x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Reading Aloud (Zola & Alexis)". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Exotic Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Exotic Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x27"x9".
Fine Jewelry
Lady's Fancy PEAR Shaped Tourmaline & White Sapphire Necklace
Lady's Fancy PEAR Shaped Tourmaline & White Sapphire Necklace, Tourmaline approx 8 ct, White Sapphire approx 3 ct.
General - Prints/Reproductions
Limited Edition Picasso - The Bird Cage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bird Cage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Eagle 15 by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eagle 15" and measures approx. 15" x 11" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
Fine Jewelry
Lady's Fancy 14 kt White Gold Sapphire Ring
Lady's Fancy 14 kt White Gold Sapphire Ring, Sapphire approx 5 ct.(150DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Pablo Picasso Original, 24k Gold limited Edition Bronze -Woman With Dress
Pablo Picasso signed and numbered bronze sculpture, "Woman With Dress". 24k gold layered Comes with COA. Approx. size: 14x5x5. 24K layered gold, marble base, (if provided) is separate and may vary.
Medium - Sculptures
Bronze Neptune Sculpture Keliam
Bronze Neptune sculpture by artist Keliam, dimensions are about 41x15x18
Art
The Goldfish - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Goldfish". Comes with COA. Approx. size: 20"x24". HC-0045
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE FACE", CIRCA 1948 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3.02CT
Fine Jewelry
Beautiful 14kt Yellow Gold Amethyst Earrings
Beautiful 14kt Yellow Gold Amethyst Earrings, Amethyst approx 12 ct.(142LK)
Fine Jewelry
Lady's Fancy 14kt White Gold Ruby & Diamond Ring
Lady's Fancy 14kt White Gold Ruby & Diamond Ring, Ruby approx 1ct, Diamond approx 1ct VS1, Color G.(34LK)
Collectibles
Original Louis Icart Lithographs from Le Faust suite - Together Again
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Together Again". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Fine Jewelry
Lady's Beautiful One of a kind design, 14kt White Gold White Sapphire Ring
Lady's Beautiful One of a kind design, 14kt White Gold White Sapphire Ring, White Sapphire approx 5ct.
General - Prints/Reproductions
Maurice Utrillo Signed Limited Edition - WINDMILLS
Maurice Utrillo signed limited edition, "WINDMILLS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
General - Old Masters
Pleasure Boats by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Balcony", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Collotype Lithograph "Three Boys Fishing" by artist Norman Rockwell
Collotype Lithograph "Three Boys Fishing" by artist Norman Rockwell, double signature, approx dimension 33x22.
Medium - Sculptures
Split Skirt - Bronze and Ivory Sculpture by Chiparus with Pedestal
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Fritz Wotruba Original, limited Edition Bronze
Fritz Wotruba signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Portrait Of Madame Isabel
Salvador Dali signed limited edition, "Portrait Of Madame Isabel". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Child Playing With Toy truck" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Pineapple and Anemones by Henri Mattisse "Lithograph"
Pineapple and Anemones by Henri Mattisse. Limited Edition
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DARSENA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Running On the Beach - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Running On the Beach". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Fancy Tiffany & co. Natural Stone bracelet
fancy tiffany co silver natural stone bracelet, stones are approximately 70CT.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition III" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno) , "The Delightful Mount". Comes with COA and beautifully framed.
Fashion Jewelry
Fancy Unisex Silver Emerald Shape Blue Sapphire & Diamond Ring
Fancy Unisex Silver Emerald Shape Blue Sapphire & Diamond Ring, Blue Sapphire approx 5.07 ct, Diamonds approx 0.01ct I-3, K in color. (82LK)
Medium - Sculptures
Bronze Sculpture - Spirit of American (small) by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and weighs approx. 12lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Licenced Disney Etchings Mickey Mouse
Licenced Disney Etchings "Mickey Mouse" hand colored, Limited Edition, comes in Beautiful custom matt & frame, approx dimension 14"x18".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Natanson Girls" circa 1910, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Beautiful Tiffany Co. Necklace
Lady's Beautiful Tiffany Co. Necklace(51DN)
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1926. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Black Onyx Approx. 50 CT.
Glassware
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25" W:12"
General - Prints/Reproductions
"Poseidon" by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Seated Woman
Pablo Picasso signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x7x7.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Seashells and Black Clock". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Simplicity
Signed bronze and ivory art deco sculpture "Simplicity" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 20"x6"x8"
General - Prints/Reproductions
Limited Edition Picasso - Bather - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Eaglehead by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Rearl Origanal limited edition 24k gold Art Deco Chiparus Sculpture -Lady Dancer
This Chiparus sculpture, , Origanal limited edition 24k gold layered comes with COA exstreamly Rare "Lady Dancer".
General - Direct from the Artist
Cristine Avenue "Butterfly's III" Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph titled "Butterfly's III" by Cristine Avenue . Image Size: 28" x 21" Medium is Serigraph on thick paper with gorgeous rich colors. . Comes unframed. In mint condition!
Medium - Sculptures
Pablo Picasso Original, 24k Gold limited Edition Bronze -Seated Woman
Pablo Picasso signed and numbered bronze sculpture, "Seated Woman". 24k gold layered Comes with COA. Approx. size: 14x7x7. 24K layered gold, marble base, (if provided) is separate and may vary.
Medium - Sculptures
Signed Bronze Rattlesnake Fountain Remington
Signed bronze rattlesnake fountain by artist Frederic Remington, fountain is pre plumbed dimensions are about 61x29x30
Art
The Red Room - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Red Room". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Fine Jewelry
Fancy Style 14kt White Gold Amethyst & Diamond Earrings
Fancy Style 14kt White Gold Amethyst & Diamond Earrings, Amethyst approx 6ct, Diamonds approx 1ct VS1-2, Color J.(145LK)
Fine Jewelry
Unisex Fancy 14kt White Gold Green Peridot Ring
Unisex Fancy 14kt White Gold Green Peridot Ring, Green Peridot approx 4ct.(35LK)
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - The Large Circus
Marc Chagall limited edition, "The Large Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Old Masters
The Artist's House by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Ascending and Descending", comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Harlequin with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Harlequin" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Leda Atomica
Salvador Dali signed limited edition, "Leda Atomica". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 4 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Dead Cock And Jar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Lithograph by Alberto Giacometti " Man Pointing Lithograph"
Man Pointing by Alberto Giacometti. Limited Edition
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA SUMMER" CIRCA 1978.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Picasso Signed and Numbered Real Silver Sculpture - Helping Hand
Picasso Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx. 10 Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Limited Edition Picasso - The Kiss - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Kiss". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Beautiful Tiffany & Co Amethyst Bracelet
beautiful tiffany & co silver amethyst bracelet, amethyst is approximately 180CT.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Faded Roses" comes with certificate of authenticity, framing available at an additional charge.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "Dante". Comes with COA and beautifully framed.
Western Americana
Original Relics of the West Shadowbox Morgan Earp
Disadvantages: Alcoholism; Bad Temper; Bloodlust; Intolerance (Blacks); Skinny. Disadvantages: Bad Temper; Overconfidence.Morgan was Tombstone's part-time policeman.Original Relics of the West Shadowbox Contains Brands, Barbedwire, Horseshoes and Badges. Original Relics that tamed the wild west and still linger today. L: 23" W: 17" H: 3" CCG-5162
Medium - Sculptures
Bronze Sculpture - Rapture by Deniz
This bronze sculpture by Deniz is called, "Rapture" and measures approx. 24" x 12" x 6" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Licenced Disney Etchings Pluto
Licenced Disney Etchings "Pluto" hand colored, Limited Edition, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Limited Edition Pete Rose REDS Jersey
This is a Limited Edition Pete Rose Red's (#14)Jersey, framed in a Shadow Box, frame on Red Swede with laser cut Red's logo and two 8x10 photos. Original hand sign by Pete Rose Himself he also signed unusual (CHARLY HUSTLER). This piece is numbered from an edition of 500. The inside dimension is 29"H x 40"W.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Seine at Vernon" circa 1930, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Glassware
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:15" W:7" L:5"
General - Prints/Reproductions
Preparation for the Candidate's Feast by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x7.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway Cutting". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Signed Bouraine Bronze and Ivory - Master of the Beast
Signed bronze and ivory art deco sculpture "Master of the Beast" by artist Bouraine, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 30"x10"x4"
General - Prints/Reproductions
Limited Edition Picasso - Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Vase of Flowers". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Spirit of American (small) by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signedbronze sculpture layered with 24K gold. It is entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7.5 in. x 7 in. x 4 in.
Medium - Sculptures
Salvador Dali Enchanting 24k Gold Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". 24k gold layered Comes with COA. Approx. size: 15x9x7. 24K layered gold, marble base, (if provided) is separate and may vary.
Art
Cockatoo -Icart - Limited Edition on Cancas
Louis Icart Limited Edition on canvas, "Cockatoo". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU DE PROFIL, FIGURE LISANT", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 8.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Fine Jewelry
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings, Pigeon Blood Ruby approx 3ct, Diamonds approx 1 ct VS1, Color G.(150LK)
Fine Jewelry
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring, Alexadrite approx 1ct.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Klimt Limited Edition - Church at Unterach
Klimt limited edition, "Church at Unterach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
General - Old Masters
Still Life with Pears and Grapes by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Regular Division of the Plane III, comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Palladio's Thalia
Salvador Dali signed limited edition, "Palladio's Thalia". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace, Sapphires approx 20 cts & Diamonds total weight 5 cts.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Skull, leeks and Pitcher" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Portrait of a Woman by Paul Cezanne "Lithograph"
Portrait of a Woman by Paul Cezanne. Limited Edition
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DELAGE" CIRCA 1975.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
General - Prints/Reproductions
Limited Edition Picasso - Portrait of Jacqueline Roque with Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Jacqueline Roque with Flowers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Fancy Tiffany & Co. Tanzanite Bracelet
fancy tiffany co silver tanzanite bracelet, tanzanite is approximately 6CT/
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Fruit Tree" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "The Angel of the First Heaven". Comes with COA and beautifully framed.
Medium - Sculptures
Boy with Lamb Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Lamb”. Dimensions: 16"H 6"W 5"D
Medium - Sculptures
Rare Salvador Dali Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". Comes with COA. Some variation in patina might occur. Approx. size: 15"x13"x16".
Medium - Sculptures
Bronze Sculpture - Great American Fisherman by D. Hunter
This bronze sculpture by D. Hunter is called, "Great American Fisherman" and measures approx. 30" x 45" x 21" and weighs approx.150lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Jimi Hendrix Giclee with mini guitar
"Jimi Hendrix " Giclee with mini guitar, comes in Beautiful custom matt & frame, approx dimension 15x18.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Red and Yellow Still Life" circa 1931, Bonnard has here expressed his delighted preception of a group of orange and golden fruits. Arranged simply in a basket or bowl of harmonious colour, and surrounded by domestic objects humble in themselves yet obviously beautiful to the artist. Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
McClanahan Original Lithograph
McClanahan Original Lithograph, unframed, approx dimension 26"x32". Signed and truly a delightful piece to own. Great for new season room changes. Light to comtemperary. Come appreciate this humble piece and make it yours to own today! Bid and Win
Fine Jewelry
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(57DN)
General - Original Works
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "MARINE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Glassware
Coral Crystal Flow Vase
Cut Crystal Flow Vase, Coral color, Dimensions are about H:30" W:10" L:12"
General - Prints/Reproductions
Combat Between Ulysses and Irus by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur. Approx. size: 18x7x6.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Verlag, Vienna". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Exotic Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Exotic Dancer" is approx. 21"H x 6"Wx 9"D and 29lbs. It is a Limited Edition out of 399. SB9H
Medium - Sculptures
Signed E. Drouot Bronze and Ivory - The Hunter
Signed bronze and ivory art deco sculpture "The Hunter" by artist E. Drouot, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 23x25x9.
General - Prints/Reproductions
Limited Edition Picasso - Woman In Yellow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Yellow". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Arc of the Covenant by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Jett Jackson "Don’t Worry" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Jett Jackson titled "Don’t Worry" . Beautiful art piece on extra thick paper. Paper measures 37" x 37". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Rare Salvador Dali 24k Gold Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". 24k gold layered Comes with COA. Approx. size: 15"x13"x16". 24K layered gold, marble base, (if provided) is separate and may vary.
Art
Danseuses Basculant - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Danseuses Basculant". Comes with COA. Approx. size: 20"x24". HC-0051
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
LADIES FANCY DIAMOND SKELETON KEY NECKLACE
LADIES FANCY DIAMOND SKELETON KEY NECKLACE, DIAMONDS ARE APPROXIMATELY 0.60CT CLARITY IS VS1 COLOR IS G
Fine Jewelry
Antique Style Nevada Blue Turquois Earrings
Antique Style Nevada Blue Turquois Earrings, Stone dimmensions approx 9mm, Turquoise approx 30ct.(152LK)
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Femme dans la Nuit". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Fine Jewelry
Lady's Fancy 14kt White Gold Sapphire & Diamond Band
Lady's Fancy 14kt White Gold Sapphire & Diamond Band, Sapphire approx 1ct, Diamonds approx 1.50 ct VS2, Color G.(38LK)
General - Prints/Reproductions
Klimt Limited Edition - Cartoon for the Stoclet Frieze
Klimt signed limited edition, "Cartoon for the Stoclet Frieze". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Windmill by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Sky and Water I", comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Les Girls with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girls" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Goddess Leaning On Her Elbow
Salvador Dali signed limited edition, "Goddess Leaning On Her Elbow". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - The Dancer- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Dancer". This very special edition is extremely limited. Image Size: 35" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Man And Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Constructors with Tree by Fernand Leger "Lithograph"
Constructors with Tree by Fernand Leger. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Etude Pour Yury Gagarin
Pablo Picasso signed and numbered Relief (sculpture), " Etude Pour Yury Gagarin". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SOUVENIRS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Asian Antiques
LARGE JADE INCENSE BURNER/URN
Beautiful Incense burner, all hand carved from one solid piece of jade. Dragon heads are carved on the side and the top of the cover . very detailed carving. WIDE: 19", DEEP: 12", HIGH:36"
Medium - Sculptures
Large Remington Real .999 Silver -Outlaw
This Frederick Remington sculpture, "Outlaw" is approx. .10 Troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Woman With A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With A Flower". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co. Siberian Jade Bracelet
tiffany & co silver siberian jade bracelet.
Medium - Sculptures
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns. Approx. size: 12"x3"x3".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Land Fracture" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Avaricious and the Prodigal". Comes with COA and beautifully framed.
Medium - Sculptures
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Monumental Bronze- Venus a La Giraffe
Salvador Dali signed and numbered Monumental bronze sculpture "Venus a La Giraffe". Comes with COA. Some variation in patina might occur. Approx. size: 35"x16"x7".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fashion Jewelry
Lady's Tiffany Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Majestic Eagle by De Lier
This bronze sculpture by De Lier is called, "Majestic Eagle" and measures approx. 42" x 36" x 41" and weighs approx. 204lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
The Kiss Giclee with Gold Record
"The Kiss" Giclee with Gold Record, comes in Beautiful custom matt & frame, approx dimension 16"x20".
Medium - Lithographs
Andy Warhol Lithographs
Andy Warhol: 2 Piece Color Lithograph Set includes an Orange Marilyn and Campbell’s Elvis by Andy Warhol. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude Before a Mirrior" circa 1933, This is one of Bonnard's many variations of the same theme: a nude - generally his wife Marthe - standing before a mirror in undisturned self-contemplation. As the artist's friend Natanson wrote" 'The colours of a woman's flesh and their correspondences with the surrounding atomsphere constitute the real subject of the picture.' The subtle yet pervasive gold, blues, pinks and greens that define forms and surfaces throughout the room are all repeated in the model's luminous flesh tones. Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
McClannahan Original Lithograph
McClanahan Original Lithograph, unframed, approx dimension 26"x32". Signed and truly a delightful piece to own. Great for new season room changes. Light to comtemperary. Come appreciate this humble piece and make it yours to own today! Bid and Win
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE DUO" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
General - Prints/Reproductions
Ulysses and Euryclea by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Captivating Original Original, limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Interior with Girl Playing Piano". Comes with ceritificate of authenticity, framing available at an additonal cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Eagle Console Table Bronze and Marble From The 1850's
Beautiful, Fancy, Eagle Console Table - Bronze and Marble From The 1850's. Approx size: 41" x 50" Approx Lbs. 1500.
Medium - Sculptures
Butterfly Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Butterfly Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17".
General - Prints/Reproductions
Limited Edition Picasso - The Resevoir - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Resevoir". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Forgiven Soldier by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" , is a limited edition 24K gold layered bronze sculpture.
General - Direct from the Artist
Fredrick Phillip Serigraph Limited Edition
Fredrick Phillip Serigraph Limited Edition Beautiful art piece on extra thick paper. This piece is numbered from a limited edition of 295. Paper measures 39" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Enchanting Original, 24K GOLD limited Edition Bronze - The Persistence of Memory
Marble base is separate and may vary.Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". 24K LAYERED GOLD Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 18x7x6.
Medium - Sculptures
Bronze Maiden Fountain Moreau
Bronze Maiden fountain by artist Moreau, dimensions are about 37x15x12
Art
Danseuses Vertes - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Danseuses Vertes". Comes with COA. Approx. size: 20"x24". HC-0052
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU AU ROCKING CHAIR", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
LADIES STUNNING DIAMOND HEART KEY & LOCKET CHARM NECKLACE
LADIES STUNNING DIAMOND HEART, LOCKET AND KEY CHARM NECKLACE, SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50 CT CLARITY IS VS2 AND COLOR IS G
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 3.25 ct, Diamonds approx 1ct VS2, Color G. (39LK)
Collectibles
Original Louis Icart Lithographs from Le Faust suite - Devil's Distress
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Devil;s Distress". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Fine Jewelry
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring, Ruby Red Spinel approx 3ct, Diamonds approx .50ct VS1, Color G.
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - Circus Arena
Marc Chagall limited edition, "Circus Arena". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Collectibles
The Marina at Argenteuil by Monet
Signed, Limited Edition Giclee on Paper
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Cycle", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Limited Edition Lithograph "Untittled" by artist Sharp
Limited Edition Lithograph "Untittled" by artist Sharp, Black & White piece, signed & numbered, approx dimension20x22.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Les Girl with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girl" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:11x4x3.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Dream
Salvador Dali signed limited edition, "The Dream". Comes with COA. Edition number may vary from pictured.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut, "Flute Player Dance". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Couple With A Bird" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Frieze by Jackson Pollock "Lithograph"
Frieze by Jackson Pollock. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Reclining Woman
Pablo Picasso signed and numbered Relief (sculpture), "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SPRINGTIME COLORS" CIRCA 1977.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Fine Jewelry
Ladies 14K White Gold Diamond Ring
This ladies 14K white gold diamond ring is comprised of one 1.32ct. SI2 clarity and JK color. estimated total carat weight is .22ctw
General - Prints/Reproductions
Limited Edition Picasso - Portrait of Jacqueline Roque with Arms Crossed - Collection Domaine Picass
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Jacqueline Roque with Arms Crossed". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Heart Tanzanite Bracelet
Tiffany & co silver heart and tanzanite bracelet.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Parched Land" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "The Ascent to Venus". Comes with COA and beautifully framed.
Decorative Collectibles
Daniel Christian, 1840. Whale tooth with Orante Hand carvings
Daniel Christian, 1840. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 12"x2"
Medium - Sculptures
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- CANOE
Salvador Dali signed and numbered bronze sculpture "CANOE". Comes with COA. Some variation in patina might occur. Approx. size: 5"x13"x5".
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -FALLING WARRIOR
Moore signed and numbered bronze, "Falling Warrior" Comes with COA. Some variation in patina might occur.. Approx. size: 10x6x5 Inch.
Fashion Jewelry
Fancy Unisex Silver Emerald Shape Red Ruby & Diamond Ring
Fancy Unisex Silver Emerald Shape Red Ruby & Diamond Ring, Ruby approx 6.76 ct, Diamonds approx 0.02 ct I-2, K in color. (85LK)
Medium - Sculptures
Bronze Sculpture - Eagle's Nest by D. Hunter
This bronze sculpture by D. Hunter is called, "Eagle's Nest" and measures approx. 15" x 11" x 6" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
CARLOS SANTANA Giclee with Gold Record
"Carlos Santana" Giclee with Gold Record, comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Lithographs
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph Set includes The Loge and Young Women at the Water's Edge by Pierre-Auguste Renoir. Together they make the perfect pair. Frame Size: 22”x31”. Very Rare!
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude in the Bath" circa 1935, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Fine Jewelry
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct. (33DN)
Glassware
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25" W:7" L:12"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Athene Puts Ulysses to Sleep by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Magnificent Original, limited Edition Bronze - The First Study For The Madonna
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x7.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Auvers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Signal Man - Bronze and Ivory Sculpture by Pierre Le Faguays
Pierre Le Faguays broze and ivory sculpture, Signal Man. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Girl with a Mandolin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Girl with a Mandolin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Buffalo Hunter by C.M. Russell
This Original Fine Silver sculpture by C.M. Russell is called, "Buffalo Hunter" and measures approx. 15" x 14" x 5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Fine Jewelry
Lady's Gorgeous White Gold Sapphire & Diamond Ring
Lady's White Gold Sapphire & Diamond Ring, Blue Sapphire approx 8 ct, Diamonds approx 30 points VS1, G in color.(26DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Winged Bust on Marble Base
Dali bronze sculpture layered with 24K gold, "Winged Bust" on marble base. Comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
General - Direct from the Artist
LLado VENETIA Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "VENETIA ". Beautiful art piece on extra thick paper. Paper measures 24" x 34". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Captivating Original Original, 24K Gold limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA.
Medium - Sculptures
Bronze Maiden Fountain La Rivoli
Bronze Maiden fountain by artist La Rivoli, dimensions are about 52x18x18
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Horses with Jockeys - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Horses with Jockeys". Comes with COA. Approx. size: 20"x24". HC-0053
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TORSE, LES YEUX NOIRS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1CT.
Fine Jewelry
Lady's Fancy 14kt Yellow Gold Diamond Ring
Lady's Fancy 14kt Yellow Gold Diamond Ring, Diamonds approx 1.10ct VS1, Color G.(69LK)
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Collectibles
Original Louis Icart Lithographs from Le Faust suite - Satan's Contract
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Satan's Contract". Approx. size: 10" x 7". Comes with COA and beautifully framed.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Illustration for don Quixote I
Salvador Dali signed limited edition, "Illustration for don Quixote I". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Metamorphosis III", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Oil on Canvas "A Basket of Flowers" by Artist William Woods
Oil on Canvas "A Basket of Flowers" by Artist William Woods, Oil on Canvas "A Basket of Flowers" by Artist William Woods, signed, approx dimension 20x16.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Peter Max Original Acrylic On Canvas - Lady in My Dream-
Original Acrylic on canvas in the manner of Peter Max "Lady in My Dream". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Woman with Beautiful Breasts
Joan Miro signed and numbered bronze sculpture, "Woman with Beautiful Breasts". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x5x4.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Elephants And Swans
Salvador Dali signed limited edition, "Elephants And Swans". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Angelica- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Angelica". This very special edition is extremely limited. Image Size: 42" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 4 cts, SI1 SI2 I1, color H I.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut, "Bacchanal with Black Bull". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Harlequin With Guitar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Hermitage Garden. Mainson Rouge by Camille Pissarro "Lithograph"
Hermitage Garden. Mainson Rouge by Camille Pissarro. Limited Edition
Medium - Sculptures
Pablo Picasso Original Original, Limited Edition Bronze - Carmen
Pablo Picasso signed and numbered Relief (sculpture), " Carmen". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREES IN DIABLO" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Portrait of Marie Therese Walter - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Marie Therese Walter". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Natural Stone Flower Bracelet
Tiffany & co natural stone bracelet in silver. Beautiful flower design.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Furies". Comes with COA and beautifully framed.
Medium - Sculptures
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Medium - Sculptures
Antique Prison Lock
2nd Generation, Yuma Arizona Antique Prison Lock
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Millet's Angelus
Salvador Dali signed and numbered bronze sculpture "Millet's Angelus". Comes with COA. Some variation in patina might occur. Approx. size: 13"x5"x3".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - COW
Botero signed and numbered bronze, " Cow ". Comes with COA. Some variation in patina might occur. Approx. size: 19x12x8 Inch.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Lithographs
Louis Icart Original Litographs
3 Piece Color Lithograph by Louis I cart. Set includes 3 beautiful Lithographs. Pencil signed in lower right. Frame Size: 18”x32”. Wonderful and Rare!
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Open Window" circa 1921, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1939. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Fine Jewelry
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.(34DN)
Glassware
Cobalt Crystal Flow Vase
Cut Crystal Flow Vase, Cobalt color, Dimensions are about H:25" W:12"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Theoclymenus by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Exquisite Original, limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Quai De Beray in Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Book Lady - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Book Lady. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
General - Prints/Reproductions
Limited Edition Picasso - The Aficionado - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Aficionado". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - El Caballero by Estevez
This Original Fine Silver sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Fernando Valls Limited Edition Original Limited Edition 24K Gold Layered Bronze Sculpture - Boy
Fernando Valls , "Boy", is a limited edition 24K gold layered bronze sculpture.
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - The First Study For The Madonn
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x9x7.
Art
Race Horses - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Race Horses". Comes with COA. Approx. size: 20"x24". HC-0054
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU ASSIS DE DOS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1.05CT.
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx 1 ct VS1-VS2, Color G.(63LK)
Fine Jewelry
Lady's Fancy 14kt White Gold Citrine & Diamond Ring
Lady's Fancy 14kt White Gold Citrine & Diamond Ring, Citrine approx 3 ct, Diamonds approx .25 ct VS1, Color G.41LK)
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Atavistc Vestiges After the Rain
Salvador Dali signed limited edition, " Atavistc Vestiges After the Rain". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Argenteuil by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Belvedere", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Peter Max Original Acrylic On Canvas - Love Boat-
Original Acrylic on canvas in the manner of Peter Max "Love Boat". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Skirted Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Skirted Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Braque Original, limited Edition Bronze - Unknown
Braque signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 13x9x6.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Illuminated Pleasures
Salvador Dali signed limited edition, "Illuminated Pleasures". Comes with COA. Edition number may vary from pictured.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut, "The Flutists". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
Watches
Patek Philippe Re-Pro Watch.
Extremely Facy, Patek Philippe Reproduction Watch, Diamond face.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Olga Picasso" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Portrait of Paul Guillaume by Amedeo Modigliani "Lithograph"
Portrait of Paul Guillaume by Amedeo Modigliani. Limited Edition
Decorative Collectibles
Set of 2 Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Set of 2 Roseville Porcelain approx dimensions are 5x4x4
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Fauno
Pablo Picasso signed and numbered Relief (sculpture), "Fauno". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AMALFI" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Fernando Valls Limited Edition Real Silver Sculpture - Boy
Fernando Valls signed and numbered real silver sculpture, "Boy". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver..
Fine Jewelry
Lady's 14K White Gold, Diamond Ring
This lady’s 14K white gold diamond ring is comprised of 4 prongs set 3 round brilliant cut diamonds. Total estimated diamond’s weight is 1.00 cts. The total weight of the ring is 5.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
General - Prints/Reproductions
Limited Edition Picasso - Three Musicians - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Three Musicians". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Tanzanite Bracelet
Tiffany & co silver tanzanite bracelet
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Interior II" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "Dante In Doubt". Comes with COA and beautifully framed.
Decorative Collectibles
The Ship Sachem 1858-59. Genuine Whale tooth with Orante Hand carvings
The Ship The Ship Sachem 1858-59. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 14"x3"
Medium - Sculptures
Antique Prison Lock
2nd Generation, Georgia State Sanitarium Antique Prison Lock
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- FARANESE MANIEQUIN
Salvador Dali signed and numbered bronze sculpture "FARANESE MANIEQUIN". Comes with COA. Some variation in patina might occur. Approx. size: 10"x11"x14".
Medium - Sculptures
Constantine Brancusi Original, limited Edition Bronze -MAJESTIC
Constantine Brancusi signed and numbered bronze sculpture, "Majestic". Comes with COA. Some variation in patina might occur. Approx. size: 17"x13"x7"
Medium - Sculptures
Bronze Sculpture - Last Dance by De Lier
This bronze sculpture by De Lier is called, "Last Dance" and measures approx. 15" x 8" x 6" and weighs approx.16lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
B.B. King Giclee with Gold Record
"B.B. King" Giclee with Gold Record, comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Dining Room Overlooking Garden" circa 1934, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Smokey Topaz Approx 140CTS.
