07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings, Pigeon Blood Ruby approx 3ct, Diamonds approx 1 ct VS1, Color G.(140LK)
Medium - Sculptures
Split Skirt - Bronze and Ivory Sculpture by Chiparus with Pedestal
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fine Jewelry
Unisex Fancy 14kt White Gold Spinel, Ruby & Diamond Ring
Unisex Fancy 14kt White Gold Spinel, Ruby & Diamond Ring, Spinel approx 10ct, Ruby approx 30 pts & Diamonds approx 30 pts VS1, Color G.(49LK)
Medium - Sculptures
Signed E. Drouot Bronze and Ivory - The Hunter
Signed bronze and ivory art deco sculpture "The Hunter" by artist E. Drouot, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 23x25x9.
Medium - Sculptures
Fiery Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Fine Jewelry
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8.50 ct, Diamonds approx .50ct VS1, Color G.(55LK)
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Harlequin with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Harlequin" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Picasso Signed and Numbered Real Silver Sculpture - Helping Hand
Picasso Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx. 10 Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Fine Jewelry
200ct Ladies Columbian Emerald Necklace oval shaped
Ladies Columbian Emerald oval shaped Necklace with 17 Maltese cross cut Emeralds. Weighing 200.00cts .
Medium - Sculptures
Butterfly Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Butterfly Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17".
Western Americana
Original Relics of the West Shadowbox Morgan Earp
Disadvantages: Alcoholism; Bad Temper; Bloodlust; Intolerance (Blacks); Skinny. Disadvantages: Bad Temper; Overconfidence.Morgan was Tombstone's part-time policeman.Original Relics of the West Shadowbox Contains Brands, Barbedwire, Horseshoes and Badges. Original Relics that tamed the wild west and still linger today. L: 23" W: 17" H: 3" CCG-5162
Medium - Sculptures
Egyptian Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.SB9H1FF
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze Sculpture - Rapture by Deniz
This bronze sculpture by Deniz is called, "Rapture" and measures approx. 24" x 12" x 6" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" , is a limited edition 24K gold layered bronze sculpture.
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50CT CLARITY IS VS2 COLOR IS I
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 16ct, Diamonds approx .25ct VS1, Color G.(68LK)
Fine Jewelry
Fancy Style 14kt White Gold Amethyst & Diamond Earrings
Fancy Style 14kt White Gold Amethyst & Diamond Earrings, Amethyst approx 6ct, Diamonds approx 1ct VS1-2, Color J.(145LK)
General - Prints/Reproductions
Limited Edition Picasso - Vase of Flowers - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Vase of Flowers". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Spirit of American (small) by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Spirit of American (small)" and measures approx. 10" x 4" x 4" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE CANVASBACK DUCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signedbronze sculpture layered with 24K gold. It is entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali and comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 7.5 in. x 7 in. x 4 in.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "MIXED BROOD" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU DE PROFIL, FIGURE LISANT", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 8.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Fine Jewelry
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings
Fancy Style 14kt White Gold Pigeon Blood Ruby & Diamond Earrings, Pigeon Blood Ruby approx 3ct, Diamonds approx 1 ct VS1, Color G.(150LK)
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "PICADOR ET TORERO" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Fashion Jewelry
Lady's Fancy 14kt White Gold Tri-Color (Aqua Marine, Peridot & Pink Sapphire) Ring
Lady's Fancy 14kt White Gold Tri-Color (Aqua Marine, Peridot & Pink Sapphire) Ring, apporox 4.5 ct.
General - Old Masters
Still Life with Pears and Grapes by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise) , "Dante". Comes with COA and beautifully framed.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Regular Division of the Plane III, comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fine Jewelry
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace
Lady's 14 kt White Gold Multi Sapphire/Diamond Necklace, Sapphires approx 20 cts & Diamonds total weight 5 cts.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Lithographs
Limited Edition Pete Rose REDS Jersey
This is a Limited Edition Pete Rose Red's (#14)Jersey, framed in a Shadow Box, frame on Red Swede with laser cut Red's logo and two 8x10 photos. Original hand sign by Pete Rose Himself he also signed unusual (CHARLY HUSTLER). This piece is numbered from an edition of 500. The inside dimension is 29"H x 40"W.
Medium - Lithographs
Portrait of a Woman by Paul Cezanne "Lithograph"
Portrait of a Woman by Paul Cezanne. Limited Edition
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DELAGE" CIRCA 1975.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Fruit Tree" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Boy with Lamb Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Lamb”. Dimensions: 16"H 6"W 5"D
Medium - Sculptures
Rare Salvador Dali Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". Comes with COA. Some variation in patina might occur. Approx. size: 15"x13"x16".
Medium - Sculptures
Bronze Sculpture - Great American Fisherman by D. Hunter
This bronze sculpture by D. Hunter is called, "Great American Fisherman" and measures approx. 30" x 45" x 21" and weighs approx.150lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Sculptures
Signal Man - Bronze and Ivory Sculpture by Pierre Le Faguays
Pierre Le Faguays broze and ivory sculpture, Signal Man. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Red and Yellow Still Life" circa 1931, Bonnard has here expressed his delighted preception of a group of orange and golden fruits. Arranged simply in a basket or bowl of harmonious colour, and surrounded by domestic objects humble in themselves yet obviously beautiful to the artist. Comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Angel of War - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Fine Jewelry
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "STAR" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(57DN)
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "MARINE" CIRCA 1929. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Winged Bust on Marble Base
Dali bronze sculpture layered with 24K gold, "Winged Bust" on marble base. Comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
Medium - Sculptures
Salvador Dali Enchanting 24k Gold Original, limited Edition Bronze - Nostalgia
Salvador Dali signed and numbered bronze sculpture, "Nostalgia". 24k gold layered Comes with COA. Approx. size: 15x9x7. 24K layered gold, marble base, (if provided) is separate and may vary.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur. Approx. size: 18x7x6.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Verlag, Vienna". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Medium - Sculptures
Signed E. Drouot Bronze and Ivory - The Hunter
Signed bronze and ivory art deco sculpture "The Hunter" by artist E. Drouot, base signed , carved ivory beautiful painted patina bronze, sits on a marble base. Approx size: 23x25x9.
General - Prints/Reproductions
Limited Edition Picasso - Woman In Yellow - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In Yellow". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Fine Jewelry
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx .25ct VS1, Color G.(57LK)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE GRIZZLY BEAR" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Les Girls with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girls" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Rare Salvador Dali 24k Gold Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". 24k gold layered Comes with COA. Approx. size: 15"x13"x16". 24K layered gold, marble base, (if provided) is separate and may vary.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "OUTCASTS ON THEIR OWN - YOUNG GIANTS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU AU VISAGE COUPLE", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
LADIES FANCY DIAMOND SKELETON KEY NECKLACE
LADIES FANCY DIAMOND SKELETON KEY NECKLACE, DIAMONDS ARE APPROXIMATELY 0.60CT CLARITY IS VS1 COLOR IS G
Fine Jewelry
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring, Brownish Sapphire approx 2.5ct, Diamonds approx .50 ct VS1, Color G.(48LK)
Fine Jewelry
Antique Style Nevada Blue Turquois Earrings
Antique Style Nevada Blue Turquois Earrings, Stone dimmensions approx 9mm, Turquoise approx 30ct.(152LK)
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise) , "The Angel of the First Heaven". Comes with COA and beautifully framed.
Fine Jewelry
Lady's Fancy 14kt White Gold Sapphire & Diamond Band
Lady's Fancy 14kt White Gold Sapphire & Diamond Band, Sapphire approx 1ct, Diamonds approx 1.50 ct VS2, Color G.(38LK)
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Picador" (1959). Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Old Masters
Windmill by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
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General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Sky and Water I", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Original Works
Original Oil on Canvas. Grapes by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Les Girls with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girls" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Art
Pino on Canvas - The Dancer- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "The Dancer". This very special edition is extremely limited. Image Size: 35" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Man And Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Constructors with Tree by Fernand Leger "Lithograph"
Constructors with Tree by Fernand Leger. Limited Edition
Jewelry & Watches
Lady's Antique Style Promise Sterling Silver Cubic Zirconia Ring
Lady's Antique Style Promise Sterling Silver Cubic Zirconia Ring
Medium - Sculptures
Original Fine Silver Sculpture - First Out by Renfro
This Original Fine Silver sculpture by Renfro is called, "First Out" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Medium - Sculptures
Book Lady - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Book Lady. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Medium - Sculptures
Large Remington Real .999 Silver -Outlaw
This Frederick Remington sculpture, "Outlaw" is approx. .10 Troy ounces of real .999 silver. Comes with foundry Assay.
Medium - Sculptures
Angel of Prayer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns
Dali Signed and Numbered Bronze Sculpture - Faun, Man-Head Horns. Approx. size: 12"x3"x3".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Land Fracture" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Medium - Sculptures
Rare Salvador Dali 24k Gold Limited Edition Bronze- Chandelier de la Paix Menorah
Salvador Dali signed and numbered Monumental bronze sculpture "Chandelier de la Paix Menorah". 24k gold layered Comes with COA. Approx. size: 15"x13"x16". 24K layered gold, marble base, (if provided) is separate and may vary.
Fashion Jewelry
Lady's Tiffany Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
Medium - Sculptures
Bronze Sculpture - Majestic Eagle by De Lier
This bronze sculpture by De Lier is called, "Majestic Eagle" and measures approx. 42" x 36" x 41" and weighs approx. 204lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
Fashion Jewelry
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .33CT
Medium - Lithographs
Andy Warhol Lithographs
Andy Warhol: 2 Piece Color Lithograph Set includes an Orange Marilyn and Campbell’s Elvis by Andy Warhol. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
Fine Jewelry
Lady's Beautiful 14kt White Gold Black Diamond Ring
Lady's Beautiful 14 kt White Gold Black Diamond Ring, Diamond approx 1.25 ct. (3KK)
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Femme dans la Nuit". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Fine Jewelry
Antique Style Nevada Blue Turquois Earrings
Antique Style Nevada Blue Turquois Earrings, Stone dimmensions approx 9mm, Turquoise approx 30ct.(152LK)
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE DUO" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
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General - Prints/Reproductions
Limited Edition Matisse- The Dream - Collection Domaine Matisse
Limited edition Matisse from the Collection Domaine Matisse, "The Dream". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Unisex Very Fancy Yellow Sterling White Sapphire Ring
Unisex Very Fancy Yellow Sterling White Sapphire Ring, White Sapphires approx 3ct.
Medium - Sculptures
Salvador Dali Captivating Original Original, limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Interior with Girl Playing Piano". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Eagle Console Table Bronze and Marble From The 1850's
Beautiful, Fancy, Eagle Console Table - Bronze and Marble From The 1850's. Approx size: 41" x 50" Approx Lbs. 1500.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Les Girl with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Les Girl" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Prints/Reproductions
Limited Edition Picasso - The Resevoir - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Resevoir". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Forgiven Soldier by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 299 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE COTTONTAIL RABBIT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Diva Dancer
This Chiparus sculpture, "Diva Dancer" , is a limited edition 24K gold layered bronze sculpture.
General - Direct from the Artist
Fredrick Phillip Serigraph Limited Edition
Fredrick Phillip Serigraph Limited Edition Beautiful art piece on extra thick paper. This piece is numbered from a limited edition of 295. Paper measures 39" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring, Alexadrite approx 1ct.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "LATE SPRING ON THE BARREN GROUNDS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bronze Maiden Fountain Moreau
Bronze Maiden fountain by artist Moreau, dimensions are about 37x15x12
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Avaricious and the Prodigal". Comes with COA and beautifully framed.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "NU AU ROCKING CHAIR", CIRCA 1914 . Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
LADIES STUNNING DIAMOND HEART KEY & LOCKET CHARM NECKLACE
LADIES STUNNING DIAMOND HEART, LOCKET AND KEY CHARM NECKLACE, SET IN FINE STERLING SILVER, DIAMONDS ARE APPROXIMATELY 1.50 CT CLARITY IS VS2 AND COLOR IS G
Fashion Jewelry
Lady's Fancy 14 kt White Gold Round Shape Peridot & Diamond Ring
Lady's Fancy 14 kt White Gold Round Shape Peridot & Diamond Ring, Peridot approx 2cts, Diamonds approx .10 cts, VS1 color G.
Fine Jewelry
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 3.25 ct, Diamonds approx 1ct VS2, Color G. (39LK)
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Movie - Memorabilia
God Father Double Giclee
"God Father" Double Giclee with Diamond Crown Cigar Box, Gun, Bullets & Rose, approx dimension 20x34.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Picador Bull" Hand pulled and signed. These are beautifully framed and matted.Size 13x15. Very Rare!
Fine Jewelry
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring, Ruby Red Spinel approx 3ct, Diamonds approx .50ct VS1, Color G.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Filmore Mix Media Lithograph "La Grande Station"
Filmore Mix Media Lithograph "La Grande Station" , hand signed Limited Edition, approx dimension 20x20 in.
Collectibles
The Marina at Argenteuil by Monet
Signed, Limited Edition Giclee on Paper
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Cycle", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Original Works
Original Oil on Canvas. Flowers by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Medium - Sculptures
Original Fine Silver Sculpture - Anticipation by Matthews
This Original Fine Silver sculpture by Matthews is called, "Anticipation" and measures approx. 25" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Medium - Sculptures
The Creed - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, The Creed . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut, "Flute Player Dance". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
Medium - Sculptures
Modern Eve - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Eve" is approx. 21"H x6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Medium - Lithographs
Frieze by Jackson Pollock "Lithograph"
Frieze by Jackson Pollock. Limited Edition
Fine Jewelry
Unisex Very Fancy Sterling Silver Diamond Ring
Unisex Very Fancy Sterling Silver Diamond Ring, Diamonds approx 1ct, VS2, color G.
Medium - Sculptures
Fernando Valls Limited Edition Original Limited Edition 24K Gold Layered Bronze Sculpture - Boy
Fernando Valls , "Boy", is a limited edition 24K gold layered bronze sculpture.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SPRINGTIME COLORS" CIRCA 1977.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Salvador Dali Enchanting Original, 24K GOLD limited Edition Bronze - The Persistence of Memory
Marble base is separate and may vary.Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". 24K LAYERED GOLD Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 18x7x6.
Fine Jewelry
Ladies 14K White Gold Diamond Ring
This ladies 14K white gold diamond ring is comprised of one 1.32ct. SI2 clarity and JK color. estimated total carat weight is .22ctw
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Parched Land" comes with certificate of authenticity, framing available at an additional charge.
Decorative Collectibles
Daniel Christian, 1840. Whale tooth with Orante Hand carvings
Daniel Christian, 1840. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 12"x2"
Fashion Jewelry
LADIES FANCY DIAMOND SKELETON KEY NECKLACE
LADIES FANCY DIAMOND SKELETON KEY NECKLACE, DIAMONDS ARE APPROXIMATELY 0.60CT CLARITY IS VS1 COLOR IS G
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- CANOE
Salvador Dali signed and numbered bronze sculpture "CANOE". Comes with COA. Some variation in patina might occur. Approx. size: 5"x13"x5".
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Kunzite, Rubies & Diamond Ring
Lady's Fancy 14kt White Gold Kunzite, Rubies & Diamond Ring, Kunzite approx 12ct, Rubies approx .50ct & Diamonds approx .50 ct VS1, Color G.(65LK)
Fashion Jewelry
Fancy Unisex Silver Emerald Shape Red Ruby & Diamond Ring
Fancy Unisex Silver Emerald Shape Red Ruby & Diamond Ring, Ruby approx 6.76 ct, Diamonds approx 0.02 ct I-2, K in color. (85LK)
Medium - Sculptures
Bronze Sculpture - Eagle's Nest by D. Hunter
This bronze sculpture by D. Hunter is called, "Eagle's Nest" and measures approx. 15" x 11" x 6" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Unisex Fancy 14kt White Gold Oval Ruby Ring
Unisex Fancy 14kt White Gold Oval Ruby Ring, Ruby approx 8ct.(58LK)
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Nude in the Bath" circa 1935, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1937. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch Tanzanite Approx. 30 CT.
Fine Jewelry
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct. (33DN)
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fashion Jewelry
Unisex Very Fancy Yellow Sterling White Sapphire Ring
Unisex Very Fancy Yellow Sterling White Sapphire Ring, White Sapphires approx 3ct.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Flute Player Dance". These are beautifully framed and matted. Size 18x12. Very Rare!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Auvers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Signal Man - Bronze and Ivory Sculpture by Pierre Le Faguays
Pierre Le Faguays broze and ivory sculpture, Signal Man. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Girl with a Mandolin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Girl with a Mandolin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Original Fine Silver Sculpture - Buffalo Hunter by C.M. Russell
This Original Fine Silver sculpture by C.M. Russell is called, "Buffalo Hunter" and measures approx. 15" x 14" x 5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Fine Jewelry
Lady's Gorgeous White Gold Sapphire & Diamond Ring
Lady's White Gold Sapphire & Diamond Ring, Blue Sapphire approx 8 ct, Diamonds approx 30 points VS1, G in color.(26DD)
Fine Jewelry
Unisex Fancy Style 14kt White Gold Amethyst Ring
Unisex Fancy Style 14kt White Gold Amethyst Ring, Amethyst approx 5ct.
Fashion Jewelry
Unisex Fancy 14kt White Gold Marquise Shape Ruby Ring
Unisex Fancy 14kt White Gold Marquise Shape Ruby Ring, Ruby approx 12 ct. (50LK)
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Winged Bust on Marble Base
Dali bronze sculpture layered with 24K gold, "Winged Bust" on marble base. Comes with foundry assay. Some variations in marble might occur. Signed and numbered. Approx . Size: 14" x 7"x 5".
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise) , "The Ascent to Venus". Comes with COA and beautifully framed.
General - Direct from the Artist
LLado VENETIA Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "VENETIA ". Beautiful art piece on extra thick paper. Paper measures 24" x 34". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Captivating Original Original, 24K Gold limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "EVENING EXCURSION" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bronze Maiden Fountain La Rivoli
Bronze Maiden fountain by artist La Rivoli, dimensions are about 52x18x18
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TORSE, LES YEUX NOIRS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1CT.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy Plt HEART Shape Royal Blue Topaz Ring
Topaz approx 4 ct. (78DD)
Fine Jewelry
Lady's Fancy 14kt Yellow Gold Diamond Ring
Lady's Fancy 14kt Yellow Gold Diamond Ring, Diamonds approx 1.10ct VS1, Color G.(69LK)
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Movie - Memorabilia
Elvis & Ali Giclee of both in Las Vegas
"Elvis & Ali" Giclee of both in Las Vegas with real poker chips and Ali wearing the robe Elvis gave him, approx dimension 29x32.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Apres la Pique (After the Lance)", 1959. Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890"
Filmore Mix Media Lithograph "Redondo Beach Hotel , Circa 1890" , hand signed Limited Edition, approx dimension 20x20 in.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Metamorphosis III", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Peter Max Original Acrylic On Canvas - Lady in My Dream-
Original Acrylic on canvas in the manner of Peter Max "Lady in My Dream". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Seated Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Seated Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - The Squall
Signed bronze and ivory art deco sculpture "The Squall" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 30"x10"x4"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Pino on Canvas - Angelica- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Angelica". This very special edition is extremely limited. Image Size: 42" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Medium - Sculptures
Nocturnal Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Nocturnal Dancer" is approx. 21"H x 7"Wx 10"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut, "Bacchanal with Black Bull". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Harlequin With Guitar" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Hermitage Garden. Mainson Rouge by Camille Pissarro "Lithograph"
Hermitage Garden. Mainson Rouge by Camille Pissarro. Limited Edition
Medium - Sculptures
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze Sculpture - Torso
Alexander Archipenko original limited edition 24K gold layered bronze sculpture, "Torso".
Medium - Sculptures
Pablo Picasso Original Original, Limited Edition Bronze - Carmen
Pablo Picasso signed and numbered Relief (sculpture), " Carmen". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
Medium - Sculptures
Salvador Dali Captivating Original Original, 24K Gold limited Edition Bronze - Birdman
Salvador Dali signed and numbered bronze sculpture, "Birdman". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA.
Fine Jewelry
Loose 1.50cts Round Brilliant Cut Black Diamond
One loose round brilliant cut black diamond weighing1.50cts and measuring 9.02 x 9.01 x 5.70mm.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Planter Alabaster Sculpture
This is an Planter Alabaster Sculpture. Dimensions: 12"H 7"W 7"D
Fashion Jewelry
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1.05CT.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - COW
Botero signed and numbered bronze, " Cow ". Comes with COA. Some variation in patina might occur. Approx. size: 19x12x8 Inch.
Medium - Sculptures
Bal Costume - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture , "Bal Costume" . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x15x8".
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Lithographs
Louis Icart Original Litographs
3 Piece Color Lithograph by Louis I cart. Set includes 3 beautiful Lithographs. Pencil signed in lower right. Frame Size: 18”x32”. Wonderful and Rare!
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "The Open Window" circa 1921, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1939. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Fine Jewelry
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.(34DN)
General - Prints/Reproductions
Limited Edition Manet- The Fifer - Collection Domaine Manet
Limited edition Manet from the Collection Domaine Manet, "The Fifer". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Medium - Sculptures
Rare Pablo Picasso Limited Edition Real Silver Sculpture - Standing Woman, 1947
Pablo Picasso signed and numbered real silver sculpture, "Standing Woman", 1947. Contains approx. 10 Troy ounces of real silver.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Skirted Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Skirted Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Quai De Beray in Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Book Lady - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Book Lady. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
General - Prints/Reproductions
Limited Edition Picasso - The Aficionado - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Aficionado". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Collectibles
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Bacchanal with Black Bull". These are beautifully framed and matted. Size 18x12. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RED FOX" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Fernando Valls Limited Edition Original Limited Edition 24K Gold Layered Bronze Sculpture - Boy
Fernando Valls , "Boy", is a limited edition 24K gold layered bronze sculpture.
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - The First Study For The Madonn
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x9x7.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Furies". Comes with COA and beautifully framed.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "FIRST ON THE WING, YOUNG PINTAILS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "NU ASSIS DE DOS", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
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Fashion Jewelry
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1.05CT.
Fashion Jewelry
Lady's Fancy 14 kt White Gold Marqui Shaped Peridot & Diamond Ring
Lady's Fancy 14 kt White Gold Marqui Shaped Peridot & Diamond Ring, Peridot approx 3 cts, Diamonds approx 2.50 cts, VS1 color G.
Fine Jewelry
Lady's Fancy 14kt White Gold Citrine & Diamond Ring
Lady's Fancy 14kt White Gold Citrine & Diamond Ring, Citrine approx 3 ct, Diamonds approx .25 ct VS1, Color G.41LK)
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Movie - Memorabilia
Giclees of The 10 Greatest Vegas Movies
"The 10 Greatest Vegas Movies", approx dimension 30x34.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut."Pique" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Old Masters
Argenteuil by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Belvedere", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Peter Max Original Acrylic On Canvas - Love Boat-
Original Acrylic on canvas in the manner of Peter Max "Love Boat". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Skirted Dancer with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus "Skirted Dancer" Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
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Medium - Sculptures
Clara - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Clara. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x31x7".
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut, "The Flutists". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
Medium - Sculptures
Beauty in the Morning - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. Capturing the Essence of glamour in this fine art motion dancing in sculpture, gives "Beauty in the Morning" an independent spirit. Approx. size: 22" x 8" x 8" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. Comes with the foundry assay.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Olga Picasso" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Portrait of Paul Guillaume by Amedeo Modigliani "Lithograph"
Portrait of Paul Guillaume by Amedeo Modigliani. Limited Edition
Medium - Sculptures
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.
Decorative Collectibles
Set of 2 Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Set of 2 Roseville Porcelain approx dimensions are 5x4x4
Medium - Sculptures
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - The First Study For The Madonn
Salvador Dali signed and numbered bronze sculpture, "The First Study For The Madonna". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x9x7.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AMALFI" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Fernando Valls Limited Edition Real Silver Sculpture - Boy
Fernando Valls signed and numbered real silver sculpture, "Boy". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver..
Fashion Jewelry
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT
FANCY 14K GOLD WHITE SAPPHIRE DROP PENDANT, DO NOT INCLUDE CHAIN, WHITE SAPPHIRE IS APPROXIMATELY 3CT
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Interior II" comes with certificate of authenticity, framing available at an additional charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fine Jewelry
Lady's Fancy 14kt Yellow Gold Diamond Ring
Lady's Fancy 14kt Yellow Gold Diamond Ring, Diamonds approx 1.10ct VS1, Color G.(69LK)
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- FARANESE MANIEQUIN
Salvador Dali signed and numbered bronze sculpture "FARANESE MANIEQUIN". Comes with COA. Some variation in patina might occur. Approx. size: 10"x11"x14".
