07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Smoky Quartz Topaz 60 CT.
Angel of Worship - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Worship" is approx. 21"H x10"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H
Bal Costume - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture , "Bal Costume" . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x15x8".
Limited Edition Picasso - Portrait of a Young Girl - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of a Young Girl". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Limited Edition 24K Gold Layered Bronze Bronze Sculpture - Surist Angel
Archipenko original limited edition 24K gold layered bronze sculpture, "Surrealist Angel".
Limited Edition Picasso - Bullhead with Still Life - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bullhead with Still Life". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Theresa and Her Loving Does - Bronze and Ivory Sculpture by Richeers
L. Richeers extremely rare bronze and ivory sculpture. "Theresa and Her Loving Does". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.Circa 1926 Approx size: 100pd
Limited Edition Picasso - Man with Guitar - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man with Guitar". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Angel of Worship - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Worship" is approx. 21"H x10"W x 9"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze limited Edition Sculpture
Alexander Archipenko , limited edition 24K gold layered bronze sculpture, "Flat Torso".
Limited Edition Picasso - Still Life with Mandolin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Mandolin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Desmona - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Desmona". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:13x23x8.

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Limited Edition Picasso - Claude and Paloma at Play - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Claude and Paloma at Play". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Fancy Style 14kt Yellow Gold Amethyst & Diamond Earrings
Fancy Style 14kt Yellow Gold Amethyst & Diamond Earrings, Amethyst approx 14ct, Diamonds approx .50ct VS1, Color G. (112LK)
Limited Edition Picasso - Bacchanal - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bacchanal". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Bronze Sculpture - Blue Heron by D. Scott
This bronze sculpture by D. Scott is called, "Blue Heron" and measures approx. 44" x 14" x 19" and weighs approx. 97lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Max Ernst Original, limited Edition Bronze -Apaisament
Max Ernst signed and numbered bronze sculpture, "Apaisament ". Comes with COA. Some variation in patina might occur. Approx. size: 14x7x5.
Oriental Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Oriental Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6"x4.5".
Limited Edition Picasso - Still life with Skull, Leek and Pottery - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still life with Skull, Leek and Pottery". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Exotic Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Exotic Dancer" is approx. 21"H x 6"Wx 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Female Torso
Pablo Picasso Signed and Numbered 24K gold layered bronze sculpture, "Female Torso". Comes with foundry assay. Some variations in marble might occur. Approx. size: 15"x8"x4".
Max Ernst Original, 24k Gold limited Edition Bronze -Apaisament
Max Ernst signed and numbered bronze sculpture, "Apaisament ". 24k gold layered Comes with COA. Approx. size: 14x7x5. 24K layered gold, marble base, (if provided) is separate and may vary.
Platinum Gold Bronze Maiden Dolphin Fountain
Platinum and Gold patina bronze Maiden Dolphin Circle fountain by artist Moigneiz, dimensions are about 67x41x35

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LADIES FANCY BRIDAL SET RINGS
LADIES FANCY BRIDAL SEX RING SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1CT CLARTY IS VS2 COLOR IS G
Unisex Very Fancy 14 kt White Gold Green Peridot Ring
Unisex Very Fancy 14 kt White Gold Green Peridot Ring, Green Peridot approx 8 cts.
Beautiful 14kt Yellow Gold Amethyst Earrings
Beautiful 14kt Yellow Gold Amethyst Earrings, Amethyst approx 12 ct.(122LK)
Bustamante Limited Edition.999 Silver Sculpture -Sun King
Bustamante signed and numbered silver sculpture, "Sun King". Contains approx. 10 Troy ounces of fine .999 silver and comes with the foundry assay.
Bronze Sculpture - American Pride by De Lier
This bronze sculpture by De Lier is called, "American Pride" and measures approx. 20" x 15" x 12" and weighs approx. 60lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Pablo Picasso Original, limited Edition Bronze -Femme
Pablo Picasso signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x3x3.
Limited Edition Picasso - Bather with a Sand Shovel - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather with a Sand Shovel". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - American Pride by De Lier
This original, fine silver sculpture by De Lier is called, "American Pride" and measures approx. 20" x 15" x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
Dali Limited Edition 24K Gold Layered Bronze Sculpture -Giraffe Woman With Drawers
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "Giraffe Woman With Drawers". Sculpture measures approx. 19"x 8.5" x 4".
Pablo Picasso Original, 24k Gold limited Edition Bronze -Femme
Pablo Picasso signed and numbered bronze sculpture, "Femme". 24k gold layered Comes with COA. Approx. size: 13x3x3. 24K layered gold, marble base, (if provided) is separate and may vary.
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.05CT CLARITY IS VS1 AND COLOR IS G
Dali Real .999 Silver Sculpture - Female Bust
Dali sculpture, "Female Bust" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.

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Tiffany & Co. Belly Button Ring
Tiffany & Co. silver belly button ring, natural stones.
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch White Gold Siberian Jade 60 CT.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Washing of a Corpse". Comes with ceritificate of authenticity, framing available at an additonal cost.
The Favorite - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Favorite. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Day's End by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7in. x2 in. x 2in.
Pablo Picasso Original, 24k Gold limited Edition Bronze -GLASS
Pablo Picasso signed and numbered bronze sculpture, "GLASS". 24k gold layered Comes with COA. Approx. size: 12x7x4. 24K layered gold, marble base, (if provided) is separate and may vary.
Platinum Gold Bronze Neptune Fountain Keliam
Platinum and gold patina bronze Neptune fountain by artist Keliam, fountain is pre plumbed dimensions are about 41x15x18
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3CT
Giclees of the 10 Greatest Actresses
"The 10 Greatest Actresses" Giclees of Greta Garbo, Katherine Hepburn, Bette Davis, Judy Garland, Lauren Bacall, Marilyn Monroe, Audrey Hepburn, Grace Kelly, Elizabeth Taylor & Sophia Loren.approx dimension 30x34.
Homage to Venice by Dali
Limited Edition Lithograph. Dimensions are approx 20x20

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Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus with Pedestal
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Comes with signed Chiparus Pedestal Approx size: 18"x7.5"x5"
Diego Giacometti Original, limited Edition Bronze -
Diego Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN FRANCISCO WHARF" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Loose 175ct square shaped, Step cut-Columbian Emerald-
One Loose square shaped, Step cut, Columbian Emerald. Weighing 175.00cts .
Limited Edition Picasso - The Lovers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Lovers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co. Natural Stone Bracelett
Tiffany & co. silver natural stone bracelet, stones are approximately 125CT.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition I" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Hell) , "Cerebrus". Comes with COA and beautifully framed.
Bronze Sculpture - Spirit of America by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of America" and measures approx. 24" x 17" x 10" and weighs approx. 145lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "After the Flood" circa 1909-10, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Child Playing With Toy truck" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Mint Condition Tiger Eye Stone 100 CT.
Pineapple and Anemones by Henri Mattisse "Lithograph"
Pineapple and Anemones by Henri Mattisse. Limited Edition
Tiffany Style Floor Lamp
Tiffany style art deco design lamp with bronze base. Lamp is about 70Hx22W in.
Pablo Picasso Original, limited Edition Bronze -Woman With Dress
Pablo Picasso signed and numbered bronze sculpture, "Woman With Dress". Comes with COA. Some variation in patina might occur. Approx. size: 14x5x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Reading Aloud (Zola & Alexis)". Comes with ceritificate of authenticity, framing available at an additonal cost.
Exotic Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Exotic Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x27"x9".
Lady's Fancy PEAR Shaped Tourmaline & White Sapphire Necklace
Lady's Fancy PEAR Shaped Tourmaline & White Sapphire Necklace, Tourmaline approx 8 ct, White Sapphire approx 3 ct.
Limited Edition Picasso - The Bird Cage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bird Cage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Eagle 15 by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eagle 15" and measures approx. 15" x 11" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
Lady's Fancy 14 kt White Gold Sapphire Ring
Lady's Fancy 14 kt White Gold Sapphire Ring, Sapphire approx 5 ct.(150DD)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RUFFED GROUSE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Pablo Picasso Original, 24k Gold limited Edition Bronze -Woman With Dress
Pablo Picasso signed and numbered bronze sculpture, "Woman With Dress". 24k gold layered Comes with COA. Approx. size: 14x5x5. 24K layered gold, marble base, (if provided) is separate and may vary.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "PINTAIL RAPE FLIGHT, DELTA DECOY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Neptune Sculpture Keliam
Bronze Neptune sculpture by artist Keliam, dimensions are about 41x15x18
The Goldfish - Matisse - Limited Edition on Canvas
Matisse Limited Edition on canvas, "The Goldfish". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE FACE", CIRCA 1948 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3.02CT
Lady's Very Fancy 14 kt White Gold Garnets & White Diamond Ring
Lady's Very Fancy 14 kt White Gold Garnets & White Diamond Ring, Garnets approx .50 cts, White Diamonds approx 1.25 cts, VS1 color G.
Beautiful 14kt Yellow Gold Amethyst Earrings
Beautiful 14kt Yellow Gold Amethyst Earrings, Amethyst approx 12 ct.(142LK)
Lady's Fancy 14kt White Gold Ruby & Diamond Ring
Lady's Fancy 14kt White Gold Ruby & Diamond Ring, Ruby approx 1ct, Diamond approx 1ct VS1, Color G.(34LK)
Original Louis Icart Lithographs from Le Faust suite - Together Again
In the Manner of Louis Icart original lithographs, bearing the signature,, from the "Le Faust de Goethe" suite, "Together Again". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Lady's Beautiful One of a kind design, 14kt White Gold White Sapphire Ring
Lady's Beautiful One of a kind design, 14kt White Gold White Sapphire Ring, White Sapphire approx 5ct.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Maurice Utrillo Signed Limited Edition - WINDMILLS
Maurice Utrillo signed limited edition, "WINDMILLS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Bonaparte Study by Dali
In the Manner of Dali, Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Balcony", comes with certificate of authenticity, framing available at an additional cost.
Collotype Lithograph "Three Boys Fishing" by artist Norman Rockwell
Collotype Lithograph "Three Boys Fishing" by artist Norman Rockwell, double signature, approx dimension 33x22.
Split Skirt - Bronze and Ivory Sculpture by Chiparus with Pedestal
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fritz Wotruba Original, limited Edition Bronze
Fritz Wotruba signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Child Playing With Toy truck" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pineapple and Anemones by Henri Mattisse "Lithograph"
Pineapple and Anemones In the Manner of Henri Mattisse. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DARSENA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Running On the Beach - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Running On the Beach". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Fancy Tiffany & co. Natural Stone bracelet
fancy tiffany co silver natural stone bracelet, stones are approximately 70CT.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Rock Composition III" comes with certificate of authenticity, framing available at an additional charge.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

R. Wood Watercolor Painting
Original Watercolor on paper In the manner of R. Wood. The Praire, Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno) , "The Delightful Mount". Comes with COA and beautifully framed.
Fancy Unisex Silver Emerald Shape Blue Sapphire & Diamond Ring
Fancy Unisex Silver Emerald Shape Blue Sapphire & Diamond Ring, Blue Sapphire approx 5.07 ct, Diamonds approx 0.01ct I-3, K in color. (82LK)
Bronze Sculpture - Spirit of American (small) by D. Scott
This bronze sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and weighs approx. 12lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1926. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Black Onyx Approx. 50 CT.
Pablo Picasso Original, limited Edition Bronze -Seated Woman
Pablo Picasso signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x7x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Seashells and Black Clock". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Simplicity
Signed bronze and ivory art deco sculpture "Simplicity" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 20"x6"x8"
Limited Edition Picasso - Bather - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Fine Silver Sculpture - Eaglehead by H. Scott
This Original Fine Silver sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE AMERICAN ELK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Rearl Origanal limited edition 24k gold Art Deco Chiparus Sculpture -Lady Dancer
This Chiparus sculpture, , Origanal limited edition 24k gold layered comes with COA exstreamly Rare "Lady Dancer".
Pablo Picasso Original, 24k Gold limited Edition Bronze -Seated Woman
Pablo Picasso signed and numbered bronze sculpture, "Seated Woman". 24k gold layered Comes with COA. Approx. size: 14x7x7. 24K layered gold, marble base, (if provided) is separate and may vary.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "SPRING MIGRATION OF PINTAIL" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Signed Bronze Rattlesnake Fountain Remington
Signed bronze rattlesnake fountain by artist Frederic Remington, fountain is pre plumbed dimensions are about 61x29x30
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU", CIRCA 1906 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Fancy Style 14kt White Gold Amethyst & Diamond Earrings
Fancy Style 14kt White Gold Amethyst & Diamond Earrings, Amethyst approx 6ct, Diamonds approx 1ct VS1-2, Color J.(145LK)
Unisex Fancy 14kt White Gold Green Peridot Ring
Unisex Fancy 14kt White Gold Green Peridot Ring, Green Peridot approx 4ct.(35LK)
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Tête de femme de profil (Head of a Woman In Profile), 1959" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Marc Chagall Signed Limited Edition - The Large Circus
In the Manner of Mark Chagall, limited edition, "The Large Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Ballet Dancers by Degas
Bearing the Signature, Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Ascending and Descending", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Signed Chiparus Bronze and Ivory - Harlequin with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Harlequin" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 4 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Dead Cock And Jar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lithograph by Alberto Giacometti " Man Pointing Lithograph"
Man Pointing by Alberto Giacometti. Limited Edition
Picasso Signed and Numbered Real Silver Sculpture - Helping Hand
Picasso Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx. 10 Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Limited Edition Picasso - The Kiss - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Kiss". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Beautiful Tiffany & Co Amethyst Bracelet
beautiful tiffany & co silver amethyst bracelet, amethyst is approximately 180CT.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Faded Roses" comes with certificate of authenticity, framing available at an additional charge.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Paul Bonnard Watercolor Painting
Original Watercolor on paper in the manner of Paul Bonnard , Comes framed. Approx. size:15"x11".
Original Relics of the West Shadowbox Morgan Earp
Disadvantages: Alcoholism; Bad Temper; Bloodlust; Intolerance (Blacks); Skinny. Disadvantages: Bad Temper; Overconfidence.Morgan was Tombstone's part-time policeman.Original Relics of the West Shadowbox Contains Brands, Barbedwire, Horseshoes and Badges. Original Relics that tamed the wild west and still linger today. L: 23" W: 17" H: 3" CCG-5162
Bronze Sculpture - Rapture by Deniz
This bronze sculpture by Deniz is called, "Rapture" and measures approx. 24" x 12" x 6" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Limited Edition Pete Rose REDS Jersey
This is a Limited Edition Pete Rose Red's (#14)Jersey, framed in a Shadow Box, frame on Red Swede with laser cut Red's logo and two 8x10 photos. Original hand sign by Pete Rose Himself he also signed unusual (CHARLY HUSTLER). This piece is numbered from an edition of 500. The inside dimension is 29"H x 40"W.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Seine at Vernon" circa 1930, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:15" W:7" L:5"
Limited Edition Matisse- Matisse Seaside - Collection Domaine Matisse
In the Manner of Matisse from the Collection Domaine Matisse, "Matisse Seaside". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Silvia A. -GREEN ABSTRACT -Hand Signed Limited Ed. Lithograph on Canvas
This is a limited edition hand signed Lithograph by Silvia A. titled "GREEN ABSTRACT". Medium: Lithograph on Canvas [Signed and Numbered by the artist]. This piece is numbered from an edition size of 95. Image size: 20" x 24". Comes with a certificate of authenticity. Comes unframed. In mint condition!
Salvador Dali Enchanting Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway Cutting". Comes with ceritificate of authenticity, framing available at an additonal cost.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Signed Bouraine Bronze and Ivory - Master of the Beast
Signed bronze and ivory art deco sculpture "Master of the Beast" by artist Bouraine, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 30"x10"x4"
Limited Edition Picasso - Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Vase of Flowers". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Spirit of American (small) by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE CANVASBACK DUCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signedbronze sculpture layered with 24K gold. It is entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7.5 in. x 7 in. x 4 in.
Salvador Dali Enchanting 24k Gold Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". 24k gold layered Comes with COA. Approx. size: 15x9x7. 24K layered gold, marble base, (if provided) is separate and may vary.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "MIXED BROOD" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Cockatoo -Icart - Limited Edition on Cancas
In the Manner of Louis Icart Limited Edition on canvas, "Cockatoo". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU DE PROFIL, FIGURE LISANT", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 8.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Bob Dylan Giclee with Gold Record and notes
"Bob Dylan" Giclee with Gold Record and notes, approx dimension 22x24.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "PICADOR ET TORERO" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring, Alexadrite approx 1ct.
Klimt Limited Edition - Church at Unterach
In the Manner of Klimt, limited edition, "Church at Unterach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x20".
Still Life with Pears and Grapes by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Regular Division of the Plane III, comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Maillol Limited Edition Bronze -Torso
Maillol signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size: 14"x6"x5".
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace, Sapphires approx 20 cts & Diamonds total weight 5 cts.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still Life With Skull, leeks and Pitcher" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Portrait of a Woman by Paul Cezanne "Lithograph"
Portrait of a Woman In the Manner of Paul Cezanne. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DELAGE" CIRCA 1975.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Fruit Tree" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "The Angel of the First Heaven". Comes with COA and beautifully framed.
Boy with Lamb Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Lamb”. Dimensions: 16"H 6"W 5"D
Rare Salvador Dali Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". Comes with COA. Some variation in patina might occur. Approx. size: 15"x13"x16".
Bronze Sculpture - Great American Fisherman by D. Hunter
This bronze sculpture by D. Hunter is called, "Great American Fisherman" and measures approx. 30" x 45" x 21" and weighs approx.150lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Red and Yellow Still Life" circa 1931, Bonnard has here expressed his delighted preception of a group of orange and golden fruits. Arranged simply in a basket or bowl of harmonious colour, and surrounded by domestic objects humble in themselves yet obviously beautiful to the artist. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(57DN)
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "MARINE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Coral Crystal Flow Vase
Cut Crystal Flow Vase, Coral color, Dimensions are about H:30" W:10" L:12"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Matisse- Unknown - Collection Domaine Matisse
In the Manner of Matisse from the Collection Domaine Matisse, "Unknown". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Cafe Terrace At Night - Van Gogh - Limited Edition on Canvas
In the Manner of Vincent Van Gogh Limited Edition on canvas, "Cafe Terrace At Night". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur. Approx. size: 18x7x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Verlag, Vienna". Comes with ceritificate of authenticity, framing available at an additonal cost.
Exotic Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Exotic Dancer" is approx. 21"H x 6"Wx 9"D and 29lbs. It is a Limited Edition out of 399. SB9H
Signed E. Drouot Bronze and Ivory - The Hunter
Signed bronze and ivory art deco sculpture "The Hunter" by artist E. Drouot, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 23x25x9.
Limited Edition Picasso - Woman In Yellow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Yellow". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Arc of the Covenant by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE GRIZZLY BEAR" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Jett Jackson "Don’t Worry" Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of Jett Jackson titled "Don’t Worry" . Beautiful art piece on extra thick paper. Paper measures 37" x 37". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
Rare Salvador Dali 24k Gold Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". 24k gold layered Comes with COA. Approx. size: 15"x13"x16". 24K layered gold, marble base, (if provided) is separate and may vary.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "OUTCASTS ON THEIR OWN - YOUNG GIANTS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Danseuses Basculant - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Danseuses Basculant". Comes with COA. Approx. size: 20"x24". HC-0051
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
LADIES FANCY DIAMOND SKELETON KEY NECKLACE
LADIES FANCY DIAMOND SKELETON KEY NECKLACE, DIAMONDS ARE APPROXIMATELY 0.60CT CLARITY IS VS1 COLOR IS G
Lady's Beautiful 14 kt White Gold Black Diamond Ring
Lady's Beautiful 14 kt White Gold Black Diamond Ring, Black Diamonds approx 1 ct.
Antique Style Nevada Blue Turquois Earrings
Antique Style Nevada Blue Turquois Earrings, Stone dimmensions approx 9mm, Turquoise approx 30ct.(152LK)
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Femme dans la Nuit". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Lady's Fancy 14kt White Gold Sapphire & Diamond Band
Lady's Fancy 14kt White Gold Sapphire & Diamond Band, Sapphire approx 1ct, Diamonds approx 1.50 ct VS2, Color G.(38LK)
Calder Limited Edition Lithograph
In the Manner of Calder, Limited Edition Lithograph, bearing the signature, and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Picador" (1959). Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Leroy Neiman Double Signed Lithograph - Frank Sinatra
In the Manner of Leroy Neiman, bearing the signature, Lithograph - Frank Sinatra. Comes with COA.
Klimt Limited Edition - Cartoon for the Stoclet Frieze
In the Manner of Klimt, signed limited edition, "Cartoon for the Stoclet Frieze". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

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Windmill by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas. Grapes by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 23x26.
Signed Chiparus Bronze and Ivory - Les Girls with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girls" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Pino on Canvas - The Dancer- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Dancer". This very special edition is extremely limited. Image Size: 35" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Man And Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Constructors with Tree by Fernand Leger "Lithograph"
Constructors with Tree by Fernand Leger. Limited Edition
Lady's Antique Style Promise Sterling Silver Cubic Zirconia Ring
Lady's Antique Style Promise Sterling Silver Cubic Zirconia Ring
Pablo Picasso Original, Limited Edition Bronze - Etude Pour Yury Gagarin
Pablo Picasso signed and numbered Relief (sculpture), " Etude Pour Yury Gagarin". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SOUVENIRS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Outlaw
This Frederick Remington sculpture, "Outlaw" is approx. .10 Troy ounces of real .999 silver. Comes with foundry Assay.
Limited Edition Picasso - Woman With A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With A Flower". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

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Tiffany & Co. Siberian Jade Bracelet
tiffany & co silver siberian jade bracelet.
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns. Approx. size: 12"x3"x3".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Land Fracture" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Avaricious and the Prodigal". Comes with COA and beautifully framed.
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Henry Moore Original, limited Edition Bronze - SEATED WOMAN
Henry Moore signed and numbered bronze sculpture "SEATED WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Lady's Tiffany Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Bronze Sculpture - Majestic Eagle by De Lier
This bronze sculpture by De Lier is called, "Majestic Eagle" and measures approx. 42" x 36" x 41" and weighs approx. 204lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude Before a Mirrior" circa 1933, This is one of Bonnard's many variations of the same theme: a nude - generally his wife Marthe - standing before a mirror in undisturned self-contemplation. As the artist's friend Natanson wrote" 'The colours of a woman's flesh and their correspondences with the surrounding atomsphere constitute the real subject of the picture.' The subtle yet pervasive gold, blues, pinks and greens that define forms and surfaces throughout the room are all repeated in the model's luminous flesh tones. Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE DUO" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.

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Limited Edition Matisse- The Dream - Collection Domaine Matisse
In the Manner of Matisse from the Collection Domaine Matisse, "The Dream". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Starry Night- Van Gogh - Limited Edition on Canvas
In the Manner of Vincent Van Gogh Limited Edition on canvas, "The Starry Night". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Captivating Original Original, limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Interior with Girl Playing Piano". Comes with ceritificate of authenticity, framing available at an additonal cost.
Eagle Console Table Bronze and Marble From The 1850's
Beautiful, Fancy, Eagle Console Table - Bronze and Marble From The 1850's. Approx size: 41" x 50" Approx Lbs. 1500.
Butterfly Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Butterfly Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17".
Limited Edition Picasso - The Resevoir - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Resevoir". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Forgiven Soldier by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE COTTONTAIL RABBIT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" , is a limited edition 24K gold layered bronze sculpture.
Fredrick Phillip Serigraph Limited Edition
Fredrick Phillip Serigraph Limited Edition Beautiful art piece on extra thick paper. This piece is numbered from a limited edition of 295. Paper measures 39" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!

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Salvador Dali Enchanting Original, 24K GOLD limited Edition Bronze - The Persistence of Memory
Marble base is separate and may vary.Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". 24K LAYERED GOLD Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 18x7x6.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "LATE SPRING ON THE BARREN GROUNDS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Maiden Fountain Moreau
Bronze Maiden fountain by artist Moreau, dimensions are about 37x15x12
Danseuses Vertes - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Danseuses Vertes". Comes with COA. Approx. size: 20"x24". HC-0052
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU AU ROCKING CHAIR", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
LADIES STUNNING DIAMOND HEART KEY & LOCKET CHARM NECKLACE
LADIES STUNNING DIAMOND HEART, LOCKET AND KEY CHARM NECKLACE, SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50 CT CLARITY IS VS2 AND COLOR IS G
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 3.25 ct, Diamonds approx 1ct VS2, Color G. (39LK)
Calder Limited Edition Lithograph
In the Manner of Calder, Limited Edition Lithograph, bearing the signature, and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Bronze Sculpture - Eagle's Nest by D. Hunter
This bronze sculpture by D. Hunter is called, "Eagle's Nest" and measures approx. 15" x 11" x 6" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Picador Bull" Hand pulled and Bearing the signature,. These are beautifully framed and matted.Size 13x15. Very Rare!
Original Louis Icart Lithographs from Le Faust suite - Devil's Distress
In the Manner of Louis Icart original lithographs, bearing the signature,, from the "Le Faust de Goethe" suite, "Devil;s Distress". Approx. size: 10" x 7". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring, Ruby Red Spinel approx 3ct, Diamonds approx .50ct VS1, Color G.
Leroy Neiman Double Signed Lithograph - Phil Rizzuto
In the Manner of Leroy Neiman, bearing the signature, Lithograph - Phil Rizzuto. Comes with COA.
Marc Chagall Signed Limited Edition - Circus Arena
In the Manner of Mark Chagall, limited edition, "Circus Arena". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "La Grande Station"
Filmore Mix Media Lithograph "La Grande Station" , hand signed Limited Edition, approx dimension 20x20 in.
The Marina at Argenteuil by Monet
Bearing the Signature, Limited Edition Giclee on Paper
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Cycle", comes with certificate of authenticity, framing available at an additional cost.
Limited Edition Lithograph "Untittled" by artist Sharp
Limited Edition Lithograph "Untittled" by artist Sharp, Black & White piece, signed & numbered, approx dimension20x22.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas. Flowers by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 23x26.
Signed Chiparus Bronze and Ivory - Les Girl with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girl" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:11x4x3.
Salvador Dali Magnificent Original, limited Edition Bronze - The First Study For The Madonna
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x7.

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Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Couple With A Bird" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Frieze by Jackson Pollock "Lithograph"
Frieze by Jackson Pollock. Limited Edition
Unisex Very Fancy Sterling Silver Diamond Ring
Unisex Very Fancy Sterling Silver Diamond Ring, Diamonds approx 1ct, VS2, color G.
Pablo Picasso Original, Limited Edition Bronze - Reclining Woman
Pablo Picasso signed and numbered Relief (sculpture), "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SPRINGTIME COLORS" CIRCA 1977.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Limited Edition Picasso - Portrait of Jacqueline Roque with Arms Crossed - Collection Domaine Picass
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Jacqueline Roque with Arms Crossed". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Heart Tanzanite Bracelet
Tiffany & co silver heart and tanzanite bracelet.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Parched Land" comes with certificate of authenticity, framing available at an additional charge.
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "The Ascent to Venus". Comes with COA and beautifully framed.
Daniel Christian, 1840. Whale tooth with Orante Hand carvings
Daniel Christian, 1840. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 12"x2"

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Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Salvador Dali Enchanting Limited Edition Bronze- CANOE
Salvador Dali signed and numbered bronze sculpture "CANOE". Comes with COA. Some variation in patina might occur. Approx. size: 5"x13"x5".
Moore Original limited Edition Bronze Sculpture -FALLING WARRIOR
Moore signed and numbered bronze, "Falling Warrior" Comes with COA. Some variation in patina might occur.. Approx. size: 10x6x5 Inch.
Fancy Unisex Silver Emerald Shape Red Ruby & Diamond Ring
Fancy Unisex Silver Emerald Shape Red Ruby & Diamond Ring, Ruby approx 6.76 ct, Diamonds approx 0.02 ct I-2, K in color. (85LK)
Bronze Sculpture - Eagle's Nest by D. Hunter
This bronze sculpture by D. Hunter is called, "Eagle's Nest" and measures approx. 15" x 11" x 6" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Pierre-Auguste Renoir Lithographs
In the Manner of Pierre-Auguste Renoir: 2 Piece Color Lithograph Set includes The Loge and Young Women at the Water's Edge In the Manner of In the Manner of Pierre-Auguste Renoir. Together they make the perfect pair. Frame Size: 22”x31”. Very Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude in the Bath" circa 1935, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct. (33DN)
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25" W:7" L:12"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Matisse- The Egyptian Curtain - Collection Domaine Matisse
In the Manner of Matisse from the Collection Domaine Matisse, "The Egyptian Curtain". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Rec Room- Van Gogh - Limited Edition on Canvas
In the Manner of Vincent Van Gogh Limited Edition on canvas, "Rec Room". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Magnificent Original, limited Edition Bronze - The First Study For The Madonna
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Auvers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signal Man - Bronze and Ivory Sculpture by Pierre Le Faguays
Pierre Le Faguays broze and ivory sculpture, Signal Man. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Original Fine Silver Sculpture - Buffalo Hunter by C.M. Russell
This Original Fine Silver sculpture by C.M. Russell is called, "Buffalo Hunter" and measures approx. 15" x 14" x 5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Lady's Gorgeous White Gold Sapphire & Diamond Ring
Lady's White Gold Sapphire & Diamond Ring, Blue Sapphire approx 8 ct, Diamonds approx 30 points VS1, G in color.(26DD)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MOURNING DOVE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Winged Bust on Marble Base
Dali bronze sculpture layered with 24K gold, "Winged Bust" on marble base. Comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
LLado VENETIA Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "VENETIA ". Beautiful art piece on extra thick paper. Paper measures 24" x 34". Hand signed and numbered In the Manner of the artist. Comes unframed. In mint condition!
Salvador Dali Captivating Original Original, 24K Gold limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "EVENING EXCURSION" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Maiden Fountain La Rivoli
Bronze Maiden fountain by artist La Rivoli, dimensions are about 52x18x18
Horses with Jockeys - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Horses with Jockeys". Comes with COA. Approx. size: 20"x24". HC-0053
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TORSE, LES YEUX NOIRS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1CT.
Lady's Fancy Plt HEART Shape Royal Blue Topaz Ring
Topaz approx 4 ct. (78DD)
Lady's Fancy 14kt Yellow Gold Diamond Ring
Lady's Fancy 14kt Yellow Gold Diamond Ring, Diamonds approx 1.10ct VS1, Color G.(69LK)
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Calder Limited Edition Lithograph
In the Manner of Calder, Limited Edition Lithograph, bearing the signature, and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Louis Icart Original Litographs
3 Piece Color Lithograph by Louis I cart. Set includes 3 beautiful Lithographs. Pencil signed in lower right. Frame Size: 18”x32”. Wonderful and Rare!
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Apres la Pique (After the Lance)", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Original Louis Icart Lithographs from Le Faust suite - Satan's Contract
In the Manner of Louis Icart original lithographs, bearing the signature,, from the "Le Faust de Goethe" suite, "Satan's Contract". Approx. size: 10" x 7". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Leroy Neiman Double Signed Lithograph - The Joker-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"The Joker". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 20in x 14in. Comes with COA.
Salvador Dali Signed Limited Edition - Illustration for don Quixote I
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Illustration for don Quixote I". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890"
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890" , hand signed Limited Edition, approx dimension 20x20 in.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Metamorphosis III", comes with certificate of authenticity, framing available at an additional cost.
Oil on Canvas "A Basket of Flowers" by Artist William Woods
Oil on Canvas "A Basket of Flowers" by Artist William Woods, Oil on Canvas "A Basket of Flowers" by Artist William Woods, signed, approx dimension 20x16.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Peter Max Original Acrylic On Canvas - Lady in My Dream-
Original Acrylic on canvas in the manner of Peter Max "Lady in My Dream". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Joan Miro Original, limited Edition Bronze - Woman with Beautiful Breasts
Joan Miro signed and numbered bronze sculpture, "Woman with Beautiful Breasts". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x5x4.
Pino on Canvas - Angelica- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Angelica". This very special edition is extremely limited. Image Size: 42" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 4 cts, SI1 SI2 I1, color H I.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Bacchanal with Black Bull". These are beautifully framed and matted. Size 18x12. Very Rare!
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Harlequin With Guitar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Hermitage Garden. Mainson Rouge by Camille Pissarro "Lithograph"
Hermitage Garden. Mainson Rouge by Camille Pissarro. Limited Edition
Pablo Picasso Original Original, Limited Edition Bronze - Carmen
Pablo Picasso signed and numbered Relief (sculpture), " Carmen". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREES IN DIABLO" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Portrait of Marie Therese Walter - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Marie Therese Walter". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Natural Stone Flower Bracelet
Tiffany & co natural stone bracelet in silver. Beautiful flower design.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Furies". Comes with COA and beautifully framed.
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Antique Prison Lock
2nd Generation, Yuma Arizona Antique Prison Lock
Salvador Dali Enchanting Limited Edition Bronze- Millet's Angelus
Salvador Dali signed and numbered bronze sculpture "Millet's Angelus". Comes with COA. Some variation in patina might occur. Approx. size: 13"x5"x3".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Botero Original limited Edition Bronze Sculpture - COW
Botero signed and numbered bronze, " Cow ". Comes with COA. Some variation in patina might occur. Approx. size: 19x12x8 Inch.
Henri Matisse Limited Edition
Limited Edition On Paper. Henri Matisse Title "Nightmare Of White Elephant" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Louis Icart Original Litographs
3 Piece Color Lithograph In the Manner of Louis I cart. Set includes 3 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 18”x32”. Wonderful and Rare!
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Open Window" circa 1921, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1939. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.(34DN)
Cobalt Crystal Flow Vase
Cut Crystal Flow Vase, Cobalt color, Dimensions are about H:25" W:12"
Limited Edition Manet- The Fifer - Collection Domaine Manet
In the Manner of Manet from the Collection Domaine Manet, "The Fifer". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Circus- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Circus". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Exquisite Original, limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. Some variation in patina might occur.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Quai De Beray in Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Book Lady - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Book Lady. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Limited Edition Picasso - The Aficionado - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Aficionado". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - El Caballero by Estevez
This Original Fine Silver sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RED FOX" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Fernando Valls Limited Edition Original Limited Edition 24K Gold Layered Bronze Sculpture - Boy
Fernando Valls , "Boy", is a limited edition 24K gold layered bronze sculpture.
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - The First Study For The Madonn
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x9x7.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "FIRST ON THE WING, YOUNG PINTAILS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Race Horses - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Race Horses". Comes with COA. Approx. size: 20"x24". HC-0054
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU ASSIS DE DOS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

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14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1.05CT.
Lady's Fancy 14 kt White Gold Marqui Shaped Peridot & Diamond Ring
Lady's Fancy 14 kt White Gold Marqui Shaped Peridot & Diamond Ring, Peridot approx 3 cts, Diamonds approx 2.50 cts, VS1 color G.
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Lady's Fancy 14kt White Gold Citrine & Diamond Ring
Lady's Fancy 14kt White Gold Citrine & Diamond Ring, Citrine approx 3 ct, Diamonds approx .25 ct VS1, Color G.41LK)
Constantine Brancusi Original, limited Edition Bronze -MAJESTIC
Constantine Brancusi signed and numbered bronze sculpture, "Majestic". Comes with COA. Some variation in patina might occur. Approx. size: 17"x13"x7"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut."Pique" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Leroy Neiman Double Signed Lithograph - Ballarat Atlantic City-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Ballarat Atlantic City". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 33in x 24in. Comes with COA.
Salvador Dali Signed Limited Edition - Atavistc Vestiges After the Rain
In the Manner of Salvador Dali Bearing the Signature, limited edition, " Atavistc Vestiges After the Rain". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Argenteuil by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Belvedere", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!

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Peter Max Original Acrylic On Canvas - Love Boat-
Original Acrylic on canvas in the manner of Peter Max "Love Boat". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Signed Chiparus Bronze and Ivory - Skirted Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Skirted Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Braque Original, limited Edition Bronze - Unknown
Braque signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 13x9x6.
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "The Flutists". These are beautifully framed and matted. Size 18x12. Very Rare!
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Olga Picasso" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Portrait of Paul Guillaume by Amedeo Modigliani "Lithograph"
Portrait of Paul Guillaume In the Manner of Amedeo Modigliani. Limited Edition
Lady's Antique Style Promise Sterling Silver White Sapphire Ring
Lady's Antique Style Promise Sterling Silver White Sapphire Ring, White Sapphires approx 2 cts.
Set of 2 Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Set of 2 Roseville Porcelain approx dimensions are 5x4x4
Pablo Picasso Original, Limited Edition Bronze -Fauno
Pablo Picasso signed and numbered Relief (sculpture), "Fauno". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AMALFI" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fernando Valls Limited Edition Real Silver Sculpture - Boy
Fernando Valls signed and numbered real silver sculpture, "Boy". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver..