Glassware
Emerald Crystal Flow Vase
Cut Crystal Flow Vase, Emerald color, Dimensions are about H:30" W:9" L:10.75"
General - Prints/Reproductions
Penelope and Ulysses' Bow by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Magnificent Original, limited Edition Bronze - Soft Construction With Boiled Beans
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
The Creed - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, The Creed . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - The Accordionist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Accordionist". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - The Rabi by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze Sculpture - Torso
Alexander Archipenko original limited edition 24K gold layered bronze sculpture, "Torso".
General - Direct from the Artist
LLado Trail of Flowers Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "Trail of Flowers ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Exquisite Original, 24K Gold limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Seated Dancer - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Seated Dancer". Comes with COA. Approx. size: 20"x24". HC-0055
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TETE PENCHEE VERS LA GAUCHE", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .30CT
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Ring
Lady's Fancy 14kt White Gold Aqua Ring, Aqua approx 4ct.(42LK)
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Fine Jewelry
Unisex Fancy Style 14kt White Gold Amethyst Ring
Unisex Fancy Style 14kt White Gold Amethyst Ring, Amethyst approx 5ct.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Weaning of Furniture
Salvador Dali signed limited edition, "The Weaning of Furniture". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Promenade Near Argenteuil by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Reptiles", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Water Color by Artist Pineke Baghuis
Water Color by Artist Pineke Baghuis, signed, approx dimension 27x21.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Peter Max Original Acrylic On Canvas - Adriel-
Original Acrylic on canvas in the manner of Peter Max "Adriel". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Leo Mol Original, limited Edition Bronze
Leo Mol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14x6x5.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Warning Of Furniture - Nutrition
Salvador Dali signed limited edition, "Warning Of Furniture - Nutrition". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Fanciful Dreams- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Fanciful Dreams". This very special edition is extremely limited. Image Size: 54" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Lady's 18 kt White Gold Amethyst/Diamond Necklace
Lady's 18 kt White Gold Amethyst/Diamond Necklace, Amethyst weight 5.38 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut , "Owl Dancing Music". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
Watches
Patek Philippe Re-Pro Watch.
One Great Patek Philippe Reproduction Watch, wine color background.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Bullfighter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
I Believe that Great Art by Steven A. Wynn "Lithograph"
I Believe that Great Art by Steven A. Wynn. Limited Edition
Decorative Collectibles
Roseville Porcelain approx dimensions are 4x6x5
2nd Generation Roseville Porcelain approx dimensions are 4x6x5
Medium - Sculptures
Iconic Pablo Picasso Original, Limited Edition Bronze -Couple I
Pablo Picasso signed and numbered bronze Relief (sculpture)"Couple I". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TYRRHENIAN SEA" CIRCA 1979.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Dali Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In An Armchair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Hoop Earrings
Tiffany & co silver hoop earrings
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Figure and Pond Reflection" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Beaterice Resolves Dante's Doubt". Comes with COA and beautifully framed.
Medium - Sculptures
Girl with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Girl with Basket”. Dimensions: 22"H 9"W 9"D
Medium - Sculptures
Antique Prison Lock
2nd Generation, Georgia Convict Camp Antique Prison Lock
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Still Life with Pears
Salvador Dali signed and numbered bronze sculpture "Still Life with Pears". Comes with COA. Some variation in patina might occur. Approx. size: 10"x8"x4".
Medium - Sculptures
Brancusi Limited Edition Bronze - Le Coq
Brancusi signed and numbered bronze sculpture, "Le Coq". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Fashion Jewelry
Lady's Tiffany Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Victory Over Gravity by D. Scott
This bronze sculpture by D. Scott is called, "Victory Over Gravity" and measures approx. 15" x 8" x 9" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Self Portrait" circa 1944-45, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "TETE DE FEMME" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Lapis Approx 150.CTS, diamond Approx .50CT, Color VS1 - G.
Fine Jewelry
Very Fancy Ruby Pendant
Very Fancy Ruby Pendant, Ruby approx 22ct.(147DD)
General - Prints/Reproductions
Ulysses' Bow by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze -Geopolitical Child Watches The Birth Of T
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". Comes with COA. Some variation in patina might occur. Approx. size: 12x13x4.
General - Original Works
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Portrait of Victor Choqurt". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Original Bronze by Michael Schofield - Alexandrite
This is the first piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Alexandrite adorning the piece. "Alexandrite" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - The Squall
Signed bronze and ivory art deco sculpture "The Squall" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 30"x10"x4"
General - Prints/Reproductions
Limited Edition Picasso - Harlequin with Violin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin with Violin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Original Fine Silver Sculpture - Jesus and the Children by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Children" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.
Medium - Sculptures
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - Soft Construction With Boiled
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
Medium - Sculptures
Bronze Kids on See Saw Moreau
Bronze Kids on SeeSaw by artist Moreau, dimensions are about 44x24x52
Art
The Star - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "The Star". Comes with COA. Approx. size: 20"x24". HC-0056
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "LA NUIT", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .33CT
Fine Jewelry
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring, Pigeon Blood Ruby approx 3.5ct.(72LK)
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Diamond Promise Ring
Lady's Fancy 14kt White Gold Diamond Promise Ring, Diamonds approx .50ct VS1, Color G.(44LK)
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Jan Vermeer Limited Edition - The Concert
Jan Vermeer Limited Edition , "The Concert". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Farmyard in Normandy by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Relativity", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Limited Edition Lithograph "In Compliance" by Artist Bird
Limited Edition Lithograph "In Compliance" by Artist Bird, signed & numbered, approx dimension 27x37.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Ferjo Original Oil On Canvas - A Mother's Love
Original Oil on canvas by Ferjo "A Mother's Love". The work is beautifully framed measuring approx.21x21. The work is an hand signed original in mint condition. Ferjo is on permanent display in the United Nations and major exhibitions worldwide.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Lipschitz Original, limited Edition Bronze - Man with Clarinet
Lipschitz signed and numbered bronze sculpture, "Man with Clarinet". Comes with COA. Some variation in patina might occur. Approx. size: 16x5x5 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Great Paranoiac
Salvador Dali signed limited edition, "The Great Paranoiac". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
Lady's 14 kt White Gold Diamond Necklace
Lady's 14 kt White Gold Diamond Necklace, Diamonds weight 15 cts, SI1 SI2 I1, color H I.
Watches
Patek Philippe Re-Pro Watch.
One Great Patek Philippe Reproduction Watch, color background.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Rooster On A Chair Under A Lamp" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
A Woman Contemplating a Yellow Cup by Roy Lichtenstein "Lithograph"
A Woman Contemplating a Yellow Cup by Roy Lichtenstein. Limited Edition
Decorative Collectibles
Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Roseville Porcelain approx dimensions are 5x4x4
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Bullfighting
Pablo Picasso signed and numbered Relief (sculpture), "Bullfighting". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Venus on a Shell
Dali sculpture, "Venus on a Shell" is approx. 7.05 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Fine Jewelry
Lady's 14K Yellow Gold, Diamond Ring
This lady’s 14K Yellow gold diamond ring is comprised of 4 prongs set 3 round brilliant cut diamonds. Total estimated diamond’s weight is 1.05 cts. The total weight of the ring is 6.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
General - Prints/Reproductions
Limited Edition Picasso - Woman In A Hat Seated In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Hat Seated In An Armchair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Cluster Earrings
Tiffany & Co gold cluster earrings.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Woman With Drawers
This is a limited edition, signed bronze sculpture entitled "WOMAN WITH DRAWERS" by Salvador Dali. Dali painted "Burning Giraffe" during his exile in the United States. Although Dali declared himself apolitical, "I am Dali, and only that.", this painting shows his personal struggle with the battle in his home country. Approx. Dimensions: 7.5 in. x 5 in. x 3.5 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure in a Landscape" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Bishop Cum Troubador". Comes with COA and beautifully framed.
Decorative Collectibles
The Ship. Whale tooth with Orante Hand carvings
The Ship. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 4"x2"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Boy with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Basket”. Dimensions: 22"H 8"W 8"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- ATOMIC NOSTALGIC
Salvador Dali signed and numbered bronze sculpture "ATOMIC NOSTALGIC". Comes with COA. Some variation in patina might occur. Approx. size: 10"x5"x5".
Medium - Sculptures
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "Woman Head". Comes with COA. Some variation in patina might occur. Approx. size: 11x5x4.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 22”x31”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED " LES POISSONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Diamond Badavici Watch
Ladies Fancy Diamond Badavici Watch One of a kind.
Glassware
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25" W:10"
General - Prints/Reproductions
The Massacre of the Candidates by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x6.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Beautiful Sterling Golden & White Saphire Necklace
Lady's Beautiful Sterling Golden & White Saphire Necklace, Golden Sapphire approx 7 ct, White Sapphire approx 2.5 ct.
General - Prints/Reproductions
Limited Edition Picasso - Mother and Child - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mother and Child". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - End of the Trail by Fraiser
This Original Fine Silver sculpture by Fraiser is called, "End of the Trail" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Salvador Dali Original Limited Edition 24K Gold Layered Bronze Sculpture -Venus Di Milo
Salvador Dali limited edition 24K gold layered bronze sculpture "Venus Di Milo".
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze -Geopolitical Child Watches The B
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x13x4.
Medium - Sculptures
Bronze Tiny Moreau
Bronze Tiny by artist Moreau dimensions are about 36x18x12
Art
Horses - Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas. "Horses". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA ROBE JAUNE, RUBANS NOIRS", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY 18K GENTS SUBMARINER ROLEX
FANCY AUTHENTIC GENTS SUBMARINER ROLEX, 18K TWO TONE, BLUE FACE
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Sublime Moment
Salvador Dali signed limited edition, "The Sublime Moment". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
The Thames below Westminister by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Lithograph "1872 Punchestown Horse Raise" Painted by Sturgess
Lithograph "1872 Punchestown Horse Raise" Painted by Sturgess, Engraved by E.G., approx dimension 28x40.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fine Jewelry
Lady's Fancy Style Sterling Colombian Emerald Earings
Lady's Fancy Style Sterling Colombian Emerald Earings, approx 30 ct.
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Three Young Surrealist Women
Salvador Dali signed limited edition, "Three Young Surrealist Women". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Dreaming in Color- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming in Color". This very special edition is extremely limited. Image Size: 34" x 42" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 5 cts, SI1 SI2 I1, color H I.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Cockeral Of The Liberation" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Bathers by Paul Gauguin "Lithograph"
Bathers by Paul Gauguin. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Couple II
Pablo Picasso signed and numbered Relief (sculpture), "Couple II". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Lady's 14K White Gold Emerald/Diamond Ring
This lady’s 14K White Gold Emerald/Diamond Ring is comprised of 4 prongs set emerald cut emerald, 4 prongs set round cut 19 diamonds and bezel set 37 baguette cut diamonds. Total estimated diamond’s weight are 2.15 cts. Total estimated emerald's weight is 1.85 cts. The total weight of the ring is 15.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
General - Prints/Reproductions
Limited Edition Picasso - Man With A Straw Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Straw Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Lock Dangle Earrings
Tiffany & co silver lock dangle earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Blashemers". Comes with COA and beautifully framed.
Medium - Sculptures
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 13"H 13"W
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- METAMORPHOSIS OF NARCISSOS
Salvador Dali signed and numbered bronze sculpture "METAMORPHOSIS OF NARCISSOS". Comes with COA. Some variation in patina might occur. Approx. size: 11"x5"x5".
Medium - Sculptures
Brancusi Limited Edition Bronze -MALE TORSO
Brancusi signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x6.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fashion Jewelry
Tiffany Earrings Fancy
Tiffany Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Spirit of Ecstacy by C. Sykes
This bronze sculpture by C. Sykes is called, "Spirit of Ecstacy" and measures approx. 30" x 16" x 16" and weighs approx. 88lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Frank Sinatra Giclee with Gold Record
"Frank Sinatra" Giclee with Gold Record "Summer Wind", also with Biography, comes in Beautiful custom matt & frame, approx dimension 18"x14".
Medium - Lithographs
4 Pieces Color Lithograph
4 Pieces Color Lithograph Set includes: Edgar Degas Lithograph, 2- Jasper Johns Lithographs and Pierre-Auguste Renoir Lithograph. Frame Size: 29”x38”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CARAFE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Super Techno Mens Diamond Watch
This watch is 0.12 cts of diamonds, polished stainless steel case and Black band, scratch-free crystal glass. The face is White & Yellow .Fine Japan-made quartz movement with chronograph function. Water-resistant to 100 m (330 ft).Come with two extra band.
Fine Jewelry
Very Fancy Ruby Pendant
Very Fancy Ruby Pendant, Ruby approx 22ct.(151DD)
General - Prints/Reproductions
Ulysses and Penelope by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Spirit of Ecstasy - Fine Sculpture by Charles Robinson Sykes
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This a antique Gold Patina sculpture . Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Clara - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Clara. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x31x7".
Fine Jewelry
Lady's Fancy Almandine Garnet With White Sapphire Pendant
Lady's Fancy Almandine Garnet With White Sapphire Pendant, Garnet approx 8 ct, White Sapphireapprox 2 ct .
General - Prints/Reproductions
Limited Edition Picasso - Man Leaning On A Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man Leaning On A Table". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Unknown by Shrady
This Original Fine Silver sculpture by Shrady is called, "Unknown" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado GIVER MY Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "GIVER MY ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 16x10x6.
Medium - Sculptures
Bronze Sisters Moreau
Bronze Sisters by artist Moreau dimensions are about 31x14x12
Art
Seaside- Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas, "Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE, FOND MOUCHARABI", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fashion Jewelry
STUNNING 18K DATE JUST ROLEX
STUNNING AUTHENTIC DATE JUST ROLEX, 18K TWO TONE, 2004 HAS BOOKLET AND BOX.
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Fighting the Minotaur
Salvador Dali signed limited edition, "Fighting the Minotaur". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Hotel de Roches Noires by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Mobius Strip II", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Oil on Canvas "Un named piece" by Artist Frank Tauriello
Oil on Canvas "Un named piece" by Artist Frank Tauriello, Frank Tauriello original oil on canvas. Approx dimension 33x28.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Original Handsigned Peter Max Overpaint - Liberty Head
Peter Max overpaint handsigned by Peter Max. "Liberty Head" comes with original COA and is approx. 8.5x11in.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze-L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Ne
Joan Miro signed and numbered bronze sculpture, "L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Nests In Bloom Fingers)". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Crucifixion (Corpus Hypercubus)
Salvador Dali signed limited edition, "Crucifixion (Corpus Hypercubus)". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman IN Turkish Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Mademoiselle Pogany II by Constantin Brancusi "Lithograph"
Mademoiselle Pogany II by Constantin Brancusi. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Bull
Pablo Picasso signed and numbered Relief (sculpture), "Bull". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VERMOUTH BOTTLES" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Victor Villareal Limited Edition Real Silver Sculpture - Take Five
Victor Villareal signed and numbered real silver sculpture, "Take Five". Contains approx. 10 Troy ounces of real silver.
Fine Jewelry
Lady's 14K White Gold Yellow Diamond/Sapphire Necklace
This ladies 14K White Gold Yellow Diamond/Sapphire Necklace is comprised of 4 prongs set 38 oval cut sapphires, 4 prongs set 76 baguette cut diamonds. Total estimated diamond's weights are 4.00 cts and total estimated yellow sapphire's weights are 24.50 cts. SI 1, SI 2, I 1 clarity and H I color. The total weight of the necklace is 35.80 grams.
General - Prints/Reproductions
Limited Edition Picasso - Harlequin and His Companion - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin and His Companion". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Cross of Mars". Comes with COA and beautifully framed.
Medium - Sculptures
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 15"H 12"W
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Furniture Nutrition
Salvador Dali signed and numbered bronze sculpture "Furniture Nutrition". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - PEDRITO
Botero signed and numbered bronze, "Pedrito". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x8 Inch.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Ballerina by De Lier
This bronze sculpture by De Lier is called, "Ballerina" and measures approx. 15" x 8" x 6" and weighs approx. 16bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
Good Fellas Giclee & bullet
Good Fellas Giclee & bullet, comes in Beautiful custom matt & frame, approx dimension 18"x14"
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the suit "Le Gout du Bonheur". Together they make the perfect pair. Frame Size: 29”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Diamond Approx 5.CTS
Glassware
Emerald Crystal Flow Vase
Cut Crystal Flow Vase, Emerald color, Dimensions are about H:25" W:12"
General - Prints/Reproductions
The Festival by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Dish". Comes with ceritificate of authenticity, framing available at an additonal cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Cleopatra - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace, Golden Sapphire approx 6 ct, Diamonds approx .50 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - Studio with Plaster Bust - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Studio with Plaster Bust". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Gift Dancer by Kauba
This Original Fine Silver sculpture by Kauba is called, "Gift Dancer" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed sculpture made from bronze and layered with 24K gold entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
General - Direct from the Artist
LLado "Trail of Flowers II" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "Trail of Flowers II". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 17x10x4.
Art
Harlequin - Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Harlequin". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE A LA CHAISE - LONGUE DANS PAYSAGE", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Lady's Fancy 14kt Yellow Gold Diamond Heart Shape Pendant with Necklace
Lady's Fancy 14kt Yellow Gold Diamond Heart Shape Pendant with Necklace, Diamonds approx 3ct VS1-VS2, Color G-H.(79LK)
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring, Brownish Sapphire approx 2.5ct, Diamonds approx .50 ct VS1, Color G.(48LK)
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
George Suerat Signed Limited Edition - Bathers at Asnieres
George Suerat signed limited edition, "Bathers at Asnieres". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Snakes", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Music - The Red Orchestra
Salvador Dali signed limited edition, "Music - The Red Orchestra". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Dancing in Barcelona- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dancing in Barcelona". . This very special edition is extremely limited . Image Size: 52" x 38" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet, Tanzanite weight 13 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Marie Therese Walter III" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Stylish 14 kt Yellow Gold Heart & Pearl Earrings
Stylish 14 kt Yellow Gold Heart & Pearl Earrings
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas "Lithograph"
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -L' Homme en Prole a la Paix Couronne Dl Espoir
Pablo Picasso signed and numbered Relief (sculpture), "L' Homme en Prole a la Paix Couronne Dl Espoir". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA SAN MARCO" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Cafe At Royan - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Cafe At Royan". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "In the Hands of Antaeus". Comes with COA and beautifully framed.
Medium - Sculptures
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 17"H 17"W
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- THE ROM
Salvador Dali signed and numbered bronze sculpture "THE ROM". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x6".
Medium - Sculptures
Henry Moore Limited Edition Bronze - Thin Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Thin Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:4x12x6.
Fashion Jewelry
Tiffany Earrings Fancy
Tiffany Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Perfection by De Lier
This bronze sculpture by De Lier is called, "Perfection" and measures approx. 15" x 11" x 8" and weighs approx. 28bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Memorabilia
SOPRANOS Giclee & bullet
SOPRANOS Giclee & bullet, comes in Beautiful custom matt & frame, approx dimension 18"x14"
Medium - Lithographs
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 22”x30”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Mark Stevens Original Lithograph
Mark Stevens Original Lithograph, signed, NOT FRAMED! approx dimension 21"x29". Is beautiful to have in this in season piece for you, or an advanced collector. Bid and win on it today!!!
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TROIS CITRONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
General - Prints/Reproductions
Ulysses' Bed by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Space Venus
Salvador Dali signed and numbered bronze sculpture, "Space Venus". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Melting Snow at Fontainbleau". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Signed Preiss Bronze and Ivory - Tennis Player
Signed bronze and ivory art deco sculpture "Tennis Player" by artist Preiss, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 13"x11"x6"
General - Prints/Reproductions
Limited Edition Picasso - Woman With Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With Pigeons". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Original Fine Silver Sculpture - Arizona by Unknown
This Original Fine Silver sculpture by Unknown is called, "Arizona".It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington Monumental sculpture, "Rattlesnake" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x16"x10".
Medium - Sculptures
Platinum Gold Mountain Man Remington
Platinum and gold patina bronze Mountain Man fountain, fountain is pre plumbed dimensions are about 62x29x30
Art
Mardi Gras- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Mardi Gras". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PETITE LISEUSE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fashion Jewelry
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring, approx 12 ct.
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - The large Grey Circus
Marc Chagall Signed Limited Edition, "The large Grey Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
The Museum at le Habre by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Evgeniy Vuchetich Original, limited Edition Bronze - Sword Into Plowshare
Signed and numbered bronze by Evgeniy Vuchetich titled, "Sword Into Plowshare". Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Pieces Of Bread
Salvador Dali signed limited edition, "The Pieces Of Bread". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
Lady's 14 kt White Gold Ruby/Diamond Bracelet
Lady's 14 kt White Gold Ruby/Diamond Bracelet, Ruby approx 8 cts & Diamonds approx weight 4 cts, SI1 SI2 I1, color H I.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocu, "Banderillas". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude De Personnages" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Highway by Jasper Johns "Lithograph"
Highway by Jasper Johns. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Owl
Pablo Picasso signed and numbered Relief (sculpture), "Owl". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Bather With Beach Ball - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather With Beach Ball". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Dali Signed Limited Edition Bronze - Terpsicore
Dali signed, limited edition Dali sculpture, "Terpsicore". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Bertram dal Bornio". Comes with COA and beautifully framed.
Medium - Sculptures
Mother & Son Bronzite Sculpture
This is an Resin Sculpture with bronze finish “Mother & Son”. Dimensions: 16"H 9"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Unknown Title
Salvador Dali signed and numbered bronze sculpture "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 5"x9"x4".
Medium - Sculptures
Henry Moore Limited Edition Bronze - Reclining Figure: Fragments
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Fragments". Comes with COA. Some variation in patina might occur. Approx. size: 7x13x4.
Fashion Jewelry
Lady's Beautiful Silver Cushion Shape Citrine & Diamond Ring
Lady's Beautiful Silver Cushion Shape Citrine & Diamond Ring, Citrine approx 6.20 ct, Diamonds approx 0.07 ct I-1/I-2, J-K in color. (89LK)
Medium - Lithographs
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Very Very Fany Badavici Watch
Ladies Very Very Fany Badavici Watch Georgous Multi Color Stone, White Sapphire, Amethyst, Citrine, Aqua Marine
Fine Jewelry
Lady's Fancy Sterling Peridot & White Sapphire Necklace
Lady's Fancy Sterling Peridot & White Sapphire Necklace, Sapphire approx 7.5 ct, Peridot approx 6 ct.(39DN)
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
In Hell by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Venus A La Giraffe
Salvador Dali signed and numbered bronze sculpture, "Venus A La Giraffe". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 24"H x 8"W x 8"D and 29lbs. It is a Limited Edition out of 399. SB8H
Medium - Sculptures
Dolly Sisters - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Dolly Sisters. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Sergeant by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Sergeant" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Platinum Gold Bronze Buster Fountain Remington
Platinum and gold patina bronze fountain by artist Frederic Remington Bronco Buster, signed, fountain is pre plumbed dimensions are about 61x29x32
Art
Still Life with Apples- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "Still Life with Apples". Comes with COA. Approx. size: 20"x24". HC-0046
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CAPELINE EN PAILLE D'ITALIE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 1.50CT AND DIAMONDS ARE APPROXIMATELY 1.00CT VS1 CLARITY COLOR I.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Le Faune". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
Pierre Renoir Limited Edition - TWO SISTERS
Pierre Renoir Limited Edition, "TWO SISTERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Vetheuil by Monet
"Vetheuil" by Monet, Beautiful Giclee on Paper. Dimensions are about 20x24
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Drawing Hands", comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Outstanding Gilt Bronze and Marble Pedestal
Gilt bronze & marble Pedastal. Approx 38x14x14. Outstanding piece of art perfect for displaying a gorgeous sculpture, or anything else!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Transparent Simulacrim
Salvador Dali signed limited edition, "The Transparent Simulacrim". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Everlasting Beauty- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Everlasting Beauty". . This very special edition is extremely limited . Image Size: 28" x 40" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Au Cheau Gris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
999 Gold Chinese Zodiac Pendants (ROOSTER)
999 Gold Chinese Zodiac Pendants (ROOSTER)
Medium - Lithographs
Flag on Orange Field II by Jasper Johns "Lithograph"
Flag on Orange Field II by Jasper Johns. Limited Edition
Decorative Collectibles
Roseville Porcelain approx dimensions are 7x5x2
2nd Generation Roseville Porcelain approx dimensions are 7x5x2
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Still Life
Pablo Picasso signed and numbered Relief (sculpture), "Still Life". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF SAN GIORGIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Thin Man
Dali sculpture, "Thin Man" is approx. 3.52 oz of fine real .999 silver. Sculpture measures approx. 9". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - The Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Pigeons". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Signed and Numbered Bronze Sculpture - St. John On The Cross
Dali Signed and Numbered Bronze Sculpture - St. John On The Cross. Approx. size: 12"x3"x3".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Logician Devil". Comes with COA and beautifully framed.
Medium - Sculptures
Young Girl Garden Figure
This is an Resin Garden Figure “Young Girl”. Dimensions: 22"H 10"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- DREAMS
Salvador Dali signed and numbered bronze sculpture "DREAMS". Comes with COA. Some variation in patina might occur. Approx. size: 9"x6"x5".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Walking Man II
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man II". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Medium - Sculptures
Bronze Sculpture - Buffalo Standing by Kauba
This bronze sculpture by Kauba is called, "Buffalo Standing". It comes with foundry paperwork.
Memorabilia
Beach Boys Giclee with Gold Record
"Beach Boys" Giclee with Gold Record , also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CUVETTE BLEUE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Georgous All natural Abolone Approx 250CTS.
Fine Jewelry
Lady's Fancy 14 Kt White Gold Black & White Diamond Ring
Black Diamond approx 1.25 ct, White Diamonds approx .15 ct VS1, G in color.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Glassware
Cobalt Crystal Flow Vase
Cut Crystal Flow Vase, Cobalt color, Dimensions are about H:25" W:10" L:13"
General - Prints/Reproductions
Eupeithes by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Girl Possessed By Her Chastity
Salvador Dali signed and numbered bronze sculpture, "Girl Possessed By Her Chastity". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape in Northern Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Everlasting Love - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Everlasting Love. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x20.5"x7".
General - Prints/Reproductions
Limited Edition Picasso - Jacqueline With Crossed Hands - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline With Crossed Hands". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Wicked Pony by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Wicked Pony" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Limited Edition 24K Gold Layered Bronze RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros". It is cast in bronze and then layered with 24K gold. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
Art
View of Auvers from above- Paul Cezane - Limited Edition On Canvas
Paul Cezanne Limited Edition on canvas, "View of Auvers from above". Comes with COA. Approx. size: 20"x24". HC-0047
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU MAGNOLIA", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fashion Jewelry
FANCY LADIES DIAMOND ENGAGEMENT RING
FANCY LADIES DIAMOND ENGAGEMENT RING SET IN WHITE GOLD, CENTER DIAMOND IS APPROXIMATELY 1.37CT VS2 CLARITY AND I COLOR ROUND BRILLIANT CUT, 2 DIAMOND BAGQUETTE DIAMONDS ARE APPROXIMATELY 0.25CT.
Fine Jewelry
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring, Tanzanite approx 1.5 ct, White Sapphire approx 1.5. (30LK)
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx 1 ct VS1-VS2, Color G.(51LK)
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - The Sources of Music
Marc Chagall Signed Limited Edition, "The Madonna in a Red Robe". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Regatta at St. Adresse by Monet
Regatta at St. Adresse by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Three Spheres I", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Lucien Alliot Original, limited Edition Bronze - Woman
Lucien Alliot signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Five Allegories Of Giovanni Bellini
Salvador Dali signed limited edition, "Five Allegories Of Giovanni Bellini". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2.50 cts, SI1 SI2 I1, color H I.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Jacqueline In The Studio" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Untitled (Red, Yellow and Green) by Willem De Kooning "Lithograph"
Untitled (Red, Yellow and Green) by Willem De Kooning. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Pensative Woman
Pablo Picasso signed and numbered Relief (sculpture), "Pensative Woman". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Real .999 Silver Pablo Picasso Limited Edition- Vase Face.
Dali Signed and Numbered Real Silver Sculpture, " Vase Face.". Contains approx. 10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Manto". Comes with COA and beautifully framed.
Medium - Sculptures
Mother & Son Bronzite Sculpture
This is an Resin Sculpture with bronze finish “Mother & Son”. Dimensions: 16"H 15"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy I
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy I". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x10".