Medium - Sculptures
Constantine Brancusi Original, limited Edition Bronze -MAJESTIC
Constantine Brancusi signed and numbered bronze sculpture, "Majestic". Comes with COA. Some variation in patina might occur. Approx. size: 17"x13"x7"
Medium - Sculptures
Bronze Sculpture - Last Dance by De Lier
This bronze sculpture by De Lier is called, "Last Dance" and measures approx. 15" x 8" x 6" and weighs approx.16lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
General - Original Works
Original Signed Lithograph Pierre Bonnard
lithograph in the manner of Pierre Bonard bearing the signature titled "Dining Room Overlooking Garden" circa 1934, Comes with certificate of authenticity, framing available at an additional cost.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "NATURE MORTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Medium - Sculptures
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory
Salvador Dali Stunning Limited Edition Real Silver Sculpture - The Persistence of Memory, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fashion Jewelry
Lady's Fancy Yellow Sterling White Sapphires, Rose Garnet & Amethyst Ring
Lady's Fancy Yellow Sterling White Sapphires & Rose Garnet Ring, White Sapphires approx 3ct, Rose Garnes approx 1.5 ct & Amethysts approx 1ct.
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Collectibles
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "The Flutists". These are beautifully framed and matted. Size 18x12. Very Rare!
Medium - Sculptures
The Creed - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, The Creed . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - The Accordionist - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Accordionist". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - The Rabi by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MALLARD DUCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze Sculpture - Torso
Alexander Archipenko original limited edition 24K gold layered bronze sculpture, "Torso".
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Ring
Lady's Fancy 14kt White Gold Aqua Ring, Aqua approx 4ct.(42LK)
Fine Jewelry
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring
Lady's Fancy 14kt White Gold Amethyst & Diamond Ring, Amethyst approx 8ct, Diamonds approx 1 ct VS1-VS2, Color G.(51LK)
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "CANVASBACK BACHELOR DRAKES RETURN TO LONG ISLAND BAY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise) , "Dante In Doubt". Comes with COA and beautifully framed.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "TETE PENCHEE VERS LA GAUCHE", CIRCA 1914. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
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Fashion Jewelry
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .30CT
Fine Jewelry
Unisex Beautiful 14 Kt White Gold Ruby Ring
Ruby approx 30 points.(80DD)
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Ring
Lady's Fancy 14kt White Gold Aqua Ring, Aqua approx 4ct.(42LK)
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Music Memorabilia
Giclees of The 10 Greatest Guitar Players
Guitar Greatest "The 10 Greatest Guitar Players" Giclees of B.B. King, Buddy Guy, Jimi Hendrix, Jimmy Page, Jeff Beck, Eric Clapton, Duane Allman, Carlos Santana, Stevie Ray Vaughan & Warren Haynes, approx dimension 32x34.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Femme couchée et Homme à la Guitare". Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Fine Jewelry
Unisex Fancy Style 14kt White Gold Amethyst Ring
Unisex Fancy Style 14kt White Gold Amethyst Ring, Amethyst approx 5ct.
General - Prints/Reproductions
Filmore Mix Media Lithograph "Sea Port"
Filmore Mix Media Lithograph "Sea Port" , hand signed Limited Edition, approx dimension 20x20 in.
General - Old Masters
Promenade Near Argenteuil by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Prints/Reproductions
Olive Trees by Van Gogh
Original Lithograph. Dimensions are approx 20x20
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Reptiles", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
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Medium - Sculptures
Cleopatra - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Art
Peter Max Original Acrylic On Canvas - Adriel-
Original Acrylic on canvas in the manner of Peter Max "Adriel". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Original Real Silver Sculpture by Michael Schofield - Alexandrite
This piece is approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real silver and comes with the foundry assay. Some variations in marble might occur. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Medium - Sculptures
Leo Mol Original, limited Edition Bronze
Leo Mol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14x6x5.
Art
Pino on Canvas - Fanciful Dreams- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Fanciful Dreams". This very special edition is extremely limited. Image Size: 54" x 34" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Medium - Sculptures
Salvador Dali Original Limited Edition 24K Gold Layered Bronze Sculpture -Venus Di Milo
Salvador Dali limited edition 24K gold layered bronze sculpture "Venus Di Milo".
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut , "Owl Dancing Music". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
Medium - Sculptures
Salvador Dali Exquisite Original, 24K Gold limited Edition Bronze - Arpion
Salvador Dali signed and numbered bronze sculpture, "Arpion". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Bullfighter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
I Believe that Great Art by Steven A. Wynn "Lithograph"
I Believe that Great Art by Steven A. Wynn. Limited Edition
Fashion Jewelry
14K GOLD BLUE SAPPHIRE HEART PENDANT NECKLACE
14K YELLOW GOLD BLUE SAPPHIRE HEART NECKLACE, BLUE SAPPHIRE IS APPROXIMATELY 1CT.
Decorative Collectibles
Roseville Porcelain approx dimensions are 4x6x5
2nd Generation Roseville Porcelain approx dimensions are 4x6x5
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fine Jewelry
Unisex Fancy 14kt Yellow Gold Sapphire Ring
Unisex Fancy 14kt Yellow Gold Sapphire Ring, Sapphire approx 2ct.(70LK)
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TYRRHENIAN SEA" CIRCA 1979.COMES WITH CERTIFICATE OF AUTHENTICITY. FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Dali Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Fine Jewelry
Lady's 14K White Gold, Diamond Ring
This lady’s 14K white gold diamond ring is comprised of 4 prongs set round brilliant cut diamond. Total estimated diamond’s weight is 1.50 cts. The total weight of the ring is 5.10 grams. Clarity: SI 1-SI 2-I 1, Color: H I
Fashion Jewelry
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring, Golden Sapphire approx 8.5 ct, Diamonds approx 1 ct VS1, Color G.(59LK)
Medium - Sculptures
Girl with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Girl with Basket”. Dimensions: 22"H 9"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Still Life with Pears
Salvador Dali signed and numbered bronze sculpture "Still Life with Pears". Comes with COA. Some variation in patina might occur. Approx. size: 10"x8"x4".
Medium - Sculptures
Brancusi Limited Edition Bronze - Le Coq
Brancusi signed and numbered bronze sculpture, "Le Coq". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
Fashion Jewelry
Lady's Tiffany Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
General - Old Masters
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper.Title " Lagoons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Victory Over Gravity by D. Scott
This bronze sculpture by D. Scott is called, "Victory Over Gravity" and measures approx. 15" x 8" x 9" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
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Medium - Sculptures
Victor Villareal Limited Edition Real Silver Sculpture - Take Five
Victor Villareal signed and numbered real silver sculpture, "Take Five". Contains approx. 10 Troy ounces of real silver.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE, , MINT CONDITION, VERY RARE PIECE TITLED "TETE DE FEMME" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Lapis Approx 150.CTS, diamond Approx .50CT, Color VS1 - G.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Owl Dancing Music". These are beautifully framed and matted. Size 18x12. Very Rare!
Collectibles
Tiffany Style Lamp Shades
Tiffany Style Lamp Shades. 2 pcs.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze -Geopolitical Child Watches The Birth Of T
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". Comes with COA. Some variation in patina might occur. Approx. size: 12x13x4.
General - Original Works
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Portrait of Victor Choqurt". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Original Bronze by Michael Schofield - Alexandrite
This is the first piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Alexandrite adorning the piece. "Alexandrite" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee. During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - The Squall
Signed bronze and ivory art deco sculpture "The Squall" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.. Approx size: 30"x10"x4"
General - Prints/Reproductions
Limited Edition Picasso - Harlequin with Violin - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Harlequin with Violin". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring, Ruby approx 5 ct, Diamonds approx 1.10 ct VS1, Color G.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Beaterice Resolves Dante's Doubt". Comes with COA and beautifully framed.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MULE DEER" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in.
Medium - Sculptures
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - Soft Construction With Boiled
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "BACHELOR MALLARDS SHIFTING FROM LAKE TO MARSH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bronze Kids on See Saw Moreau
Bronze Kids on SeeSaw by artist Moreau, dimensions are about 44x24x52
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE TITLED "LA NUIT", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .33CT
Fashion Jewelry
Lady's Fancy 14 kt White Gold Emerald & Diamond Ring
Lady's Fancy 14 kt White Gold Emerald & Diamond Ring, Emeralds approx 3 cts, Diamonds approx .20 cts, VS1 color G.
Fine Jewelry
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring, Pigeon Blood Ruby approx 3.5ct.(72LK)
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy 14kt White Gold Diamond Promise Ring
Lady's Fancy 14kt White Gold Diamond Promise Ring, Diamonds approx .50ct VS1, Color G.(44LK)
Art
Calder Limited Edition Lithograph
"DLM 173" Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Movie - Memorabilia
Casino Pictures of movie scenes
"Casino" Pictures of movie scenes with cigar, gun, bullets & real Casino Chips, from various Las Vegas Casinos, approx dimension 30x32.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut." Two Women" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Peter Darro Limited Edition Lithograph
Peter Darro Limited Edition Lithograph, signed & numbered, approx dimension 15x12 in.
General - Old Masters
Farmyard in Normandy by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Prints/Reproductions
Starry Night by Van Gogh
Original Lithograph. Dimensions are approx 20x21
Medium - Sculptures
Original Fine Silver Sculpture - Savage by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Savage" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Medium - Sculptures
Signed Preiss Bronze and Ivory - Tennis Player
Signed bronze and ivory art deco sculpture "Tennis Player" by artist Preiss, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 13"x11"x6"
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Art
Peter Max Original Acrylic On Canvas - Lady in My Dream-
Original Acrylic on canvas in the manner of Peter Max "Lady in My Dream". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Medium - Sculptures
Lipschitz Original, limited Edition Bronze - Man with Clarinet
Lipschitz signed and numbered bronze sculpture, "Man with Clarinet". Comes with COA. Some variation in patina might occur. Approx. size: 16x5x5 Inch.
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Fine Jewelry
Lady's 14 kt White Gold Diamond Necklace
Lady's 14 kt White Gold Diamond Necklace, Diamonds weight 15 cts, SI1 SI2 I1, color H I.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10".
Medium - Sculptures
Salvador Dali Magnificent Original, 24K Gold limited Edition Bronze - Soft Construction With Boiled
Salvador Dali signed and numbered bronze sculpture, " Soft Construction With Boiled Beans". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary.
Medium - Lithographs
A Woman Contemplating a Yellow Cup by Roy Lichtenstein "Lithograph"
A Woman Contemplating a Yellow Cup by Roy Lichtenstein. Limited Edition
Engagement & Wedding
Lady's Beautiful Promise Ring Sterling Silver Diamond Ring
Lady's Beautiful Promise Ring Sterling Silver Diamond Ring, Diamond approx .60 ct.
Decorative Collectibles
Roseville Porcelain approx dimensions are 5x4x4
2nd Generation Roseville Porcelain approx dimensions are 5x4x4
Fashion Jewelry
14K GOLD & EMERALD CROSS
14K YELLOW GOLD AND EMERALD CROSS, EMERALD IS APPROXIMATELY .30CT
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Theresa and Her Loving Does - Bronze and Ivory Sculpture by Richeers
L. Richeers extremely rare bronze and ivory sculpture. "Theresa and Her Loving Does". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.Circa 1926 Approx size: 100pd
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring, Pigeon Blood Ruby approx 16.25ct.(71LK)
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Woman With Drawers
This is a limited edition, signed bronze sculpture entitled "WOMAN WITH DRAWERS" by Salvador Dali. Dali painted "Burning Giraffe" during his exile in the United States. Although Dali declared himself apolitical, "I am Dali, and only that.", this painting shows his personal struggle with the battle in his home country. Approx. Dimensions: 7.5 in. x 5 in. x 3.5 in.
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General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Seated Figure in a Landscape" comes with certificate of authenticity, framing available at an additional charge.
Decorative Collectibles
The Ship. Whale tooth with Orante Hand carvings
The Ship. 2nd Generation Whale tooth with Orante Hand carvings. Dimensions are about 4"x2"
Medium - Sculptures
Boy with Basket Alabaster Sculpture
This is an Alabaster Sculpture “Boy with Basket”. Dimensions: 22"H 8"W 8"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- ATOMIC NOSTALGIC
Salvador Dali signed and numbered bronze sculpture "ATOMIC NOSTALGIC". Comes with COA. Some variation in patina might occur. Approx. size: 10"x5"x5".
Medium - Sculptures
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "Woman Head". Comes with COA. Some variation in patina might occur. Approx. size: 11x5x4.
Fashion Jewelry
Lady's Beautiful Silver Pear Shape Citrine & Diamond Ring
Lady's Beautiful Silver Pear Shape Citrine & Diamond Ring, Citrine approx 4.80 ct, Diamonds approx 0.08 ct I-1/I-2, H-I in color. (87LK)
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 22”x31”.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED " LES POISSONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Diamond Badavici Watch
Ladies Fancy Diamond Badavici Watch One of a kind.
General - Prints/Reproductions
Limited Edition Renoir- Unknown - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Unknown". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
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Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x6.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Beautiful Sterling Golden & White Saphire Necklace
Lady's Beautiful Sterling Golden & White Saphire Necklace, Golden Sapphire approx 7 ct, White Sapphire approx 2.5 ct.
General - Prints/Reproductions
Limited Edition Picasso - Mother and Child - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Mother and Child". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - End of the Trail by Fraiser
This Original Fine Silver sculpture by Fraiser is called, "End of the Trail" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Medium - Sculptures
Bruno Bruni Limited Edition Real Silver Sculpture
Bruno Bruni signed and numbered real silver sculpture, . Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Fine Jewelry
Unisex Fancy 14kt White Gold Aqua Marine & Diamond Ring
Unisex Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 8.5ct, Diamonds approx .50ct VS1, Color G.(52LK)
Medium - Sculptures
Salvador Dali Original Limited Edition 24K Gold Layered Bronze Sculpture -Venus Di Milo
Salvador Dali limited edition 24K gold layered bronze sculpture "Venus Di Milo".
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze -Geopolitical Child Watches The B
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x13x4.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Bishop Cum Troubador". Comes with COA and beautifully framed.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "EN ROUTE TO MOULT, GIANT CANADAS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bronze Tiny Moreau
Bronze Tiny by artist Moreau dimensions are about 36x18x12
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General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA ROBE JAUNE, RUBANS NOIRS", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY 18K GENTS SUBMARINER ROLEX
FANCY AUTHENTIC GENTS SUBMARINER ROLEX, 18K TWO TONE, BLUE FACE
Fine Jewelry
Lady's Fancy White Gold Blue Topaz Diamond Ring
Topaz approx 3 ct, Diamonds approx 10 points VS1, G in color.(86DD)
Fashion Jewelry
Lady's Fancy 14 kt White Gold Peridot & Diamond Ring
Lady's Fancy 14 kt White Gold Peridot & Diamond Ring, Peridots approx 5 cts, Diamonds approx 1 ct, VS1 color G.
Art
Calder Limited Edition Lithograph
"DLM 201" Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Le Vase de Fleurs", 1959. Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Old Masters
The Thames below Westminister by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Prints/Reproductions
Café Terrace at Night by Van Gogh
Original Lithograph. Dimensions are approx 20x22
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
General - Original Works
Original Oil on Canvas. Grapes by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
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Art
Peter Max Original Acrylic On Canvas - Love Boat-
Original Acrylic on canvas in the manner of Peter Max "Love Boat". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Fine Jewelry
Lady's Fancy Style Sterling Colombian Emerald Earings
Lady's Fancy Style Sterling Colombian Emerald Earings, approx 30 ct.
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed sculpture made from bronze and layered with 24K gold entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze -Geopolitical Child Watches The B
Salvador Dali signed and numbered bronze sculpture, "Geopolitical Child Watches The Birth Of The New Human". 24K layered gold, marble base, (if provided) is separate and may vary. Comes with COA. Approx. size: 12x13x4.
Fine Jewelry
Lady's 14 kt White Gold Pearl/Diamond Necklace
Lady's 14 kt White Gold Pearl/Diamond Necklace, Diamonds weight 5 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Cockeral Of The Liberation" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Fancy 14 kt Yellow Gold Squared Blk Diamond Earrings
Fancy 14 kt Yellow Gold Squared Blk Diamond Earrings, Blk Diamonds approx 2.5ct.
Fashion Jewelry
STUNNING 18K DATE JUST ROLEX
STUNNING AUTHENTIC DATE JUST ROLEX, 18K TWO TONE, 2004 HAS BOOKLET AND BOX.
Jewelry & Watches
Lady's Fancy Antique Style Sterling Silver Graduated Garnet Ring
Lady's Fancy Antique Style Sterling Silver Graduated Garnet Ring, Graduated Garnets approx 2.5 cts.
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Couple II
Pablo Picasso signed and numbered Relief (sculpture), "Couple II". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
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General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Lady's 14K White Gold Emerald/Diamond Ring
This lady’s 14K White Gold Emerald/Diamond Ring is comprised of 4 prongs set emerald cut emerald, 4 prongs set round cut 19 diamonds and bezel set 37 baguette cut diamonds. Total estimated diamond’s weight are 2.15 cts. Total estimated emerald's weight is 1.85 cts. The total weight of the ring is 15.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 13"H 13"W
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- METAMORPHOSIS OF NARCISSOS
Salvador Dali signed and numbered bronze sculpture "METAMORPHOSIS OF NARCISSOS". Comes with COA. Some variation in patina might occur. Approx. size: 11"x5"x5".
Medium - Sculptures
Brancusi Limited Edition Bronze -MALE TORSO
Brancusi signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x6.
Fashion Jewelry
Tiffany Earrings Fancy
Tiffany Sterling Silver Earrings
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Bronze Sculpture - Spirit of Ecstacy by C. Sykes
This bronze sculpture by C. Sykes is called, "Spirit of Ecstacy" and measures approx. 30" x 16" x 16" and weighs approx. 88lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Lithographs
4 Pieces Color Lithograph
4 Pieces Color Lithograph Set includes: Edgar Degas Lithograph, 2- Jasper Johns Lithographs and Pierre-Auguste Renoir Lithograph. Frame Size: 29”x38”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
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General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA CARAFE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Super Techno Mens Diamond Watch
This watch is 0.12 cts of diamonds, polished stainless steel case and Black band, scratch-free crystal glass. The face is White & Yellow .Fine Japan-made quartz movement with chronograph function. Water-resistant to 100 m (330 ft).Come with two extra band.
Fine Jewelry
Very Fancy Ruby Pendant
Very Fancy Ruby Pendant, Ruby approx 22ct.(151DD)
General - Prints/Reproductions
Limited Edition Renoir- Grand Boulevards - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Grand Boulevards". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Very Fancy Yellow Sterling ROSE Design Golden Sapphire Ring.
Lady's Very Fancy Yellow Sterling ROSE Design Golden Sapphire Ring, Golden Sapphires approx 5 ct.
General - Original Works
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 16ct, Diamonds approx .25ct VS1, Color G.(53LK)
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Blashemers". Comes with COA and beautifully framed.
Medium - Sculptures
Spirit of Ecstasy - Fine Sculpture by Charles Robinson Sykes
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This a antique Gold Patina sculpture . Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Clara - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Clara. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x31x7".
Fine Jewelry
Lady's Fancy Almandine Garnet With White Sapphire Pendant
Lady's Fancy Almandine Garnet With White Sapphire Pendant, Garnet approx 8 ct, White Sapphireapprox 2 ct .
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General - Prints/Reproductions
Limited Edition Picasso - Man Leaning On A Table - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man Leaning On A Table". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Unknown by Shrady
This Original Fine Silver sculpture by Shrady is called, "Unknown" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BLACK BEAR" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10".
General - Direct from the Artist
LLado GIVER MY Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "GIVER MY ". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 16x10x6.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "AUGUST RENDEZVOUS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bronze Sisters Moreau
Bronze Sisters by artist Moreau dimensions are about 31x14x12
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE, FOND MOUCHARABI", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING 18K DATE JUST ROLEX
STUNNING AUTHENTIC DATE JUST ROLEX, 18K TWO TONE, 2004 HAS BOOKLET AND BOX.
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Sirens". Comes framed. Approx. size: 16" x 12"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Music Memorabilia
Elvis Giclee with Gold Record
"Elvis" Giclee with Gold Record "Blue Suede Shoes", Large Image in 3D, also with Biography, approx dimension 32x32.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Picador et Cheval", 1959. Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Medium - Sculptures
Original Fine Silver Sculpture - Tall Feather by Moretti
This Original Fine Silver sculpture by Moretti is called, "Tall Feather" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Medium - Sculptures
Dolly Sisters - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Dolly Sisters. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Mobius Strip II", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Art
Peter Max Original Acrylic On Canvas - Adriel-
Original Acrylic on canvas in the manner of Peter Max "Adriel". Canvas Size: 21" x 16". Comes unframed, stretched. In Mint Condition!.
Art
Original Handsigned Peter Max Overpaint - Liberty Head
Peter Max overpaint handsigned by Peter Max. "Liberty Head" comes with original COA and is approx. 8.5x11in.
General - Original Works
Original Oil on Canvas. Grapes and Peaches by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 26x23.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Woman With Drawers
Salvador Dali signed and numbered bronze sculpture, "Woman With Drawers". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 16x10x6.
General - Prints/Reproductions
"St John on the Cross" - Dali - Limited Edition
Salvador Domingo Felipe Jacinto Dalí i Domènech, 1st Marquis of Púbol (May 11, 1904 – January 23, 1989) was a prominent Spanish Catalan surrealist painter born in Figueres. Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters.[1][2] His best-known work, The Persistence of Memory, was completed in 1931. Dalí's expansive artistic repertoire includes film, sculpture, and photography, in collaboration with a range of artists in a variety of media. Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"[3] to a self-styled "Arab lineage," claiming that his ancestors were descended from the Moors. Dalí was highly imaginative, and also had an affinity for partaking in unusual and grandiose behavior, in order to draw attention to himself. This sometimes irked those who loved his art as much as it annoyed his critics, since his eccentric manner sometimes drew more public attention than his artwork. Plate Limited Edition. Approx. size: 19in x 22in
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman IN Turkish Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Mademoiselle Pogany II by Constantin Brancusi "Lithograph"
Mademoiselle Pogany II by Constantin Brancusi. Limited Edition
Fashion Jewelry
FANCY LADIES DIAMOND ENGAGEMENT RING
FANCY LADIES DIAMOND ENGAGEMENT RING SET IN WHITE GOLD, CENTER DIAMOND IS APPROXIMATELY 1.37CT VS2 CLARITY AND I COLOR ROUND BRILLIANT CUT, 2 DIAMOND BAGQUETTE DIAMONDS ARE APPROXIMATELY 0.25CT.
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VERMOUTH BOTTLES" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Victor Villareal Limited Edition Real Silver Sculpture - Take Five
Victor Villareal signed and numbered real silver sculpture, "Take Five". Contains approx. 10 Troy ounces of real silver.
Fine Jewelry
Lady's 14K White Gold Yellow Diamond/Sapphire Necklace
This ladies 14K White Gold Yellow Diamond/Sapphire Necklace is comprised of 4 prongs set 38 oval cut sapphires, 4 prongs set 76 baguette cut diamonds. Total estimated diamond's weights are 4.00 cts and total estimated yellow sapphire's weights are 24.50 cts. SI 1, SI 2, I 1 clarity and H I color. The total weight of the necklace is 35.80 grams.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 15"H 12"W
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Furniture Nutrition
Salvador Dali signed and numbered bronze sculpture "Furniture Nutrition". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - PEDRITO
Botero signed and numbered bronze, "Pedrito". Comes with COA. Some variation in patina might occur. Approx. size: 12x10x8 Inch.
Medium - Sculptures
Family - Real Silver Sculpture by Henry Moore
Family - Real Silver Sculpture by Henry Moore, comes with foundry Assay. Contains approx. 10 oz of real silver. Some variation in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Black Diamond Approx 5.CTS
General - Prints/Reproductions
Limited Edition Renoir- Estaque - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Estaque". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Collectibles
Porcelain Urn
Porcelain Urn 20x20x38
Fashion Jewelry
Lady's Very Fancy Yellow Sterling ROSE Design Golden Sapphire Ring.
Lady's Very Fancy Yellow Sterling ROSE Design Golden Sapphire Ring, Golden Sapphires approx 5 ct.
Fine Jewelry
Lady's Fancy 14kt White Gold Sapphire & Diamond Band
Lady's Fancy 14kt White Gold Sapphire & Diamond Band, Sapphire approx 1ct, Diamonds approx 1.50 ct VS2, Color G.(38LK)
Fashion Jewelry
Unisex Fancy 14kt White Gold Oval Shape Pigeon Blood Ruby Ring, Very Pretty!!
Unisex Fancy 14kt White Gold Oval Shape Pigeon Blood Ruby Ring, Very Pretty!! Pigeon Blood Ruby approx 22ct.(54LK)
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Dish". Comes with ceritificate of authenticity, framing available at an additonal cost.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Cross of Mars". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Cleopatra - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace
Lady's Fancy Sterling Golden Sapphire & Diamond Necklace, Golden Sapphire approx 6 ct, Diamonds approx .50 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - Studio with Plaster Bust - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Studio with Plaster Bust". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Gift Dancer by Kauba
This Original Fine Silver sculpture by Kauba is called, "Gift Dancer" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE WOODCOCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed sculpture made from bronze and layered with 24K gold entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 10in. x 5 in. x 5 in.