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Limited Edition Picasso - Three Musicians - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Three Musicians". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Tanzanite Bracelet
Tiffany & co silver tanzanite bracelet
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Interior II" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise) , "Dante In Doubt". Comes with COA and beautifully framed.
The Ship Sachem 1858-59. Genuine Whale tooth with Orante Hand carvings
The Ship The Ship Sachem 1858-59. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 14"x3"
Antique Prison Lock
2nd Generation, Georgia State Sanitarium Antique Prison Lock
Salvador Dali Enchanting Limited Edition Bronze- FARANESE MANIEQUIN
Salvador Dali signed and numbered bronze sculpture "FARANESE MANIEQUIN". Comes with COA. Some variation in patina might occur. Approx. size: 10"x11"x14".
Constantine Brancusi Original, limited Edition Bronze -MAJESTIC
Constantine Brancusi signed and numbered bronze sculpture, "Majestic". Comes with COA. Some variation in patina might occur. Approx. size: 17"x13"x7"
Bronze Sculpture - Last Dance by De Lier
This bronze sculpture by De Lier is called, "Last Dance" and measures approx. 15" x 8" x 6" and weighs approx.16lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Dining Room Overlooking Garden" circa 1934, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Smokey Topaz Approx 140CTS.
Emerald Crystal Flow Vase
Cut Crystal Flow Vase, Emerald color, Dimensions are about H:30" W:9" L:10.75"
Limited Edition Manet- Painting Manet - Collection Domaine Manet
In the Manner of Manet from the Collection Domaine Manet, "Painting Manet". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Le Cirque 4- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque 4". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Magnificent Original, limited Edition Bronze - Soft Construction With Boiled Beans
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
The Creed - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, The Creed . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - The Accordionist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Accordionist". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - The Rabi by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MALLARD DUCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.

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Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze Sculpture - Torso
Alexander Archipenko original limited edition 24K gold layered bronze sculpture, "Torso".
LLado Trail of Flowers Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "Trail of Flowers ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered In the Manner of the artist. Comes unframed. In mint condition!
Salvador Dali Exquisite Original, 24K Gold limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "CANVASBACK BACHELOR DRAKES RETURN TO LONG ISLAND BAY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Seated Dancer - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Seated Dancer". Comes with COA. Approx. size: 20"x24". HC-0055
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TETE PENCHEE VERS LA GAUCHE", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .30CT
Unisex Beautiful 14 Kt White Gold Ruby Ring
Ruby approx 30 points.(80DD)
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Lady's Fancy 14kt White Gold Aqua Ring
Lady's Fancy 14kt White Gold Aqua Ring, Aqua approx 4ct.(42LK)
Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Dali Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Femme couchée et Homme à la Guitare". Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Unisex Fancy Style 14kt White Gold Amethyst Ring
Unisex Fancy Style 14kt White Gold Amethyst Ring, Amethyst approx 5ct.
Leroy Neiman Double Signed Lithograph - Fouquet's-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Fouquet's". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 28in. Comes with COA.
Salvador Dali Signed Limited Edition - The Weaning of Furniture
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Weaning of Furniture". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Sea Port"
Filmore Mix Media Lithograph "Sea Port" , hand signed Limited Edition, approx dimension 20x20 in.
Promenade Near Argenteuil by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Olive Trees by Van Gogh
In the Manner of Van Gogh, Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Reptiles", comes with certificate of authenticity, framing available at an additional cost.
Water Color by Artist Pineke Baghuis
Water Color by Artist Pineke Baghuis, signed, approx dimension 27x21.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Peter Max Original Acrylic On Canvas - Adriel-
Original Acrylic on canvas in the manner of Peter Max "Adriel". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Leo Mol Original, limited Edition Bronze
Leo Mol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14x6x5.
Pino on Canvas - Fanciful Dreams- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Fanciful Dreams". This very special edition is extremely limited. Image Size: 54" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Lady's 18 kt White Gold Amethyst/Diamond Necklace
Lady's 18 kt White Gold Amethyst/Diamond Necklace, Amethyst weight 5.38 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Owl Dancing Music". These are beautifully framed and matted. Size 18x12. Very Rare!
Limited Edition Renoir- The Bather - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "The Bather". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Design For Bullfighter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
I Believe that Great Art by Steven A. Wynn "Lithograph"
I Believe that Great Art by Steven A. Wynn. Limited Edition
Lady's Very Fancy Sterling Silver & White Sapphire Ring
Lady's Very Fancy Sterling Silver & White Sapphire Ring, White Sapphires approx 2 cts.
Roseville Porcelain approx dimensions are 4x6x5
2nd Generation Roseville Porcelain approx dimensions are 4x6x5
Iconic Pablo Picasso Original, Limited Edition Bronze -Couple I
Pablo Picasso signed and numbered bronze Relief (sculpture)"Couple I". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TYRRHENIAN SEA" CIRCA 1979.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Dali Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Limited Edition Picasso - Seated Woman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In An Armchair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Hoop Earrings
Tiffany & co silver hoop earrings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Figure and Pond Reflection" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Beaterice Resolves Dante's Doubt". Comes with COA and beautifully framed.
Girl with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Girl with Basket”. Dimensions: 22"H 9"W 9"D
Antique Prison Lock
2nd Generation, Georgia Convict Camp Antique Prison Lock
Salvador Dali Enchanting Limited Edition Bronze- Still Life with Pears
Salvador Dali signed and numbered bronze sculpture "Still Life with Pears". Comes with COA. Some variation in patina might occur. Approx. size: 10"x8"x4".
Brancusi Limited Edition Bronze - Le Coq
Brancusi signed and numbered bronze sculpture, "Le Coq". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Lady's Tiffany Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper.Title " Lagoons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Victory Over Gravity by D. Scott
This bronze sculpture by D. Scott is called, "Victory Over Gravity" and measures approx. 15" x 8" x 9" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

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Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Self Portrait" circa 1944-45, Comes with certificate of authenticity, framing available at an additional cost.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "TETE DE FEMME" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Lapis Approx 150.CTS, diamond Approx .50CT, Color VS1 - G.
Limited Edition Renoir- The Bather - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "The Bather". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Tiffany Style Lamp Shades
Tiffany Style Lamp Shades. 2 pcs.
Le CirQue 5- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque 5". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze -Geopolitical Child Watches The Birth Of T
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". Comes with COA. Some variation in patina might occur. Approx. size: 12x13x4.
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Portrait of Victor Choqurt". Comes with ceritificate of authenticity, framing available at an additonal cost.
Original Bronze by Michael Schofield - Alexandrite
This is the first piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Alexandrite adorning the piece. "Alexandrite" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Signed Chiparus Bronze and Ivory - The Squall
Signed bronze and ivory art deco sculpture "The Squall" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 30"x10"x4"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Harlequin with Violin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin with Violin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Jesus and the Children by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Children" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MULE DEER" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - Soft Construction With Boiled
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "BACHELOR MALLARDS SHIFTING FROM LAKE TO MARSH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Kids on See Saw Moreau
Bronze Kids on SeeSaw by artist Moreau, dimensions are about 44x24x52
The Star - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "The Star". Comes with COA. Approx. size: 20"x24". HC-0056
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "LA NUIT", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .33CT
Lady's Fancy 14 kt White Gold Emerald & Diamond Ring
Lady's Fancy 14 kt White Gold Emerald & Diamond Ring, Emeralds approx 3 cts, Diamonds approx .20 cts, VS1 color G.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring, Pigeon Blood Ruby approx 3.5ct.(72LK)
Lady's Fancy 14kt White Gold Diamond Promise Ring
Lady's Fancy 14kt White Gold Diamond Promise Ring, Diamonds approx .50ct VS1, Color G.(44LK)
Calder Limited Edition Lithograph
"DLM 173" Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure in a Landscape" comes with certificate of authenticity, framing available at an additional charge.
Leroy Neiman Double Signed Lithograph - Ballarat-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Ballarat". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 33in. Comes with COA.
Jan Vermeer Limited Edition - The Concert
Jan Vermeer Limited Edition , "The Concert". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Peter Darro Limited Edition Lithograph
In the Manner of Peter Darro Limited Edition Lithograph, bearing the signature & numbered, approx dimension 15x12 in.
Farmyard in Normandy by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Starry Night by Van Gogh
In the Manner of by Van Gogh, Lithograph. Dimensions are approx 20x21
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Relativity", comes with certificate of authenticity, framing available at an additional cost.
Limited Edition Lithograph "In Compliance" by Artist Bird
Limited Edition Lithograph "In Compliance" by Artist Bird, signed & numbered, approx dimension 27x37.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Lipschitz Original, limited Edition Bronze - Man with Clarinet
Lipschitz signed and numbered bronze sculpture, "Man with Clarinet". Comes with COA. Some variation in patina might occur. Approx. size: 16x5x5 Inch.
Very Fancy Sapphire Pendant
Very Fancy Sapphire Pendant, Sapphires approx 20 ct.(146DD)
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Rooster On A Chair Under A Lamp" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
A Woman Contemplating a Yellow Cup by Roy Lichtenstein "Lithograph"
A Woman Contemplating a Yellow Cup by Roy Lichtenstein. Limited Edition
Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Roseville Porcelain approx dimensions are 5x4x4
Pablo Picasso Original, Limited Edition Bronze - Bullfighting
Pablo Picasso signed and numbered Relief (sculpture), "Bullfighting". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Venus on a Shell
Dali sculpture, "Venus on a Shell" is approx. 7.05 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Tiffany & Co Cluster Earrings
Tiffany & Co gold cluster earrings.
Dali Limited Edition Bronze Sculpture - Woman With Drawers
This is a limited edition, signed bronze sculpture entitled "WOMAN WITH DRAWERS" by Salvador Dali. Dali painted "Burning Giraffe" during his exile in the United States. Although Dali declared himself apolitical, "I am Dali, and only that.", this painting shows his personal struggle with the battle in his home country. Approx. Dimensions: 7.5 in. x 5 in. x 3.5 in.

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Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure in a Landscape" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Bishop Cum Troubador". Comes with COA and beautifully framed.
The Ship. Whale tooth with Orante Hand carvings
The Ship. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 4"x2"
Boy with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Basket”. Dimensions: 22"H 8"W 8"D
Salvador Dali Enchanting Limited Edition Bronze- ATOMIC NOSTALGIC
Salvador Dali signed and numbered bronze sculpture "ATOMIC NOSTALGIC". Comes with COA. Some variation in patina might occur. Approx. size: 10"x5"x5".
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "Woman Head". Comes with COA. Some variation in patina might occur. Approx. size: 11x5x4.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 22”x31”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED " LES POISSONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Diamond Badavici Watch
Ladies Fancy Diamond Badavici Watch One of a kind.
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25" W:10"

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Limited Edition Renoir- Unknown - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Unknown". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Le Cirque 6- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque 6". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Signed Chiparus Bronze and Ivory - Clown on a Ball
Signed bronze and ivory art deco sculpture "Clown on a Ball" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 19"x13"x6"
Lady's Beautiful Sterling Golden & White Saphire Necklace
Lady's Beautiful Sterling Golden & White Saphire Necklace, Golden Sapphire approx 7 ct, White Sapphire approx 2.5 ct.
Limited Edition Picasso - Mother and Child - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mother and Child". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - End of the Trail by Fraiser
This Original Fine Silver sculpture by Fraiser is called, "End of the Trail" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BOBWHITE QUAIL" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Salvador Dali Original Limited Edition 24K Gold Layered Bronze Sculpture -Venus Di Milo
Salvador Dali limited edition 24K gold layered bronze sculpture "Venus Di Milo".
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze -Geopolitical Child Watches The B
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x13x4.

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BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "EN ROUTE TO MOULT, GIANT CANADAS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Tiny Moreau
Bronze Tiny by artist Moreau dimensions are about 36x18x12
Horses - Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas. "Horses". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA ROBE JAUNE, RUBANS NOIRS", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY 18K GENTS SUBMARINER ROLEX
FANCY AUTHENTIC GENTS SUBMARINER ROLEX, 18K TWO TONE, BLUE FACE
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Calder Limited Edition Lithograph
"DLM 201" Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Le Vase de Fleurs", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Leroy Neiman Double Signed Lithograph - Disco Bunnies-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -" Disco Bunnies ". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size:23in x 23in. Comes with COA.
The Thames below Westminister by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Café Terrace at Night by Van Gogh
In the Manner of Van Gogh, Lithograph. Dimensions are approx 20x22

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Lithograph "1872 Punchestown Horse Raise" Painted by Sturgess
Lithograph "1872 Punchestown Horse Raise" Painted by Sturgess, Engraved by E.G., approx dimension 28x40.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Oil on Canvas. Grapes by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 23x26.
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Lady's Fancy Style Sterling Colombian Emerald Earings
Lady's Fancy Style Sterling Colombian Emerald Earings, approx 30 ct.
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
"Bacchanale" - Dali - Limited Edition
In the Manner of Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Pino on Canvas - Dreaming in Color- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming in Color". This very special edition is extremely limited. Image Size: 34" x 42" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 5 cts, SI1 SI2 I1, color H I.
Bathers by Paul Gauguin "Lithograph"
Bathers by Paul Gauguin. Limited Edition
Lady's Fancy Antique Style Sterling Silver Graduated Garnet Ring
Lady's Fancy Antique Style Sterling Silver Graduated Garnet Ring, Graduated Garnets approx 2.5 cts.

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Pablo Picasso Original, Limited Edition Bronze - Couple II
Pablo Picasso signed and numbered Relief (sculpture), "Couple II". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Man With A Straw Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Straw Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Lock Dangle Earrings
Tiffany & co silver lock dangle earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Blashemers". Comes with COA and beautifully framed.
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 13"H 13"W
Salvador Dali Enchanting Limited Edition Bronze- METAMORPHOSIS OF NARCISSOS
Salvador Dali signed and numbered bronze sculpture "METAMORPHOSIS OF NARCISSOS". Comes with COA. Some variation in patina might occur. Approx. size: 11"x5"x5".
Brancusi Limited Edition Bronze -MALE TORSO
Brancusi signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x6.
Tiffany Earrings Fancy
Tiffany Sterling Silver Earrings
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper. Title "The Horse, Rider and Clown" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Spirit of Ecstacy by C. Sykes
This bronze sculpture by C. Sykes is called, "Spirit of Ecstacy" and measures approx. 30" x 16" x 16" and weighs approx. 88lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
4 Pieces Color Lithograph
4 Pieces Color Lithograph Set includes: Edgar Degas Lithograph, 2- Jasper Johns Lithographs and Pierre-Auguste Renoir Lithograph. Frame Size: 29”x38”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CARAFE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Limited Edition Renoir- Grand Boulevards - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Grand Boulevards". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Le Cirque III- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque III". Comes with COA. Approx. size: 20"x24". HC-0045
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Spirit of Ecstasy - Fine Sculpture by Charles Robinson Sykes
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This a antique Gold Patina sculpture . Comes with foundry assay. Some variations in marble might occur.
Clara - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Clara. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x31x7".
Lady's Fancy Almandine Garnet With White Sapphire Pendant
Lady's Fancy Almandine Garnet With White Sapphire Pendant, Garnet approx 8 ct, White Sapphireapprox 2 ct .

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Man Leaning On A Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man Leaning On A Table". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Unknown by Shrady
This Original Fine Silver sculpture by Shrady is called, "Unknown" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BLACK BEAR" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
LLado GIVER MY Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "GIVER MY ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 16x10x6.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "AUGUST RENDEZVOUS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Sisters Moreau
Bronze Sisters by artist Moreau dimensions are about 31x14x12
Seaside- Jean Dufy - Limited Edition on Canvas
Jean Dufy Limited Edition on canvas, "Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE, FOND MOUCHARABI", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING 18K DATE JUST ROLEX
STUNNING AUTHENTIC DATE JUST ROLEX, 18K TWO TONE, 2004 HAS BOOKLET AND BOX.
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Sirens". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Picador et Cheval", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Leroy Neiman Double Signed Lithograph - Jour Du Soleil-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Jour Du Soleil". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 21in x 31in. Comes with COA.
Salvador Dali Signed Limited Edition - Fighting the Minotaur
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Fighting the Minotaur". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Hotel de Roches Noires by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Landscape with Figures 188 by Van Gogh
In the Manner of Van Gogh Lithograph. Dimensions are approx 20x23
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Mobius Strip II", comes with certificate of authenticity, framing available at an additional cost.
Oil on Canvas "Un named piece" by Artist Frank Tauriello
Oil on Canvas "Un named piece" by Artist Frank Tauriello, Frank Tauriello original oil on canvas. Approx dimension 33x28.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Handsigned Peter Max Overpaint - Liberty Head
Peter Max overpaint handsigned by Peter Max. "Liberty Head" comes with original COA and is approx. 8.5x11in.
Original Oil on Canvas. Grapes and Peaches by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 26x23.

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Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Joan Miro Original, limited Edition Bronze-L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Ne
Joan Miro signed and numbered bronze sculpture, "L’oiseau Se Niche Sur Les Doigts En Fleurs (The Bird Nests In Bloom Fingers)". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
"St John on the Cross" - Dali - Limited Edition
In the Manner of Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Seated Woman IN Turkish Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Mademoiselle Pogany II by Constantin Brancusi "Lithograph"
Mademoiselle Pogany II by Constantin Brancusi. Limited Edition
Pablo Picasso Original, Limited Edition Bronze - Bull
Pablo Picasso signed and numbered Relief (sculpture), "Bull". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VERMOUTH BOTTLES" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Victor Villareal Limited Edition Real Silver Sculpture - Take Five
Victor Villareal signed and numbered real silver sculpture, "Take Five". Contains approx. 10 Troy ounces of real silver.
Limited Edition Picasso - Harlequin and His Companion - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin and His Companion". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Cross of Mars". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 15"H 12"W
Salvador Dali Enchanting Limited Edition Bronze- Furniture Nutrition
Salvador Dali signed and numbered bronze sculpture "Furniture Nutrition". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7".
Botero Original limited Edition Bronze Sculpture - PEDRITO
Botero signed and numbered bronze, "Pedrito". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x8 Inch.
Bronze Sculpture - Ballerina by De Lier
This bronze sculpture by De Lier is called, "Ballerina" and measures approx. 15" x 8" x 6" and weighs approx. 16bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Lithograph Set From the suit "Le Gout du Bonheur". Together they make the perfect pair. Frame Size: 29”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Diamond Approx 5.CTS
Limited Edition Renoir- Estaque - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Estaque". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Porcelain Urn
Porcelain Urn 20x20x38
Le Cirque VII- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque VII". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Dish". Comes with ceritificate of authenticity, framing available at an additonal cost.
Cleopatra - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace, Golden Sapphire approx 6 ct, Diamonds approx .50 ct VS1, G in color.
Limited Edition Picasso - Studio with Plaster Bust - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Studio with Plaster Bust". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Gift Dancer by Kauba
This Original Fine Silver sculpture by Kauba is called, "Gift Dancer" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE WOODCOCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed sculpture made from bronze and layered with 24K gold entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
LLado "Trail of Flowers II" Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "Trail of Flowers II". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 17x10x4.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "YOUNG CANVASBACK ON THE MOVE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Harlequin - Paul Cezane - Limited Edition On Canvas
In the Manner of Paul Cezanne Limited Edition on canvas, "Harlequin". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE A LA CHAISE - LONGUE DANS PAYSAGE", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14 kt White Gold Golden Sapphire & Diamlond Ring
Lady's Fancy 14 kt White Gold Golden Sapphire & Diamlond Ring, Golden Sapphires approx 1.5 cts, Diamonds approx .15 cts, VS1 color G.
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring, Brownish Sapphire approx 2.5ct, Diamonds approx .50 ct VS1, Color G.(48LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Athene and the Horse". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. " Two Women at the Window" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
George Suerat Signed Limited Edition - Bathers at Asnieres
George Suerat signed limited edition, "Bathers at Asnieres". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Bedroom at Arles by Van Gogh
In the Manner of Van Gogh Lithograph. Dimensions are approx 20x24
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Snakes", comes with certificate of authenticity, framing available at an additional cost.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Original Oil on Canvas. Flowers by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 23x26.
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
"St George and the Dragon" by Dali
In the Manner of Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
Pino on Canvas - Dancing in Barcelona- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dancing in Barcelona". . This very special edition is extremely limited . Image Size: 52" x 38" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet, Tanzanite weight 13 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Portrait Of Marie Therese Walter III" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Stylish 14 kt Yellow Gold Heart & Pearl Earrings
Stylish 14 kt Yellow Gold Heart & Pearl Earrings
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas "Lithograph"
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas. Limited Edition
Lady's Beautiful Princess Cut Promise Ring Sterling Silver White Sapphire Ring
Lady's Beautiful Princess Cut Promise Ring Sterling Silver White Sapphire Ring, White Sapphire approx 3 cts.
Pablo Picasso Original, Limited Edition Bronze -L' Homme en Prole a la Paix Couronne Dl Espoir
Pablo Picasso signed and numbered Relief (sculpture), "L' Homme en Prole a la Paix Couronne Dl Espoir". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA SAN MARCO" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Cafe At Royan - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Cafe At Royan". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "In the Hands of Antaeus". Comes with COA and beautifully framed.
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 17"H 17"W
Salvador Dali Enchanting Limited Edition Bronze- THE ROM
Salvador Dali signed and numbered bronze sculpture "THE ROM". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x6".
Henry Moore Limited Edition Bronze - Thin Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Thin Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:4x12x6.
Tiffany Earrings Fancy
Tiffany Sterling Silver Earrings
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper. Title " The Codomas" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Perfection by De Lier
This bronze sculpture by De Lier is called, "Perfection" and measures approx. 15" x 11" x 8" and weighs approx. 28bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Chagall Original Lithographs .
2 Piece Color Lithograph In the Manner of Chagall. Set includes 2 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 22”x30”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TROIS CITRONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Limited Edition Renoir- Seated Girl - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Seated Girl". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Le Cirque VIII- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque VIII". Comes with COA. Approx. size: 20"x24". HC-0045
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - Space Venus
Salvador Dali signed and numbered bronze sculpture, "Space Venus". Comes with COA. Some variation in patina might occur.
Signed Preiss Bronze and Ivory - Tennis Player
Signed bronze and ivory art deco sculpture "Tennis Player" by artist Preiss, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 13"x11"x6"
Limited Edition Picasso - Woman With Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With Pigeons". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Arizona by Unknown
This Original Fine Silver sculpture by Unknown is called, "Arizona".It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BOBCAT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington Monumental sculpture, "Rattlesnake" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x16"x10".
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "FAMILY OF SNOW GEESE TRAVELLING SOUTH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Platinum Gold Mountain Man Remington
Platinum and gold patina bronze Mountain Man fountain, fountain is pre plumbed dimensions are about 62x29x30
Mardi Gras- Paul Cezane - Limited Edition On Canvas
In the Manner of Paul Cezanne Limited Edition on canvas, "Mardi Gras". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PETITE LISEUSE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 3.00CT AND DIAMONDS ARE APPROXIMATELY 0.10CT VS1 CLARITY COLOR G.
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Ares and Aphrodite". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Picador Goading Bull" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring, approx 12 ct.
Leroy Neiman Double Signed Lithograph -Double Roulette-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Double Roulette". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 33in x 24in. Comes with COA.
Marc Chagall Signed Limited Edition - The large Grey Circus
In the Manner of Mark Chagall, bearing the signature, Limited Edition, "The large Grey Circus". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

The Museum at le Habre by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Houses at Auvers by Van Gogh
In the Manner of Van Gogh, Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Evgeniy Vuchetich Original, limited Edition Bronze - Sword Into Plowshare
Signed and numbered bronze by Evgeniy Vuchetich titled, "Sword Into Plowshare". Some variation in patina might occur.
"Two Fishes" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Lady's 14 kt White Gold Ruby/Diamond Bracelet
Lady's 14 kt White Gold Ruby/Diamond Bracelet, Ruby approx 8 cts & Diamonds approx weight 4 cts, SI1 SI2 I1, color H I.
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Banderillas". These are beautifully framed and matted. Size 18x12. Very Rare!
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Etude De Personnages" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Highway by Jasper Johns "Lithograph"
Highway by Jasper Johns. Limited Edition

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Pablo Picasso Original, Limited Edition Bronze -Owl
Pablo Picasso signed and numbered Relief (sculpture), "Owl". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Bather With Beach Ball - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bather With Beach Ball". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Signed Limited Edition Bronze - Terpsicore
Dali signed, limited edition Dali sculpture, "Terpsicore". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" City News" In the manner of Norman Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Bertram dal Bornio". Comes with COA and beautifully framed.
Mother & Son Bronzite Sculpture
This is an Resin Sculpture with bronze finish “Mother & Son”. Dimensions: 16"H 9"W 9"D
Salvador Dali Enchanting Limited Edition Bronze- Unknown Title
Salvador Dali signed and numbered bronze sculpture "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 5"x9"x4".
Henry Moore Limited Edition Bronze - Reclining Figure: Fragments
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Fragments". Comes with COA. Some variation in patina might occur. Approx. size: 7x13x4.
Lady's Beautiful Silver Cushion Shape Citrine & Diamond Ring
Lady's Beautiful Silver Cushion Shape Citrine & Diamond Ring, Citrine approx 6.20 ct, Diamonds approx 0.07 ct I-1/I-2, J-K in color. (89LK)

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Louis Icart Original Litographs
4 Piece Color Lithograph In the Manner of Louis I cart. Set includes 4 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Very Very Fany Badavici Watch
Ladies Very Very Fany Badavici Watch Georgous Multi Color Stone, White Sapphire, Amethyst, Citrine, Aqua Marine
Lady's Fancy Sterling Peridot & White Sapphire Necklace
Lady's Fancy Sterling Peridot & White Sapphire Necklace, Sapphire approx 7.5 ct, Peridot approx 6 ct.(39DN)
Limited Edition Renoir- Madame Harriet - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Madame Harriet". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Le Cirque- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Le Cirque". Comes with COA. Approx. size: 20"x24". HC-0045
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - Venus A La Giraffe
Salvador Dali signed and numbered bronze sculpture, "Venus A La Giraffe". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 24"H x 8"W x 8"D and 29lbs. It is a Limited Edition out of 399. SB8H
Dolly Sisters - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Dolly Sisters. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Sergeant by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Sergeant" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BLACK DUCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "BLUEWINGS ON THEIR WAY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Platinum Gold Bronze Buster Fountain Remington
Platinum and gold patina bronze fountain by artist Frederic Remington Bronco Buster, signed, fountain is pre plumbed dimensions are about 61x29x32
Still Life with Apples- Paul Cezane - Limited Edition On Canvas
In the Manner of Paul Cezanne Limited Edition on canvas, "Still Life with Apples". Comes with COA. Approx. size: 20"x24". HC-0046
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CAPELINE EN PAILLE D'ITALIE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Le Faune". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Sacrifice at Athenae". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Jacqueline, 1959". Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pierre Renoir Limited Edition - TWO SISTERS
In the Manner of Pierre Renoir Limited Edition, "TWO SISTERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mike Stidham Limited Edition Lithograph "Jumping Trout"
Mike Stidham Limited Edition Lithograph "Jumping Trout", signed & numbered, approx dimension 20x16 in.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
"Personages, Birds and Star" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pino on Canvas - Everlasting Beauty- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Everlasting Beauty". . This very special edition is extremely limited . Image Size: 28" x 40" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme Au Cheau Gris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Flag on Orange Field II by Jasper Johns "Lithograph"
Flag on Orange Field II by Jasper Johns. Limited Edition
Roseville Porcelain approx dimensions are 7x5x2
2nd Generation Roseville Porcelain approx dimensions are 7x5x2
Pablo Picasso Original, Limited Edition Bronze - Still Life
Pablo Picasso signed and numbered Relief (sculpture), "Still Life". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF SAN GIORGIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

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Dali Real .999 Silver Sculpture - Thin Man
Dali sculpture, "Thin Man" is approx. 3.52 oz of fine real .999 silver. Sculpture measures approx. 9". Comes with foundry Assay.
Limited Edition Picasso - The Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Pigeons". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Signed and Numbered Bronze Sculpture - St. John On The Cross
Dali Signed and Numbered Bronze Sculpture - St. John On The Cross. Approx. size: 12"x3"x3".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" Clower Stall" In the manner of Norman Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Logician Devil". Comes with COA and beautifully framed.
Young Girl Garden Figure
This is an Resin Garden Figure “Young Girl”. Dimensions: 22"H 10"W 9"D
Salvador Dali Enchanting Limited Edition Bronze- DREAMS
Salvador Dali signed and numbered bronze sculpture "DREAMS". Comes with COA. Some variation in patina might occur. Approx. size: 9"x6"x5".
Alberto Giacometti Original, limited Edition Bronze - Walking Man II
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man II". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper. Title "The Cowboy" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Bronze Sculpture - Buffalo Standing by Kauba
This bronze sculpture by Kauba is called, "Buffalo Standing". It comes with foundry paperwork.
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil bearing the signature in lower right. Frame Size: 18”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CUVETTE BLEUE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Cobalt Crystal Flow Vase
Cut Crystal Flow Vase, Cobalt color, Dimensions are about H:25" W:10" L:13"
Limited Edition Renoir- Les Baigneuses - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Les Baigneuses". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Night Bouquet- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Night Bouqet". Comes with COA. Approx. size: 20"x24". HC-0045
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Girl Possessed By Her Chastity
Salvador Dali signed and numbered bronze sculpture, "Girl Possessed By Her Chastity". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape in Northern Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Everlasting Love - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Everlasting Love. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x20.5"x7".
Limited Edition Picasso - Jacqueline With Crossed Hands - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline With Crossed Hands". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

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Original Fine Silver Sculpture - Wicked Pony by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Wicked Pony" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE JACK RABBIT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Salvador Dali Limited Edition 24K Gold Layered Bronze RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros". It is cast in bronze and then layered with 24K gold. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "CANVASBACK MOVING TO FEED" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
View of Auvers from above- Paul Cezane - Limited Edition On Canvas
In the Manner of Paul Cezanne Limited Edition on canvas, "View of Auvers from above". Comes with COA. Approx. size: 20"x24". HC-0047
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU MAGNOLIA", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY LADIES DIAMOND ENGAGEMENT RING
FANCY LADIES DIAMOND ENGAGEMENT RING SET IN WHITE GOLD, CENTER DIAMOND IS APPROXIMATELY 1.37CT VS2 CLARITY AND I COLOR ROUND BRILLIANT CUT, 2 DIAMOND BAGQUETTE DIAMONDS ARE APPROXIMATELY 0.25CT.
Lady's Fancy 14 Kt Royal Blue Topaz & Diamond Ring
Topaz approx 1.5 ct, Diamonds approx .6 ct VS1, H in color.(115DD)
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring, Tanzanite approx 1.5 ct, White Sapphire approx 1.5. (30LK)
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx 1 ct VS1-VS2, Color G.(51LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Athene Guides Telemachus' Boat". Comes framed. Approx. size: 16" x 12"

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Leroy Neiman Double Signed Lithograph - Wall Street-
In the Manner of Leroy Neiman, bearing the signature, Lithograph - "Wall Street". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 24in x 36in. Comes with COA.
Charles Jeffrey Lithograph
In the Manner of Charles, Jeffrey Lithograph, hand signed, approx dimension 15x25 in.
Garden of Sunflowers by Klimt
In the Manner of Klimt, Lithograph. Dimensions are approx 14x24
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Three Spheres I", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Oil on Canvas. Flowers by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 23x26.
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Lucien Alliot Original, limited Edition Bronze - Woman
Lucien Alliot signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size:
"Bather" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2.50 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Jacqueline In The Studio" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Untitled (Red, Yellow and Green) by Willem De Kooning "Lithograph"
Untitled (Red, Yellow and Green) by Willem De Kooning. Limited Edition
Unisex Fancy Sterling Silver Diamond Band Ring
Unisex Fancy Sterling Silver Diamond Band Ring, Diamonds approx .20 ct, VS1, color G.
Pablo Picasso Original, Limited Edition Bronze - Pensative Woman
Pablo Picasso signed and numbered Relief (sculpture), "Pensative Woman". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real .999 Silver Pablo Picasso Limited Edition- Vase Face.
Dali Signed and Numbered Real Silver Sculpture, " Vase Face.". Contains approx. 10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Manto". Comes with COA and beautifully framed.
Mother & Son Bronzite Sculpture
This is an Resin Sculpture with bronze finish “Mother & Son”. Dimensions: 16"H 15"W 9"D
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy I
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy I". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x10".
Abraham Lincoln Memorial Sculpture
Bronze recreation of the Lincoln Memorial. Great detail. Some variation of patina may occur. Approx. size: 11"x5"x5".
Bronze Sculpture - Unknown by Shrady
This bronze sculpture by Shrady is called, "Unknown". It comes with foundry paperwork.

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Jasper Johns Lithographs
Jasper Johns: 2 Piece Color Lithograph Set includes an Highway and Flag on Orange Field II by Jasper Johns. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA PALETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch Georous Blue Lapis Appox 125.CTS
Ruby Crystal Flow Jar
Cut Crystal Flow Jar, Ruby color, Dimensions are about H:10" W:6"
Limited Edition Renoir- Gabrielle and the Jewels - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Gabrielle and the Jewels". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Still Life with Flowers- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Still Life With Flowers". Comes with COA. Approx. size: 20"x24". HC-0045
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - Galatea, Nude
Salvador Dali signed and numbered bronze sculpture, "Galatea, Nude". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Roofs". Comes with ceritificate of authenticity, framing available at an additonal cost.
Diane and the Wolves - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Diane and the Wolves". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:20x25x9.
Limited Edition Picasso - Still Life With Bulls Head - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Bulls Head". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Fine Silver Sculpture - Scales of Justice by Mayer
This Original Fine Silver sculpture by Mayer is called, "Scales of Justice". It measures approx. 68" x21"x17.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BIGHORN SHEEP" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture
Bruno Bruni limited edition 24K gold layered bronze sculpture.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "BLUEBILL PASS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Sailing Boats at Saint-Adresse - Raoul Dufy - Limited Edition On Canvas
Raoul Dufy Limited Edition on canvas, "Sailing Boats at Saint-Adresse".Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE, CULOTTE RAYEE, PROFIL REFLETE DANS LA GLACE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Stars", comes with certificate of authenticity, framing available at an additional cost.
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Unisex Fancy 14kt White Gold Aqua Marine & Diamond Ring
Unisex Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 8.5ct, Diamonds approx .50ct VS1, Color G.(52LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Banquet at the Palace of Menelaus". Comes framed. Approx. size: 16" x 12"
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Portrait de Jacqueline Accoudée", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring, Ruby approx 5 ct, Diamonds approx 1.10 ct VS1, Color G.
Leroy Neiman Double Signed Lithograph - Michael Jordan-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Michael Jordan". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 27in x 24in. Comes with COA.
Marc Chagall Signed Limited Edition - The Madonna in a Red Robe
In the Manner of Mark Chagall, bearing the signature, Limited Edition, " The Sources of Music". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Lithograph "Polar Bear"
In the Manner of Charles, Jeffrey Lithograph "Polar Bear", hand signed, approx dimension 23x30 in.
The Palms by Monet
The Palms by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
Drowning Girl by Lichtenstein
In the Manner of Lichtenstein Lithograph. Dimensions are approx 12x16
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Stars", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Oil on Canvas. Flowers by M. Faroz
M. Faroz Original Oil on Canvas. Dimensions are approx. 26x38.
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Nadelman Original, limited Edition Bronze - Standing Woman
Nadelman signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size:
"Woman Walking Down The Street" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pino on Canvas - Sunday at the Balcony- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Sunday at the Balcony". This very special edition is extremely limited . Image Size: 42" x 30" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring, Ruby approx 9 cts & Diamonds approx weight 1 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Vase Of Flowers" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Police Gazelle by Willem De Kooning "Lithograph"
Police Gazelle In the Manner of Willem De Kooning. Limited Edition
Lady's Antique Style Sterling Silver White Sapphire Ring
Lady's Antique Style Sterling Silver White Sapphire Ring, White Sapphires approx 1 ct.
Pablo Picasso Original, Limited Edition Bronze - Nude Female
Pablo Picasso signed and numbered Relief (sculpture), "Nude Female". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x6
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Bruno Bruni Limited Edition Real Silver Sculpture
Bruno Bruni signed and numbered real silver sculpture, . Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Limited Edition Picasso - Mediterranean Landscape - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mediterranean Landscape". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Waterfall of the Phlegethon". Comes with COA and beautifully framed.
Child Golfer Sculpture
This is an Resin Sculpture with bronze finish “Child Golfer”. Dimensions: 16"H 9"W 7"D
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy II
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy II". Comes with COA. Some variation in patina might occur. Approx. size: 13"x15"x6".
Alexander Archipenko Limited Edition Sculpture - Dancer's Pose
Alexander Archipenko signed and numbered bronze sculpture, "Dancer's Pose". Comes with COA. Some variation in patina might occur. Approx. size: 13X4X4.
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. " Toreador II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Unknown by Elwell
This bronze sculpture by Elwell is called, "Unknown". It comes with foundry paperwork.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant, Diamonds Approx 1.25 cts, Color VS1 - G
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE GUERIDON ROUGE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Agate White Approx 100.cts, Diamond Approx .50CT, Color VS1 - G.
Coral Crystal Flow Vase
Cut Crystal Flow Vase, Coral color, Dimensions are about H:25" W:10" L:8"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Renoir- Nude Study - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Nude Study". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Bay of Angels- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "Tha Bay of Angels". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Bronze - The Dream
Salvador Dali signed and numbered bronze sculpture, "The Dream". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bridge in the Forest". Comes with ceritificate of authenticity, framing available at an additonal cost.
Shimmer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Shimmer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:26"x10"x6.
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace, Almadine Garnet approx 10 CT, Diamonds .50 ct VS1, G in color.
Limited Edition Picasso - Le Dejeuner sur l'Herbe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Le Dejeuner sur l'Herbe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Angel of Peace - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE CANADA GOOSE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "HERE AM I! WHERE ARE YOU?" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
icart1-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Unknown". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE JEUNE FILL E AU COL ORGANDI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 1.50CT CLARITY IS VS1 AND COLOR IS G.
Lady's Beautiful HEART Shape 14 Kt White Gold Citrine Ring
Citrine approx 3.5 ct.(125DD)
Lady's Unique Style 14 kt White Gold Blue Topaz & Diamond Ring
Lady's Unique Style 14 kt White Gold Blue Topaz & Diamond Ring, Topaz approx 5 cts, Diamonds approx .25 cts, VS1 color G.
Original Joan Miro Lithograph-
Vibrant and colorful Original In the Manner of Miro, Lithograph of unknown name. This piece is signed and comes with COA.
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 16ct, Diamonds approx .25ct VS1, Color G.(53LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Proteus". Comes framed. Approx. size: 16" x 12"
Brilliant Jean Arp Original, limited Edition Bronze - Sculptural Element
Jean Arp signed and numbered bronze sculpture, "Sculptural Element". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. Hand pulled and Bearing the signature,."Mother and Child, with Dancer and Flute Player" These are beautifully framed and matted. Size 13x15. Very Rare!
Leroy Neiman Double Signed Lithograph - Kilimonjaro Bulls-
In the Manner of Leroy Neiman, bearing the signature, Lithograph -"Kilimonjaro Bulls". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 31in. Comes with COA.
Klimt Limited Edition - Malcesine on Lake Garda
In the Manner of Klimt, limited edition, "Malcesine on Lake Garda". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Port of London by Monet
"Port of London" by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Poppy Field by Monet
In the Manner of Monet, Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Waterfall", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Oil on Canvas. Flowers by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 26x38.
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Brilliant Jean Arp Original, limited Edition Bronze - Sculptural Element
Jean Arp signed and numbered bronze sculpture, "Sculptural Element". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
"Swallow Love" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamonds weight 2 cts, SI1 SI2 I1, color H I.
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature. These are beautifully framed and matted. Size 18x12. Very Rare!
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Woman With Hat " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
The Loge by Pierre-Auguste Renoir "Lithograph"
The Loge by Pierre-Auguste Renoir. Limited Edition