Medium - Sculptures
Abraham Lincoln Memorial Sculpture
Bronze recreation of the Lincoln Memorial. Great detail. Some variation of patina may occur. Approx. size: 11"x5"x5".
Medium - Sculptures
Bronze Sculpture - Unknown by Shrady
This bronze sculpture by Shrady is called, "Unknown". It comes with foundry paperwork.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Cristina Aguilera Giclee with Gold Record
"Cristina Aguilera " Giclee with Gold Record "Come on baby all I want is you", also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
Medium - Lithographs
Jasper Johns Lithographs
Jasper Johns: 2 Piece Color Lithograph Set includes an Highway and Flag on Orange Field II by Jasper Johns. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Santoloni Lithograph
Santoloni Lithograph, unframed approx. 20x20, beautiful depth, creation at his best. Have his piece to start a collection! Bid and win this beauty today! CC
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA PALETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch Georous Blue Lapis Appox 125.CTS
Glassware
Ruby Crystal Flow Jar
Cut Crystal Flow Jar, Ruby color, Dimensions are about H:10" W:6"
General - Prints/Reproductions
Peace Rediscovered by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Galatea, Nude
Salvador Dali signed and numbered bronze sculpture, "Galatea, Nude". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Roofs". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Diane and the Wolves - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Diane and the Wolves". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:20x25x9.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Still Life With Bulls Head - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Bulls Head". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Scales of Justice by Mayer
This Original Fine Silver sculpture by Mayer is called, "Scales of Justice". It measures approx. 68" x21"x17.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture
Bruno Bruni limited edition 24K gold layered bronze sculpture.
Art
Sailing Boats at Saint-Adresse - Raoul Dufy - Limited Edition On Canvas
Raoul Dufy Limited Edition on canvas, "Sailing Boats at Saint-Adresse".Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE, CULOTTE RAYEE, PROFIL REFLETE DANS LA GLACE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Unisex Fancy 14kt White Gold Aqua Marine & Diamond Ring
Unisex Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 8.5ct, Diamonds approx .50ct VS1, Color G.(52LK)
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Fashion Jewelry
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring, Ruby approx 5 ct, Diamonds approx 1.10 ct VS1, Color G.
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - The Madonna in a Red Robe
Marc Chagall Signed Limited Edition, " The Sources of Music". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
The Palms by Monet
The Palms by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Stars", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Standing Woman
Nadelman signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - From Tristan and Isolde
Salvador Dali signed limited edition, "From Tristan and Isolde". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Sunday at the Balcony- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Sunday at the Balcony". This very special edition is extremely limited . Image Size: 42" x 30" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring, Ruby approx 9 cts & Diamonds approx weight 1 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Vase Of Flowers" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Police Gazelle by Willem De Kooning "Lithograph"
Police Gazelle by Willem De Kooning. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Nude Female
Pablo Picasso signed and numbered Relief (sculpture), "Nude Female". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x6
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Bruno Bruni Limited Edition Real Silver Sculpture
Bruno Bruni signed and numbered real silver sculpture, . Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Mediterranean Landscape - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mediterranean Landscape". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Waterfall of the Phlegethon". Comes with COA and beautifully framed.
Medium - Sculptures
Child Golfer Sculpture
This is an Resin Sculpture with bronze finish “Child Golfer”. Dimensions: 16"H 9"W 7"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy II
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy II". Comes with COA. Some variation in patina might occur. Approx. size: 13"x15"x6".
Medium - Sculptures
Alexander Archipenko Limited Edition Sculpture - Dancer's Pose
Alexander Archipenko signed and numbered bronze sculpture, "Dancer's Pose". Comes with COA. Some variation in patina might occur. Approx. size: 13X4X4.
Medium - Sculptures
Bronze Sculpture - Unknown by Elwell
This bronze sculpture by Elwell is called, "Unknown". It comes with foundry paperwork.
Memorabilia
Britney Spears Giclee with Gold Record
"Britney Spears " Giclee with Gold Record "Baby one more time", also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant, Diamonds Approx 1.25 cts, Color VS1 - G
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE GUERIDON ROUGE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Agate White Approx 100.cts, Diamond Approx .50CT, Color VS1 - G.
Glassware
Coral Crystal Flow Vase
Cut Crystal Flow Vase, Coral color, Dimensions are about H:25" W:10" L:8"
General - Prints/Reproductions
Ulysses at Alcinous' Palace by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - The Dream
Salvador Dali signed and numbered bronze sculpture, "The Dream". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bridge in the Forest". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Shimmer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Shimmer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:26"x10"x6.
Fine Jewelry
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace, Almadine Garnet approx 10 CT, Diamonds .50 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - Le Dejeuner sur l'Herbe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Le Dejeuner sur l'Herbe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Angel of Peace - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
icart1-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Unknown". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE JEUNE FILL E AU COL ORGANDI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Original Joan Miro Lithograph-
Vibrant and colorful Original Miro Lithograph of unknown name. This piece is signed and comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 16ct, Diamonds approx .25ct VS1, Color G.(53LK)
General - Prints/Reproductions
Klimt Limited Edition - Malcesine on Lake Garda
Klimt limited edition, "Malcesine on Lake Garda". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
Port of London by Monet
"Port of London" by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Waterfall", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Brilliant Jean Arp Original, limited Edition Bronze - Sculptural Element
Jean Arp signed and numbered bronze sculpture, "Sculptural Element". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Study for Sentimental Colloquy
Salvador Dali signed limited edition, "Study for Sentimental Colloquy". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamonds weight 2 cts, SI1 SI2 I1, color H I.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
The Loge by Pierre-Auguste Renoir "Lithograph"
The Loge by Pierre-Auguste Renoir. Limited Edition
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x7
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Erotic II
Pablo Picasso signed and numbered Relief (sculpture), "Erotic II". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x4 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Woman In Distress - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Distress". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "In the Heaven of Mercury". Comes with COA and beautifully framed.
Medium - Sculptures
Lady and Gentlemen Golfers Sculpture
This is an Resin Sculpture with bronze finish “Lady and Gentlemen”. Dimensions: 17"H 12"W 8"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Atmospheric Skull Sodomizing a Grand Piano
Salvador Dali signed and numbered bronze sculpture "Atmospheric Skull Sodomizing a Grand Piano ". Comes with COA. Some variation in patina might occur. Approx. size: 10"x12"x7".
Medium - Sculptures
Brancusi Limited Edition Bronze -SEAL
Brancusi signed and numbered bronze sculpture, "Seal". Comes with COA. Some variation in patina might occur. Approx. size: 18x10x7.
Medium - Sculptures
Bronze Sculpture - Boy with Torch by Moreau
This bronze sculpture by Moreau is called, "Boy with Torch" and measures approx. 16" x 9.5" x 7". It comes with foundry paperwork.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Smokey Robinson Giclee with Gold Record
"Smokey Robinson " Giclee with Gold Record "THE TEAR OF THE CLOWN", also with Biography, comes in Beautiful custom matt & frame, approx dimension 21"x17".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Thornhill Original Lithograph
Thornhill Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "RAISIN" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch White Opal Approx 60.CTS
Fine Jewelry
Beautiful Unisex 14kt White Gold Diamond Ring
Beautiful Unisex 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color G.(10KJ)
Glassware
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25." W:9" L:13"
General - Prints/Reproductions
Ulysses Disguised as a Beggar by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite. Signed and framed. Comes with COA
General - Original Works
F. Preiss Original Pencil on Paper.
original signed pencil In the manner of F. Preiss . Signed . Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Impeccable Original, limited Edition Bronze - Surrealist Angel
Salvador Dali signed and numbered bronze sculpture, "Surrealist Angel". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:16x18x5
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - The Abduction Of The Sabine Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Abduction Of The Sabine Women". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Tango by Icart
This Original Fine Silver sculpture by Icart is called, "Tango". It measures approx. 17" x 16" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Bronze Fighting Aligator Bayre
Bronze fighting aligator by artist Bayre, dimensions are about 29x45
Art
Lacender Lady-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Lavender Lady". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ACCOUDEE DEVANT PARAVENT FLEURI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Fashion Jewelry
Lady's Fancy 14kt White Gold Tri-Color (Aqua Marine, Peridot & Pink Sapphire) Ring
Lady's Fancy 14kt White Gold Tri-Color (Aqua Marine, Peridot & Pink Sapphire) Ring, apporox 4.5 ct.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - JULIET'S TOMB
Salvador Dali signed limited edition, "JULIET'S TOMB". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Old Masters
The View of Bordighera by Monet
The View of Bordighera by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Double Planetoid", comes with certificate of authenticity, framing available at an additional cost.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -Horse
Diego Giacometti signed and numbered bronze sculpture, "Horse". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x6.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Rocks
Salvador Dali signed limited edition, "Rocks". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Second Thought- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Second Thought". This very special edition is extremely limited . Image Size: 44" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Men's 14 kt White Gold Blue Sapphire/Diamond Ring
Men's 14 kt White Gold Blue Sapphire/Diamond Ring, Sapphire approx 3 cts, Diamonds weight 1 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Man With Barbione" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Young Women at the Water's Edge by Pierre-Auguste Renoir "Lithograph"
Young Women at the Water's Edge by Pierre-Auguste Renoir. Limited Edition
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 10x8
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Safir
Pablo Picasso signed and numbered Relief (sculpture), "Safir". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE D'INVERNO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Weeping Woman In Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Weeping Woman In Red Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Song of the Wise Spirits". Comes with COA and beautifully framed.
Medium - Sculptures
Classical Male Bust Sculpture
This is an Resin Sculpture with bronze finish “Male Bust ”. Dimensions: 17"H 9"W 6"D
Medium - Sculptures
Salvador Dali Original, limited Edition Sculpture - Alice III
Salvador Dali signed and numbered sculpture sculpture, "Alice III". Comes with COA. Some variation in patina might occur. Approx. size: 20"x20"x7".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - MAN SHOULDERS
Alberto Giacometti signed and numbered bronze sculpture, " MAN SHOULDERS ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x4".
Medium - Sculptures
Bronze Sculpture - Alpine Boy by Haubner
This bronze sculpture by Haubner is called, "Alpine Boy" and measures approx. 26" x 10" x 9". It comes with foundry paperwork.
Memorabilia
SHANIA TWAIN 2 Giclees
"Shania Twain" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
F. Maul Original Lithograph
F. Maul Lithograph. Unframed, signed, a must have in your art collection, approx dimension 15"x20". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Fine Jewelry
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 1.40 cts, color VS1 - G.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Citrine Approx 50.CTS.
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - The Centuar
Salvador Dali signed and numbered bronze sculpture, "The Centuar". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "L'estaque and the Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Finale - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Finale. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Jacqueline Seated with Her Black Cat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline Seated with Her Black Cat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Archer by Fauays
This Original Fine Silver sculpture by Fauays is called, "Archer". It measures approx. 24.5" x 5.9"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Number2-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 2". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FIGURE ASSISE, BOUQUET DE FLEURS DEVANT LA MER", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Lady's Fancy 14kt White Gold Peridot & Diamond Ring
Lady's Fancy 14kt White Gold Peridot & Diamond Ring, Peridot approx 2ct, Diamonds approx 1.25 ct VS1, Color I.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Fluid Premonition
Salvador Dali signed limited edition, "Fluid Premonition". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Old Masters
Mount Koisaas by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dream", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Simoniacs
Salvador Dali signed limited edition, "The Simoniacs". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
UNISEX AQUAMARINE & DIAMOND RING HEAVY MOUNT
UNISEX AQUAMARINE & DIAMOND RING, HEAVY MOUNT, AQUAMARINE IS APPROXIMATELY 3.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Quatre Nus Au Harem" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Peasant Woman against a Background of Wheat by Vincent Van Gogh "Lithograph"
Peasant Woman against a Background of Wheat by Vincent Van Gogh. Limited Edition
Medium - Sculptures
Manolo Hugue Original, limited Edition Bronze - Reclining Man
Manolo Hugue signed and numbered bronze sculpture, "Reclining Man". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x4".
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GONDOLE A SAN MARCO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Terpsicore
Dali sculpture, "Terpsicore" is approx. 25 g of fine real .999 silver. Sculpture measures approx. 8 3/8"x 2" x 2". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Woman Crying - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Crying". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Human
This is a limited edition, signed bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN" watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Dust of Souls". Comes with COA and beautifully framed.
Medium - Sculptures
Bull Rider Sculpture
This is an Resin Sculpture with bronze finish “Bull Rider ”. Dimensions: 12"H 11"W 5.50"D
Medium - Sculptures
Salvador Dali Original, limited Edition Sculpture - Alice II
Salvador Dali signed and numbered sculpture sculpture, "Alice II". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - HOMME
Alberto Giacometti signed and numbered bronze sculpture, " HOMME ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
Medium - Sculptures
Bronze Sculpture - Dove In Hands by D. Hunter
This bronze sculpture by D. Hunter is called, "Dove In Hands" and measures approx. 9" x 13" x 10" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
CARRIE UNDERWOOD 2 Giclees
"Carrie Underwood" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lithograph by Chiam Gross.
Chiam Gross Lithograph. Unframed, Signed and Numbered a must have in your art collection, approx dimension 15"x20" .
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 2.25 cts, Color VS1 - G.
Watches
Ladies Georgous Badavici Quartz Watch
Ladies Georgous Badavici Quartz Watch, with Diamonds
Glassware
Ruby Crystal Goblet
Cut Crystal Goblet, Ruby color, Dimensions are about H:15" W:7"
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway near L'estaque". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
La Bayadere- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "La Bayadere". Bayadere, from the Portuguese word for dancer, bailaderia, was used in the late 20's to describe Indian dancers and. by extension, dancers in general. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x6".
General - Prints/Reproductions
Limited Edition Picasso - Man With A Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Pipe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - At the River by Moreau
This Original Fine Silver sculpture by Moreau is called, "At the River". It measures approx. 21" x 7"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10".
Art
Number4-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 4". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA JUPE TULLE", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx .25ct VS1, Color G.(57LK)
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Fine Jewelry
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings, Pink Spinel approx 12ct, Diamonds approx .50ct VS1, Color G.(132LK)
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Woman Imitating a Schooner
Salvador Dali signed limited edition, "Woman Imitating a Schooner". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Concentric Space", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Art
Original Handsigned Peter Max Overpaint - Flag
Peter Max overpaint handsigned by Peter Max. "Flag" comes with original COA and is approx. 8.5x11in.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
David Alfaro Siqueros Original, limited Edition Bronze - Woman With Child
David Alfaro Siqueiros signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Giant Flying Mocca Cup
Salvador Dali signed limited edition, "Giant Flying Mocca Cup". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Country Girl- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Country Girl". This very special edition is extremely limited . Image Size: 43" x 32" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Couchee II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Medium - Lithographs
Entrance to a Quarry by Vincent Van Gogh "Lithograph"
Entrance to a Quarry by Vincent Van Gogh. Limited Edition
Medium - Sculptures
Salvador Dali Captivating Original, limited Edition Bronze - MONUMENTAL
Salvador Dali signed and numbered bronze sculpture, "MONUMENTAL". Comes with COA. Some variation in patina might occur. Approx. size: 27"x20"x13"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WINTER CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Still Life - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Stunning Tiffany & Co "Forever" Bracelet
stunning tiffany & co "forever" silver bracelet
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of Dante's Great-Great-Grandfather". Comes with COA and beautifully framed.
Medium - Sculptures
Angel - stone finish Sculpture
This is an Resin Sculpture with stone finish “ANGEL ”. Dimensions: 24"H 13"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - DESECRATION OF THE MACHINES
Salvador Dali signed and numbered bronze sculpture, "DESECRATION OF THE MACHINES". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x6".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze -MALE
Alberto Giacometti signed and numbered bronze sculpture, " MALE ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
Medium - Sculptures
Bronze Sculpture - The Rabi by D. Hunter
This bronze sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 18"x14".
Medium - Lithographs
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 30”x21”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds are 1.50 ct, Color VS1 - G.
Glassware
Cobalt Crystal Flow Vase
Cut Crystal Flow Jar, Cobalt color, Dimensions are about H:10" W:6" L:6"
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Exquisite Original, limited Edition Bronze -Venus Di Milo
Salvador Dali signed and numbered bronze sculpture, "Venus Di Milo". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Avenue of Chestnuts at the Jas De Bouffan in Winter". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Flame Leaper - Bronze and Ivory Sculpture by Preiss
Preiss broze and ivory sculpture, Flame Leaper. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17"x21".
Fine Jewelry
Lady's Beautiful Sterling Citrine & Diamond Necklace
Lady's Beautiful Sterling Citrine & Diamond Necklace, Citrine approx 10 ct, Diamonds approx .33 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - Maternity - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maternity". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Starfish by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Starfish". It measures approx. 22" x 3.5"x 3" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Fancy 14 Kt Garnet & Diamond Ring
Garnet approx 3 ct, Diamonds approx 20 points VS1, G in color.(76DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Art
Number5-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 5". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE DEBOUT ET PLATEAU DE FRUITS", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
Unisex Fancy 14kt White Gold Oval Ruby Ring
Unisex Fancy 14kt White Gold Oval Ruby Ring, Ruby approx 8ct.(58LK)
Fine Jewelry
Fancy Style 14kt White Gold Amethyst & Diamond Earrings
Fancy Style 14kt White Gold Amethyst & Diamond Earrings, Amethyst approx 6ct, Diamonds approx 1ct VS1-2, Color J.(136LK)
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Critical Solitude
Salvador Dali signed limited edition, "Critical Solitude". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dragon", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Fritz Wotruba Original, limited Edition Bronze - Walking Man
Fritz Wotruba signed and numbered bronze sculpture, "Walking Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x9x6.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Backdrop of Tristan
Salvador Dali signed limited edition, "Backdrop of Tristan". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
RARE HEART VIOLET SAPPHIRE & DIAMOND RING
RARE HEART VIOLET SAPPHIRE AND DIAMOND RING, VIOLET SAPPHIRE IS APPROXIMATELY 5.00CT AND DIAMOND IS APPROXIMATELY 0.75CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "After Velazquez" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Orange Marilyn by Andy Warhol "Lithograph"
Orange Marilyn by Andy Warhol. Limited Edition
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze- UNKNOWN
Jacque Lipchitz signed and numbered bronze sculpture UNTITLED. Comes with COA. Some variation in patina might occur. Approx. size: 18"x14"x7"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN TENEMENTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Woman In Green - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Green". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures and Root" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Original Perfection". Comes with COA and beautifully framed.
Medium - Sculptures
Venus Figure Sculpture
This is an Resin Sculpture with bronze finish “VENUS ”. Dimensions: 19"H 6"W 6"D
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Eocene Beach with Phone
Salvador Dali signed and numbered bronze sculpture, "Eocene Beach with Phone". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x4".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - WOMAN ON CHARRIOT
Alberto Giacometti signed and numbered bronze sculpture, " WOMAN ON CHARRIOT". Comes with COA. Some variation in patina might occur. Approx. size: 17"x5"x5".
Medium - Sculptures
Bronze Sculpture - Forgiven Soldier by D. Scott
This bronze sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and weighs approx. 49lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
Taylor Swift 2 Giclees
"Taylor Swift" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
3 Pieces Color Lithograph
3 Pieces Color Lithograph Set includes: 2-Andy Warhol Lithograph and Pierre-Auguste Renoir Lithograph. Frame Size: 32”x30”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Elke Sommer- Lithograph
Elke Sommer Lithograph, hand signed, not framed, if you loved her movies, you can totally appreciate her from life art. Look at the texture, and definition of what pops in this portrait. Ponder the thought's. Would make a great lead up to your main decor or center piece of the room you have decorated. CC Bid and Win today!!cc
Fine Jewelry
Lady's Fancy 14kt Gold Emerald Earings
Lady's Fancy 14kt Gold Emerald Earings, Emerald Approx .75 ct.
General - Original Works
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Arc Valley". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Fancy Sterling Multi Color Natural Spinel Necklace
Lady's Fancy Sterling Multi Color Natural Spinel Necklace, Spinel approx 15 ct.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Man In A Straw Hat With An Ice Cream Cone - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man In A Straw Hat With An Ice Cream Cone". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Cheyenne by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Aldo Luango "Dawn" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Aldo Luango titled "Dawn". Beautiful art piece on extra thick paper. Paper measures 38" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Art
Number6-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 6". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU COUSSIN BLEU", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring, Golden Sapphire approx 8.5 ct, Diamonds approx 1 ct VS1, Color G.(59LK)
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Atmospheric Skull
Salvador Dali signed limited edition, "Atmospheric Skull". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Hand Carved Bone Emporer
Hand carved bone emporer, comes with pedestal
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - The Wizard
Rufino Tamayo signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 13x11x5.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Condoltiere
Salvador Dali signed limited edition, "Condoltiere". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
RARE HEART VIOLET SAPPHIRE & DIAMOND RING
RARE HEART VIOLET SAPPHIRE AND DIAMOND RING, VIOLET SAPPHIRE IS APPROXIMATELY 4.00CT AND DIAMOND IS APPROXIMATELY 0.75CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pages Playing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol "Lithograph"
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol. Limited Edition
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 15"x15"x7".
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO BELVEDERE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Family - Real Silver Sculpture by Henry Moore
Family - Real Silver Sculpture by Henry Moore, comes with foundry Assay. Contains approx. 10 oz of real silver. Some variation in marble might occur.
General - Prints/Reproductions
Limited Edition Picasso - Still Life With Guitar - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Guitar". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Large Figure" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida's History Lesson". Comes with COA and beautifully framed.
Medium - Sculptures
Gold bust Sculpture
This is an Resin Bust Sculpture with Gold finish . Dimensions: 25"H 13"W 8"D
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Soft Watch
Salvador Dali signed and numbered bronze sculpture ( Chromium-plated Edition) "SOFT WATCH". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 8" x 8"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - GIRL
Alberto Giacometti signed and numbered bronze sculpture, " GIRL ". Comes with COA. Some variation in patina might occur. Approx. size: 17"x4"x4".
Fashion Jewelry
Lady's Tiffany Sterling Silver Bracelet
Lady's Tiffany Sterling Silver Bracelet
Medium - Sculptures
Bronze Sculpture - Eye of God by D. Hunter
This bronze sculpture by D. Hunter is called, "Eye of God" and measures approx. 22" x 14" x 6" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
The RollingStones Giclee, mini guitar & engraved signatures
"The RollingStones" Giclee in San Antonio TX. with mini guitar & engraved signatures, comes in Beautiful custom matt & frame, approx dimension 19"x14".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Fancy Columbian 14kt Gold Emerald Earings
Lady's Fancy Columbian 14kt Gold Emerald Earings, Emerald Approx .60 ct.
Glassware
Fine Nippon Procelain Fan
Fine Nippon Procelain Fan
General - Original Works
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some varitations of patina might occur. Approx. size: Approx. size:
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Blue Vase". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
The Golfer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "The Golfer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x6"x4".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Bust Of A Woman In A Striped Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman In A Striped Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Buffalo by Elwell
This Original Fine Silver sculpture by Elwell is called, "Buffalo" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Number7-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Number 7". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED FIGURE DANS UN INTERIEUR"", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
Unisex Fancy 14kt White Gold Oval Shape Sapphire Ring
Unisex Fancy 14kt White Gold Oval Shape Sapphire Ring, Sapphire approx 12.5ct.(60LK)
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Suez
Salvador Dali signed limited edition, "Suez". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Medium - Sculptures
Fiery Dancer - Limited Edition Bronze by Sergey with pedestal
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 27"H x 12"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF comes with pedestal
Medium - Sculptures
Jean Arp Limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 16X4X4.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.50CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Cambells Elvis by Andy Warhol "Lithograph"
Cambells Elvis by Andy Warhol. Limited Edition
Medium - Sculptures
Maximo Javier Original, limited Edition Bronze - HORSE
Maximo Javier signed and numbered bronze sculpture "HORSE". Comes with COA. Some variation in patina might occur. Approx. size: 9"x9"x4".
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL GRANDE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
St. John - Real Silver Sculpture by Salvador Dali
St. John - Real Silver Sculpture by Salvador Dali, comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Two Circles of Spirits". Comes with COA and beautifully framed.
Medium - Sculptures
Boy on Fish Sculpture
This is an Resin Sculpture with bronze finish “Boy on Fish ”. Dimensions: 20"H 13"W 13"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU
Salvador Dali signed and numbered bronze sculpture " Tristan Fou". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 16" x 8"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - MAN POINTING
Alberto Giacometti signed and numbered bronze sculpture, " MAN POINTING ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x10"x5".
Medium - Sculptures
Bronze Sculpture - Jerusalem by De Lier
This bronze sculpture by De Lier is called, "Jerusalem" and measures approx. 20" x23" x 17" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Lady Antebellum Two Giclees
"Lady Antebellum" Two Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Limited Edition Serigraphs by - Kerman
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Kerman Set includes 2 Original Serigraphs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - El Gran Masturbador
Salvador Dali signed and numbered bronze sculpture, "El Gran Masturbador". Comes with COA. Some variation in patina might occur. Approx. size: 14x17x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 21"H x6"W x 4"D and 30lbs. It is a Limited Edition out of 399. SB6H
Medium - Sculptures
Harlequine Lamp - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Harlequine Lamp. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Fine Jewelry
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - First Out by Renfro
This Original Fine Silver sculpture by Renfro is called, "First Out" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Fine Jewelry
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(53DN)
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Limited Edition 24K Gold Layered Bronze Eagle Sculpture by De Lier- Survival
This is a limited edition bronze and then layered with 24K gold. By De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 12"x9"x10". It comes with the foundry assay.
Art
Untitled-1-Icart - Limited Edition on Canvas
Louis Icart Limited Edition on canvas, "Untitled -1". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CULOTTE BAYADERE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Femme et Oiseau". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -The Apotheosis of Homer
Salvador Dali signed limited edition, "The Apotheosis of Homer ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Medium - Sculptures
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 24"H x17"W x 8"D and 28lbs. It is a Limited Edition out of 399. SB9H
Medium - Sculptures
Jean Arp Original, limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 14X5X5.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Poetry Of America
Salvador Dali signed limited edition, "Poetry Of America". Comes with COA. Edition number may vary from pictured.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Pino on Canvas - Cliffside Retreat- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Cliffside Retreat". . This very special edition is extremely limited . Image Size: 42" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.75CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
Collectibles
Picasso Limited Edition - Child With Dove - from Collection Domaine Picasso
Pablo Picasso limited edition, "Child With Dove". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme A La Toilette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Franklin 1731 by Rockwell "Lithograph"
Franklin 1731 by Rockwell. Limited Edition
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FERMATA RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Still Life With Candle, Pallette and Red Head of Minotaur - Collection Dom
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Candle, Pallette and Red Head of Minotaur". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Gala Plaque
Bronze plaque rendition of Dali's "Gala" painting. Medium: bronze with silver finish. Weight: 250 g. Size: 168cmx221cm. Edition size:1500
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida Sees Dante's Exile in God". Comes with COA and beautifully framed.
Medium - Sculptures
Young Boy and Girl Sculpture
This is an Resin Sculpture with bronze finish “Young Boy and Girl”. Dimensions: 15"H 11"W 9"D
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -DOVE
Pablo Picasso signed and numbered bronze sculpture, "DOVE". Comes with COA. Some variation in patina might occur. Approx. size: 9"x 10"x 6".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - HEAD OF DIEGO
Alberto Giacometti signed and numbered bronze sculpture, "HEAD OF DIEGO ". Comes with COA. Some variation in patina might occur. Approx. size: 18"x4"x4".
Memorabilia
Amy Winehouse Two Giclees & Legend I.D. card
Amy Winehouse Two Giclees & Legend image of the I.D. card, comes in Beautiful custom matt & frame, approx dimension 14x18.
Medium - Lithographs
Limited Edition Lithographs by Wooster Scott
2 Piece Color Lithograph by Wooster Scott. Set includes 2 beautiful Lithographs. Pencil signed in lower right and numbered. Frame Size: 34”x24”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Traces of War
Salvador Dali signed and numbered bronze sculpture, "Traces of War". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Mont Sainte Victorie Seen From Bellevue". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Jesters - Bronze and Ivory Sculpture by Peyre
Peyre bronze and ivory sculpture, Jesters. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x21.5".