General - Direct from the Artist
LLado "Trail of Flowers II" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "Trail of Flowers II". Beautiful art piece on extra thick paper. Paper measures 32" x 32". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 17x10x4.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "YOUNG CANVASBACK ON THE MOVE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE A LA CHAISE - LONGUE DANS PAYSAGE", CIRCA 1922. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING LADIES ROYAL BLUE TOPAZ & DIAMOND RING
STUNNING LADIES ROYAL BLUE AND DIAMOND RING IN AN ANTIQUE FILLIGRE, BLUE TOPAZ IS APPROXIMATELY 6.00CT AND DIAMONDS ARE APPROXIMATELY 0.60CT VS1 CLARITY AND G COLOR.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Lady's Fancy 14 kt White Gold Golden Sapphire & Diamlond Ring
Lady's Fancy 14 kt White Gold Golden Sapphire & Diamlond Ring, Golden Sapphires approx 1.5 cts, Diamonds approx .15 cts, VS1 color G.
Fine Jewelry
Lady's Fancy 14kt Yellow Gold Diamond Heart Shape Pendant with Necklace
Lady's Fancy 14kt Yellow Gold Diamond Heart Shape Pendant with Necklace, Diamonds approx 3ct VS1-VS2, Color G-H.(79LK)
Fine Jewelry
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Brownish Sapphire & Diamond Ring, Brownish Sapphire approx 2.5ct, Diamonds approx .50 ct VS1, Color G.(48LK)
Medium - Sculptures
Everlasting Love - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Everlasting Love. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x20.5"x7".
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. " Two Women at the Window" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Bedroom at Arles by Van Gogh
Original Lithograph. Dimensions are approx 20x24
Art
Original Handsigned Peter Max Overpaint - Liberty Head
Peter Max overpaint handsigned by Peter Max. "Liberty Head" comes with original COA and is approx. 8.5x11in.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
General - Original Works
Original Oil on Canvas. Flowers by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington Monumental sculpture, "Rattlesnake" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x16"x10".
Medium - Sculptures
Eduardo Chillida Original, limited Edition Bronze
Eduardo Chillida signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Salvador Dali Enchanting Original, 24K Gold limited Edition Bronze - Saint John of the Cross
Salvador Dali signed and numbered bronze sculpture, "Saint John of the Cross". Comes with COA. 24K layered gold, marble base, (if provided) is separate and may vary. Approx. size: 17x10x4.
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Art
Pino on Canvas - Dancing in Barcelona- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dancing in Barcelona". . This very special edition is extremely limited . Image Size: 52" x 38" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet
Lady's 14 kt White Gold Tanzanite/Diamond Bracelet, Tanzanite weight 13 cts, Diamonds weight 3 cts, SI1 SI2 I1, color H I.
Watches
Cartier Re-Pro Watch
Fancy Cartier Reproduction Watch.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Marie Therese Walter III" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring
Lady's Fancy 14kt White Gold Pigeon Blood Ruby Ring, Pigeon Blood Ruby approx 3.5ct.(72LK)
Medium - Lithographs
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas "Lithograph"
Dancer Taking a Bow (The Prima Ballerina) by Edgar Degas. Limited Edition
Engagement & Wedding
Lady's Beautiful Princess Cut Promise Ring Sterling Silver White Sapphire Ring
Lady's Beautiful Princess Cut Promise Ring Sterling Silver White Sapphire Ring, White Sapphire approx 3 cts.
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -L' Homme en Prole a la Paix Couronne Dl Espoir
Pablo Picasso signed and numbered Relief (sculpture), "L' Homme en Prole a la Paix Couronne Dl Espoir". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA SAN MARCO" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Alabaster Framed Art
This is an Alabaster Framed Art. Dimensions: 17"H 17"W
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Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Henry Moore Limited Edition Bronze - Thin Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Thin Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:4x12x6.
Fashion Jewelry
Tiffany Earrings Fancy
Tiffany Sterling Silver Earrings
General - Old Masters
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title " The Codomas" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Perfection by De Lier
This bronze sculpture by De Lier is called, "Perfection" and measures approx. 15" x 11" x 8" and weighs approx. 28bs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
Original Signed Lithograph by Artist AE Housman
lithograph in the manner of AE Housman, bearing the signature, comes with ceritificate of authenticity, framing available at an additonal charge.
Medium - Lithographs
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 22”x30”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TROIS CITRONS" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch Black Lapis Approx 150.CTS
General - Prints/Reproductions
Limited Edition Renoir- Seated Girl - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Seated Girl". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Toulouse Lautrec pencil drawing
Original pencil drawing, in the manner of Toulouse Lautrec. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "In the Hands of Antaeus". Comes with COA and beautifully framed.
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Space Venus
Salvador Dali signed and numbered bronze sculpture, "Space Venus". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Signed Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne bearing the signature, titled "Melting Snow at Fontainbleau". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Signed Preiss Bronze and Ivory - Tennis Player
Signed bronze and ivory art deco sculpture "Tennis Player" by artist Preiss, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 13"x11"x6"
General - Prints/Reproductions
Limited Edition Picasso - Woman With Pigeons - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman With Pigeons". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Arizona by Unknown
This Original Fine Silver sculpture by Unknown is called, "Arizona".It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BOBCAT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington Monumental sculpture, "Rattlesnake" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x16"x10".
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "FAMILY OF SNOW GEESE TRAVELLING SOUTH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Platinum Gold Mountain Man Remington
Platinum and gold patina bronze Mountain Man fountain, fountain is pre plumbed dimensions are about 62x29x30
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PETITE LISEUSE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
FANCY LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 3.00CT AND DIAMONDS ARE APPROXIMATELY 0.10CT VS1 CLARITY COLOR G.
Fine Jewelry
Lady's Fancy 14 Kt Golden Citrine Ring
Citrine approx 2.5 ct, Diamonds approx .40 VS1, G in color.(100DD)
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Ares and Aphrodite". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Diane and the Wolves - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Diane and the Wolves". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:20x25x9.
Fashion Jewelry
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring, approx 12 ct.
Art
Original Handsigned Peter Max Overpaint - Profile II
Peter Max overpaint handsigned by Peter Max. "Profile II" comes with original COA and is approx. 8.5x11in.
General - Prints/Reproductions
Houses at Auvers by Van Gogh
Original Lithograph. Dimensions are approx 20x20
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Fish", comes with certificate of authenticity, framing available at an additional cost.
Medium - Sculptures
Salvador Dali Limited Edition 24K Gold Layered Bronze RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros". It is cast in bronze and then layered with 24K gold. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Evgeniy Vuchetich Original, limited Edition Bronze - Sword Into Plowshare
Signed and numbered bronze by Evgeniy Vuchetich titled, "Sword Into Plowshare". Some variation in patina might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
FANCY LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 3.00CT AND DIAMONDS ARE APPROXIMATELY 0.10CT VS1 CLARITY COLOR G.
Fine Jewelry
Lady's 14 kt White Gold Ruby/Diamond Bracelet
Lady's 14 kt White Gold Ruby/Diamond Bracelet, Ruby approx 8 cts & Diamonds approx weight 4 cts, SI1 SI2 I1, color H I.
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocu, "Banderillas". Hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
Watches
Lady's Beautiful Cartier Reproduction Watch.
Lady's Beautiful Cartier Reproduction Watch - Oval.
Fashion Jewelry
Unisex Fancy 14kt White Gold Oval Shape Sapphire Ring
Unisex Fancy 14kt White Gold Oval Shape Sapphire Ring, Sapphire approx 12.5ct.(60LK)
Medium - Lithographs
Highway by Jasper Johns "Lithograph"
Highway by Jasper Johns. Limited Edition
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Owl
Pablo Picasso signed and numbered Relief (sculpture), "Owl". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Signed Limited Edition Bronze - Terpsicore
Dali signed, limited edition Dali sculpture, "Terpsicore". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Unknown Title
Salvador Dali signed and numbered bronze sculpture "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 5"x9"x4".
Medium - Sculptures
Henry Moore Limited Edition Bronze - Reclining Figure: Fragments
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Fragments". Comes with COA. Some variation in patina might occur. Approx. size: 7x13x4.
Fashion Jewelry
Lady's Beautiful Silver Cushion Shape Citrine & Diamond Ring
Lady's Beautiful Silver Cushion Shape Citrine & Diamond Ring, Citrine approx 6.20 ct, Diamonds approx 0.07 ct I-1/I-2, J-K in color. (89LK)
Collectibles
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature, "Banderillas". These are beautifully framed and matted. Size 18x12. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "TABLE DE TOILETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies Very Very Fany Badavici Watch
Ladies Very Very Fany Badavici Watch Georgous Multi Color Stone, White Sapphire, Amethyst, Citrine, Aqua Marine
Fine Jewelry
Lady's Fancy Sterling Peridot & White Sapphire Necklace
Lady's Fancy Sterling Peridot & White Sapphire Necklace, Sapphire approx 7.5 ct, Peridot approx 6 ct.(39DN)
General - Prints/Reproductions
Limited Edition Renoir- Madame Harriet - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Madame Harriet". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Bertram dal Bornio". Comes with COA and beautifully framed.
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Venus A La Giraffe
Salvador Dali signed and numbered bronze sculpture, "Venus A La Giraffe". Comes with COA. Some variation in patina might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and 29lbs. It is a Limited Edition out of 399. SB8H
Medium - Sculptures
Dolly Sisters - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Dolly Sisters. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Sergeant by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Sergeant" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BLACK DUCK" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "BLUEWINGS ON THEIR WAY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Platinum Gold Bronze Buster Fountain Remington
Platinum and gold patina bronze fountain by artist Frederic Remington Bronco Buster, signed, fountain is pre plumbed dimensions are about 61x29x32
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "LA CAPELINE EN PAILLE D'ITALIE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 1.50CT AND DIAMONDS ARE APPROXIMATELY 1.00CT VS1 CLARITY COLOR I.
Fashion Jewelry
Lady's Stylish 14 kt White Gold Heart Shaped Royal Blue Topaz & Diamond Ring
Lady's Stylish 14 kt White Gold Heart Shaped Royal Blue Topaz & Diamond Ring, Royal Blue Topaz approx 5 cts, Diamonds approx .50 cts, VS1 color G.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Modern Lolita - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Medium - Sculptures
Shimmer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Shimmer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:26"x10"x6.
General - Prints/Reproductions
Mike Stidham Limited Edition Lithograph "Jumping Trout"
Mike Stidham Limited Edition Lithograph "Jumping Trout", signed & numbered, approx dimension 20x16 in.
Art
Original Handsigned Peter Max Overpaint - Heart
Peter Max overpaint handsigned by Peter Max. " Heart" comes with original COA and is approx. 8.5x11in.
General - Prints/Reproductions
Mountain Paradise by Thomas Kinkade
Original Lithograph. Dimensions are approx 20x20
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Drawing Hands", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Fashion Jewelry
STUNNING LADIES TANZANITE AND DIAMOND RING
FANCY LADIES TANZANITE AND DIAMOND RING, TANZANITE IS APPROXIMATELY 1.50CT AND DIAMONDS ARE APPROXIMATELY 1.00CT VS1 CLARITY COLOR I.
Art
Pino on Canvas - Everlasting Beauty- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Everlasting Beauty". . This very special edition is extremely limited . Image Size: 28" x 40" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Le Faune". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Au Cheau Gris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
999 Gold Chinese Zodiac Pendants (ROOSTER)
999 Gold Chinese Zodiac Pendants (ROOSTER)
Medium - Lithographs
Flag on Orange Field II by Jasper Johns "Lithograph"
Flag on Orange Field II by Jasper Johns. Limited Edition
Decorative Collectibles
Roseville Porcelain approx dimensions are 7x5x2
2nd Generation Roseville Porcelain approx dimensions are 7x5x2
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Still Life
Pablo Picasso signed and numbered Relief (sculpture), "Still Life". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW OF SAN GIORGIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Thin Man
Dali sculpture, "Thin Man" is approx. 3.52 oz of fine real .999 silver. Sculpture measures approx. 9". Comes with foundry Assay.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Young Girl Garden Figure
This is an Resin Garden Figure “Young Girl”. Dimensions: 22"H 10"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- DREAMS
Salvador Dali signed and numbered bronze sculpture "DREAMS". Comes with COA. Some variation in patina might occur. Approx. size: 9"x6"x5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Walking Man II
Alberto Giacometti signed and numbered bronze sculpture, "Walking Man II". Comes with COA. Some variation in patina might occur. Approx. size: 15x9x5.
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
General - Old Masters
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. Title "The Cowboy" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Buffalo Standing by Kauba
This bronze sculpture by Kauba is called, "Buffalo Standing". It comes with foundry paperwork.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Fernando Valls Limited Edition Real Silver Sculpture - Boy
Fernando Valls signed and numbered real silver sculpture, "Boy". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver..
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Georgous All natural Abolone Approx 250CTS.
Fine Jewelry
Lady's Fancy 14 Kt White Gold Black & White Diamond Ring
Black Diamond approx 1.25 ct, White Diamonds approx .15 ct VS1, G in color.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Logician Devil". Comes with COA and beautifully framed.
Glassware
Cobalt Crystal Flow Vase
Cut Crystal Flow Vase, Cobalt color, Dimensions are about H:25" W:10" L:13"
General - Prints/Reproductions
Limited Edition Renoir- Les Baigneuses - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Les Baigneuses". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Lady's Fancy Yellow Sterling White Sapphire & Golden Citrine Ring
Lady's Fancy Yellow Sterling White Sapphire & Golden Citrine Ring, White Sapphires approx 2ct, Golden Citrines approx 4ct.
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Girl Possessed By Her Chastity
Salvador Dali signed and numbered bronze sculpture, "Girl Possessed By Her Chastity". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape in Northern Paris". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Everlasting Love - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Everlasting Love. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x20.5"x7".
General - Prints/Reproductions
Limited Edition Picasso - Jacqueline With Crossed Hands - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline With Crossed Hands". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Wicked Pony by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Wicked Pony" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Limited Edition 24K Gold Layered Bronze RHINOCEROS Sculpture
This is a rare Salvador Dali sculpture entitled "Rhinoceros". It is cast in bronze and then layered with 24K gold. Etched signature and comes with foundry assay. Some variations in marble might occur. Approx. size: 5"x6"x4".
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "CANVASBACK MOVING TO FEED" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU MAGNOLIA", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY LADIES DIAMOND ENGAGEMENT RING
FANCY LADIES DIAMOND ENGAGEMENT RING SET IN WHITE GOLD, CENTER DIAMOND IS APPROXIMATELY 1.37CT VS2 CLARITY AND I COLOR ROUND BRILLIANT CUT, 2 DIAMOND BAGQUETTE DIAMONDS ARE APPROXIMATELY 0.25CT.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy 14 Kt Royal Blue Topaz & Diamond Ring
Topaz approx 1.5 ct, Diamonds approx .6 ct VS1, H in color.(115DD)
Fine Jewelry
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring, Tanzanite approx 1.5 ct, White Sapphire approx 1.5. (30LK)
Medium - Sculptures
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:16x18x5
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Athene Guides Telemachus' Boat". Comes framed. Approx. size: 16" x 12"
Art
Original Handsigned Peter Max Overpaint - Flag
Peter Max overpaint handsigned by Peter Max. "Flag" comes with original COA and is approx. 8.5x11in.
General - Prints/Reproductions
Charles Jeffrey Lithograph
Charles Jeffrey Lithograph, hand signed, approx dimension 15x25 in.
General - Old Masters
Regatta at St. Adresse by Monet
Regatta at St. Adresse by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
Medium - Sculptures
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture
Bruno Bruni limited edition 24K gold layered bronze sculpture.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Three Spheres I", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Fashion Jewelry
STUNNING LADIES ROYAL BLUE TOPAZ & DIAMOND RING
STUNNING LADIES ROYAL BLUE AND DIAMOND RING IN AN ANTIQUE FILLIGRE, BLUE TOPAZ IS APPROXIMATELY 6.00CT AND DIAMONDS ARE APPROXIMATELY 0.60CT VS1 CLARITY AND G COLOR.
General - Original Works
Original Oil on Canvas. Flowers by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Desmona - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Desmona". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:13x23x8.
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fine Jewelry
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring
Lady's Fancy 14kt White Gold Tanzanite & White Sapphire Ring, Tanzanite approx 1.5 ct, White Sapphire approx 1.5. (30LK)
General - Prints/Reproductions
"Bather" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamond weight 2.50 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Jacqueline In The Studio" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Untitled (Red, Yellow and Green) by Willem De Kooning "Lithograph"
Untitled (Red, Yellow and Green) by Willem De Kooning. Limited Edition
Engagement & Wedding
Unisex Fancy Sterling Silver Diamond Band Ring
Unisex Fancy Sterling Silver Diamond Band Ring, Diamonds approx .20 ct, VS1, color G.
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Pensative Woman
Pablo Picasso signed and numbered Relief (sculpture), "Pensative Woman". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Real .999 Silver Pablo Picasso Limited Edition- Vase Face.
Dali Signed and Numbered Real Silver Sculpture, " Vase Face.". Contains approx. 10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy I
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy I". Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x10".
Medium - Sculptures
Abraham Lincoln Memorial Sculpture
Bronze recreation of the Lincoln Memorial. Great detail. Some variation of patina may occur. Approx. size: 11"x5"x5".
Medium - Sculptures
Bronze Sculpture - Unknown by Shrady
This bronze sculpture by Shrady is called, "Unknown". It comes with foundry paperwork.
Medium - Lithographs
Jasper Johns Lithographs
Jasper Johns: 2 Piece Color Lithograph Set includes an Highway and Flag on Orange Field II by Jasper Johns. Together they make the perfect pair. Frame Size: 22”x30”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LA PALETTE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Unisex Fancy Badavici Watch
Unisex Fancy Badavici Watch Georous Blue Lapis Appox 125.CTS
General - Prints/Reproductions
Limited Edition Renoir- Gabrielle and the Jewels - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Gabrielle and the Jewels". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fine Jewelry
Lady's Fancy 14kt White Gold White Sapphire Ring
Lady's Fancy 14kt White Gold White Sapphire Ring, White Sapphire approx 3ct.(32LK)
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Manto". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Galatea, Nude
Salvador Dali signed and numbered bronze sculpture, "Galatea, Nude". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Roofs". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Diane and the Wolves - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Diane and the Wolves". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:20x25x9.
General - Prints/Reproductions
Limited Edition Picasso - Still Life With Bulls Head - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Still Life With Bulls Head". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Scales of Justice by Mayer
This Original Fine Silver sculpture by Mayer is called, "Scales of Justice". It measures approx. 68" x21"x17.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Fine Jewelry
Lady's Beautiful Sapphire White Gold Pendant
Lady's Sapphire White Gold Pendant, Sapphire approx 30 ct.(52DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE BIGHORN SHEEP" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture
Bruno Bruni limited edition 24K gold layered bronze sculpture.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "BLUEBILL PASS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE, CULOTTE RAYEE, PROFIL REFLETE DANS LA GLACE", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY AUTHENTIC TWO TONE DATE JUST ROLEX
FANCY AUTHENTIC TWO TONE DATE JUST OYSTER PERPETUAL ROLEX
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Royal Blue Topaz Ring
Lady's Very Fancy 14 kt White Gold Royal Blue Topaz Ring, Royal Blue Topaz approx 5 cts.
Medium - Sculptures
Finale - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Finale. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Banquet at the Palace of Menelaus". Comes framed. Approx. size: 16" x 12"
Art
Original Handsigned Peter Max Overpaint - Cosmic Runner
Peter Max overpaint handsigned by Peter Max. " Cosmic Runner" comes with original COA and is approx. 8.5x11in.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Portrait de Jacqueline Accoudée", 1959. Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Fashion Jewelry
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring
Lady's Fancy 14kt White Gold Heart Shape Lab-Ruby Ring, Ruby approx 5 ct, Diamonds approx 1.10 ct VS1, Color G.
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
General - Old Masters
The Palms by Monet
The Palms by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
General - Prints/Reproductions
Drowning Girl by Lichtenstein
Original Lithograph. Dimensions are approx 12x16
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Stars", comes with certificate of authenticity, framing available at an additional cost.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Jewelry & Watches
Lady's Antique Style 14 kt White Gold Diamond Ring
Lady's Antique Style 14 kt White Gold Diamond Ring, Diamonds approx 1.25 ct VS2, Color G.(1KK)
General - Original Works
Original Oil on Canvas. Flowers by M. Faroz
M. Faroz Original Oil on Canvas. Dimensions are approx. 26x38.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Standing Woman
Nadelman signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size:
Fine Jewelry
Lady's Beautiful 14kt White Gold Black Diamond Ring
Lady's Beautiful 14kt White Gold Black Diamond Ring, Diamond Approx 3 ct. (4KK)
Art
Pino on Canvas - Sunday at the Balcony- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Sunday at the Balcony". This very special edition is extremely limited . Image Size: 42" x 30" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring
Men's 14 kt White Gold Pigeon Blood Ruby/Diamond Ring, Ruby approx 9 cts & Diamonds approx weight 1 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Vase Of Flowers" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Police Gazelle by Willem De Kooning "Lithograph"
Police Gazelle by Willem De Kooning. Limited Edition
Jewelry & Watches
Lady's Antique Style Sterling Silver White Sapphire Ring
Lady's Antique Style Sterling Silver White Sapphire Ring, White Sapphires approx 1 ct.
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze - Nude Female
Pablo Picasso signed and numbered Relief (sculpture), "Nude Female". Comes with COA. Some variation in patina might occur. Approx. size: 10x14x6
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Child Golfer Sculpture
This is an Resin Sculpture with bronze finish “Child Golfer”. Dimensions: 16"H 9"W 7"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Sentimental Colloquy II
Salvador Dali signed and numbered bronze sculpture "Sentimental Colloquy II". Comes with COA. Some variation in patina might occur. Approx. size: 13"x15"x6".
Medium - Sculptures
Alexander Archipenko Limited Edition Sculpture - Dancer's Pose
Alexander Archipenko signed and numbered bronze sculpture, "Dancer's Pose". Comes with COA. Some variation in patina might occur. Approx. size: 13X4X4.
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Toreador II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Unknown by Elwell
This bronze sculpture by Elwell is called, "Unknown". It comes with foundry paperwork.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant
Lady's Very Fancy Sterling Silver Necklace With Diamond Pendant, Diamonds Approx 1.25 cts, Color VS1 - G
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "LE GUERIDON ROUGE" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Fine Jewelry
Lady's Fancy 14kt White Gold Citrine & Diamond Ring
Lady's Fancy 14kt White Gold Citrine & Diamond Ring, Citrine approx 3 ct, Diamonds approx .25 ct VS1, Color G.41LK)
General - Prints/Reproductions
Limited Edition Renoir- Nude Study - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Nude Study". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Waterfall of the Phlegethon". Comes with COA and beautifully framed.
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - The Dream
Salvador Dali signed and numbered bronze sculpture, "The Dream". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bridge in the Forest". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Shimmer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Shimmer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:26"x10"x6.
Fine Jewelry
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace
Lady's Beautiful Sterling Diamond & Almandine Garnet Necklace, Almadine Garnet approx 10 CT, Diamonds .50 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - Le Dejeuner sur l'Herbe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Le Dejeuner sur l'Herbe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Angel of Peace - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 21"H x 6"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE CANADA GOOSE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "HERE AM I! WHERE ARE YOU?" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TETE DE JEUNE FILL E AU COL ORGANDI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 1.50CT CLARITY IS VS1 AND COLOR IS G.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Beautiful HEART Shape 14 Kt White Gold Citrine Ring
Citrine approx 3.5 ct.(125DD)
Medium - Sculptures
La Bayadere- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "La Bayadere". Bayadere, from the Portuguese word for dancer, bailaderia, was used in the late 20's to describe Indian dancers and. by extension, dancers in general. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x6".
Fine Jewelry
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring
Lady's Fancy 14kt White Gold Aqua Marine & Diamond Ring, Aqua Marine approx 16ct, Diamonds approx .25ct VS1, Color G.(53LK)
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Proteus". Comes framed. Approx. size: 16" x 12"
Art
Original Handsigned Peter Max Overpaint - Angel with Sun
Peter Max overpaint handsigned by Peter Max. "Angel with Sun" comes with original COA and is approx. 8.5x11in.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. Hand pulled and signed."Mother and Child, with Dancer and Flute Player" These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Michael Coleman Mix Media Litho/Serigraph "Mt. Goats"
Michael Coleman Mix Media Litho/Serigraph "Mt. Goats", hand signed, approx dimension 24x18 in.
General - Old Masters
Port of London by Monet
"Port of London" by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
General - Prints/Reproductions
Poppy Field by Monet
Original Lithograph. Dimensions are approx 20x20
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 1.50CT CLARITY IS VS1 AND COLOR IS G.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Original Joan Miro Lithograph-
In the Manner of Miro, Bearing the Signature, Vibrant and Colorful, Lithograph of unknown name. Comes with COA.