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x7
Pablo Picasso Original, Limited Edition Bronze -Erotic II
Pablo Picasso signed and numbered Relief (sculpture), "Erotic II". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x4 Inch.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Woman In Distress - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Distress". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "In the Heaven of Mercury". Comes with COA and beautifully framed.
Lady and Gentlemen Golfers Sculpture
This is an Resin Sculpture with bronze finish “Lady and Gentlemen”. Dimensions: 17"H 12"W 8"D
Salvador Dali Enchanting Limited Edition Bronze- Atmospheric Skull Sodomizing a Grand Piano
Salvador Dali signed and numbered bronze sculpture "Atmospheric Skull Sodomizing a Grand Piano ". Comes with COA. Some variation in patina might occur. Approx. size: 10"x12"x7".
Brancusi Limited Edition Bronze -SEAL
Brancusi signed and numbered bronze sculpture, "Seal". Comes with COA. Some variation in patina might occur. Approx. size: 18x10x7.
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Toredor I" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Boy with Torch by Moreau
This bronze sculpture by Moreau is called, "Boy with Torch" and measures approx. 16" x 9.5" x 7". It comes with foundry paperwork.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "RAISIN" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch White Opal Approx 60.CTS
Beautiful Unisex 14kt White Gold Diamond Ring
Beautiful Unisex 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color G.(10KJ)
Ruby Crystal Flow Vase
Cut Crystal Flow Vase, Ruby color, Dimensions are about H:25." W:9" L:13"
Limited Edition Renoir- The Skiff - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "The Skiff". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Birthday- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "The Birthday". Comes with COA. Approx. size: 20"x24". HC-0045
F. Preiss Original Pencil on Paper.
original signed pencil In the manner of F. Preiss . Signed . Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Impeccable Original, limited Edition Bronze - Surrealist Angel
Salvador Dali signed and numbered bronze sculpture, "Surrealist Angel". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:16x18x5
Limited Edition Picasso - The Abduction Of The Sabine Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Abduction Of The Sabine Women". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Fine Silver Sculpture - Tango by Icart
This Original Fine Silver sculpture by Icart is called, "Tango". It measures approx. 17" x 16" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE TIMBER WOLF" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "STUBBLE MALLARDS NEAR JACKSON CHURCH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bronze Fighting Aligator Bayre
Bronze fighting aligator by artist Bayre, dimensions are about 29x45
Lacender Lady-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Lavender Lady". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ACCOUDEE DEVANT PARAVENT FLEURI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 2.00CT CLARITY IS VS2 COLOR IS I
Lady's Fancy 14 Kt White Gold Ruby & Diamond Ring
Ruby approx 2 ct, Diamonds approx .25 ct VS1, G in color.(126DD)
Lady's Fancy 14 kt White Gold Aqua Marine & Diamond Ring
Aqua Marine approx 75 pts, Diamonds approx 1 ct, VS1 color G.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite. Comes framed. Approx. size: 16" x 12"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Diego Giacometti Original, limited Edition Bronze -Horse
Diego Giacometti signed and numbered bronze sculpture, "Horse". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x6.
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut."Two Women" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Lady's Fancy 14kt White Gold Tri-Color (Aqua Marine, Peridot & Pink Sapphire) Ring
Lady's Fancy 14kt White Gold Tri-Color (Aqua Marine, Peridot & Pink Sapphire) Ring, apporox 4.5 ct.
Leroy Neiman Signed Lithograph - Portrait of the Tiger
In the Manner of Leroy Neiman, Signed Lithograph . "Portrait of the Tiger". In the Manner of Leroy Neiman, (born June 8, 1921) is an American artist known for his brilliantly colored, semi-abstract paintings and screen prints of athletes and sporting events. Neiman, was born in Saint Paul, Minnesota and was abandoned by his father at an early age. Neiman, and his mother, Lydia, were forced to fend for themselves. Neiman, distinguished himself by drawing. In 1942, Neiman, left high school to enlist in the US Army, where he spent four years before returning to St. Paul to finish his high school degree. Neiman, studied at the School of the Art Institute of Chicago (where he also later taught), the University of Chicago, and the University of Illinois. Hand signed lithograph. Approx. size: 23in x 23in. Comes with COA. Comes with COA.
Salvador Dali Signed Limited Edition - JULIET'S TOMB
In the Manner of Salvador Dali Bearing the Signature, limited edition, "JULIET'S TOMB". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Double Planetoid", comes with certificate of authenticity, framing available at an additional cost.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Oil on Canvas. Flowers by Fremon
Fremon Original Oil on Canvas. Dimensions are approx. 26x38.
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Diego Giacometti Original, limited Edition Bronze -Horse
Diego Giacometti signed and numbered bronze sculpture, "Horse". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x6.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

"The First Spark of the Dog" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pino on Canvas - Second Thought- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Second Thought". This very special edition is extremely limited . Image Size: 44" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Men's 14 kt White Gold Blue Sapphire/Diamond Ring
Men's 14 kt White Gold Blue Sapphire/Diamond Ring, Sapphire approx 3 cts, Diamonds weight 1 cts, SI1 SI2 I1, color H I.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Portrait Of Man With Barbione" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 10x8
Pablo Picasso Original, Limited Edition Bronze -Safir
Pablo Picasso signed and numbered Relief (sculpture), "Safir". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4 Inch.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE D'INVERNO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Weeping Woman In Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Weeping Woman In Red Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Song of the Wise Spirits". Comes with COA and beautifully framed.
Classical Male Bust Sculpture
This is an Resin Sculpture with bronze finish “Male Bust ”. Dimensions: 17"H 9"W 6"D

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Salvador Dali Original, limited Edition Sculpture - Alice III
Salvador Dali signed and numbered sculpture sculpture, "Alice III". Comes with COA. Some variation in patina might occur. Approx. size: 20"x20"x7".
Alberto Giacometti Original, limited Edition Bronze - MAN SHOULDERS
Alberto Giacometti signed and numbered bronze sculpture, " MAN SHOULDERS ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x4".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Disappearing Bust Of Voltaire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Alpine Boy by Haubner
This bronze sculpture by Haubner is called, "Alpine Boy" and measures approx. 26" x 10" x 9". It comes with foundry paperwork.
Louis Icart Original Litographs
4 Piece Color Lithograph In the Manner of Louis I cart. Set includes 4 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 1.40 cts, color VS1 - G.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Citrine Approx 50.CTS.
Limited Edition Renoir- Bathing In The Seine - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Bathing In The Seine". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Female Acrobat II- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "TheFemale Acrobat II". Comes with COA. Approx. size: 20"x24". HC-0045
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - The Centuar
Salvador Dali signed and numbered bronze sculpture, "The Centuar". Comes with COA. Some variation in patina might occur.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "L'estaque and the Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Finale - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Finale. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - Jacqueline Seated with Her Black Cat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline Seated with Her Black Cat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Archer by Fauays
This Original Fine Silver sculpture by Fauays is called, "Archer". It measures approx. 24.5" x 5.9"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE CARIBOU" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "CANVASBACK OVER DUKE OF YORK PASS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Number2-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Number 2". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FIGURE ASSISE, BOUQUET DE FLEURS DEVANT LA MER", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 1.75CT CLARITY IS VS1 AND COLOR IS G.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Frontispiece". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Female Bust" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali Signed Limited Edition - Fluid Premonition
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Fluid Premonition". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Litho/Sirograph "Opening Night 1931"
Filmore Mix Media Litho/Sirograph "Opening Night 1931", hand signed Limited Edition, approx dimension 24x28 in.
Mount Koisaas by Monet
Bearing the Signature, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Purple Petunias 1925 by Georgia O'Keefe
In the Manner of Georgia O'Keefe Lithograph. Dimensions are approx 12x16
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dream", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
"The Nightengales Song" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Quatre Nus Au Harem" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Peasant Woman against a Background of Wheat by Vincent Van Gogh "Lithograph"
Peasant Woman against a Background of Wheat In the Manner of Vincent Van Gogh. Limited Edition
Lady's Antique Style Sterling Silver Diamond Ring
Lady's Antique Style Sterling Silver Diamond Ring, Diamonds approx 1 ct, VS2, color G.
Manolo Hugue Original, limited Edition Bronze - Reclining Man
Manolo Hugue signed and numbered bronze sculpture, "Reclining Man". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x4".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GONDOLE A SAN MARCO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Terpsicore
Dali sculpture, "Terpsicore" is approx. 25 g of fine real .999 silver. Sculpture measures approx. 8 3/8"x 2" x 2". Comes with foundry Assay.
Limited Edition Picasso - Woman Crying - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Crying". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Limited Edition Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Human
This is a limited edition, signed bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN" watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Dust of Souls". Comes with COA and beautifully framed.
Bull Rider Sculpture
This is an Resin Sculpture with bronze finish “Bull Rider ”. Dimensions: 12"H 11"W 5.50"D
Salvador Dali Original, limited Edition Sculpture - Alice II
Salvador Dali signed and numbered sculpture sculpture, "Alice II". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Alberto Giacometti Original, limited Edition Bronze - HOMME
Alberto Giacometti signed and numbered bronze sculpture, " HOMME ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. " Self Portrait Studio Arttire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Dove In Hands by D. Hunter
This bronze sculpture by D. Hunter is called, "Dove In Hands" and measures approx. 9" x 13" x 10" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil bearing the signature in lower right. Frame Size: 18”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 2.25 cts, Color VS1 - G.
Ladies Georgous Badavici Quartz Watch
Ladies Georgous Badavici Quartz Watch, with Diamonds
Ruby Crystal Goblet
Cut Crystal Goblet, Ruby color, Dimensions are about H:15" W:7"
Limited Edition Renoir- After The Bath - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "After The Bath". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The female acrobat- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "TheFemale Acrobat". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Phillipe
Original pencil skectch on paper. In the manner of Phillipe. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway near L'estaque". Comes with ceritificate of authenticity, framing available at an additonal cost.
La Bayadere- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "La Bayadere". Bayadere, from the Portuguese word for dancer, bailaderia, was used in the late 20's to describe Indian dancers and. by extension, dancers in general. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x6".
Limited Edition Picasso - Man With A Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Pipe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Fine Silver Sculpture - At the River by Moreau
This Original Fine Silver sculpture by Moreau is called, "At the River". It measures approx. 21" x 7"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE COYOTE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10".
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "REDHEAD PASS, LONG ISLAND BAY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Number4-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Number 4". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA JUPE TULLE", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 1.75CT CLARITY IS VS2 COLOR IS I
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx .25ct VS1, Color G.(57LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. II, "The Omen: The Goshawk and the Dove". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Baccanale", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings, Pink Spinel approx 12ct, Diamonds approx .50ct VS1, Color G.(132LK)
Salvador Dali Signed Limited Edition - Woman Imitating a Schooner
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Woman Imitating a Schooner". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Filmore Mix Media Lithograph "Engine Company No. Four"
Filmore Mix Media Lithograph "Engine Company No. Four", hand signed Limited Edition, approx dimension 20x20 in.
Shady Lane by Patchell-Olsen
Bearing the Signature, Original Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Concentric Space", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Original Handsigned Peter Max Overpaint - Flag
Peter Max overpaint handsigned by Peter Max. "Flag" comes with original COA and is approx. 8.5x11in.
Original Oil on Canvas. Trees by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 26x38.
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
David Alfaro Siqueros Original, limited Edition Bronze - Woman With Child
David Alfaro Siqueiros signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
"Ladders Cross the Blue Sky" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pino on Canvas - Country Girl- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Country Girl". This very special edition is extremely limited . Image Size: 43" x 32" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme Couchee II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Entrance to a Quarry by Vincent Van Gogh "Lithograph"
Entrance to a Quarry by Vincent Van Gogh. Limited Edition
Lady's Fancy Sterling Silver White Sapphire Ring
Lady's Fancy Sterling Silver White Sapphire Ring, White Sapphires approx 1.5 cts.
Salvador Dali Captivating Original, limited Edition Bronze - MONUMENTAL
Salvador Dali signed and numbered bronze sculpture, "MONUMENTAL". Comes with COA. Some variation in patina might occur. Approx. size: 27"x20"x13"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WINTER CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Still Life - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Stunning Tiffany & Co "Forever" Bracelet
stunning tiffany & co "forever" silver bracelet
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of Dante's Great-Great-Grandfather". Comes with COA and beautifully framed.
Angel - stone finish Sculpture
This is an Resin Sculpture with stone finish “ANGEL ”. Dimensions: 24"H 13"W 9"D
Salvador Dali Enchanting Original, limited Edition Bronze - DESECRATION OF THE MACHINES
Salvador Dali signed and numbered bronze sculpture, "DESECRATION OF THE MACHINES". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x6".
Alberto Giacometti Original, limited Edition Bronze -MALE
Alberto Giacometti signed and numbered bronze sculpture, " MALE ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. " Soy Y Dalie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - The Rabi by D. Hunter
This bronze sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Chagall Original Lithographs .
2 Piece Color Lithograph In the Manner of Chagall. Set includes 2 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 30”x21”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds are 1.50 ct, Color VS1 - G.
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Amethyst.
Cobalt Crystal Flow Vase
Cut Crystal Flow Jar, Cobalt color, Dimensions are about H:10" W:6" L:6"
Limited Edition Renoir- Portrait of Jeanne Saurary - Collection Domaine Renoir
In the Manner of Renoir from the Collection Domaine Renoir, "Portrait of Jeanne Saurary". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Jugglar- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "The Jugglar". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Exquisite Original, limited Edition Bronze -Venus Di Milo
Salvador Dali signed and numbered bronze sculpture, "Venus Di Milo". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Avenue of Chestnuts at the Jas De Bouffan in Winter". Comes with ceritificate of authenticity, framing available at an additonal cost.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Flame Leaper - Bronze and Ivory Sculpture by Preiss
Preiss broze and ivory sculpture, Flame Leaper. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17"x21".
Lady's Beautiful Sterling Citrine & Diamond Necklace
Lady's Beautiful Sterling Citrine & Diamond Necklace, Citrine approx 10 ct, Diamonds approx .33 ct VS1, G in color.
Limited Edition Picasso - Maternity - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maternity". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Starfish by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Starfish". It measures approx. 22" x 3.5"x 3" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Lady's Fancy 14 Kt Garnet & Diamond Ring
Garnet approx 3 ct, Diamonds approx 20 points VS1, G in color.(76DD)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MOUNTAIN GOAT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "MID-OCTOBER PASSAGE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Number5-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Number 5". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE DEBOUT ET PLATEAU DE FRUITS", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Walking Liberty .50 cents piece.
Walking Liberty .50 cents piece.(170DD)
Unisex Fancy 14kt White Gold Oval Ruby Ring
Unisex Fancy 14kt White Gold Oval Ruby Ring, Ruby approx 8ct.(58LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Soul of Elpenor". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. " Woman at the Window" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Salvador Dali Signed Limited Edition - Critical Solitude
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Critical Solitude". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph "Grizzlies"
Michael Coleman Mix Media Litho/Serigraph "Grizzlies", hand signed, approx dimension 22x25 in.
The 1834 House by Patchell-Olsen
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 20x20
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dragon", comes with certificate of authenticity, framing available at an additional cost.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fritz Wotruba Original, limited Edition Bronze - Walking Man
Fritz Wotruba signed and numbered bronze sculpture, "Walking Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x9x6.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

"Landscape" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
RARE HEART VIOLET SAPPHIRE & DIAMOND RING
RARE HEART VIOLET SAPPHIRE AND DIAMOND RING, VIOLET SAPPHIRE IS APPROXIMATELY 5.00CT AND DIAMOND IS APPROXIMATELY 0.75CT VS1 CLARITY AND G COLOR.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "After Velazquez" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Orange Marilyn by Andy Warhol "Lithograph"
Orange Marilyn by Andy Warhol. Limited Edition
Lady's Antique Style Sterling Silver White Graduated Garnet Ring
Lady's Antique Style Sterling Silver White Graduated Garnet Ring, Garnets approx 3.5 cts.
Jacque Lipchitz Original, limited Edition Bronze- UNKNOWN
Jacque Lipchitz signed and numbered bronze sculpture UNTITLED. Comes with COA. Some variation in patina might occur. Approx. size: 18"x14"x7"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN TENEMENTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Woman In Green - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Green". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures and Root" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Original Perfection". Comes with COA and beautifully framed.
Venus Figure Sculpture
This is an Resin Sculpture with bronze finish “VENUS ”. Dimensions: 19"H 6"W 6"D

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Salvador Dali Enchanting Original, limited Edition Bronze - Eocene Beach with Phone
Salvador Dali signed and numbered bronze sculpture, "Eocene Beach with Phone". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x4".
Alberto Giacometti Original, limited Edition Bronze - WOMAN ON CHARRIOT
Alberto Giacometti signed and numbered bronze sculpture, " WOMAN ON CHARRIOT". Comes with COA. Some variation in patina might occur. Approx. size: 17"x5"x5".
Bronze Sculpture - Forgiven Soldier by D. Scott
This bronze sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and weighs approx. 49lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
3 Pieces Color Lithograph
3 Pieces Color Lithograph Set includes: 2-Andy Warhol Lithograph and Pierre-Auguste Renoir Lithograph. Frame Size: 32”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Fancy 14kt Gold Emerald Earings
Lady's Fancy 14kt Gold Emerald Earings, Emerald Approx .75 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Pissaro- Jalais Hill - Collection Domaine Pissaro
In the Manner of Pissaro from the Collection Domaine Pissaro, "Jalais Hill". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The pinch of snuff- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "The Pinch of Snuff". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Arc Valley". Comes with ceritificate of authenticity, framing available at an additonal cost.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Fancy Sterling Multi Color Natural Spinel Necklace
Lady's Fancy Sterling Multi Color Natural Spinel Necklace, Spinel approx 15 ct.
Limited Edition Picasso - Man In A Straw Hat With An Ice Cream Cone - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man In A Straw Hat With An Ice Cream Cone". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Cheyenne by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RINGNECK PHEASANT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Aldo Luango "Dawn" Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of Aldo Luango titled "Dawn". Beautiful art piece on extra thick paper. Paper measures 38" x 31". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "DEPARTING FOR LONG POINT - OLD CANVASBACK DRAKES" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Number6-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Number 6". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU COUSSIN BLEU", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 1.25CT CLARITY IS VS2 COLOR IS I
Walking Liberty .50 cents piece.
Walking Liberty .50 cents piece.(180DD)
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring, Golden Sapphire approx 8.5 ct, Diamonds approx 1 ct VS1, Color G.(59LK)

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Sisyphus". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "lake and flute player". Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - Atmospheric Skull
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Atmospheric Skull". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Three Musicians by Picasso
In the Manner of Picasso, Lithograph. Dimensions are approx 12x16
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Hand Carved Bone Emporer
Hand carved bone emporer, comes with pedestal
Rufino Tamayo Original, limited Edition Bronze - The Wizard
Rufino Tamayo signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 13x11x5.
"Ciphers & Constellation" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
RARE HEART VIOLET SAPPHIRE & DIAMOND RING
RARE HEART VIOLET SAPPHIRE AND DIAMOND RING, VIOLET SAPPHIRE IS APPROXIMATELY 4.00CT AND DIAMOND IS APPROXIMATELY 0.75CT VS1 CLARITY AND G COLOR.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Pages Playing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol "Lithograph"
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol. Limited Edition

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Very Fancy Sterling Silver Diamond Ring
Lady's Very Fancy Sterling Silver Diamond Ring, Diamonds approx .50 ct, VS2, color G.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 15"x15"x7".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO BELVEDERE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Family - Real Silver Sculpture by Henry Moore
Family - Real Silver Sculpture by Henry Moore, comes with foundry Assay. Contains approx. 10 oz of real silver. Some variation in marble might occur.
Limited Edition Picasso - Still Life With Guitar - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Guitar". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Large Figure" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida's History Lesson". Comes with COA and beautifully framed.
Gold bust Sculpture
This is an Resin Bust Sculpture with Gold finish . Dimensions: 25"H 13"W 8"D
Salvador Dali Original, limited Edition Bronze - Soft Watch
Salvador Dali signed and numbered bronze sculpture ( Chromium-plated Edition) "SOFT WATCH". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 8" x 8"
Alberto Giacometti Original, limited Edition Bronze - GIRL
Alberto Giacometti signed and numbered bronze sculpture, " GIRL ". Comes with COA. Some variation in patina might occur. Approx. size: 17"x4"x4".
Lady's Tiffany Sterling Silver Bracelet
Lady's Tiffany Sterling Silver Bracelet

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Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Cosmic Athlete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Eye of God by D. Hunter
This bronze sculpture by D. Hunter is called, "Eye of God" and measures approx. 22" x 14" x 6" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Fancy Columbian 14kt Gold Emerald Earings
Lady's Fancy Columbian 14kt Gold Emerald Earings, Emerald Approx .60 ct.
Fine Nippon Procelain Fan
Fine Nippon Procelain Fan
Limited Edition Pissaro- L'Hermitage In Summer - Collection Domaine Pissaro
In the Manner of Pissaro from the Collection Domaine Pissaro, "L'Hermitage In Summer". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Red House- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "The Red House". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some varitations of patina might occur. Approx. size: Approx. size:
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Blue Vase". Comes with ceritificate of authenticity, framing available at an additonal cost.
The Golfer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "The Golfer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x6"x4".
Limited Edition Picasso - Bust Of A Woman In A Striped Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman In A Striped Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Fine Silver Sculpture - Buffalo by Elwell
This Original Fine Silver sculpture by Elwell is called, "Buffalo" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MOUNTAIN LION" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "A PAIR OF MALLARDS FOR NEARLY EVERY FARM SLOUGH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Number7-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Number 7". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED FIGURE DANS UN INTERIEUR"", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.50CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Lady's Fancy 14 kt White Gold Pink Sapphire Emerald Cut & Diamond Ring
Lady's Fancy 14 kt White Gold Pink Sapphire Emerald Cut & Diamond Ring, Pink Sapphires approx 2.5 cts, Diamonds approx .20 cts, VS1 color G.
Unisex Fancy 14kt White Gold Oval Shape Sapphire Ring
Unisex Fancy 14kt White Gold Oval Shape Sapphire Ring, Sapphire approx 12.5ct.(60LK)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Tityus". Comes framed. Approx. size: 16" x 12"
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.50CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "BACCHANALE A L'ACROBATE", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali Signed Limited Edition - Suez
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Suez". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Renoix Serigraph on Canvas
Renoix Serigraph on Canvas, A/P hand signed, approx dimension 22x17 in.
Two Girls at the Piano by Renoir
In the Manner of Renoir, Lithograph. Dimensions are approx 20x20
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Original Oil on Canvas. Trees by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 26x38.
Fiery Dancer - Limited Edition Bronze by Sergey with pedestal
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 27"H x 12"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF comes with pedestal
Jean Arp Limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 16X4X4.
"The Gentleman" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.50CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Portrait of Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Cambells Elvis by Andy Warhol "Lithograph"
Cambells Elvis by Andy Warhol. Limited Edition
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL GRANDE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

St. John - Real Silver Sculpture by Salvador Dali
St. John - Real Silver Sculpture by Salvador Dali, comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Two Circles of Spirits". Comes with COA and beautifully framed.
Boy on Fish Sculpture
This is an Resin Sculpture with bronze finish “Boy on Fish ”. Dimensions: 20"H 13"W 13"D
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU
Salvador Dali signed and numbered bronze sculpture " Tristan Fou". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 16" x 8"
Alberto Giacometti Original, limited Edition Bronze - MAN POINTING
Alberto Giacometti signed and numbered bronze sculpture, " MAN POINTING ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x10"x5".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. " Blue Horns" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Jerusalem by De Lier
This bronze sculpture by De Lier is called, "Jerusalem" and measures approx. 20" x23" x 17" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Limited Edition Serigraphs by - Kerman
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of Kerman Set includes 2 Original Serigraphs. bearing the signature and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Pissaro- Jane Paysanne A Sa Toilette - Collection Domaine Pissaro
In the Manner of Pissaro from the Collection Domaine Pissaro, "Jane Paysanne A Sa Toilette". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC

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The White Window- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition on canvas, "The White Window". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - El Gran Masturbador
Salvador Dali signed and numbered bronze sculpture, "El Gran Masturbador". Comes with COA. Some variation in patina might occur. Approx. size: 14x17x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 21"H x6"W x 4"D and 30lbs. It is a Limited Edition out of 399. SB6H
Harlequine Lamp - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Harlequine Lamp. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - First Out by Renfro
This Original Fine Silver sculpture by Renfro is called, "First Out" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(53DN)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RACCOON" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.

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Limited Edition 24K Gold Layered Bronze Eagle Sculpture by De Lier- Survival
This is a limited edition bronze and then layered with 24K gold. By De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 12"x9"x10". It comes with the foundry assay.
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "THE PARTRIDGE WILLOW" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Untitled-1-Icart - Limited Edition on Canvas
In the Manner of Louis Icart Limited Edition on canvas, "Untitled -1". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CULOTTE BAYADERE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 3.20CT CLARITY IS VS1 AND COLOR IS G
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Femme et Oiseau". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Waves Swallow Up Ulysses". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut."Bacchanal with Black Bull" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition -The Apotheosis of Homer
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Apotheosis of Homer ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Shung Serigraph Limited Edition
Shung Serigraph Limited Edition, hand signed, approx dimension 28x28 in.
The Loge by Renoir
In the Manner of Renoir, Lithograph. Dimensions are approx 20x20

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Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Original Oil on Canvas. Trees by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 15x19.
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 24"H x17"W x 8"D and 28lbs. It is a Limited Edition out of 399. SB9H
Jean Arp Original, limited Edition Bronze - Untitled
Jean Arp signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur. Approx. size: 14X5X5.
"Painting, Cat. 30" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pino on Canvas - Cliffside Retreat- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Cliffside Retreat". . This very special edition is extremely limited . Image Size: 42" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.75CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme A La Toilette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Franklin 1731 by Rockwell "Lithograph"
Franklin 1731 by Rockwell. Limited Edition
Unisex Fancy Sterling Silver White Sapphire Band Ring
Unisex Fancy Sterling Silver White Sapphire Band Ring, White Sapphires approx 2 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FERMATA RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Still Life With Candle, Pallette and Red Head of Minotaur - Collection Dom
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Candle, Pallette and Red Head of Minotaur". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

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Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Gala Plaque
Bronze plaque rendition of Dali's "Gala" painting. Medium: bronze with silver finish. Weight: 250 g. Size: 168cmx221cm. Edition size:1500
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Picasso Watercolor Painting.
Original Watercolor on paper "Bull Fight"In the manner of Picasso . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida Sees Dante's Exile in God". Comes with COA and beautifully framed.
Young Boy and Girl Sculpture
This is an Resin Sculpture with bronze finish “Young Boy and Girl”. Dimensions: 15"H 11"W 9"D
Pablo Picasso Original, limited Edition Bronze -DOVE
Pablo Picasso signed and numbered bronze sculpture " DOVE". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 9" x 5"
Alberto Giacometti Original, limited Edition Bronze - HEAD OF DIEGO
Alberto Giacometti signed and numbered bronze sculpture, "HEAD OF DIEGO ". Comes with COA. Some variation in patina might occur. Approx. size: 18"x4"x4".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper."Cosmic Rays" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Limited Edition Lithographs by Wooster Scott
2 Piece Color Lithograph In the Manner of Wooster Scott. Set includes 2 beautiful Lithographs. Pencil bearing the signature in lower right and numbered. Frame Size: 34”x24”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Pissaro- Boulevard Montmarte - Collection Domaine Pissaro
In the Manner of Pissaro from the Collection Domaine Pissaro, "Boulevard Montmarte". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC

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Christian Knight- Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Christian Knight". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze - Traces of War
Salvador Dali signed and numbered bronze sculpture, "Traces of War". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Mont Sainte Victorie Seen From Bellevue". Comes with ceritificate of authenticity, framing available at an additonal cost.
Jesters - Bronze and Ivory Sculpture by Peyre
Peyre bronze and ivory sculpture, Jesters. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x21.5".
Limited Edition Picasso - Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Savage by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Savage" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE WHITE-TAIL DEER" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Bather - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA CULOTTE DE SATIN ROUGE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.25CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 14 ct. (192DD)
Lady's Fancy 14 kt White Gold Pink Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 5 cts, Diamonds approx .50 cts, VS1 color G.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, ". . . I am Ulysses". Comes framed. Approx. size: 16" x 12"
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 12.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Bacchanale" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Salvador Dali Signed Limited Edition -SINGULARITIES
In the Manner of Salvador Dali Bearing the Signature, limited edition, "SINGULARITIES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
JT Jado Serigraph "The Secret Garden"
JT Jado Serigraph "The Secret Garden", signed, approx dimension 30x44 in.
Tulips in a Vase by Renoir
Bearing the Signature, Original Lithograph. Dimensions are approx 20x20
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Constantin Brancusi Original, limited Edition Bronze -Seagull
Constantin Brancusi signed and numbered bronze sculpture, "Seagull". Comes with COA. Some variation in patina might occur. Approx. size: 21x4x3 Inch.
"Woman and Birds in a Landscape" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 12.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Lobster and Cat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Swirl Diamond Ring
Lady's Beautiful Sterling Silver Swirl Diamond Ring, Diamonds approx .20 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZETTA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Kneeling Figure" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Beatrice Comforts The Poet". Comes with COA and beautifully framed.
Water Girl Sculpture
This is an Resin Sculpture with bronze finish “Water Girl”. Dimensions: 18"H 10"W 9"D
Salvador Dali Original, limited Edition Bronze - Archeoligical Millets Angelus
Salvador Dali signed and numbered bronze sculpture " Archeoligical Millets Angelus". Comes with COA. Some varitations of patina might occur. Approx. size: 13"x 10" x 4"
Alberto Giacometti Original, limited Edition Bronze - TALL FIGURE
Alberto Giacometti signed and numbered bronze sculpture, " TALL FIGURE ". Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x4".
Unisex Fancy Fiffany Sterling Silver Necklace
Unisex Fancy Fiffany Sterling Silver Necklace
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. " Die Aura" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Bronze Sculpture - Standing Jesus by D. Hunter
This bronze sculpture by D. Hunter is called, "Standing Jesus" and measures approx. 19" x 6" x 8" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 Original linocuts. Pencil bearing the signature in lower right. Together they make the perfect pair. Frame Size: 32”x22”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beautiful One loose round brilliant cut black diamond
Beautiful One loose round brilliant cut black diamond Approx .3 ct.
Limited Edition Pissaro- Washington House and Mill At Osny - Collection Domaine Pissaro
In the Manner of Pissaro from the Collection Domaine Pissaro, "Washington House and Mill At Osny". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Illustration of Don Quixote- Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Illustration of Don Quixote". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Original, limited Edition Bronze - Old Age
Salvador Dali signed and numbered bronze sculpture, "Old Age". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bather". Comes with ceritificate of authenticity, framing available at an additonal cost.
Kamorna - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kamorna. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x21".
Limited Edition Picasso - Women On The Banks Of The Seine - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Women On The Banks Of The Seine". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Tall Feather by Moretti
This Original Fine Silver sculpture by Moretti is called, "Tall Feather" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Standing Woman, 194
Pablo Picasso original limited edition 24K gold layered bronze sculpture, "Standing Woman".
John Auduborn Lithograph "Common American Swan"
Lithograph by John Auduborn titled "Common American Swan", approx dimension 16x22in.
Green Dutch Interior I and II - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Green Dutch Interior I and II". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS A LA CHEMISE DE TULLE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.80CT CLARITY IS VS1 AND COLOR IS G
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Lamentations of Ulysses". Comes framed. Approx. size: 16" x 12"
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Spring Time" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Les danseurs au hibou", 1959. Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - Spider of Evening
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Spider of Evening". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Pence Serigraph
Pence Serigraph, A/P hand bearing the signature, approx dimension 24x42 in.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 16". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
"Catalan Landscape" - Miro - Limited Edition
In the Manner of Joan Miró, i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró, expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Pino on Canvas - The Bedroom Window- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Bedroom Window". This very special edition is extremely limited . Image Size: 26" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 14.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Spring Time" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6x13
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DI RIALTO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Rare Pablo Picasso Limited Edition Real Silver Sculpture - Standing Woman, 1947
Pablo Picasso signed and numbered real silver sculpture, "Standing Woman", 1947. Contains approx. 10 Troy ounces of real silver.
Limited Edition Picasso - Large Still Life On A Pedestal Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Still Life On A Pedestal Table". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures in a Room" comes with certificate of authenticity, framing available at an additional charge.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Constellation of the Blessed Spirits". Comes with COA and beautifully framed.
Young Boy Sculpture
This is an Resin Sculpture with bronze finish “Young Boy”. Dimensions: 14"H 7"W 7"D
Salvador Dali Original, limited Edition Bronze - Homenage to Newton
Salvador Dali signed and numbered bronze sculpture "Homenage to Newton". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 5" x 4"
Alberto Giacometti Original, limited Edition Bronze - WOMAN
Alberto Giacometti signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 19"x5"x5".
Lady's Unique Style Tiffany Signed Sterling Silver Necklace
Lady's Unique Style Tiffany Signed Sterling Silver Necklace
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Nuclear Head Of An Angle" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Jesus and the Blindman by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-bearing the signature and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 30”x21”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Manet- A Bar At The Folies Bergere - Collection Domaine Manet
In the Manner of Manet from the Collection Domaine Manet, "A Bar At The Folies Bergere". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Lady Godiva- Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Lady Godiva". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9x14x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Pierrot and the Harlequin". Comes with ceritificate of authenticity, framing available at an additonal cost.
Clock - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Clock . Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 11"x9"x6".
Limited Edition Picasso - Large Heads - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Heads". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Modern Lolita - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Geopolitical Child Watches The Birth Of T
This is a limited edition bronze layered with 24K gold entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN (1943)" by Salvador Dali. This statue adaptation of The Birth of the New Human is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Lanscape - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Landscape". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU VISAGE VOILE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.20CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Ulysses Before Nausicaa". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Dancing Satyrs, Flute Player and Bull" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali Signed Limited Edition - The Architectural Angelus of Millet
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Architectural Angelus of Millet". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Charles Jeffrey Limited Edition Etching "Artict Dancers"
In the Manner of Charles, Jeffrey Limited Edition Etching "Artict Dancers", hand signed, approx dimension 17x15 in.
A Boy Meets his Dog by Rockwell
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 22x26
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
"The Great Gate of Kiev" - Kandinsky - Limited Edition
In the Manner of Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Smoke In Vallauris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Unisex Fancy Sterling Silver Diamond Band Ring
Unisex Fancy Sterling Silver Diamond Band Ring, Diamonds approx .20 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIALTO BRIDGE - DUSK" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Real .999 Silver Salvador Dali Limited Edition- The First Study For the Madonna
Dali Signed and Numbered Real Silver Sculpture, "The First Study For the Madonna". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Limited Edition Picasso - Interior With A Girl Drawing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Interior With A Girl Drawing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Bonnard Watercolor Painting.
Original Watercolor on paper "Fall" In the manner of Bonnard . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Cellestial Staircase". Comes with COA and beautifully framed.
Bust - Lady Sculpture
This is an Resin Bust Sculpture "LADY" . Dimensions: 19"H 9"W 7"D
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU II
Salvador Dali signed and numbered bronze sculpture " TRISTAN FOU II". Comes with COA. Some varitations of patina might occur. Approx. size: 15"x 11" x 6"
Alberto Giacometti Original, limited Edition Bronze - HEAD OF MAN
Alberto Giacometti signed and numbered bronze sculpture, " HEAD OF MAN ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Unisex Very Stylish Tiffany Sterling Silver Necklace
Unisex Very Stylish Tiffany Sterling Silver Necklace
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper."Die Schneekonigin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Jesus and the Children by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Children" and measures approx. 20" x 11" x13" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs Set
In the Manner of Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". bearing the signature and Numbered. In excellent condition. Frame Size: 32”x26”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Cezanne- Mill On The Couleuvre Near Pontoise - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "Mill On The Couleuvre Near Pontoise". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Young Virgin- Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Young Virgin". Comes with COA. Approx. size: 20"x24". HC-0045
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12x8x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Basket". Comes with ceritificate of authenticity, framing available at an additonal cost.
Leotard Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Leotard Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x22".
Limited Edition Picasso - Seated Man with A Sword and A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Man with A Sword and A Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Pipilon by Bessin
This Original Fine Silver sculpture by Bessin is called, "Pipilon". It measures approx. 20" x 8"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Bistrot Vivienne", Bearing the Signature, & numbered, approx dimension 21x36 in.
Cats - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Cats". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE ET COUPE DE FRUITS", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.50CT CLARITY IS VS1 AND COLOR IS G
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 16 ct. (187DD)
Lady's Fancy 14 kt White Gold Heart Shape Pink Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Heart Shape Pink Sapphire & Diamond Ring, Pink Sapphires approx 3 cts, Diamonds approx .50 cts, VS1 color G.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Alcinous' Palace". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Feunes et chevre". Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - St. George and the Dragon
In the Manner of Salvador Dali Bearing the Signature, limited edition, "St. George and the Dragon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Limited Edition Lithograph
Michael Coleman Limited Edition Lithograph, hand signed & numbered.
Adventurers Between Adventures by Rockwell
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 22x26
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Henry Moore Original, limited Edition Bronze - Recumbant Figure
Henry Moore signed and numbered bronze sculpture, "Recumbant Figure". Comes with COA. Some variation in patina might occur. Approx. size:
Alberto Giacometti Original, limited Edition Bronze - MALE HEAD
Alberto Giacometti signed and numbered bronze sculpture, "MALE HEAD ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x4".
Pino on Canvas - Dreaming of Paris- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming of Paris" . This very special edition is extremely limited . Image Size: 34" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Womans Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Sterling Silver Diamond Band Ring
Unisex Sterling Silver Diamond Band Ring, Diamonds approx 0.50 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE ROSSO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Bull Fight, Death Of A Torreador - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bull Fight, Death Of A Torreador". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Divine Impenetrability". Comes with COA and beautifully framed.
Chiparus Alabaster Sculpture
This is an 2nd Generation, Chiparus Alabaster Sculpture “THAIS”. Dimensions: 12"H 14"W 6"D
Pablo Picasso Original, limited Edition Bronze -OWL
Pablo Picasso signed and numbered bronze sculpture "OWL". Comes with COA. Some varitations of patina might occur. Approx. size: 9"x 7" x 7"

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Alberto Giacometti Original, limited Edition Bronze - MALE HEAD
Alberto Giacometti signed and numbered bronze sculpture, "MALE HEAD ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x4".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Meissonier" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Arc of the Covenant by D. Hunter
This bronze sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Claude Mars Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of Claude Mars Set includes 2 Original Lithographs. bearing the signature and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Cezanne- Bridge At Maincy - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "Bridge At Maincy". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Salvador Dali Enchanting Original, limited Edition Bronze - Spain
Salvador Dali signed and numbered bronze sculpture, "Spain". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Original Bronze by Michael Schofield - Aquamarine Dancer
This is the second piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Aquamarine adorning the piece. "Aquamarine Dancer" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee.During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Signed Chiparus Bronze and Ivory - Footsteps
Signed bronze and ivory art deco sculpture "Footsteps" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base.Approx size: 22" x 9"x5".
Limited Edition Picasso - The Birdcage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Birdcage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Diane Lamp by Moreau
This Original Fine Silver sculpture by Moreau is called, "Diane Lamp". It measures approx. 25.5" x 11.5"x 8.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Painting - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FEMME AU COLLIER", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 5.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Unisex Fancy Silver Black Onix Ring
Unisex Fancy Silver Black Onix Ring, Onix approx 14 ct. (186DD)
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Title "Unknown". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut."Two Satyrs , Goat and flute player" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Salvador Dali Signed Limited Edition - The Image Disappears
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Image Disappears". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Fredrick Phillip Serigraph Limited Edition "Enclave"
Fredrick Phillip Serigraph Limited Edition "Enclave", hand signed, approx dimension 33x40 in.
Pride of Parenthood- puppy by Rockwell
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 22x26
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Oil on Canvas. Zebras by S. Kurg
S. Kurg Original Oil on Canvas. Dimensions are approx. 26x38.