General - Prints/Reproductions
Limited Edition Picasso - Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Savage by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Savage" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Bather - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA CULOTTE DE SATIN ROUGE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -SINGULARITIES
Salvador Dali signed limited edition, "SINGULARITIES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Constantin Brancusi Original, limited Edition Bronze -Seagull
Constantin Brancusi signed and numbered bronze sculpture, "Seagull". Comes with COA. Some variation in patina might occur. Approx. size: 21x4x3 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Raphaelesque Head Exploding
Salvador Dali signed limited edition, "Raphaelesque Head Exploding". Comes with COA. Edition number may vary from pictured.
Fine Jewelry
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 12.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
Collectibles
Picasso Limited Edition - Nude In AN Armchair - from Collection Domaine Picasso
Pablo Picasso limited edition, "Nude In AN Armchair". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Lobster and Cat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZETTA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Kneeling Figure" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Beatrice Comforts The Poet". Comes with COA and beautifully framed.
Medium - Sculptures
Water Girl Sculpture
This is an Resin Sculpture with bronze finish “Water Girl”. Dimensions: 18"H 10"W 9"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Archeoligical Millets Angelus
Salvador Dali signed and numbered bronze sculpture " Archeoligical Millets Angelus". Comes with COA. Some varitations of patina might occur. Approx. size: 13"x 10" x 4"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - TALL FIGURE
Alberto Giacometti signed and numbered bronze sculpture, " TALL FIGURE ". Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x4".
Medium - Sculptures
Bronze Sculpture - Standing Jesus by D. Hunter
This bronze sculpture by D. Hunter is called, "Standing Jesus" and measures approx. 19" x 6" x 8" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original linocuts. Pencil signed in lower right. Together they make the perfect pair. Frame Size: 32”x22”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Santoloni Lithograph
Santoloni Lithograph, unframed approx. 20x20, beautiful depth, creation at his best. Have his piece to start a collection! Bid and win this beauty today! CC
Fine Jewelry
Beautiful One loose round brilliant cut black diamond
Beautiful One loose round brilliant cut black diamond Approx .3 ct.
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Old Age
Salvador Dali signed and numbered bronze sculpture, "Old Age". Comes with COA. Some variation in patina might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bather". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Kamorna - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kamorna. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x21".
General - Prints/Reproductions
Limited Edition Picasso - Women On The Banks Of The Seine - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Women On The Banks Of The Seine". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Tall Feather by Moretti
This Original Fine Silver sculpture by Moretti is called, "Tall Feather" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Standing Woman, 194
Pablo Picasso original limited edition 24K gold layered bronze sculpture, "Standing Woman".
General - Direct from the Artist
John Auduborn Lithograph "Common American Swan"
Lithograph by John Auduborn titled "Common American Swan", approx dimension 16x22in.
Art
Green Dutch Interior I and II - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Green Dutch Interior I and II". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS A LA CHEMISE DE TULLE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Spider of Evening
Salvador Dali signed limited edition, "Spider of Evening". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Madonna Of Port Ligat
Salvador Dali signed limited edition, "The Madonna Of Port Ligat". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - The Bedroom Window- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Bedroom Window". This very special edition is extremely limited . Image Size: 26" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 14.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
Collectibles
Picasso Limited Edition - Dora Maar Seated - from Collection Domaine Picasso
Pablo Picasso limited edition, "Dora Maar Seated". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Spring Time" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6x13
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DI RIALTO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Rare Pablo Picasso Limited Edition Real Silver Sculpture - Standing Woman, 1947
Pablo Picasso signed and numbered real silver sculpture, "Standing Woman", 1947. Contains approx. 10 Troy ounces of real silver.
General - Prints/Reproductions
Limited Edition Picasso - Large Still Life On A Pedestal Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Still Life On A Pedestal Table". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures in a Room" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Constellation of the Blessed Spirits". Comes with COA and beautifully framed.
Medium - Sculptures
Young Boy Sculpture
This is an Resin Sculpture with bronze finish “Young Boy”. Dimensions: 14"H 7"W 7"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Homenage to Newton
Salvador Dali signed and numbered bronze sculpture " Homenage to Newton". Comes with COA. Some varitations of patina might occur. Approx. size: 9"x 7" x 7"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - WOMAN
Alberto Giacometti signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 19"x5"x5".
Fine Jewelry
Lady's Unique Style Tiffany Signed Sterling Silver Necklace
Lady's Unique Style Tiffany Signed Sterling Silver Necklace
Medium - Sculptures
Bronze Sculpture - Jesus and the Blindman by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Willie Nelson Two Giclees
"Willie Nelson " Two Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 30”x21”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lithograph by Koslow.
Koslow Lithograph, approx dimension 22"x30", unframed, rolled, get this all time classic now! Bid and win today! CC
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9x14x7.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Pierrot and the Harlequin". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Clock - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Clock . Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 11"x9"x6".
General - Prints/Reproductions
Limited Edition Picasso - Large Heads - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Heads". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Modern Lolita - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Geopolitical Child Watches The Birth Of T
This is a limited edition bronze layered with 24K gold entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN (1943)" by Salvador Dali. This statue adaptation of The Birth of the New Human is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Art
Lanscape - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Landscape". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU VISAGE VOILE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Shades Of Night Descending
Salvador Dali signed limited edition, "Shades Of Night Descending". Comes with COA. Edition number may vary from pictured.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Picasso Limited Edition - The Embrace - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Embrace". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Smoke In Vallauris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIALTO BRIDGE - DUSK" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Real .999 Silver Salvador Dali Limited Edition- The First Study For the Madonna
Dali Signed and Numbered Real Silver Sculpture, "The First Study For the Madonna". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Limited Edition Picasso - Interior With A Girl Drawing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Interior With A Girl Drawing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Cellestial Staircase". Comes with COA and beautifully framed.
Medium - Sculptures
Bust - Lady Sculpture
This is an Resin Bust Sculpture "LADY" . Dimensions: 19"H 9"W 7"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU II
Salvador Dali signed and numbered bronze sculpture " Tristan Fou II ". Comes with COA. Some varitations of patina might occur. Approx. size: 16"x 11" x 6"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - HEAD OF MAN
Alberto Giacometti signed and numbered bronze sculpture, " HEAD OF MAN ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Unisex Very Stylish Tiffany Sterling Silver Necklace
Unisex Very Stylish Tiffany Sterling Silver Necklace
Medium - Sculptures
Bronze Sculpture - Jesus and the Children by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Children" and measures approx. 20" x 11" x13" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Elvis Presley Two Giclees
"Elvis Presley" Two Giclees with mini guitar, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 32”x26”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12x8x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Basket". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Leotard Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Leotard Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x22".
General - Prints/Reproductions
Limited Edition Picasso - Seated Man with A Sword and A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Man with A Sword and A Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Pipilon by Bessin
This Original Fine Silver sculpture by Bessin is called, "Pipilon". It measures approx. 20" x 8"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.
Art
Cats - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Cats". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE ET COUPE DE FRUITS", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Recumbant Figure
Henry Moore signed and numbered bronze sculpture, "Recumbant Figure". Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Virgin Of Guadalupe
Salvador Dali signed limited edition, "The Virgin Of Guadalupe". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Dreaming of Paris- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming of Paris" . This very special edition is extremely limited . Image Size: 34" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Collectibles
Picasso Limited Edition - Portrait of Sylvette David - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait of Sylvette David". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Womans Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE ROSSO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Bull Fight, Death Of A Torreador - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bull Fight, Death Of A Torreador". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Divine Impenetrability". Comes with COA and beautifully framed.
Medium - Sculptures
Chiparus Alabaster Sculpture
This is an 2nd Generation, Chiparus Alabaster Sculpture “THAIS”. Dimensions: 12"H 14"W 6"D
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -OWL
Pablo Picasso signed and numbered bronze sculpture, "OWL". Comes with COA. Some variation in patina might occur. Approx. size: 9"x 8"x 8".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - MALE HEAD
Alberto Giacometti signed and numbered bronze sculpture, "MALE HEAD ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x4".
Medium - Sculptures
Bronze Sculpture - Arc of the Covenant by D. Hunter
This bronze sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 18"x14".
Medium - Lithographs
Claude Mars Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Claude Mars Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Spain
Salvador Dali signed and numbered bronze sculpture, "Spain". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Original Bronze by Michael Schofield - Aquamarine Dancer
This is the second piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Aquamarine adorning the piece. "Aquamarine Dancer" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee.During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Footsteps
Signed bronze and ivory art deco sculpture "Footsteps" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base.Approx size: 22" x 9"x5".
General - Prints/Reproductions
Limited Edition Picasso - The Birdcage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Birdcage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Diane Lamp by Moreau
This Original Fine Silver sculpture by Moreau is called, "Diane Lamp". It measures approx. 25.5" x 11.5"x 8.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Art
Painting - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FEMME AU COLLIER", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Image Disappears
Salvador Dali signed limited edition, "The Image Disappears". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Two-Piece Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Two-Piece Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: .
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Nativity Of A New World
Salvador Dali signed limited edition, "Nativity Of A New World". Comes with COA. Edition number may vary from pictured.
Collectibles
Picasso Limited Edition - Indian Girl - from Collection Domaine Picasso
Pablo Picasso limited edition, "Indian Girl". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Card Player" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DEI SOSPIRI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Billy Goat
Dali sculpture, "Billy Goat" is approx. 7.05oz of fine real .999 silver. Sculpture measures approx. 5.5". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman with Red and Blue Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman with Red and Blue Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Garden of Christ". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Boy and Girl with Sunflower Sculpture
This is an Resin Sculpture with stone finish “Boy and Girl with Sunflower ”. Dimensions: 20"H 15"W 15"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Rhino on Space
Salvador Dali signed and numbered bronze sculpture " Rhino on Space". Comes with COA. Some varitations of patina might occur. Approx. size: 18"x 7" x 5"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze -THE HAND
Alberto Giacometti signed and numbered bronze sculpture, " THE HAND ". Comes with COA. Some variation in patina might occur. Approx. size: 13"x12"x6".
Fine Jewelry
Unique Tiffany Signed Sterling Silver Necklace
Unique Tiffany Signed Sterling Silver Necklace
Medium - Sculptures
Bronze Sculpture - Anticipation by Matthews
This bronze sculpture by Matthews is called, "Anticipation" and measures approx. 21" x 10" x 9" and weighs approx. 36lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Elvis Presley Two Giclees
"Elvis Presley" Two Giclees with mini guitar, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 33”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hayse Lithograph
Hayse Original Lithograph, signed, NOT FRAMED!, approx dimension 22"x26" . Own this Horse painting now! CC
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Galatea of the Spheres
Salvador Dali signed and numbered bronze sculpture, "Galatea of the Spheres". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Split Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Beautiful Sterling Citrine & White Sapphire Pendant
Lady's Beautiful Sterling Citrine & White Sapphire Pendant, Citrine approx 8 ct, White Saphire 3 ct
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Girl with Parrot by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Girl with Parrot". It measures approx. 14" x 18"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Droguerie"
This is a hand signed Limited Edition Lithograph by Renoux titled "Droguerie", signed & numbered, approx dimension 24x26in.
Art
Shallow-Love - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Shallow Love". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LISEUSE ET BOUQUET DE ROSES", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Louis Icart Original Litographs
Louis Icart Original Litograms signed and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Sing of Anguish
Salvador Dali signed limited edition, "The Sing of Anguish". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Silver Bronze Dancer by Preiss
Silver bronze Dancer by artist Preiss, silver is approximately 10oz of fine silver. Comes with pedestal
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Maillol Original, limited Edition Bronze -Male Torso
Maillol signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Alert
Salvador Dali signed limited edition, "The Alert". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Poetry in Motion- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Poetry in Motion". This very special edition is extremely limited . Image Size: 33" x 22" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Collectibles
Picasso Limited Edition - Portrait Of The Son Of The Artist - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of The Son Of The Artist". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Studio At Cannes " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DELLE PRIGIONI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Joy of the Blessed". Comes with COA and beautifully framed.
Medium - Sculptures
Teaching Golf Sculpture
This is an Resin Sculpture with bronze finish “Teaching Golf”. Dimensions: 17"H 9"W 9"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze -Butterfly_
Salvador Dali signed and numbered bronze sculpture " BUTTERFLY". Comes with COA. Some varitations of patina might occur. Approx. size: 15"x 9" x 4"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - THE LEG
Alberto Giacometti signed and numbered bronze sculpture, " THE LEG ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x6".
Fine Jewelry
Unisex Very Stylish Tiffany Sterling Silver Bracelet
Unisex Very Stylish Tiffany Sterling Silver Bracelet
Memorabilia
Elvis Presley Two Giclees & event ticket
"Elvis Presley" Two Giclees with image of event ticket, comes in Beautiful custom matt & frame, approx dimension 14"x18".
Medium - Lithographs
Chagall Original Lithographs .
4 Piece Color Lithograph by Chagall. Set includes 4 beautiful Lithographs From L'Odyssée Suite Vol. II. Pencil signed in lower right. Frame Size: 34”x28”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Delacroix Lithograph
Delacroix Lithographs- approx 18x12. Unframed, Beautiful piece. Come bid and win today! CC
Glassware
Emerald Crystal Flow Vases
Emerald Crystal Flow Vases Dimensions are about H:10" W:6" L:6"
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - The Dance - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dance". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Original Fine Silver Sculpture - By the Sea by Cardassi
This Original Fine Silver sculpture by Cardassi is called, "By the Sea". It measures approx. 23" x 8.5"x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.
Art
The First Spark of the day - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The First Spark Of The Day". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ETUDE DE JAMBERS IV (DEMI-LUNE)", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Original Louis Icart Lithographs from Le Faust suite - Follow Me
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Follow Me". Approx. size: 10" x 7". Comes with COA and beautifully framed.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -Six Apparitjons of Lenin a Grand Piano
Salvador Dali signed limited edition, "Six Apparitjons of Lenin a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Victor Villareal Limited Edition Bronze - Unknown
Victor Villareal signed and numbered bronze, "Unknown" Comes with COA. Some variation in patina might occur.. Approx. size: 7x16x6 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Railway Station At Perpignan
Salvador Dali signed limited edition, "The Railway Station At Perpignan". Comes with COA. Edition number may vary from pictured.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Picasso Limited Edition - Seated Nude - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Nude". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Bureau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DE LA VERONA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of St. James". Comes with COA and beautifully framed.
Medium - Sculptures
Standing Composer Sculpture
This is an Resin Sculpture with bronze finish “Standing Composer”. Dimensions: 30"H 9"W 9"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - TREE
Salvador Dali signed and numbered bronze sculpture "TREE". Comes with COA. Some varitations of patina might occur. Approx. size: 17"x 5" x 5"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - DOG
Alberto Giacometti signed and numbered bronze sculpture, " DOG ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x5".
Memorabilia
Beatles 2 Giclees
"Beatles" 2 Giclees And mini gold disk , comes in Beautiful custom matt & frame, approx dimension 14"x18".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Etching Set by A. Durand Rembrandt
3 PIECES CONSISTING OF A FRAMED ARTWORK BY A. REMBRANDT Set includes 3 Original Etchings. Frame Size: 24”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lithograph by Artist Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet, signed & numbered, NOT FRAMED!, approx dimension 17"x12"
Medium - Sculptures
Salvador Dali Original, limited Edition Sculpture - Alice In Wonderland
Salvador Dali signed and numbered sculpture sculpture, "Alice In Wonderland".Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman II - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman II". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Clara by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Clara". It measures approx. 24" x 31"x 16" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.
Art
The Gentleman - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The Gentleman". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PORTRAIT DE CORTOT", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Original Louis Icart Lithographs from Le Faust suite - Sweet Dreams
Louis Icart original lithographs, signed, from the "Le Faust de Goethe" suite, "Sweet Dreams". Approx. size: 10" x 7". Comes with COA and beautifully framed.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Catigula's Horse
Salvador Dali signed limited edition, "Catigula's Horse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Half Figure #1
Henry Moore signed and numbered bronze sculpture, "Half Figure #1". Comes with COA. Some variation in patina might occur. Approx. size: 9x7x4 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Book Transforming Itself
Salvador Dali signed limited edition, "Book Transforming Itself". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas - Solace- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Solace". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Collectibles
Picasso Limited Edition - Portrait Of Bibi La Puree - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Bibi La Puree". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of Bull In Front Of Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 7x11
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NEAR RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Family - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Family". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apotheosis of the Virgin Mary". Comes with COA and beautifully framed.
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - EXTHINGUISER
Salvador Dali signed and numbered bronze sculpture "EXTHINGUISER". Comes with COA. Some varitations of patina might occur. Approx. size: 14"x 12" x 6"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - CHARIOT
Alberto Giacometti signed and numbered bronze sculpture, " CHARIOT". Comes with COA. Some variation in patina might occur. Approx. size: 21"x9"x7".
Medium - Sculptures
Bronze Sculpture - On The Fly by W. Whitten
This bronze sculpture by W. Whitten is called, "On The Fly" and measures approx. 18" x 8" x7" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
Medium - Lithographs
4 Pieces Color Fine Art Lithograph by Tarkay
4 Pieces Color Lithograph Set includes: 4 Lithographs by Tarkay. Frame Size: 23”x21”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Fille
Pablo Picasso signed and numbered bronze sculpture, "Fille". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Man with Crossed Arms". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Victoria - Bronze and Ivory Sculpture by Colinet
Colinet broze and ivory sculpture,Victoria. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 18x6x6.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Wolman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Wolman In An Armchair". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Jesus and the Blindman by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Outlaw
This Frederick Remington sculpture, "Outlaw" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Art
Woman Walking Down Street - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Woman Walking Down the Street". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU MAIN A L'EPAULE (ARABESQUE III)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Family of Marsupial Centaurs
Salvador Dali signed limited edition, " Family of Marsupial Centaurs". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Gold Bronze Sculpture Chiparius
Cape Lady Gold patina Bronze sculpture, comes with pedestal
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Nuclear Cross
Salvador Dali signed limited edition, "Nuclear Cross". Comes with COA. Edition number may vary from pictured.
Collectibles
Picasso Limited Edition - Portrait Of Sylvette - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Sylvette". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Owl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE CON BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Pitcher And A Bowl Of Fruit - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Pitcher And A Bowl Of Fruit". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Angels of the Empyrean". Comes with COA and beautifully framed.
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - FEMME
Alberto Giacometti signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Medium - Sculptures
Bronze Sculpture - Cheyenne by F. Remington
This bronze sculpture by F. Remington is called, "Cheyenne" and measures approx. 19" x 21" x8" and weighs approx. 133lbs. It comes with foundry paperwork.
Memorabilia
The Beatles Giclee, mini guitar & engraved signatures
"The Beatles" Giclee, mini guitar & engraved signatures, comes in Beautiful custom matt & frame, approx dimension 15"x18".
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 23”x16”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lithograph by Bruno.
Bruno Lithograph, approx dimension 27"x26", unframed, rolled, get this all time classic now! Bid and win today! CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original Original, limited Edition Bronze - Flowers
Pablo Picasso signed and numbered bronze sculpture, "Flowers". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Italian Girl". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 24"H x17"W x 8"D and 28lbs. It is a Limited Edition out of 399. SB9H
General - Prints/Reproductions
Limited Edition Picasso - The Couple - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Couple". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Bronco Buster by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Fine Jewelry
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(50DN)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Down Hill"
This is a hand signed Limited Edition Lithograph by Renoux titled "Down Hill", signed & numbered, approx dimension 16x14 in.
Art
Nude - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Nude". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE ET COUPE DE FRUITS", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "L'Oiseau Solaire". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - THREE AGES
Salvador Dali signed limited edition, "THREE AGES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Rock Chair
Henry Moore signed and numbered bronze sculpture, "Rock Chair". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x3 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Birh Of A New Man
Salvador Dali signed limited edition, "Birh Of A New Man". Comes with COA. Edition number may vary from pictured.
Art
Pino on Canvas -A Song in Her Heart- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "A Song in Her Heart". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Collectibles
Picasso Limited Edition - The Turkish Shawl - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Turkish Shawl". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Green" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6 1/2 x 6 1/3
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA II" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman With Yellow and Green Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman With Yellow and Green Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Dali Sculpture- Winged Bust on Marble Base
Dali "Winged Bust" on marble base. Signed and numbered. Approx . Size: 14" x 7"x 5".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "St. Peter and Dante". Comes with COA and beautifully framed.
Medium - Sculptures
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "WOMAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x5.
Medium - Lithographs
Mossant Original Lithographs .
2 Piece Color Lithograph by Mossant. Set includes 2 beautiful Lithographs. signed .These are beautifully framed and matted. Size: 16”x20”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Thornhill Original Lithograph
Thornhill Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Vase Head
Pablo Picasso signed and numbered bronze sculpture, "Vase Head". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Woman". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace, Spinels approx 10 ct.
General - Prints/Reproductions
Limited Edition Picasso - Head Of A Woman With A Self Portrait - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Head Of A Woman With A Self Portrait". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Original Fine Silver Sculpture - Abe by D. Volk
This Original Fine Silver sculpture by D. Volk is called, "Abe" and measures approx. 8" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Art
Bather - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU BRAS GAUCHE SUR LA TETE (ARABESQUE V)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Soft Watch at Moment of Explotion
Salvador Dali signed limited edition, "Soft Watch at Moment of Explotion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Signed Preiss Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Preiss Base signed , Comes with signed Chiparus Pedestal.
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Invisible Afgan with Apparition
Salvador Dali signed limited edition, "Invisible Afgan with Apparition". Comes with COA. Edition number may vary from pictured.
Collectibles
Picasso Limited Edition - Landscape - from Collection Domaine Picasso
Pablo Picasso limited edition, "Landscape". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nude sitting In an Armchair" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Arrival at the Empyrean". Comes with COA and beautifully framed.
Medium - Sculptures
Alejandro Marquez Original, limited Edition Bronze -ballerina-
Alejandro Marquez signed and numbered bronze sculpture "BALLERINA". Comes with COA. Some variation in patina might occur. Approx. size: 20"x10"x10".
Medium - Sculptures
Bronze Sculpture - El Caballero by Estevez
This bronze sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Two movie stills from Pirates of The Caribbean
Two movie stills from Pirates of The Caribbean, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 20"x14".
Medium - Lithographs
Ulysses and Euryclea by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite "Ulysses and Euryclea". Signed and framed. Comes with COA Frame Size: 21”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Thornhill Original Lithograph
Thornhill Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Medium - Sculptures
Iconic Pablo Picasso Original, limited Edition Bronze - Profile Portrait
Pablo Picasso signed and numbered bronze sculpture, "Profile Portrait". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Gustave Geffroy". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Pajama Girl - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Pajama Girl. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - On The Fly by Whitten
This Original Fine Silver sculpture by Whitten is called, "On The Fly" and measures approx.18" x 8" x 7". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Limited Edition 24K Gold Layered Bronze Sculpture- Wicked Pony by F. Remington
This Frederick Remington sculpture, "Wicked Pony" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Down Hill"
This is a hand signed Limited Edition Lithograph by Renoux titled "Down Hill", signed & numbered, approx dimension 16x14 in.
Art
Gabrielle And The Jewels - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Gabrielle And The Jewels". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE, REFLET DANS LA GLACE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - THE BURNING GIRAFFE
Salvador Dali signed limited edition, "THE BURNING GIRAFFE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Debris Of An Automobile
Salvador Dali signed limited edition, "Debris Of An Automobile". Comes with COA. Edition number may vary from pictured.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Picasso Limited Edition - Portrait Of Jacqueline - from Collection Domaine Picasso
Pablo Picasso limited edition, "Portrait Of Jacqueline". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Toreo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Silenus Dancing In Company - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Silenus Dancing In Company". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Infinite Beauty of Beatrice". Comes with COA and beautifully framed.
Medium - Sculptures
David Alfaro Siqueros Limited Edition Bronze - Warrior
David Alfaro Siqueiros signed and numbered bronze sculpture, "WARRIOR". Comes with COA. Some variation in patina might occur. Approx. size: 11x16x5.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - End of the Trail by Fraiser
This bronze sculpture by Fraiser is called, "End of the Trail" and measures approx. 21" x 16" x 6" and weighs approx. 152lbs. It comes with foundry paperwork.
Memorabilia
John F. Kennedy Giclee with engraved signature
John F. Kennedy Giclee with engraved signature, also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 15"x18".
Medium - Lithographs
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph . Together they make the perfect pair. Frame Size: 18”x23”. Very Rare!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Pregnant Woman
Pablo Picasso signed and numbered bronze sculpture, "Pregnant Woman". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape with Mont Sainte Victorie". Comes with ceritificate of authenticity, framing available at an additonal cost.
General - Prints/Reproductions
Limited Edition Picasso - Nude With A Bouqet Of Irises - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude With A Bouqet Of Irises". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Lady Peacock - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3".
Art
L'Estaque - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "L'Estaque". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TORSE A L'AIGUIERE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Knight Death
Salvador Dali signed limited edition, "The Knight Death". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze -Standing Woman
Henry Moore signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x3 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Hyperidological Sky
Salvador Dali signed limited edition, "Hyperidological Sky". Comes with COA. Edition number may vary from pictured.
Collectibles
Picasso Limited Edition - Le Coq - from Collection Domaine Picasso
Pablo Picasso limited edition, "Le Coq". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nature Morte au Verre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN WINDOWS" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Still Life with Candle, Pallette and Black Bull's Head - Collection Domain
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Candle, Pallette and Black Bull's Head". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Loyal Angels". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - MAN
Rufino Tamayo signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 20"x10"x10".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Savage by F. Remington
This bronze sculpture by F. Remington is called, "Savage" and measures approx. 12" x 8" x 8".. It comes with foundry paperwork.
Memorabilia
Licenced Disney Etchings The Nightmare Before Christmas
Licenced Disney Etchings "The Nightmare Before Christmas" hand colored, comes in Beautiful custom matt & frame, approx dimension 18x14. An original hand painted etching was created with a steel engraving needle scratched by the artist into a varnish covered zinc or copper plate. In an acid bath the etch is created to the desired depth. The printing press on wet hand made paper. After drying the etchings are hand colored with water colors. comes in Beautiful custom matt & frame Edition 500.
Medium - Lithographs
Renoir Posthumous Etching Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR Set includes 2 Posthumous Etchings. Frame Size: 24”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Thornhill Original Lithograph
Thornhill Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 16"x12". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Glassware
Cobalt Diamond Cut Crystal Mushroom Lamp
Cobalt Diamond Cut Crystal Mushroom Lamp
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Ambitieuse
Pablo Picasso signed and numbered bronze sculpture, "Ambitieuse". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Persian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Persian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 25"x16".
Fine Jewelry
Lady's Fancy Ruby & Dimond Necklave with Pendant
Lady's Fancy Ruby & Dimond Necklave with Pendant, Ruby approx 1 ct, 20 points VS1 G in color
General - Prints/Reproductions
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Semper Fidelis by DeLier
This Original Fine Silver sculpture by DeLier is called, "Semper Fidelis" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Post"
This is a hand signed Limited Edition Lithograph by Renoux titled "Post", signed & numbered, approx dimension 16x14 in.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE DE BOUT, VISAGE COUPE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Fountain Flowing from a Grand Piano
Salvador Dali signed limited edition, "Fountain Flowing from a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11". Comes with pedestal
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Untitled
Alberto Giacometti signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Figures Lying On The Sand
Salvador Dali signed limited edition, "Figures Lying On The Sand". Comes with COA. Edition number may vary from pictured.
Collectibles
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Assise Pre D'une Fenetre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Very Stylish Diamond Ring
Lady's Very Stylish Diamond Ring, Diamond approx .25 ct, VS1 G in color.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASE VENEZIANE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Woman with Sculpture - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman with Sculpture". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Beautiful Tiffany & Co Bracelet
Beautiful tiffany & co silver braclet.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Archangel Gabriel". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - Man at the Door
Rufino Tamayo signed and numbered bronze sculpture, "Man at the Door". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x5".
Medium - Sculptures
Bronze Sculpture - Sergeant by F. Remington
This bronze sculpture by F. Remington is called, "Sergeant" and measures approx. 11" x 5" x 4". It comes with foundry paperwork.
Memorabilia
Licenced Disney Etchings The Nightmare Before Christmas
Licenced Disney Etchings "The Nightmare Before Christmas " hand colored, comes in Beautiful custom matt & frame, approx dimension 18x14. An original hand painted etching was created with a steel engraving needle scratched by the artist into a varnish covered zinc or copper plate. In an acid bath the etch is created to the desired depth. The printing press on wet hand made paper. After drying the etchings are hand colored with water colors. comes in Beautiful custom matt & frame Edition 500.