Fashion Jewelry
Lady's Beautiful 2 Tone HEARTS Tiffany Bracelet
Lady's Beautiful 2 Tone HEARTS Tiffany Bracelet. (5KK)
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Brilliant Jean Arp Original, limited Edition Bronze - Sculptural Element
Jean Arp signed and numbered bronze sculpture, "Sculptural Element". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
General - Prints/Reproductions
"Swallow Love" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
Men's 14 kt White Gold Diamond Ring
Men's 14 kt White Gold Diamond Ring, Diamonds weight 2 cts, SI1 SI2 I1, color H I.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
Picassso Original linocut hand pulled and signed. These are beautifully framed and matted. Size 18x12. Very Rare!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
The Loge by Pierre-Auguste Renoir "Lithograph"
The Loge by Pierre-Auguste Renoir. Limited Edition
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x7
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Erotic II
Pablo Picasso signed and numbered Relief (sculpture), "Erotic II". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x4 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN PALACES" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
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Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Lady and Gentlemen Golfers Sculpture
This is an Resin Sculpture with bronze finish “Lady and Gentlemen”. Dimensions: 17"H 12"W 8"D
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- Atmospheric Skull Sodomizing a Grand Piano
Salvador Dali signed and numbered bronze sculpture "Atmospheric Skull Sodomizing a Grand Piano ". Comes with COA. Some variation in patina might occur. Approx. size: 10"x12"x7".
Medium - Sculptures
Brancusi Limited Edition Bronze -SEAL
Brancusi signed and numbered bronze sculpture, "Seal". Comes with COA. Some variation in patina might occur. Approx. size: 18x10x7.
Collectibles
PICASSCO ORIGINAL LINOCUTS.
In the Matter of Picasso, Bearing The Signature. These are beautifully framed and matted. Size 18x12. Very Rare!
Medium - Sculptures
Bronze Sculpture - Boy with Torch by Moreau
This bronze sculpture by Moreau is called, "Boy with Torch" and measures approx. 16" x 9.5" x 7". It comes with foundry paperwork.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
RARE ORIGINAL SIGNED LITHOGRAPH BY ARTIST GEORGES BRAQUE
LITHOGRAPH IN THE MANNER OF GEORGES BRAQUE BEARING THE SIGNATURE, , MINT CONDITION, VERY RARE PIECE TITLED "RAISIN" CIRCA 1942. GEORGES BRAQUE (1883-1963) Georges Braque was at the forefront of the revolutionary art movement of Cubism. Braque's work throughout his life focused on still life’s and means of viewing objects from various perspectives through color, line, and texture. While his collaboration with Pablo Picasso and their Cubist works are best known, Braque had a long painting career that continued beyond Cubism. Braque was also often dedicated to quiet periods in his studio rather than to being a personality in the art world.
Watches
Ladies beautiful Badavici Watch
Ladies beautiful Badavici Watch White Opal Approx 60.CTS
Fine Jewelry
Beautiful Unisex 14kt White Gold Diamond Ring
Beautiful Unisex 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color G.(10KJ)
General - Prints/Reproductions
Limited Edition Renoir- The Skiff - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "The Skiff". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "In the Heaven of Mercury". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
F. Preiss Original Pencil on Paper.
original signed pencil In the manner of F. Preiss . Signed . Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Impeccable Original, limited Edition Bronze - Surrealist Angel
Salvador Dali signed and numbered bronze sculpture, "Surrealist Angel". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "The Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:16x18x5
General - Prints/Reproductions
Limited Edition Picasso - The Abduction Of The Sabine Women - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Abduction Of The Sabine Women". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Tango by Icart
This Original Fine Silver sculpture by Icart is called, "Tango". It measures approx. 17" x 16" x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE TIMBER WOLF" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "STUBBLE MALLARDS NEAR JACKSON CHURCH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Bronze Fighting Aligator Bayre
Bronze fighting aligator by artist Bayre, dimensions are about 29x45
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ACCOUDEE DEVANT PARAVENT FLEURI", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 2.00CT CLARITY IS VS2 COLOR IS I
Medium - Sculptures
Flame Leaper - Bronze and Ivory Sculpture by Preiss
Preiss broze and ivory sculpture, Flame Leaper. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17"x21".
Fashion Jewelry
Lady's Fancy 14 kt White Gold Aqua Marine & Diamond Ring
Aqua Marine approx 75 pts, Diamonds approx 1 ct, VS1 color G.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Venus on a Shell
Dali sculpture, "Venus on a Shell" is approx. 7.05 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Movie - Memorabilia
Scarface Large Hologram The World Is Yours!
Scarface 3D Giclees, set of 4 with narrative, approx dimension 34x32.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut."Two Women" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10".
General - Prints/Reproductions
Clyde Aspeving Mix Media Litho/Serigraph "Tongue River Country"
Clyde Aspeving Mix Media Litho/Serigraph "Tongue River Country", hand signed.
General - Old Masters
The View of Bordighera by Monet
The View of Bordighera by Monet. Beautiful Giclee on Paper. Dimensions are about 20x24
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Double Planetoid", comes with certificate of authenticity, framing available at an additional cost.
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 2.00CT CLARITY IS VS2 COLOR IS I
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Oil on Canvas. Flowers by Fremon
Fremon Original Oil on Canvas. Dimensions are approx. 26x38.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -Horse
Diego Giacometti signed and numbered bronze sculpture, "Horse". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x6.
General - Prints/Reproductions
"The First Spark of the Dog" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
Fancy Style 14kt Yellow Gold Amethyst & Diamond Earrings
Fancy Style 14kt Yellow Gold Amethyst & Diamond Earrings, Amethyst approx 14ct, Diamonds approx .50ct VS1, Color G. (112LK)
Fine Jewelry
Men's 14 kt White Gold Blue Sapphire/Diamond Ring
Men's 14 kt White Gold Blue Sapphire/Diamond Ring, Sapphire approx 3 cts, Diamonds weight 1 cts, SI1 SI2 I1, color H I.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of Man With Barbione" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Young Women at the Water's Edge by Pierre-Auguste Renoir "Lithograph"
Young Women at the Water's Edge by Pierre-Auguste Renoir. Limited Edition
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 10x8
Medium - Sculptures
Pablo Picasso Original, Limited Edition Bronze -Safir
Pablo Picasso signed and numbered Relief (sculpture), "Safir". Comes with COA. Some variation in patina might occur. Approx. size: 13x12x4 Inch.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE D'INVERNO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Classical Male Bust Sculpture
This is an Resin Sculpture with bronze finish “Male Bust ”. Dimensions: 17"H 9"W 6"D
Medium - Sculptures
Salvador Dali Original, limited Edition Sculpture - Alice III
Salvador Dali signed and numbered sculpture sculpture, "Alice III". Comes with COA. Some variation in patina might occur. Approx. size: 20"x20"x7".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - MAN SHOULDERS
Alberto Giacometti signed and numbered bronze sculpture, " MAN SHOULDERS ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x4".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Disappearing Bust Of Voltaire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Alpine Boy by Haubner
This bronze sculpture by Haubner is called, "Alpine Boy" and measures approx. 26" x 10" x 9". It comes with foundry paperwork.
Medium - Lithographs
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds Approx 1.40 cts, color VS1 - G.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Citrine Approx 50.CTS.
General - Prints/Reproductions
Limited Edition Renoir- Bathing In The Seine - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Bathing In The Seine". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Song of the Wise Spirits". Comes with COA and beautifully framed.
Fashion Jewelry
Unisex Fancy Yellow Sterling Rose Garnet & White Sapphires Ring
Unisex Fancy Yellow Sterling Rose Garnet& White Sapphires Ring, Garnet approx 12 ct, White Sapphires approx 3ct.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Joseph DeCamp Original Pencil on Paper.
Original pencil sketch on paper, in the manner of Joseph DeCamp. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - The Centuar
Salvador Dali signed and numbered bronze sculpture, "The Centuar". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "L'estaque and the Bay of Marseilles". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Finale - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Finale. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Jacqueline Seated with Her Black Cat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Jacqueline Seated with Her Black Cat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Archer by Fauays
This Original Fine Silver sculpture by Fauays is called, "Archer". It measures approx. 24.5" x 5.9"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE CARIBOU" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "CANVASBACK OVER DUKE OF YORK PASS" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, TITLED "FIGURE ASSISE, BOUQUET DE FLEURS DEVANT LA MER", CIRCA 1923. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 1.75CT CLARITY IS VS1 AND COLOR IS G.
Fashion Jewelry
Unisex 14 kt White Gold Alexandrite 2 Color Change Ring
Unisex 14 kt White Gold Alexandrite 2 Color Change Ring, Alexandrite approx 3 cts.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Frontispiece". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
The Golfer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "The Golfer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x6"x4".
Fine Jewelry
Lady's Fancy 14kt White Gold Peridot & Diamond Ring
Lady's Fancy 14kt White Gold Peridot & Diamond Ring, Peridot approx 2ct, Diamonds approx 1.25 ct VS1, Color I.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Thin Man
Dali sculpture, "Thin Man" is approx. 3.52 oz of fine real .999 silver. Sculpture measures approx. 9". Comes with foundry Assay.
General - Old Masters
Mount Koisaas by Monet
Signed, Limited Edition Giclee on Paper. Dimensions are approx 20x24.
General - Prints/Reproductions
Purple Petunias 1925 by Georgia O'Keefe
Original Lithograph. Dimensions are approx 12x16
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dream", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 1.75CT CLARITY IS VS1 AND COLOR IS G.
General - Prints/Reproductions
"The Nightengales Song" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
UNISEX AQUAMARINE & DIAMOND RING HEAVY MOUNT
UNISEX AQUAMARINE & DIAMOND RING, HEAVY MOUNT, AQUAMARINE IS APPROXIMATELY 3.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Quatre Nus Au Harem" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Lithographs
Peasant Woman against a Background of Wheat by Vincent Van Gogh "Lithograph"
Peasant Woman against a Background of Wheat by Vincent Van Gogh. Limited Edition
Jewelry & Watches
Lady's Antique Style Sterling Silver Diamond Ring
Lady's Antique Style Sterling Silver Diamond Ring, Diamonds approx 1 ct, VS2, color G.
Medium - Sculptures
Manolo Hugue Original, limited Edition Bronze - Reclining Man
Manolo Hugue signed and numbered bronze sculpture, "Reclining Man". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x4".
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GONDOLE A SAN MARCO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Terpsicore
Dali sculpture, "Terpsicore" is approx. 25 g of fine real .999 silver. Sculpture measures approx. 8 3/8"x 2" x 2". Comes with foundry Assay.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Human
This is a limited edition, signed bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN" watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Bull Rider Sculpture
This is an Resin Sculpture with bronze finish “Bull Rider ”. Dimensions: 12"H 11"W 5.50"D
Medium - Sculptures
Salvador Dali Original, limited Edition Sculpture - Alice II
Salvador Dali signed and numbered sculpture sculpture, "Alice II". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - HOMME
Alberto Giacometti signed and numbered bronze sculpture, " HOMME ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. " Self Portrait Studio Arttire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Dove In Hands by D. Hunter
This bronze sculpture by D. Hunter is called, "Dove In Hands" and measures approx. 9" x 13" x 10" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Exquisite Limited Edition Real Silver Sculpture -Venus Di Milo
Salvador Dali Exquisite Limited Edition Real Silver Sculpture , "Venus Di Milo". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Watches
Ladies Georgous Badavici Quartz Watch
Ladies Georgous Badavici Quartz Watch, with Diamonds
General - Prints/Reproductions
Limited Edition Renoir- After The Bath - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "After The Bath". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Dust of Souls". Comes with COA and beautifully framed.
Fashion Jewelry
Unisex Fancy Yellow Sterling Rose Garnet & White Sapphires Ring
Unisex Fancy Yellow Sterling Rose Garnet& White Sapphires Ring, Garnet approx 12 ct, White Sapphires approx 3ct.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Railway near L'estaque". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
La Bayadere- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "La Bayadere". Bayadere, from the Portuguese word for dancer, bailaderia, was used in the late 20's to describe Indian dancers and. by extension, dancers in general. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x6".
General - Prints/Reproductions
Limited Edition Picasso - Man With A Pipe - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man With A Pipe". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - At the River by Moreau
This Original Fine Silver sculpture by Moreau is called, "At the River". It measures approx. 21" x 7"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE COYOTE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10".
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "REDHEAD PASS, LONG ISLAND BAY" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA JUPE TULLE", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 1.75CT CLARITY IS VS2 COLOR IS I
Fashion Jewelry
Unisex Antique Style 14 Kt White Gold Quartz Stones & Diamond Ring
Unisex Antique Style 14 Kt White Gold Quartz Stones & Diamond Ring , Quartz approx 8 cts, Diamonds approx .50 cts, VS1 color G.
Medium - Sculptures
Harlequine Lamp - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Harlequine Lamp. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. II, "The Omen: The Goshawk and the Dove". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Dali Real .999 Silver Sculpture - Terpsicore
Dali sculpture, "Terpsicore" is approx. 25 g of fine real .999 silver. Sculpture measures approx. 8 3/8"x 2" x 2". Comes with foundry Assay.
Fine Jewelry
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings, Pink Spinel approx 12ct, Diamonds approx .50ct VS1, Color G.(132LK)
General - Prints/Reproductions
Filmore Mix Media Lithograph "Engine Company No. Four"
Filmore Mix Media Lithograph "Engine Company No. Four", hand signed Limited Edition, approx dimension 20x20 in.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Concentric Space", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 1.75CT CLARITY IS VS2 COLOR IS I
General - Original Works
Original Oil on Canvas. Trees by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 26x38.
Fine Jewelry
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring
Lady's Beautiful 14kt White Gold Alexandrite 3 Color Change Ring, Alexadrite approx 1ct. (27LK)
Medium - Sculptures
David Alfaro Siqueros Original, limited Edition Bronze - Woman With Child
David Alfaro Siqueiros signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
General - Prints/Reproductions
"Ladders Cross the Blue Sky" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
Beautiful 14kt Yellow Gold Amethyst Earrings
Beautiful 14kt Yellow Gold Amethyst Earrings, Amethyst approx 12 ct.(122LK)
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Couchee II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Medium - Lithographs
Entrance to a Quarry by Vincent Van Gogh "Lithograph"
Entrance to a Quarry by Vincent Van Gogh. Limited Edition
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy Sterling Silver White Sapphire Ring
Lady's Fancy Sterling Silver White Sapphire Ring, White Sapphires approx 1.5 cts.
Medium - Sculptures
St. John - Real Silver Sculpture by Salvador Dali
St. John - Real Silver Sculpture by Salvador Dali, comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WINTER CANAL" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Angel - stone finish Sculpture
This is an Resin Sculpture with stone finish “ANGEL ”. Dimensions: 24"H 13"W 9"D
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - DESECRATION OF THE MACHINES
Salvador Dali signed and numbered bronze sculpture, "DESECRATION OF THE MACHINES". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x6".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze -MALE
Alberto Giacometti signed and numbered bronze sculpture, " MALE ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x5"x4".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Soy Y Dalie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - The Rabi by D. Hunter
This bronze sculpture by D. Hunter is called, "The Rabi" and measures approx. 18" x 9" x 6" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
Chagall Original Lithographs .
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 30”x21”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Unisex Fancy Sterling Silver Diamond Ring
Unisex Fancy Sterling Silver Diamond Ring, Diamonds are 1.50 ct, Color VS1 - G.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch Amethyst.
Glassware
Cobalt Crystal Flow Vase
Cut Crystal Flow Jar, Cobalt color, Dimensions are about H:10" W:6" L:6"
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Apparition of Dante's Great-Great-Grandfather". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Renoir- Portrait of Jeanne Saurary - Collection Domaine Renoir
Limited edition Renoir from the Collection Domaine Renoir, "Portrait of Jeanne Saurary". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Fancy Yellow Sterling White & Pink Sapphire Ring
Lady's Fancy Yellow Sterling White & Pink Sapphire Ring, White Sapphires approx 1ct, Pink Sapphires approx 3ct.
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Exquisite Original, limited Edition Bronze -Venus Di Milo
Salvador Dali signed and numbered bronze sculpture, "Venus Di Milo". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Avenue of Chestnuts at the Jas De Bouffan in Winter". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Flame Leaper - Bronze and Ivory Sculpture by Preiss
Preiss broze and ivory sculpture, Flame Leaper. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 17"x21".
Fine Jewelry
Lady's Beautiful Sterling Citrine & Diamond Necklace
Lady's Beautiful Sterling Citrine & Diamond Necklace, Citrine approx 10 ct, Diamonds approx .33 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - Maternity - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maternity". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Starfish by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Starfish". It measures approx. 22" x 3.5"x 3" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy 14 Kt Garnet & Diamond Ring
Garnet approx 3 ct, Diamonds approx 20 points VS1, G in color.(76DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MOUNTAIN GOAT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is cast in bronze and then layered with 24K gold. . Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Rita Azlow Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph. Image Size: 30" x 40" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "MID-OCTOBER PASSAGE" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Jesters - Bronze and Ivory Sculpture by Peyre
Peyre bronze and ivory sculpture, Jesters. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x21.5".
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Fine Jewelry
Walking Liberty .50 cents piece.
Walking Liberty .50 cents piece.(170DD)
Medium - Sculptures
Dali Real .999 Silver Sculpture - Female Bust
Dali sculpture, "Female Bust" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Soul of Elpenor". Comes framed. Approx. size: 16" x 12"
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. " Woman at the Window" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Fancy Style 14kt White Gold Amethyst & Diamond Earrings
Fancy Style 14kt White Gold Amethyst & Diamond Earrings, Amethyst approx 6ct, Diamonds approx 1ct VS1-2, Color J.(136LK)
Medium - Sculptures
Limited Edition 24K Gold Layered Bronze Eagle Sculpture by De Lier- Survival
This is a limited edition bronze and then layered with 24K gold. By De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 12"x9"x10". It comes with the foundry assay.
General - Prints/Reproductions
The 1834 House by Patchell-Olsen
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x20
General - Original Works
Original Signed Lithograph by Artist M.C. Escher
Lithograph in the manner of M.C. Escher bearing the signature, titled "Dragon", comes with certificate of authenticity, framing available at an additional cost.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Fashion Jewelry
FANCY LADIES DIAMOND BRACELET
FANCY LADIES DIAMOND BRACELET, DIAMONDS ARE APPROXIMATELY 2CT CLARITY IS VS1 AND COLOR IS G.
Medium - Sculptures
Fritz Wotruba Original, limited Edition Bronze - Walking Man
Fritz Wotruba signed and numbered bronze sculpture, "Walking Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x9x6.
Jewelry & Watches
Lady's Fancy 14kt White Gold Antique Design Diamond Ring
Lady's Fancy 14kt White Gold Antique Design Diamond Ring, Diamond approx 1.50 ct, VS1-VS2, color G.(28LK)
Fine Jewelry
RARE HEART VIOLET SAPPHIRE & DIAMOND RING
RARE HEART VIOLET SAPPHIRE AND DIAMOND RING, VIOLET SAPPHIRE IS APPROXIMATELY 5.00CT AND DIAMOND IS APPROXIMATELY 0.75CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "After Velazquez" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Orange Marilyn by Andy Warhol "Lithograph"
Orange Marilyn by Andy Warhol. Limited Edition
Jewelry & Watches
Lady's Antique Style Sterling Silver White Graduated Garnet Ring
Lady's Antique Style Sterling Silver White Graduated Garnet Ring, Garnets approx 3.5 cts.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze- UNKNOWN
Jacque Lipchitz signed and numbered bronze sculpture UNTITLED. Comes with COA. Some variation in patina might occur. Approx. size: 18"x14"x7"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENETIAN TENEMENTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Two Figures and Root" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Hand Carved Bone Emporer
Hand carved bone emporer, comes with pedestal
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Eocene Beach with Phone
Salvador Dali signed and numbered bronze sculpture, "Eocene Beach with Phone". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x4".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - WOMAN ON CHARRIOT
Alberto Giacometti signed and numbered bronze sculpture, " WOMAN ON CHARRIOT". Comes with COA. Some variation in patina might occur. Approx. size: 17"x5"x5".
Medium - Sculptures
Bronze Sculpture - Forgiven Soldier by D. Scott
This bronze sculpture by D. Scott is called, "Forgiven Soldier" and measures approx.24" x 17" x 12" and weighs approx. 49lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Lithographs
3 Pieces Color Lithograph
3 Pieces Color Lithograph Set includes: 2-Andy Warhol Lithograph and Pierre-Auguste Renoir Lithograph. Frame Size: 32”x30”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Fancy 14kt Gold Emerald Earings
Lady's Fancy 14kt Gold Emerald Earings, Emerald Approx .75 ct.
Watches
Ladies Fancy Badavici Watch
Ladies Fancy Badavici Watch One of a kind Amethyst Approx 150.CTS
General - Prints/Reproductions
Limited Edition Pissaro- Jalais Hill - Collection Domaine Pissaro
Limited edition Pissaro from the Collection Domaine Pissaro, "Jalais Hill". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Lady's Fancy Yellow Sterling White & Pink Sapphire Ring
Lady's Fancy Yellow Sterling White & Pink Sapphire Ring, White Sapphires approx 1ct, Pink Sapphires approx 3ct.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Original Perfection". Comes with COA and beautifully framed.
General - Original Works
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "View of the Arc Valley". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Fancy Sterling Multi Color Natural Spinel Necklace
Lady's Fancy Sterling Multi Color Natural Spinel Necklace, Spinel approx 15 ct.
General - Prints/Reproductions
Limited Edition Picasso - Man In A Straw Hat With An Ice Cream Cone - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Man In A Straw Hat With An Ice Cream Cone". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Cheyenne by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Fine Jewelry
Lady's Beautiful White & Blue Sapphire Ring
Lady's White & Blue Sapphire Fancy Ring, Blue Sapphire approx 5 ct, White Sapphire approx 4 ct. (8DD)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RINGNECK PHEASANT" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Direct from the Artist
Aldo Luango "Dawn" Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by Aldo Luango titled "Dawn". Beautiful art piece on extra thick paper. Paper measures 38" x 31". Hand signed and numbered by the artist. Comes unframed. In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "DEPARTING FOR LONG POINT - OLD CANVASBACK DRAKES" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU AU COUSSIN BLEU", CIRCA 1924. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 1.25CT CLARITY IS VS2 COLOR IS I
Fine Jewelry
Walking Liberty .50 cents piece.
Walking Liberty .50 cents piece.(180DD)
Fashion Jewelry
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pear Shape Golden Sapphire & Diamond Ring, Golden Sapphire approx 8.5 ct, Diamonds approx 1 ct VS1, Color G.(59LK)
Medium - Sculptures
Dali Real .999 Silver Sculpture - Billy Goat
Dali sculpture, "Billy Goat" is approx. 7.05oz of fine real .999 silver. Sculpture measures approx. 5.5". Comes with foundry Assay.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "lake and flute player". Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Three Musicians by Picasso
Original Lithograph. Dimensions are approx 12x16
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 12"x 10". In mint condition!
Medium - Sculptures
Hand Carved Bone Emporer
Hand carved bone emporer, comes with pedestal
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - The Wizard
Rufino Tamayo signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 13x11x5.
Fashion Jewelry
STUNNING UNISEX DIAMOND RING
STUNNING UNISEX DIAMOND RING, DIAMONDS ARE APPROXIMATELY 1.25CT CLARITY IS VS2 COLOR IS I
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
RARE HEART VIOLET SAPPHIRE & DIAMOND RING
RARE HEART VIOLET SAPPHIRE AND DIAMOND RING, VIOLET SAPPHIRE IS APPROXIMATELY 4.00CT AND DIAMOND IS APPROXIMATELY 0.75CT VS1 CLARITY AND G COLOR.
Fine Jewelry
Beautiful Unisex 14kt White Gold Diamond Ring
Beautiful Unisex 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color G.(37LK)
Medium - Lithographs
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol "Lithograph"
Steve Wynn (Red), Steve Wynn (White), Steve Wynn (Gold) by Andy Warhol. Limited Edition
Fine Jewelry
Lady's Very Fancy Sterling Silver Diamond Ring
Lady's Very Fancy Sterling Silver Diamond Ring, Diamonds approx .50 ct, VS2, color G.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 15"x15"x7".
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIO BELVEDERE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Fiery Dancer - Limited Edition Bronze by Sergey with pedestal
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 27"H x 12"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF comes with pedestal
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Large Figure" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Gold bust Sculpture
This is an Resin Bust Sculpture with Gold finish . Dimensions: 25"H 13"W 8"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Soft Watch
Salvador Dali signed and numbered bronze sculpture ( Chromium-plated Edition) "SOFT WATCH". Comes with COA. Some varitations of patina might occur. Approx. size: 8"x 8" x 8"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - GIRL
Alberto Giacometti signed and numbered bronze sculpture, " GIRL ". Comes with COA. Some variation in patina might occur. Approx. size: 17"x4"x4".
Fashion Jewelry
Lady's Tiffany Sterling Silver Bracelet
Lady's Tiffany Sterling Silver Bracelet
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Cosmic Athlete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Eye of God by D. Hunter
This bronze sculpture by D. Hunter is called, "Eye of God" and measures approx. 22" x 14" x 6" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 3.25 ct, Diamonds approx 1ct VS2, Color G. (39LK)
Glassware
Fine Nippon Procelain Fan
Fine Nippon Procelain Fan
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida's History Lesson". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Pissaro- L'Hermitage In Summer - Collection Domaine Pissaro
Limited edition Pissaro from the Collection Domaine Pissaro, "L'Hermitage In Summer". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Very Fancy ROSE Design Yellow Sterling Pearl & Pink Sapphire Ring
Lady's Very Fancy ROSE Design Yellow Sterling Pearl & Pink Sapphire Ring, Pink Sapphires approx 3ct, Pearl approx 6mm.