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Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Henry Moore Original, limited Edition Bronze - Two-Piece Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Two-Piece Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: .
Boy and Girl with Sunflower Sculpture
This is an Resin Sculpture with stone finish “Boy and Girl with Sunflower ”. Dimensions: 20"H 15"W 15"D
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "The Card Player" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DEI SOSPIRI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Billy Goat
Dali sculpture, "Billy Goat" is approx. 7.05oz of fine real .999 silver. Sculpture measures approx. 5.5". Comes with foundry Assay.
Limited Edition Picasso - Seated Woman with Red and Blue Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman with Red and Blue Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Limited Edition Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Chuck Elliot Watercolor Painting.
Original Watercolor on paper "Day Cruise"In the manner of Chuck Elliot . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Garden of Christ". Comes with COA and beautifully framed.

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Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro. - Signed. Beautifully framed . Approx. size:15" x 12".
Boy and Girl with Sunflower Sculpture
This is an Resin Sculpture with stone finish “Boy and Girl with Sunflower ”. Dimensions: 20"H 15"W 15"D
Salvador Dali Original, limited Edition Bronze - Rhino on Space
Salvador Dali signed and numbered bronze sculpture " Rhino on Space". Comes with COA. Some varitations of patina might occur. Approx. size: 18"x 8" x 5"
Alberto Giacometti Original, limited Edition Bronze -THE HAND
Alberto Giacometti signed and numbered bronze sculpture, " THE HAND ". Comes with COA. Some variation in patina might occur. Approx. size: 13"x12"x6".
Unique Tiffany Signed Sterling Silver Necklace
Unique Tiffany Signed Sterling Silver Necklace
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. " Figure With Swans" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Anticipation by Matthews
This bronze sculpture by Matthews is called, "Anticipation" and measures approx. 21" x 10" x 9" and weighs approx. 36lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs Set
In the Manner of Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". bearing the signature and Numbered. In excellent condition. Frame Size: 33”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Cezanne- View From Auvers From Above - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "View From Auvers From Above". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Cavalier with Pipe- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "Cavalier with Pipe". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Enchanting Original, limited Edition Bronze - Galatea of the Spheres
Salvador Dali signed and numbered bronze sculpture, "Galatea of the Spheres". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.

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Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Split Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Beautiful Sterling Citrine & White Sapphire Pendant
Lady's Beautiful Sterling Citrine & White Sapphire Pendant, Citrine approx 8 ct, White Saphire 3 ct
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Girl with Parrot by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Girl with Parrot". It measures approx. 14" x 18"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Renoux Hand Signed Limited Edition Lithograph "Droguerie"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Droguerie", Bearing the Signature, & numbered, approx dimension 24x26in.
Shallow-Love - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Shallow Love". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LISEUSE ET BOUQUET DE ROSES", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Emerald Cut Pigeon Blood Ruby Ring
Lady's Fancy Silver Emerald Cut Pigeon Blood Ruby Ring, Ruby approx 16 ct. (185DD)
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Polyphemus". Comes framed. Approx. size: 16" x 12"

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"Upward" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "Bacchanal with Black Bull" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Louis Icart Original Litographs
In the Manner of Louis Icart Original Lithograms, bearing the signature, and beautifully framed. From the "Le Faust de Goethe" suite. Size is 10x7. Angelic piece to add to your collection! Let your friends and family ponder on these images, and discuss the purpose over brunch! Wonderful and Rare!
Salvador Dali Signed Limited Edition - The Sing of Anguish
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Sing of Anguish". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Laguna Beach"
In the Manner of Lithograph , In the Manner of Jacobson titled "Laguna Beach" , bearing the signature,, approx dimension 12x13 in.
The Runaway by Rockwell
In the Manner of Rockwell Lithograph. Dimensions are approx 22x26
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Silver Bronze Dancer by Preiss
Silver bronze Dancer by artist Preiss, silver is approximately 10oz of fine silver. Comes with pedestal
Maillol Original, limited Edition Bronze -Male Torso
Maillol signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur.
"Upward" - Kandinsky - Limited Edition
In the Manner of Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Pino on Canvas - Poetry in Motion- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Poetry in Motion". This very special edition is extremely limited . Image Size: 33" x 22" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "The Studio At Cannes " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Lady's Beautiful Sterling Silver White Graduated Garnet Wedding Set
Lady's Beautiful Sterling Silver White Graduated Garnet Wedding Set, Grad. Garnets approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DELLE PRIGIONI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Chuck Elliot Watercolor Painting.
Original Watercolor on paper "Fishing the guilt sea" In the manner of Chuck Elliot . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Joy of the Blessed". Comes with COA and beautifully framed.
Teaching Golf Sculpture
This is an Resin Sculpture with bronze finish “Teaching Golf”. Dimensions: 17"H 9"W 9"D
Salvador Dali Original, limited Edition Bronze -Butterfly
Salvador Dali signed and numbered bronze sculpture "Butterfly". Comes with COA. Some varitations of patina might occur. Approx. size: 14"x 9" x 4"
Alberto Giacometti Original, limited Edition Bronze - THE LEG
Alberto Giacometti signed and numbered bronze sculpture, " THE LEG ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x6".
Unisex Very Stylish Tiffany Sterling Silver Bracelet
Unisex Very Stylish Tiffany Sterling Silver Bracelet
Pierre Renior Limited Edition
In the Manner of Pierre Renior Limited Edition On Paper. "The End Of Lunch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Chagall Original Lithographs .
4 Piece Color Lithograph In the Manner of Chagall. Set includes 4 beautiful Lithographs From L'Odyssée Suite Vol. II. Pencil bearing the signature in lower right. Frame Size: 34”x28”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Emerald Crystal Flow Vases
Emerald Crystal Flow Vases Dimensions are about H:10" W:6" L:6"
Limited Edition Cezanne- The Garden Of Pontoise - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "The Garden Of Pontoise". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Interior with a Girl Drawing- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "Interior With A Girl". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Harliquinade - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Harliquinade. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x13"x5".
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.
Limited Edition Picasso - The Dance - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dance". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - By the Sea by Cardassi
This Original Fine Silver sculpture by Cardassi is called, "By the Sea". It measures approx. 23" x 8.5"x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Bistrot Vivienne", Bearing the Signature, & numbered, approx dimension 21x36 in.
The First Spark of the day - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "The First Spark Of The Day". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ETUDE DE JAMBERS IV (DEMI-LUNE)", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 6.25CT CLARITY IS I1 COLOR IS SILVER CAPE.
Lady's Fancy Blue Sapphire Ring
Lady's Fancy Blue Sapphire Ring, Blue Sapphire approx 20 ct. (184DD)
Lady's Very Fancy 14 kt White Gold Golden Sapphire & Diamond Ring
Lady's Very Fancy 14 kt White Gold Golden Sapphire & Diamond Ring, Golden Sapphires approx 1 cts, Diamonds approx 1.50 cts, VS1 color G.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Circe". Comes framed. Approx. size: 16" x 12"
"Composition X" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut." Before the Goading of the Bull " Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Original Louis Icart Lithographs from Le Faust suite - Follow Me
In the Manner of Louis Icart original lithographs, bearing the signature,, from the "Le Faust de Goethe" suite, "Follow Me". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Salvador Dali Signed Limited Edition -Six Apparitjons of Lenin a Grand Piano
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Six Apparitjons of Lenin a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Jacobson Limited Edition Lithograph "Court Yard"
In the Manner of Lithograph , In the Manner of Jacobson titled "Court Yard" , bearing the signature,, approx dimension 12x13 in.
Gaily Sharing Vintage Times by Rockwell
In the Manner of Rockwell Lithograph. Dimensions are approx 22x26
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Victor Villareal Limited Edition Bronze - Unknown
Victor Villareal signed and numbered bronze, "Unknown" Comes with COA. Some variation in patina might occur.. Approx. size: 7x16x6 Inch.
"Composition X" - Kandinsky - Limited Edition
In the Manner of Wassily of Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still Life With Bureau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 3 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO DE LA VERONA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Marin Watercolor Painting.
Original Watercolor on paper "Country Cottage" In the manner of Marin . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apparition of St. James". Comes with COA and beautifully framed.
Standing Composer Sculpture
This is an Resin Sculpture with bronze finish “Standing Composer”. Dimensions: 30"H 9"W 9"D
Salvador Dali Original, limited Edition Bronze - TREE
Salvador Dali signed and numbered bronze sculpture "TREE". Comes with COA. Some varitations of patina might occur. Approx. size: 17"x 7" x 5"
Alberto Giacometti Original, limited Edition Bronze - DOG
Alberto Giacometti signed and numbered bronze sculpture, " DOG ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x5".
Etching Set by A. Durand Rembrandt
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of A. REMBRANDT Set includes 3 Original Etchings. Frame Size: 24”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Cezanne- Village Framed By Trees - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "Village Framed By Trees". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
La Coiffure- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "La Coiffure". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Original, limited Edition Sculpture - Alice In Wonderland
Salvador Dali signed and numbered sculpture sculpture, "Alice In Wonderland".Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Angelica in a Horse - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Angelica in a Horse. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 23"x7"x7".
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
Limited Edition Picasso - Seated Woman II - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman II". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Clara by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Clara". It measures approx. 24" x 31"x 16" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Galerie de la Madaleine", Bearing the Signature, & numbered, approx dimension 22x39 in.
The Gentleman - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "The Gentleman". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PORTRAIT DE CORTOT", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 12 ct. (183DD)
Lady's Fancy 14 kt White Gold Yellow Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Yellow Sapphire & Diamond Ring, Yellow Sapphire approx 4 cts, Diamonds approx 1 ct, VS1 color G.
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
In the Manner of Mark Chagall, bearing the signature, Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Frontispiece". Comes framed. Approx. size: 16" x 12"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut."Bacchanal Lovers Owl Dancing"Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Louis Icart Lithographs from Le Faust suite - Sweet Dreams
In the Manner of Louis Icart original lithographs, bearing the signature,, from the "Le Faust de Goethe" suite, "Sweet Dreams". Approx. size: 10" x 7". Comes with COA and beautifully framed.
Salvador Dali Signed Limited Edition - Catigula's Horse
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Catigula's Horse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Outside Cafe"
In the Manner of Lithograph , In the Manner of Jacobson titled "Outside Cafe" , bearing the signature,, approx dimension 12x13 in.
Lady's Beautiful Sterling Silver Diamond Wedding Set
Lady's Beautiful Sterling Silver Diamond Wedding Set, Diamonds approx 1.25 cts, VS1, color G.
Original Oil on Canvas. Yellow Lilies by Rossiter
In the Manner of Rossiter Original Oil on Canvas. Dimensions are approx. 26x38.
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Henry Moore Original, limited Edition Bronze - Half Figure #1
Henry Moore signed and numbered bronze sculpture, "Half Figure #1". Comes with COA. Some variation in patina might occur. Approx. size: 9x7x4 Inch.
"Unbroken Line" - Kandinsky - Limited Edition
In the Manner of Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Pino on Canvas - Solace- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Solace". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Head Of Bull In Front Of Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Diamond Wedding Set
Lady's Beautiful Sterling Silver Diamond Wedding Set, Diamonds approx 1.25 cts, VS1, color G.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 7x11

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NEAR RIALTO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Family - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Family". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Marin Watercolor
Original Watercolor on paper "Tibaron" In the manner of Marin . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Apotheosis of the Virgin Mary". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Salvador Dali Original, limited Edition Bronze - EXTHINGUISER
Salvador Dali signed and numbered bronze sculpture "EXTHINGUISER". Comes with COA. Some varitations of patina might occur. Approx. size: 14"x 11" x 6"
Alberto Giacometti Original, limited Edition Bronze - CHARIOT
Alberto Giacometti signed and numbered bronze sculpture, " CHARIOT". Comes with COA. Some variation in patina might occur. Approx. size: 21"x9"x7".
Edgar Degas Limited Edition
In the Manner of Edgar Degas, Limited Edition On Paper. "Dance Class" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - On The Fly by W. Whitten
This bronze sculpture by W. Whitten is called, "On The Fly" and measures approx. 18" x 8" x7" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
4 Pieces Color Fine Art Lithograph by Tarkay
4 Pieces Color Lithograph Set includes: 4 Lithographs In the Manner of Tarkay. Frame Size: 23”x21”. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Cezanne- Unknown - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "Unknown". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Pipes of Pan- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "Pipes of Pan". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze - Fille
Pablo Picasso signed and numbered bronze sculpture, "Fille". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Man with Crossed Arms". Comes with ceritificate of authenticity, framing available at an additonal cost.
Victoria - Bronze and Ivory Sculpture by Colinet
Colinet broze and ivory sculpture,Victoria. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 18x6x6.
Limited Edition Picasso - Wolman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Wolman In An Armchair". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Jesus and the Blindman by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Outlaw
This Frederick Remington sculpture, "Outlaw" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Woman Walking Down Street - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Woman Walking Down the Street". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU MAIN A L'EPAULE (ARABESQUE III)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 7.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Unisex Fancy Blue Sapphire Ring
Unisex Fancy Blue Sapphire Ring, Sapphire approx 12 ct. (182DD)
Lady's Fancy 14 kt White Gold Horse Shoe Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Horse Shoe Shape Golden Sapphire & Diamond Ring, Golden Sapphires approx 1.50 cts, Diamonds approx .50 cts, VS1 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Owl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut. "The Banderillas (small)" Hand pulled and Bearing the signature,. These are beautifully framed and matted.Size 13x15. Very Rare!
Salvador Dali Signed Limited Edition - Family of Marsupial Centaurs
In the Manner of Salvador Dali Bearing the Signature, limited edition, " Family of Marsupial Centaurs". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Side Street Cafe"
In the Manner of Lithograph , In the Manner of Jacobson titled "Side Street Cafe" , bearing the signature,, approx dimension 11x15 in.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Gold Bronze Sculpture Chiparius
Cape Lady Gold patina Bronze sculpture, comes with pedestal
"Composition VII" - Kandinsky - Limited Edition
In the Manner of Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in

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Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "The Owl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE CON BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Pitcher And A Bowl Of Fruit - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Pitcher And A Bowl Of Fruit". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Marin Watercolor Painting.
Original Watercolor on paper "Full Sail" In the manner of Marin . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Angels of the Empyrean". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Pablo Picasso Original, limited Edition Bronze -WOMAN
Pablo Picasso signed and numbered bronze sculpture "WOMAN". Comes with COA. Some varitations of patina might occur. Approx. size: 14"x 4" x 4"
Alberto Giacometti Original, limited Edition Bronze - FEMME
Alberto Giacometti signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Bronze Sculpture - Cheyenne by F. Remington
This bronze sculpture by F. Remington is called, "Cheyenne" and measures approx. 19" x 21" x8" and weighs approx. 133lbs. It comes with foundry paperwork.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-bearing the signature and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 23”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Cezanne- Still Life with Apples - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "Still Life with Apples". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Seated Bather- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "Seated Bather". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original Original, limited Edition Bronze - Flowers
Pablo Picasso signed and numbered bronze sculpture, "Flowers". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Italian Girl". Comes with ceritificate of authenticity, framing available at an additonal cost.
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 24"H x17"W x 8"D and 28lbs. It is a Limited Edition out of 399. SB9H
Limited Edition Picasso - The Couple - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Couple". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Bronco Buster by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(50DN)
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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Renoux Hand Signed Limited Edition Lithograph "Down Hill"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Down Hill", Bearing the Signature, & numbered, approx dimension 16x14 in.
Nude - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "Nude". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE ET COUPE DE FRUITS", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 22 ct. (181DD)
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "L'Oiseau Solaire". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
"Circus Fan Dancer" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
PICASSO SIGNED LIMITED EDITION LINOCUT
In the Manner of Picasso, Limited Edition Linocut."Dancing Satyrs and Flute Player" Hand pulled and Bearing the signature,. These are beautifully framed and matted. Size 13x15. Very Rare!
Salvador Dali Signed Limited Edition - THREE AGES
In the Manner of Salvador Dali Bearing the Signature, limited edition, "THREE AGES". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Country Harbor"
In the Manner of Lithograph , In the Manner of Jacobson titled "Country Harbor" , bearing the signature,, approx dimension 11x15 in.
Jumping Rope by Boulanger
In the Manner of Boulanger, Lithograph. Dimensions are approx 20x20
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed

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Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Henry Moore Original, limited Edition Bronze - Rock Chair
Henry Moore signed and numbered bronze sculpture, "Rock Chair". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x3 Inch.
"Circus Fan Dancer" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pino on Canvas -A Song in Her Heart- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "A Song in Her Heart". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Woman In Green" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver Graduated Garnet Wedding Set
Lady's Beautiful Sterling Silver Graduated Garnet Wedding Set, Grad. Garnets approx 3 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6 1/2 x 6 1/3
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA II" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Seated Woman With Yellow and Green Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman With Yellow and Green Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Sculpture- Winged Bust on Marble Base
Dali "Winged Bust" on marble base. Signed and numbered. Approx . Size: 14" x 7"x 5".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "St. Peter and Dante". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Salvador Dali Original, limited Edition Bronze - Helminths Lugubrious
Salvador Dali signed and numbered bronze sculpture "Helminths Lugubrious". Comes with COA. Some varitations of patina might occur. Approx. size: 13"x 5" x 5"
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "WOMAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x5.
Gustave Caillebotte Limited Edition
Gustave Caillebotte Limited Edition On Paper. "A Rainy Day" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Mossant Original Lithographs .
2 Piece Color Lithograph In the Manner of Mossant. Set includes 2 beautiful Lithographs. bearing the signature .These are beautifully framed and matted. Size: 16”x20”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Cezanne- Harlequin - Collection Domaine Cezanne
In the Manner of Cezanne, from the Collection Domaine Cezanne, "Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Seated Woman I- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "Seated Woman I". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze -Vase Head
Pablo Picasso signed and numbered bronze sculpture, "Vase Head". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Woman". Comes with ceritificate of authenticity, framing available at an additonal cost.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace, Spinels approx 10 ct.
Limited Edition Picasso - Head Of A Woman With A Self Portrait - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Head Of A Woman With A Self Portrait". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Abe by D. Volk
This Original Fine Silver sculpture by D. Volk is called, "Abe" and measures approx. 8" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bather - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "Bather". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU BRAS GAUCHE SUR LA TETE (ARABESQUE V)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy 14 kt White Gold Amethyst Ring
Unisex Fancy 14 kt White Gold Amethyst Ring, Amethysts approx 6 cts.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
"Les Roses" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Soft Watch at Moment of Explotion
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Soft Watch at Moment of Explotion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "Flower Stall"
In the Manner of Lithograph , In the Manner of Jacobson titled "Flower Stall" , bearing the signature,, approx dimension 12x14 in.
Still Life by Chagall
Limited Edition Lithograph. Dimensions are approx 20x20

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Signed Preiss Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Preiss Base signed , Comes with signed Chiparus Pedestal.
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
"Les Roses" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Nude sitting In an Armchair" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Beautiful Sterling Silver White Sapphire Ring
Lady's Beautiful Sterling Silver White Sapphire Ring, Sapphires approx 1.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "Arrival at the Empyrean". Comes with COA and beautifully framed.
Salvador Dali Original, limited Edition Bronze - MELANCHOLY
Salvador Dali signed and numbered bronze sculpture "MELANCHOLY". Comes with COA. Some varitations of patina might occur. Approx. size: 7"x 8" x 4"
Alejandro Marquez Original, limited Edition Bronze -ballerina-
Alejandro Marquez signed and numbered bronze sculpture "BALLERINA". Comes with COA. Some variation in patina might occur. Approx. size: 20"x10"x10".
Edgar Degas Limited Edition
In the Manner of Edgar Degas, Limited Edition On Paper. "Café Concert" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Bronze Sculpture - El Caballero by Estevez
This bronze sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Ulysses and Euryclea by Chagall from the Odyssey Suite.
In the Manner of Chagall, Original Lithographs Signed, from the Odyssee Suite "Ulysses and Euryclea". Signed and framed. Comes with COA Frame Size: 21”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Van Gogh- Starry Night - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "Starry Night". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Seated Woman II- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "Seated Woman II". Comes with COA. Approx. size: 20"x24". HC-0045
Iconic Pablo Picasso Original, limited Edition Bronze - Profile Portrait
Pablo Picasso signed and numbered bronze sculpture, "Profile Portrait". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Gustave Geffroy". Comes with ceritificate of authenticity, framing available at an additonal cost.
Pajama Girl - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Pajama Girl. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - On The Fly by Whitten
This Original Fine Silver sculpture by Whitten is called, "On The Fly" and measures approx.18" x 8" x 7". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition 24K Gold Layered Bronze Sculpture- Wicked Pony by F. Remington
This Frederick Remington sculpture, "Wicked Pony" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Renoux Hand Signed Limited Edition Lithograph "Down Hill"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Down Hill", Bearing the Signature, & numbered, approx dimension 16x14 in.
Gabrielle And The Jewels - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "Gabrielle And The Jewels". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE, REFLET DANS LA GLACE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Amethyst Ring
Lady's Fancy Silver Amethyst Ring, Amethyst approx 10ct. (178DD)
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - THE BURNING GIRAFFE
In the Manner of Salvador Dali Bearing the Signature, limited edition, "THE BURNING GIRAFFE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Jacobson Limited Edition Lithograph "View to the West"
Limited Edition Limited Edition Lithograph by Jacobson titled "View to the West" , hand Bearing the Signature,, approx dimension 12x16 in.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Original Oil on Canvas. Duford Original
Duford Original Oil on Canvas. Dimensions are approx 38x26.
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:

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"Wedding" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Toreo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Silenus Dancing In Company - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Silenus Dancing In Company". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
James Sessions Watercolor Painting.
Original Watercolor on paper "Harbor knights" In the manner of James Sessions . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Infinite Beauty of Beatrice". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Salvador Dali Original, limited Edition Bronze - BEACH ATMOSPHERIC
Salvador Dali signed and numbered bronze sculpture "BEACH ATMOSPHERIC". Comes with COA. Some varitations of patina might occur. Approx. size: 11"x7"x 5"
David Alfaro Siqueros Limited Edition Bronze - Warrior
David Alfaro Siqueiros signed and numbered bronze sculpture, "WARRIOR". Comes with COA. Some variation in patina might occur. Approx. size: 11x16x5.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring

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Edouard Manet Limited Edition
In the Manner of Edouard Manet, Limited Edition On Paper. "The Pier At Boulogue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - End of the Trail by Fraiser
This bronze sculpture by Fraiser is called, "End of the Trail" and measures approx. 21" x 16" x 6" and weighs approx. 152lbs. It comes with foundry paperwork.
Pierre-Auguste Renoir Lithographs
In the Manner of Pierre-Auguste Renoir: 2 Piece Color Lithograph . Together they make the perfect pair. Frame Size: 18”x23”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Van Gogh- Van Gogh's Bedroom - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "Van Gogh's Bedroom". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Sleeping Nude- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, Sleeping Nude. Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze - Pregnant Woman
Pablo Picasso signed and numbered bronze sculpture, "Pregnant Woman". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape with Mont Sainte Victorie". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - Nude With A Bouqet Of Irises - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude With A Bouqet Of Irises". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Lady Peacock - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3".
L'Estaque - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "L'Estaque". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TORSE A L'AIGUIERE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 16 ct. (177DD)
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Salvador Dali Signed Limited Edition - The Knight Death
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Knight Death". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Renoux Limited Edition Lithograph "Morning Café"
In the Manner of Lithograph , In the Manner of Renoux titled "Morning Café", bearing the signature, & numbered, approx dimension 15x12 in.
Hortensia by Scherer
Bearing the Signature, Original Lithograph. Dimensions are approx 20x28
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.

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Henry Moore Original, limited Edition Bronze -Standing Woman
Henry Moore signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x3 Inch.
"Les Lupin Bleu" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Nature Morte au Verre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Heart Shaped Sterling Silver Diamond Wedding Set
Lady's Heart Shaped Sterling Silver Diamond Wedding Set, Diamonds approx 1.5 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN WINDOWS" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Still Life with Candle, Pallette and Black Bull's Head - Collection Domain
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Candle, Pallette and Black Bull's Head". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Geo Post Watercolor Painting.
Original Watercolor on paper "The white House" In the manner of Geo Post . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Loyal Angels". Comes with COA and beautifully framed.
Salvador Dali Original, limited Edition Bronze - Coffee Scene
Salvador Dali signed and numbered bronze sculpture "Coffee Scene". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 6" x 5"
Rufino Tamayo Original, limited Edition Bronze - MAN
Rufino Tamayo signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 20"x10"x10".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Bronze Sculpture - Savage by F. Remington
This bronze sculpture by F. Remington is called, "Savage" and measures approx. 12" x 8" x 8".. It comes with foundry paperwork.
Renoir Posthumous Etching Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of RENOIR Set includes 2 Posthumous Etchings. Frame Size: 24”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cobalt Diamond Cut Crystal Mushroom Lamp
Cobalt Diamond Cut Crystal Mushroom Lamp
Limited Edition Van Gogh- Rec Room - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "Rec Room". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
The Old Blind Guitar Player- Picasso- Limited Edition on Canvas
In the Manner of Picasso, Limited Edition on canvas, "The Old Blind Guitar Player". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso Original, limited Edition Bronze - Ambitieuse
Pablo Picasso signed and numbered bronze sculpture, "Ambitieuse". Comes with COA. Some variation in patina might occur.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Persian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Persian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 25"x16".
Lady's Fancy Ruby & Dimond Necklave with Pendant
Lady's Fancy Ruby & Dimond Necklave with Pendant, Ruby approx 1 ct, 20 points VS1 G in color
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Semper Fidelis by DeLier
This Original Fine Silver sculpture by DeLier is called, "Semper Fidelis" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Post"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Post", Bearing the Signature, & numbered, approx dimension 16x14 in.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE DE BOUT, VISAGE COUPE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Sterling Pigeon Blood Ruby Ring
Unisex Fancy Sterling Pigeon Blood Ruby Ring. Ruby approx 22 ct. (176DD)
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11". Comes with pedestal
Salvador Dali Signed Limited Edition - Fountain Flowing from a Grand Piano
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Fountain Flowing from a Grand Piano". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Berhens Limited Edition Lithograph "Country Line"
In the Manner of Lithograph , In the Manner of Berhens titled "Country Line", bearing the signature, & numbered, approx dimension 11x14 in.
Le Scale del Paese by Borelli
In the Manner of Barellli, Lithograph. Dimensions are approx: 16x20
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11". Comes with pedestal

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Alberto Giacometti Original, limited Edition Bronze - Untitled
Alberto Giacometti signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur.
"Tree Over Village" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme Assise Pre D'une Fenetre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Stylish Diamond Ring
Lady's Very Stylish Diamond Ring, Diamond approx .25 ct, VS1 G in color.
Lady's Antique Sterling Silver White Sapphire Trio Ring, Earrings & Pendant.
Lady's Antique Sterling Silver White Sapphire Trio Ring, Earrings & Pendant, Sapphires approx 7 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASE VENEZIANE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Woman with Sculpture - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman with Sculpture". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Beautiful Tiffany & Co Bracelet
Beautiful tiffany & co silver braclet.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Geo Post Watercolor Painting.
Original Watercolor on paper "California Hills"In the manner of Geo Post . Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Paradise), "The Archangel Gabriel". Comes with COA and beautifully framed.
Salvador Dali Original, limited Edition Bronze - WATER JUG
Salvador Dali signed and numbered bronze sculpture "WATER JUG". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 9" x 9"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Rufino Tamayo Original, limited Edition Bronze - Man at the Door
Rufino Tamayo signed and numbered bronze sculpture, "Man at the Door". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x5".
Picasso Limited Edition
In the Manner of Picasso, Limited Edition On Paper. "The End of The Number" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sergeant by F. Remington
This bronze sculpture by F. Remington is called, "Sergeant" and measures approx. 11" x 5" x 4". It comes with foundry paperwork.
Louis Icart Original Litographs
2 Piece Color Lithograph In the Manner of Louis I cart. Set includes 2 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 15”x22”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ruby Diamond Cut Crystal Mushroom Lamp
Ruby Diamond Cut Crystal Mushroom Lamp
Limited Edition Van Gogh- Harvest Landscape, Arles 1888 - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "Harvest Landscape, Arles 1888". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Apparatus and Hand- Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Apparatus and Hand". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Exciting Pablo Picasso Original, limited Edition Bronze - Helping Hand
Pablo Picasso signed and numbered bronze sculpture, "Helping Hand". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Romeo and Juliette - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, Romeo and Juliette. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - The Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Weeping Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Anticipation by Matthews
This Original Fine Silver sculpture by Matthews is called, "Anticipation" and measures approx. 25" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Spirit of Ecstasy - 24K Gold Layered Limited Edition Sculpture
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This is a limited edition bronze and then layered with 24K gold. Comes with foundry assay. Some variations in marble might occur.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE AU MIROIR", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Blue Sapphire Ring
Lady's Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 14 ct. (175DD)
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Etincelles" from - L'Oiseau Solaire. Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Braque Original, limited Edition Bronze -Steed
Braque signed and numbered bronze sculpture, "Steed". Comes with COA. Some variation in patina might occur.
Salvador Dali Signed Limited Edition - Enchanted Beach
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Enchanted Beach". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Coleman Mix Media Litho/Serigraph
Michael Coleman Mix Media Litho/Serigraph, titled "Grizzly", signed & numbered, approx dimension 19X22 in.
Faithful Friend by Lambert
In the Manner of Lambert, Lithograph. Dimensions are approx 28x24

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Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10". Comes with pedestal
Braque Original, limited Edition Bronze -Steed
Braque signed and numbered bronze sculpture, "Steed". Comes with COA. Some variation in patina might occur.
"Bouqet Over City" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still Life With Cock And Knife" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Sterling Unique Design Tri-Color Stone Ring
Lady's Sterling Unique Design Tri-Color Stone Ring, Pink Sapphires approx 2ct, White Sapphires approx 3.5 ct, Aquamarines approx 2ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Melting Clock
Dali sculpture, "Melting Clock" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
Limited Edition Picasso - Painter In His Studio - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Painter In His Studio". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Limited Edition Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. In 1948 Dali decided, after a very fruitful eight-year-long stay in the United States, to return to Europe to devote himself to "nuclear mysticism" with the expert motto his insight that the "the skillful arts of painting were developed once and forever and with the greatest perfection and influence during the Renaissance and that the decadence of modern art finds its origins in skepticism and a lack of faith, which is a consequence of mechanical materialism. Although still filled with Dali-like symbolism, Picasso's portrait has stylistic neoclassical elements. Approx. Dimensions: 5.25 in. x 3.25 in. x 1.5 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.