Medium - Lithographs
Louis Icart Original Litographs
2 Piece Color Lithograph by Louis I cart. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 15”x22”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Glassware
Ruby Diamond Cut Crystal Mushroom Lamp
Ruby Diamond Cut Crystal Mushroom Lamp
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Exciting Pablo Picasso Original, limited Edition Bronze - Helping Hand
Pablo Picasso signed and numbered bronze sculpture, "Helping Hand". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x5.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Romeo and Juliette - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, Romeo and Juliette. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
General - Prints/Reproductions
Limited Edition Picasso - The Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Weeping Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Anticipation by Matthews
This Original Fine Silver sculpture by Matthews is called, "Anticipation" and measures approx. 25" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Spirit of Ecstasy - 24K Gold Layered Limited Edition Sculpture
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This is a limited edition bronze and then layered with 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE AU MIROIR", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Etincelles" from - L'Oiseau Solaire. Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Enchanted Beach
Salvador Dali signed limited edition, "Enchanted Beach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10". Comes with pedestal
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Braque Original, limited Edition Bronze -Steed
Braque signed and numbered bronze sculpture, "Steed". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Rotting Dokey
Salvador Dali signed limited edition, "The Rotting Dokey". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Cock And Knife" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Sterling Unique Design Tri-Color Stone Ring
Lady's Sterling Unique Design Tri-Color Stone Ring, Pink Sapphires approx 2ct, White Sapphires approx 3.5 ct, Aquamarines approx 2ct.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Melting Clock
Dali sculpture, "Melting Clock" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Painter In His Studio - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Painter In His Studio". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. In 1948 Dali decided, after a very fruitful eight-year-long stay in the United States, to return to Europe to devote himself to "nuclear mysticism" with the expert motto his insight that the "the skillful arts of painting were developed once and forever and with the greatest perfection and influence during the Renaissance and that the decadence of modern art finds its origins in skepticism and a lack of faith, which is a consequence of mechanical materialism. Although still filled with Dali-like symbolism, Picasso's portrait has stylistic neoclassical elements. Approx. Dimensions: 5.25 in. x 3.25 in. x 1.5 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze -BOY
Rufino Tamayo signed and numbered bronze sculpture, "BOY". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x12"x5".
Fine Jewelry
Lady's Beautiful HEART Shaped Tiffany Sterling Silver Ring
Lady's Beautiful HEART Shaped Tiffany Sterling Silver Ring
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Bob Dylan Giclee with Gold Record
"Bob Dylan " Giclee with Gold Record "LIKE A ROLLING STONE", mini guitar & Biography, comes in Beautiful custom matt & frame , approx dimension 21"x18".
Medium - Lithographs
3 Pieces Color Lithograph by Picasso
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 17”x34”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Lark in the Park by Wooster Scott
Lark in the Park by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Glassware
Coral Diamond Cut Crystal Mushroom Lamp
Coral Diamond Cut Crystal Mushroom Lamp
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Female Face
Pablo Picasso signed and numbered bronze sculpture, "Female Face". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x6.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Russian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. .
General - Prints/Reproductions
Limited Edition Picasso - The Sculptor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sculptor". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Field of Dreams by Monreau
This Original Fine Silver sculpture by Monreau is called, "Field of Dreams" and measures approx. 29.5" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Boulangerie"
This is a hand signed Limited Edition Lithograph by Renoux titled "Boulangerie", signed & numbered, approx dimension 20x20 in.
Art
Madame Henriot - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Madame Henriot". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU TURBAN", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Landscape near Port ligot
Salvador Dali signed limited edition, " Landscape near Port ligot". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Woman By The Cliffs
Salvador Dali signed limited edition, "Woman By The Cliffs". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "La Fille De L'Artiste A Deux ans Et Demi Avec Un Bateau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CHIESA DELLA SALUTE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Flatterer". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - WOMAN
Rufino Tamayo signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17"x10"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Tall Feather by Moretti
This bronze sculpture by Moretti is called, "Tall Feather" and measures approx. 15" x 10" x 6".. It comes with foundry paperwork.
Memorabilia
Giclee Giclee on Canvas of the RAT PACK
Giclee Giclee on Canvas of the RAT PACK Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 22"x25".
Medium - Lithographs
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 31”x16”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Clowning Around by Wooster Scott
Clowning Around by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Glassware
Tiffany Style Lamp
Tiffany Style Lamp
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of the Gardener Vallier". Comes with ceritificate of authenticity, framing available at an additonal cost.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Original Fine Silver Sculpture - Government by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Government" and measures approx. 33" x 12" x 12". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
William Han by Tony Cloffet 1901
Bronze William Han by Tony Cloffet 1901, dimensions are about 22x7.
Art
Nude Study - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Nude Study". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS, BRAS GAUCHE SUR LA TETE", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Castration Complex
Salvador Dali signed limited edition, "Castration Complex". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10". Comes with pedestal.
Medium - Sculptures
Andreas Urteil Original, limited Edition Bronze - Der Fechter, 1960
Andreas Urteil signed and numbered bronze sculpture, "Der Fechter",1960. Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Endless Enigma
Salvador Dali signed limited edition, "The Endless Enigma". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Et Minotaur" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM PIAZZALE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Weeping Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Sodomites". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - WIZARD
Rufino Tamayo signed and numbered bronze sculpture, "WIZARD". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Wicked Pony by F. Remington
This bronze sculpture by F. Remington is called, "Wicked Pony" and measures approx. 21" x 19" x 7" . It comes with foundry paperwork .
Memorabilia
Giclee Giclee on Canvas of Michael Jackson
Giclee Giclee on Canvas of Michael Jackson Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 25"x22".
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Home Before Dark by Wooster Scott
Home Before Dark by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original Original, limited Edition Bronze - Three Faces
Pablo Picasso signed and numbered bronze sculpture, "Three Faces". Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Kapurthala - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Kapurthala. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 2"x10"
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman In A Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In A Garden". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Lovers
Dali sculpture, "Lovers", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Renoux Hand Signed Lithograph "Alberge de la bonnie Franquette"
This is a hand signed Lithograph by Renoux titled "Alberge de la bonnie Franquette", signed , approx dimension 24x17 in.
Art
Painting - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE, CHALE SUR LES JAMBES", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Rembrandt Limited Edition - HEAD OF CHRIST
Rembrandt signed limited edition, "HEAD OF CHRIST". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 21"H x6"W x 4"D and 30lbs. It is a Limited Edition out of 399. SB6H comes with pedestal
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze -Three Points
Henry Moore signed and numbered bronze sculpture, "Three Points". Comes with COA. Some variation in patina might occur. Approx. size: 9X12X6 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Apotheosis Of Homer
Salvador Dali signed limited edition, "The Apotheosis Of Homer". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "L'Alesienne" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Very Fancy Sterling White & Golden Sapphire Ring
Very Fancy Sterling White & Golden Sapphire Ring, White Sapphires approx 3ct, Golden Sapphires approx 2ct.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ROOF TOPS" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Harlequin Leaning On His Elbow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin Leaning On His Elbow". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Fine Jewelry
Very fancy Tiffany Sterling Silver Womens Earings
Very fancy Tiffany Sterling Silver Womens Earings
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Fraud". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - GIRL
Rufino Tamayo signed and numbered bronze sculpture, "GIRL". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x8"x4".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Win, Place, Show by D. Scott
This bronze sculpture by D. Scott is called, "Win, Place, Show" and measures approx. 19" x 41" x 10" . It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
Giclee Giclee on Canvas of Elvis Presley
Giclee Giclee on Canvas of Elvis Presley Beautiful Matted & Framed , comes in Beautiful custom matt & frame, approx dimension 25"x22".
Medium - Lithographs
Zule Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Zule Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 23”x26”. Very Nice Set!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Beacon on the Beach by Wooster Scott
Beacon on the Beach by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
General - Original Works
Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Rare Pablo Picasso Original Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
General - Direct from the Artist
D. Mc Caw Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph by D. Mc Caw. Image Size: 33" x 32" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
The English Peartree - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "The English Pear Tree". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE (SOL AUX CARREAUX ROUGES)", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -CHRISTMAS
Salvador Dali signed limited edition, "CHRISTMAS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Silver Bronze Sculpture withn Pedestal
Signed art deco bronze silver sculpture by artist Chiparus Base signed ,Comes with signed Chiparus Pedestal. Approximately 30
Medium - Sculptures
Lipschitz Original, limited Edition Bronze -Working Man
Lipschitz signed and numbered bronze sculpture, "Working Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x15x5 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Landscapes With Telephones On A Plane
Salvador Dali signed limited edition, "Landscapes With Telephones On A Plane". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Personnage Et Colombe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA POGGI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Rooster - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rooster". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Corrupt". Comes with COA and beautifully framed.
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Bronco Buster by F. Remington
This bronze sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It comes with foundry paperwork.
Memorabilia
Giclee Giclee on Canvas of the RAT PACK
Giclee Giclee on Canvas of the RAT PACK Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 22"x25".
Medium - Lithographs
Victoria Ponikvar Original Watercolors
4 Piece Watercolors by Victoria Ponikvar. Set includes 4 beautiful Watercolors. Pencil signed in lower right. Frame Size: 25”x25”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Salem Shipyard by Wooster Scott
Wooster Scott Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 14"x13". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Glassware
Tiffany Style Blue Dragonfly Lamp
Tiffany Style Blue Dragonfly Lamp
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Bull
Pablo Picasso signed and numbered bronze sculpture, "Bull". Comes with COA. Some variation in patina might occur. Approx. size:
Medium - Sculptures
Fantasy Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and 32lbs. It is a Limited Edition out of 399. SB9H
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Art
TheGreatBoulevards - Renoir - Limited Edition on Canvas
Pierre Renoir Limited Edition on canvas, "The Great Boulevards". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE DE DOS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - The Lovers
Marc Chagall Signed Limited Edition, "The Lovers". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Signed Silver Coradassi Bronze Sculpture
oz of fine silver
Medium - Sculptures
Marino Marini Bronze Sculpture - Nude
Marino Marini signed and numbered bronze sculpture, "Nude". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Vision Of Eternity
Salvador Dali signed limited edition, "Vision Of Eternity". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Homage To The Spainards" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE ROSA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Large Pure Real .999 Silver Bear and the Bull Sculpture by Delair
This large sculpture, "Bear and the Bull" by Delair is 10 troy ounces of real .999 silver. Comes with foundry Assay. Approx. size: 7 1/2"x4"x4".
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Ugolino and Ruggieri". Comes with COA and beautifully framed.
Decorative Collectibles
A Company is best known by the competition it creates - Paper weight- Made of Genuine Whale tooth wi
A Company is best known by the competition it creates - Collectible Item- Made of Whale tooth with Orante Hand carvings out of estate. Dimensions are about 1x 3 1/2
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - HAT MAN
Rufino Tamayo signed and numbered bronze sculpture, "HAT MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 11"x9"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Gift Dancer by Kauba
This bronze sculpture by Kauba is called, "Gift Dancer" . It comes with foundry paperwork .
Memorabilia
Two movie stills from Pirates of The Caribbean
Two movie stills from Pirates of The Caribbean, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 20"x14".
Medium - Lithographs
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 20”x27”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Best in Show by Wooster Scott
Wooster Scott Limited Edition Lithograph. Unframed, signed, a must have in your art collection, approx dimension 14"x13". Learn of all the greats and simply artist of generation's past. It all is the journey that takes us here in todays world of art! Shre the appreciation, bid and win today!!!!
Glassware
Emerald Diamond Cut Crystal Mushroom Lamp
Emerald Diamond Cut Crystal Mushroom Lamp
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Female Torso
Pablo Picasso signed and numbered bronze sculpture, "Female Torso". Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Slit Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Slit Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Woman In A Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Red Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Anthropormorphic
Dali sculpture, "Anthropormorphic" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE VOILEE AUX DEUX BRACELETS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Marc Chagall Signed Limited Edition - Circus Acrobats
Marc Chagall Signed Limited Edition, "Circus Acrobats ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 24"H x 8"W x 8"D and 29lbs. It is a Limited Edition out of 399. SB8H comes with pedestal
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -
Salvador Dali signed limited edition, "". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femmes Sur La Plage Jouant Au Ballon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Unisex One Of A Kind Black Diamond & White Sapphire Ring
Unisex One Of A Kind Black Diamond & White Sapphire Ring, White Sapphires approx 3ct & Blk Diamonds approx 3ct.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 13x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE FLOOD OF FLORENCE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Punishment of Vanni Fucci". Comes with COA and beautifully framed.
Fine Jewelry
Lady's Tiffany & Co. HEART shaped Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - First Out by Renfro
This bronze sculpture by Renfro is called, "First Out" and measures approx. 16" x 24" x 87". It comes with foundry paperwork.
Memorabilia
Louis Armstrong Giclee with Gold Record
"Louis Armstrong" Giclee with Gold Record " Giclee with Gold Record "Blueberry Hill" also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 21"x17".
Medium - Lithographs
Limited Edition Lithographs Set by Artist Urbain Hutchet
2 PIECES CONSISTING OF A FRAMED ARTWORK BY HUTCHET Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 22”x29”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Ships Ahoy! By Wooster Scott
Ships Ahoy! By Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
Glassware
Tiffany Style Dragonfly Lamp
Tiffany Style Dragonfly Lamp
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Flower
Pablo Picasso signed and numbered bronze sculpture, "Flower". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x5.
General - Prints/Reproductions
Limited Edition Picasso - Sleeping Woman Before Green Shutters - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Woman Before Green Shutters". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE BRASERO ET COUPE DE FRUITS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
George Suerat Limited Edition - Sunday Afternoon
George Suerat Limited Edition, "Sunday Afternoon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Dali Limited Edition Bronze Silver Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY w
This is a limited edition silver bronze sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. Approximately 10 OZ fine silver, comes with pictured fine Chiparus pedestal. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Medium - Sculptures
Captivating Alberto Giacometti Original, limited Edition Bronze -Man and Woman
Alberto Giacometti signed and numbered bronze sculpture, "Man and Woman". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Skull Of Zurbaran
Salvador Dali signed limited edition, "Skull Of Zurbaran". Comes with COA. Edition number may vary from pictured.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Owl And A Chair Of Sea Urchins" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Very Stylish Silver Heart Shaped Tri-color Stone Ring
Very Stylish Silver Heart Shaped Tri-color Stone Ring, White Sapphires approx 5ct, Aquamarines approx 3ct, Pink Sapphires approx 2ct, Golden Sapphires approx 2ct.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Still Life with Candle - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Candle". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Centuar". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Joan Miro Original Limited Edition Bronze -Fish
Joan Miro signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x10x10.
Fine Jewelry
Lady's Tiffany & Co. DATED 1837 Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Arizona by Unknown
This bronze sculpture by Unknown is called, "Arizona".It comes with foundry paperwork.
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Doc's Day Off by Wooster Scott
Doc's Day Off by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Rare Pablo Picasso Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4.
Medium - Sculptures
Spring Awakening - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Spring Awakening. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 14"x8".
General - Prints/Reproductions
Limited Edition Picasso - Portrait Of A Painter, After El Greco - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait Of A Painter, After El Greco". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Fantasy Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LE RENARD BLANC", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Klimt Signed Limited Edition - lady with a Feathered Boa
Klimt Signed Limited Edition, "lady with a Feathered Boa". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Real Silver Pablo Dali Limited Edition Sculpture - Helping Hand with Pedestal
Dali Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx.10Troy ounces of real silver and comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur.
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Horse with Saddle
Botero signed and numbered bronze, " Horse with Saddle ". Comes with COA. Some variation in patina might occur. Approx. size: 10x9x6 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Suburbs Of A Paranoiac
Salvador Dali signed limited edition, "Suburbs Of A Paranoiac". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 2.5 ct.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 9x7
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AFTERMATH" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Embrace - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Embrace". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Simoniac". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original Limited Edition Bronze - Head
Joan Miro signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Freedom Rising by D. Scott
This bronze sculpture by D. Scott is called, "Freedom Rising" and measures approx. 48" x 28" x 26" and weighs approx.160lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
Beatles Giclee with Record, Music Notes
BEATLES Giclee with Record, Music Notes "SOMETHING" comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 22x24.
Medium - Lithographs
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Merrily We Roll Along by Wooster Scott
Merrily We Roll Along by Wooster Scott. Unframed, signed, comes with COA, a must have in your art collection
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Baboon and Young
Pablo Picasso signed and numbered bronze sculpture, "Baboon and Young". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x5.
Fine Jewelry
Lady's Beautiful Tiffany Co. Necklace
Lady's Beautiful Tiffany Co. Necklace
General - Prints/Reproductions
Limited Edition Picasso - Maya With A Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya With A Doll". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Plated Bronze Sculpture- Female Bust
Dali sculpture, "Female Bust", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
The Ruler by T. Davis 1854
Bronze "The Ruler" by T. Davis 1854, dimensions are about 24x13.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PERSANE", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Portrait of Paul Eluard
Salvador Dali signed limited edition, "Portrait of Paul Eluard". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Picasso Gold Bronze Sculpture - Man With Guitar with Pedestal
Beautiful Gold bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9". Comes with fine Chiparus Pedestal.
Medium - Sculptures
Jean Arp Original, limited Edition Bronze - Fleur de Reve au Museau
Jean Arp signed and numbered bronze sculpture, "Fleur de Reve au Museau ". Comes with COA. Some variation in patina might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Chemist of Ampurdian
Salvador Dali signed limited edition, "The Chemist of Ampurdian". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Musician" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Sterling Amethyst & White Sapphire Ring
Lady's Sterling Amethyst & White Sapphire Ring, Amethyst approx 40 ct, White Sapphires approx 2ct.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "HUNTINGTON HARBOUR" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Mohammed". Comes with COA and beautifully framed.
Medium - Sculptures
Alberto Giacometti Original Limited Edition Bronze -
Alberto Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Bronze Sculpture - Day's End by D. Scott
This bronze sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and weighs approx. 500lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
Giclees of The 10 Greatest Country STARS
"Giclees of "The 10 Greatest Country STARS" Woman Edition. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 23"x26".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Fisherman Mending Nets II by Chiam Gross
Fisherman Mending Nets II by Chiam Gross. Lithograph. Unframed, signed, approx dimension 26"x28", a must have in your art collection
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Medium - Sculptures
Tango - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tango. This piece is thought to represent Rudolph Valentino and his wife Natasha Rambova, While Valentino is remembered most for his film career, he also danced with his wife for audiences in the U.S. and Europe. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6.5".
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE DANS FAUTEVIL", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Botero Limited Edition - Unknown
Botero Limited Edition, "Unknown". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Signed Silver Alfred Dubucand Bronze Sculpture "Buffalo"
This silver bronze is approximately 10 OZ of fine silver, the bronze sculpture is of a standing buffalo, with a magnificent coat of hair, by Alfred Dubcand (Frenchz: 1828-1894). The bison shows great rack of curved horns standing on the prairie. Dimensions (without pedestal) is approximately 18x11x14. Comes with beautiful Chiparus pedestal.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Zuniga Original Original, limited Edition Bronze - Mujer Con Nia
Zuniga signed and numbered bronze sculpture, "Mujer Con Nia". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Labrynth
Salvador Dali signed limited edition, "Labrynth". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Muse II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Unisex Stylish Butterfly & Black Onix Ring
Unisex Stylish Butterfly & Black Onix Ring, Blk Onix approx 20 ct.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHING BOATS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - St. John
Dali sculpture, "St. John" is approx. 2.96 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Soft Self Portrait With Fried Bacon
This is a limited edition, signed bronze sculpture entitled "SOFT SELF PORTRAIT WITH FRIED BACON" (1941) by Salvador Dali. Dali painted this self-portrait during his eight-year-exile in the United States, where he had fled from the Spanish civil war. The, sometimes, childlike enthusiasm and the drive of the American society appealed to Dali and he had a most productive period there. Under this influence he appeared to reverse his "paranoid-critical" method. Now he painted more from the inside out, as his comment on his self-portrait indicates. Dali himself styles his self-portrait as "an anti-psychological self-portrait, instead of painting the soul, or the inner of oneself, to paint solely the appearance, the cover, my soul's glove. This glove of my soul can be eaten and is even a little sharp, like highbred game; therefor ants appear together with the fried bacon. As the most generous of all painters I continuously offer myself as food and thus give our era the most delicious delicacies. Approx. Dimensions: 4.75 in. x 3 in. x 3 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Gianni Schicchi's Bite". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Botero Bronze Sculpture - Dance Lesson
Botero signed and numbered bronze, " Dance Lesson". Comes with COA. Some variation in patina might occur.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Rapture II by D. Scott
This bronze sculpture by D. Scott is called, "Rapture II" and measures approx. 64" x 43" x22" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
SOPRANOS Giclee
SOPRANOS Giclee with Cigar , Gun & Bullets comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 27"x18".
Medium - Lithographs
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 18”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Rock Star
Bustamante signed and numbered bronze sculpture, "Rock Star". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x3.
Medium - Sculptures
Civa- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Civa. This piece was inspired by the exotic, tradional Eastern dance style adopted by Parisan revue performers such as Gipsy Rhouma-je and Perry. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Horsemen of Apocalypse
Salvador Dali signed limited edition, " The Horsemen of Apocalypse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Salvador Dali RHINOCEROS Silver Bronze Sculpture with Pedestal
This is a rare silver bronze Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4". Silver is approximately 10 OZ, comes with fine Chiparus Pedestal
Medium - Sculptures
Zuniga Original Original, limited Edition Bronze - Unknown
Zuniga signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Invention Of The Monsters
Salvador Dali signed limited edition, "The Invention Of The Monsters ". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Couple" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 5 ct.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISH CLEANED" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Progphecy of Vanni Fucci". Comes with COA and beautifully framed.
Medium - Sculptures
Maillol Original Limited Edition Bronze
Maillol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Eaglehead by H. Scott
This bronze sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and weighs approx. 8lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
Giclees of The 10 Greatest Country STARS
"Giclees of "The 10 Greatest Country STARS" Man Edition. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 23"x26".
Medium - Lithographs
Limited Edition Lithographs Set by Thornhill
2 PIECES CONSISTING OF A FRAMED ARTWORK BY THORNHILL Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 20”x28”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Cain Lithograph
Cain Lithograph. Unframed, signed, approx dimension 18"x26", a must have in your art collection
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Reclining Sun
Bustamante signed and numbered bronze sculpture, "Reclining Sun". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x3.
Medium - Sculptures
Tender Promises - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tender Promises. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x30".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Venus on a Shell
Dali sculpture, "Venus on a Shell", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Illustration for don Quixote II
Salvador Dali signed limited edition, "Illustration for don Quixote II". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Dali Limited Edition Silver Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Huma
This is a limited edition, signed silver bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN", silver is approximately 10 OZ, comes with beautiful Chiparus pedestal. watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Set Of Tristan
Salvador Dali signed limited edition, "Set Of Tristan". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Dejeuner Sur L'herbe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CATALINA ISLAND MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Portrait of Dora Maar Seated - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Dora Maar Seated". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Traitor of Montaperti". Comes with COA and beautifully framed.
Medium - Sculptures
Jean Arp Original Limited Edition Bronze -Torso
Jean Arp signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size: 10x4x4.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Heron on a Branch by J. Townsend
This bronze sculpture by J. Townsend is called, "Heron on a Branch" and measures approx. 30" x 14" x 6" and weighs approx. 86lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Elvis Presley Three Giclees
Elvis Presley Three Giclees with Gold Records, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 26"x32".
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Sun King
Bustamante signed and numbered bronze sculpture, "Sun King". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Medium - Sculptures
Thais - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Thais. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21.5"x23".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Air de Chasse"
This is a hand signed Limited Edition Lithograph by Renoux titled "Air de Chasse", signed & numbered, approx dimension 29x37 in.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Christian Knight
Salvador Dali signed limited edition, "Christian Knight". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Beautiful Bronze Sculpture by Chiparus
Beautiful bronze sculpture by artist Chiparius "Antenea" comes with fine Chiparus pedestal. Dimensions of the sculpture is approximately 12x7x4.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Ruin With Head Of Medusa
Salvador Dali signed limited edition, "Ruin With Head Of Medusa". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of A Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHERMAN'S WHARF - EVENING" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Paul As A Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Paul As A Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Reassurance". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original Limited Edition Bronze- Personage
Joan Miro signed and numbered bronze sculpture, "Personage". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x7.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Pelicans by Koop
This bronze sculpture by Koop is called, "Pelicans" and measures approx. 30" x 24" x 20" and weighs approx.125lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Giclee on Canvas by Roxy titled LAS VEGAS GOLD II
Limited Edition Giclee on Canvas by Roxy titled "LAS VEGAS GOLD II" gold signed, Edition 500. comes in Beautiful custom matt & frame, approx dimension 30"x40".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bustamante Original, limited Edition Bronze - The Wizard
Bustamante signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x3.
Medium - Sculptures
The Secret - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Secret. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x13".
Fine Jewelry
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant, Amethyst approx 2 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "RISTORANTE"
This is a hand signed Limited Edition Lithograph by Renoux titled "RISTORANTE", signed & numbered, approx dimension 22x25 in.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Two Woman with a town in the Background
Salvador Dali signed limited edition, "Two Woman with a town in the Background". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Stunning Bronze Sculpture on Chiparus Pedestal by artist Moreau
Stunning bronze by Moreau sitting on a fine Chiparus pedestal. Dimensions of the bronze is approximately 14x8x5.
Medium - Sculptures
Fritz Wotruba Original Original, limited Edition Bronze - Figure
Fritz Wotruba signed and numbered bronze sculpture, "Figure". Comes with COA. Some variation in patina might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - A Couple With Heads In The Clouds
Salvador Dali signed limited edition, "A Couple With Heads In The Clouds". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude Pour Le Nu A La Draperie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 5x5
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Women of Avignon - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Women of Avignon". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Charon". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original Limited Edition Bronze - MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 17x10x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Blue Marlins by Koop
This bronze sculpture by Koop is called, "Blue Marlins" and measures approx. 38" x 29" x 16" and weighs approx. 80lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Pablo Picasso and Salvador Dali-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and DALI, Set includes 2 Original lithographs. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
European Villa by Arthur Seiden
European Villa by Arthur Seiden. Limited Edition Lithograph. Unframed, signed, approx dimension 30"x22", a must have in your art collection
General - Original Works
Original Watercolor Signed Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x11".
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Sun Queen
Bustamante signed and numbered bronze sculpture, "Sun Queen". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x7.
Medium - Sculptures
Fiery Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 27"H x 12"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF
Medium - Sculptures
Three Dancers - Bronze and Ivory Sculpture by Phillipe
Phillipe bronze and ivory sculpture, Three Dancers. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x17".
Fine Jewelry
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet, Garnet approx 5 ct, Diamonds approx .75 ct VS1, G in color.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Plated Bronze Sculpture- Female Figure
Dali sculpture, "Female Figure" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Woman with a Head of Roses
Salvador Dali signed limited edition, "Woman with a Head of Roses". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 8"x10". In excellent condition, comes unframed
Medium - Sculptures
Bronze Sculpture by Moreau "Bubbles" with Pedestal
beautiful bronze sculpture by artist Moreau "Bubbles" comes with beautiful Chiparus pedestal. Dimensions of the bronze is approximately 13x8x7.
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Bull
Botero signed and numbered bronze, " Bull ". Comes with COA. Some variation in patina might occur. Approx. size: 8x13x8 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Enigma Of Desire
Salvador Dali signed limited edition, "The Enigma Of Desire". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Blue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JACK IN BOX" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Child Holding A Dove - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Child Holding A Dove". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signed bronze sculpture entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali. During his years in America Dalí worked on cinema and designed for theatre and theatre and ballet productions. His first design for the ballet was Bacchanale (originally named in German "Venusberg"), for which he also wrote the scenario and designed the costumes. It was a Metropolitan Opera production, choreographed by Leonide Massine for the Ballet Russe de Monte Carlo. The ballet was set to the music of Richard Wagner, whose insane patron, king Ludwig II, was portrayed in the scenario. Approx. Dimensions: 7 in. x 4 in. x 3 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "News of the Lower Depths of Hell". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original Limited Edition Bronze - Woman In The Night
Joan Miro signed and numbered bronze sculpture, "Woman In The Night". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Tuna by J. Townsend
This bronze sculpture by J. Townsend is called, "Tuna" and measures approx. 12" x 15" x 9" . It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
KISS double Giclee with Gold LP and Real Guitar
KISS double Giclee with Gold LP "Alive II" Real Guitar, Biagrophy & engraved signatures, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 35"x43".
Medium - Lithographs
Chagall Limited Edition Lithographs Set-
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Limited Edition Lithograph Set-Signed and numbered. Frame Size: 21”x31”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Glassware
Fine Nippon Procelain Vase with Mural
Fine Nippon Procelain Vase with Mural
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Mermaid
Bustamante signed and numbered bronze sculpture, "Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 10x5x5.