General - Original Works
Original Pencil Sketch on Paper. Signed F. Preiss
Original pencil skectch on paper. In the manner of F. Preiss. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some varitations of patina might occur. Approx. size: Approx. size:
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Blue Vase". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
The Golfer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "The Golfer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x6"x4".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Limited Edition Picasso - Bust Of A Woman In A Striped Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Bust Of A Woman In A Striped Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Buffalo by Elwell
This Original Fine Silver sculpture by Elwell is called, "Buffalo" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE MOUNTAIN LION" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
BEAUTIFUL SIGNED ORIGINAL LITHOGRAPH BY ARTIST H. ALBERT HOCHBAUM
LITHOGRAPH IN THE MANNER OF H. ALBERT HOCHBAUM BEARING THE SIGNATURE, TITLED "A PAIR OF MALLARDS FOR NEARLY EVERY FARM SLOUGH" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED FIGURE DANS UN INTERIEUR"", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.50CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Fashion Jewelry
Lady's Fancy 14 kt White Gold Pink Sapphire Emerald Cut & Diamond Ring
Lady's Fancy 14 kt White Gold Pink Sapphire Emerald Cut & Diamond Ring, Pink Sapphires approx 2.5 cts, Diamonds approx .20 cts, VS1 color G.
Medium - Sculptures
Kamorna - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kamorna. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x21".
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Tityus". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Dali Real .999 Silver Sculpture - Melting Clock
Dali sculpture, "Melting Clock" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "BACCHANALE A L'ACROBATE", 1959. Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Renoix Serigraph on Canvas
Renoix Serigraph on Canvas, A/P hand signed, approx dimension 22x17 in.
General - Prints/Reproductions
Two Girls at the Piano by Renoir
Original Lithograph. Dimensions are approx 20x20
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.50CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Medium - Sculptures
Fiery Dancer - Limited Edition Bronze by Sergey with pedestal
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 27"H x 12"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF comes with pedestal
Fine Jewelry
Lady's Fancy 14kt White Gold Diamond Promise Ring
Lady's Fancy 14kt White Gold Diamond Promise Ring, Diamonds approx .50ct VS1, Color G.(47LK)
General - Prints/Reproductions
"The Gentleman" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.50CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Cambells Elvis by Andy Warhol "Lithograph"
Cambells Elvis by Andy Warhol. Limited Edition
Jewelry & Watches
Lady's Fancy Antique Style Sterling Silver Diamond Ring
Lady's Fancy Antique Style Sterling Silver Diamond Ring, Diamonds approx .30 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANAL GRANDE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
St. John - Real Silver Sculpture by Salvador Dali
St. John - Real Silver Sculpture by Salvador Dali, comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
Medium - Sculptures
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 24"H x17"W x 8"D and 28lbs. It is a Limited Edition out of 399. SB9H
Medium - Sculptures
Boy on Fish Sculpture
This is an Resin Sculpture with bronze finish “Boy on Fish ”. Dimensions: 20"H 13"W 13"D
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - TRISTAN FOU
Salvador Dali signed and numbered bronze sculpture " Tristan Fou". Comes with COA. Some varitations of patina might occur. Approx. size: 10"x 16" x 8"
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - MAN POINTING
Alberto Giacometti signed and numbered bronze sculpture, " MAN POINTING ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x10"x5".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Blue Horns" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Jerusalem by De Lier
This bronze sculpture by De Lier is called, "Jerusalem" and measures approx. 20" x23" x 17" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Lithographs
Limited Edition Serigraphs by - Kerman
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Kerman Set includes 2 Original Serigraphs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Very Fancy 14kt White Gold Diamond Ring
Lady's Very Fancy 14kt White Gold Diamond Ring, Diamonds approx 1 ct, VS1, Color I.(40LK)
Fashion Jewelry
Lady's Very Fancy ROSE Design Yellow Sterling Pearl & Pink Sapphire Ring
Lady's Very Fancy ROSE Design Yellow Sterling Pearl & Pink Sapphire Ring, Pink Sapphires approx 3ct, Pearl approx 6mm.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Two Circles of Spirits". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - El Gran Masturbador
Salvador Dali signed and numbered bronze sculpture, "El Gran Masturbador". Comes with COA. Some variation in patina might occur. Approx. size: 14x17x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and 30lbs. It is a Limited Edition out of 399. SB6H
Medium - Sculptures
Harlequine Lamp - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Harlequine Lamp. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Fine Jewelry
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - First Out by Renfro
This Original Fine Silver sculpture by Renfro is called, "First Out" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
Fine Jewelry
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(53DN)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE RACCOON" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
Medium - Sculptures
Limited Edition 24K Gold Layered Bronze Eagle Sculpture by De Lier- Survival
This is a limited edition bronze and then layered with 24K gold. By De Lier called, "Survival". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 12"x9"x10". It comes with the foundry assay.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Original Fine Silver Sculpture - Pipilon by Bessin
This Original Fine Silver sculpture by Bessin is called, "Pipilon". It measures approx. 20" x 8"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Medium - Sculptures
Clock - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Clock . Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 11"x9"x6".
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 3.20CT CLARITY IS VS1 AND COLOR IS G
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "The Waves Swallow Up Ulysses". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Dali Real .999 Silver Sculpture - Anthropormorphic
Dali sculpture, "Anthropormorphic" is approx. 1.94 oz of fine real .999 silver. Sculpture measures approx. 4". Comes with foundry Assay.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut."Bacchanal with Black Bull" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Shung Serigraph Limited Edition
Shung Serigraph Limited Edition, hand signed, approx dimension 28x28 in.
General - Prints/Reproductions
The Loge by Renoir
Original Lithograph. Dimensions are approx 20x20
Medium - Sculptures
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Standing Woman, 194
Pablo Picasso original limited edition 24K gold layered bronze sculpture, "Standing Woman".
General - Original Works
Original Oil on Canvas. Trees by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 15x19.
Medium - Sculptures
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 24"H x17"W x 8"D and 28lbs. It is a Limited Edition out of 399. SB9H
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 3.20CT CLARITY IS VS1 AND COLOR IS G
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Femme et Oiseau". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
"Painting, Cat. 30" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Art
Pino on Canvas - Cliffside Retreat- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Cliffside Retreat". . This very special edition is extremely limited . Image Size: 42" x 35" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
Fine Jewelry
LADIES SAPPHIRE & DIAMOND RING
LADIES SAPPHIRE AND DIAMOND RING, SAPPHIRE IS APPROXIMATELY 1.75CT AND DIAMOND IS APPROXIMATELY 2.00CT VS1 CLARITY AND G COLOR
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme A La Toilette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Franklin 1731 by Rockwell "Lithograph"
Franklin 1731 by Rockwell. Limited Edition
Engagement & Wedding
Unisex Fancy Sterling Silver White Sapphire Band Ring
Unisex Fancy Sterling Silver White Sapphire Band Ring, White Sapphires approx 2 cts.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Dali Gala Plaque
Bronze plaque rendition of Dali's "Gala" painting. Medium: bronze with silver finish. Weight: 250 g. Size: 168cmx221cm. Edition size:1500
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Young Boy and Girl Sculpture
This is an Resin Sculpture with bronze finish “Young Boy and Girl”. Dimensions: 15"H 11"W 9"D
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -DOVE
Pablo Picasso signed and numbered bronze sculpture, "DOVE". Comes with COA. Some variation in patina might occur. Approx. size: 9"x 10"x 6".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - HEAD OF DIEGO
Alberto Giacometti signed and numbered bronze sculpture, "HEAD OF DIEGO ". Comes with COA. Some variation in patina might occur. Approx. size: 18"x4"x4".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Cosmic Rays" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Limited Edition Lithographs by Wooster Scott
2 Piece Color Lithograph by Wooster Scott. Set includes 2 beautiful Lithographs. Pencil signed in lower right and numbered. Frame Size: 34”x24”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Pissaro- Boulevard Montmarte - Collection Domaine Pissaro
Limited edition Pissaro from the Collection Domaine Pissaro, "Boulevard Montmarte". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Unisex Yellow Sterling Garnet & White Sapphire Ring
Unisex Yellow Sterling Garnet & White Sapphire Ring, Garnets approx 6 ct & White Sapphire approx 2 ct.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Cacciaguida Sees Dante's Exile in God". Comes with COA and beautifully framed.
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Traces of War
Salvador Dali signed and numbered bronze sculpture, "Traces of War". Comes with COA. Some variation in patina might occur. Approx. size: 12x9x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Mont Sainte Victorie Seen From Bellevue". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Jesters - Bronze and Ivory Sculpture by Peyre
Peyre bronze and ivory sculpture, Jesters. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x21.5".
General - Prints/Reproductions
Limited Edition Picasso - Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Original Fine Silver Sculpture - Savage by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Savage" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST FRANCIS LEE JAQUES
LITHOGRAPH IN THE MANNER OF FRANCIS LEE JAQUES BEARING THE SIGNATURE, TITLED "THE WHITE-TAIL DEER" COMES WITH CERTIFICATE OF AUTHENTICITY, FRAMING AVAILABLE AT AN ADDITIONAL COST.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE A LA CULOTTE DE SATIN ROUGE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.25CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Fine Jewelry
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 14 ct. (192DD)
Medium - Sculptures
Leotard Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Leotard Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x22".
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, ". . . I am Ulysses". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Dali Real .999 Silver Sculpture - Lovers
Dali sculpture, "Lovers" is approx. 2.82 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Bacchanale" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
JT Jado Serigraph "The Secret Garden"
JT Jado Serigraph "The Secret Garden", signed, approx dimension 30x44 in.
General - Prints/Reproductions
Tulips in a Vase by Renoir
Signed Original Lithograph. Dimensions are approx 20x20
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.25CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Constantin Brancusi Original, limited Edition Bronze -Seagull
Constantin Brancusi signed and numbered bronze sculpture, "Seagull". Comes with COA. Some variation in patina might occur. Approx. size: 21x4x3 Inch.
General - Prints/Reproductions
"Woman and Birds in a Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fine Jewelry
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 12.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Lobster and Cat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Fine Jewelry
Lady's Beautiful Sterling Silver Swirl Diamond Ring
Lady's Beautiful Sterling Silver Swirl Diamond Ring, Diamonds approx .20 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZETTA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Water Girl Sculpture
This is an Resin Sculpture with bronze finish “Water Girl”. Dimensions: 18"H 10"W 9"D
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - TALL FIGURE
Alberto Giacometti signed and numbered bronze sculpture, " TALL FIGURE ". Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x4".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " Die Aura" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Standing Jesus by D. Hunter
This bronze sculpture by D. Hunter is called, "Standing Jesus" and measures approx. 19" x 6" x 8" and weighs approx. 31lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
PICASSCO ORIGINAL LINOCUTS.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original linocuts. Pencil signed in lower right. Together they make the perfect pair. Frame Size: 32”x22”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Beautiful One loose round brilliant cut black diamond
Beautiful One loose round brilliant cut black diamond Approx .3 ct.
General - Prints/Reproductions
Limited Edition Pissaro- Washington House and Mill At Osny - Collection Domaine Pissaro
Limited edition Pissaro from the Collection Domaine Pissaro, "Washington House and Mill At Osny". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Beatrice Comforts The Poet". Comes with COA and beautifully framed.
Fashion Jewelry
Unisex Yellow Sterling Garnet & White Sapphire Ring
Unisex Yellow Sterling Garnet & White Sapphire Ring, Garnets approx 6 ct & White Sapphire approx 2 ct.
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - Old Age
Salvador Dali signed and numbered bronze sculpture, "Old Age". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Bather". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Kamorna - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kamorna. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x21".
General - Prints/Reproductions
Limited Edition Picasso - Women On The Banks Of The Seine - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Women On The Banks Of The Seine". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Original Fine Silver Sculpture - Tall Feather by Moretti
This Original Fine Silver sculpture by Moretti is called, "Tall Feather" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Standing Woman, 194
Pablo Picasso original limited edition 24K gold layered bronze sculpture, "Standing Woman".
General - Direct from the Artist
John Auduborn Lithograph "Common American Swan"
Lithograph by John Auduborn titled "Common American Swan", approx dimension 16x22in.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS A LA CHEMISE DE TULLE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.80CT CLARITY IS VS1 AND COLOR IS G
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Footsteps
Signed bronze and ivory art deco sculpture "Footsteps" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base.Approx size: 22" x 9"x5".
Music Memorabilia
Bob Marley Small Hologram
"Bob Marley" 3D Giclee with engraved signature, mini gold record and mini guitar. Approx dimension 23x25.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Female Figure
Dali sculpture, "Female Figure" is approx. 2.11 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
General - Prints/Reproductions
Pence Serigraph
Pence Serigraph, A/P hand signed, approx dimension 24x42 in.
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Geopolitical Child Watches The Birth Of T
This is a limited edition bronze layered with 24K gold entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN (1943)" by Salvador Dali. This statue adaptation of The Birth of the New Human is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
"Catalan Landscape" - Miro - Limited Edition
Joan Miró i Ferrà (April 20, 1893 – December 25, 1983; Catalan pronunciation: was a Spanish Catalan painter, sculptor, and ceramist born in Barcelona. Earning international acclaim, his work has been interpreted as Surrealism, a sandbox for the subconscious mind, a re-creation of the childlike, and a manifestation of Catalan pride. In numerous interviews dating from the 1930s onwards, Miró expressed contempt for conventional painting methods as a way of supporting bourgeois society, and famously declared an "assassination of painting" in favour of upsetting the visual elements of established painting. Limited edition Limited Edition on paper. Edition number varies. Approx. size: 19in x 23in
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.80CT CLARITY IS VS1 AND COLOR IS G
Fine Jewelry
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING
UNISEX 14K GOLD DIAMOND & GOLDEN CITRINE RING, GOLDEN CITRINE IS APPROXIMATELY 14.00CT AND DIAMOND IS APPROXIMATELY 1.00CT VS1 CLARITY AND G COLOR.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Spring Time" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6x13
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DI RIALTO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Rare Pablo Picasso Limited Edition Real Silver Sculpture - Standing Woman, 1947
Pablo Picasso signed and numbered real silver sculpture, "Standing Woman", 1947. Contains approx. 10 Troy ounces of real silver.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Young Boy Sculpture
This is an Resin Sculpture with bronze finish “Young Boy”. Dimensions: 14"H 7"W 7"D
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - WOMAN
Alberto Giacometti signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 19"x5"x5".
Fine Jewelry
Lady's Unique Style Tiffany Signed Sterling Silver Necklace
Lady's Unique Style Tiffany Signed Sterling Silver Necklace
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Nuclear Head Of An Angle" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze Sculpture - Jesus and the Blindman by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 30”x21”.
Fine Jewelry
Lady's Fancy 14kt White Gold Ruby & Diamond Ring
Lady's Fancy 14kt White Gold Ruby & Diamond Ring, Ruby approx 1ct, Diamond approx 1ct VS1, Color G.(34LK)
General - Prints/Reproductions
Limited Edition Manet- A Bar At The Folies Bergere - Collection Domaine Manet
Limited edition Manet from the Collection Domaine Manet, "A Bar At The Folies Bergere". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Constellation of the Blessed Spirits". Comes with COA and beautifully framed.
Fashion Jewelry
Lady's Fancy Sterling Garnet & White Sapphire Ring
Lady's Fancy Sterling Garnet & White Sapphire Ring, Garnets approx 8ct, White Sapphires approx 3ct.
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9x14x7.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Pierrot and the Harlequin". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Clock - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Clock . Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 11"x9"x6".
General - Prints/Reproductions
Limited Edition Picasso - Large Heads - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Large Heads". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Modern Lolita - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 13"H x5"W x 3"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - Geopolitical Child Watches The Birth Of T
This is a limited edition bronze layered with 24K gold entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN (1943)" by Salvador Dali. This statue adaptation of The Birth of the New Human is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Comes with the foundry assay. Some variations in marble might occur. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE AU VISAGE VOILE", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.20CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
Fine Jewelry
Unisex Fancy Silver Slue Sapphire Ring
Unisex Fancy Silver Slue Sapphire Ring. Blue Sapphire approx 22 ct. (189DD)
Medium - Sculptures
Split Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Ulysses Before Nausicaa". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Dali Real .999 Silver Sculpture - St. John
Dali sculpture, "St. John" is approx. 2.96 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
General - Prints/Reproductions
Charles Jeffrey Limited Edition Etching "Artict Dancers"
Charles Jeffrey Limited Edition Etching "Artict Dancers", hand signed, approx dimension 17x15 in.
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2.20CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
"The Great Gate of Kiev" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Smoke In Vallauris" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Engagement & Wedding
Unisex Fancy Sterling Silver Diamond Band Ring
Unisex Fancy Sterling Silver Diamond Band Ring, Diamonds approx .20 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIALTO BRIDGE - DUSK" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Real .999 Silver Salvador Dali Limited Edition- The First Study For the Madonna
Dali Signed and Numbered Real Silver Sculpture, "The First Study For the Madonna". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - HEAD OF MAN
Alberto Giacometti signed and numbered bronze sculpture, " HEAD OF MAN ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Fine Jewelry
Unisex Very Stylish Tiffany Sterling Silver Necklace
Unisex Very Stylish Tiffany Sterling Silver Necklace
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper."Die Schneekonigin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Jesus and the Children by D. Hunter
This bronze sculpture by D. Hunter is called, "Jesus and the Children" and measures approx. 20" x 11" x13" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Lithographs
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 32”x26”.
Fine Jewelry
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings
Fancy Style 14kt White Gold Pink Spinel & Diamond Earrings, Pink Spinel approx 12ct, Diamonds approx .50ct VS1, Color G.(132LK)
Fine Jewelry
Lady's Vey Fancy Sterling Silver Diamond Ring
Lady's Vey Fancy Sterling Silver Diamond Ring, Diamond Approx .50 ct, Color VS1 - H
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Cellestial Staircase". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Cezanne- Mill On The Couleuvre Near Pontoise - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "Mill On The Couleuvre Near Pontoise". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Fancy Sterling Garnet & White Sapphire Ring
Lady's Fancy Sterling Garnet & White Sapphire Ring, Garnets approx 8ct, White Sapphires approx 3ct.
General - Original Works
Original Pencil Sketch on Paper. Signed Chiparus
Original pencil skectch on paper. In the manner of Chiparus. Signed. Beautifully framed and comes with COA. Approx. size:15" x 11".
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12x8x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Still Life with Fruit Basket". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Leotard Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Leotard Dancer". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 19"x22".
General - Prints/Reproductions
Limited Edition Picasso - Seated Man with A Sword and A Flower - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Man with A Sword and A Flower". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Pipilon by Bessin
This Original Fine Silver sculpture by Bessin is called, "Pipilon". It measures approx. 20" x 8"x 7" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE ET COUPE DE FRUITS", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.50CT CLARITY IS VS1 AND COLOR IS G
Medium - Sculptures
Harliquinade - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Harliquinade. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x13"x5".
Fashion Jewelry
Lady's Fancy 14 kt White Gold Heart Shape Pink Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Heart Shape Pink Sapphire & Diamond Ring, Pink Sapphires approx 3 cts, Diamonds approx .50 cts, VS1 color G.
Medium - Sculptures
Ballet Dancer - Real Silver Sculpture by Preiss
Preiss broze and ivory sculpture, Comes with foundry Assay. Contains approx. 10Troy oz of real silver. Some variation in marble might occur.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Feunes et chevre". Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Michael Coleman Limited Edition Lithograph
Michael Coleman Limited Edition Lithograph, hand signed & numbered.
General - Prints/Reproductions
Adventurers Between Adventures by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx 22x26
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX BLACK AND WHITE DIAMOND BAGQUETTE RING, DIAMONDS APPROXIMATE IS 2.50CT CLARITY IS VS1 AND COLOR IS G
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 16"x 12". In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Recumbant Figure
Henry Moore signed and numbered bronze sculpture, "Recumbant Figure". Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
"All Saints" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Art
Pino on Canvas - Dreaming of Paris- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Dreaming of Paris" . This very special edition is extremely limited . Image Size: 34" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Womans Costume" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Engagement & Wedding
Unisex Sterling Silver Diamond Band Ring
Unisex Sterling Silver Diamond Band Ring, Diamonds approx 0.50 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE ROSSO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Chiparus Alabaster Sculpture
This is an 2nd Generation, Chiparus Alabaster Sculpture “THAIS”. Dimensions: 12"H 14"W 6"D
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - MALE HEAD
Alberto Giacometti signed and numbered bronze sculpture, "MALE HEAD ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x4".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Meissonier" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Arc of the Covenant by D. Hunter
This bronze sculpture by D. Hunter is called, "Arc of the Covenant" and measures approx. 15" x 16" x13" and weighs approx. 110lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Lithographs
Claude Mars Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Claude Mars Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 20”x34”. Very Nice Set!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Cezanne- Bridge At Maincy - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "Bridge At Maincy". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Divine Impenetrability". Comes with COA and beautifully framed.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Spain
Salvador Dali signed and numbered bronze sculpture, "Spain". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x7.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Original Bronze by Michael Schofield - Aquamarine Dancer
This is the second piece and first casting in a series from artist Michael Schofield. Approx. 2ct of real Aquamarine adorning the piece. "Aquamarine Dancer" is approx. 30" tall. Comes with COA. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California where according to the artist "he thought he was going to play pro-baseball when he grew up." In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. For the next two years, according to Schofield, "he squeezed endless tubes of paint...in his quest to master watercolor and get back to baseball." Upon graduation, Schofield entered the military. Shortly thereafter, he left the Marines to attend the Harris School of Advertising Art in Nashville, Tennessee.During the summer term(s), Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio where he could create his own original serigraphs. The art of Michael Schofield enjoys a strong private and corporate collector base. His work has been exhibited throughout the United States and seen on such popular motion picture films as Bridges of Madison County, City Hall, Beethoven amongst others. Art Society memberships include: The Tennessee Watercolor Society and National Society of Artists.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Footsteps
Signed bronze and ivory art deco sculpture "Footsteps" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base.Approx size: 22" x 9"x5".
General - Prints/Reproductions
Limited Edition Picasso - The Birdcage - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Birdcage". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Diane Lamp by Moreau
This Original Fine Silver sculpture by Moreau is called, "Diane Lamp". It measures approx. 25.5" x 11.5"x 8.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FEMME AU COLLIER", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
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Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 5.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Medium - Sculptures
Original Fine Silver Sculpture - Diane Lamp by Moreau
This Original Fine Silver sculpture by Moreau is called, "Diane Lamp". It measures approx. 25.5" x 11.5"x 8.5" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Medium - Sculptures
Victoria - Bronze and Ivory Sculpture by Colinet
Colinet broze and ivory sculpture,Victoria. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 18x6x6.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut."Two Satyrs , Goat and flute player" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Medium - Sculptures
Oriental Waiter - Real Silver Sculpture by Preiss
Preiss Real Silver Sculpture, Comes with foundry Assay. Contains approx. 10 Troy oz of real silver. Some variation in marble might occur.
General - Prints/Reproductions
Pride of Parenthood- puppy by Rockwell
Signed Limited Edition Lithograph. Dimensions are approx 22x26
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 5.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Title "Unknown". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Two-Piece Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Two-Piece Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: .
General - Prints/Reproductions
"Arch and Point" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
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General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Card Player" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PONTE DEI SOSPIRI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Billy Goat
Dali sculpture, "Billy Goat" is approx. 7.05oz of fine real .999 silver. Sculpture measures approx. 5.5". Comes with foundry Assay.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
Medium - Sculptures
Silver Bronze Dancer by Preiss
Silver bronze Dancer by artist Preiss, silver is approximately 10oz of fine silver. Comes with pedestal
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro. - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Boy and Girl with Sunflower Sculpture
This is an Resin Sculpture with stone finish “Boy and Girl with Sunflower ”. Dimensions: 20"H 15"W 15"D
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze -THE HAND
Alberto Giacometti signed and numbered bronze sculpture, " THE HAND ". Comes with COA. Some variation in patina might occur. Approx. size: 13"x12"x6".
Fine Jewelry
Unique Tiffany Signed Sterling Silver Necklace
Unique Tiffany Signed Sterling Silver Necklace
Medium - Sculptures
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Medium - Sculptures
Bronze Sculpture - Anticipation by Matthews
This bronze sculpture by Matthews is called, "Anticipation" and measures approx. 21" x 10" x 9" and weighs approx. 36lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
Picasso Limited Edition Lithographs Set
Pablo Picasso: 4 Piece Limited Edition Lithograph Set From the suit "Le Gout du Bonheur". Signed and Numbered. In excellent condition. Frame Size: 33”x28”.
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Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Garden of Christ". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Cezanne- View From Auvers From Above - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "View From Auvers From Above". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Very Fancy Sterling FOX Design Black Diamonds & White Sapphires Ring
Lady's Very Fancy Sterling FOX Design Black Diamonds & White Sapphires Ring, Blk Diamonds approx 1ct, White Sapphires approx 1ct.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - Galatea of the Spheres
Salvador Dali signed and numbered bronze sculpture, "Galatea of the Spheres". Comes with COA. Some variation in patina might occur. Approx. size: 16x10x4.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Split Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Split Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Beautiful Sterling Citrine & White Sapphire Pendant
Lady's Beautiful Sterling Citrine & White Sapphire Pendant, Citrine approx 8 ct, White Saphire 3 ct
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Girl with Parrot by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Girl with Parrot". It measures approx. 14" x 18"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
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General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Droguerie"
This is a hand signed Limited Edition Lithograph by Renoux titled "Droguerie", signed & numbered, approx dimension 24x26in.