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Geo Post Watercolor Painting.
Original Watercolor on paper "Heading Out"In the manner of Geo Post . Comes framed. Approx. size:15" x 11".
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Salvador Dali Original, limited Edition Bronze - THE RED TOWER
Salvador Dali signed and numbered bronze sculpture "THE RED TOWER". Comes with COA. Some varitations of patina might occur. Approx. size: 11"x 10" x 7"
Rufino Tamayo Original, limited Edition Bronze -BOY
Rufino Tamayo signed and numbered bronze sculpture, "BOY". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x12"x5".
Lady's Beautiful HEART Shaped Tiffany Sterling Silver Ring
Lady's Beautiful HEART Shaped Tiffany Sterling Silver Ring
Edgar Degas Limited Edition
In the Manner of Edgar Degas, Limited Edition On Paper. "At The Races" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
3 Pieces Color Lithograph by Picasso
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil bearing the signature in lower right. Frame Size: 17”x34”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Coral Diamond Cut Crystal Mushroom Lamp
Coral Diamond Cut Crystal Mushroom Lamp
Limited Edition Monet- Le Grenouillere - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Le Grenouillere". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Apparition Of Face On A Fruit Dish - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Apparition Of Face On A Fruit Dish". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pablo Picasso Original, limited Edition Bronze -Female Face
Pablo Picasso signed and numbered bronze sculpture, "Female Face". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x6.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Russian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. .
Limited Edition Picasso - The Sculptor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sculptor". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Field of Dreams by Monreau
This Original Fine Silver sculpture by Monreau is called, "Field of Dreams" and measures approx. 29.5" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Boulangerie"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Boulangerie", Bearing the Signature, & numbered, approx dimension 20x20 in.
Madame Henriot - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "Madame Henriot". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU TURBAN", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 18 ct. (174DD)
Lady's Beautiful 14 kt White Gold Diamond Cluster Ring
Lady's Beautiful 14 kt White Gold Diamond Cluster Ring, Diamonds approx .80 cts, VS1 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali Signed Limited Edition - Landscape near Port ligot
In the Manner of Salvador Dali Bearing the Signature, limited edition, " Landscape near Port ligot". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Son Serigraph "Tiger"
Serigraph by Michael Son signed & numbered approx dimension 35x29 in.
The Couple II by Zule
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 20x10
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur.
"Bella and the Red Horse" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "La Fille De L'Artiste A Deux ans Et Demi Avec Un Bateau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Black & White Diamond Pendant
Lady's Antique Style Sterling Silver Black & White Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CHIESA DELLA SALUTE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Gio Betts Watercolor Painting.
Original Watercolor on paper "Charming Sea" In the manner of Gio Betts . Comes framed. Approx. size:15" x 11".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Flatterer". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Pablo Picasso Original, limited Edition Bronze -Head-
Pablo Picasso signed and numbered bronze sculpture "HEAD". Comes with COA. Some varitations of patina might occur. Approx. size: 11"x 6" x 5"
Rufino Tamayo Original, limited Edition Bronze - WOMAN
Rufino Tamayo signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17"x10"x4".
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature,Limited Edition On Paper. "Dante" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tall Feather by Moretti
This bronze sculpture by Moretti is called, "Tall Feather" and measures approx. 15" x 10" x 6".. It comes with foundry paperwork.
Norman Rockwell Lithographs
2 Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 31”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Tiffany Style Lamp
Tiffany Style Lamp
Limited Edition Monet- Nympheas - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Nympheas". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Bacchanale - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Bacchanale". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of the Gardener Vallier". Comes with ceritificate of authenticity, framing available at an additonal cost.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Original Fine Silver Sculpture - Government by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Government" and measures approx. 33" x 12" x 12". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
William Han by Tony Cloffet 1901
Bronze William Han by Tony Cloffet 1901, dimensions are about 22x7.
Nude Study - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "Nude Study". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS, BRAS GAUCHE SUR LA TETE", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Pigeon Blood Ruby Ring
Lady's Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 10ct. (173DD)
Lady's Fancy 14 kt White Gold Royal Amethyst & White Diamond Ring
Lady's Fancy 14 kt White Gold Royal Amethyst & White Diamond Ring, Royal Blue Amethyst approx 12 cts, White Diamonds approx .50 cts, VS1 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

"King David" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Castration Complex
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Castration Complex". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
The Couple I by Zule
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 20x11
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10". Comes with pedestal.
Andreas Urteil Original, limited Edition Bronze - Der Fechter, 1960
Andreas Urteil signed and numbered bronze sculpture, "Der Fechter",1960. Comes with COA. Some variation in patina might occur.
"King David" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme Et Minotaur" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Tear Drop" Diamond Pendant
Lady's Very Fancy Sterling Silver "Tear Drop" Diamond Pendant, Diamonds approx .50 ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM PIAZZALE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Weeping Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Santarco Watercolor Painting.
Original Watercolor on paper "Venice" In the manner of Santarco . Comes framed. Approx. size:13" x 10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Sodomites". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Salvador Dali Original, limited Edition Bronze - AGNOSTIC SYMBOL
Salvador Dali signed and numbered bronze sculpture "AGNOSTIC SYMBOL". Comes with COA. Some varitations of patina might occur. Approx. size: 12"x 11" x 4"
Rufino Tamayo Original, limited Edition Bronze - WIZARD
Rufino Tamayo signed and numbered bronze sculpture, "WIZARD". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x4".
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Bronze Sculpture - Wicked Pony by F. Remington
This bronze sculpture by F. Remington is called, "Wicked Pony" and measures approx. 21" x 19" x 7" . It comes with foundry paperwork .
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Monet- Cap Martin - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Cap Martin". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Chariot - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Chariot". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original Original, limited Edition Bronze - Three Faces
Pablo Picasso signed and numbered bronze sculpture, "Three Faces". Comes with COA. Some variation in patina might occur.
Kapurthala - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Kapurthala. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 2"x10"
Limited Edition Picasso - Seated Woman In A Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In A Garden". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Lovers
Dali sculpture, "Lovers", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Lithograph "Alberge de la bonnie Franquette"
Bearing the Signature, Lithograph, In the Manner of Renoux titled "Alberge de la bonnie Franquette", Bearing the Signature, , approx dimension 24x17 in.
Painting - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "Painting". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE, CHALE SUR LES JAMBES", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Aquamarine Ring.
Lady's Fancy Silver Aquamarine Ring, Aquamarine approx 20 ct. (171DD)
Lady's Fancy 14 kt White Gold Multi Color Diamond Ring
Lady's Fancy 14 kt White Gold Multi Color Diamond Ring, Multi Color Diamonds approx 20 cts, Diamond approx .50 VS1 color G.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Henry Moore Original, limited Edition Bronze -Three Points
Henry Moore signed and numbered bronze sculpture, "Three Points". Comes with COA. Some variation in patina might occur. Approx. size: 9X12X6 Inch.
Rembrandt Limited Edition - HEAD OF CHRIST
In the Manner of Rembrandt signed limited edition, "HEAD OF CHRIST". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
By the Garden Path by Robert Lui
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 20x23
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Original Oil on Canvas. Cottage by C. Manning
In the Manner of C. Manning, Original Oil on Canvas. Dimensions are approx. 26x38.
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 21"H x6"W x 4"D and 30lbs. It is a Limited Edition out of 399. SB6H comes with pedestal
Henry Moore Original, limited Edition Bronze -Three Points
Henry Moore signed and numbered bronze sculpture, "Three Points". Comes with COA. Some variation in patina might occur. Approx. size: 9X12X6 Inch.
"King David Artist" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "L'Alesienne" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Very Fancy Sterling White & Golden Sapphire Ring
Very Fancy Sterling White & Golden Sapphire Ring, White Sapphires approx 3ct, Golden Sapphires approx 2ct.
Lady's Antique Style Sterling Silver White Sapphire Pendant
Lady's Antique Style Sterling Silver White Sapphire PendantWhite Sapphires approx 2 cts.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ROOF TOPS" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Harlequin Leaning On His Elbow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin Leaning On His Elbow". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Very fancy Tiffany Sterling Silver Womens Earings
Very fancy Tiffany Sterling Silver Womens Earings
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
D. Hardy Watercolor Painting.
Original Watercolor on paper "Reclining Nude" In the manner of D. Hardy . Comes framed. Approx. size:13" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Fraud". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Salvador Dali Original, limited Edition Bronze - Soft Watch
Salvador Dali signed and numbered bronze sculpture "Soft Watch". Comes with COA. Some varitations of patina might occur. Approx. size: 3"x 12" x 6"
Rufino Tamayo Original, limited Edition Bronze - GIRL
Rufino Tamayo signed and numbered bronze sculpture, "GIRL". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x8"x4".
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature,Limited Edition On Paper. "Education Of The Young" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Win, Place, Show by D. Scott
This bronze sculpture by D. Scott is called, "Win, Place, Show" and measures approx. 19" x 41" x 10" . It comes with foundry paperwork and is part of an edition of 299 pieces.
Zule Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of Zule Set includes 2 Original Lithographs. bearing the signature and Numbered. Together they make the perfect pair. Frame Size: 23”x26”. Very Nice Set!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Monet- Poppies at Argenteuil - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Poppies at Argenteuil". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Christ Of St. John Of The Cross - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Christ Of St. John Of The Cross". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rare Pablo Picasso Original Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur.
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
D. Mc Caw Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph by D. Mc Caw. Image Size: 33" x 32" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
The English Peartree - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "The English Pear Tree". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE (SOL AUX CARREAUX ROUGES)", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Antique 14 kt Gold Citrine & Diamond Ring
Lady's Antique 14 kt Gold Citrine & Diamond Ring, Citrine approx 4 cts, Diamonds approx .25 cts, VS1 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition -CHRISTMAS
In the Manner of Salvador Dali Bearing the Signature, limited edition, "CHRISTMAS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Candelabra by Theodore Tobiasse
In the Manner of Theodore Tobiasse Lithograph. Dimensions are approx 27x32
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Signed Chiparus Silver Bronze Sculpture withn Pedestal
Signed art deco bronze silver sculpture by artist Chiparus Base signed ,Comes with signed Chiparus Pedestal. Approximately 30
Lipschitz Original, limited Edition Bronze -Working Man
Lipschitz signed and numbered bronze sculpture, "Working Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x15x5 Inch.
"Reverie" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Personnage Et Colombe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Unique Antique Style Sterling Silver Diamond Pendant
Lady's Very Fancy Unique Antique Style Sterling Silver Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9

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ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA POGGI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Rooster - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rooster". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Sonuhalter Watercolor Painting.
Original Watercolor on paper "Reclining Nude" In the manner of Sonuhalter . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Corrupt". Comes with COA and beautifully framed.
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Pablo Picasso Original, limited Edition Bronze -YOUNG MALE
Salvador Dali signed and numbered bronze sculpture " Young Male". Comes with COA. Some varitations of patina might occur. Approx. size: 15"x 7" x 4"
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Bronze Sculpture - Bronco Buster by F. Remington
This bronze sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It comes with foundry paperwork.
Victoria Ponikvar Original Watercolors
4 Piece Watercolors In the Manner of Victoria Ponikvar. Set includes 4 beautiful Watercolors. Pencil bearing the signature in lower right. Frame Size: 25”x25”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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Tiffany Style Blue Dragonfly Lamp
Tiffany Style Blue Dragonfly Lamp
Limited Edition Monet- Terrace By The Seaside - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Terrace , In the Manner of The Seaside". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Cosmic Horseman - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Cosmic Horseman". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze - Bull
Pablo Picasso signed and numbered bronze sculpture, "Bull". Comes with COA. Some variation in patina might occur. Approx. size:
Fantasy Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and 32lbs. It is a Limited Edition out of 399. SB9H
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
TheGreatBoulevards - Renoir - Limited Edition on Canvas
In the Manner of Pierre Renoir Limited Edition on canvas, "The Great Boulevards". Comes with COA. Approx. size: 20"x24". HC-0045
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE DE DOS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 22 ct. (166DD)

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Lady's Fancy 14 kt White Gold Rare Gold Topaz & Diamond Ring
Lady's Fancy 14 kt White Gold Rare Gold Topaz & Diamond Ring, Rare Gold Topaz approx 4 cts, Diamonds approx .20 cts, VS1 color G.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Derriere Le Miró,ir". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Marc Chagall Signed Limited Edition - The Lovers
In the Manner of Mark Chagall, bearing the signature, Limited Edition, "The Lovers". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Ensamble by Sahall
Bearing the Signature, & Unique Lithograph. Dimensions are approx 21x27
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Signed Silver Coradassi Bronze Sculpture
oz of fine silver
Beautiful Ladies 14k Tanzanite & Diamond Bracelet J500
Beautiful ladies tanzanite and diamond bracelet, 14k gold, gold is about 20 grams tanzanite is approximately 7.00CT, diamonds are approximately 2.50CT
Marino Marini Bronze Sculpture - Nude
Marino Marini signed and numbered bronze sculpture, "Nude". Comes with COA. Some variation in patina might occur.
"Bouqet Above City" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Homage To The Spainards" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Lady's Antique Style Sterling Silver Black & White Diamond Pendant
Lady's Antique Style Sterling Silver Black & White Diamond Pendant, Black Diamonds approx 3 cts. White Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE ROSA" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Pure Real .999 Silver Bear and the Bull Sculpture by Delair
This large sculpture, "Bear and the Bull" by Delair is 10 troy ounces of real .999 silver. Comes with foundry Assay. Approx. size: 7 1/2"x4"x4".
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Night Stroll" In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Ugolino and Ruggieri". Comes with COA and beautifully framed.
A Company is best known by the competition it creates - Paper weight- Made of Genuine Whale tooth wi
A Company is best known by the competition it creates - Collectible Item- Made of Whale tooth with Orante Hand carvings out of estate. Dimensions are about 1x 3 1/2
Pablo Picasso Original, limited Edition Bronze -Construction with Ceramic-Tile
Salvador Dali signed and numbered bronze sculpture " Construction with Ceramic-Tile". Comes with COA. Some varitations of patina might occur. Approx. size: 9"x 9" x 4"
Rufino Tamayo Original, limited Edition Bronze - HAT MAN
Rufino Tamayo signed and numbered bronze sculpture, "HAT MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 11"x9"x4".
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature,Limited Edition On Paper. "Modern Rhapsody" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Bronze Sculpture - Gift Dancer by Kauba
This bronze sculpture by Kauba is called, "Gift Dancer" . It comes with foundry paperwork .
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil bearing the signature in lower right. Together they make the perfect pair. Frame Size: 20”x27”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Emerald Diamond Cut Crystal Mushroom Lamp
Emerald Diamond Cut Crystal Mushroom Lamp
Limited Edition Monet- THe RIver - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "THe RIver". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Daddy Long Legs Of The Evening - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Daddy Long Legs Of The Evening". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze - Female Torso
Pablo Picasso signed and numbered bronze sculpture, "Female Torso". Comes with COA. Some variation in patina might occur. Approx. size: 15"x8"x5".
Slit Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Slit Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Limited Edition Picasso - Woman In A Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Red Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Anthropormorphic
Dali sculpture, "Anthropormorphic" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE VOILEE AUX DEUX BRACELETS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy 14kt White Gold Oval Shape Golden Sapphire & Garnet Ring
Lady's Fancy 14kt White Gold Oval Shape Golden Sapphire & Garnet Ring , Golden Sapphires approx 4 cts, Garnets approx 2 cts.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
The Beatles 1964 in Las Vegas
"The Beatles" 1964 in Las Vegas, gambling at the Sahara Casino, approx dimension 28x23.
Marc Chagall Signed Limited Edition - Circus Acrobats
In the Manner of Mark Chagall, bearing the signature, Limited Edition, "Circus Acrobats ". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Lilacs and Lace by Marilyn Simandle
Bearing the Signature, Original Lithograph. Dimensions are approx 32x23
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 24"H x 8"W x 8"D and 29lbs. It is a Limited Edition out of 399. SB8H comes with pedestal
Stunning Ladies Fancy 14k Emerald & Diamond Necklace J501
Stunning ladies emerald and diamond necklace set in 14k gold, gold is approximately 40grams, diamonds are approximately 7.00CT VS2 G, emeralds are approximately 6.00CT
"Bowl of Cherries" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

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Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femmes Sur La Plage Jouant Au Ballon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex One Of A Kind Black Diamond & White Sapphire Ring
Unisex One Of A Kind Black Diamond & White Sapphire Ring, White Sapphires approx 3ct & Blk Diamonds approx 3ct.
Lady's Stylish Sterling Silver "CAT" Black & White Diamond Pendant
Lady's Stylish Sterling Silver "CAT" Black & White Diamond Pendant, Black & White Diamonds approx total .50 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 13x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE FLOOD OF FLORENCE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Winter Street" In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Punishment of Vanni Fucci". Comes with COA and beautifully framed.
Salvador Dali Original, limited Edition Bronze - Three-Cornered Hat
Salvador Dali signed and numbered bronze sculpture "Three-Cornered Hat". Comes with COA. Some varitations of patina might occur. Approx. size: 13"x 7" x 5"
Lady's Tiffany & Co. HEART shaped Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature,Limited Edition On Paper. "Wounded Soft Watch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - First Out by Renfro
This bronze sculpture by Renfro is called, "First Out" and measures approx. 16" x 24" x 87". It comes with foundry paperwork.
Limited Edition Lithographs Set by Artist Urbain Hutchet
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of HUTCHET Set includes 2 Original lithographs. Pencil bearing the signature in lower right and numbered. Together they make the perfect pair. Frame Size: 22”x29”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Tiffany Style Dragonfly Lamp
Tiffany Style Dragonfly Lamp
Limited Edition Monet- Japanese Bridge - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Japanese Bridge". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Discovery Of America - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Discovery Of America". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Flower
Pablo Picasso signed and numbered bronze sculpture, "Flower". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x5.
Limited Edition Picasso - Sleeping Woman Before Green Shutters - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Woman Before Green Shutters". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE BRASERO ET COUPE DE FRUITS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 18 ct. (172DD)
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
"Nighttime Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
George Suerat Limited Edition - Sunday Afternoon
George Suerat Limited Edition, "Sunday Afternoon". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Victorian Quarters by Marilyn Simandle
Bearing the Signature, Original Lithograph. Dimensions are approx 32x24
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Dali Limited Edition Bronze Silver Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY w
This is a limited edition silver bronze sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. Approximately 10 OZ fine silver, comes with pictured fine Chiparus pedestal. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Gorgeous 14k Ruby & Diamond Ring J503
Gorgeous 14k gold ruby and diamond ring, gold is approximately 16grams diamonds are approximately 2.00CT VS1 G, rubies are approximately 2.00CT.
Captivating Alberto Giacometti Original, limited Edition Bronze -Man and Woman
Alberto Giacometti signed and numbered bronze sculpture, "Man and Woman". Comes with COA. Some variation in patina might occur.
"Nighttime Bouqet" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Owl And A Chair Of Sea Urchins" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Very Stylish Silver Heart Shaped Tri-color Stone Ring
Very Stylish Silver Heart Shaped Tri-color Stone Ring, White Sapphires approx 5ct, Aquamarines approx 3ct, Pink Sapphires approx 2ct, Golden Sapphires approx 2ct.
Lady's Stylish Sterling Silver "Butterfly" Diamond Pendant
Lady's Stylish Sterling Silver "Butterfly" Diamond Pendant, Diamonds approx .5 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Still Life with Candle - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life with Candle". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Richard E. Elliot Watercolor Painting.
Original Watercolor on paper "Day Sailing Again" In the manner of Richard E. Elliot. Comes framed. Approx. size:14" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Centuar". Comes with COA and beautifully framed.
Salvador Dali Original, limited Edition Bronze - Eye of Time Brooch
Salvador Dali signed and numbered bronze sculpture "Eye of Time Brooch". Comes with COA. Some varitations of patina might occur. Approx. size: 7"x 11" x 3"
Joan Miro Original Limited Edition Bronze -Fish
Joan Miro signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x10x10.
Lady's Tiffany & Co. DATED 1837 Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn-Limited Edition On Paper. "A Man Seated At A table" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Bronze Sculpture - Arizona by Unknown
This bronze sculpture by Unknown is called, "Arizona".It comes with foundry paperwork.
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Monet- House of Parliment - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "House of Parliment". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Espana - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Espana". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Rare Pablo Picasso Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4.
Spring Awakening - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Spring Awakening. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 14"x8".
Limited Edition Picasso - Portrait Of A Painter, After El Greco - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait Of A Painter, After El Greco". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Fantasy Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LE RENARD BLANC", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Blue Sapphire Ring
Lady's Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 12 ct. (161DD)
Lady's Unique Style 14 kt White Gold Quartz, Agets & Diamond Ring
Lady's Unique Style 14 kt White Gold Quartz, Agets & Diamond Ring , Diamonds approx .50 cts, VS1 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Klimt Signed Limited Edition - lady with a Feathered Boa
In the Manner of Klimt, Signed Limited Edition, "lady with a Feathered Boa". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Young Woman with Flower by Sahall
In the Manner of Sahall, Lithograph. Dimensions are approx 22x26
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Real Silver Pablo Dali Limited Edition Sculpture - Helping Hand with Pedestal
Dali Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx.10Troy ounces of real silver and comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur.
Gorgeous 14k Ruby & Diamond Ring J502
Gorgeous 14k gold ruby and diamond ring, gold is approximately 16 grams diamonds are approximately 1.50CT VS1 G, rubies are approximately 2.50CT.
Botero Original limited Edition Bronze Sculpture - Horse with Saddle
Botero signed and numbered bronze, " Horse with Saddle ". Comes with COA. Some variation in patina might occur. Approx. size: 10x9x6 Inch.
"Horsewoman With Doves" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Seated Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 2.5 ct.
Lady's Antique Style Sterling Silver Diamond Pendant
Lady's Antique Style Sterling Silver Diamond Pendant, Diamonds approx 1.5 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 9x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AFTERMATH" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Embrace - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Embrace". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "Study" In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Simoniac". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - The Broken Egg
Salvador Dali signed and numbered bronze sculpture "The Broken Egg". Comes with COA. Some varitations of patina might occur. Approx. size: 15"x 11" x 7"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Joan Miro Original Limited Edition Bronze - Head
Joan Miro signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Picasso Limited Edition
In the Manner of Picasso, Limited Edition On Paper. "La Disuse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Freedom Rising by D. Scott
This bronze sculpture by D. Scott is called, "Freedom Rising" and measures approx. 48" x 28" x 26" and weighs approx.160lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Louis Icart Original Litographs
4 Piece Color Lithograph In the Manner of Louis I cart. Set includes 4 beautiful Lithographs. Pencil bearing the signature in lower right. Frame Size: 27”x23”. Wonderful and Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Monet- Venice At Dusk - Collection Domaine Monet
In the Manner of Monet from the Collection Domaine Monet, "Venice At Dusk". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Hallucinogenic Toreador - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Hallucinogenic Toreador". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze - Baboon and Young
Pablo Picasso signed and numbered bronze sculpture, "Baboon and Young". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x5.
Lady's Beautiful Tiffany Co. Necklace
Lady's Beautiful Tiffany Co. Necklace
Limited Edition Picasso - Maya With A Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya With A Doll". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Plated Bronze Sculpture- Female Bust
Dali sculpture, "Female Bust", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
The Ruler by T. Davis 1854
Bronze "The Ruler" by T. Davis 1854, dimensions are about 24x13.
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PERSANE", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Unique Very Fancy Antique Style 14 kt Gold Multi Color Ring
Unique Very Fancy Antique Style 14 kt Gold Multi Color Ring, Royal Blue Topaz approx 2 cts, Golden Sapphire approx 2 cts, Amethyst approx 2 cts.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Portrait of Paul Eluard
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Portrait of Paul Eluard". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Rue de L'Arc de Triump by Le Blanc
Bearing the Signature, Silkscreen. Dimensions are approx 22x24
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Gold Bronze Sculpture - Man With Guitar with Pedestal
Beautiful Gold bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9". Comes with fine Chiparus Pedestal.
Fancy Gent's 14k Diamond Ring J504
Fancy gent's diamond ring set in 14k gold, gold is approximately 23 grams. Diamonds are approximately 5.00CT

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Jean Arp Original, limited Edition Bronze - Fleur de Reve au Museau
Jean Arp signed and numbered bronze sculpture, "Fleur de Reve au Museau ". Comes with COA. Some variation in patina might occur.
"Ten Commandments" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Musician" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Sterling Amethyst & White Sapphire Ring
Lady's Sterling Amethyst & White Sapphire Ring, Amethyst approx 40 ct, White Sapphires approx 2ct.
Lady's Fancy Sterling Silver "Cross" Black Diamond Pendant
Lady's Fancy Sterling Silver "Cross" Black Diamond Pendant, Black Diamonds approx 2 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "HUNTINGTON HARBOUR" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "Round'n up" In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Mohammed". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - The Thumbs
Salvador Dali signed and numbered bronze sculpture " The Thumbs". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 9" x 9"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Alberto Giacometti Original Limited Edition Bronze -
Alberto Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Pierre Renior Limited Edition
In the Manner of Pierre ReniorLimited Edition On Paper. "The Loge" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Day's End by D. Scott
This bronze sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and weighs approx. 500lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Kandinsky- Blue Circle - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "Blue Circle". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Horseman - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Horseman". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Tango - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tango. This piece is thought to represent Rudolph Valentino and his wife Natasha Rambova, While Valentino is remembered most for his film career, he also danced with his wife for audiences in the U.S. and Europe. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6.5".
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE DANS FAUTEVIL", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Lady's Fancy Silver Pigeon Blood Ruby Ring
Lady's Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 12ct. (169DD)
Lady's Very Fancy 14 kt White Gold Black & White Diamond Ring
Lady's Very Fancy 14 kt White Gold Black & White Diamond Ring, Black Diamonds approx 4 cts, White Diamonds approx .20 cts, VS1 color G.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Derriere Le Miró,ir". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Botero Limited Edition - Unknown
In the Manner of Botero Limited Edition, "Unknown". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
At the Bar II by Yuri Trembler
In the Manner of Yuri Trembler Lithograph. Dimensions are approx 29x27
Original Oil on Canvas. Autumn by T. Mike
T. Mike Original Oil on Canvas. Dimensions are approx. 23x27.
Signed Silver Alfred Dubucand Bronze Sculpture "Buffalo"
This silver bronze is approximately 10 OZ of fine silver, the bronze sculpture is of a standing buffalo, with a magnificent coat of hair, by Alfred Dubcand (Frenchz: 1828-1894). The bison shows great rack of curved horns standing on the prairie. Dimensions (without pedestal) is approximately 18x11x14. Comes with beautiful Chiparus pedestal.
Fancy Ladies 14k Ruby & Diamond Ring J505
Fancy ladies 14k gold ruby and diamond ring, diamonds are approximately 3.00ct and rubies are approximately 5.00ct
Zuniga Original Original, limited Edition Bronze - Mujer Con Nia
Zuniga signed and numbered bronze sculpture, "Mujer Con Nia". Comes with COA. Some variation in patina might occur.
Dali Real .999 Silver Sculpture - St. John
Dali sculpture, "St. John" is approx. 2.96 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.

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Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "The Muse II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Unisex Stylish Butterfly & Black Onix Ring
Unisex Stylish Butterfly & Black Onix Ring, Blk Onix approx 20 ct.
Lady's Very Stylish Sterling Silver "Lock & Key Charms" White Sapphire Pendants
Lady's Very Stylish Sterling Silver "Lock & Key Charms" White Sapphire Pendants, White Sapphires approx 1.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHING BOATS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - St. John
Dali sculpture, "St. John" is approx. 2.96 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Limited Edition Bronze Sculpture - Soft Self Portrait With Fried Bacon
This is a limited edition, signed bronze sculpture entitled "SOFT SELF PORTRAIT WITH FRIED BACON" (1941) by Salvador Dali. Dali painted this self-portrait during his eight-year-exile in the United States, where he had fled from the Spanish civil war. The, sometimes, childlike enthusiasm and the drive of the American society appealed to Dali and he had a most productive period there. Under this influence he appeared to reverse his "paranoid-critical" method. Now he painted more from the inside out, as his comment on his self-portrait indicates. Dali himself styles his self-portrait as "an anti-psychological self-portrait, instead of painting the soul, or the inner of oneself, to paint solely the appearance, the cover, my soul's glove. This glove of my soul can be eaten and is even a little sharp, like highbred game; therefor ants appear together with the fried bacon. As the most generous of all painters I continuously offer myself as food and thus give our era the most delicious delicacies. Approx. Dimensions: 4.75 in. x 3 in. x 3 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "My Girl"In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Gianni Schicchi's Bite". Comes with COA and beautifully framed.
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!

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Salvador Dali Original, limited Edition Bronze - Nostalgia of the Cannibal
Salvador Dali signed and numbered bronze sculpture "Nostalgia of the Cannibal". Comes with COA. Some varitations of patina might occur. Approx. size: 5"x 11" x 13"
Botero Bronze Sculpture - Dance Lesson
Botero signed and numbered bronze, " Dance Lesson". Comes with COA. Some variation in patina might occur.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Edouard Manet Limited Edition
In the Manner of Edouard Manet, Limited Edition On Paper. "The Departure Of The Folkestone" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Rapture II by D. Scott
This bronze sculpture by D. Scott is called, "Rapture II" and measures approx. 64" x 43" x22" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil bearing the signature in lower right. Together they make the perfect pair. Frame Size: 18”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Kandinsky- Couple Riding - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "Couple Riding". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Impressions Of Africa - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Impressions Of Africa". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Rock Star
Bustamante signed and numbered bronze sculpture, "Rock Star". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x3.
Civa- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Civa. This piece was inspired by the exotic, tradional Eastern dance style adopted by Parisan revue performers such as Gipsy Rhouma-je and Perry. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
LLado FLORAL Hand Signed Limited Ed. Serigraph
Bearing the Signature, serigraph In the Manner of LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Bearing the Signature, and numbered In the Manner of the artist. Comes unframed. In mint condition!
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 18 ct. (163DD)
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - The Horsemen of Apocalypse
In the Manner of Salvador Dali Bearing the Signature, limited edition, " The Horsemen of Apocalypse". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
At the Bar I by Yuri Trembler
In the Manner of Yuri Trembler Lithograph. Dimensions are approx 29x28
Salvador Dali RHINOCEROS Silver Bronze Sculpture with Pedestal
This is a rare silver bronze Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4". Silver is approximately 10 OZ, comes with fine Chiparus Pedestal
Unisex 14k Ruby & Diamond Ring J506
Unisex 14k gold ruby and diamond ring, rubies are approximately 1.50CT and diamonds are approximately 3.00Ct, gold is approximately 10 grams.
Zuniga Original Original, limited Edition Bronze - Unknown
Zuniga signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
"At the Circus" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "The Couple" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 5 ct.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Fancy Sterling Silver "Cross" Black & White Diamond Pendant
Lady's Fancy Sterling Silver "Cross" Black & White Diamond Pendant, Black & White Diamonds approx total 1.50 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISH CLEANED" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "Study II"In the manner of Borein . Comes framed. Approx. size:8"x10".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Progphecy of Vanni Fucci". Comes with COA and beautifully framed.
Salvador Dali Original, limited Edition Bronze - ANT FACE
Salvador Dali signed and numbered bronze sculpture "ANT FACE". Comes with COA. Some varitations of patina might occur. Approx. size: 13"x 11" x 7"
Maillol Original Limited Edition Bronze
Maillol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Salvador Dali- Limited Edition
In the Manner of Salvador Dali-Limited Edition On Paper. "Flordali ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Eaglehead by H. Scott
This bronze sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and weighs approx. 8lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Limited Edition Lithographs Set by Thornhill
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of THORNHILL Set includes 2 Original lithographs. Pencil bearing the signature in lower right and numbered. Together they make the perfect pair. Frame Size: 20”x28”. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Kandinsky- Lady In Moscow - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "Lady In Moscow". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Infanta Margarita - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Infanta Margarita". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Reclining Sun
Bustamante signed and numbered bronze sculpture, "Reclining Sun". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x3.
Tender Promises - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tender Promises. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x30".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Venus on a Shell
Dali sculpture, "Venus on a Shell", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Galerie de la Madaleine", Bearing the Signature, & numbered, approx dimension 22x39 in.
Lady's Fancy Silver Black Diamond Ring
Lady's Fancy Silver Black Diamond Ring, Black Diamond approx 7 ct. (164DD)
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Illustration for don Quixote II
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Illustration for don Quixote II". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Dali Limited Edition Silver Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Huma
This is a limited edition, signed silver bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN", silver is approximately 10 OZ, comes with beautiful Chiparus pedestal. watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Fancy Gent's 14k Diamond Ring J507
Fancy gent's diamond ring set in 14k gold, Diamonds are approximately 2.50CT gold is approximately 14 grams
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Le Dejeuner Sur L'herbe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver Multiple Hearts in a Circle Diamond Pendant
Lady's Very Fancy Sterling Silver Multiple Hearts in a Circle Diamond Pendant, Diamonds approx 1.25 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CATALINA ISLAND MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Portrait of Dora Maar Seated - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Dora Maar Seated". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Borein Watercolor Painting.
Original Watercolor on paper "The Drive" In the manner of Borein . Comes framed. Approx. size:11"x15".

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Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Traitor of Montaperti". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - THE EMPEROR
Salvador Dali signed and numbered bronze sculpture "THE EMPEROR". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 5" x 5"
Jean Arp Original Limited Edition Bronze -Torso
Jean Arp signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size: 10x4x4.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Salvador Dali- Limited Edition
In the Manner of Salvador Dali-Limited Edition On Paper. "Die Rolen Schuhe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Heron on a Branch by J. Townsend
This bronze sculpture by J. Townsend is called, "Heron on a Branch" and measures approx. 30" x 14" x 6" and weighs approx. 86lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Original Lithographs Hand Pulled and Signed.
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil bearing the signature in lower right. Frame Size: 18”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Kandinsky- Red Spot II - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "Red Spot II". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Invisible Man - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Invisible Man". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Bustamante Original, limited Edition Bronze -Sun King
Bustamante signed and numbered bronze sculpture, "Sun King". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Thais - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Thais. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21.5"x23".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "Air de Chasse"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "Air de Chasse", Bearing the Signature, & numbered, approx dimension 29x37 in.
Lady's Fancy Silver Golden Sapphire Ring
Lady's Fancy Silver Golden Sapphire Ring, Golden Sapphire approx 8 ct. (159DD)
Lady's Beautiful 14 kt White Oval Shape Black & White Diamond Ring
Lady's Beautiful 14 kt White Oval Shape Black & White Diamond Ring, Black Diamonds approx 2 cts, White Diamonds approx .10 cts, VS1 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
"La Reve" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Salvador Dali Signed Limited Edition - Christian Knight
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Christian Knight". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Country Lane by Rundell
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 28x22
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Beautiful Bronze Sculpture by Chiparus
Beautiful bronze sculpture by artist Chiparius "Antenea" comes with fine Chiparus pedestal. Dimensions of the sculpture is approximately 12x7x4.
Gent's Fancy Heavy 14k Diamond Ring J508
Gents fancy 14k gold diamond ring, diamonds are approximately 3.00CT VS1 VS2 G, gold is approximately 25 grams.
"La Reve" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Portrait Of A Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Heart" Diamond Pendant
Lady's Very Fancy Sterling Silver "Heart" Diamond Pendant, Diamonds approx .33 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHERMAN'S WHARF - EVENING" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Paul As A Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Paul As A Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Wooden Bridge". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Reassurance". Comes with COA and beautifully framed.
Joan Miro Original Limited Edition Bronze- Personage
Joan Miro signed and numbered bronze sculpture, "Personage". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x7.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Salvador Dali- Limited Edition
In the Manner of Salvador Dali-Limited Edition On Paper. "Fire fire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Pelicans by Koop
This bronze sculpture by Koop is called, "Pelicans" and measures approx. 30" x 24" x 20" and weighs approx.125lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Kandinsky- Yellow, Red and Blue - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "Yellow, Red and Blue". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
King - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "King". Comes with COA. Approx. size: 20"x24". HC-0045
Bustamante Original, limited Edition Bronze - The Wizard
Bustamante signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x3.
The Secret - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Secret. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x13".
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant, Amethyst approx 2 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Renoux Hand Signed Limited Edition Lithograph "RISTORANTE"
Bearing the Signature, Limited Edition Lithograph, In the Manner of Renoux titled "RISTORANTE", Bearing the Signature, & numbered, approx dimension 22x25 in.
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 10 ct. (158DD)

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Fritz Wotruba Original Original, limited Edition Bronze - Figure
Fritz Wotruba signed and numbered bronze sculpture, "Figure". Comes with COA. Some variation in patina might occur.
Salvador Dali Signed Limited Edition - Two Woman with a town in the Background
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Two Woman with a town in the Background". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Lay of the Land by Dupre I
In the Manner of Dupre, Lithograph. Dimensions are approx 38x20
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Stunning Bronze Sculpture on Chiparus Pedestal by artist Moreau
Stunning bronze by Moreau sitting on a fine Chiparus pedestal. Dimensions of the bronze is approximately 14x8x5.
Fritz Wotruba Original Original, limited Edition Bronze - Figure
Fritz Wotruba signed and numbered bronze sculpture, "Figure". Comes with COA. Some variation in patina might occur.
"Chanukah" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Etude Pour Le Nu A La Draperie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Sterling Silver White Sapphire Pendant
Lady's Fancy Sterling Silver White Sapphire Pendant, White Sapphires approx 1.5 cts.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 5x5

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Women of Avignon - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Women of Avignon". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Summer Cottage". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Charon". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze - MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 17x10x4.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Salvador Dali- Limited Edition
In the Manner of Salvador Dali-Limited Edition On Paper. " Drawer Of Memory" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Blue Marlins by Koop
This bronze sculpture by Koop is called, "Blue Marlins" and measures approx. 38" x 29" x 16" and weighs approx. 80lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Pablo Picasso and Salvador Dali-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO and DALI, Set includes 2 Original lithographs. Frame Size: 28”x18”.