Medium - Sculptures
Yambo - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Yambo. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x11"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Sun Table
Salvador Dali signed limited edition, " Sun Table". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Medium - Sculptures
Bronze Swing Lady by Moreau with Pedestal
Beautiful bronze sculpture by artist Moreau "Swing Lady" comes with beautiful Chiparus pedestal. Dimensions are approximately 15x11x9.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Woman in Chair-
Henry Moore signed and numbered bronze sculpture, " Woman in Chaird". Comes with COA. Some variation in patina might occur. Approx. size: 10x8x4 Inch.
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Self Portrait With Fried Bacon
Salvador Dali signed limited edition, "Self Portrait With Fried Bacon". Comes with COA. Edition number may vary from pictured.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Notre dame" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 2x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAILS AT BELMONT" CIRCA 1967. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Sailor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sailor". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Minos". Comes with COA and beautifully framed.
Medium - Sculptures
Alberto Giacometti Original Limited Edition Bronze - Femme
Alberto Giacometti signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 14"x7"x4"
Medium - Sculptures
Bronze Sculpture - Tenderness by J. Townsend
This bronze sculpture by J. Townsend is called, "Tenderness" and measures approx. 28" x 14" x 14" and weighs approx. 75lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Giclee on Canvas of the RAT PACK
Giclee on Canvas of the RAT PACK These Limited Edition canvas are hand embellished by Meegan. Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 22"x25". Edition 250
Medium - Lithographs
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph Set. Frame Size: 31”x16”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Glassware
Cobalt Diamond Cut Crystal Mushroom Lamp
Cobalt Diamond Cut Crystal Mushroom Lamp
General - Original Works
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Sun In Love
Bustamante signed and numbered bronze sculpture, "Sun In Love". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x6.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Cap Martin - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Cap Martin". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Marc Chagall Signed Limited Edition -PLAYERS
Marc Chagall Signed Limited Edition, "PLAYERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Dali Limited Edition Silver Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed silver bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. silver is approximately 10 OZ, comes with beautiful Chiparus Pedestal. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Dog" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 4x11
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA AT BELMONT" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Rescue - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rescue". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Irascible". Comes with COA and beautifully framed.
Medium - Sculptures
Alvar Original Limited Edition Bronze
Alvar signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x12"x6"
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - La Tortuga by J. Townsend
This bronze sculpture by J. Townsend is called, "La Tortuga" and measures approx. 423" x 16" x 16" and weighs approx. 104lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Scarface Large Hologram The World Is Yours!
Scarface 3D Giclees, also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x31".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 23”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - La Parisienne
Max Ernst signed and numbered bronze sculpture, "La Parisienne", 1950. Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x19.5"x4.5".
Medium - Sculptures
Fiery Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Melting Clock
Dali sculpture, "Melting Clock", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Art
Houses Parliament - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Houses Parliment". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Franz Halls Signed Limited Edition - The Laughin Cavalier
Marc Chagall Signed Limited Edition, "The Laughin Cavalier". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Remington Real .999 Silver -Bronco Buster on Pedestal
This Frederick Remington sculpture, "Bronco Buster" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Medium - Sculptures
Hugue Original, limited Edition Bronze - Man With Wings
Hugue signed and numbered bronze sculpture, "Man With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Ballet" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 5x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JILL" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Farinata". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - JAGUAR
Rufino Tamayo signed and numbered bronze sculpture. "JAGUAR". Comes with COA. Some variation in patina might occur. Approx. size: 7"x9"x5"
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Fish On by J. Townsend
This bronze sculpture by J. Townsend is called, "Fish On" and measures approx. 17" x16" x 11" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
James Dean Large Hologram
James Dean Large Hologram with 3D Giclees, Biography, Legend image of the I.D. card & comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 35"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x27”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Cinderella
Cinderella Serigraph by Sericell. Approx 11x14
General - Original Works
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
Medium - Sculptures
Damascene - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Damascene. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Beautiful Silver Citrine Bracelet
Lady's Beautiful Silver Citrine Bracelet, Citrine approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Japanese Bridge - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Japanese Bridge". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Paris
Salvador Dali signed limited edition, " PARIS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Medium - Sculptures
Real Silver Limited Edition Moreau Sculpture - Girl On A Swing with Pedestal
Beautiful real silver, limited edtition sculpture by Moreau, "Girl On A Swing". Comes with beautiful Chiparus pedestal. This piece contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Her Majesty
Joan Miro signed and numbered bronze sculpture, "Her Majesty". Comes with COA. Some variation in patina might occur. Approx. size: 17x5x5.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head In Profile" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BOATS AT DUSK" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Seated Old Man - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Old Man". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "In Dark Limbo". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - SNAKE
Rufino Tamayo signed and numbered bronze sculpture. "SNAKE". Comes with COA. Some variation in patina might occur. Approx. size: 7"x8"x5"
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Sailfish with Maihi by J. Townsend
This bronze sculpture by J. Townsend is called, "Sailfish with Maihi" and measures approx. 33" x 26" x 16" and weighs approx. 95lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
SCARFACE Hologram
Scarface Hologram with 3D Giclees, Cigar, Gun & Bullets. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 29"x35".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x19”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Bougainvillea Cottage by Sergon
Bougainvillea Cottage by Sergon. Original Mixed Media. Approx 16x20
General - Original Works
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Signed A.R. Dergado Bronze and Ivory - Feuervogel
Signed bronze and ivory art deco sculpture "Feuervogel" by artist A.R. Dergado, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 12.2".
Fine Jewelry
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 4 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
La Grenouillere - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "La Grenouilere". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Roussicion
Salvador Dali signed limited edition, " Roussicion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Medium - Sculptures
Remington Real .999 Silver -Rattlesnake with Pedestal
This Frederick Remington sculpture, "Rattlesnake" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and Chiparus pedestal. Some variations in marble might occur.
Medium - Sculptures
David Alfaro Siqueros Original, limited Edition Bronze - Revolutionary Protest
David Alfaro Siqueiros signed and numbered bronze sculpture, "Revolutionary Protest". Comes with COA. Some variation in patina might occur. Approx. size: 12x15x4.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Bread and Fruit Bowl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ALAMITOS BAY MARINA" CIRCA 1970. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Anthropormorphic
Dali sculpture, "Anthropormorphic" is approx. 1.94 oz of fine real .999 silver. Sculpture measures approx. 4". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Couple Dancing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Couple Dancing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Minotaur". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Henry Moore Limited Edition Bronze - Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:10"x14"x9".
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Medium - Sculptures
Bronze Sculpture - Turtle Rock by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Rock" and measures approx. 32" x 26" x 19" and weighs approx. 140lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
God Father Large Hologram `
"God Father" 3D Giclees, with Biography & Rose. comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 24”x21”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Young Man in Love
Max Ernst signed and numbered bronze sculpture, "Young Man in Love". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x4.
Medium - Sculptures
Encore - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Encore. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 8 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- St John on the Cross
Dali sculpture, "St John on the Cross" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Nympheas - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Nympheas". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Ecuyere Et Cheval
Salvador Dali signed limited edition, " Ecuyere Et Cheval". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Medium - Sculptures
Original Fine Silver Sculpture - Cheyenne by F. Remington with Pedestal
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and beautiful Chiparus pedestal..
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Reclining Figure: Turned Head
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Turned Head". Comes with COA. Some variation in patina might occur. Approx. size: 7x12x7.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With An Open Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREE ON THE BAY" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Reclining Nude with Sun - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude with Sun". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Wood and the Suicide". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
David Alfaro Siqueros Limited Edition Bronze - Proletarian Victim
David Alfaro Siqueiros signed and numbered bronze sculpture, ""Proletarian Victim"". Comes with COA. Some variation in patina might occur. Approx. size: 12"x9"x6".
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Medium - Sculptures
Bronze Sculpture - Clowning Around by J. Townsend
This bronze sculpture by J. Townsend is called, "Clowning Around" and measures approx. 18" x 8" x 8" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Jimi Hendrix Large Hologram
Jimi Hendrix Hologram with 3D Giclees, Guitar, Biagrophy & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 22”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Heather;s Cottage by Sergon
Heather's Cottage by Sergon. Original Mixed Media. Approx 16x20
General - Original Works
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Medium - Sculptures
Kora- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kora. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
Fine Jewelry
Lady's Gorgeous Silver Amethyst Bracelet
Lady's Gorgeous Silver Amethyst Bracelet, Amethyst approx 8 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Poppies - Monet - Limited Edition on Canvas\
Claude Monet Limited Edition on canvas, "Poppies". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Goddess Flower
Salvador Dali signed limited edition, "Goddess Flower". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Medium - Sculptures
Remington Real .999 Silver -Norther with Pedestal
This Frederick Remington sculpture, "Norther" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and beautiful Chiparus Pedestal. Some variations in marble might occur.
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Annette VI
Alberto Giacometti signed and numbered bronze sculpture, "Annette VI". Comes with COA. Some variation in patina might occur. Approx. size:16x6x7.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Nippon Porcelain Head and Shoulders
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 5x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PATIO" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade Large Statue "The God of Happiness"
Siberian Jade Large Statue "The God of Happiness", this is one of the 3 wisemen. All hand carved from one solid piece of jade. Very detailed. Approx dimensions are 30x13x8 in. In house
General - Prints/Reproductions
Limited Edition Picasso - Cavalier with Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Cavalier with Pipe". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Seducers". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - MAN ON HORSE
Marino Marini signed and numbered bronze sculpture "MAN ON HORSE". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Medium - Sculptures
Bronze Sculpture - Seahorse by J. Townsend
This bronze sculpture by J. Townsend is called, "Seahorse" and measures approx. 18" x 12" x 12" and weighs approx. 133lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Marilyn Monroe Large Hologram
Marilyn Monroe Large Hologram with 3D Giclees, Gold Record "HEAT WAVE" & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Arc de Triomphe by Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet. "Arc de Triomphe" Signed. approx dimension 17"x12".
General - Original Works
Original Watercolor on paper Signed Coleman
Original Watercolor on paper In the manner Coleman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Max Ernst Original, limited Edition Bronze - "Unknown"
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Fine Jewelry
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnet approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Original Museum stamped Etchings and Drawings
Original lithographs printed in the late 1800's to early 1900's. All have the original stamp from the Museum. These are the only surviving images from a flood that distroyed the Museum in 1904 . Drawings and Etchings by artist's such as Michealangelo, Tiepolo, Caravaggio, ect. Museum Stamped..
Art
Poppies Argenteuil - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Poppies Argeteuil". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -TAUROMACHIE V
Salvador Dali signed limited edition, "TAUROMACHIE V". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Medium - Sculptures
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture with Pedestal
Bruno Bruni limited edition 24K gold layered bronze sculpture. Comes with beautiful Chiparus pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Seated Man-
Henry Moore signed and numbered bronze sculpture, " Seated Man". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x5 Inch.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Monte Carlo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Romantic Flo Blue Staffordshire Porcelain
2nd Generation Romantic Flo Blue Staffordshire Porcelain. Approx dimensions are 6x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DIANE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade "Bonsai Flowers with vase"
Real Jade hot pink & light lavender Bonsai Flowers on vase, dimensions are approx 12x10 in.
General - Prints/Reproductions
Limited Edition Picasso - Reclining Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "On Greyon's Back". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - CAVALIER
Marino Marini signed and numbered bronze sculpture "CAVALIER". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x6.
Medium - Sculptures
Bronze Sculpture - Playtime by J. Townsend
This bronze sculpture by J. Townsend is called, "Playtime" and measures approx. 65" x 30" x 28" and weighs approx. 350lbs. It comes with foundry paperwork and is part of an edition of 199 pieces.
Memorabilia
ELVIS PRESLEY large Hologram
"Elvis"large Hologram with 3D Giclees, Gold Record "Can't help falling in love" & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original phey all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Place du Tetre by Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet. "Place du Tetre" Signed. approx dimension 17"x12".
General - Original Works
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Moon in Tub-
Bustamante signed and numbered bronze sculpture, "Moon in Tub". Comes with COA. Some variation in patina might occur. Approx. size: 7x8x4.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Tanara
Signed bronze and ivory art deco sculpture "Tanara" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 22"x8"x8"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1.5 ct, Ruby approx 1.5 ct & Deep Purple Amrthyst approx 1.5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Billy Goat
Dali sculpture, "Billy Goat", is cast in bronze and layered in 24K gold. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.
Art
Poppy Field Giverny - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Poppy Field At Giverny". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition -VENICE
Salvador Dali signed limited edition, "VENICE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Medium - Sculptures
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in. Comes with beautiful Chiparus pedestal.
Medium - Sculptures
Botero Bronze Sculpture - Nude
Botero signed and numbered bronze, "Nude". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x5.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Girl With A Boat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Girl With A Boat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "studio window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RAGAZZE ALLA SPIAGGIA" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Siberian Jade "Tangerine Tree"
Jade "Tangerine Tree", dimensions are approx 10x8 in.
General - Prints/Reproductions
Limited Edition Picasso - Figure - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Figure". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Siren of the Dream". Comes with COA and beautifully framed.
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze- FAMILY
Jacque Lipchitz signed and numbered bronze sculpture "FAMILY". Comes with COA. Some variation in patina might occur. Approx. size: 20"x12"x7"
Medium - Sculptures
Bronze Sculpture - Key Largo Adventure by J. Townsend
This bronze sculpture by J. Townsend is called, "Key Largo Adventure" and measures approx. 22" x 16" x 19" and weighs approx. 92lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Four movie stills from GoodFellas
Good Fellas movie stills with Cards & bullet, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 34"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Place Vendome by Urbain Hutchet
Place Vendome by Urbain Hutchet. Signed. Comes with COA. Approx 8x11
General - Original Works
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Crounching Figure
Max Ernst signed and numbered bronze sculpture, " Crounching Figure". Comes with COA. Some variation in patina might occur. Approx. size: 12x5x5 Inch.
Medium - Sculptures
Egyptian Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H1FF
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Star
Signed bronze and ivory art deco sculpture "Star" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Fancy Silver Rose Garnet & Diamond Bracelet
Lady's Fancy Silver Rose Garnet & Diamond Bracelet, Garnet approx 10 ct, Diamonds approx 33 points VS1, G in color
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Art
Terrace Seaside - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Terrace Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - TAUROMACHIE III
Salvador Dali signed limited edition, "TAUROMACHIE III". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Female Torso with P
Pablo Picasso Signed and Numbered 24K gold layered bronze sculpture, "Female Torso". Comes with foundry assay. Some variations in marble might occur. Approx. size: 15"x8"x4". Comes with fine Chiparus pedestal.
Medium - Sculptures
Naldeman Original, limited Edition Bronze Sculpture
Naldeman Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18x5x3.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Minotaur - from Collection Domaine Picasso
Pablo Picasso limited edition, "Minotaur". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Dans Un Fauteuil" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Portrait of Maya With Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Maya With Doll". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Medium - Sculptures
Salvador Dali RHINOCEROS Bronze Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Avaricious". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - DOG
Rufino Tamayo signed and numbered bronze sculpture. "DOG". Comes with COA. Some variation in patina might occur. Approx. size: 11"x14"x7"
Medium - Sculptures
Bronze Sculpture - Rogue by J. Townsend
This bronze sculpture by J. Townsend is called, "Rogue" and measures approx. 53" x 26" x 24" and weighs approx. 210lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Memorabilia
Three Tv show stills from SOPRANOS
SOPRANOS Tv Shows stills with gun cigar & bullets, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 30"x33".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Ponte Neuf by Urbain Hutchet
Limited Edition Lithograph by Artist Urbain Hutchet. "Ponte Neuf" Signed. approx dimension 17"x12".
General - Original Works
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Twin Soul
Max Ernst signed and numbered bronze sculpture, " Twin Soul". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - A Day At The Beach
Signed bronze and ivory art deco sculpture by Chiparus "A Day At The Beach" sits on a marble/onyx base. Signed Chiparus, Etling Paris foundry mark and is about 11x8x25
Fine Jewelry
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 2 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Salvador Dali - Unknown Title
Salvador Dali original limited edition 24K gold layered bronze sculpture .
Art
The River - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "The River". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - NORMANDIE
Salvador Dali signed limited edition, "NORMANDIE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture -Giraffe Woman With Drawers with Pedestal
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "Giraffe Woman With Drawers". Sculpture measures approx. 19"x 8.5" x 4". Comes with beautiful Chiparus pedestal
Medium - Sculptures
G. Lachaise Original, limited Edition Bronze Sculpture
G. Lachaise Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17x14x9.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - 3 Musicians - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Musicians". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NORTH LAGUNA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberain Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 15x13 in.
General - Prints/Reproductions
Limited Edition Picasso - Maya with Boat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya with Boat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Golden Age". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - SEATED DOG
Rufino Tamayo signed and numbered bronze sculpture. "SEATED DOG". Comes with COA. Some variation in patina might occur. Approx. size: 14"x8"x8"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Turtle Reef Table by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Reef Table" and measures approx. 19" x 25" x 19" and weighs approx. 125lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Bob Dylan Giclee and Gold Record
Bob Dylan Giclee and Gold Record "Greats Hits II" with mini guitar & engraved signature, comes in Beautiful custom matt & frame. comes in Beautiful custom matt & frame, approx dimension 34"x34".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 18”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Habajuk
Max Ernst signed and numbered bronze sculpture, " Habajuk". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Odalisque
Signed bronze and ivory art deco sculpture "Odalisque" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnetapprox 6 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Thin Man
Dali sculpture, "Thin Man", is cast in bronze and layered in 24K gold. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.
Art
Venice at Dusk - Monet - Limited Edition on Canvas
Claude Monet Limited Edition on canvas, "Venice at Dusk". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - VENUS
Salvador Dali signed limited edition, "VENUS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Medium - Sculptures
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King with pedestal
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3". Comes with Chiparus pedestal.
Medium - Sculptures
Jean Arp Original, limited Edition Bronze Sculpture
Jean Arp Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 10x4x4.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - L'Aubade - from Collection Domaine Picasso
Pablo Picasso limited edition, "L'Aubade". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Geclining Nude Before Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE CAPTAIN'S HOUSE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Prodigality". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - MAN HEAD
Rufino Tamayo signed and numbered bronze sculpture. "MAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 13"x11"x7"
Medium - Sculptures
Bronze Sculpture - Reef Dancer by J. Townsend
This bronze sculpture by J. Townsend is called, "Reef Dancer" and measures approx. 21" x 13" x 13" and weighs approx. 42lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Memorabilia
Eric Clapton Giclee and Gold LP
Eric Clapton Giclee and Gold LP "461 Ocean Blue" with mini guitar & engraved signature, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 35"x35".
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 26”x22”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Double Life
Pablo Picasso signed and numbered bronze sculpture, "Double Life". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - A Slight Accident
Signed bronze and ivory art deco sculpture "A Slight Accident" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Fine Jewelry
Lady's Fancy Silver Garnet Bracelet
Lady's Fancy Silver Garnet Bracelet, Garnet approx 7 ct.
Medium - Sculptures
Egyptian Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.SB9H1FF
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
A Bar At The Follies Bergere - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "A Bar At The Follies Bergere". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - Flower Magician
Salvador Dali signed limited edition, "Flower Magician". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Tamayo Original, limited Edition Bronze Sculpture
Tamayo Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 19x6x4.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - The Painter And The Model - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Painter And The Model". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON FROM SUMMIT STREET" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade "Bonsai Flower Tree"
Jade "Bonsai Flower Tree", Red color Jade, dimensions are approx 12x9 in.
General - Prints/Reproductions
Limited Edition Picasso - Maya Playing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya Playing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Greed". Comes with COA and beautifully framed.
Medium - Sculptures
Jean Arp Original, limited Edition Bronze Sculpture WOMAN TORSO
Jean Arp Original Limited Edition Bronze Sculpture, signed and numbered bronze sculpture " WOMAN TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 14"x5"x5".
Medium - Sculptures
Bronze Sculpture - Harmony (small) by Deniz
This bronze sculpture by Deniz is called, "Harmony (small)" and measures approx. 21" x 14" x 9" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Hallucinogenic Toreador by Dali
Hallucinogenic Toreador by Dali. Signed Limited Edition. Comes with COA. Approx 22x26
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Safiro
Pablo Picasso signed and numbered bronze sculpture, "Safiro". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x4 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Anestesia
Signed bronze and ivory art deco sculpture "Anestesia" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Beautiful Silver Orange Garnet Bracelet
Lady's Beautiful Silver Orange Garnet Bracelet, Garnet approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Art
Manet Painting Monet In His Studio Boat - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "Manet Painting Monet In His Studio Boat". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - The Agony of Love
Salvador Dali signed limited edition, "The Agony of Love". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Woman on Bench -
Henry Moore signed and numbered bronze sculpture, "Woman on Bench". Comes with COA. Some variation in patina might occur. Approx. size: 10x10x6 Inch.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Stil Life With Cat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Stil Life With Cat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Vase And Pipe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE STUDIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberain Jade "Tangerine Tree"
Jade "Tangerine Tree", Dimensions are approx 15x12 in.
General - Prints/Reproductions
Limited Edition Picasso - Bust Of A Woman With Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman With Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Tree of Punishment". Comes with COA and beautifully framed.
Decorative Collectibles
1878 Hexagon shaped box made of 2nd Generation Whale tooth with Orante Hand carvings
1878 Hexagon shaped box made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 2x4
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze- Man with Guitar
Jacque Lipchitz signed and numbered bronze sculpture "Man with Guitar". Comes with COA. Some variation in patina might occur. Approx. size: 18"x8"x8"
Medium - Sculptures
Bronze Sculpture - Caribean Queen by D. Hunter
This bronze sculpture by D. Hunter is called, "Caribean Queen" and measures approx. 26" x 15" x 13" and weighs approx. 55lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
The Beatles 1964 in Las Vegas
"The Beatles" 1964 in Las Vegas, gambling at the Sahara Casino,comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 28x23.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 15”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Lithograph by Artist Lui
Limited Edition Lithograph by Artist Lui, signed & numbered, NOT FRAMED!, approx dimension 17"x12"
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Woman With Child
Pablo Picasso signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Chorus Girl
Signed bronze and ivory art deco sculpture "Chorus Girl" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Beautiful Silver Sapphire & Diamonds Bracelet
Lady's Beautiful Silver Sapphire & Diamonds Bracelet, Sapphire approx 6 ct, Diamonds approx 30 points VS1, G in color.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Helping Hand
Picasso sculpture, "Helping Hand", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Art
The Fifer - Manet - Limited Edition on Canvas
Edourd Manet Limited Edition on canvas, "The Fifer". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - ARLEQUIN
Salvador Dali signed limited edition, " ARLEQUIN". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- King and Queen
Henry Moore signed and numbered bronze sculpture, " King and Queen". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x5 Inch.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - The Bathers - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Bathers". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Forces Of Peace and War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Large Remington Real .999 Silver -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is approx. 10troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - The Dream - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dream". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Lustful". Comes with COA and beautifully framed.
Medium - Sculptures
Gregor Kruk Original, limited Edition Bronze- Man with Bandura
Gregor Kruk signed and numbered bronze sculpture " Man with Bandura". Comes with COA. Some variation in patina might occur. Approx. size: 17"x11"x7"
Medium - Sculptures
Bronze Sculpture - Safe Harbor by D. Hunter
This bronze sculpture by D. Hunter is called, "Safe Harbor" and measures approx. 27" x19" x 15" and weighs approx. 93lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Frank Sinatra four Giclees with Gold Record
Frank Sinatra four Giclees with Gold Record "NEW YORK , NEW YORK", also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 30"x24".
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x15”. Very Rare!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Dancing Figure Lithograph by Chiam Gross.
Dancing Figure Lithograph by Chiam Gross. Signed and Numbered. Approx 17x31
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Equilibrist-
Bustamante signed and numbered bronze sculpture, "Equilibrist". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Fine Jewelry
Lady's Fancy Silver Black Diamonds Bracelet
Lady's Fancy Silver Black Diamonds Bracelet, Black diamonds approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Maiden With Jug
Gold and Silver Patina Maiden with Jug Statue. Statue is about 14x14x35
Art
Agneau Bleu - Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Agneau Bleu". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - ALSACE
Salvador Dali signed limited edition, "ALSACE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Woman with Dress
Henry Moore signed and numbered bronze sculpture, " Woman with Dress". Comes with COA. Some variation in patina might occur. Approx. size: 9x11x5 Inch.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of A Faun" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA PATIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Joy Of Living - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Joy Of Living". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Two Crowds of the Lustful". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME ET OISEAU
Joan Miro signed and numbered bronze sculpture, "FEMME ET OISEAU". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Medium - Sculptures
Bronze Sculpture - Honu by D. Hunter
This bronze sculpture by D. Hunter is called, "Honu" and measures approx. 16" x 15" x 11" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Marilyn Monroe double Giclee
Marilyn Monroe double Giclee, with image of the marriege Certificate with Di Maggio and one of the fist contracts. Comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 33"x23".
Medium - Etchings
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
MAGNOLIA
Magnolia- Botanical Original Lithograph. approx dimension 18"x13"
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Woman
Pablo Picasso signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x4 Inch.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Signed Guiraud Riviere Bronze and Ivory - Nordica
Signed bronze and ivory art deco sculpture "Nordica" by artist Guiraud Riviere, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Animaux Fabuleux- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Animaux Fabuleux". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Salvador Dali Signed Limited Edition - APOLLON
Salvador Dali signed limited edition, "APOLLON". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Walking Man III
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man III". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Seated Woman With A Red And Blue Hat - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman With A Red And Blue Hat". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Landscape II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FLOWER POTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Musketeer - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Musketeer". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Last Words". Comes with COA and beautifully framed.
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -Man Head
Diego Giacometti signed and numbered bronze sculpture, "Man Head ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x6".
Medium - Sculptures
Bronze Sculpture - Gaurdian by D. Hunter
This bronze sculpture by D. Hunter is called, "Gaurdian" and measures approx. 32" x 36" x 22" and weighs approx. 113lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Frank Sinatra Three Giclees
Frank Sinatra Three Giclees with Gold Records, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 26"x32".
Medium - Etchings
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 34”x22”. In excellent condition!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Head-
Pablo Picasso signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Starfish
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 29"x10.5"x4.5".
Fine Jewelry
Lady's Beautiful Silver Rose Garnet Bracelet
Lady's Beautiful Silver Rose Garnet Bracelet, Garnet approx 8 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - St. John On The Cross
Dali sculpture, "St. John On The Cross", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Moreau - Maiden at Rocks
Moreau - Maiden at Rocks, statue is about 11x11x26
Art
Les Premiers Animaux- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Les Premiers Animaux". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-THE RED OVAL
Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Medium - Sculptures
Brancusi Original, limited Edition Bronze- Nude
Brancusi signed and numbered bronze sculpture,"Nude". Comes with COA. Some variation in patina might occur. Approx. size: 9x18x4.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Nude Young Man With Horse - from Collection Domaine Picasso
Pablo Picasso limited edition, "Nude Young Man With Horse". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Tete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Hand Painted Nippon Porcelain Vase
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 8x5
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LANDSCAPE" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Divine Forest". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -CAT
Diego Giacometti signed and numbered bronze sculpture, "CAT". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x7".
Medium - Sculptures
Bronze Sculpture - Otter with Baby by D. Hunter
This bronze sculpture by D. Hunter is called, "Otter with Baby" and measures approx. 9" x 11" x 6" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Rolling Stones double Giclee
Giclee on Paper of the Rolling Stones These Giclee on Paper are hand embellished by Meegan. Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 40"x27".
Medium - Etchings
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 20”x 30". In excellent condition!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Lady Moon-
Bustamante signed and numbered bronze sculpture, "Lady Moon". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x6 inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Semiramus
Signed bronze and ivory art deco sculpture "Semiramus" by artist Chiparus. Semiramus was the Queen of the Assyrians and was the subject an 18th century play by Voltaire. Voltaire's play inspired many theatrical and operatic productions and the two best known were popular in Paris during the time Chiparus was designing his bronze and ivory figures. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 27.5"x21".
Fine Jewelry
Lady's Fancy Silver Black Diamond Bracelet
Lady's Fancy Silver Black Diamond Bracelet, Black Diamonds approx 6 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Saint Julien- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Saint Julien". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-IN BLUE
Wassily Kandinsky Limited Edition on paper, "IN BLUE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Leo Mol Original, limited Edition Bronze -Changing
Leo Mol signed and numbered bronze sculpture, "Changing". Comes with COA. Some variation in patina might occur.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Women Of Algiers - from Collection Domaine Picasso
Pablo Picasso limited edition, "Women Of Algiers". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme assise Dans Un Fauteuil Tresse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM TEMPLE HILLS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Artist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Artist". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fine Jewelry
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante and Beatrice". Comes with COA and beautifully framed.