Medium - Sculptures
Pajama Girl - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Pajama Girl. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Fancy Silver Emerald Cut Pigeon Blood Ruby Ring
Lady's Fancy Silver Emerald Cut Pigeon Blood Ruby Ring, Ruby approx 16 ct. (185DD)
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Polyphemus". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Large Pure Real .999 Silver Bear and the Bull Sculpture by Delair
This large sculpture, "Bear and the Bull" by Delair is 10 troy ounces of real .999 silver. Comes with foundry Assay. Approx. size: 7 1/2"x4"x4".
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut. "Bacchanal with Black Bull" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Outlaw
This Frederick Remington sculpture, "Outlaw" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
The Runaway by Rockwell
Original Lithograph. Dimensions are approx 22x26
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Silver Bronze Dancer by Preiss
Silver bronze Dancer by artist Preiss, silver is approximately 10oz of fine silver. Comes with pedestal
Medium - Sculptures
Maillol Original, limited Edition Bronze -Male Torso
Maillol signed and numbered bronze sculpture, "Male Torso". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Upward" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
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Art
Pino on Canvas - Poetry in Motion- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Poetry in Motion". This very special edition is extremely limited . Image Size: 33" x 22" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Studio At Cannes " Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Engagement & Wedding
Lady's Beautiful Sterling Silver White Graduated Garnet Wedding Set
Lady's Beautiful Sterling Silver White Graduated Garnet Wedding Set, Grad. Garnets approx 3 cts.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Teaching Golf Sculpture
This is an Resin Sculpture with bronze finish “Teaching Golf”. Dimensions: 17"H 9"W 9"D
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - THE LEG
Alberto Giacometti signed and numbered bronze sculpture, " THE LEG ". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x6".
Fine Jewelry
Unisex Very Stylish Tiffany Sterling Silver Bracelet
Unisex Very Stylish Tiffany Sterling Silver Bracelet
General - Old Masters
Pierre Renior Limited Edition
Pierre Renior Limited Edition On Paper. "The End Of Lunch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Chagall Original Lithographs .
4 Piece Color Lithograph by Chagall. Set includes 4 beautiful Lithographs From L'Odyssée Suite Vol. II. Pencil signed in lower right. Frame Size: 34”x28”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Glassware
Emerald Crystal Flow Vases
Emerald Crystal Flow Vases Dimensions are about H:10" W:6" L:6"
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Joy of the Blessed". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Cezanne- The Garden Of Pontoise - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "The Garden Of Pontoise". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring, Amethyst approx 3.50 ct, White Sapphires approx 4ct.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze - The Persistence of Memory
Salvador Dali signed and numbered bronze sculpture, "The Persistence of Memory". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Madame Cezanne". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Fancy Sterling Amethyst & Diamond Necklace
Lady's Fancy Sterling Amethyst & Diamond Necklace, Amethyst approx 6 ct, Diamonds approx .50 ct VS1, G in color.
General - Prints/Reproductions
Limited Edition Picasso - The Dance - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Dance". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - By the Sea by Cardassi
This Original Fine Silver sculpture by Cardassi is called, "By the Sea". It measures approx. 23" x 8.5"x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Bistrot Vivienne"
This is a hand signed Limited Edition Lithograph by Renoux titled "Bistrot Vivienne", signed & numbered, approx dimension 21x36 in.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ETUDE DE JAMBERS IV (DEMI-LUNE)", CIRCA 1925. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 6.25CT CLARITY IS I1 COLOR IS SILVER CAPE.
Medium - Sculptures
Persian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Persian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 25"x16".
Fine Jewelry
Lady's Fancy Blue Sapphire Ring
Lady's Fancy Blue Sapphire Ring, Blue Sapphire approx 20 ct. (184DD)
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Golden Sapphire & Diamond Ring
Lady's Very Fancy 14 kt White Gold Golden Sapphire & Diamond Ring, Golden Sapphires approx 1 cts, Diamonds approx 1.50 cts, VS1 color G.
Medium - Sculptures
Large Remington Real .999 Silver -Wicked Pony
This Frederick Remington sculpture, "Wicked Pony" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.
Other
Boston Celtics 10 Giclees of the greatest players!
"Boston Celtics" 10 Giclees of the greatest players, with engravings, approx dimension 23x26.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut." Before the Goading of the Bull " Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Jacobson Limited Edition Lithograph "Court Yard"
Limited Edition Lithograph by Jacobson titled "Court Yard" , hand signed, approx dimension 12x13 in.
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 6.25CT CLARITY IS I1 COLOR IS SILVER CAPE.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Victor Villareal Limited Edition Bronze - Unknown
Victor Villareal signed and numbered bronze, "Unknown" Comes with COA. Some variation in patina might occur.. Approx. size: 7x16x6 Inch.
General - Prints/Reproductions
"Composition X" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Bureau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Good Luck Golden Thai Buddha Amulets
Good Luck Golden Thai Buddha Amulets
Engagement & Wedding
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 3 cts.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Standing Composer Sculpture
This is an Resin Sculpture with bronze finish “Standing Composer”. Dimensions: 30"H 9"W 9"D
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - DOG
Alberto Giacometti signed and numbered bronze sculpture, " DOG ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x11"x5".
Medium - Lithographs
Etching Set by A. Durand Rembrandt
3 PIECES CONSISTING OF A FRAMED ARTWORK BY A. REMBRANDT Set includes 3 Original Etchings. Frame Size: 24”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Limited Edition Cezanne- Village Framed By Trees - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "Village Framed By Trees". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Medium - Sculptures
Salvador Dali Original, limited Edition Sculpture - Alice In Wonderland
Salvador Dali signed and numbered sculpture sculpture, "Alice In Wonderland".Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of a Peasant". Comes with ceritificate of authenticity, framing available at an additonal cost.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Apparition of St. James". Comes with COA and beautifully framed.
Fine Jewelry
Lady's Beautiful Sterling White Sapphire Necklace
Lady's Beautiful Sterling White Sapphire Necklace, Sapphire approx 8ct.
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman II - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman II". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Clara by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Clara". It measures approx. 24" x 31"x 16" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PORTRAIT DE CORTOT", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 12 ct. (183DD)
Fashion Jewelry
Lady's Fancy 14 kt White Gold Yellow Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Yellow Sapphire & Diamond Ring, Yellow Sapphire approx 4 cts, Diamonds approx 1 ct, VS1 color G.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Marc Chagall Limited Edition Lithograph from L'Odyssée Suite
Marc Chagall Signed Limited Edition Lithograph from L'Odyssée Suite Vol. I, "Frontispiece". Comes framed. Approx. size: 16" x 12"
Medium - Sculptures
Large Remington Real .999 Silver -Norther
This Frederick Remington sculpture, "Norther" is approx. 10 Troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Jacobson Limited Edition Lithograph "Outside Cafe"
Limited Edition Lithograph by Jacobson titled "Outside Cafe" , hand signed, approx dimension 12x13 in.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
General - Original Works
Original Oil on Canvas. Yellow Lilies by Rossiter
Rossiter Original Oil on Canvas. Dimensions are approx. 26x38.
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Half Figure #1
Henry Moore signed and numbered bronze sculpture, "Half Figure #1". Comes with COA. Some variation in patina might occur. Approx. size: 9x7x4 Inch.
General - Prints/Reproductions
"Unbroken Line" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
Art
Pino on Canvas - Solace- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "Solace". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of Bull In Front Of Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 7x11
Medium - Sculptures
Gold Bronze Sculpture Chiparius
Cape Lady Gold patina Bronze sculpture, comes with pedestal
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - CHARIOT
Alberto Giacometti signed and numbered bronze sculpture, " CHARIOT". Comes with COA. Some variation in patina might occur. Approx. size: 21"x9"x7".
General - Old Masters
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "Dance Class" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - On The Fly by W. Whitten
This bronze sculpture by W. Whitten is called, "On The Fly" and measures approx. 18" x 8" x7" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of399 pieces.
Medium - Lithographs
4 Pieces Color Fine Art Lithograph by Tarkay
4 Pieces Color Lithograph Set includes: 4 Lithographs by Tarkay. Frame Size: 23”x21”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Cezanne- Unknown - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "Unknown". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Apotheosis of the Virgin Mary". Comes with COA and beautifully framed.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Fille
Pablo Picasso signed and numbered bronze sculpture, "Fille". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Man with Crossed Arms". Comes with ceritificate of authenticity, framing available at an additonal cost.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Victoria - Bronze and Ivory Sculpture by Colinet
Colinet broze and ivory sculpture,Victoria. Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 18x6x6.
General - Prints/Reproductions
Limited Edition Picasso - Wolman In An Armchair - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Wolman In An Armchair". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Jesus and the Blindman by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Outlaw
This Frederick Remington sculpture, "Outlaw" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU MAIN A L'EPAULE (ARABESQUE III)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 7.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
Medium - Sculptures
Romeo and Juliette - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, Romeo and Juliette. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
Fashion Jewelry
Lady's Fancy 14 kt White Gold Horse Shoe Shape Golden Sapphire & Diamond Ring
Lady's Fancy 14 kt White Gold Horse Shoe Shape Golden Sapphire & Diamond Ring, Golden Sapphires approx 1.50 cts, Diamonds approx .50 cts, VS1 color G.
Medium - Sculptures
Large Remington Real .999 Silver -Bronco Buster
This Frederick Remington sculpture, "Bronco Buster" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay. Approx. size: 10.5"x10"x6".
Other
Pitsburg Steelers 10 Giclees of the greatest players!
"Pitsburg Steelers" 10 Giclees of the greatest players with engravings, approx dimension 23x26.
Medium - Sculptures
Limited Edition 24K Gold Layered Bronze Sculpture- Wicked Pony by F. Remington
This Frederick Remington sculpture, "Wicked Pony" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Jacobson Limited Edition Lithograph "Side Street Cafe"
Limited Edition Lithograph by Jacobson titled "Side Street Cafe" , hand signed, approx dimension 11x15 in.
Fashion Jewelry
STUNNING UNISEX 8.50CT DIAMOND BRACELET
STUNNING UNISEX DIAMOND BRACELET, DIAMONDS APPROXIMATELY 7.50CT CLARITY IS I1 COLOR IS SILVER CAPE.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Gold Bronze Sculpture Chiparius
Cape Lady Gold patina Bronze sculpture, comes with pedestal
General - Prints/Reproductions
"Composition VII" - Kandinsky - Limited Edition
Wassily Wassilyevich Kandinsky 4 December 1866 – 13 December 1944) was a Russian painter, and art theorist. He is credited with painting the first modern abstract works. Born in Moscow, Kandinsky spent his childhood in Odessa. He enrolled at the University of Moscow and chose to study law and economics. Quite successful in his profession — he was offered a professorship (chair of Roman Law) at the University of Dorpat — he started painting studies (life-drawing, sketching and anatomy) at the age of 30. In 1896, he settled in Munich and studied first in the private school of Anton Ažbe and then at the Academy of Fine Arts, Munich. He went back to Moscow in 1914, after World War I started. He was unsympathetic to the official theories on art in Moscow and returned to Germany in 1921. There, he taught at the Bauhaus school of art and architecture from 1922 until the Nazis closed it in 1933. He then moved to France where he lived the rest of his life, and became a French citizen in 1939. He died at Neuilly-sur-Seine in 1944. His great-grandson, Anton S. Kandinsky, is also a New York-based artist working in a style called 'Gemism'. Limited Edition on canvas. Edition number varies. Approx. size: 19inx22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Owl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Engagement & Wedding
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 3 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CANALE CON BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set-Signed and numbered . Together they make the perfect pair. In excellent condition. Frame Size: 23”x16”.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Cezanne- Still Life with Apples - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "Still Life with Apples". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring, Amethyst approx 3.50 ct, White Sapphires approx 4ct.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Angels of the Empyrean". Comes with COA and beautifully framed.
Medium - Sculptures
Pablo Picasso Original Original, limited Edition Bronze - Flowers
Pablo Picasso signed and numbered bronze sculpture, "Flowers". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Italian Girl". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Lady Peacock - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and 28lbs. It is a Limited Edition out of 399. SB9H
General - Prints/Reproductions
Limited Edition Picasso - The Couple - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Couple". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Bronco Buster by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Fine Jewelry
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace
Lady's Beautiful 14k White Gold Diamond "HEART" shaped Necklace, Diamonds approx 1.25 ct, VS2, G in color.(50DN)
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Down Hill"
This is a hand signed Limited Edition Lithograph by Renoux titled "Down Hill", signed & numbered, approx dimension 16x14 in.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE ET COUPE DE FRUITS", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Medium - Sculptures
Original Fine Silver Sculpture - Girl with Parrot by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Girl with Parrot". It measures approx. 14" x 18"x 6" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Large Remington Real .999 Silver -Cheyenne
This Frederick Remington sculpture, "Cheyenne" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut."Dancing Satyrs and Flute Player" Hand pulled and signed. These are beautifully framed and matted. Size 13x15. Very Rare!
General - Prints/Reproductions
Jacobson Limited Edition Lithograph "Country Harbor"
Limited Edition Lithograph by Jacobson titled "Country Harbor" , hand signed, approx dimension 11x15 in.
General - Prints/Reproductions
Jumping Rope by Boulanger
Original Lithograph. Dimensions are approx 20x20
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "L'Oiseau Solaire". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Rock Chair
Henry Moore signed and numbered bronze sculpture, "Rock Chair". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x3 Inch.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
"Circus Fan Dancer" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
Art
Pino on Canvas -A Song in Her Heart- Limited Edition
This is a Limited Edition giclee on canvas in the manner of Pino, titled "A Song in Her Heart". This very special edition is extremely limited . Image Size: 33" x 28" Comes with a certificate of authenticity. Comes unframed, unstretched. In Mint Condition!.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Green" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Engagement & Wedding
Lady's Beautiful Sterling Silver Graduated Garnet Wedding Set
Lady's Beautiful Sterling Silver Graduated Garnet Wedding Set, Grad. Garnets approx 3 cts.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 6 1/2 x 6 1/3
Medium - Sculptures
Signed Preiss Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Preiss Base signed , Comes with signed Chiparus Pedestal.
Medium - Sculptures
Dali Sculpture- Winged Bust on Marble Base
Dali "Winged Bust" on marble base. Signed and numbered. Approx . Size: 14" x 7"x 5".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Brancusi Limited Edition Bronze -WOMAN HEAD
Brancusi signed and numbered bronze sculpture, "WOMAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x5.
General - Old Masters
Gustave Caillebotte Limited Edition
Gustave Caillebotte Limited Edition On Paper. "A Rainy Day" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
Mossant Original Lithographs .
2 Piece Color Lithograph by Mossant. Set includes 2 beautiful Lithographs. signed .These are beautifully framed and matted. Size: 16”x20”.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Cezanne- Harlequin - Collection Domaine Cezanne
Limited edition Cezanne from the Collection Domaine Cezanne, "Harlequin". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring
Lady's Unique Style Yellow Sterling Amethyst & White Sapphire Ring, Amethyst approx 5ct, White Sapphires approx 5ct.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "St. Peter and Dante". Comes with COA and beautifully framed.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Vase Head
Pablo Picasso signed and numbered bronze sculpture, "Vase Head". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Woman". Comes with ceritificate of authenticity, framing available at an additonal cost.
Fine Jewelry
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace
Lady's Gorgeous Sterling Tear Drop Muli Color Spinels Necklace, Spinels approx 10 ct.
General - Prints/Reproductions
Limited Edition Picasso - Head Of A Woman With A Self Portrait - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Head Of A Woman With A Self Portrait". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Abe by D. Volk
This Original Fine Silver sculpture by D. Volk is called, "Abe" and measures approx. 8" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU BRAS GAUCHE SUR LA TETE (ARABESQUE V)", CIRCA 1926. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
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Fashion Jewelry
Unisex Fancy 14 kt White Gold Amethyst Ring
Unisex Fancy 14 kt White Gold Amethyst Ring, Amethysts approx 6 cts.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Music Memorabilia
Elvis Small Hologram
"Elvis"3D Giclee, mini guitar, mini gold disk & engraved signature, approx dimension 23x25.
Art
PICASSO SIGNED LIMITED EDITION LINOCUT
Picasso Limited Edition Linocut."The Banderillas" Hand pulled and signed. These are beautifully framed and matted.Size 13x15. Very Rare!
Medium - Sculptures
Large Remington Real .999 Silver -Trooper Of The Plains
This Frederick Remington sculpture, "Trooper Of The Plains" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
General - Prints/Reproductions
Still Life by Chagall
Limited Edition Lithograph. Dimensions are approx 20x20
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
Signed Preiss Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Preiss Base signed , Comes with signed Chiparus Pedestal.
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
"Les Roses" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nude sitting In an Armchair" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Engagement & Wedding
Lady's Beautiful Sterling Silver White Sapphire Ring
Lady's Beautiful Sterling Silver White Sapphire Ring, Sapphires approx 1.5 cts.
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General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VENEZIA" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Alejandro Marquez Original, limited Edition Bronze -ballerina-
Alejandro Marquez signed and numbered bronze sculpture "BALLERINA". Comes with COA. Some variation in patina might occur. Approx. size: 20"x10"x10".
General - Old Masters
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "Café Concert" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - El Caballero by Estevez
This bronze sculpture by Estevez is called, "El Caballero" and measures approx. 21" x 9" x 15" and weighs approx. 50lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
Ulysses and Euryclea by Chagall from the Odyssey Suite.
Chagall Original Lithographs Signed, from the Odyssee Suite "Ulysses and Euryclea". Signed and framed. Comes with COA Frame Size: 21”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "Arrival at the Empyrean". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Van Gogh- Starry Night - Collection Domaine Van Gogh
Limited edition Van Gogh from the Collection Domaine Van Gogh, "Starry Night". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Medium - Sculptures
Iconic Pablo Picasso Original, limited Edition Bronze - Profile Portrait
Pablo Picasso signed and numbered bronze sculpture, "Profile Portrait". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of Gustave Geffroy". Comes with ceritificate of authenticity, framing available at an additonal cost.
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Medium - Sculptures
Pajama Girl - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Pajama Girl. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - On The Fly by Whitten
This Original Fine Silver sculpture by Whitten is called, "On The Fly" and measures approx.18" x 8" x 7". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Limited Edition 24K Gold Layered Bronze Sculpture- Wicked Pony by F. Remington
This Frederick Remington sculpture, "Wicked Pony" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Russian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. .
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE, REFLET DANS LA GLACE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Medium - Sculptures
Large Remington Real .999 Silver -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3".
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
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General - Original Works
Original Oil on Canvas. Duford Original
Duford Original Oil on Canvas. Dimensions are approx 38x26.
Medium - Sculptures
Bronze & Ivory Sculpture by Preiss
Bronze & ivory sculpture by Preiss comes with pedestal
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze
Jacque Lipchitz signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
"Wedding" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Toreo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "GRAND CANAL" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Picasso
Original Hand Draw, Ink Drawing on paper In the manner of Picasso, title unknown . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
David Alfaro Siqueros Limited Edition Bronze - Warrior
David Alfaro Siqueiros signed and numbered bronze sculpture, "WARRIOR". Comes with COA. Some variation in patina might occur. Approx. size: 11x16x5.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
General - Old Masters
Edouard Manet Limited Edition
Edouard Manet Limited Edition On Paper. "The Pier At Boulogue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - End of the Trail by Fraiser
This bronze sculpture by Fraiser is called, "End of the Trail" and measures approx. 21" x 16" x 6" and weighs approx. 152lbs. It comes with foundry paperwork.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Infinite Beauty of Beatrice". Comes with COA and beautifully framed.
Medium - Lithographs
Pierre-Auguste Renoir Lithographs
Pierre-Auguste Renoir: 2 Piece Color Lithograph . Together they make the perfect pair. Frame Size: 18”x23”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Van Gogh- Van Gogh's Bedroom - Collection Domaine Van Gogh
Limited edition Van Gogh from the Collection Domaine Van Gogh, "Van Gogh's Bedroom". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Unique Style Sterling BEATLE Design Sapphire Ring
Lady's Unique Style Sterling BEATLE Design Sapphire Ring, Sapphires approx 1.5 ct.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Pregnant Woman
Pablo Picasso signed and numbered bronze sculpture, "Pregnant Woman". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Landscape with Mont Sainte Victorie". Comes with ceritificate of authenticity, framing available at an additonal cost.
General - Prints/Reproductions
Limited Edition Picasso - Nude With A Bouqet Of Irises - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Nude With A Bouqet Of Irises". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Lady Peacock - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "TORSE A L'AIGUIERE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 16 ct. (177DD)
Medium - Sculptures
Large Remington Real .999 Silver -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is approx. 10troy ounces of real .999 silver. Comes with foundry Assay.
Movie - Memorabilia
The Godfather Small Black & White Hologram
"The Godfather" 3D Giclee & engraved signature, approx dimension 23x25.
Medium - Sculptures
Spirit of Ecstasy - 24K Gold Layered Limited Edition Sculpture
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This is a limited edition bronze and then layered with 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Hortensia by Scherer
Signed Original Lithograph. Dimensions are approx 20x28
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Bronze and Ivory with Pedestal
Signed art deco bronze & ivory sculpture by artist Chiparus Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Comes with signed Chiparus Pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze -Standing Woman
Henry Moore signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x3 Inch.
General - Prints/Reproductions
"Les Lupin Bleu" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Nature Morte au Verre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Engagement & Wedding
Lady's Heart Shaped Sterling Silver Diamond Wedding Set
Lady's Heart Shaped Sterling Silver Diamond Wedding Set, Diamonds approx 1.5 cts, VS1, color G.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11". Comes with pedestal
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - MAN
Rufino Tamayo signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 20"x10"x10".
Medium - Sculptures
Bronze Sculpture - Savage by F. Remington
This bronze sculpture by F. Remington is called, "Savage" and measures approx. 12" x 8" x 8".. It comes with foundry paperwork.
Medium - Lithographs
Renoir Posthumous Etching Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR Set includes 2 Posthumous Etchings. Frame Size: 24”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Van Gogh- Rec Room - Collection Domaine Van Gogh
Limited edition Van Gogh from the Collection Domaine Van Gogh, "Rec Room". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Loyal Angels". Comes with COA and beautifully framed.
Fashion Jewelry
Lady's Unique Style Sterling BEATLE Design Sapphire Ring
Lady's Unique Style Sterling BEATLE Design Sapphire Ring, Sapphires approx 1.5 ct.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Ambitieuse
Pablo Picasso signed and numbered bronze sculpture, "Ambitieuse". Comes with COA. Some variation in patina might occur.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Self Portrait". Comes with ceritificate of authenticity, framing available at an additonal cost.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Persian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Persian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 25"x16".
Fine Jewelry
Lady's Fancy Ruby & Dimond Necklave with Pendant
Lady's Fancy Ruby & Dimond Necklave with Pendant, Ruby approx 1 ct, 20 points VS1 G in color
General - Prints/Reproductions
Limited Edition Picasso - Woman Reading - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman Reading". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Semper Fidelis by DeLier
This Original Fine Silver sculpture by DeLier is called, "Semper Fidelis" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Kapurthala - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Kapurthala. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 2"x10"
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "DANSEUSE DE BOUT, VISAGE COUPE", CIRCA 1927. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Unisex Fancy Sterling Pigeon Blood Ruby Ring
Unisex Fancy Sterling Pigeon Blood Ruby Ring. Ruby approx 22 ct. (176DD)
Medium - Sculptures
Large Remington Real .999 Silver -Outlaw
This Frederick Remington sculpture, "Outlaw" is approx. .10 Troy ounces of real .999 silver. Comes with foundry Assay.
Other
Mohamed Ali Small Hologram
"Mohamed Ali" 3D Giclee, biography & engraved signature, approx dimension 23x25.
General - Prints/Reproductions
Berhens Limited Edition Lithograph "Country Line"
Limited Edition Lithograph by Berhens titled "Country Line", signed & numbered, approx dimension 11x14 in.
General - Prints/Reproductions
Le Scale del Paese by Borelli
Original Lithograph. Dimensions are approx: 16x20
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington Monumental sculpture, "Mountain Man" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 28"x15"x11". Comes with pedestal
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Untitled
Alberto Giacometti signed and numbered bronze sculpture, "Untitled". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Tree Over Village" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Assise Pre D'une Fenetre" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Very Stylish Diamond Ring
Lady's Very Stylish Diamond Ring, Diamond approx .25 ct, VS1 G in color.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10". Comes with pedestal
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CASE VENEZIANE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - Man at the Door
Rufino Tamayo signed and numbered bronze sculpture, "Man at the Door". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x5".
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Picasso Limited Edition
Picasso Limited Edition On Paper. "The End of The Number" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Sergeant by F. Remington
This bronze sculpture by F. Remington is called, "Sergeant" and measures approx. 11" x 5" x 4". It comes with foundry paperwork.