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ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Kandinsky- Red Oval - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "Red Oval". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Lenin Tiger - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Lenin Tiger". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor Signed Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x11".
Bustamante Original, limited Edition Bronze -Sun Queen
Bustamante signed and numbered bronze sculpture, "Sun Queen". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x7.
Fiery Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 27"H x 12"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF
Three Dancers - Bronze and Ivory Sculpture by Phillipe
Phillipe bronze and ivory sculpture, Three Dancers. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x17".
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet, Garnet approx 5 ct, Diamonds approx .75 ct VS1, G in color.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Plated Bronze Sculpture- Female Figure
Dali sculpture, "Female Figure" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
Lady's Fancy Silver Pigeon Blood Ruby Ring
Lady's Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 14 ct. (157DD)

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Beautiful 14 kt White Gold Sapphire Marqui Cut & Diamond
Lady's Beautiful 14 kt White Gold Sapphire Marqui Cut & Diamond, Sapphires approx 2 cts, Diamonds approx .20 cts, VS1 color G.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Title "Unknown". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Woman with a Head of Roses
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Woman with a Head of Roses". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michelle's Potting Bench by Hong
In the Manner of Hong, Lithograph. Dimensions are approx 24x24
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 8"x10". In excellent condition, comes unframed
Bronze Sculpture by Moreau "Bubbles" with Pedestal
beautiful bronze sculpture by artist Moreau "Bubbles" comes with beautiful Chiparus pedestal. Dimensions of the bronze is approximately 13x8x7.
Botero Original limited Edition Bronze Sculpture - Bull
Botero signed and numbered bronze, " Bull ". Comes with COA. Some variation in patina might occur. Approx. size: 8x13x8 Inch.
"Exodus" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Woman In Blue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Sterling Silver Black & White Diamond Pendant
Lady's Fancy Sterling Silver Black & White Diamond Pendant, Black & White Diamonds approx total .50 cts.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JACK IN BOX" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Child Holding A Dove - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Child Holding A Dove". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Dali Limited Edition Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signed bronze sculpture entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali. During his years in America Dalí worked on cinema and designed for theatre and theatre and ballet productions. His first design for the ballet was Bacchanale (originally named in German "Venusberg"), for which he also wrote the scenario and designed the costumes. It was a Metropolitan Opera production, choreographed by Leonide Massine for the Ballet Russe de Monte Carlo. The ballet was set to the music of Richard Wagner, whose insane patron, king Ludwig II, was portrayed in the scenario. Approx. Dimensions: 7 in. x 4 in. x 3 in.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "News of the Lower Depths of Hell". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Joan Miro Original Limited Edition Bronze - Woman In The Night
Joan Miro signed and numbered bronze sculpture, "Woman In The Night". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
Picasso Limited Edition
In the Manner of Picasso, Limited Edition On Paper. "Woman With A chignon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tuna by J. Townsend
This bronze sculpture by J. Townsend is called, "Tuna" and measures approx. 12" x 15" x 9" . It comes with foundry paperwork and is part of an edition of 399 pieces.
Chagall Limited Edition Lithographs Set-
2 Piece Color Lithograph In the Manner of Chagall. Set includes 2 beautiful Limited Edition Lithograph Set-bearing the signature and numbered. Frame Size: 21”x31”. Wonderful and Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Nippon Procelain Vase with Mural
Fine Nippon Procelain Vase with Mural
Limited Edition Kandinsky- In Blue - Collection Domaine Kandinsky
In the Manner of Kandinsky, from the Collection Domaine Kandinsky, "In Blue". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Lincoln Vision - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Lincoln Vision". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Mermaid
Bustamante signed and numbered bronze sculpture, "Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 10x5x5.
Yambo - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Yambo. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x11"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lady's Fancy Silver Pigeon Blood Ruby Ring
Lady's Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 22 ct. (156DD)
Lady's Fancy 14 kt White Gold Amethyst Ring
Lady's Fancy 14 kt White Gold Amethyst Ring, Amethyst approx 2cts.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Sun Table
In the Manner of Salvador Dali Bearing the Signature, limited edition, " Sun Table". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Trina's Potting Bench by Hong
In the Manner of Hong, Lithograph. Dimensions are approx 24x25
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Bronze Swing Lady by Moreau with Pedestal
Beautiful bronze sculpture by artist Moreau "Swing Lady" comes with beautiful Chiparus pedestal. Dimensions are approximately 15x11x9.
Henry Moore Original, limited Edition Bronze- Woman in Chair-
Henry Moore signed and numbered bronze sculpture, " Woman in Chaird". Comes with COA. Some variation in patina might occur. Approx. size: 10x8x4 Inch.
"Paris Opera Ceiling" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Notre dame" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 2x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAILS AT BELMONT" CIRCA 1967. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Sailor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sailor". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Stone Bridge Rd". Comes framed. Approx. size:8"x11".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Minos". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Alberto Giacometti Original Limited Edition Bronze - Femme
Alberto Giacometti signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 14"x7"x4"
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn-Limited Edition On Paper. "Study Of Oriental Standing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tenderness by J. Townsend
This bronze sculpture by J. Townsend is called, "Tenderness" and measures approx. 28" x 14" x 14" and weighs approx. 75lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Norman Rockwell Lithographs
2 Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph Set. Frame Size: 31”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cobalt Diamond Cut Crystal Mushroom Lamp
Cobalt Diamond Cut Crystal Mushroom Lamp
Limited Edition Lautrec- The Falconer - Collection Domaine Lautrec
In the Manner of Lautrec, from the Collection Domaine Lautrec, "The Falconer". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Mad Tea Party - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Mad Tea Party". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Sun In Love
Bustamante signed and numbered bronze sculpture, "Sun In Love". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x6.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Cap Martin - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Cap Martin". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1 ct, VS2 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Marc Chagall Signed Limited Edition -PLAYERS
In the Manner of Mark Chagall, bearing the signature, Limited Edition, "PLAYERS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chianti Country I by Ede
In the Manner of Ede, Lithograph. Dimensions are approx 24x26
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Dali Limited Edition Silver Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed silver bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. silver is approximately 10 OZ, comes with beautiful Chiparus Pedestal. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
"Artist and Model" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still Life With Dog" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Tear Drop" White Sapphire Pendant
Lady's Very Fancy Sterling Silver "Tear Drop" White Sapphire Pendant, White Sapphires approx 3 cts.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 4x11
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA AT BELMONT" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Rescue - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Rescue". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Authum Colors". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Irascible". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Alvar Original Limited Edition Bronze
Alvar signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x12"x6"
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn-Limited Edition On Paper. " Portrait Of A Young Man" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - La Tortuga by J. Townsend
This bronze sculpture by J. Townsend is called, "La Tortuga" and measures approx. 423" x 16" x 16" and weighs approx. 104lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 23”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lautrec- Cirque Fornando - Collection Domaine Lautrec
In the Manner of Lautrec, from the Collection Domaine Lautrec, "Cirque Fornando". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Manhatten Skyline - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Manhatten Skyline". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - La Parisienne
Max Ernst signed and numbered bronze sculpture, "La Parisienne", 1950. Comes with COA. Some variation in patina might occur.
Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x19.5"x4.5".
Fiery Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Melting Clock
Dali sculpture, "Melting Clock", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Houses Parliament - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Houses Parliment". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy Silver Aquamarine, White Sapphire & Pigeon Blood Ruby Ring.
Lady's Fancy Silver Aquamarine, White Sapphire & Pigeon Blood Ruby Ring. Aquamarine approx 12 ct, White Sapphire approx 1 ct & Ruby approx .50 ct. (191DD)
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1.01 cts, VS2 color G.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Franz Halls Signed Limited Edition - The Laughin Cavalier
In the Manner of Mark Chagall, bearing the signature, Limited Edition, "The Laughin Cavalier". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chianti Country II by Ede
In the Manner of Ede Lithograph. Dimensions are approx 24x27
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Remington Real .999 Silver -Bronco Buster on Pedestal
This Frederick Remington sculpture, "Bronco Buster" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Hugue Original, limited Edition Bronze - Man With Wings
Hugue signed and numbered bronze sculpture, "Man With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
"The Juggler" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Design For Ballet" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Style Sterlilng Silver "Crown" Diamond Pendant
Lady's Fancy Style Sterlilng Silver "Crown" Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 5x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JILL" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Buddies". Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "Farinata". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - JAGUAR
Rufino Tamayo signed and numbered bronze sculpture. "JAGUAR". Comes with COA. Some variation in patina might occur. Approx. size: 7"x9"x5"
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature,Limited Edition On Paper. "Bureaucrat And Sewing Machine" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Fish On by J. Townsend
This bronze sculpture by J. Townsend is called, "Fish On" and measures approx. 17" x16" x 11" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x27”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lautrec- Moulin Rouge - Collection Domaine Lautrec
In the Manner of Lautrec, from the Collection Domaine Lautrec, "Moulin Rouge". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Second Before Awakening - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Second Before Awakening". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
Damascene - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Damascene. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Beautiful Silver Citrine Bracelet
Lady's Beautiful Silver Citrine Bracelet, Citrine approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Japanese Bridge - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Japanese Bridge". Comes with COA. Approx. size: 20"x24". HC-0045
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Paris
In the Manner of Salvador Dali Bearing the Signature, limited edition, " PARIS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Devant Le Theatre by Andre D'Avignon
Bearing the Signature, Original Lithograph. Dimensions are approx 25x33
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Original Oil on Canvas. Autumn II by T. Mike
T. Mike Original Oil on Canvas. Dimensions are approx. 23x27.
Real Silver Limited Edition Moreau Sculpture - Girl On A Swing with Pedestal
Beautiful real silver, limited edtition sculpture by Moreau, "Girl On A Swing". Comes with beautiful Chiparus pedestal. This piece contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Joan Miro Original, limited Edition Bronze - Her Majesty
Joan Miro signed and numbered bronze sculpture, "Her Majesty". Comes with COA. Some variation in patina might occur. Approx. size: 17x5x5.
"Couple In Paris" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Head In Profile" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Stylish/Fancy Sterling Silver Diamond Pendant
Lady's Stylish/Fancy Sterling Silver Diamond Pendant, Diamonds approx .5 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BOATS AT DUSK" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Seated Old Man - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Old Man". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Herbert Shuller Watercolor Painting.
Herbert Shuller Original Watercolor on paper "Up for the Winter"In the manner of Borein . Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "In Dark Limbo". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Rufino Tamayo Original, limited Edition Bronze - SNAKE
Rufino Tamayo signed and numbered bronze sculpture. "SNAKE". Comes with COA. Some variation in patina might occur. Approx. size: 7"x8"x5"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "The Happy Unicorn" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sailfish with Maihi by J. Townsend
This bronze sculpture by J. Townsend is called, "Sailfish with Maihi" and measures approx. 33" x 26" x 16" and weighs approx. 95lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x19”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lautrec- At The Moulin Rouge II - Collection Domaine Lautrec
In the Manner of Lautrec, from the Collection Domaine Lautrec, "At The Moulin Rouge II". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Slave Market Bust Of Voltaire - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Slave Market Bust Of Voltaire". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Signed A.R. Dergado Bronze and Ivory - Feuervogel
Signed bronze and ivory art deco sculpture "Feuervogel" by artist A.R. Dergado, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 12.2".
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 4 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

La Grenouillere - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "La Grenouilere". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Derriere Le Miró,ir". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Roussicion
In the Manner of Salvador Dali Bearing the Signature, limited edition, " Roussicion". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Le Bistro Maxim's by Mark Sr Jhon
Bearing the Signature, Original Lithograph. Dimensions are approx 16x20
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Remington Real .999 Silver -Rattlesnake with Pedestal
This Frederick Remington sculpture, "Rattlesnake" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and Chiparus pedestal. Some variations in marble might occur.
David Alfaro Siqueros Original, limited Edition Bronze - Revolutionary Protest
David Alfaro Siqueiros signed and numbered bronze sculpture, "Revolutionary Protest". Comes with COA. Some variation in patina might occur. Approx. size: 12x15x4.
"Circus Horse and Rider" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Bread and Fruit Bowl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Very Fancy Sterling Silver "Heart" White Sapphire Pendant
Lady's Very Fancy Sterling Silver "Heart" White Sapphire Pendant, White Sapphires approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ALAMITOS BAY MARINA" CIRCA 1970. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Dali Real .999 Silver Sculpture - Anthropormorphic
Dali sculpture, "Anthropormorphic" is approx. 1.94 oz of fine real .999 silver. Sculpture measures approx. 4". Comes with foundry Assay.
Limited Edition Picasso - Couple Dancing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Couple Dancing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Herbert Shuller Watercolor Painting.
Original Watercolor on paper "View From the Top" In the manner of Herbert Shuller . Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Minotaur". Comes with COA and beautifully framed.
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Henry Moore Limited Edition Bronze - Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:10"x14"x9".
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Das Meerweibchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Turtle Rock by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Rock" and measures approx. 32" x 26" x 19" and weighs approx. 140lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 24”x21”. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Lautrec- At The Moulin Rouge - Collection Domaine Lautrec
In the Manner of Lautrec, from the Collection Domaine Lautrec, "At The Moulin Rouge ". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Sleep - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Sleep". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Young Man in Love
Max Ernst signed and numbered bronze sculpture, "Young Man in Love". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x4.
Encore - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Encore. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 8 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- St John on the Cross
Dali sculpture, "St John on the Cross" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
Nympheas - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Nympheas". Comes with COA. Approx. size: 20"x24". HC-0045
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Ecuyere Et Cheval
In the Manner of Salvador Dali Bearing the Signature, limited edition, " Ecuyere Et Cheval". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Original Fine Silver Sculpture - Cheyenne by F. Remington with Pedestal
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and beautiful Chiparus pedestal..
Henry Moore Original, limited Edition Bronze- Reclining Figure: Turned Head
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Turned Head". Comes with COA. Some variation in patina might occur. Approx. size: 7x12x7.
"The Birthday" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still life With An Open Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Stylish Sterling Silver "Heart" Diamond Pendant
Lady's Stylish Sterling Silver "Heart" Diamond Pendant, Diamonds approx 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TREE ON THE BAY" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Reclining Nude with Sun - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude with Sun". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Herbert Shuller Watercolor Painting.
Original Watercolor on paper "Fall comes fast" In the manner of Herbert Shuller . Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Wood and the Suicide". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
David Alfaro Siqueros Limited Edition Bronze - Proletarian Victim
David Alfaro Siqueiros signed and numbered bronze sculpture, ""Proletarian Victim"". Comes with COA. Some variation in patina might occur. Approx. size: 12"x9"x6".
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Das Meerweibchen ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Clowning Around by J. Townsend
This bronze sculpture by J. Townsend is called, "Clowning Around" and measures approx. 18" x 8" x 8" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 22”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Pissaro- L'Hermitage At Pontoise - Collection Domaine Pissaro
In the Manner of Pissaro from the Collection Domaine Pissaro, "L'Hermitage At Pontoise". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Soft Construction With Boiled Beans - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Soft Construction With Boiled Beans". Comes with COA. Approx. size: 20"x24". HC-0045
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Kora- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kora. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Gorgeous Silver Amethyst Bracelet
Lady's Gorgeous Silver Amethyst Bracelet, Amethyst approx 8 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Poppies - Monet - Limited Edition on Canvas\
In the Manner of Claude Monet, Limited Edition on canvas, "Poppies". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1.02 cts, VS2 color G.
Picasso Limited Edition Lithographs - Hand Pulled and Signed
In the Manner of Picasso, Limited Edition Lithographs Hand pulled, Bearing the signature, and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Salvador Dali Signed Limited Edition - Goddess Flower
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Goddess Flower". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Once I Fished upon a Star by Gerard
Bearing the Signature, Original Lithograph. Dimensions are approx 26x20
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Remington Real .999 Silver -Norther with Pedestal
This Frederick Remington sculpture, "Norther" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and beautiful Chiparus Pedestal. Some variations in marble might occur.
Alberto Giacometti Original, limited Edition Bronze - Annette VI
Alberto Giacometti signed and numbered bronze sculpture, "Annette VI". Comes with COA. Some variation in patina might occur. Approx. size:16x6x7.
"Me and the Village" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 2 cts.
Nippon Porcelain Head and Shoulders
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 5x4
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PATIO" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade Large Statue "The God of Happiness"
Siberian Jade Large Statue "The God of Happiness", this is one of the 3 wisemen. All hand carved from one solid piece of jade. Very detailed. Approx dimensions are 30x13x8 in. In house
Limited Edition Picasso - Cavalier with Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Cavalier with Pipe". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Waugh .
Original watercolor on paper In the manner of Waugh, titled "Evening". Comes framed. Approx. size:10"x12".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "The Seducers". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - MAN ON HORSE
Marino Marini signed and numbered bronze sculpture "MAN ON HORSE". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Surrealist Gondola" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Seahorse by J. Townsend
This bronze sculpture by J. Townsend is called, "Seahorse" and measures approx. 18" x 12" x 12" and weighs approx. 133lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Matisse- The Goldfish - Collection Domaine Matisse
In the Manner of Matisse from the Collection Domaine Matisse, "The Goldfish". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Soft Watch - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Soft Watch". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Coleman
Original Watercolor on paper In the manner Coleman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Max Ernst Original, limited Edition Bronze - "Unknown"
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnet approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Poppies Argenteuil - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Poppies Argeteuil". Comes with COA. Approx. size: 20"x24". HC-0045
Salvador Dali Signed Limited Edition -TAUROMACHIE V
In the Manner of Salvador Dali Bearing the Signature, limited edition, "TAUROMACHIE V". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture with Pedestal
Bruno Bruni limited edition 24K gold layered bronze sculpture. Comes with beautiful Chiparus pedestal.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Henry Moore Original, limited Edition Bronze- Seated Man-
Henry Moore signed and numbered bronze sculpture, " Seated Man". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x5 Inch.
"Doves Over The City" - Chagall - Limited Edition
In the Manner of Mark Chagall, (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, In the Manner of Mark Chagall, achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Monte Carlo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape White Sapphire Earrings
Lady's Antique Style Sterling Silver Round Shape White Sapphire Earrings, White Sapphires approx 2.5 cts.
Romantic Flo Blue Staffordshire Porcelain
2nd Generation Romantic Flo Blue Staffordshire Porcelain. Approx dimensions are 6x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DIANE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Bonsai Flowers with vase"
Real Jade hot pink & light lavender Bonsai Flowers on vase, dimensions are approx 12x10 in.
Limited Edition Picasso - Reclining Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Original Watercolor on Paper by Waugh .
Original watercolor on paper In the manner of Waugh, titled "Midnight Surf". Comes framed. Approx. size:10"x12".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Inferno), "On Greyon's Back". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Marino Marini Original, limited Edition Bronze - CAVALIER
Marino Marini signed and numbered bronze sculpture "CAVALIER". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x6.
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Die Krote" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Playtime by J. Townsend
This bronze sculpture by J. Townsend is called, "Playtime" and measures approx. 65" x 30" x 28" and weighs approx. 350lbs. It comes with foundry paperwork and is part of an edition of 199 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original phey all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Matisse- The Red Room - Collection Domaine Matisse
In the Manner of Matisse from the Collection Domaine Matisse, "The Red Room". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Spinning Man - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Spinning Man". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Moon in Tub-
Bustamante signed and numbered bronze sculpture, "Moon in Tub". Comes with COA. Some variation in patina might occur. Approx. size: 7x8x4.
Signed Chiparus Bronze and Ivory - Tanara
Signed bronze and ivory art deco sculpture "Tanara" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 22"x8"x8"
Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1.5 ct, Ruby approx 1.5 ct & Deep Purple Amrthyst approx 1.5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Dali 24K Gold Layered Bronze Sculpture- Billy Goat
Dali sculpture, "Billy Goat", is cast in bronze and layered in 24K gold. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.
Poppy Field Giverny - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Poppy Field At Giverny". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.30 cts, VS1 color H.
Salvador Dali Signed Limited Edition -VENICE
In the Manner of Salvador Dali Bearing the Signature, limited edition, "VENICE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
il Giardino Fiorito by Borelli
Bearing the Signature, Original Lithograph. Dimensions are approx 16x20
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Original Oil on Canvas. Santa by Maxwell
Maxwell Original Oil on Canvas. Dimensions are approx. 27x23.
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in. Comes with beautiful Chiparus pedestal.
Botero Bronze Sculpture - Nude
Botero signed and numbered bronze, "Nude". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x5.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "studio window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1.25 ct, VS1, color G.

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ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RAGAZZE ALLA SPIAGGIA" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Tangerine Tree"
Jade "Tangerine Tree", dimensions are approx 10x8 in.
Limited Edition Picasso - Figure - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Figure". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Post Watercolor Painting.
Original Watercolor on paper In the manner of Post . Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Siren of the Dream". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 30X29
Jacque Lipchitz Original, limited Edition Bronze- FAMILY
Jacque Lipchitz signed and numbered bronze sculpture "FAMILY". Comes with COA. Some variation in patina might occur. Approx. size: 20"x12"x7"
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Le Vetement" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Key Largo Adventure by J. Townsend
This bronze sculpture by J. Townsend is called, "Key Largo Adventure" and measures approx. 22" x 16" x 19" and weighs approx. 92lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Van Gogh- The Trinquetaille Bridge - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "The Trinquetaille Bridge". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
St. George - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "St. George". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Crounching Figure
Max Ernst signed and numbered bronze sculpture, " Crounching Figure". Comes with COA. Some variation in patina might occur. Approx. size: 12x5x5 Inch.
Egyptian Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H1FF
Signed Chiparus Bronze and Ivory - Star
Signed bronze and ivory art deco sculpture "Star" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Fancy Silver Rose Garnet & Diamond Bracelet
Lady's Fancy Silver Rose Garnet & Diamond Bracelet, Garnet approx 10 ct, Diamonds approx 33 points VS1, G in color
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Terrace Seaside - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Terrace Seaside". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.20 cts, VS1 color H.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Derriere Le Miró,ir". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Naldeman Original, limited Edition Bronze Sculpture
Naldeman Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18x5x3.
Salvador Dali Signed Limited Edition - TAUROMACHIE III
In the Manner of Salvador Dali Bearing the Signature, limited edition, "TAUROMACHIE III". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
La Colina del Papaveri by Borelli
Bearing the Signature, Original Lithograph. Dimensions are approx 16x21
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Original Oil on Canvas. Making Tortillas by Colville
Colville Original Oil on Canvas. Dimensions are approx. 23x27.
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Female Torso with P
Pablo Picasso Signed and Numbered 24K gold layered bronze sculpture, "Female Torso". Comes with foundry assay. Some variations in marble might occur. Approx. size: 15"x8"x4". Comes with fine Chiparus pedestal.
Naldeman Original, limited Edition Bronze Sculpture
Naldeman Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18x5x3.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme Dans Un Fauteuil" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Square Shape White Topaz & Diamond Earrings
Lady's Antique Style Sterling Silver Square Shape White Topaz & Diamond Earrings, White Topaz & Diamonds approx total 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Portrait of Maya With Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait of Maya With Doll". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Salvador Dali RHINOCEROS Bronze Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4".
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Post Watercolor Painting.
Original Watercolor on paper In the manner of Post . Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Avaricious". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 31X25
Rufino Tamayo Original, limited Edition Bronze - DOG
Rufino Tamayo signed and numbered bronze sculpture. "DOG". Comes with COA. Some variation in patina might occur. Approx. size: 11"x14"x7"
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Assumpta Canaveral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Rogue by J. Townsend
This bronze sculpture by J. Townsend is called, "Rogue" and measures approx. 53" x 26" x 24" and weighs approx. 210lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Van Gogh- The Courtyard Of The Hospital In Arles - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "The Courtyard Of The Hospital In Arles". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Still Life - Fast Moving - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Still Life - Fast Moving". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Twin Soul
Max Ernst signed and numbered bronze sculpture, " Twin Soul". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Signed Chiparus Bronze and Ivory - A Day At The Beach
Signed bronze and ivory art deco sculpture by Chiparus "A Day At The Beach" sits on a marble/onyx base. Signed Chiparus, Etling Paris foundry mark and is about 11x8x25
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 2 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Salvador Dali - Unknown Title
Salvador Dali original limited edition 24K gold layered bronze sculpture .
The River - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "The River". Comes with COA. Approx. size: 20"x24". HC-0045
G. Lachaise Original, limited Edition Bronze Sculpture
G. Lachaise Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17x14x9.
Salvador Dali Signed Limited Edition - NORMANDIE
In the Manner of Salvador Dali Bearing the Signature, limited edition, "NORMANDIE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
La Barca al Tramonto by Borelli
Bearing the Signature, Original Lithograph. Dimensions are approx 16x22
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Dali Limited Edition 24K Gold Layered Bronze Sculpture -Giraffe Woman With Drawers with Pedestal
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "Giraffe Woman With Drawers". Sculpture measures approx. 19"x 8.5" x 4". Comes with beautiful Chiparus pedestal
G. Lachaise Original, limited Edition Bronze Sculpture
G. Lachaise Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17x14x9.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Graduated Garnet Earrings, Grad. Garnets approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NORTH LAGUNA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 15x13 in.
Limited Edition Picasso - Maya with Boat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya with Boat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
J. Sessions Watercolor Painting.
Original Watercolor on paper "Harbor Morning" In the manner of J. Sessions. Comes framed. Approx. size:8"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Golden Age". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size:23X21
Rufino Tamayo Original, limited Edition Bronze - SEATED DOG
Rufino Tamayo signed and numbered bronze sculpture. "SEATED DOG". Comes with COA. Some variation in patina might occur. Approx. size: 14"x8"x8"
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Quixote V" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Turtle Reef Table by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Reef Table" and measures approx. 19" x 25" x 19" and weighs approx. 125lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 18”x26”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Limited Edition Van Gogh- Terrace Cafe - Collection Domaine Van Gogh
In the Manner of Van Gogh from the Collection Domaine Van Gogh, "Terrace Cafe". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Telephone - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Telephone". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - Habajuk
Max Ernst signed and numbered bronze sculpture, " Habajuk". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Signed Chiparus Bronze and Ivory - Odalisque
Signed bronze and ivory art deco sculpture "Odalisque" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnetapprox 6 ct.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali 24K Gold Layered Bronze Sculpture- Thin Man
Dali sculpture, "Thin Man", is cast in bronze and layered in 24K gold. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.
Venice at Dusk - Monet - Limited Edition on Canvas
In the Manner of Claude Monet, Limited Edition on canvas, "Venice at Dusk". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.26 cts, VS1 color H.
Jean Arp Original, limited Edition Bronze Sculpture
Jean Arp Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 10x4x4.
Salvador Dali Signed Limited Edition - VENUS
In the Manner of Salvador Dali Bearing the Signature, limited edition, "VENUS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Trankquility by Kolisman
Bearing the Signature, Original Lithograph. Dimensions are approx 16x20
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Original Oil on Canvas. Boquet by Hope
Hope Original Oil on Canvas. Dimensions are approx. 18x14.
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King with pedestal
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3". Comes with Chiparus pedestal.
Jean Arp Original, limited Edition Bronze Sculpture
Jean Arp Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 10x4x4.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Geclining Nude Before Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE CAPTAIN'S HOUSE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Prodigality". Comes with COA and beautifully framed.
Original Pencil Drawing on laid paper - signed Botero
Original Pencil Drawing on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 23X20
Rufino Tamayo Original, limited Edition Bronze - MAN HEAD
Rufino Tamayo signed and numbered bronze sculpture. "MAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 13"x11"x7"
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Geological Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Reef Dancer by J. Townsend
This bronze sculpture by J. Townsend is called, "Reef Dancer" and measures approx. 21" x 13" x 13" and weighs approx. 42lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 26”x22”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Erich Heckel - Chorpus Christi in Bruges - Limited Edition on Paper
Erich Heckel - Chorpus Christi in Bruges - Limited Edition on Paper

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Temptations Of St. Anthony - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Temptations Of St. Anthony". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Double Life
Pablo Picasso signed and numbered bronze sculpture, "Double Life". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x6 Inch.
Signed Chiparus Bronze and Ivory - A Slight Accident
Signed bronze and ivory art deco sculpture "A Slight Accident" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Lady's Fancy Silver Garnet Bracelet
Lady's Fancy Silver Garnet Bracelet, Garnet approx 7 ct.
Egyptian Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.SB9H1FF
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
A Bar At The Follies Bergere - Manet - Limited Edition on Canvas
In the Manner of Edouard Manet, Limited Edition on canvas, "A Bar At The Follies Bergere". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings, Blue Sapphire & Diamonds approx total 1 ct, VS1, color G.
Salvador Dali Signed Limited Edition - Flower Magician
In the Manner of Salvador Dali Bearing the Signature, limited edition, "Flower Magician". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Sunbather by Kolisman
Bearing the Signature, Original Lithograph. Dimensions are approx 16x21
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Tamayo Original, limited Edition Bronze Sculpture
Tamayo Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 19x6x4.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings, Blue Sapphire & Diamonds approx total 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON FROM SUMMIT STREET" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Bonsai Flower Tree"
Jade "Bonsai Flower Tree", Red color Jade, dimensions are approx 12x9 in.
Limited Edition Picasso - Maya Playing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya Playing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Watercolor on Paper by Geanette .
Original watercolor on paper In the manner of Geanette. Comes framed. Approx. size:10"x7".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Greed". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 23X20
Jean Arp Original, limited Edition Bronze Sculpture WOMAN TORSO
Jean Arp Original Limited Edition Bronze Sculpture, signed and numbered bronze sculpture " WOMAN TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 14"x5"x5".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Eucharistic still Life" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

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Bronze Sculpture - Harmony (small) by Deniz
This bronze sculpture by Deniz is called, "Harmony (small)" and measures approx. 21" x 14" x 9" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ernst Ludwig Kirchner - Women In The Street - Limited Edition on Paper
In the Manner of Ernst Ludwig Kirchner - Women In The Street - Limited Edition on Paper
The Anthropomorphic Cabinet - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Anthropomorphic Cabinet". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Safiro
Pablo Picasso signed and numbered bronze sculpture, "Safiro". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x4 Inch.
Signed Chiparus Bronze and Ivory - Anestesia
Signed bronze and ivory art deco sculpture "Anestesia" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Beautiful Silver Orange Garnet Bracelet
Lady's Beautiful Silver Orange Garnet Bracelet, Garnet approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Manet Painting Monet In His Studio Boat - Manet - Limited Edition on Canvas
In the Manner of Edouard Manet, Limited Edition on canvas, "Manet Painting Monet In His Studio Boat". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.25 cts, VS1 color H.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE STUDIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Salvador Dali Signed Limited Edition - The Agony of Love
In the Manner of Salvador Dali Bearing the Signature, limited edition, "The Agony of Love". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Evening Glow II by Jose
Bearing the Signature, Original Lithograph. Dimensions are approx 16x20
Henry Moore Original, limited Edition Bronze- Woman on Bench -
Henry Moore signed and numbered bronze sculpture, "Woman on Bench". Comes with COA. Some variation in patina might occur. Approx. size: 10x10x6 Inch.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still Life With Vase And Pipe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Design Sterling Silver White Topaz & Dimaond Earrings
Lady's Fancy Design Sterling Silver White Topaz & Dimaond Earrings, Topaz & Diamonds approx total 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE STUDIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Tangerine Tree"
Jade "Tangerine Tree", Dimensions are approx 15x12 in.
Limited Edition Picasso - Bust Of A Woman With Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman With Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Cortina V. Watercolor Painting.
Original Watercolor on paper In the manner of Cortina V.. Comes framed. Approx. size:9"x12".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Tree of Punishment". Comes with COA and beautifully framed.
Original Pencil Drawing on laid paper - signed Botero
Original Pencil Drawing on laid Paper, Framed Under Glass In The Manner of Botero Approx. size: 20X25
1878 Hexagon shaped box made of 2nd Generation Whale tooth with Orante Hand carvings
1878 Hexagon shaped box made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 2x4
Jacque Lipchitz Original, limited Edition Bronze- Man with Guitar
Jacque Lipchitz signed and numbered bronze sculpture "Man with Guitar". Comes with COA. Some variation in patina might occur. Approx. size: 18"x8"x8"
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper. "Pierrots Funeral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Caribean Queen by D. Hunter
This bronze sculpture by D. Hunter is called, "Caribean Queen" and measures approx. 26" x 15" x 13" and weighs approx. 55lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 15”x20”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ernst Ludwig Kirchner - The Red Tower in Halle - Limited Edition on Paper
In the Manner of Ernst Ludwig Kirchner - The Red Tower in Halle - Limited Edition on Paper
The Disentigration Of The Persistence Of Memory - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Disentigration Of The Persistence Of Memory". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Woman With Child
Pablo Picasso signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Signed Chiparus Bronze and Ivory - Chorus Girl
Signed bronze and ivory art deco sculpture "Chorus Girl" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Lady's Beautiful Silver Sapphire & Diamonds Bracelet
Lady's Beautiful Silver Sapphire & Diamonds Bracelet, Sapphire approx 6 ct, Diamonds approx 30 points VS1, G in color.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Helping Hand
Picasso sculpture, "Helping Hand", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
The Fifer - Manet - Limited Edition on Canvas
In the Manner of Edouard Manet, Limited Edition on canvas, "The Fifer". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1 ct, VS2 color G.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Title "Unknown". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
Salvador Dali Signed Limited Edition - ARLEQUIN
In the Manner of Salvador Dali Bearing the Signature, limited edition, " ARLEQUIN". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Romantic Moments by Marilyn Simandele
Bearing the Signature, Original Lithograph. Dimensions are approx 12x16
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Henry Moore Original, limited Edition Bronze- King and Queen
Henry Moore signed and numbered bronze sculpture, " King and Queen". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x5 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "The Forces Of Peace and War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is approx. 10troy ounces of real .999 silver. Comes with foundry Assay.
Limited Edition Picasso - The Dream - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dream". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" Snow Days"In the manner of Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Lustful". Comes with COA and beautifully framed.
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Botero Approx. size:20X25
Gregor Kruk Original, limited Edition Bronze- Man with Bandura
Gregor Kruk signed and numbered bronze sculpture " Man with Bandura". Comes with COA. Some variation in patina might occur. Approx. size: 17"x11"x7"
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper. "Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Safe Harbor by D. Hunter
This bronze sculpture by D. Hunter is called, "Safe Harbor" and measures approx. 27" x19" x 15" and weighs approx. 93lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x15”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ernst Ludwig Kirchner - Circus Rider - Limited Edition on Paper
In the Manner of Ernst Ludwig Kirchner - Circus Rider - Limited Edition on Paper
The First Study For The Madonna - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The First Study For The Madonna". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Equilibrist-
Bustamante signed and numbered bronze sculpture, "Equilibrist". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Lady's Fancy Silver Black Diamonds Bracelet
Lady's Fancy Silver Black Diamonds Bracelet, Black diamonds approx 5 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Maiden With Jug
Gold and Silver Patina Maiden with Jug Statue. Statue is about 14x14x35
Agneau Bleu - Marc - Limited Edition on Canvas
In the Manner of Franz Marc, Limited Edition on canvas, "Agneau Bleu". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.03 cts, VS2 color G.
Salvador Dali Signed Limited Edition - ALSACE
In the Manner of Salvador Dali Bearing the Signature, limited edition, "ALSACE". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Male Dancer by Sahall
Bearing the Signature, Original Lithograph. Dimensions are approx 16x12
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas. Canal by Unknown
Original Oil on Canvas. Dimensions are approx. 18x14.
Henry Moore Original, limited Edition Bronze- Woman with Dress
Henry Moore signed and numbered bronze sculpture, " Woman with Dress". Comes with COA. Some variation in patina might occur. Approx. size: 9x11x5 Inch.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Head Of A Faun" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fashionable Heart Design Sterling Silver Rhodolite Garnet Earrings
Lady's Fashionable Heart Design Sterling Silver Rhodolite Garnet Earrings, Rhodolites approx 2 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA PATIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Joy Of Living - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Joy Of Living". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Eduardo Cortez Original Watercolor on Paper -
Original Watercolor on Paper" The Stream"In the manner of Eduardo Cortez . Comes with COA.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Two Crowds of the Lustful". Comes with COA and beautifully framed.
Original Ink Drawing on laid paper - signed Motherwell
Original Ink Drawing on laid paper, Framed Under Glass In The Manner of Motherwell. Approx. size: 21X24

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Joan Miro Original, limited Edition Bronze -FEMME ET OISEAU
Joan Miro signed and numbered bronze sculpture, "FEMME ET OISEAU". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. " A Hayrick Near A Farm" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Honu by D. Hunter
This bronze sculpture by D. Hunter is called, "Honu" and measures approx. 16" x 15" x 11" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 limited edition Lithographs. bearing the signature and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ernst Ludwig Kirchner - Red Elizabeth Bank in Berlin - Limited Edition on Paper
In the Manner of Ernst Ludwig Kirchner - Red Elizabeth Bank in Berlin - Limited Edition on Paper
The Invisible Man - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Invisible Man". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Woman
Pablo Picasso signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x4 Inch.
Signed Guiraud Riviere Bronze and Ivory - Nordica
Signed bronze and ivory art deco sculpture "Nordica" by artist Guiraud Riviere, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Animaux Fabuleux- Marc - Limited Edition on Canvas
In the Manner of Franz Marc, Limited Edition on canvas, "Animaux Fabuleux". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Salvador Dali Signed Limited Edition - APOLLON
In the Manner of Salvador Dali Bearing the Signature, limited edition, "APOLLON". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Weighty Matters by Norman Rockwell
In the Manner of Norman Rockwell, Fine Art Lithograph. Dimensions are approx 16x12
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Alberto Giacometti Original, limited Edition Bronze - Walking Man III
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man III". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Landscape II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FLOWER POTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Musketeer - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Musketeer". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Original Watercolor on Paper by Chagall .
Original watercolor on paper In the manner of Chagall. Comes framed. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Last Words". Comes with COA and beautifully framed.
Diego Giacometti Original, limited Edition Bronze -Man Head
Diego Giacometti signed and numbered bronze sculpture, "Man Head ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x6".