Medium - Sculptures
Alejandro Marquez Original, limited Edition Bronze - VIOLINIST-
Alejandro Marquez signed and numbered bronze sculpture "VIOLINIST". Comes with COA. Some variation in patina might occur. Approx. size: 9"x8"x6".
Medium - Sculptures
Bronze Sculpture - Friends of the Deep by De Lier
This bronze sculpture by De Lier is called, "Friends of the Deep" and measures approx. 18" x 14" x 12" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Memorabilia
Marilyn Monroe four Giclees with Gold Record
Marilyn Monroe four Giclees with Gold Record "HEAT WAVE", also with Biography, comes in Beautiful custom matt & frame, comes in Beautiful custom matt & frame, approx dimension 31"x25".
Medium - Etchings
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Moon Mermaid-
Bustamante signed and numbered bronze sculpture, "Moon Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x8 inch.
Medium - Sculptures
Angel of War - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and 35lbs. It is a Limited Edition out of 399. SB9H
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Antinea
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 26"x10.5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Spingendes Pferd- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "Springendes Pferd". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Titled - "Derriere Le Miroir". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-The Great Gate of Kiev
Wassily Kandinsky Limited Edition on paper, "The Great Gate of Kiev".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Diego Giacometti Original Original, limited Edition Bronze -Ostrich
Diego Giacometti signed and numbered bronze sculpture, "Ostrich". Comes with COA. Some variation in patina might occur.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Baccanale - from Collection Domaine Picasso
Pablo Picasso limited edition, "Baccanale". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Fish" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUE BIRD CANYON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Lovers
Dali sculpture, "Lovers" is approx. 2.82 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - The Lovers (Clothed) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Lovers (Clothed)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Picasso Bronze Sculpture - Seated Woman
Beautiful bronze Picasso sculpture, "Seated Woman". Gold accents and marble base. Approx. size: 21"x14"x11".
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante's Repentance". Comes with COA and beautifully framed.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Man
Henry Moore signed and numbered bronze sculpture, "Man". Comes with COA. Some variation in patina might occur. Approx. size:12"x6"x4".
Medium - Sculptures
Bronze Sculpture - New Beginnings by D. Scott
This bronze sculpture by D. Scott is called, "New Beginnings" and measures approx. 73" x 39" x 39" and weighs approx. 490lbs. It comes with foundry paperwork and is part of an edition of 99 pieces.
Memorabilia
Marilyn Monroe Giclee on Canvas
Giclee on Canvas of Marilyn Monroe This Edition canvas are hand embellished by Meegan. Beautiful Framed, comes in Beautiful custom matt & frame, approx dimension 26"x34".
Medium - Etchings
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 34”x22”. In excellent condition!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Nostalgia Atomica
Dali sculpture, "Nostalgia Atomica",is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Platinum Gold Bronze Hanzel Grettle Fountain Moreau
Platinum and gold patina bronze Hanzel and Grettle fountain by artist Moreau, dimensions are about 66x46x20
Art
The Yellow Cow- Marc - Limited Edition on Canvas
Franz Marc Limited Edition on canvas, "The Yellow Cow". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Small World II
Wassily Kandinsky Limited Edition on paper, "Small World II".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - DIEGO (TÊTE AU COL ROULÉ)
Alberto Giacometti signed and numbered bronze sculpture, "DIEGO (TÊTE AU COL ROULÉ) ". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Woman With A Flower - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman With A Flower". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Marie Terese" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA WITH MOON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante Re-Awakes". Comes with COA and beautifully framed.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture -Egyptian Motive
Alexander Archipenko signed and numbered bronze sculpture, "Egyptian Motive". Comes with COA. Some variation in patina might occur. Approx. size: 12"X4"X4".
Medium - Sculptures
Bronze Sculpture - Tranquility by D. Scott
This bronze sculpture by D. Scott is called, "Tranquility" and measures approx. 36" x 24" x 18" and weighs approx. 190lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - ATHENS
Max Ernst signed and numbered bronze sculpture, "Athens". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x5.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
All Saints I 1911 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "All Saints I 1911". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Small World III
Wassily Kandinsky Limited Edition on paper, "Small World III".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Homme (Apollon)
Alberto Giacometti signed and numbered bronze sculpture, "Homme (Apollon)". Comes with COA. Some variation in patina might occur. Approx. size: 15x12x5.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Still Life Beast and Palette - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life Beast and Palette". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 16x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE VICTOR HUGO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - The Bathers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bathers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Towards the Tree of Law". Comes with COA and beautifully framed.
Medium - Sculptures
Fernando Valls Original, limited Edition Bronze - Boy
Joan Miro signed and numbered bronze sculpture, "CHAIR". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x5".
Medium - Sculptures
Bronze Sculpture - Lost Treasure Dolphins by Piquera
This bronze sculpture by Piquera is called, "Lost Treasure Dolphins" and measures approx. 46" x 217" x 24" and weighs approx. 295lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
La Petite Maison by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner Chagall. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - YOUNG WOMAN IN FLOWER SHAPE
Max Ernst signed and numbered bronze sculpture, "Young woman in Flower ". Comes with COA. Some variation in patina might occur. Approx. size: 14x15x4.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Fine Jewelry
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet, Garnet approx 2 ct.
Medium - Sculptures
Angel of War - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Arch and Point - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Arch and Point". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-UPWARD
Wassily Kandinsky Limited Edition on paper, "UPWARD".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Unknown
Henry Moore signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x6 Inch.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Three Women - from Collection Domaine Picasso
Pablo Picasso limited edition, "Three Women". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Miller" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 7x11
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIN BEACH" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Seated Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante Purified". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -HOMME
Joan Miro signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x3".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Village de montagne état II by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
Art
The Scream - Munch - Limited Edition on Canvas
Edvard Munch Limited Edition on canvas, "The Scream". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :12"x16".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - APPARATUS AND HAND
Salvador Dali signed and numbered bronze sculpture, "Apparatus and Hand". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x3".
Medium - Sculptures
Male Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Male Russian Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Trooper Of The Plains
This Frederick sculpture, "Trooper Of The Plains", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Around The Circle - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Around The Circle". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Yellow Red and Blue
Wassily Kandinsky Limited Edition on paper, "Yellow Red and Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Dancer Female
Botero signed and numbered bronze, "Dancer Female". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x4 Inch.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Still Life - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Picador" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Black Jade "Bull" with Stand
Siberian Black Jade "Bull" with Stand, approx dimensions 4x10x6 in. In house
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Reign of the Penitents". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -WOMAN
Joan Miro signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Village provencal dans les Alpilles by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
Art
Moulin Rouge - Lautrec - Limited Edition on Canvas
Henri de Toulouse Lautrec Limited Edition on canvas, "Moulin Rouge". Comes with COA. Approx. size: 20"x24". HC-0046
General - Original Works
Original Watercolor by Calder
Original Watercolor on paper In the manner Calder. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -WOMAN FACE
Pablo Picasso signed and numbered bronze sculpture, "Woman Face". Comes with COA. Some variation in patina might occur. Approx. size: 12x8x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Starlight
Signed bronze and ivory art deco sculpture "Starlight" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Blue Circle - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Blue Circle". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph Title "Unknown". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Nature Study from Murnau
Wassily Kandinsky Limited Edition on paper, "Nature Study from Murnau".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Abraham Lincoln Memorial Sculpture by Daniel Chester French
Bronze recreation of the Lincoln Memorial by Daniel Chester French. Great detail. Some variation of patina may occur. Approx. size: 10x8x8.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Still Life - from Collection Domaine Picasso
Pablo Picasso limited edition, "Still Life". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ELEONOR'S SUN ROOM" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Large Remington Real .999 Silver -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Sleeping Nude (Vertical) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude (Vertical)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Picasso Signed Limited Edition Bronze Plaque - Bullfight Corrida Matador
Picasso signed, limited edition Picasso plaque with stand, "Bullfight Corrida Matador". Plaque measures approx. 10.75" x 9.5" .
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Admonishment". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -TABLE
Joan Miro signed and numbered bronze sculpture, "TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 10"x7"x7".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
St. Tropez by Marcel Belvisi
Lithograph Signed and Numbered. Approx 22x26
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
In The Well Of The Great Wave - Katsushika Hokusai - Limited Edition on Canvas
Katsushika Hokusai Limited Edition on canvas, "In The Well Of The Great Wave". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -RECLINING WOMAN
Pablo Picasso signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 6x12x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Parrot Dancer
Signed bronze and ivory art deco sculpture "Parrot Dancer" by artist Chiparus, base signed, carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 22"x6"x6"
Fine Jewelry
Lady's Real Fancy Silver White & Blue Sapphire Bracelet
Lady's Real Fancy Silver White & Blue Sapphire Bracelet, Blue Sapphire approx 8ct, White Sapphires approx 1.75 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Composition No 7 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition No. 7". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-GNOMUS
Wassily Kandinsky Limited Edition on paper, "GNOMUS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Lady with Purse
Botero signed and numbered bronze, "Lady with Purse ". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4 Inch.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Reclining Nude - from Collection Domaine Picasso
Pablo Picasso limited edition, "Reclining Nude". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Rapas De Infants" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT EUCALYPTUS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Green Jade "Boat"
Siberian Green Jade "Boat", The best quality of Siberian Jade used to carv this boat. Approx dimensions 14x16. In house
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Power's of Soul". Comes with COA and beautifully framed.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x5".
Medium - Etchings
Picasso and Pollock-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and POLLOCK, Set includes 2 Original lithographs. Frame Size: 23”x22”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
Ciphers and Constellations - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Ciphers and Constellations ". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - DAY DRESS
Salvador Dali signed and numbered bronze sculpture, "Day Dress". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Oriental Dancer
Signed bronze and ivory art deco sculpture "Oriental Dancer" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size:16"x6"x6"
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Norther
This Frederick Remington sulpture, "Norther", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Composition X
Wassily Kandinsky Limited Edition on paper, "Composition X".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Reclining Figure: Points
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Points". Comes with COA. Some variation in patina might occur. Approx. size: 11x9x5.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With Lemons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD TRUCK" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Multi Color Jade "Horses Mountain"
Siberian Multi Color Jade "Horses Mountain", approx dimensions 13x25 in. In house
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful". Comes with COA and beautifully framed.
Decorative Collectibles
Corkscrew made of 2nd Generation Whale tooth with Orante Hand carvings
Corkscrew made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 4 x 4
Medium - Sculptures
Henry Moore Limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 10x16x6.
Medium - Sculptures
Bronze Sculpture - Bubble Dolphin by Matthews
This bronze sculpture by Matthews is called, "Bubble Dolphin" and measures approx. 56" x 18" x 33" and weighs approx. 195lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Claude Monet and Camille Pissarro-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY MONET and PISSARRO, Set includes 2 Original lithographs. Frame Size: 22”x15”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
Personages, Birds, Star - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "Personages, Birds, Star ". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -GENTLEMAN-
Bustamante signed and numbered bronze sculpture, "Gentleman". Comes with COA. Some variation in patina might occur. Approx. size: 16x12x7 inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - MIss Paris
Signed bronze and ivory art deco sculpture "MIss Paris" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Fine Jewelry
Lady's Fancy Golden Diamond Sapphire Bracelet
Lady's Fancy Golden Diamond Sapphire Bracelet , Sapphire approx 8 ct, Diamonds approx .20 ct VS1, G in color.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Composition VIII - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition VIII". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Around the Circle
Wassily Kandinsky Limited Edition on paper, "Around the Circle".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:8x10x4.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
Picasso original lithographs hand pulled and signed. From the suit "Le Gout du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Collectibles
Picasso Limited Edition - Woman In Tears - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman In Tears". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Abstract - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Abstract". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Guiding Angel". Comes with COA and beautifully framed.
Medium - Sculptures
Besse Potter Original, limited Edition THE FAMILY
Besse Potter Original, limited Edition "The Family" bronze sculpture, . Comes with COA. . Approx. size: 11X6X5.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Hog Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Hog Fish". It comes with foundry paperwork .
Medium - Etchings
2 Pieces Color Lithograph by Jean Fomard
2 Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 22”x16”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
The Nightingale's Song - Miro - Limited Edition on Canvas
Joan Miro Limited Edition on canvas, "The Nightingale's Song ". Comes with COA. Approx. size: 20"x24". HC-0045
General - Original Works
Original Watercolor on paper by Richard H. Clark
Original Watercolor on paper by Richard H. Clark. Hand Signed. Paper Size: 15"x 22". In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -KNIGHT
Max Ernst signed and numbered bronze sculpture, " KNIGHT". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x8 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Ecstacy
Signed bronze and ivory art deco sculpture "Ecstacy" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Fine Jewelry
Lady's Beautiful Silver Amethyst Bracelet
Lady's Beautiful Silver Amethyst Bracelet, Amethyst approx 4 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Composition X - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Composition X". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Composition VIII
Wassily Kandinsky Limited Edition on paper, "Composition VIII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Eduardo Chillida Original, limited Edition Bronze - Peine de Viento
Eduardo Chillida signed and numbered bronze sculpture, "Peine de Viento". Comes with COA. Some variation in patina might occur. Approx. size:12x8x5.
Collectibles
Picasso Limited Edition - Mandolin And Guitar - from Collection Domaine Picasso
Pablo Picasso limited edition, "Mandolin And Guitar". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 5x12
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA - DUSK" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful Meets Violent Death". Comes with COA and beautifully framed.
Medium - Sculptures
Alvar Original Limited Edition Bronze - DOVE
Alvar signed and numbered bronze sculpture "DOVE" . Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7"
Medium - Sculptures
Bronze Sculpture - Lion Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Lion Fish" and measures approx. 12" x 12" x 6" and weighs approx. 28lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Daphnis Discovers Chloe- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Daphnis Discovers Chloe". Comes with COA. Approx. size: 20"x24". HC-0045
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -BORN SWIMMER
Max Ernst signed and numbered bronze sculpture, " Born Swimmer". Comes with COA. Some variation in patina might occur. Approx. size: 19x7x7 Inch.
Medium - Sculptures
Angel of Prayer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and 32lbs. It is a Limited Edition out of 399. SB7H
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Testris
Signed bronze and ivory art deco sculpture "Testris" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Fine Jewelry
Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1 ct, Ruby approx 1 ct & Deep Purple Amrthyst approx 1 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Icart Limited Edition 24K Gold Layered Bronze Sculpture- Illusion
This sculpture is cast in bronze then layered with beautiful 24K gold. By Icart, "Illusion". This piece comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
Art
Couple Riding - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Couple Riding". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-UNBROKEN
Wassily Kandinsky Limited Edition on paper, "UNBROKEN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Cat
Botero signed and numbered bronze, "Cat ". Comes with COA. Some variation in patina might occur. Approx. size: 6x19x4 Inch.
Collectibles
Picasso Limited Edition - Study For The Damselles Of Avignon - from Collection Domaine Picasso
Pablo Picasso limited edition, "Study For The Damselles Of Avignon". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 4x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA TERRACE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Siberian White Jade "Devil Ball"
Siberian White Jade "Devil Ball", Ball has 16 small removable balls inside. Approx dimensions 3x3x3 in. In house
Medium - Sculptures
Dali Real .999 Silver Sculpture - Female Figure
Dali sculpture, "Female Figure" is approx. 2.11 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
Medium - Sculptures
Picasso Bronze Sculpture - Man With Guitar
Beautiful bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9".
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Law of Climbing". Comes with COA and beautifully framed.
Medium - Sculptures
Rufino Tamayo Original limited Edition Bronze Sculpture -Girl with Flowers
Tamayo signed and numbered bronze, "Girl with Flowers" Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x6 Inch.
Medium - Sculptures
Bronze Sculpture - Majestic Turtle and Ray by Matthews
This bronze sculpture by Matthews is called, "Majestic Turtle and Ray" and measures approx. 44" x 30" x 26" and weighs approx.125lbs. It comes with foundry paperwork.
Medium - Etchings
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Daphnis- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Daphnis". Comes with COA. Approx. size: 20"x24". HC-0045
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -ALLEGRO
Max Ernst signed and numbered bronze sculpture, " Allegro". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x8 Inch.
Medium - Sculptures
Mexican Hat Dancer - Bronze and Ivory Sculpture by C. Mirval
C. Mirval bronze and ivory sculpture, Mexican Hat Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15"x7".
Fine Jewelry
Lady's Fancy Silver Amethyst Bracelet
Lady's Fancy Silver Amethyst Bracelet, Amethyst approx 3 ct.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Decisive Pink - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Decisive Pink". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Composition VII
Wassily Kandinsky Limited Edition on paper, "Composition VII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Girl -
Botero signed and numbered bronze, "Girl ". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Collectibles
Picasso Limited Edition - The Flower Seller - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Flower Seller". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 4x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAR VISTA TERRACE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Children Writing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Children Writing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Gaurdians of the Valley of the Princes". Comes with COA and beautifully framed.
Medium - Sculptures
Hugue Original, limited Edition Bronze -
Hugue signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Medium - Sculptures
Bronze Sculpture - Sea Otter by D. Hunter
This bronze sculpture by D. Hunter is called, "Sea Otter" and measures approx. 32" x 18" x 15" and weighs approx. 137lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Claude Mars Original Lithograph
Limited Edition Lithograph by Claude Mars , signed & numbered, NOT FRAMED!, approx dimension 12"x17"
Art
Flight Of The Cicade- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Flight Of The Cicade". Comes with COA. Approx. size: 20"x24". HC-0046
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -HEAD "Y"
Max Ernst signed and numbered bronze sculpture, " Head - Y". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x4 Inch.
Medium - Sculptures
Dourga - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Dourga. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6".
Fine Jewelry
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 8.5 ct
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture - Jazz Dancer
This Chiparus sculpture, "Jazz Dancer", is a limited edition 24K gold layered bronze sculpture.
Medium - Sculptures
Bronze Brittish Bulldog
This ia a lovely, lifesize bronze sculpture of a Brittish Bulldog. Sculpture is about 24x14x20 1008cch
Art
From Small World - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small World". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-ALL SAINTS
Wassily Kandinsky Limited Edition on paper, "ALL SAINTS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Male Torso -
Botero signed and numbered bronze, "Male Torso ". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x4 Inch.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 13x6
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade Bracelet (Red)
Siberian Jade Bracelet (Red), approx dimension 3x3 in. In house
General - Prints/Reproductions
Limited Edition Picasso - Theater - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Theater". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Eagle of Grace". Comes with COA and beautifully framed.
Medium - Sculptures
Alexander Archipenko Limited Edition Sculpture - Woman Combing Her Hair
Alexander Archipenko signed and numbered bronze sculpture, "Woman Combing Her Hair". Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4"
Medium - Sculptures
Bronze Sculpture - King of the Sea/ Orca by P. George
This bronze sculpture by P. George is called, "King of the Sea/ Orca" and measures approx. 35" x 22" x 12" and weighs approx. 85lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
Frontispice- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Frontispice". Comes with COA. Approx. size: 20"x24". HC-0047
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -BISHOP
Max Ernst signed and numbered bronze sculpture, " Bishop". Comes with COA. Some variation in patina might occur. Approx. size: 19x9x9 Inch.
Medium - Sculptures
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Moreau Limited Edition 24K Gold Layered Bronze Sculpture- Girl On A Swing
This sculpture is cast in bronze then layered with beautiful 24K gold. By Moreau, "Girl On A Swing". This piece comes with foundry assay. Some variations in marble might occur.
Art
From Small Worlds II - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds II". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-OVERCAST
Wassily Kandinsky Limited Edition on paper, "OVERCAST".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Maquette for Three-Quarter Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for There-Quarter Figure". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Collectibles
Picasso Limited Edition - Woman Seated By The Window - from Collection Domaine Picasso
Pablo Picasso limited edition, "Woman Seated By The Window". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Sculptur's Studio - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sculptur's Studio". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Our Lady of the Annunciation". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze - Lura G 25
Eduardo Chillida signed and numbered bronze, "Lura G 25". Comes with COA. Some variation in patina might occur. Approx. size:10"x7"x7".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Sculpture - Playmates by Denis
This bronze sculpture by Denis is called, "Playmates" and measures approx. 25" x 12" x 13" and weighs approx. 63lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
Lamon Discovers Daphnis- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Lamon Discovers Daphnis". Comes with COA. Approx. size: 20"x24". HC-0049
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -FACE
Max Ernst signed and numbered bronze sculpture, " Face". Comes with COA. Some variation in patina might occur. Approx. size: 18x12x4 Inch.
Medium - Sculptures
Chorus Line - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture. This piece was inspired by the famous chorus lines of les annees folles. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Fountain
Silver and Gold Patina cherub Fountain. Fountain is preplumbed for easy installation. Fountain is about 36x36x63
Art
From Small Worlds Type A - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type A". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-THE RED SPOT
Wassily Kandinsky Limited Edition on paper, "THE RED SPOT".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Constantine Brancusi Original, limited Edition Bronze -Fish
Constantine Brancusi signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x3
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Picasso Limited Edition - The Embrace - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Embrace". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 12x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade Bracelet (Black)
Siberian Jade Bracelet (Black), approx dimension 3x3 in. In house
General - Prints/Reproductions
Limited Edition Picasso - Fruit With Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Fruit With Vase of Flowers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Proud One". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Medium - Sculptures
Bronze Sculpture - Splash by Koop
This bronze sculpture by Koop is called, "Splash" and measures approx. 35" x 10" x 17" and weighs 75lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
Lamon and Drya's Dream- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Lamon and Drya's Dream". Comes with COA. Approx. size: 20"x24". HC-0050
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Dancer-
Pablo Picasso signed and numbered bronze sculpture, "Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x4".
Medium - Sculptures
Miro - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Miro. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
From Small Worlds Type B - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type B". Comes with COA. Approx. size: 20"x24". HC-0045
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Small World I
Wassily Kandinsky Limited Edition on paper, "Small World I".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Vertebrae
Henry Moore signed and numbered bronze sculpture, "Vertebrae". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Collectibles
Picasso Limited Edition - 3 Women At The Spring - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Women At The Spring". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 13x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CRANES" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Large Remington Real .999 Silver -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Dali Signed Limited Edition Bronze - Carmen, La Gitana
Dali signed, limited edition Dali sculpture, "Carmen, La Gitana". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Ecstatic Visions". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Medium - Sculptures
Bronze Sculpture - Courtship by Wallace
This bronze sculpture by Wallace is called, "Courtship" and measures approx. 18" x 12" x 12" and weighs approx. 47lbs. It comes with foundry paperwork and is part of an edition of 150 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
Summery Lunch Hour- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Summery Lunch Hour". Comes with COA. Approx. size: 20"x24". HC-0051
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Man Standing-
Pablo Picasso signed and numbered bronze sculpture, "Man Standing". Comes with COA. Some variation in patina might occur. Approx. size: 17"x6"x6".
Medium - Sculptures
Cleopatra - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 15x8x4.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
24K Gold Layered Limited Edition Bear and the Bull Sculpture by Delair
This sculpture is cast in bronze then layered with beautiful 24K gold."Bear and the Bull" by Delair comes with foundry assay. Some variations in marble might occur. Approx. size: 7 1/2"x4"x4".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Gnomus - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Gnomus". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Couple Riding
Wassily Kandinsky Limited Edition on paper, "Couple Riding".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze
Henry Moore signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 5x11x4.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 9x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK YARD" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade "Mixed colored grapes vine"
Siberian Jade "Mixed colored grapes vine", This beautiful work is made of 100% natural lavender jade, the tree leafs are made of Taiwan jade. approx dimensions 13x12 in. In house
General - Prints/Reproductions
Limited Edition Picasso - Nude Girl with Necklace - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Girl with Necklace". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Second Cornice". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Medium - Sculptures
Bronze Sculpture - Buubble Dolphin and Ray by Unknown
This bronze sculpture by Unknown is called, "Buubble Dolphin and Ray" and measures approx. 56" x 18" x 33" and weighs approx. 265lbs. It comes with foundry paperwork.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
The Teaching Of Philetas- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "The Teaching Of Philetas". Comes with COA. Approx. size: 20"x24". HC-0052
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -TORSO-
Pablo Picasso signed and numbered bronze sculpture, "TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
Medium - Sculptures
Monica - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Monica. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24x13x7.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Fan Dancer
This Chiparus sculpture, "Fan Dancer", is a limited edition 24K gold layered bronze sculpture.
Medium - Sculptures
Bronze Umbrella Kids Moreau
Bronze Umbrella Kids by artist Moreau, dimensions are about 38x17x14
Art
Kandinsky 45 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Kandinsky 45". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Arch and Point
Wassily Kandinsky Limited Edition on paper, "Arch and Point".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Standing Nude
Nadelman signed and numbered bronze sculpture, "Standing Nude". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORS OF JUNK" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Siberian Jade "Green Jade Boat"
Siberian Jade "Green Jade Boat", This is a beautiful work made of 100% Green Jade, hand carved to perfection. Approx dimensions 45x58 in. In house
General - Prints/Reproductions
Limited Edition Picasso - Woman with Red and White Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman with Red and White Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Blind for Envy". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Medium - Sculptures
Bronze Sculpture - Serenity by Koop
This bronze sculpture by Koop is called, "Serenity" and measures approx. 32" x 19" x 13" and weighs approx. 100lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Georges Lambert Original Lithograph
Limited Edition Lithograph by Artist Georges Lambert, signed & numbered, NOT FRAMED!, approx dimension 21"x29"
Art
The Wolf Pit- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "The Wolf Pit". Comes with COA. Approx. size: 20"x24". HC-0053
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Moon in Chair-
Bustamante signed and numbered bronze sculpture, "Moon in Chair". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x5 inch.
Medium - Sculptures
Almeria - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Almeria. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Bronze Horse PJ Mene
Bronze Horse by PJ Mene, beautiful patina, dimensions are about 42x11x47
Art
Lady In Moscow - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Lady In Moscow". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-BLUE CIRCLE
Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x8.
Collectibles
Picasso Limited Edition - The Balcony - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Balcony". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN PEDRO REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Angel of Mercy". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Medium - Sculptures
Bronze Sculpture - Mahi Bull Dolphin by Piquera
This bronze sculpture by Piquera is called, "Mahi Bull Dolphin" and measures approx. 32" x 23" x 19" and weighs approx. 142lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet. "Musique Rouge" Signed. approx dimension 18"x14". A must have in your art collection
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Trampled Flowers- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Trampled Flowers". Comes with COA. Approx. size: 20"x24". HC-0054
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -HUNTER
Pablo Picasso signed and numbered bronze sculpture, "HUNTER". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Medium - Sculptures
Actress - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Actress. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6".
Fine Jewelry
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Nature Study from MurnauI 1909 - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Nature Study from Murnaukl 1909". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Lady in Moscow
Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Collectibles
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 9x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DEPOSITO ROTTAMI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Nude Lady With Scarf Over Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Lady With Scarf Over Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Smoke of Irascibility". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
La Cote d'Azure by Urbain Hutchet
La Cote d'Azure by Urbain Hutchet. Signed Lithograph. Comes with COA. Approx 22x26
Art
Winter- Chagall - Limited Edition on Canvas
Marc Chagall Limited Edition On Canvas From Daphnis and Chloe, "Winter". Comes with COA. Approx. size: 20"x24". HC-0055
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -HOMME
Pablo Picasso signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x5".
Medium - Sculptures
Modern Eve - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H
Medium - Sculptures
Les Girls - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Les Girls". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
Fine Jewelry
Lady's Beautiful Real Broka Black Pearl Necklace
Lady's Beautiful Real Broka Black Pearl Necklace
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Red Spot II - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Red Spot II". Comes with COA. Approx. size: 20"x24". HC-0045
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph titled - "La Danse du feu". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Wassily Kandinsky Limited Edition-Improvisational Gorge
Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Woman's Face
Nadelman signed and numbered bronze sculpture, "Woman's Face". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x5.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WEARHOUSE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberian Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 10x7 in.
General - Prints/Reproductions
Limited Edition Picasso - Lady With Green Hair and Brown Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Lady With Green Hair and Brown Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Dali Signed and Numbered Bronze Sculpture - Dulcinea
Dali Signed and Numbered Bronze Sculpture - Dulcinea. Approx. size: 12"x3"x3".