Medium - Lithographs
Louis Icart Original Litographs
2 Piece Color Lithograph by Louis I cart. Set includes 2 beautiful Lithographs. Pencil signed in lower right. Frame Size: 15”x22”. Wonderful and Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Paradise), "The Archangel Gabriel". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fashion Jewelry
Lady's Fancy Yellow Sterling Amethyst & Diamond Ring
Lady's Fancy Yellow Sterling Amethyst & Diamond Ring, Amethyst approx 2 ct, Diamonds approx 10 points VS1 G in color.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Exciting Pablo Picasso Original, limited Edition Bronze - Helping Hand
Pablo Picasso signed and numbered bronze sculpture, "Helping Hand". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x5.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Romeo and Juliette - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, Romeo and Juliette. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15".
General - Prints/Reproductions
Limited Edition Picasso - The Weeping Woman - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Weeping Woman". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Anticipation by Matthews
This Original Fine Silver sculpture by Matthews is called, "Anticipation" and measures approx. 25" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Spirit of Ecstasy - 24K Gold Layered Limited Edition Sculpture
This Charles Robinson Sykes sculpture, "Spirit of Ecstasy", was originally designed by Sykes to be the mascot for the Rolls-Royce Silver Ghost. Sykes modeled the piece after the woman he loved who was also engaged in a secret love affair with her boss, a pioneer of the auto industry. His love and her boss were aboard the S.S. Persia that was torpedoed off Crete. This is a limited edition bronze and then layered with 24K gold. Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Slit Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Slit Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Fancy Silver Blue Sapphire Ring
Lady's Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 14 ct. (175DD)
Medium - Sculptures
Original Real Silver Eagle Sculpture by De Lier- Voyager
This is an original, real .999 silver sculpture by De Lier called, "Voyager". De Lier was born in Miami in 1963 . As a native Floridian, he had become fascinated with sea life early on. He has observed the underwater world in the Caribbean Sea, Gulf of Mexico, Atlantic Ocean, and the South China Sea. De Lier specializes in animal and sea life. He has chosen bronze sculpture to expresses his talents. De Lier has mastered bronze sculpture for over 18 years and has assisted many prominent artists with design and casting techniques. De Lier’s dream is to someday build the largest sea life bronze sculpture in the world. The sculpture is approx. 13"x9"x7" and consists of approx. 10 Troy oz. of silver. It comes with the foundry assay.
Music Memorabilia
Michael Jackson Small Hologram
"Michael Jackson" 3D Giclee, mini disk & engraved signature, approx dimension 23x25.
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Lovers
Dali sculpture, "Lovers", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Faithful Friend by Lambert
Original Lithograph. Dimensions are approx 28x24
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "EtinCelles" from - L'Oiseau Solaire. Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Bronco Buster
This Frederick Remington Monumental sculpture, "Bronco Buster" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 24"x18"x10". Comes with pedestal
Medium - Sculptures
Braque Original, limited Edition Bronze -Steed
Braque signed and numbered bronze sculpture, "Steed". Comes with COA. Some variation in patina might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
"Bouqet Over City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Cock And Knife" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Sterling Unique Design Tri-Color Stone Ring
Lady's Sterling Unique Design Tri-Color Stone Ring, Pink Sapphires approx 2ct, White Sapphires approx 3.5 ct, Aquamarines approx 2ct.
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10". Comes with pedestal.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Melting Clock
Dali sculpture, "Melting Clock" is approx. 3.88 oz of fine real .999 silver. Sculpture measures approx. 6.5". Comes with foundry Assay.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Portrait Of Picasso
This is a limited edition, signed bronze sculpture entitled "PORTRAIT OF PICASSO" (1947) by Salvador Dali. In 1948 Dali decided, after a very fruitful eight-year-long stay in the United States, to return to Europe to devote himself to "nuclear mysticism" with the expert motto his insight that the "the skillful arts of painting were developed once and forever and with the greatest perfection and influence during the Renaissance and that the decadence of modern art finds its origins in skepticism and a lack of faith, which is a consequence of mechanical materialism. Although still filled with Dali-like symbolism, Picasso's portrait has stylistic neoclassical elements. Approx. Dimensions: 5.25 in. x 3.25 in. x 1.5 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze -BOY
Rufino Tamayo signed and numbered bronze sculpture, "BOY". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x12"x5".
Fine Jewelry
Loose 130ct oval shaped, rose cut-Columbian Emerald-
One loose oval shaped, rose cut, Columbian Emerald. Weighing 130.00cts .
General - Old Masters
Edgar Degas Limited Edition
Edgar Degas Limited Edition On Paper. "At The Races" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Lithographs
3 Pieces Color Lithograph by Picasso
3 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 3 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 17”x34”. Very Rare!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Monet- Le Grenouillere - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Le Grenouillere". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Fancy Yellow Sterling Amethyst & Diamond Ring
Lady's Fancy Yellow Sterling Amethyst & Diamond Ring, Amethyst approx 2 ct, Diamonds approx 10 points VS1 G in color.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Female Face
Pablo Picasso signed and numbered bronze sculpture, "Female Face". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x6.
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Woman Bathers". Comes with ceritificate of authenticity, framing available at an additonal cost.
Medium - Sculptures
Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Russian Dancer. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. .
General - Prints/Reproductions
Limited Edition Picasso - The Sculptor - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "The Sculptor". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Field of Dreams by Monreau
This Original Fine Silver sculpture by Monreau is called, "Field of Dreams" and measures approx. 29.5" x 13" x 9". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Boulangerie"
This is a hand signed Limited Edition Lithograph by Renoux titled "Boulangerie", signed & numbered, approx dimension 20x20 in.
Medium - Sculptures
Spring Awakening - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Spring Awakening. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 14"x8".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 18 ct. (174DD)
Medium - Sculptures
Chiparus Bronze and Silver Sculpture
Chiparus Bronze and Silver Sculpture, Comes with foundry Assay. Contains approx. 10 oz of Troy ounces of real silver
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Michael Son Serigraph "Tiger"
Serigraph by Michael Son signed & numbered approx dimension 35x29 in.
General - Prints/Reproductions
The Couple II by Zule
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x10
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Bella and the Red Horse" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "La Fille De L'Artiste A Deux ans Et Demi Avec Un Bateau" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Black & White Diamond Pendant
Lady's Antique Style Sterling Silver Black & White Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CHIESA DELLA SALUTE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - WOMAN
Rufino Tamayo signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17"x10"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Dante" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Tall Feather by Moretti
This bronze sculpture by Moretti is called, "Tall Feather" and measures approx. 15" x 10" x 6".. It comes with foundry paperwork.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Flatterer". Comes with COA and beautifully framed.
Medium - Lithographs
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 31”x16”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Monet- Nympheas - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Nympheas". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Fancy Sterling Yellow Rose Camile & Broca Pearl Ring
Lady's Fancy Sterling Yellow Rose Camile & Broca Pearl Ring.
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner of Chagall, approx dimension 15x12 inches.
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Lithograph by Artist Paul Cezanne
Lithograph in the manner of Paul Cezanne, titled "Portrait of the Gardener Vallier". Comes with ceritificate of authenticity, framing available at an additonal cost.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Original Fine Silver Sculpture - Government by D. Scott
This Original Fine Silver sculpture by D. Scott is called, "Government" and measures approx. 33" x 12" x 12". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
William Han by Tony Cloffet 1901
Bronze William Han by Tony Cloffet 1901, dimensions are about 22x7.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU ASSIS, BRAS GAUCHE SUR LA TETE", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Lady's Fancy Silver Pigeon Blood Ruby Ring
Lady's Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 10ct. (173DD)
Medium - Sculptures
Dali Signed and Numbered Real Silver Sculpture - Birdman
Dali Signed and Numbered Real Silver Sculpture, "Birdman". Contains approx. 10Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Music Memorabilia
Elvis Hologram
"Elvis"3D Giclee, gold record & mini guitar, approx dimension 25x27.
General - Prints/Reproductions
The Couple I by Zule
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x11
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
F. Remington Monumental Limited Edition 24K Gold Layered Bronze Sculpture -Buffalo Horse
This Frederick Remington Monumental sculpture, "Buffalo Horse" is bronze layered with beautiful 24K Heavy gold. Comes with foundry assay from an edition of only 5. Sits on a beautiful marble. Approx. size: 26"x18"x10". Comes with pedestal.
Medium - Sculptures
Andreas Urteil Original, limited Edition Bronze - Der Fechter, 1960
Andreas Urteil signed and numbered bronze sculpture, "Der Fechter",1960. Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"King David" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Et Minotaur" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Very Fancy Sterling Silver "Tear Drop" Diamond Pendant
Lady's Very Fancy Sterling Silver "Tear Drop" Diamond Pendant, Diamonds approx .50 ct.
Medium - Sculptures
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 21"H x6"W x 4"D and 30lbs. It is a Limited Edition out of 399. SB6H comes with pedestal
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - WIZARD
Rufino Tamayo signed and numbered bronze sculpture, "WIZARD". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18"x9"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Wicked Pony by F. Remington
This bronze sculpture by F. Remington is called, "Wicked Pony" and measures approx. 21" x 19" x 7" . It comes with foundry paperwork .
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Sodomites". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Monet- Cap Martin - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Cap Martin". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original Original, limited Edition Bronze - Three Faces
Pablo Picasso signed and numbered bronze sculpture, "Three Faces". Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Kapurthala - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Kapurthala. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 2"x10"
General - Prints/Reproductions
Limited Edition Picasso - Seated Woman In A Garden - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Seated Woman In A Garden". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Lovers
Dali sculpture, "Lovers", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Renoux Hand Signed Lithograph "Alberge de la bonnie Franquette"
This is a hand signed Lithograph by Renoux titled "Alberge de la bonnie Franquette", signed , approx dimension 24x17 in.
Medium - Sculptures
Tango - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tango. This piece is thought to represent Rudolph Valentino and his wife Natasha Rambova, While Valentino is remembered most for his film career, he also danced with his wife for audiences in the U.S. and Europe. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6.5".
Fine Jewelry
Lady's Fancy Silver Aquamarine Ring.
Lady's Fancy Silver Aquamarine Ring, Aquamarine approx 20 ct. (171DD)
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fashion Jewelry
Lady's Fancy 14 kt White Gold Multi Color Diamond Ring
Lady's Fancy 14 kt White Gold Multi Color Diamond Ring, Multi Color Diamonds approx 20 cts, Diamond approx .50 VS1 color G.
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Anthropormorphic
Dali sculpture, "Anthropormorphic" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
Music Memorabilia
Candle in the wind Giclee
"Candle in the wind" Giclee with Marilyn Monroe & Princess Diana with an Elton John gold record, approx dimension 21x27.
General - Prints/Reproductions
By the Garden Path by Robert Lui
Hand Signed Limited Edition Lithograph. Dimensions are approx 20x23
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
General - Original Works
Original Oil on Canvas. Cottage by C. Manning
C. Manning Original Oil on Canvas. Dimensions are approx. 26x38.
Medium - Sculptures
Modern Lolita - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Modern Lolita" is approx. 21"H x6"W x 4"D and 30lbs. It is a Limited Edition out of 399. SB6H comes with pedestal
Medium - Sculptures
Henry Moore Original, limited Edition Bronze -Three Points
Henry Moore signed and numbered bronze sculpture, "Three Points". Comes with COA. Some variation in patina might occur. Approx. size: 9X12X6 Inch.
General - Prints/Reproductions
"King David Artist" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "L'Alesienne" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Very Fancy Sterling White & Golden Sapphire Ring
Very Fancy Sterling White & Golden Sapphire Ring, White Sapphires approx 3ct, Golden Sapphires approx 2ct.
Medium - Sculptures
Signed Chiparus Silver Bronze Sculpture withn Pedestal
Signed art deco bronze silver sculpture by artist Chiparus Base signed ,Comes with signed Chiparus Pedestal. Approximately 30
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 3x9
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ROOF TOPS" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Very fancy Tiffany Sterling Silver Womens Earings
Very fancy Tiffany Sterling Silver Womens Earings
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - GIRL
Rufino Tamayo signed and numbered bronze sculpture, "GIRL". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 14"x8"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Education Of The Young" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Win, Place, Show by D. Scott
This bronze sculpture by D. Scott is called, "Win, Place, Show" and measures approx. 19" x 41" x 10" . It comes with foundry paperwork and is part of an edition of 299 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Fraud". Comes with COA and beautifully framed.
Medium - Lithographs
Zule Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY Zule Set includes 2 Original Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 23”x26”. Very Nice Set!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
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General - Prints/Reproductions
Limited Edition Monet- Poppies at Argenteuil - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Poppies at Argenteuil". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on Paper Signed Tarkay
This is hand water colored on paper In the manner of Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Rare Pablo Picasso Original Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
D. Mc Caw Hand Signed Limited Ed. Serigraph
This is a limited edition original hand signed serigraph by D. Mc Caw. Image Size: 33" x 32" . Medium is Serigraph on thick paper with gorgeous rich colors. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE ENDORMIE (SOL AUX CARREAUX ROUGES)", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fashion Jewelry
Lady's Antique 14 kt Gold Citrine & Diamond Ring
Lady's Antique 14 kt Gold Citrine & Diamond Ring, Citrine approx 4 cts, Diamonds approx .25 cts, VS1 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Candelabra by Theodore Tobiasse
Original Lithograph. Dimensions are approx 27x32
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Silver Bronze Sculpture withn Pedestal
Signed art deco bronze silver sculpture by artist Chiparus Base signed ,Comes with signed Chiparus Pedestal. Approximately 30
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Medium - Sculptures
Lipschitz Original, limited Edition Bronze -Working Man
Lipschitz signed and numbered bronze sculpture, "Working Man". Comes with COA. Some variation in patina might occur. Approx. size: 18x15x5 Inch.
General - Prints/Reproductions
"Reverie" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Personnage Et Colombe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Very Fancy Unique Antique Style Sterling Silver Diamond Pendant
Lady's Very Fancy Unique Antique Style Sterling Silver Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
Medium - Sculptures
Signed Silver Coradassi Bronze Sculpture
oz of fine silver
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PIAZZA POGGI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Robert Motherwell, Ink Drawing on paper -
Original Hand Draw, Polack Ink and Pastel on paper In the manner of Robert Motherwell . - Signed. Beautifully framed . Approx. size:15" x 12".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Medium - Sculptures
Bronze Sculpture - Bronco Buster by F. Remington
This bronze sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It comes with foundry paperwork.
Medium - Lithographs
Victoria Ponikvar Original Watercolors
4 Piece Watercolors by Victoria Ponikvar. Set includes 4 beautiful Watercolors. Pencil signed in lower right. Frame Size: 25”x25”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
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Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Corrupt". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Monet- Terrace By The Seaside - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Terrace By The Seaside". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Bull
Pablo Picasso signed and numbered bronze sculpture, "Bull". Comes with COA. Some variation in patina might occur. Approx. size:
Medium - Sculptures
Fantasy Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and 32lbs. It is a Limited Edition out of 399. SB9H
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "NU COUCHE DE DOS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Medium - Sculptures
Original Fine Silver Sculpture - By the Sea by Cardassi
This Original Fine Silver sculpture by Cardassi is called, "By the Sea". It measures approx. 23" x 8.5"x 12" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Fashion Jewelry
Lady's Fancy 14 kt White Gold Rare Gold Topaz & Diamond Ring
Lady's Fancy 14 kt White Gold Rare Gold Topaz & Diamond Ring, Rare Gold Topaz approx 4 cts, Diamonds approx .20 cts, VS1 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Ensamble by Sahall
Hand Signed & Unique Lithograph. Dimensions are approx 21x27
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Signed Silver Coradassi Bronze Sculpture
oz of fine silver
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Derriere Le Miroir". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
Marino Marini Bronze Sculpture - Nude
Marino Marini signed and numbered bronze sculpture, "Nude". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Bouqet Above City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Homage To The Spainards" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Black & White Diamond Pendant
Lady's Antique Style Sterling Silver Black & White Diamond Pendant, Black Diamonds approx 3 cts. White Diamonds approx 1 ct, VS1, color G.
Medium - Sculptures
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 24"H x 8"W x 8"D and 29lbs. It is a Limited Edition out of 399. SB8H comes with pedestal
Medium - Sculptures
Large Pure Real .999 Silver Bear and the Bull Sculpture by Delair
This large sculpture, "Bear and the Bull" by Delair is 10 troy ounces of real .999 silver. Comes with foundry Assay. Approx. size: 7 1/2"x4"x4".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Decorative Collectibles
A Company is best known by the competition it creates - Paper weight- Made of Genuine Whale tooth wi
A Company is best known by the competition it creates - Collectible Item- Made of Whale tooth with Orante Hand carvings out of estate. Dimensions are about 1x 3 1/2
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - HAT MAN
Rufino Tamayo signed and numbered bronze sculpture, "HAT MAN". Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 11"x9"x4".
Fine Jewelry
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Lady's Fancy Unique Tiffany Designed Sterling Silver Earrings
Fine Jewelry
Lady's 14K White Gold, Diamond Ring
This lady’s 14K white gold diamond ring is comprised of 4 prongs set round brilliant cut diamond. Total estimated diamond’s weight is 1.50 cts. The total weight of the ring is 5.10 grams. Clarity: SI 1-SI 2-I 1, Color: H I
Medium - Sculptures
Bronze Sculpture - Gift Dancer by Kauba
This bronze sculpture by Kauba is called, "Gift Dancer" . It comes with foundry paperwork .
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Ugolino and Ruggieri". Comes with COA and beautifully framed.
Medium - Lithographs
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 20”x27”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Glassware
Emerald Diamond Cut Crystal Mushroom Lamp
Emerald Diamond Cut Crystal Mushroom Lamp
General - Prints/Reproductions
Limited Edition Monet- THe RIver - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "THe RIver". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Female Torso
Pablo Picasso signed and numbered bronze sculpture, "Female Torso". Comes with COA. Some variation in patina might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Slit Skirt - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Slit Skirt. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
General - Prints/Reproductions
Limited Edition Picasso - Woman In A Red Hat - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Woman In A Red Hat". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Anthropormorphic
Dali sculpture, "Anthropormorphic" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Civa- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Civa. This piece was inspired by the exotic, tradional Eastern dance style adopted by Parisan revue performers such as Gipsy Rhouma-je and Perry. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18".
Fashion Jewelry
Lady's Fancy 14kt White Gold Oval Shape Golden Sapphire & Garnet Ring
Lady's Fancy 14kt White Gold Oval Shape Golden Sapphire & Garnet Ring , Golden Sapphires approx 4 cts, Garnets approx 2 cts.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Dali 24K Gold Plated Bronze Sculpture- Female Bust
Dali sculpture, "Female Bust", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Lilacs and Lace by Marilyn Simandle
Signed Original Lithograph. Dimensions are approx 32x23
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Angel of Peace - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Peace" is approx. 24"H x 8"W x 8"D and 29lbs. It is a Limited Edition out of 399. SB8H comes with pedestal
General - Prints/Reproductions
"Bowl of Cherries" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femmes Sur La Plage Jouant Au Ballon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Unisex One Of A Kind Black Diamond & White Sapphire Ring
Unisex One Of A Kind Black Diamond & White Sapphire Ring, White Sapphires approx 3ct & Blk Diamonds approx 3ct.
Fashion Jewelry
Lady's Stylish Sterling Silver "CAT" Black & White Diamond Pendant
Lady's Stylish Sterling Silver "CAT" Black & White Diamond Pendant, Black & White Diamonds approx total .50 cts.
Medium - Sculptures
Dali Limited Edition Bronze Silver Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY w
This is a limited edition silver bronze sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. Approximately 10 OZ fine silver, comes with pictured fine Chiparus pedestal. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE FLOOD OF FLORENCE" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Fine Jewelry
Lady's Tiffany & Co. HEART shaped Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- SignedLimited Edition On Paper. "Wounded Soft Watch" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - First Out by Renfro
This bronze sculpture by Renfro is called, "First Out" and measures approx. 16" x 24" x 87". It comes with foundry paperwork.
Medium - Lithographs
Limited Edition Lithographs Set by Artist Urbain Hutchet
2 PIECES CONSISTING OF A FRAMED ARTWORK BY HUTCHET Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 22”x29”. Very Rare!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Punishment of Vanni Fucci". Comes with COA and beautifully framed.
Lamps, Lighting
Tiffany Style Dragonfly Lamp
Tiffany Style Dragonfly Lamp
General - Prints/Reproductions
Limited Edition Monet- Japanese Bridge - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Japanese Bridge". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Flower
Pablo Picasso signed and numbered bronze sculpture, "Flower". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x5.
General - Prints/Reproductions
Limited Edition Picasso - Sleeping Woman Before Green Shutters - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Sleeping Woman Before Green Shutters". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "ODALISQUE BRASERO ET COUPE DE FRUITS", CIRCA 1929. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Fine Jewelry
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 18 ct. (172DD)
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Other
Bugsy Siegel Giclee, gun, cigar & bullets
"Bugsy" Siegel Giclee, gun, cigar & bullets, approx dimension 20x23
General - Prints/Reproductions
Victorian Quarters by Marilyn Simandle
Signed Original Lithograph. Dimensions are approx 32x24
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Dali Limited Edition Bronze Silver Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY w
This is a limited edition silver bronze sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. Approximately 10 OZ fine silver, comes with pictured fine Chiparus pedestal. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Medium - Sculptures
Captivating Alberto Giacometti Original, limited Edition Bronze -Man and Woman
Alberto Giacometti signed and numbered bronze sculpture, "Man and Woman". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Nighttime Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Owl And A Chair Of Sea Urchins" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Very Stylish Silver Heart Shaped Tri-color Stone Ring
Very Stylish Silver Heart Shaped Tri-color Stone Ring, White Sapphires approx 5ct, Aquamarines approx 3ct, Pink Sapphires approx 2ct, Golden Sapphires approx 2ct.
Medium - Sculptures
Real Silver Pablo Dali Limited Edition Sculpture - Helping Hand with Pedestal
Dali Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx.10Troy ounces of real silver and comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FIRENZE" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Joan Miro Original Limited Edition Bronze -Fish
Joan Miro signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 15x10x10.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Tiffany & Co. DATED 1837 Sterling Silver Ring
Fancy Lady's Tiffany and Co. Sterling Silver Ring
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. "A Man Seated At A table" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Arizona by Unknown
This bronze sculpture by Unknown is called, "Arizona".It comes with foundry paperwork.
Medium - Lithographs
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x28”.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Centuar". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Monet- House of Parliment - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "House of Parliment". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Rare Pablo Picasso Original, limited Edition Bronze - Unknown Title
Pablo Picasso signed and numbered bronze sculpture, "Unknown Title". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4.
Medium - Sculptures
Spring Awakening - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Spring Awakening. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 14"x8".
General - Prints/Reproductions
Limited Edition Picasso - Portrait Of A Painter, After El Greco - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Portrait Of A Painter, After El Greco". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
Medium - Sculptures
Fantasy Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fantasy Dancer" is approx. 22"H x8"Wx 12"D and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
Tender Promises - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tender Promises. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x30".
Fine Jewelry
Lady's Fancy Silver Blue Sapphire Ring
Lady's Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 12 ct. (161DD)
Medium - Sculptures
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Young Woman with Flower by Sahall
Original Lithograph. Dimensions are approx 22x26
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x10". In excellent condition, comes unframed
Medium - Sculptures
Real Silver Pablo Dali Limited Edition Sculpture - Helping Hand with Pedestal
Dali Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx.10Troy ounces of real silver and comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur.
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Horse with Saddle
Botero signed and numbered bronze, " Horse with Saddle ". Comes with COA. Some variation in patina might occur. Approx. size: 10x9x6 Inch.
General - Prints/Reproductions
"Horsewoman With Doves" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
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General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Seated Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 2.5 ct.
Medium - Sculptures
Picasso Gold Bronze Sculpture - Man With Guitar with Pedestal
Beautiful Gold bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9". Comes with fine Chiparus Pedestal.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 9x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "AFTERMATH" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Joan Miro Original Limited Edition Bronze - Head
Joan Miro signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 18x8x7.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
General - Old Masters
Picasso Limited Edition
Picasso Limited Edition On Paper. "La Disuse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Freedom Rising by D. Scott
This bronze sculpture by D. Scott is called, "Freedom Rising" and measures approx. 48" x 28" x 26" and weighs approx.160lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Simoniac". Comes with COA and beautifully framed.
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Medium - Lithographs
Louis Icart Original Litographs
4 Piece Color Lithograph by Louis I cart. Set includes 4 beautiful Lithographs. Pencil signed in lower right. Frame Size: 27”x23”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Monet- Venice At Dusk - Collection Domaine Monet
Limited edition Monet from the Collection Domaine Monet, "Venice At Dusk". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Baboon and Young
Pablo Picasso signed and numbered bronze sculpture, "Baboon and Young". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x5.
Fine Jewelry
Lady's Beautiful Tiffany Co. Necklace
Lady's Beautiful Tiffany Co. Necklace
General - Prints/Reproductions
Limited Edition Picasso - Maya With A Doll - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "Maya With A Doll". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Plated Bronze Sculpture- Female Bust
Dali sculpture, "Female Bust", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Medium - Sculptures
The Ruler by T. Davis 1854
Bronze "The Ruler" by T. Davis 1854, dimensions are about 24x13.