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Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. " St. John" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Gaurdian by D. Hunter
This bronze sculpture by D. Hunter is called, "Gaurdian" and measures approx. 32" x 36" x 22" and weighs approx. 113lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of CALDER Set includes 2 limited edition Lithographs. bearing the signature and Numbered. Frame Size: 34”x22”. In excellent condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Max Beckman - The Iron Bridge - Limited Edition on Paper
Max Beckman - The Iron Bridge - Limited Edition on Paper
The Metamorphosis Of Narcissus - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Metamorphosis Of Narcissus". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -Head-
Pablo Picasso signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Signed Chiparus Bronze and Ivory - Starfish
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 29"x10.5"x4.5".
Lady's Beautiful Silver Rose Garnet Bracelet
Lady's Beautiful Silver Rose Garnet Bracelet, Garnet approx 8 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture - St. John On The Cross
Dali sculpture, "St. John On The Cross", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Moreau - Maiden at Rocks
Moreau - Maiden at Rocks, statue is about 11x11x26
Les Premiers Animaux- Marc - Limited Edition on Canvas
In the Manner of Franz Marc, Limited Edition on canvas, "Les Premiers Animaux". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.01 cts, VS2 color G.
Wassily Kandinsky Limited Edition-THE RED OVAL
In the Manner of Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moulin Rougue a la Nuit by Michael Delacroix
In the Manner of Michael Delacroix, Fine Art Lithograph. Dimensions are approx 11x14
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Original Oil on Canvas. Kids Building a Sandcastle by Rosa
In the Manner of Rosa Original Oil on Canvas. Dimensions are approx. 18x14.
Brancusi Original, limited Edition Bronze- Nude
Brancusi signed and numbered bronze sculpture,"Nude". Comes with COA. Some variation in patina might occur. Approx. size: 9x18x4.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Tete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .33 cts, VS1, color G.
Hand Painted Nippon Porcelain Vase
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 8x5

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LANDSCAPE" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Divine Forest". Comes with COA and beautifully framed.
Diego Giacometti Original, limited Edition Bronze -CAT
Diego Giacometti signed and numbered bronze sculpture, "CAT". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x7".
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "Christ And His Disciples" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Otter with Baby by D. Hunter
This bronze sculpture by D. Hunter is called, "Otter with Baby" and measures approx. 9" x 11" x 6" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of CALDER Set includes 2 limited edition Lithographs. bearing the signature and Numbered. Frame Size: 20”x 30". In excellent condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Franz Marc - Tyrol - Limited Edition on Paper
In the Manner of Franz Marc, - Tyrol - Limited Edition on Paper
The Persistence Of Memory - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Persistence Of Memory". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -Lady Moon-
Bustamante signed and numbered bronze sculpture, "Lady Moon". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x6 inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Signed Chiparus Bronze and Ivory - Semiramus
Signed bronze and ivory art deco sculpture "Semiramus" by artist Chiparus. Semiramus was the Queen of the Assyrians and was the subject an 18th century play by Voltaire. Voltaire's play inspired many theatrical and operatic productions and the two best known were popular in Paris during the time Chiparus was designing his bronze and ivory figures. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 27.5"x21".
Lady's Fancy Silver Black Diamond Bracelet
Lady's Fancy Silver Black Diamond Bracelet, Black Diamonds approx 6 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Saint Julien- Marc - Limited Edition on Canvas
In the Manner of Franz Marc, Limited Edition on canvas, "Saint Julien". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-IN BLUE
In the Manner of Wassily Kandinsky Limited Edition on paper, "IN BLUE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Louis Icart Litographs
In the Manner of Louis Icart Litograph bearing the signature,, approx dimensions 20x20 in.
Late November by Hendershot
Bearing the Signature, Original Lithograph. Dimensions are approx 11x14
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas. Pin Up in Red I by Jimmie
Jimmie Original Oil on Canvas. Dimensions are approx. 38x27.
Leo Mol Original, limited Edition Bronze -Changing
Leo Mol signed and numbered bronze sculpture, "Changing". Comes with COA. Some variation in patina might occur.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Femme assise Dans Un Fauteuil Tresse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fashionable Heart Design Sterling Silver Diamond off color Pinkish Earrings
Lady's Fashionable Heart Design Sterling Silver Diamond off color Pinkish Earrings, Diamonds approx 1 ct.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM TEMPLE HILLS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Artist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Artist". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Tiffany & Co Beautiful Earrings
Tiffany & Co beautiful silver earrings.
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante and Beatrice". Comes with COA and beautifully framed.
Alejandro Marquez Original, limited Edition Bronze - VIOLINIST-
Alejandro Marquez signed and numbered bronze sculpture "VIOLINIST". Comes with COA. Some variation in patina might occur. Approx. size: 9"x8"x6".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Prinz And Prinzessin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Friends of the Deep by De Lier
This bronze sculpture by De Lier is called, "Friends of the Deep" and measures approx. 18" x 14" x 12" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 limited edition Lithographs. bearing the signature and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Franz Marc - Horse Dreaming - Limited Edition on Paper
In the Manner of Franz Marc, - Horse Dreaming - Limited Edition on Paper
The Sacrement Of The Last Supper - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Sacrement Of The Last Supper". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Bustamante Original, limited Edition Bronze -Moon Mermaid-
Bustamante signed and numbered bronze sculpture, "Moon Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x8 inch.
Angel of War - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and 35lbs. It is a Limited Edition out of 399. SB9H
Signed Chiparus Bronze and Ivory - Antinea
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 26"x10.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Spingendes Pferd- Marc - Limited Edition on Canvas
In the Manner of Franz Marc, Limited Edition on canvas, "Springendes Pferd". Comes with COA. Approx. size: 20"x24". HC-0045
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.10 cts, VS2 color G.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Titled - "Derriere Le Miró,ir". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Wassily Kandinsky Limited Edition-The Great Gate of Kiev
In the Manner of Wassily Kandinsky Limited Edition on paper, "The Great Gate of Kiev".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mountain Paradise by Thomas Kinkade
In the Manner of Thomas Kinkade Lithograph. Dimensions are approx 11x15
Diego Giacometti Original Original, limited Edition Bronze -Ostrich
Diego Giacometti signed and numbered bronze sculpture, "Ostrich". Comes with COA. Some variation in patina might occur.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still Life With Fish" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Design Sterling Silver Round Shape Black Diamond Earrings
Lady's Fancy Design Sterling Silver Round Shape Black Diamond Earrings, Black Diamonds approx 5 cts.

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ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUE BIRD CANYON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Real .999 Silver Sculpture - Lovers
Dali sculpture, "Lovers" is approx. 2.82 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Limited Edition Picasso - The Lovers (Clothed) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Lovers (Clothed)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Picasso Bronze Sculpture - Seated Woman
Beautiful bronze Picasso sculpture, "Seated Woman". Gold accents and marble base. Approx. size: 21"x14"x11".
H. Moore pencil drawing - Unknown title
Original pencil drawing In the manner of H.Moore. Signed Beautifully framed and comes with COA. Approx. size:15" x 11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante's Repentance". Comes with COA and beautifully framed.
Henry Moore Original, limited Edition Bronze- Man
Henry Moore signed and numbered bronze sculpture, "Man". Comes with COA. Some variation in patina might occur. Approx. size:12"x6"x4".
Picasso Limited Edition
In the Manner of Picasso, Limited Edition On Paper. "Can can Dancer" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - New Beginnings by D. Scott
This bronze sculpture by D. Scott is called, "New Beginnings" and measures approx. 73" x 39" x 39" and weighs approx. 490lbs. It comes with foundry paperwork and is part of an edition of 99 pieces.
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of CALDER Set includes 2 limited edition Lithographs. bearing the signature and Numbered. Frame Size: 34”x22”. In excellent condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Franz Marc - Forms in Combat - Limited Edition on Paper
In the Manner of Franz Marc, - Forms in Combat - Limited Edition on Paper

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

The Spectre Of Sex Appeal - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "The Spectre Of Sex Appeal". Comes with COA. Approx. size: 20"x24". HC-0045
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Nostalgia Atomica
Dali sculpture, "Nostalgia Atomica",is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Platinum Gold Bronze Hanzel Grettle Fountain Moreau
Platinum and gold patina bronze Hanzel and Grettle fountain by artist Moreau, dimensions are about 66x46x20
The Yellow Cow- Marc - Limited Edition on Canvas
In the Manner of Franz Marc, Limited Edition on canvas, "The Yellow Cow". Comes with COA. Approx. size: 20"x24". HC-0045
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Marie Terese" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Wassily Kandinsky Limited Edition-Small World II
In the Manner of Wassily Kandinsky Limited Edition on paper, "Small World II".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Mossant 1938 by Cappielo
In the Manner of Cappielo Lithograph. Dimensions are approx 12x9
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Alberto Giacometti Original, limited Edition Bronze - DIEGO (TÊTE AU COL ROULÉ)
Alberto Giacometti signed and numbered bronze sculpture, "DIEGO (TÊTE AU COL ROULÉ) ". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Portrait of Marie Terese" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA WITH MOON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Original Watercolor on Paper by Ann Hyun -85 .
Original watercolor on paper In the manner of Ann Hyun -85 .. Comes framed. Approx. size:17"x22".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante Re-Awakes". Comes with COA and beautifully framed.
Alexander Archipenko Original, limited Edition Sculpture -Egyptian Motive
Alexander Archipenko signed and numbered bronze sculpture, "Egyptian Motive". Comes with COA. Some variation in patina might occur. Approx. size: 12"X4"X4".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Sigmund Freud" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Tranquility by D. Scott
This bronze sculpture by D. Scott is called, "Tranquility" and measures approx. 36" x 24" x 18" and weighs approx. 190lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO Set includes 2 limited edition Lithographs. bearing the signature and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
Franz Marc - The Mandrill - Limited Edition on Paper
In the Manner of Franz Marc, - The Mandrill - Limited Edition on Paper
Tuna Fishing - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Tuna Fishing". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Max Ernst Original, limited Edition Bronze - ATHENS
Max Ernst signed and numbered bronze sculpture, "Athens". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x5.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

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All Saints I 1911 - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "All Saints I 1911". Comes with COA. Approx. size: 20"x24". HC-0045
Original Oil on Canvas. Flowers by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Wassily Kandinsky Limited Edition-Small World III
In the Manner of Wassily Kandinsky Limited Edition on paper, "Small World III".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Parapluie-Revel by Cappielo
In the Manner of Cappielo Lithograph. Dimensions are approx 12x10
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Oil on Canvas. Flowers by C. Freeman
In the Manner of C. Freeman, Original Oil on Canvas. Dimensions are approx. 23x26.
Alberto Giacometti Original, limited Edition Bronze - Homme (Apollon)
Alberto Giacometti signed and numbered bronze sculpture, "Homme (Apollon)". Comes with COA. Some variation in patina might occur. Approx. size: 15x12x5.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Square Shape White Cubic Zirconia Earrings
Lady's Antique Style Sterling Silver Square Shape White Cubic Zirconia Earrings, C.Z. approx 4 cts.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 16x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE VICTOR HUGO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - The Bathers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Bathers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

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Original Watercolor on Paper by Ann Hyun -85 .
Original watercolor on paper In the manner of Ann Hyun -85 . Comes framed. Approx. size17"x22".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Towards the Tree of Law". Comes with COA and beautifully framed.
Fernando Valls Original, limited Edition Bronze - Boy
Joan Miro signed and numbered bronze sculpture, "CHAIR". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x5".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Warrior" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Lost Treasure Dolphins by Piquera
This bronze sculpture by Piquera is called, "Lost Treasure Dolphins" and measures approx. 46" x 217" x 24" and weighs approx. 295lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Village - Dali - Limited Edition on Canvas
In the Manner of Salvador Dali Limited Edition on canvas, "Village". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze - YOUNG WOMAN IN FLOWER SHAPE
Max Ernst signed and numbered bronze sculpture, "Young woman in Flower ". Comes with COA. Some variation in patina might occur. Approx. size: 14x15x4.
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet, Garnet approx 2 ct.
Angel of War - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Arch and Point - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Arch and Point". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Wassily Kandinsky Limited Edition-UPWARD
In the Manner of Wassily Kandinsky Limited Edition on paper, "UPWARD".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Marbles Champ by Norman Rockwell
In the Manner of Norman Rockwell, Lithograph. Dimensions are approx 11x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Oil on Canvas by J.M Croot
Original Oil on Canvas In the Manner of J.M Croot. Dimensions are approx. 23x27.
Henry Moore Original, limited Edition Bronze- Unknown
Henry Moore signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x6 Inch.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Design For Miller" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Emerald & Diamond Earrings
Lady's Antique Style Sterling Silver Emerald & Diamond Earrings, Emeralds approx .33 cts, Diamonds approx .50 cts, VS1, color G.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 7x11
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIN BEACH" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Seated Harlequin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Post Watercolor Painting.
Original Watercolor on paper "Night Sailing"In the manner of Post. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Dante Purified". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -HOMME
Joan Miro signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x3".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Die Sandmannchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Scream - Munch - Limited Edition on Canvas
Edvard Munch Limited Edition on canvas, "The Scream". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :12"x16".
Salvador Dali Original, limited Edition Bronze - APPARATUS AND HAND
Salvador Dali signed and numbered bronze sculpture, "Apparatus and Hand". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x3".
Male Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Male Russian Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base .
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Remington Limited Edition 24K Gold Layered Bronze Sculpture-Trooper Of The Plains
This Frederick sculpture, "Trooper Of The Plains", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Around The Circle - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Around The Circle". Comes with COA. Approx. size: 20"x24". HC-0045
Original Oil on Canvas by Stevens
Original Oil on Canvas by Stevens. Dimensions are approx. 23x.27.
Wassily Kandinsky Limited Edition-Yellow Red and Blue
In the Manner of Wassily Kandinsky Limited Edition on paper, "Yellow Red and Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
The Check Up by Norman Rockwell
In the Manner of Norman Rockwell, Lithograph. Dimensions are approx 8x10
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Oil on Canvas by Stevens
Original Oil on Canvas In the Manner of Stevens. Dimensions are approx. 23x.27.
Botero Original limited Edition Bronze Sculpture - Dancer Female
Botero signed and numbered bronze, "Dancer Female". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x4 Inch.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Design For Picador" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Design Sterling Silver Square Shape Black & White Diamond Earrings
Lady's Fancy Design Sterling Silver Square Shape Black & White Diamond Earrings, Black & White Diamonds approx total 5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Black Jade "Bull" with Stand
Siberian Black Jade "Bull" with Stand, approx dimensions 4x10x6 in. In house

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Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Reign of the Penitents". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -WOMAN
Joan Miro signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Junge Entlein" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moulin Rouge - Lautrec - Limited Edition on Canvas
In the Manner of Henri de Toulouse Lautrec, Limited Edition on canvas, "Moulin Rouge". Comes with COA. Approx. size: 20"x24". HC-0046
Original Watercolor by Calder
Original Watercolor on paper In the manner Calder. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -WOMAN FACE
Pablo Picasso signed and numbered bronze sculpture, "Woman Face". Comes with COA. Some variation in patina might occur. Approx. size: 12x8x6 Inch.
Signed Chiparus Bronze and Ivory - Starlight
Signed bronze and ivory art deco sculpture "Starlight" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Blue Circle - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Blue Circle". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph Title "Unknown". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC

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Abraham Lincoln Memorial Sculpture by Daniel Chester French
Bronze recreation of the Lincoln Memorial by Daniel Chester French. Great detail. Some variation of patina may occur. Approx. size: 10x8x8.
Wassily Kandinsky Limited Edition-Nature Study from Murnau
In the Manner of Wassily Kandinsky Limited Edition on paper, "Nature Study from Murnau".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Before the Shot by Norman Rockwell
In the Manner of Norman Rockwell, Lithograph. Dimensions are approx 10x8
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Abraham Lincoln Memorial Sculpture by Daniel Chester French
Bronze recreation of the Lincoln Memorial by Daniel Chester French. Great detail. Some variation of patina may occur. Approx. size: 10x8x8.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Woman With Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Fancy Sterling Silver Black & White Diamond Earrings
Lady's Fancy Sterling Silver Black & White Diamond Earrings, Black & White Diamonds approx 3 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ELEONOR'S SUN ROOM" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Limited Edition Picasso - Sleeping Nude (Vertical) - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude (Vertical)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Picasso Signed Limited Edition Bronze Plaque - Bullfight Corrida Matador
Picasso signed, limited edition Picasso plaque with stand, "Bullfight Corrida Matador". Plaque measures approx. 10.75" x 9.5" .
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Admonishment". Comes with COA and beautifully framed.

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Joan Miro Original, limited Edition Bronze -TABLE
Joan Miro signed and numbered bronze sculpture, "TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 10"x7"x7".
Salvador Dali- Signed Limited Edition
In the Manner of Salvador Dali- Bearing the Signature, Limited Edition On Paper. "Aerican Trotting" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
In The Well Of The Great Wave - Katsushika Hokusai - Limited Edition on Canvas
Katsushika Hokusai Limited Edition on canvas, "In The Well Of The Great Wave". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Pablo Picasso Original, limited Edition Bronze -RECLINING WOMAN
Pablo Picasso signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 6x12x6 Inch.
Signed Chiparus Bronze and Ivory - Parrot Dancer
Signed bronze and ivory art deco sculpture "Parrot Dancer" by artist Chiparus, base signed, carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 22"x6"x6"
Lady's Real Fancy Silver White & Blue Sapphire Bracelet
Lady's Real Fancy Silver White & Blue Sapphire Bracelet, Blue Sapphire approx 8ct, White Sapphires approx 1.75 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Wassily Kandinsky Limited Edition-GNOMUS
In the Manner of Wassily Kandinsky Limited Edition on paper, "GNOMUS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Café Select by Tarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx 11x8
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Botero Original limited Edition Bronze Sculpture - Lady with Purse
Botero signed and numbered bronze, "Lady with Purse ". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4 Inch.
Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Le Rapas De Infants" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .5 cts, VS1, color G.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT EUCALYPTUS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Green Jade "Boat"
Siberian Green Jade "Boat", The best quality of Siberian Jade used to carv this boat. Approx dimensions 14x16. In house
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Power's of Soul". Comes with COA and beautifully framed.
Joan Miro Original, limited Edition Bronze -MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x5".
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "A Group Of Large Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Picasso and Pollock-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO and POLLOCK, Set includes 2 Original lithographs. Frame Size: 23”x22”.

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ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Ciphers and Constellations - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Ciphers and Constellations ". Comes with COA. Approx. size: 20"x24". HC-0045
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Salvador Dali Original, limited Edition Bronze - DAY DRESS
Salvador Dali signed and numbered bronze sculpture, "Day Dress". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Signed Chiparus Bronze and Ivory - Oriental Dancer
Signed bronze and ivory art deco sculpture "Oriental Dancer" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size:16"x6"x6"
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Norther
This Frederick Remington sulpture, "Norther", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Wassily Kandinsky Limited Edition-Composition X
In the Manner of Wassily Kandinsky Limited Edition on paper, "Composition X".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Day Dream by Tarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx10x8
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Original Oil on Canvas by Stevens
Original Oil on Canvas In the Manner of Stevens. Dimensions are approx. 23x.27.
Henry Moore Original, limited Edition Bronze - Reclining Figure: Points
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Points". Comes with COA. Some variation in patina might occur. Approx. size: 11x9x5.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pablo Picasso- Signed Limited Edition
In the Manner of Picasso – Bearing the signature, Limited Edition On Paper Entitled "Still life With Lemons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD TRUCK" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Multi Color Jade "Horses Mountain"
Siberian Multi Color Jade "Horses Mountain", approx dimensions 13x25 in. In house
Wiggins Watercolor Painting.
Original Watercolor on Paper In the manner of Wiggins "The Window" Comes framed. Approx. size:15" x 11". .
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful". Comes with COA and beautifully framed.
Corkscrew made of 2nd Generation Whale tooth with Orante Hand carvings
Corkscrew made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 4 x 4
Henry Moore Limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 10x16x6.
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "The Blind Tobit With Goat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Bubble Dolphin by Matthews
This bronze sculpture by Matthews is called, "Bubble Dolphin" and measures approx. 56" x 18" x 33" and weighs approx. 195lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Personages, Birds, Star - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "Personages, Birds, Star ". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Bustamante Original, limited Edition Bronze -GENTLEMAN-
Bustamante signed and numbered bronze sculpture, "Gentleman". Comes with COA. Some variation in patina might occur. Approx. size: 16x12x7 inch.
Signed Chiparus Bronze and Ivory - MIss Paris
Signed bronze and ivory art deco sculpture "MIss Paris" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Lady's Fancy Golden Diamond Sapphire Bracelet
Lady's Fancy Golden Diamond Sapphire Bracelet , Sapphire approx 8 ct, Diamonds approx .20 ct VS1, G in color.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition VIII - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Composition VIII". Comes with COA. Approx. size: 20"x24". HC-0045
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Wassily Kandinsky Limited Edition-Around the Circle
In the Manner of Wassily Kandinsky Limited Edition on paper, "Around the Circle".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Old Jaffa Port by Tarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx 10x8
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Henry Moore Original, limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:8x10x4.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .60 cts, VS1, color G.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Abstract - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Abstract". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Town Square"In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Guiding Angel". Comes with COA and beautifully framed.
Besse Potter Original, limited Edition THE FAMILY
Besse Potter Original, limited Edition "The Family" bronze sculpture, . Comes with COA. . Approx. size: 11X6X5.
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "Jacob's Dream" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Hog Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Hog Fish". It comes with foundry paperwork .
2 Pieces Color Lithograph by Jean Fomard
2 Piece Color Lithograph In the Manner of Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil bearing the signature in lower right. Frame Size: 22”x16”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Nightingale's Song - Miro - Limited Edition on Canvas
In the Manner of Joan Miró, Limited Edition on canvas, "The Nightingale's Song ". Comes with COA. Approx. size: 20"x24". HC-0045

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on paper by Richard H. Clark
Original Watercolor on paper by Richard H. Clark. Hand Signed. Paper Size: 15"x 22". In mint condition!
Max Ernst Original, limited Edition Bronze -KNIGHT
Max Ernst signed and numbered bronze sculpture, " KNIGHT". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x8 Inch.
Signed Chiparus Bronze and Ivory - Ecstacy
Signed bronze and ivory art deco sculpture "Ecstacy" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Lady's Beautiful Silver Amethyst Bracelet
Lady's Beautiful Silver Amethyst Bracelet, Amethyst approx 4 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Composition X - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Composition X". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Composition VIII
In the Manner of Wassily Kandinsky Limited Edition on paper, "Composition VIII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Rendezvous by Tarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Eduardo Chillida Original, limited Edition Bronze - Peine de Viento
Eduardo Chillida signed and numbered bronze sculpture, "Peine de Viento". Comes with COA. Some variation in patina might occur. Approx. size:12x8x5.
Lady's Antique Style Sterling Silver Black Diamond Earrings
Lady's Antique Style Sterling Silver Black Diamond Earrings, Black Diamonds approx 3 cts.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 5x12
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA - DUSK" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Anton Blanchard Watercolor Painting.
Original Watercolor on paper "Nigth Stroll"In the manner of Anton Blanchard . Comes framed. Approx. size:13" x 16".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful Meets Violent Death". Comes with COA and beautifully framed.
Alvar Original Limited Edition Bronze - DOVE
Alvar signed and numbered bronze sculpture "DOVE" . Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7"
Picasso Limited Edition
In the Manner of Picasso, Limited Edition On Paper. "French Can Can" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Lion Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Lion Fish" and measures approx. 12" x 12" x 6" and weighs approx. 28lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
4 Pieces Color Lithograph by Jean Fomard
In the Manner of Jean Fomard, four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Daphnis Discovers Chloe- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Daphnis Discovers Chloe". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze -BORN SWIMMER
Max Ernst signed and numbered bronze sculpture, " Born Swimmer". Comes with COA. Some variation in patina might occur. Approx. size: 19x7x7 Inch.
Angel of Prayer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and 32lbs. It is a Limited Edition out of 399. SB7H

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Signed Chiparus Bronze and Ivory - Testris
Signed bronze and ivory art deco sculpture "Testris" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1 ct, Ruby approx 1 ct & Deep Purple Amrthyst approx 1 ct.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Icart Limited Edition 24K Gold Layered Bronze Sculpture- Illusion
This sculpture is cast in bronze then layered with beautiful 24K gold. By Icart, "Illusion". This piece comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
Couple Riding - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Couple Riding". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph from - "Ceramiques Monumentales". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Harmony byTarkay
Fine Art Lithograph. Dimensions are approx 9x9
Wassily Kandinsky Limited Edition-UNBROKEN
In the Manner of Wassily Kandinsky Limited Edition on paper, "UNBROKEN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Harmony byTarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Botero Original limited Edition Bronze Sculpture -Cat
Botero signed and numbered bronze, "Cat ". Comes with COA. Some variation in patina might occur. Approx. size: 6x19x4 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Antique Style Sterling Silver Round Shape Cannery Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Cannery Sapphire & Diamond Earrings, Cannery Sapphires & Diamonds total approx 3 ct.
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 4x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA TERRACE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian White Jade "Devil Ball"
Siberian White Jade "Devil Ball", Ball has 16 small removable balls inside. Approx dimensions 3x3x3 in. In house
Dali Real .999 Silver Sculpture - Female Figure
Dali sculpture, "Female Figure" is approx. 2.11 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
Picasso Bronze Sculpture - Man With Guitar
Beautiful bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9".
Original Watercolor on Paper by Gordon Watson .
Original watercolor on paper In the manner of Gordon Watson, titled "Waiting for High Tide". Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Law of Climbing". Comes with COA and beautifully framed.
Rufino Tamayo Original limited Edition Bronze Sculpture -Girl with Flowers
Tamayo signed and numbered bronze, "Girl with Flowers" Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x6 Inch.
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "The Westpoort At Rhenen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Majestic Turtle and Ray by Matthews
This bronze sculpture by Matthews is called, "Majestic Turtle and Ray" and measures approx. 44" x 30" x 26" and weighs approx.125lbs. It comes with foundry paperwork.
4 Pieces Color Lithograph by Jean Fomard
In the Manner of Jean Fomard, four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Daphnis- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Daphnis". Comes with COA. Approx. size: 20"x24". HC-0045
Max Ernst Original, limited Edition Bronze -ALLEGRO
Max Ernst signed and numbered bronze sculpture, " Allegro". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x8 Inch.
Mexican Hat Dancer - Bronze and Ivory Sculpture by C. Mirval
C. Mirval bronze and ivory sculpture, Mexican Hat Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15"x7".
Lady's Fancy Silver Amethyst Bracelet
Lady's Fancy Silver Amethyst Bracelet, Amethyst approx 3 ct.
Steve McQueen Giclee with Image of real check
"Steve McQueen" Giclee with Image of real check, approx dimension 16x12.
Decisive Pink - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Decisive Pink". Comes with COA. Approx. size: 20"x24". HC-0045
Blue Hat by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
Wassily Kandinsky Limited Edition-Composition VII
In the Manner of Wassily Kandinsky Limited Edition on paper, "Composition VII".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Blue Hat by Tarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Botero Original limited Edition Bronze Sculpture - Girl -
Botero signed and numbered bronze, "Girl ". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 4x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAR VISTA TERRACE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Children Writing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Children Writing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
G.Waran Original Watercolor
Original Watercolor on paper "At Dusk" In the manner of G.Waran. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Gaurdians of the Valley of the Princes". Comes with COA and beautifully framed.
Hugue Original, limited Edition Bronze -
Hugue signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "Cottages Amongst High Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Sea Otter by D. Hunter
This bronze sculpture by D. Hunter is called, "Sea Otter" and measures approx. 32" x 18" x 15" and weighs approx. 137lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
4 Pieces Color Lithograph by Jean Fomard
In the Manner of Jean Fomard, four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Flight Of The Cicade- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Flight Of The Cicade". Comes with COA. Approx. size: 20"x24". HC-0046

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Max Ernst Original, limited Edition Bronze -HEAD "Y"
Max Ernst signed and numbered bronze sculpture, " Head - Y". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x4 Inch.
Dourga - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Dourga. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6".
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 8.5 ct
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture - Jazz Dancer
This Chiparus sculpture, "Jazz Dancer", is a limited edition 24K gold layered bronze sculpture.
Bronze Brittish Bulldog
This ia a lovely, lifesize bronze sculpture of a Brittish Bulldog. Sculpture is about 24x14x20 1008cch
From Small World - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "From Small World". Comes with COA. Approx. size: 20"x24". HC-0045
Elvis Giclee with Image of a real check
"Elvis" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-ALL SAINTS
In the Manner of Wassily Kandinsky Limited Edition on paper, "ALL SAINTS".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Intimacy by Tarkay
In the Manner of Tarkay, Fine Art Lithograph. Dimensions are approx 9x9
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Botero Original limited Edition Bronze Sculpture - Male Torso -
Botero signed and numbered bronze, "Male Torso ". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x4 Inch.
Lady's Antique Style Sterling Silver Round Shape White Cubic Zirconia Earrings
Lady's Antique Style Sterling Silver Round Shape White Cubic Zirconia Earrings, C.Z. approx 7 cts.
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 13x6
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade Bracelet (Red)
Siberian Jade Bracelet (Red), approx dimension 3x3 in. In house
Limited Edition Picasso - Theater - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Theater". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor on Paper by Michael Cole Thomas .
Original watercolor on paper In the manner of Michael Cole Thomas, titled "Long Proats". Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Eagle of Grace". Comes with COA and beautifully framed.
Alexander Archipenko Limited Edition Sculpture - Woman Combing Her Hair
Alexander Archipenko signed and numbered bronze sculpture, "Woman Combing Her Hair". Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4"
Bronze Sculpture - King of the Sea/ Orca by P. George
This bronze sculpture by P. George is called, "King of the Sea/ Orca" and measures approx. 35" x 22" x 12" and weighs approx. 85lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Frontispice- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Frontispice". Comes with COA. Approx. size: 20"x24". HC-0047
Max Ernst Original, limited Edition Bronze -BISHOP
Max Ernst signed and numbered bronze sculpture, " Bishop". Comes with COA. Some variation in patina might occur. Approx. size: 19x9x9 Inch.
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
Angel of Prayer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Moreau Limited Edition 24K Gold Layered Bronze Sculpture- Girl On A Swing
This sculpture is cast in bronze then layered with beautiful 24K gold. By Moreau, "Girl On A Swing". This piece comes with foundry assay. Some variations in marble might occur.
From Small Worlds II - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "From Small Worlds II". Comes with COA. Approx. size: 20"x24". HC-0045
Clark Gable Giclee with Image of a real check
"Clark Gable" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-OVERCAST
In the Manner of Wassily Kandinsky Limited Edition on paper, "OVERCAST".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Summer Stroll by Patchell Olson
Bearing the Signature, Limited Edition Lithograph. Dimensions are approx 8x38
Original Oil on Canvas by Croft
Original Oil on Canvas In the Manner of Croft. Dimensions are approx. 27x38.
Henry Moore Original, limited Edition Bronze - Maquette for Three-Quarter Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for There-Quarter Figure". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Butterflies Style Sterling Silver Diamond Earrings
Lady's Butterflies Style Sterling Silver Diamond Earrings, Diamonds approx .33 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Sculptur's Studio - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sculptur's Studio". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Edward Bates Watercolor Painting.
Original Watercolor on paper "Rainy Meeting" In the manner of Edward Bates. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Our Lady of the Annunciation". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze - Lura G 25
Eduardo Chillida signed and numbered bronze, "Lura G 25". Comes with COA. Some variation in patina might occur. Approx. size:10"x7"x7".
Edouard Manet- Limited Edition
In the Manner of Edouard Manet,- Limited Edition On Paper. "The Swallows" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Playmates by Denis
This bronze sculpture by Denis is called, "Playmates" and measures approx. 25" x 12" x 13" and weighs approx. 63lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lamon Discovers Daphnis- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Lamon Discovers Daphnis". Comes with COA. Approx. size: 20"x24". HC-0049
Max Ernst Original, limited Edition Bronze -FACE
Max Ernst signed and numbered bronze sculpture, " Face". Comes with COA. Some variation in patina might occur. Approx. size: 18x12x4 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Chorus Line - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture. This piece was inspired by the famous chorus lines of les annees folles. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fountain
Silver and Gold Patina cherub Fountain. Fountain is preplumbed for easy installation. Fountain is about 36x36x63
From Small Worlds Type A - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type A". Comes with COA. Approx. size: 20"x24". HC-0045
Walt Disney Giclee with Image of a real check
"Walt Disney" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-THE RED SPOT
In the Manner of Wassily Kandinsky Limited Edition on paper, "THE RED SPOT".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Roul Serigraph
In the Manner of Roul Limited Edition Serigraph 22x28
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Constantine Brancusi Original, limited Edition Bronze -Fish
Constantine Brancusi signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x3
Lady's Antique Style Sterling Silver Round Shape Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Round Shape Graduated Garnet Earrings, Grad. Garnets approx 3 cts.
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 12x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Siberian Jade Bracelet (Black)
Siberian Jade Bracelet (Black), approx dimension 3x3 in. In house
Limited Edition Picasso - Fruit With Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Fruit With Vase of Flowers". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor on Paper by Michael Cole Thomas .
Original watercolor on paper In the manner of Michael Cole Thomas, titled "Country Home". Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Proud One". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Woman Of The Future" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Splash by Koop
This bronze sculpture by Koop is called, "Splash" and measures approx. 35" x 10" x 17" and weighs 75lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Lamon and Drya's Dream- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Lamon and Drya's Dream". Comes with COA. Approx. size: 20"x24". HC-0050
Pablo Picasso Original, limited Edition Bronze -Dancer-
Pablo Picasso signed and numbered bronze sculpture, "Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x4".
Miro - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Miro. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
From Small Worlds Type B - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "From Small Worlds Type B". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph from - "Ceramiques Monumentales". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Lucy Giclee with Image of a real check
"Lucy" Giclee with Image of a real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-Small World I
In the Manner of Wassily Kandinsky Limited Edition on paper, "Small World I".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Henry Moore Original, limited Edition Bronze - Vertebrae
Henry Moore signed and numbered bronze sculpture, "Vertebrae". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Lady's Antique Style Sterling Silver Square Shape Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Square Shape Graduated Garnet Earrings, Grad. Garnets approx 2 cts.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 13x8
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CRANES" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Dali Signed Limited Edition Bronze - Carmen, La Gitana
Dali signed, limited edition Dali sculpture, "Carmen, La Gitana". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Original Watercolor on Paper by G. Watson .
Original Watercolor on Paper In the manner of G. Watson , titled "Ken Pollard Barn". Comes framed. Approx. size:15"x11"..
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "Ecstatic Visions". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Flordali l" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Courtship by Wallace
This bronze sculpture by Wallace is called, "Courtship" and measures approx. 18" x 12" x 12" and weighs approx. 47lbs. It comes with foundry paperwork and is part of an edition of 150 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Summery Lunch Hour- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Summery Lunch Hour". Comes with COA. Approx. size: 20"x24". HC-0051
Pablo Picasso Original, limited Edition Bronze -Man Standing-
Pablo Picasso signed and numbered bronze sculpture, "Man Standing". Comes with COA. Some variation in patina might occur. Approx. size: 17"x6"x6".
Cleopatra - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 15x8x4.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

24K Gold Layered Limited Edition Bear and the Bull Sculpture by Delair
This sculpture is cast in bronze then layered with beautiful 24K gold."Bear and the Bull" by Delair comes with foundry assay. Some variations in marble might occur. Approx. size: 7 1/2"x4"x4".
Gnomus - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Gnomus". Comes with COA. Approx. size: 20"x24". HC-0045
Marlon Brando Giclee with Image of real check
Marlon Brando Giclee with Image of real check, approx dimension 16x12.
Wassily Kandinsky Limited Edition-Couple Riding
In the Manner of Wassily Kandinsky Limited Edition on paper, "Couple Riding".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze
Henry Moore signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 5x11x4.
Lady's Antique Style Sterlilng Silver Round Shape Cannery Sapphire & Diamond Earrings
Lady's Antique Style Sterlilng Silver Round Shape Cannery Sapphire & Diamond Earrings, Cannery Sapphires & Diamonds total approx 1 ct.
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 9x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK YARD" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Mixed colored grapes vine"
Siberian Jade "Mixed colored grapes vine", This beautiful work is made of 100% natural lavender jade, the tree leafs are made of Taiwan jade. approx dimensions 13x12 in. In house
Limited Edition Picasso - Nude Girl with Necklace - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Girl with Necklace". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Graham Watson Watercolor Painting.
Original Watercolor on paper "Country Bridge" In the manner of Graham Watson. Comes framed. Approx. size:15"x11".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Second Cornice". Comes with COA and beautifully framed.
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "A FarmHouse Amoung The Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Buubble Dolphin and Ray by Unknown
This bronze sculpture by Unknown is called, "Buubble Dolphin and Ray" and measures approx. 56" x 18" x 33" and weighs approx. 265lbs. It comes with foundry paperwork.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Teaching Of Philetas- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "The Teaching Of Philetas". Comes with COA. Approx. size: 20"x24". HC-0052
Pablo Picasso Original, limited Edition Bronze -TORSO-
Pablo Picasso signed and numbered bronze sculpture, "TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
Monica - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Monica. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24x13x7.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Fan Dancer
This Chiparus sculpture, "Fan Dancer", is a limited edition 24K gold layered bronze sculpture.
Bronze Umbrella Kids Moreau
Bronze Umbrella Kids by artist Moreau, dimensions are about 38x17x14

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Kandinsky 45 - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Kandinsky 45". Comes with COA. Approx. size: 20"x24". HC-0045
The God Father Giclee with actual film cel from the film
"The God Father" Giclee with actual film cel from the film, approx dimension 15x18.
Wassily Kandinsky Limited Edition-Arch and Point
In the Manner of Wassily Kandinsky Limited Edition on paper, "Arch and Point".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Original Oil on Canvas by Preis
Original Oil on Canvas In the Manner of Preis. Dimensions are approx. 27x40.
Nadelman Original, limited Edition Bronze - Standing Nude
Nadelman signed and numbered bronze sculpture, "Standing Nude". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x4.
Lady's Antique Sterling Silver Round Shape Black Diamond Earrings
Lady's Antique Sterling Silver Round Shape Black Diamond Earrings, Black Diamonds approx 1.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORS OF JUNK" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Green Jade Boat"
Siberian Jade "Green Jade Boat", This is a beautiful work made of 100% Green Jade, hand carved to perfection. Approx dimensions 45x58 in. In house
Limited Edition Picasso - Woman with Red and White Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman with Red and White Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Edward Bates Watercolor Painting.
Original Watercolor on paper "Dry Dock" In the manner of Edward Bates. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Blind for Envy". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Moses" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Serenity by Koop
This bronze sculpture by Koop is called, "Serenity" and measures approx. 32" x 19" x 13" and weighs approx. 100lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
The Wolf Pit- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "The Wolf Pit". Comes with COA. Approx. size: 20"x24". HC-0053
Bustamante Original, limited Edition Bronze -Moon in Chair-
Bustamante signed and numbered bronze sculpture, "Moon in Chair". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x5 inch.
Almeria - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Almeria. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bronze Horse PJ Mene
Bronze Horse by PJ Mene, beautiful patina, dimensions are about 42x11x47
Lady In Moscow - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Lady In Moscow". Comes with COA. Approx. size: 20"x24". HC-0045
Bob Marley Giclee, mini guitar & Rock Legend I.D. card
"Bob Marley" Giclee, mini guitar & Rock Legend I.D. card, approx dimension 14x18.
Wassily Kandinsky Limited Edition-BLUE CIRCLE
In the Manner of Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x8.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN PEDRO REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Edward Bates Watercolor Painting.
Original Watercolor on paper "Café de Champs" In the manner of Edward Bates. Comes framed. Approx. size:15"x11".
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Angel of Mercy". Comes with COA and beautifully framed.
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Henri Matisse Limited Edition
In the Manner of Henri Matisse, Limited Edition On Paper. "The Dragon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Bronze Sculpture - Mahi Bull Dolphin by Piquera
This bronze sculpture by Piquera is called, "Mahi Bull Dolphin" and measures approx. 32" x 23" x 19" and weighs approx. 142lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Norman Rockwell Lithographs
Two Piece Color Lithograph In the Manner of Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Trampled Flowers- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Trampled Flowers". Comes with COA. Approx. size: 20"x24". HC-0054
Pablo Picasso Original, limited Edition Bronze -HUNTER
Pablo Picasso signed and numbered bronze sculpture, "HUNTER". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Actress - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Actress. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Beautiful Real Broka Multi Colored Pearl Necklace
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Nature Study from MurnauI 1909 - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Nature Study from Murnaukl 1909". Comes with COA. Approx. size: 20"x24". HC-0045
Wassily Kandinsky Limited Edition-Lady in Moscow
In the Manner of Wassily Kandinsky Limited Edition on paper, "BLUE CIRCLE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
"Masquesade" - Icart - Limited Edition on Paper
In the Manner of Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Lady's Antique Style Sterling Silver Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Graduated Garnet Earrings, Grad. Garnets approx 8 cts.
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 9x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DEPOSITO ROTTAMI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Nude Lady With Scarf Over Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Lady With Scarf Over Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Extrememly Rare Original Salvador Dali Woodblock - Signed
These original Dali woodblocks are signed and are very rare and beautiful! This is from Dante's Divine Comedy Series (Purgatory), "The Smoke of Irascibility". Comes with COA and beautifully framed.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Still Life With Lilies" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Winter- Chagall - Limited Edition on Canvas
In the Manner of Mark Chagall, Limited Edition On Canvas From Daphnis and Chloe, "Winter". Comes with COA. Approx. size: 20"x24". HC-0055
Pablo Picasso Original, limited Edition Bronze -HOMME
Pablo Picasso signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x5".
Modern Eve - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H
Les Girls - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Les Girls". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
Lady's Beautiful Real Broka Black Pearl Necklace
Lady's Beautiful Real Broka Black Pearl Necklace
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Red Spot II - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Red Spot II". Comes with COA. Approx. size: 20"x24". HC-0045
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph titled - "La Danse du feu". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Calder Limited Edition Lithograph
"Derriere Le Miroir" Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"