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Medium - Etchings
Fanz Kline and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and KLINE, Set includes 2 Original lithographs. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Voiliers a Saint-Tropez
Voiliers a Saint-Tropez. Signed Lithograph. Comes with COA. Approx 22x26
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -MAN
Pablo Picasso signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Medium - Sculptures
X- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "X". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
Fine Jewelry
Lady's Beautiful Real Broka Pearl Necklace
Lady's Beautiful Real Broka Pearl Necklace
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
The Great Gate of Kiev - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "The Great Gate of Kiev". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Landscape with Figures and Rainbow
Lichtenstein Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Reclining Figure -
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 8x10x7 Inch.
Collectibles
Picasso Limited Edition - Pierrot Sitting - from Collection Domaine Picasso
Pablo Picasso limited edition, "Pierrot Sitting". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberain Jade "Peach Tree"
Jade "Peach Tree", dimensions are approx 23x13 in.
Decorative Collectibles
Hand Carved Horns-Pair
Fancy Hand Carved Bone And Scrimshaw Tusk (Pair) Approx. 26" x 6" x 6"
Medium - Sculptures
Zuniga Limited Edition Bronze - Mujer de Pie con Rebozo (Standing Woman With Shawl)
Zuniga signed and numbered bronze sculpture, "Mujer de Pie con Rebozo (Standing Woman with Shawl) ". Comes with COA. Some variation in patina might occur. Approx. size: 22"x9"x8".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Edgar Degas and Fernand Leger-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY DEGAS and LEGER, Set includes 2 Original lithographs. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Perfums de Mer". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -BULL
Pablo Picasso signed and numbered bronze sculpture, "BULL". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Thirty - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Thirty". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-THE KISS
Lichtenstein Limited Edition on paper, "THE KISS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Conch
Joan Miro signed and numbered bronze sculpture, "Conch". Comes with COA. Some variation in patina might occur. Approx. size: 15x14x11.
Collectibles
Picasso Limited Edition - Cavalier - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cavalier". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TUB BOAT REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberain Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 16x12 in.
Medium - Sculptures
Hugue Limited Edition Bronze -Angel
Hugue signed and numbered bronze sculpture, "Angel". Comes with COA. Some variation in patina might occur. Approx. size: 16"x7"x5".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Quietude Marine". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -Daughter
Max Ernst signed and numbered bronze sculpture, "Daughter". Comes with COA. Some variation in patina might occur. Approx. size: 7x9x8 Inch.
Medium - Sculptures
Modern Eve - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Unbroken - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Unbroken". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-George Washington
Lichtenstein Limited Edition on paper, "George Washington". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x16x16
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Buckled Shoed Man - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Buckled Shoed Man". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Dove II
Botero signed and numbered bronze, " Dove II ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x9" Inch.
Medium - Etchings
Pablo Picasso and Vincent Van Gogh -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and VAN GOGH, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Parmi Les Tournesols". Signed & numbered. approx dimension 18"x14". A must have in your art collection
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Upward - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Upward". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Portrait II
Lichtenstein Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Collectibles
Picasso Limited Edition - 3 Musicians - from Collection Domaine Picasso
Pablo Picasso limited edition, "3 Musicians". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Siberain Jade "Bonsai Flowers with vase"
Real Jade Hot Pink Bonsai Flowers on vase, dimensions are approx 11x7 in.
General - Prints/Reproductions
Limited Edition Picasso - Man With Nude Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With Nude Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x4".
Medium - Etchings
Pierre-Auguste Renoir and Jasper Johns -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR and JOHNS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Repos Champetre". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
Medium - Sculptures
The Aristocrats - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, The Aristocrats. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Yellow Red and Blue - Kandinsky - Limited Edition on Canvas
Wassily Kandinsky Limited Edition on canvas, "Yellow, Red and Blue". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-SUNRISE
Lichtenstein Limited Edition on paper, "SUNRISE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Collectibles
Picasso Limited Edition - The Kiss - from Collection Domaine Picasso
Pablo Picasso limited edition, "The Kiss". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIL BOXES" CIRCA 19777. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Dali Signed Limited Edition Bronze - Ama de Llaves
Dali signed, limited edition Dali sculpture, "Ama de Llaves". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15"x7"x3".
Medium - Etchings
Constantin Brancusi and Robert Rauschenberg-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY BRANCUSI and RAUSCHENBERG, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Original Lithograph by Emile Bellet
Limited Edition Lithograph by Artist Bellet, "Champs de Fleuers". Signed & numbered. approx dimension 18"x14". A must have in your art collection
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -HOMME II
Pablo Picasso signed and numbered bronze sculpture, "HOMME II". Comes with COA. Some variation in patina might occur. Approx. size: 19"x8"x5".
Art
Boats at Collioure - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "Boats at Collioure". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Artist Studio- with Model
Lichtenstein Limited Edition on paper, "Artist Studio- with Model".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Collectibles
Picasso Limited Edition - Unknown - from Collection Domaine Picasso
Pablo Picasso limited edition, "Unknown". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
Leap Frog Bank Cast Iron
Leap Frog Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x6
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THREE-SEVEN-FOUR" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Medium - Etchings
Pierre-Auguste Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - FIGURE
Pablo Picasso signed and numbered bronze sculpture, "FIGURE". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x5".
Art
La Tamise Et Tower Bridge - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "La Tamise Et Tower Bridge". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-POW WOW
Lichtenstein Limited Edition on paper, "POW WOW".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Collectibles
Picasso Limited Edition - Seated Woman - from Collection Domaine Picasso
Pablo Picasso limited edition, "Seated Woman". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
Decorative Collectibles
World's Fair Bank Cast Iron
World's Fair Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK ISLAND" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4".
Medium - Etchings
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Young Man
Pablo Picasso signed and numbered bronze sculpture, "Young Man". Comes with COA. Some variation in patina might occur. Approx. size: 13"x6"x5".
Art
Avant La Course - Edgar Degas - Limited Edition on Canvas
Edgar Degas. Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Forest Scene
Lichtenstein Limited Edition on paper, "Forest Scene".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Bruno Bruni Original, limited Edition Bronze
Bruno Bruni signed and numbered bronze sculpture, . Comes with COA. Some variation in patina might occur. Approx. size: 19x4x4.
Collectibles
Picasso Limited Edition - Harliquin And His Companion - from Collection Domaine Picasso
Pablo Picasso limited edition, "Harliquin And His Companion". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Small Child With Two Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Small Child With Two Women". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x3"x2".
Medium - Etchings
Edouard Manet and Paul Cezanne-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY MANET and CEZANNE, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -MAN II
Pablo Picasso signed and numbered bronze sculpture, "MAN II". Comes with COA. Some variation in patina might occur. Approx. size: 14"x6"x5".
Medium - Sculptures
Bronze "Carpenter" by artist Valtune.
Bronze "Carpenter" by artist Valtune, dimensions are approx 5x5x3 in.
Art
Ballet At The Opera - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Ballet At The Opera". Comes with COA. Approx. size: 20"x24". HC-0045
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Artist Studio - Foot Medication
Lichtenstein Limited Edition on paper, "Artist Studio - Foot Medication".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Fernando Valls Original, limited Edition Bronze - Boy
Fernando Valls signed and numbered bronze, "Boy". Comes with COA. Some variation in patina might occur. Approx. size: 13x8x4.
Collectibles
Picasso Limited Edition - Cavalier With Pipe - from Collection Domaine Picasso
Pablo Picasso limited edition, "Cavalier With Pipe". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Child On Man's Lap - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Child On Man's Lap". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x6".
Medium - Etchings
Constantin Brancusi Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY BRANCUSI and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 22”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -MAN III
Pablo Picasso signed and numbered bronze sculpture, "MAN III". Comes with COA. Some variation in patina might occur. Approx. size: 19"x9"x5".
Medium - Sculptures
Nocturnal Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H
Art
Ballet Dancers On Stage - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Ballet Dancers On Stage". Comes with COA. Approx. size: 20"x24". HC-0046
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Roy Lichtenstein Limited Edition- Still Life with Net, Shell, Rope and Paper
Lichtenstein Limited Edition on paper, "Still Life with Net, Shell, Rope and Paper".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Collectibles
Picasso Limited Edition - Bullfight - from Collection Domaine Picasso
Pablo Picasso limited edition, "Bullfight". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORI SULLA BAIA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Collectibles
Bone Antique "King"
Bone Antique "King", approx dimensions 18x9x8 in. In house
Medium - Sculptures
Large Remington Real .999 Silver -Wicked Pony
This Frederick Remington sculpture, "Wicked Pony" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman on Wood Chair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman on Wood Chair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 16"x4"x4".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Head of Man" and "Pierrot". Together they make the perfect pair. Frame Size: 22”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
African Lilies Botanical
African Lilies Botanical Original Lithograph. approx dimension 18"x13"
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9"x14"x7".
Medium - Sculptures
Lady On The Steps - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Lady On The Steps. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Medium - Sculptures
Bronze "Cupidon" by artist Monreau.
Bronze "Cupidon" by artist Monreau, dimensions are approx 9x4 in.
Art
Cafe Concert - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Cafe Concert". Comes with COA. Approx. size: 20"x24". HC-0047
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Still Life with Lemons
Lichtenstein Limited Edition on paper, "Still Life with Lemons".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture - Ballerina
Alexander Archipenko signed and numbered bronze sculpture, "Ballerina". Comes with COA. Some variation in patina might occur. Approx. size: 13X7X4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -PERSONAJE
Joan Miro signed and numbered bronze sculpture, "PERSONAJE". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x7".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Still Life with Basket of Fruit and Pitcher of Flowers " and "The Painter in His Studio". Together they make the perfect pair. Frame Size: 22”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Plumeria
Plumeria- Botanical Original Lithograph. approx dimension 18"x13"
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze SUN TABLE
Salvador Dali signed and numbered bronze sculpture " SUN TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x5".
Art
Dancer In Green Tutu - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer In Green Tutu". Comes with COA. Approx. size: 20"x24". HC-0048
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-Landscape with Red Roof
Lichtenstein Limited Edition on paper, "Landscape with Red Roof".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture - Stehender Frauenakt
Alexander Archipenko signed and numbered bronze sculpture, "Stehender Frauenakt". Comes with COA. Some variation in patina might occur.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ WATERFRONT" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -MADAME
Joan Miro signed and numbered bronze sculpture, "MADAME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Seated Woman " and "Portrait of Dora Maar". Together they make the perfect pair. Frame Size: 22”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Yucca
Yucca- Botanical Original Lithograph. approx dimension 18"x13"
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- SUBLIME MOMENT
Salvador Dali signed and numbered bronze sculpture "SUBLIME MOMENT". Comes with COA. Some variation in patina might occur. Approx. size: 8"x7"x7".
Medium - Sculptures
Nocturnal Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Medium - Sculptures
Bronze "1909's Indian Chief" by artist Dallin.
Bronze "1909's Indian Chief" by artist Dallin, dimensions are approx 6X4X2 in.
Art
Dancer With Bouqet - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer With Bouqet". Comes with COA. Approx. size: 20"x24". HC-0049
General - Prints/Reproductions
Roy Lichtenstein Limited Edition-RED HORSEMAN
Lichtenstein Limited Edition on paper, "RED HORSEMAN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Collectibles
Picasso Limited Edition - Pitcher And A Bowl Of Fruit - from Collection Domaine Picasso
Pablo Picasso limited edition, "Pitcher And A Bowl Of Fruit". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ MARINA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME SOLEIL
Joan Miro signed and numbered bronze sculpture, "FEMME SOLEIL". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
Medium - Etchings
Lithographs Set by Lichtenstein, Mattisse and Leger
3 PIECES CONSISTING OF A FRAMED ARTWORK BY DIFERENTS ARTISTS INCLUDES : "A Woman Contemplating a Yellow Cup" by Roy Lichtenstein, "Pineapple and Anemones" by Henri Mattisse AND "Constructors with Tree" by Fernand Leger. Frame Size: 32”x17”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Cactus
Cactus- Botanical Orignal Lithograph. approx dimension 18"x13"
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- WOMAN
Salvador Dali signed and numbered bronze sculpture "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 8"x7"x7".
Medium - Sculptures
Top Hat - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Top Hat". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Art
Dancer With Bouqet II - Edgar Degas - Limited Edition on Canvas
Edgar Degas Limited Edition on canvas, "Dancer With Bouqet II". Comes with COA. Approx. size: 20"x24". HC-0050
General - Prints/Reproductions
Pierre August Renoir Limited Edition-The Point Neuf
Renoir Limited Edition on paper, "The Point Neuf".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture - Torso
Alexander Archipenko signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size:
Collectibles
Picasso Limited Edition - Compote Dish And Pitcher By The Window - from Collection Domaine Picasso
Pablo Picasso limited edition, "Compote Dish And Pitcher By The Window". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Guernica - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Guernica". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Hugue Original, limited Edition Bronze - Woman With Wings
Hugue signed and numbered bronze sculpture, "Woman With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
Medium - Etchings
Lithographs Set by Picasso, Modigliani and Gauguin
3 PIECES CONSISTING OF A FRAMED ARTWORK BY DIFERENTS ARTISTS INCLUDES : "Child with Horse on Wheels" by Pablo Picasso, "Portrait of Paul Guillaume" by Amedeo Modigliani AND "Bathers" by Paul Gauguin. Frame Size: 20”x37”. Very Rare!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
White Brasil Pancratium Flower
White Brasil Pancratium Flower Botanical Original Lithograph. approx dimension 18"x13"
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Evangelic Still Life
Salvador Dali signed and numbered bronze sculpture "Evangelic Still Life". Comes with COA. Some variation in patina might occur. Approx. size: 9"x4"x7".
Medium - Sculptures
Beauty in the Morning - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in Bronze, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8".
Medium - Sculptures
Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 18"x7.5"x5"
Medium - Sculptures
Bronze "Inkwell" by artist Tiffany & Co. NY NY.
Bronze "Inkwell" by artist Tiffany & Co. New York New York, Face lifts up, dimensions are approx 6x3 in.
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Pierre August Renoir Limited Edition-View at Guernsey
Renoir Limited Edition on paper, "View at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x17x17.
Collectibles
Picasso Limited Edition - Two Women On The Beach - from Collection Domaine Picasso
Pablo Picasso limited edition, "Two Women On The Beach". From the Collection Domaine Picasso out of edition of 500. Number will vary. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Large Remington Real .999 Silver -Trooper Of The Plains
This Frederick Remington sculpture, "Trooper Of The Plains" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY
This is a limited edition sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 7"x5"x5".
Medium - Etchings
Lithographs Set by Picasso and Kooning
3 PIECES CONSISTING OF A FRAMED ARTWORK BY TWO DIFERENTS ARTISTS INCLUDES : "Woman with Beret" and "Bust of a Man" by Pablo Picasso also "Red, Yellow and Green" by Willem De Kooning . Frame Size: 20”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- FLYING CUP
Salvador Dali signed and numbered bronze sculpture "FLYING CUP". Comes with COA. Some variation in patina might occur. Approx. size: 21"x7"x7".
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Marine at Guernsey
Renoir Limited Edition on paper, "Marine at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Seated Man
Henry Moore signed and numbered bronze sculpture, "Seated Man". Comes with COA. Some variation in patina might occur. Approx. size:12x8x6 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "YACHT HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
M.Kostabi Original, limited Edition Bronze - THE SERVER
M.Kostabi signed and numbered bronze sculpture, "THE SERVER". Comes with COA. Some variation in patina might occur. Approx. size: 31"x13"x9".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Roche Limited Edition
Roche Signed Limited Edition Lithograph. Approx 20x24
Medium - Sculptures
Bronze "Frog" by artist Tiffany & Co. NY NY.
Bronze "Frog" by artist Tiffany & Co. NY NY, dimensions are approx 2x5x4 in.
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Hills and the Bay of Moulin Huet
Renoir Limited Edition on paper, "Hills and the Bay of Moulin Huet".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Homme
Henry Moore signed and numbered bronze sculpture, "Homme". Comes with COA. Some variation in patina might occur. Approx. size:12x11x6 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BARCA ROSSA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Lynn Chadwick Original, limited Edition Bronze -SEATED WOMAN
Lynn Chadwick signed and numbered bronze sculpture, "SEATED WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 11"x12"x8".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x26
Medium - Sculptures
Beauty in the Morning - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in sculpture, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. Comes with the foundry assay.
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Landscape near Menton
Renoir Limited Edition on paper, "Landscape near Menton".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Seated Woman
Henry Moore signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size:12x8x7 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BAY REFLECTIONS" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x27
Medium - Sculptures
Bronze "Coyote" by artist Tiffany & Co. NY NY.
Bronze "Coyote" by artist Tiffany & Co. NY NY, dimensions are approx 1x2 in.
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Seine at Camprosay
Renoir Limited Edition on paper, "Seine at Camprosay".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur. Approx dimension 12x5x5 inches.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIFLESSI DI BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x28
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
Collectibles
Joan Miro Original Signed Lithograph-
Joan Miro Lithograph from - "Ceramiques Monumentales". Miro was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miro decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Rowers at Chatou
Renoir Limited Edition on paper, "Rowers at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Reclining Woman
Henry Moore signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size:8x14x6 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Large Remington Real .999 Silver -Norther
This Frederick Remington sculpture, "Norther" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Limited Edition Picasso - Woman In Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Garden". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bronze "Young Wolf Bell" by artist Moreau.
Bronze "Young Wolf Bell" by artist Moreau, dimensions are approx 6x45 in.
General - Prints/Reproductions
Pierre August Renoir Limited Edition-View of Bougavil
Renoir Limited Edition on paper, "View of Bougavil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Sculptural Object
Henry Moore signed and numbered bronze sculpture, "Sculptural Object". Comes with COA. Some variation in patina might occur. Approx. size:15x5x5 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ BAY" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Female Nude (Study for Les Demoiselles d' Avignon) - Collection Domaine Pi
Limited edition Picasso from the Collection Domaine Picasso, "Female Nude (Study for Les Demoiselles d' Avignon)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Pierre August Renoir Limited Edition-The Bridge at Chatou
Renoir Limited Edition on paper, "The Bridge at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - The Thinker
Botero signed and numbered bronze, "The Thinker ". Comes with COA. Some variation in patina might occur. Approx. size: 13x7x8 Inch.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x30
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Rocky Crags at L'Estaque
Renoir Limited Edition on paper, "Rocky Crags at L'Estaque". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Ballet Dancer
Botero signed and numbered bronze, "Ballet Dancer "Comes with COA. Some variation in patina might occur.. Approx. size: 18x9x6 Inch.
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x31
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Pierre August Renoir Limited Edition-The Gust of Wind
Renoir Limited Edition on paper, "The Gust of Wind".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Gendarme
Botero signed and numbered bronze, "gendarme ".Comes with COA. Some variation in patina might occur. Approx. size: 11x10x7 Inch.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x32
Medium - Sculptures
Illuminated Temple Goddess - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Temple Goddess. Lights up . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18". CC111500
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Le Pont des Arts
Renoir Limited Edition on paper, "Le Pont des Art".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Nude Dancer
Botero signed and numbered bronze, "Nude Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 16x11x9 Inch.
Medium - Sculptures
Salvador Dali Stunning Limited Edition Real Silver Sculpture - Apparatus and Hand
Salvador Dali signed and numbered real silver sculpture, "Apparatus and Hand". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
General - Prints/Reproductions
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Hutchet Limited Edition
Huchet Signed Limited Edition Lithograph. Approx 22x33
General - Prints/Reproductions
Pierre August Renoir Limited Edition-Garden in the Rue Cortot
Renoir Limited Edition on paper, "Garden in the Rue Cortot".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Oliver Lithograph
Oliver Signed Limited Edition Lithograph.
General - Prints/Reproductions
Louis Icart Limited Edition-DREAMING
Icart Limited Edition on paper, "DREAMING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Oliver Lithograph
Oliver Signed Limited Edition Lithograph.
General - Prints/Reproductions
Louis Icart Limited Edition-SWING
Icart Limited Edition on paper, "SWING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Unkown
Moore signed and numbered bronze sculpture, "Unkown". Comes with COA. Some variation in patina might occur. Approx. size:10x9x4 Inch.
Medium - Sculptures
Dali Signed and Numbered Real Silver Sculpture - Birdman
Dali Signed and Numbered Real Silver Sculpture, "Birdman". Contains approx. 10Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Hutchet Original
Huchet Original. Signed Limited Edition Lithograph.
General - Prints/Reproductions
Louis Icart Limited Edition-He Loves me, he Loves me not
Icart Limited Edition on paper, "He Loves me, he Loves me not".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Picasso Original limited Edition Bronze Sculpture -Head of Warrior
Picasso signed and numbered bronze, "Head of Warrior "Comes with COA. Some variation in patina might occur.. Approx. size: 10x11x5 Inch.
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Lithograph by Oliver
Limited Edition Lithograph by Artist Oliver, signed & numbered, NOT FRAMED!, approx dimension 22"x30"
General - Prints/Reproductions
Louis Icart Limited Edition-Joy of Life
Icart Limited Edition on paper, "Joy of Life".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Tamayo Original limited Edition Bronze Sculpture -Man
Tamayo signed and numbered bronze, "Man "Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x5 Inch.
Medium - Sculptures
Original Real Silver Eagle Sculpture by De Lier- Voyager
This is an original, real .999 silver sculpture by De Lier called, "Voyager". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 13"x9"x7" and consists of approx. 10 Troy oz. of silver. It comes with the foundry assay.
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Limited Edition Lithograph by Oliver
Limited Edition Lithograph by Artist Oliver, signed & numbered, NOT FRAMED!, approx dimension 22"x30"
General - Prints/Reproductions
Louis Icart Limited Edition-Symphony in Blue
Icart Limited Edition on paper, "Symphony in Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Structural Object
Moore signed and numbered bronze, "Structural Object "Comes with COA. Some variation in patina might occur.. Approx. size: 9x9x7 Inch.
General - Prints/Reproductions
Park Scene Lithograph
Beautiful Black and White Park Scene approx dimension 8"x8", a must have in your art collection!
General - Prints/Reproductions
Louis Icart Limited Edition-Cat caress
Icart Limited Edition on paper, "Cat caress".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "Family "Comes with COA. Some variation in patina might occur.. Approx. size: 11x12x4 Inch.
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Park Scene Lithograph
Beautiful Black and White Park Scene approx dimension 8"x8", a must have in your art collection!
General - Prints/Reproductions
Louis Icart Limited Edition-MINUET
Icart Limited Edition on paper, "MINUET".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "family "Comes with COA. Some variation in patina might occur.. Approx. size: 12x7x4 Inch.
Medium - Sculptures
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
General - Prints/Reproductions
Limited Edition Picasso - Nude Lying Down - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Lying Down". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Park Scene Lithograph
Beautiful Black and White Park Scene approx dimension 8"x8", a must have in your art collection!
General - Prints/Reproductions
Louis Icart Limited Edition-Tender Grapes
Icart Limited Edition on paper, "Tender Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Couple
Moore signed and numbered bronze, "Couple "Comes with COA. Some variation in patina might occur.. Approx. size: 10x5x4 Inch.
General - Prints/Reproductions
Limited Edition Picasso - Sleeping Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Original Lithograph by Berman
Limited Edition Lithograph by Berman, "Champs de Fleuers". Signed & numbered. approx dimension 17"x21".
General - Prints/Reproductions
Louis Icart Limited Edition-LILIES
Icart Limited Edition on paper, "LILIES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Reclining Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Lahaina Visions by Lassen
Lahaina Visions by Lassen
General - Prints/Reproductions
Louis Icart Limited Edition-YOUTH
Icart Limited Edition on paper, "YOUTH".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Rooster - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Rooster". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Dumbo
Dumbo Serigraph by Sericell. Approx 11x14
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Still Life with Mackerel
Van Gogh Limited Edition on paper, "Still Life with Mackerel".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Sergon
Sergon. Original Mixed Media. Approx 16x20
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Bench with Figures
Van Gogh Limited Edition on paper, "Bench with Figures".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Original Lithograph by Charles S. DunBadze
Limited Edition Lithograph by Charles S. DunBadze. Signed & numbered. approx dimension 24"x30".
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Fishing Boats on the Beach
Van Gogh Limited Edition on paper, "Fishing Boats on the Beach".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Picnic Group - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Picnic Group". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Limited Edition Lithograph "Lanscape Scene" by Artist Ella Fort
Limited Edition Lithograph "Lanscape Scene" by Artist Ella Fort, signed & numbered, approx dimension 15"x22".
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-IRISES
Van Gogh Limited Edition on paper, "IRISES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Woman Drawing Before A Mirror - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Drawing Before A Mirror". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Terrance of the Cafe
Van Gogh Limited Edition on paper, "Terrance of the Cafe".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Lithograph by Chiam Gross.
Limited Edition Lithograph by Chiam Gross, Signed and Numbered. Approx 17x31
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Still Life with Open Bible
Van Gogh Limited Edition on paper, "Still Life with Open Bible".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Abstract - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Abstract". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Houses in Auvers
Van Gogh Limited Edition on paper, "Houses in Auvers".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-The Old Mill
Van Gogh Limited Edition on paper, "The Old Mill".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Vincent Van Gogh Limited Edition-Cottages with Thatched Roofs
Van Gogh Limited Edition on paper, "Cottages with Thatched Roofs".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Lithograph by Artist Allen C. Friedman
Limited Edition Lithograph by Artist Allen C. Friedman, Signed & numbered, approx dimension 21"x27".
General - Prints/Reproductions
Louis Icart Limited Edition-RAIN
Icart Limited Edition on paper, "RAIN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman Relaxing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman Relaxing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Claude Monet Limited Edition-THE WALK
Monet Limited Edition on paper, "THE WALK".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Lithograph by Artist Rochelle S.
Limited Edition Lithograph by Artist Rochelle S., Signed & numbered, approx dimension 26"x24".
General - Prints/Reproductions
Unknown Limited Edition-Sacred Heart of Jesus
Unknown Limited Edition on paper, "Sacred Heart of Jesus".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Unknown Limited Edition-Sacred Heart of Mary
Unknown Limited Edition on paper, "Sacred Heart of Mary".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Picasso - Couple Relaxing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Couple Relaxing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
General - Prints/Reproductions
Maumiardo Original Lithograph
Maumiardo Original Lithograph, approx dimension 20"x26". Just look at the details this artist uses. It will bring an added touch of detail, not to off set your décor, but to compliment it. The possibilities are unlimited! Bid and win today!! CC
Medium - Sculptures
Original Real Silver Sculpture by Michael Schofield - Alexandrite
This piece is approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real silver and comes with the foundry assay. Some variations in marble might occur. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
General - Prints/Reproductions
Claude Monet Limited Edition-The Marina at Argenteuil
Monet Limited Edition on paper, "The Marina at Argenteuil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Alberto Giacometti Limited Edition-ANNETTE
Alberto Giacometti Limited Edition on paper, "ANNETTE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Lithograph by Artist Henri Gorsbi
Limited Edition Lithograph by Artist Henri Gorsbi, Signed & numbered, approx dimension 22"x26".
General - Prints/Reproductions
Claude Monet Limited Edition-Pleasure Boats
Monet Limited Edition on paper, "Pleasure Boats".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Claude Monet Limited Edition-Still Life with Pears and Grapes
Monet Limited Edition on paper, "Still Life with Pears and Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
General - Prints/Reproductions
Limited Edition Lithograph by Artist Anderson
Limited Edition Lithograph by Artist Anderson, Signed & numbered, approx dimension 26"x20".
6/22/12 $125 Relatively Everything! 20% OFF PRE BIDS!! MUST PREBID!!!!!
General - Prints/Reproductions
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Medium - Sculptures
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
General - Prints/Reproductions
Limited Edition Lithograph by Artist Gross
Limited Edition Lithograph by Artist Gross, Signed & numbered, approx dimension 20"x20".
Medium - Sculptures
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Medium - Sculptures
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
Medium - Sculptures
Zuniga Limited Edition Real Silver Sculpture - Unknown
Zuniga Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver. Some variation in marble might occur.
Medium - Sculptures
Salvador Dali Exquisite Limited Edition Real Silver Sculpture -Venus Di Milo
Salvador Dali Exquisite Limited Edition Real Silver Sculpture , "Venus Di Milo". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Medium - Sculptures
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Medium - Sculptures
Ballet Dancer - Real Silver Sculpture by Preiss
Preiss broze and ivory sculpture, Comes with foundry Assay. Contains approx. 10Troy oz of real silver. Some variation in marble might occur.
Medium - Sculptures
Oriental Waiter - Real Silver Sculpture by Preiss
Preiss Real Silver Sculpture, Comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.