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Bruce Springsteen Giclee with mini guitar
"Bruce Springsteen" Giclee with mini guitar, approx dimension 15x18.
Wassily Kandinsky Limited Edition-Improvisational Gorge
In the Manner of Wassily Kandinsky Limited Edition on paper, "The Red Oval".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Nadelman Original, limited Edition Bronze - Woman's Face
Nadelman signed and numbered bronze sculpture, "Woman's Face". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x5.
"Little Spider" - Icart - Limited Edition on Paper
In the Manner of Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Lady's Antique Long Style Sterling White Topaz & Diamond Earrings
Lady's Antique Long Style Sterling White Topaz & Diamond Earrings, White Topaz & Diamonds approx total .50 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WEARHOUSE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberian Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 10x7 in.
Limited Edition Picasso - Lady With Green Hair and Brown Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Lady With Green Hair and Brown Hat". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Dali Signed and Numbered Bronze Sculpture - Dulcinea
Dali Signed and Numbered Bronze Sculpture - Dulcinea. Approx. size: 12"x3"x3".
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Rembrandt Van Rijn- limited Edition
In the Manner of Rembrandt Van Rijn- Limited Edition On Paper. "Study For St. Peter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fanz Kline and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO and KLINE, Set includes 2 Original lithographs. Frame Size: 28”x18”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -MAN
Pablo Picasso signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
X- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "X". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
Lady's Beautiful Real Broka Pearl Necklace
Lady's Beautiful Real Broka Pearl Necklace
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
The Great Gate of Kiev - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "The Great Gate of Kiev". Comes with COA. Approx. size: 20"x24". HC-0045
Bob Marley Giclee, mini guitar & Biography
"Bob Marley" Giclee, mini guitar & Biography approx dimension 15x18.
Roy Lichtenstein Limited Edition-Landscape with Figures and Rainbow
In the Manner of Lichtenstein, Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze- Reclining Figure -
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 8x10x7 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

"Le Chapeau" - Icart - Limited Edition on Paper
In the Manner of Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Peach Tree"
Jade "Peach Tree", dimensions are approx 23x13 in.
Hand Carved Horns-Pair
Fancy Hand Carved Bone And Scrimshaw Tusk (Pair) Approx. 26" x 6" x 6"
Zuniga Limited Edition Bronze - Mujer de Pie con Rebozo (Standing Woman With Shawl)
Zuniga signed and numbered bronze sculpture, "Mujer de Pie con Rebozo (Standing Woman with Shawl) ". Comes with COA. Some variation in patina might occur. Approx. size: 22"x9"x8".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "Cannibalism Of Objects" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Edgar Degas and Fernand Leger-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of DEGAS and LEGER, Set includes 2 Original lithographs. Frame Size: 18”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -BULL
Pablo Picasso signed and numbered bronze sculpture, "BULL". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Thirty - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Thirty". Comes with COA. Approx. size: 20"x24". HC-0045
Calder Limited Edition Lithograph
In the Manner of Calder, Limited Edition Lithograph, bearing the signature, and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Roy Lichtenstein Limited Edition-THE KISS
In the Manner of Lichtenstein, Limited Edition on paper, "THE KISS". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Joan Miro Original, limited Edition Bronze - Conch
Joan Miro signed and numbered bronze sculpture, "Conch". Comes with COA. Some variation in patina might occur. Approx. size: 15x14x11.
"Cockatoo" - Icart - Limited Edition on Paper
In the Manner of Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Lady's Antique Long Style Sterling Silver Pink Sapphire & Diamond Earrings
Lady's Antique Long Style Sterling Silver Pink Sapphire & Diamond Earrings, Pink Sapphires & Diamonds approx total 1.25 ct.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TUB BOAT REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Lavander Grape Tree"
Jade "Lavander Grape Tree", dimensions are approx 16x12 in.
Hugue Limited Edition Bronze -Angel
Hugue signed and numbered bronze sculpture, "Angel". Comes with COA. Some variation in patina might occur. Approx. size: 16"x7"x5".
Picasso Limited Edition
In the Manner of Picasso, Limited Edition On Paper. "Maoulin De La Galette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Max Ernst Original, limited Edition Bronze -Daughter
Max Ernst signed and numbered bronze sculpture, "Daughter". Comes with COA. Some variation in patina might occur. Approx. size: 7x9x8 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Modern Eve - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Unbroken - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Unbroken". Comes with COA. Approx. size: 20"x24". HC-0045
Licenced Disney Etchings Donald Duck
Licenced Disney Etchings "Donald Duck" hand colored, approx dimension 16x12.
Roy Lichtenstein Limited Edition-George Washington
In the Manner of Lichtenstein, Limited Edition on paper, "George Washington". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Joan Miro Original, limited Edition Bronze -Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x16x16
"La Pais Amis" - Icart - Limited Edition on Paper
In the Manner of Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Lady's Antique Style Sterling Silver Golden Citrine & Diamond Earrings
Lady's Antique Style Sterling Silver Golden Citrine & Diamond Earrings, Golden Citrine approx 1 ct, Diamonds approx .75 cts, VS1, color G.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Buckled Shoed Man - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Buckled Shoed Man". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Botero Original limited Edition Bronze Sculpture - Dove II
Botero signed and numbered bronze, " Dove II ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x9" Inch.
Pablo Picasso and Vincent Van Gogh -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO and VAN GOGH, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Upward - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Upward". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Portrait II
In the Manner of Lichtenstein, Limited Edition on paper, "Landscape with Figures and Rainbow".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Dali - Limited Edition - Gala's Dream
In the Manner of Dali, limited edition "Gala's Dream". Out of an edition of 95. Edition number may vary from pictured.
Lady's Antique Long Style Sterling Silver Black Diamond Earrings
Lady's Antique Long Style Sterling Silver Black Diamond Earrings, Black Diamonds approx 2.5 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Siberain Jade "Bonsai Flowers with vase"
Real Jade Hot Pink Bonsai Flowers on vase, dimensions are approx 11x7 in.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Man With Nude Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With Nude Woman". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x4".
Salvador Dali - Signed Limited Edition
In the Manner of Salvador Dali - Bearing the signature, Limited Edition On Paper. "The Colossus Of Rhodes" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Pierre-Auguste Renoir and Jasper Johns -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of RENOIR and JOHNS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
The Aristocrats - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, The Aristocrats. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Yellow Red and Blue - Kandinsky - Limited Edition on Canvas
In the Manner of Wassily Kandinsky Limited Edition on canvas, "Yellow, Red and Blue". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-SUNRISE
In the Manner of Lichtenstein, Limited Edition on paper, "SUNRISE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Dali Limited Edition - Dali Male, In Contemplation
In the Manner of Dali, limited edition "In the Manner of Dali, Male, In Contemplation". Out of an edition of 95. Edition number may vary from pictured.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lady's Beautiful Stylish Sterling Silver White Sapphire Hoop Earrings
Lady's Beautiful Stylish Sterling Silver White Sapphire Hoop Earrings, White Sapphires approx 3 cts.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIL BOXES" CIRCA 19777. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dali Signed Limited Edition Bronze - Ama de Llaves
Dali signed, limited edition Dali sculpture, "Ama de Llaves". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15"x7"x3".
Constantin Brancusi and Robert Rauschenberg-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of BRANCUSI and RAUSCHENBERG, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -HOMME II
Pablo Picasso signed and numbered bronze sculpture, "HOMME II". Comes with COA. Some variation in patina might occur. Approx. size: 19"x8"x5".
Boats at Collioure - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "Boats at Collioure". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Artist Studio- with Model
In the Manner of Lichtenstein, Limited Edition on paper, "Artist Studio- with Model".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Dali Limited Edition - Spinning Man
In the Manner of Dali, limited edition "Spinning Man". Out of an edition of 95. Edition number may vary from pictured.
Leap Frog Bank Cast Iron
Leap Frog Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x6

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THREE-SEVEN-FOUR" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Pierre-Auguste Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of RENOIR and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze - FIGURE
Pablo Picasso signed and numbered bronze sculpture, "FIGURE". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x5".
La Tamise Et Tower Bridge - Andre Derain - Limited Edition on Canvas
Andre Derain Limited Edition on canvas, "La Tamise Et Tower Bridge". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-POW WOW
In the Manner of Lichtenstein, Limited Edition on paper, "POW WOW".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Dali Limited Edition - Gala's Castle At Pubol
In the Manner of Dali, limited edition "Gala's Castle At Pubol". Out of an edition of 95. Edition number may vary from pictured.
World's Fair Bank Cast Iron
World's Fair Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x7
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK ISLAND" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4".
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze - Young Man
Pablo Picasso signed and numbered bronze sculpture, "Young Man". Comes with COA. Some variation in patina might occur. Approx. size: 13"x6"x5".
Roy Lichtenstein Limited Edition-Forest Scene
In the Manner of Lichtenstein, Limited Edition on paper, "Forest Scene".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Bruno Bruni Original, limited Edition Bronze
Bruno Bruni signed and numbered bronze sculpture, . Comes with COA. Some variation in patina might occur. Approx. size: 19x4x4.
Chagall Limited Edition - The Still Life With Flowers
In the Manner of Chagall, limited edition "The Still Life With Flowers". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Small Child With Two Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Small Child With Two Women". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x3"x2".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Edouard Manet and Paul Cezanne-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of MANET and CEZANNE, Set includes 2 Original lithographs. Frame Size: 20”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pablo Picasso Original, limited Edition Bronze -MAN II
Pablo Picasso signed and numbered bronze sculpture, "MAN II". Comes with COA. Some variation in patina might occur. Approx. size: 14"x6"x5".
Bronze "Carpenter" by artist Valtune.
Bronze "Carpenter" by artist Valtune, dimensions are approx 5x5x3 in.
Ballet At The Opera - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Ballet At The Opera". Comes with COA. Approx. size: 20"x24". HC-0045
Roy Lichtenstein Limited Edition-Artist Studio - Foot Medication
In the Manner of Lichtenstein, Limited Edition on paper, "Artist Studio - Foot Medication".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Fernando Valls Original, limited Edition Bronze - Boy
Fernando Valls signed and numbered bronze, "Boy". Comes with COA. Some variation in patina might occur. Approx. size: 13x8x4.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Child On Man's Lap - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Child On Man's Lap". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x6".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Constantin Brancusi Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of BRANCUSI and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 22”x30”.
Pablo Picasso Original, limited Edition Bronze -MAN III
Pablo Picasso signed and numbered bronze sculpture, "MAN III". Comes with COA. Some variation in patina might occur. Approx. size: 19"x9"x5".
Nocturnal Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H
Ballet Dancers On Stage - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Ballet Dancers On Stage". Comes with COA. Approx. size: 20"x24". HC-0046
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph from - "Ceramiques Monumentales". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Roy Lichtenstein Limited Edition- Still Life with Net, Shell, Rope and Paper
In the Manner of Lichtenstein, Limited Edition on paper, "Still Life with Net, Shell, Rope and Paper".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Dali Limited Edition - Invisible Sleeping Woman
In the Manner of Dali, limited edition "Invisible Sleeping Woman". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORI SULLA BAIA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Bone Antique "King"
Bone Antique "King", approx dimensions 18x9x8 in. In house
Large Remington Real .999 Silver -Wicked Pony
This Frederick Remington sculpture, "Wicked Pony" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Seated Woman on Wood Chair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman on Wood Chair". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 16"x4"x4".
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Head of Man" and "Pierrot". Together they make the perfect pair. Frame Size: 22”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9"x14"x7".
Lady On The Steps - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Lady On The Steps. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Bronze "Cupidon" by artist Monreau.
Bronze "Cupidon" by artist Monreau, dimensions are approx 9x4 in.
Cafe Concert - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Cafe Concert". Comes with COA. Approx. size: 20"x24". HC-0047
Roy Lichtenstein Limited Edition-Still Life with Lemons
In the Manner of Lichtenstein, Limited Edition on paper, "Still Life with Lemons".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Ballerina
Alexander Archipenko signed and numbered bronze sculpture, "Ballerina". Comes with COA. Some variation in patina might occur. Approx. size: 13X7X4.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Limited Edition - Seated Bather
In the Manner of Picasso, limited edition "Seated Bather". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze -PERSONAJE
Joan Miro signed and numbered bronze sculpture, "PERSONAJE". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x7".
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Still Life with Basket of Fruit and Pitcher of Flowers " and "The Painter in His Studio". Together they make the perfect pair. Frame Size: 22”x30”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze SUN TABLE
Salvador Dali signed and numbered bronze sculpture " SUN TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x5".
Dancer In Green Tutu - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Dancer In Green Tutu". Comes with COA. Approx. size: 20"x24". HC-0048
Roy Lichtenstein Limited Edition-Landscape with Red Roof
In the Manner of Lichtenstein, Limited Edition on paper, "Landscape with Red Roof".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Stehender Frauenakt
Alexander Archipenko signed and numbered bronze sculpture, "Stehender Frauenakt". Comes with COA. Some variation in patina might occur.
Picasso Limited Edition - Women Of Algiers
In the Manner of Picasso, limited edition "Women Of Algiers". Out of an edition of 95. Edition number may vary from pictured.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ WATERFRONT" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original, limited Edition Bronze -MADAME
Joan Miro signed and numbered bronze sculpture, "MADAME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Picasso Limited Edition Lithographs
In the Manner of Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Seated Woman " and "Portrait of Dora Maar". Together they make the perfect pair. Frame Size: 22”x28”.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze- SUBLIME MOMENT
Salvador Dali signed and numbered bronze sculpture "SUBLIME MOMENT". Comes with COA. Some variation in patina might occur. Approx. size: 8"x7"x7".
Nocturnal Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Bronze "1909's Indian Chief" by artist Dallin.
Bronze "1909's Indian Chief" by artist Dallin, dimensions are approx 6X4X2 in.
Dancer With Bouqet - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Dancer With Bouqet". Comes with COA. Approx. size: 20"x24". HC-0049
Roy Lichtenstein Limited Edition-RED HORSEMAN
In the Manner of Lichtenstein, Limited Edition on paper, "RED HORSEMAN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Chagall Limited Edition - Red House
In the Manner of Chagall, limited edition "Red House". Out of an edition of 95. Edition number may vary from pictured.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ MARINA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Dutch Artist Arie Van Selm Signed and Numbered Serigraph
Hand signed and numbered serigraph by artist Arie Van Selm, "Opulent". Printed in 1984.
Joan Miro Original, limited Edition Bronze -FEMME SOLEIL
Joan Miro signed and numbered bronze sculpture, "FEMME SOLEIL". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
Lithographs Set by Lichtenstein, Mattisse and Leger
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of DIFERENTS ARTISTS INCLUDES : "A Woman Contemplating a Yellow Cup" In the Manner of Roy Lichtenstein, "Pineapple and Anemones" In the Manner of Henri Mattisse AND "Constructors with Tree" In the Manner of Fernand Leger. Frame Size: 32”x17”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze- WOMAN
Salvador Dali signed and numbered bronze sculpture "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 8"x7"x7".
Top Hat - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Top Hat". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Dancer With Bouqet II - Edgar Degas - Limited Edition on Canvas
In the Manner of Edgar Degas, Limited Edition on canvas, "Dancer With Bouqet II". Comes with COA. Approx. size: 20"x24". HC-0050
Pierre August Renoir Limited Edition-The Point Neuf
In the Manner of Renoir Limited Edition on paper, "The Point Neuf".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Alexander Archipenko Original, limited Edition Sculpture - Torso
Alexander Archipenko signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size:
Picasso Limited Edition - Unknown
In the Manner of Picasso, limited edition "Unknown". Out of an edition of 95. Edition number may vary from pictured.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Guernica - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Guernica". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Hugue Original, limited Edition Bronze - Woman With Wings
Hugue signed and numbered bronze sculpture, "Woman With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
Lithographs Set by Picasso, Modigliani and Gauguin
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of DIFERENTS ARTISTS INCLUDES : "Child with Horse on Wheels" In the Manner of Pablo Picasso, "Portrait of Paul Guillaume" In the Manner of Amedeo Modigliani AND "Bathers" In the Manner of Paul Gauguin. Frame Size: 20”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze- Evangelic Still Life
Salvador Dali signed and numbered bronze sculpture "Evangelic Still Life". Comes with COA. Some variation in patina might occur. Approx. size: 9"x4"x7".
Beauty in the Morning - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in Bronze, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8".
Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 18"x7.5"x5"
Bronze "Inkwell" by artist Tiffany & Co. NY NY.
Bronze "Inkwell" by artist Tiffany & Co. New York New York, Face lifts up, dimensions are approx 6x3 in.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph from - "Ceramiques Monumentales". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Pierre August Renoir Limited Edition-View at Guernsey
In the Manner of Renoir Limited Edition on paper, "View at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Joan Miro Original, limited Edition Bronze - Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x17x17.
Picasso Limited Edition - Mediterranian Landscape
In the Manner of Picasso, limited edition "Mediterranian Landscape". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Trooper Of The Plains
This Frederick Remington sculpture, "Trooper Of The Plains" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Dali Limited Edition Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY
This is a limited edition sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 7"x5"x5".
Lithographs Set by Picasso and Kooning
3 PIECES CONSISTING OF A FRAMED ARTWORK In the Manner of TWO DIFERENTS ARTISTS INCLUDES : "Woman with Beret" and "Bust of a Man" In the Manner of Pablo Picasso also "Red, Yellow and Green" In the Manner of Willem De Kooning . Frame Size: 20”x37”. Very Rare!
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Salvador Dali Enchanting Limited Edition Bronze- FLYING CUP
Salvador Dali signed and numbered bronze sculpture "FLYING CUP". Comes with COA. Some variation in patina might occur. Approx. size: 21"x7"x7".
Pierre August Renoir Limited Edition-Marine at Guernsey
In the Manner of Renoir Limited Edition on paper, "Marine at Guernsey".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Seated Man
Henry Moore signed and numbered bronze sculpture, "Seated Man". Comes with COA. Some variation in patina might occur. Approx. size:12x8x6 Inch.
Picasso Limited Edition - The Artist
In the Manner of Picasso, limited edition "The Artist". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "YACHT HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
M.Kostabi Original, limited Edition Bronze - THE SERVER
M.Kostabi signed and numbered bronze sculpture, "THE SERVER". Comes with COA. Some variation in patina might occur. Approx. size: 31"x13"x9".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bronze "Frog" by artist Tiffany & Co. NY NY.
Bronze "Frog" by artist Tiffany & Co. NY NY, dimensions are approx 2x5x4 in.
Pierre August Renoir Limited Edition-Hills and the Bay of Moulin Huet
In the Manner of Renoir Limited Edition on paper, "Hills and the Bay of Moulin Huet".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze- Homme
Henry Moore signed and numbered bronze sculpture, "Homme". Comes with COA. Some variation in patina might occur. Approx. size:12x11x6 Inch.
Picasso Limited Edition - Italian Woman
In the Manner of Picasso, limited edition "Italian Woman". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BARCA ROSSA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Lynn Chadwick Original, limited Edition Bronze -SEATED WOMAN
Lynn Chadwick signed and numbered bronze sculpture, "SEATED WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 11"x12"x8".
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Beauty in the Morning - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in sculpture, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. Comes with the foundry assay.
Pierre August Renoir Limited Edition-Landscape near Menton
In the Manner of Renoir Limited Edition on paper, "Landscape near Menton".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Seated Woman
Henry Moore signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size:12x8x7 Inch.
Picasso Limited Edition - Le Coiffure
In the Manner of Picasso, limited edition "Le Coiffure". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BAY REFLECTIONS" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bronze "Coyote" by artist Tiffany & Co. NY NY.
Bronze "Coyote" by artist Tiffany & Co. NY NY, dimensions are approx 1x2 in.
Pierre August Renoir Limited Edition-Seine at Camprosay
In the Manner of Renoir Limited Edition on paper, "Seine at Camprosay".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur. Approx dimension 12x5x5 inches.
Dali Limited Edition - Little Ashes
In the Manner of Dali, limited edition "Little Ashes". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIFLESSI DI BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Joan Miro Original Signed Lithograph-
In the Manner of Joan Miró, Lithograph from - "Ceramiques Monumentales". Miró, was the son of a watchmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drwaings recovered by Miró, dating to 1901, when he was only 8 years old. Miró, enrolled at the School of Industrial and Fine Arts in Barcelona until 1910; during his attendance he was taught by Modest Urgell and Josep Pascó.After overcoming a serious bout of typhoid fever in 1911, Miró, decided to devote his life entirely to painting by attending the school of art taught by Francesc Galí. He studied at La Lonja School of Fine Arts in Barcelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same city. His works before 1920 (the date of his first trip to Paris) reflect the influence of different trends, like the pure and brilliant colors used in Fauvism, shapes taken from cubism, influences from folkloric Catalan art and Roman frescos from the churches.His trip to Paris introduced him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La Licorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró, was always to maintain his independent qualities with respect to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Pierre August Renoir Limited Edition-Rowers at Chatou
In the Manner of Renoir Limited Edition on paper, "Rowers at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Original, limited Edition Bronze- Reclining Woman
Henry Moore signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size:8x14x6 Inch.
Chagall Limited Edition - The Juggler
In the Manner of Chagall, limited edition "The Juggler". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Large Remington Real .999 Silver -Norther
This Frederick Remington sculpture, "Norther" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Woman In Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Garden". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Bronze "Young Wolf Bell" by artist Moreau.
Bronze "Young Wolf Bell" by artist Moreau, dimensions are approx 6x45 in.
Pierre August Renoir Limited Edition-View of Bougavil
In the Manner of Renoir Limited Edition on paper, "View of Bougavil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Henry Moore Original, limited Edition Bronze- Sculptural Object
Henry Moore signed and numbered bronze sculpture, "Sculptural Object". Comes with COA. Some variation in patina might occur. Approx. size:15x5x5 Inch.
Picasso Limited Edition - Sleeping Nude
In the Manner of Picasso, limited edition "Sleeping Nude". Out of an edition of 95. Edition number may vary from pictured.
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ BAY" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Limited Edition Picasso - Female Nude (Study for Les Demoiselles d' Avignon) - Collection Domaine Pi
Limited edition Picasso from the Collection Domaine Picasso, "Female Nude (Study for Les Demoiselles d' Avignon)". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by F. Remington
Original Watercolo In the manner of Remington, "Draw or Die" approx dimension 11x14.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Pierre August Renoir Limited Edition-The Bridge at Chatou
In the Manner of Renoir Limited Edition on paper, "The Bridge at Chatou".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Botero Original limited Edition Bronze Sculpture - The Thinker
Botero signed and numbered bronze, "The Thinker ". Comes with COA. Some variation in patina might occur. Approx. size: 13x7x8 Inch.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Ole Friend" approx dimension 11x14.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-Rocky Crags at L'Estaque
In the Manner of Renoir Limited Edition on paper, "Rocky Crags at L'Estaque". Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Botero Original limited Edition Bronze Sculpture -Ballet Dancer
Botero signed and numbered bronze, "Ballet Dancer "Comes with COA. Some variation in patina might occur.. Approx. size: 18x9x6 Inch.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Rained for Days" approx dimension 11x14.
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Pierre August Renoir Limited Edition-The Gust of Wind
In the Manner of Renoir Limited Edition on paper, "The Gust of Wind".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Botero Original limited Edition Bronze Sculpture -Gendarme
Botero signed and numbered bronze, "gendarme ".Comes with COA. Some variation in patina might occur. Approx. size: 11x10x7 Inch.
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Cowboy" approx dimension 11x14.
Illuminated Temple Goddess - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Temple Goddess. Lights up . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18". CC111500
Pierre August Renoir Limited Edition-Le Pont des Arts
In the Manner of Renoir Limited Edition on paper, "Le Pont des Art".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Botero Original limited Edition Bronze Sculpture -Nude Dancer
Botero signed and numbered bronze, "Nude Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 16x11x9 Inch.
Dali Limited Edition - Galleta Of The Spheres
In the Manner of Dali, limited edition "Galleta Of The Spheres". Out of an edition of 95. Edition number may vary from pictured.
Salvador Dali Stunning Limited Edition Real Silver Sculpture - Apparatus and Hand
Salvador Dali signed and numbered real silver sculpture, "Apparatus and Hand". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Pierre August Renoir Limited Edition-Garden in the Rue Cortot
In the Manner of Renoir Limited Edition on paper, "Garden in the Rue Cortot".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - Unknown
In the Manner of Picasso, limited edition "Unknown". Out of an edition of 95. Edition number may vary from pictured.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-DREAMING
In the Manner of ICart, Limited Edition on paper, "DREAMING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - Portrait Of Bibi La Parte
In the Manner of Picasso, limited edition "Portrait Of Bibi La Parte". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Louis Icart Limited Edition-SWING
In the Manner of ICart, Limited Edition on paper, "SWING".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Unkown
Moore signed and numbered bronze sculpture, "Unkown". Comes with COA. Some variation in patina might occur. Approx. size:10x9x4 Inch.
Picasso Limited Edition - Cavalier With A Pipe
In the Manner of Picasso, limited edition "Cavalier With A Pipe". Out of an edition of 95. Edition number may vary from pictured.
Dali Signed and Numbered Real Silver Sculpture - Birdman
Dali Signed and Numbered Real Silver Sculpture, "Birdman". Contains approx. 10Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "Mountain Man" approx dimension 11x14.
Louis Icart Limited Edition-He Loves me, he Loves me not
In the Manner of ICart, Limited Edition on paper, "He Loves me, he Loves me not".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Original limited Edition Bronze Sculpture -Head of Warrior
Picasso signed and numbered bronze, "Head of Warrior "Comes with COA. Some variation in patina might occur.. Approx. size: 10x11x5 Inch.
Picasso Limited Edition - The Bathers
In the Manner of Picasso, limited edition "The Bathers". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by F. Remington
Original Watercolo In the manner of Remington, "Last Stand" approx dimension 11x8.
Louis Icart Limited Edition-Joy of Life
In the Manner of ICart, Limited Edition on paper, "Joy of Life".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Tamayo Original limited Edition Bronze Sculpture -Man
Tamayo signed and numbered bronze, "Man "Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x5 Inch.
Dali Limited Edition - Apparition Of The Visage Of Aphrodite
In the Manner of Dali, limited edition "Apparition Of The Visage Of Aphrodite". Out of an edition of 95. Edition number may vary from pictured.
Original Real Silver Eagle Sculpture by De Lier- Voyager
This is an original, real .999 silver sculpture by De Lier called, "Voyager". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 13"x9"x7" and consists of approx. 10 Troy oz. of silver. It comes with the foundry assay.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by F. Remington
Original Watercolor In the manner of Remington, "The Heat Got It" approx dimension 11x14.
Louis Icart Limited Edition-Symphony in Blue
In the Manner of ICart, Limited Edition on paper, "Symphony in Blue".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Structural Object
Moore signed and numbered bronze, "Structural Object "Comes with COA. Some variation in patina might occur.. Approx. size: 9x9x7 Inch.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Dali Limited Edition - The Torreador
In the Manner of Dali, limited edition "The Torreador". Out of an edition of 95. Edition number may vary from pictured.
Louis Icart Limited Edition-Cat caress
In the Manner of ICart, Limited Edition on paper, "Cat caress".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "Family "Comes with COA. Some variation in patina might occur.. Approx. size: 11x12x4 Inch.
Dali Limited Edition - Specier of Vermeer
In the Manner of Dali, limited edition "Specier of Vermeer". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "The Party", approx dimension 14x22.
Louis Icart Limited Edition-MINUET
In the Manner of ICart, Limited Edition on paper, "MINUET".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "family "Comes with COA. Some variation in patina might occur.. Approx. size: 12x7x4 Inch.
Dali Limited Edition - Head Bombarded With Grains Of Wheat
In the Manner of Dali, limited edition "Head Bombarded With Grains Of Wheat". Out of an edition of 95. Edition number may vary from pictured.
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Limited Edition Picasso - Nude Lying Down - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude Lying Down". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Time For Sugar", approx dimension 14x22.
Louis Icart Limited Edition-Tender Grapes
In the Manner of ICart, Limited Edition on paper, "Tender Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Moore Original limited Edition Bronze Sculpture -Couple
Moore signed and numbered bronze, "Couple "Comes with COA. Some variation in patina might occur.. Approx. size: 10x5x4 Inch.
Picasso Limited Edition - Acrobat On A Ball
In the Manner of Picasso, limited edition "Acrobat On A Ball". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Sleeping Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "The Winner Is", approx dimension 14x22.
Louis Icart Limited Edition-LILIES
In the Manner of ICart, Limited Edition on paper, "LILIES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Picasso Limited Edition - Interior With A Girl Drawing
In the Manner of Picasso, limited edition "Interior With A Girl Drawing". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Reclining Nude - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Reclining Nude". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Need Name", approx dimension 14x22.
Louis Icart Limited Edition-YOUTH
In the Manner of ICart, Limited Edition on paper, "YOUTH".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Picasso Limited Edition - Seated Woman 2
In the Manner of Picasso, limited edition "Seated Woman 2". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Rooster - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Rooster". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Bouncing Candy" approx dimension 14x22.
Vincent Van Gogh Limited Edition-Still Life with Mackerel
In the Manner of Van Gogh Limited Edition on paper, "Still Life with Mackerel".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Dali Limited Edition - The Maximum Speed of Raphael's Madonna
In the Manner of Dali, limited edition "The Maximum Speed of Raphael's Madonna". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Catch!" approx dimension 14x22.
Vincent Van Gogh Limited Edition-Bench with Figures
In the Manner of Van Gogh Limited Edition on paper, "Bench with Figures".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Dali Limited Edition - Meditative Rose
In the Manner of Dali, limited edition "Meditative Rose". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Hello Down There", approx dimension 14x22.
Vincent Van Gogh Limited Edition-Fishing Boats on the Beach
In the Manner of Van Gogh Limited Edition on paper, "Fishing Boats on the Beach".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Dali Limited Edition - Rhinoerotic Disentigration of Ullysses
In the Manner of Dali, limited edition "Rhinoerotic Disentigration of Ullysses". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Picnic Group - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Picnic Group". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "Hello", approx dimension 14x14.
Vincent Van Gogh Limited Edition-IRISES
In the Manner of Van Gogh Limited Edition on paper, "IRISES".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Circus 511
In the Manner of Chagall, limited edition "Circus 511". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Woman Drawing Before A Mirror - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Drawing Before A Mirror". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "What Is This", approx dimension 14x14.
Vincent Van Gogh Limited Edition-Terrance of the Cafe
In the Manner of Van Gogh Limited Edition on paper, "Terrance of the Cafe".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Chagall Limited Edition - Night Bouqet
In the Manner of Chagall, limited edition "Night Bouqet". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "what Do You Think", approx dimension 14x14.
Vincent Van Gogh Limited Edition-Still Life with Open Bible
In the Manner of Van Gogh Limited Edition on paper, "Still Life with Open Bible".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Chagall Limited Edition - Le Cirque 501
In the Manner of Chagall, limited edition "Le Cirque 501". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Abstract - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Abstract". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "And The Winner Is", approx dimension 14x14.
Vincent Van Gogh Limited Edition-Houses in Auvers
In the Manner of Van Gogh Limited Edition on paper, "Houses in Auvers".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Lamon and Drya's Dream
In the Manner of Chagall, limited edition "Lamon and Drya's Dream". Out of an edition of 95. Edition number may vary from pictured.
Original Watercolor by Victoria Ponikvar
Original Watercolor In the manner of Victoria Ponikvar "The Winner", approx dimension 14x14.
Vincent Van Gogh Limited Edition-The Old Mill
In the Manner of Van Gogh Limited Edition on paper, "The Old Mill".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - The Old Guitarist
In the Manner of Picasso, limited edition "The Old Guitarist". Out of an edition of 95. Edition number may vary from pictured.
Vincent Van Gogh Limited Edition-Cottages with Thatched Roofs
In the Manner of Van Gogh Limited Edition on paper, "Cottages with Thatched Roofs".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Combination
In the Manner of Dali, limited edition "Combination". Out of an edition of 95. Edition number may vary from pictured.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Louis Icart Limited Edition-RAIN
In the Manner of ICart, Limited Edition on paper, "RAIN".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Circus 524
In the Manner of Chagall, limited edition "Circus 524". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Seated Woman Relaxing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman Relaxing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Claude Monet Limited Edition-THE WALK
In the Manner of Monet, Limited Edition on paper, "THE WALK".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Circus 491
In the Manner of Chagall, limited edition "Circus 491". Out of an edition of 95. Edition number may vary from pictured.
Unknown Limited Edition-Sacred Heart of Jesus
Unknown Limited Edition on paper, "Sacred Heart of Jesus".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Premature Ossification at a Railway Station
In the Manner of Dali, limited edition "Premature Ossification at a Railway Station". Out of an edition of 95. Edition number may vary from pictured.
Unknown Limited Edition-Sacred Heart of Mary
Unknown Limited Edition on paper, "Sacred Heart of Mary".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Honey Is Sweeter Than Blood
In the Manner of Dali, limited edition "Honey Is Sweeter Than Blood". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Couple Relaxing - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Couple Relaxing". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Real Silver Sculpture by Michael Schofield - Alexandrite
This piece is approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real silver and comes with the foundry assay. Some variations in marble might occur. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Claude Monet Limited Edition-The Marina at Argenteuil
In the Manner of Monet, Limited Edition on paper, "The Marina at Argenteuil".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Accomodation of Desire
In the Manner of Dali, limited edition "Accomodation of Desire". Out of an edition of 95. Edition number may vary from pictured.
Alberto Giacometti Limited Edition-ANNETTE
Alberto Giacometti Limited Edition on paper, "ANNETTE".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - Winter
In the Manner of Chagall, limited edition "Winter". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-Pleasure Boats
In the Manner of Monet, Limited Edition on paper, "Pleasure Boats".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Dali Limited Edition - Morning Ossification of the Cypress
In the Manner of Dali, limited edition "Morning Ossification of the Cypress". Out of an edition of 95. Edition number may vary from pictured.
Claude Monet Limited Edition-Still Life with Pears and Grapes
In the Manner of Monet, Limited Edition on paper, "Still Life with Pears and Grapes".Comes with COA. Out of an edition of 95. Edition number may vary from pictured. comes in Beautiful custom matt & frame, approx dimension 20"x16".
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Picasso Limited Edition - Pipers Of Pan
In the Manner of Picasso, limited edition "Pipers of Pan". Out of an edition of 95. Edition number may vary from pictured.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Dali Limited Edition - The Ecumenical Council
In the Manner of Dali, limited edition "The Ecumenical Council". Out of an edition of 95. Edition number may vary from pictured.
Limited Edition Picasso - Unknown Title - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Unknown Title". Museum stamped and comes with COA. Edition size: 500. Edition number varies. CC
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Chagall Limited Edition - The White Window
In the Manner of Chagall, limited edition "The White Window". Out of an edition of 95. Edition number may vary from pictured.
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
Dali Limited Edition - Anthromorphic Cabinet
In the Manner of Dali, limited edition "Anthromorphic Cabinet". Out of an edition of 95. Edition number may vary from pictured.
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Zuniga Limited Edition Real Silver Sculpture - Unknown
Zuniga Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver. Some variation in marble might occur.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Salvador Dali Exquisite Limited Edition Real Silver Sculpture -Venus Di Milo
Salvador Dali Exquisite Limited Edition Real Silver Sculpture , "Venus Di Milo". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown
Real Silver "Abraham Lincoln" Memorial Sculpture - Artist Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Ballet Dancer - Real Silver Sculpture by Preiss
Preiss broze and ivory sculpture, Comes with foundry Assay. Contains approx. 10Troy oz of real silver. Some variation in marble might occur.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Oriental Waiter - Real Silver Sculpture by Preiss
Preiss Real Silver Sculpture, Comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.

07/15/12 Essentially Spectacular $50 EVERYTHING! MUST PREBID!!

Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.