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "PERSANE", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
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Fashion Jewelry
Unique Very Fancy Antique Style 14 kt Gold Multi Color Ring
Unique Very Fancy Antique Style 14 kt Gold Multi Color Ring, Royal Blue Topaz approx 2 cts, Golden Sapphire approx 2 cts, Amethyst approx 2 cts.
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Venus on a Shell
Dali sculpture, "Venus on a Shell", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
Rue de L'Arc de Triump by Le Blanc
Hand Signed Silkscreen. Dimensions are approx 22x24
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Picasso Gold Bronze Sculpture - Man With Guitar with Pedestal
Beautiful Gold bronze Picasso sculpture, "Man With Guitar". Gold accents and marble base. Approx. size: 28"x11"x9". Comes with fine Chiparus Pedestal.
Medium - Sculptures
Jean Arp Original, limited Edition Bronze - Fleur de Reve au Museau
Jean Arp signed and numbered bronze sculpture, "Fleur de Reve au Museau ". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Ten Commandments" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Musician" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Sterling Amethyst & White Sapphire Ring
Lady's Sterling Amethyst & White Sapphire Ring, Amethyst approx 40 ct, White Sapphires approx 2ct.
Medium - Sculptures
Signed Silver Alfred Dubucand Bronze Sculpture "Buffalo"
This silver bronze is approximately 10 OZ of fine silver, the bronze sculpture is of a standing buffalo, with a magnificent coat of hair, by Alfred Dubcand (Frenchz: 1828-1894). The bison shows great rack of curved horns standing on the prairie. Dimensions (without pedestal) is approximately 18x11x14. Comes with beautiful Chiparus pedestal.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "HUNTINGTON HARBOUR" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
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General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Alberto Giacometti Original Limited Edition Bronze -
Alberto Giacometti signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur.
General - Old Masters
Pierre Renior Limited Edition
Pierre ReniorLimited Edition On Paper. "The Loge" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Day's End by D. Scott
This bronze sculpture by D. Scott is called, "Day's End" and measures approx. 72" x 72" x 36" and weighs approx. 500lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Mohammed". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Kandinsky- Blue Circle - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "Blue Circle". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Fashion Jewelry
Lady's Fancy Sterling Yellow Rose Camile & Broca Pearl Ring
Lady's Fancy Sterling Yellow Rose Camile & Broca Pearl Ring.
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Standing Woman
Pablo Picasso signed and numbered bronze sculpture, "Standing Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
Medium - Sculptures
Tango - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tango. This piece is thought to represent Rudolph Valentino and his wife Natasha Rambova, While Valentino is remembered most for his film career, he also danced with his wife for audiences in the U.S. and Europe. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6.5".
General - Prints/Reproductions
Limited Edition Picasso - - Collection Domaine Picasso
Limited edition Picasso from the Collection Domaine Picasso, "". Museum stamped and comes with COA. Edition size: 300. Edition number varies.. CC
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General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
General - Original Works
EXTREMELY RARE ORIGINAL LITHOGRAPH BY ARTIST HENRI MATISSE
LITHOGRAPH IN THE MANNER OF HENRI MATISSE, BEARING THE SIGNATURE IN A LIMITED EDITION TITLED "FIGURE DANS FAUTEVIL", CIRCA 1930. Matisse’s discovery of his true profession came about in an unusual manner. Following an attack of appendicitis, he began to paint in 1889, when his mother had brought him art supplies during the period of convalescence. He said later, “From the moment I held the box of colors in my hands, I knew this was my life. I threw myself into it like a beast that plunges towards the thing it loves.” Matisse’s mother was the first to advise her son not to adhere to the “rules” of art, but rather listen to his own emotions. Matisse was so committed to his art that he later extended a warning to his fiancée, Amélie Parayre, whom he later married: “I love you dearly, mademoiselle; but I shall always love painting more.” Matisse had discovered "a kind of paradise" as he later described it. His drastic change of profession deeply disappointed his father. Two years later in 1891 Matisse returned to Paris to study art at the Académie Julian and became a student of William-Adolphe Bouguereau. After a discouraging year at the Académie Julian, he left in disgust at the overly perfectionist style of teaching there. Afterwards he trained with Gustave Moreau, an artist who nurtured more progressive leanings. In both studios, as was usual, students drew endless figure studies from life. From Bouguereau, he learned the fundamental lessons of classical painting. His one art-schooled technical standby, almost a fetish, was the plumb line. No matter how odd the angles in any Matisse, the verticals are usually dead true. Moreau was a painter who despised the "art du salon", so Matisse was destined, in a certain sense, to remain an "outcast" of the art world. He initially failed his drawing exam for admission to the École des Beaux-Arts, but persisted and was finally accepted. Matisse began painting still-lives and landscapes in the traditional Flemish style, at which he achieved reasonable proficiency. Most of his early works employ a dark palette and tend to be gloomy. Chardin was one of Matisse's most admired painters having made four the French still-life master paintings in the Louvre. Although he executed numerous copies after the old masters he also studied contemporary art. His first experimentations earned him a reputation as the rebellious member of his studio classes. In 1896, Matisse was elected as an associate member of the Société Nationale, which meant that each year he could show paintings at the Salon de la Société without having to submit them for review. In the same year he exhibited 5 paintings in the salon of the Société Nationale des Beaux-Arts, and the state bought two of his paintings. This was the first and almost only recognition he received in his native country during his lifetime. In 1897 and 1898, he visited the painter John Peter Russell on the island Belle Île off the coast of Brittany. Russell introduced him to Impressionism and to the work of Van Gogh who had been a good friend of Russell but was completely unknown at the time. Matisse's style changed completely, and he would later say "Russell was my teacher, and Russell explained color theory to me." Matisse also observed Russell's and other artists' stable marriages. This probably influenced him to find in Amélie Noellie Parayre, his future wife, his anchor.
Medium - Sculptures
Thais - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Thais. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21.5"x23".
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Black & White Diamond Ring
Lady's Very Fancy 14 kt White Gold Black & White Diamond Ring, Black Diamonds approx 4 cts, White Diamonds approx .20 cts, VS1 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
At the Bar II by Yuri Trembler
Original Lithograph. Dimensions are approx 29x27
General - Original Works
Original Oil on Canvas. Autumn by T. Mike
T. Mike Original Oil on Canvas. Dimensions are approx. 23x27.
Medium - Sculptures
Signed Silver Alfred Dubucand Bronze Sculpture "Buffalo"
This silver bronze is approximately 10 OZ of fine silver, the bronze sculpture is of a standing buffalo, with a magnificent coat of hair, by Alfred Dubcand (Frenchz: 1828-1894). The bison shows great rack of curved horns standing on the prairie. Dimensions (without pedestal) is approximately 18x11x14. Comes with beautiful Chiparus pedestal.
Medium - Sculptures
Zuniga Original Original, limited Edition Bronze - Mujer Con Nia
Zuniga signed and numbered bronze sculpture, "Mujer Con Nia". Comes with COA. Some variation in patina might occur.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Derriere Le Miroir". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
"Artist and Bouqet" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
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General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Muse II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Unisex Stylish Butterfly & Black Onix Ring
Unisex Stylish Butterfly & Black Onix Ring, Blk Onix approx 20 ct.
Medium - Sculptures
Salvador Dali RHINOCEROS Silver Bronze Sculpture with Pedestal
This is a rare silver bronze Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4". Silver is approximately 10 OZ, comes with fine Chiparus Pedestal
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHING BOATS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - St. John
Dali sculpture, "St. John" is approx. 2.96 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Soft Self Portrait With Fried Bacon
This is a limited edition, signed bronze sculpture entitled "SOFT SELF PORTRAIT WITH FRIED BACON" (1941) by Salvador Dali. Dali painted this self-portrait during his eight-year-exile in the United States, where he had fled from the Spanish civil war. The, sometimes, childlike enthusiasm and the drive of the American society appealed to Dali and he had a most productive period there. Under this influence he appeared to reverse his "paranoid-critical" method. Now he painted more from the inside out, as his comment on his self-portrait indicates. Dali himself styles his self-portrait as "an anti-psychological self-portrait, instead of painting the soul, or the inner of oneself, to paint solely the appearance, the cover, my soul's glove. This glove of my soul can be eaten and is even a little sharp, like highbred game; therefor ants appear together with the fried bacon. As the most generous of all painters I continuously offer myself as food and thus give our era the most delicious delicacies. Approx. Dimensions: 4.75 in. x 3 in. x 3 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Hand Draw, Ink Drawing on paper Signed Kandinsky
Original Hand Draw, Ink Drawing on paper In the manner of Kandinsky, title unknown . Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Botero Bronze Sculpture - Dance Lesson
Botero signed and numbered bronze, " Dance Lesson". Comes with COA. Some variation in patina might occur.
Fine Jewelry
Ladies 14K White Gold Diamond Ring
This ladies 14K white gold diamond ring is comprised of one 1.32ct. SI2 clarity and JK color. estimated total carat weight is .22ctw
General - Old Masters
Edouard Manet Limited Edition
Edouard Manet Limited Edition On Paper. "The Departure Of The Folkestone" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Rapture II by D. Scott
This bronze sculpture by D. Scott is called, "Rapture II" and measures approx. 64" x 43" x22" and weighs approx. 21lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Gianni Schicchi's Bite". Comes with COA and beautifully framed.
Medium - Lithographs
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Together they make the perfect pair. Frame Size: 18”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Kandinsky- Couple Riding - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "Couple Riding". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Rock Star
Bustamante signed and numbered bronze sculpture, "Rock Star". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x3.
Medium - Sculptures
Civa- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Civa. This piece was inspired by the exotic, tradional Eastern dance style adopted by Parisan revue performers such as Gipsy Rhouma-je and Perry. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
LLado FLORAL Hand Signed Limited Ed. Serigraph
This is a hand signed serigraph by LLado titled "FLORAL ". Beautiful art piece on extra thick paper. Paper measures 31" x 30". Hand signed and numbered by the artist. Comes unframed. In mint condition!
Fine Jewelry
Unisex Fancy Silver Blue Sapphire Ring
Unisex Fancy Silver Blue Sapphire Ring, Blue Sapphire approx 18 ct. (163DD)
Fashion Jewelry
Lady's Fancy 14 kt White Gold Band & Black Diamond Ring
Lady's Fancy 14 kt White Gold Band & Black Diamond Ring, Black Diamonds approx 0.75 cts.
Medium - Sculptures
The Secret - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Secret. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x13".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
At the Bar I by Yuri Trembler
Original Lithograph. Dimensions are approx 29x28
Medium - Sculptures
Salvador Dali RHINOCEROS Silver Bronze Sculpture with Pedestal
This is a rare silver bronze Salvador Dali sculpture entitled "Rhinoceros".Etched Signature. Approx. size: 5"x6"x4". Silver is approximately 10 OZ, comes with fine Chiparus Pedestal
Medium - Sculptures
Zuniga Original Original, limited Edition Bronze - Unknown
Zuniga signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Couple" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Stylish Lady's Silver & White Sapphire Ring
Stylish Lady's Silver & White Sapphire Ring, White Sapphires approx 5 ct.
Medium - Sculptures
Dali Limited Edition Silver Bronze Sculpture - Geopolitical Child Watches The Birth Of The New Huma
This is a limited edition, signed silver bronze sculpture entitled "GEOPOLITICAL CHILD WATCHES THE BIRTH OF THE NEW HUMAN", silver is approximately 10 OZ, comes with beautiful Chiparus pedestal. watches the birth of the new human (1943) by Salvador Dali. This statue adaptation of The Birth of the New Human (1943) is taken from a painting by Salvador Dali in which he illustrates a plea for a radical liberation from the oppressive entwinement from the past. It shows the birth of the New Human whilst the world is on fire. Approx. Dimensions: 6.5in. x 8 in. x 8 in.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISH CLEANED" CIRCA 1971. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Maillol Original Limited Edition Bronze
Maillol signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
General - Old Masters
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Flordali ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Eaglehead by H. Scott
This bronze sculpture by H. Scott is called, "Eaglehead" and measures approx. 4" x 5" x 7" and weighs approx. 8lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Lithographs
Limited Edition Lithographs Set by Thornhill
2 PIECES CONSISTING OF A FRAMED ARTWORK BY THORNHILL Set includes 2 Original lithographs. Pencil signed in lower right and numbered. Together they make the perfect pair. Frame Size: 20”x28”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Progphecy of Vanni Fucci". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Kandinsky- Lady In Moscow - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "Lady In Moscow". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Reclining Sun
Bustamante signed and numbered bronze sculpture, "Reclining Sun". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x3.
Medium - Sculptures
Tender Promises - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Tender Promises. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 16"x30".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Venus on a Shell
Dali sculpture, "Venus on a Shell", is cast in bronze and layered in 24K gold. Sculpture measures approx. 7.5". Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Galerie de la Madaleine"
This is a hand signed Limited Edition Lithograph by Renoux titled "Galerie de la Madaleine", signed & numbered, approx dimension 22x39 in.
Fine Jewelry
Lady's Fancy Silver Black Diamond Ring
Lady's Fancy Silver Black Diamond Ring, Black Diamond approx 7 ct. (164DD)
Medium - Sculptures
Three Dancers - Bronze and Ivory Sculpture by Phillipe
Phillipe bronze and ivory sculpture, Three Dancers. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x17".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Dali 24K Gold Plated Bronze Sculpture- Female Figure
Dali sculpture, "Female Figure" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
General - Prints/Reproductions
"Ameruese" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Dejeuner Sur L'herbe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Very Fancy Sterling Silver Multiple Hearts in a Circle Diamond Pendant
Lady's Very Fancy Sterling Silver Multiple Hearts in a Circle Diamond Pendant, Diamonds approx 1.25 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CATALINA ISLAND MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Beautiful Bronze Sculpture by Chiparus
Beautiful bronze sculpture by artist Chiparius "Antenea" comes with fine Chiparus pedestal. Dimensions of the sculpture is approximately 12x7x4.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Jean Arp Original Limited Edition Bronze -Torso
Jean Arp signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size: 10x4x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
General - Old Masters
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Die Rolen Schuhe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Heron on a Branch by J. Townsend
This bronze sculpture by J. Townsend is called, "Heron on a Branch" and measures approx. 30" x 14" x 6" and weighs approx. 86lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Traitor of Montaperti". Comes with COA and beautifully framed.
Medium - Lithographs
Picasso Original Lithographs Hand Pulled and Signed.
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 Original lithographs.From the suit "Le Gout du Bonheur" Pencil signed in lower right. Frame Size: 18”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Kandinsky- Red Spot II - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "Red Spot II". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Sun King
Bustamante signed and numbered bronze sculpture, "Sun King". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Medium - Sculptures
Thais - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Thais. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21.5"x23".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "Air de Chasse"
This is a hand signed Limited Edition Lithograph by Renoux titled "Air de Chasse", signed & numbered, approx dimension 29x37 in.
Fine Jewelry
Lady's Fancy Silver Golden Sapphire Ring
Lady's Fancy Silver Golden Sapphire Ring, Golden Sapphire approx 8 ct. (159DD)
Fashion Jewelry
Lady's Beautiful 14 kt White Oval Shape Black & White Diamond Ring
Lady's Beautiful 14 kt White Oval Shape Black & White Diamond Ring, Black Diamonds approx 2 cts, White Diamonds approx .10 cts, VS1 color G.
Medium - Sculptures
Yambo - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Yambo. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x11"x6".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Music Memorabilia
Bob Marley Giclee
"Bob Marley" Giclee & mini guitar, approx dimension 22x26.
General - Prints/Reproductions
Country Lane by Rundell
Signed Limited Edition Lithograph. Dimensions are approx 28x22
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Medium - Sculptures
Beautiful Bronze Sculpture by Chiparus
Beautiful bronze sculpture by artist Chiparius "Antenea" comes with fine Chiparus pedestal. Dimensions of the sculpture is approximately 12x7x4.
General - Prints/Reproductions
"La Reve" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait Of A Woman" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Very Fancy Sterling Silver "Heart" Diamond Pendant
Lady's Very Fancy Sterling Silver "Heart" Diamond Pendant, Diamonds approx .33 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FISHERMAN'S WHARF - EVENING" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Stunning Bronze Sculpture on Chiparus Pedestal by artist Moreau
Stunning bronze by Moreau sitting on a fine Chiparus pedestal. Dimensions of the bronze is approximately 14x8x5.
Medium - Sculptures
Joan Miro Original Limited Edition Bronze- Personage
Joan Miro signed and numbered bronze sculpture, "Personage". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x7.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. "Fire fire" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Pelicans by Koop
This bronze sculpture by Koop is called, "Pelicans" and measures approx. 30" x 24" x 20" and weighs approx.125lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Reassurance". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Kandinsky- Yellow, Red and Blue - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "Yellow, Red and Blue". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Medium - Sculptures
Bustamante Original, limited Edition Bronze - The Wizard
Bustamante signed and numbered bronze sculpture, "The Wizard". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x3.
Medium - Sculptures
The Secret - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, The Secret. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x13".
Fine Jewelry
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant
Lady's Beautiful 10 Kt Yellow Gold Amethyst Pendant, Amethyst approx 2 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Renoux Hand Signed Limited Edition Lithograph "RISTORANTE"
This is a hand signed Limited Edition Lithograph by Renoux titled "RISTORANTE", signed & numbered, approx dimension 22x25 in.
Fine Jewelry
Unisex Fancy Silver Pigeon Blood Ruby Ring
Unisex Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 10 ct. (158DD)
Medium - Sculptures
Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x19.5"x4.5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Music Memorabilia
Madonna Giclee
"Madonna" Giclee, pass & mini microphone, approx dimension 23x26.
General - Prints/Reproductions
Lay of the Land by Dupre I
Original Lithograph. Dimensions are approx 38x20
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Stunning Bronze Sculpture on Chiparus Pedestal by artist Moreau
Stunning bronze by Moreau sitting on a fine Chiparus pedestal. Dimensions of the bronze is approximately 14x8x5.
Medium - Sculptures
Fritz Wotruba Original Original, limited Edition Bronze - Figure
Fritz Wotruba signed and numbered bronze sculpture, "Figure". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
"Chanukah" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Etude Pour Le Nu A La Draperie" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fancy Sterling Silver White Sapphire Pendant
Lady's Fancy Sterling Silver White Sapphire Pendant, White Sapphires approx 1.5 cts.
Medium - Sculptures
Bronze Sculpture by Moreau "Bubbles" with Pedestal
beautiful bronze sculpture by artist Moreau "Bubbles" comes with beautiful Chiparus pedestal. Dimensions of the bronze is approximately 13x8x7.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PORTO SANTO STEFANO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Joan Miro Original Limited Edition Bronze - MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: Approx. size: 17x10x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
General - Old Masters
Salvador Dali- Limited Edition
Salvador Dali-Limited Edition On Paper. " Drawer Of Memory" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Blue Marlins by Koop
This bronze sculpture by Koop is called, "Blue Marlins" and measures approx. 38" x 29" x 16" and weighs approx. 80lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Charon". Comes with COA and beautifully framed.
Medium - Lithographs
Pablo Picasso and Salvador Dali-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and DALI, Set includes 2 Original lithographs. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Glassware
Cobalt Crystal Flow Vase
Cut Crystal Flow Vase, Cobalt color, Dimensions are about H:10" W:6" L:6"
General - Prints/Reproductions
Limited Edition Kandinsky- Red Oval - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "Red Oval". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor Signed Chagall
Original Watercolor on paper In the manner of Chagall. Beautifully framed and Signed. Approx dimension :15"x11".
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Sun Queen
Bustamante signed and numbered bronze sculpture, "Sun Queen". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x7.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Fiery Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and 27bs. It is a Limited Edition out of 399. SB9H5FF
Fine Jewelry
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet
Lady's Fancy Silver Rose Garnet with Diamonds Bracelet, Garnet approx 5 ct, Diamonds approx .75 ct VS1, G in color.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Plated Bronze Sculpture- Female Figure
Dali sculpture, "Female Figure" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 8". Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Original Fine Silver Sculpture - Clara by Chiparus
This Original Fine Silver sculpture by Chiparus is called, "Clara". It measures approx. 24" x 31"x 16" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay .
Medium - Sculptures
Damascene - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Damascene. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fashion Jewelry
Lady's Beautiful 14 kt White Gold Sapphire Marqui Cut & Diamond
Lady's Beautiful 14 kt White Gold Sapphire Marqui Cut & Diamond, Sapphires approx 2 cts, Diamonds approx .20 cts, VS1 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Melting Clock
Dali sculpture, "Melting Clock", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 8"x10". In excellent condition, comes unframed
Medium - Sculptures
Bronze Sculpture by Moreau "Bubbles" with Pedestal
beautiful bronze sculpture by artist Moreau "Bubbles" comes with beautiful Chiparus pedestal. Dimensions of the bronze is approximately 13x8x7.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Title "Unknown". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Bull
Botero signed and numbered bronze, " Bull ". Comes with COA. Some variation in patina might occur. Approx. size: 8x13x8 Inch.
General - Prints/Reproductions
"Exodus" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In Blue" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fancy Sterling Silver Black & White Diamond Pendant
Lady's Fancy Sterling Silver Black & White Diamond Pendant, Black & White Diamonds approx total .50 cts.
Medium - Sculptures
Bronze Swing Lady by Moreau with Pedestal
Beautiful bronze sculpture by artist Moreau "Swing Lady" comes with beautiful Chiparus pedestal. Dimensions are approximately 15x11x9.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - Winged Swan for Bacchanale Ballet
This is a limited edition, signed bronze sculpture entitled "WINGED SWAN FOR BACCHANALE BALLET" (1939) by Salvador Dali. During his years in America Dalí worked on cinema and designed for theatre and theatre and ballet productions. His first design for the ballet was Bacchanale (originally named in German "Venusberg"), for which he also wrote the scenario and designed the costumes. It was a Metropolitan Opera production, choreographed by Leonide Massine for the Ballet Russe de Monte Carlo. The ballet was set to the music of Richard Wagner, whose insane patron, king Ludwig II, was portrayed in the scenario. Approx. Dimensions: 7 in. x 4 in. x 3 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Joan Miro Original Limited Edition Bronze - Woman In The Night
Joan Miro signed and numbered bronze sculpture, "Woman In The Night". Comes with COA. Some variation in patina might occur. Approx. size: 17x10x4.
Fine Jewelry
Unisex Beautiful Tiffany Sterling Silver Ring
Unisex Beautiful Tiffany Sterling Silver Ring
General - Old Masters
Picasso Limited Edition
Picasso Limited Edition On Paper. "Woman With A chignon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze Sculpture - Tuna by J. Townsend
This bronze sculpture by J. Townsend is called, "Tuna" and measures approx. 12" x 15" x 9" . It comes with foundry paperwork and is part of an edition of 399 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "News of the Lower Depths of Hell". Comes with COA and beautifully framed.
Medium - Lithographs
Chagall Limited Edition Lithographs Set-
2 Piece Color Lithograph by Chagall. Set includes 2 beautiful Limited Edition Lithograph Set-Signed and numbered. Frame Size: 21”x31”. Wonderful and Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Kandinsky- In Blue - Collection Domaine Kandinsky
Limited edition Kandinsky from the Collection Domaine Kandinsky, "In Blue". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Mermaid
Bustamante signed and numbered bronze sculpture, "Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 10x5x5.
Medium - Sculptures
Yambo - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Yambo. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24"x11"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fine Jewelry
Lady's Fancy Silver Pigeon Blood Ruby Ring
Lady's Fancy Silver Pigeon Blood Ruby Ring, Ruby approx 22 ct. (156DD)
Fashion Jewelry
Lady's Fancy 14 kt White Gold Amethyst Ring
Lady's Fancy 14 kt White Gold Amethyst Ring, Amethyst approx 2cts.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed A.R. Dergado Bronze and Ivory - Feuervogel
Signed bronze and ivory art deco sculpture "Feuervogel" by artist A.R. Dergado, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 12.2".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:11"x12".
Medium - Sculptures
Bronze Swing Lady by Moreau with Pedestal
Beautiful bronze sculpture by artist Moreau "Swing Lady" comes with beautiful Chiparus pedestal. Dimensions are approximately 15x11x9.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Woman in Chair-
Henry Moore signed and numbered bronze sculpture, " Woman in Chaird". Comes with COA. Some variation in patina might occur. Approx. size: 10x8x4 Inch.
General - Prints/Reproductions
"Paris Opera Ceiling" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Notre dame" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 2x4
Medium - Sculptures
Dali Limited Edition Silver Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed silver bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. silver is approximately 10 OZ, comes with beautiful Chiparus Pedestal. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Alberto Giacometti Original Limited Edition Bronze - Femme
Alberto Giacometti signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 14"x7"x4"
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. "Study Of Oriental Standing" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze Sculpture - Tenderness by J. Townsend
This bronze sculpture by J. Townsend is called, "Tenderness" and measures approx. 28" x 14" x 14" and weighs approx. 75lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Lithographs
Norman Rockwell Lithographs
2 Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph Set. Frame Size: 31”x16”.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Minos". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Glassware
Cobalt Diamond Cut Crystal Mushroom Lamp
Cobalt Diamond Cut Crystal Mushroom Lamp
General - Prints/Reproductions
Limited Edition Lautrec- The Falconer - Collection Domaine Lautrec
Limited edition Lautrec from the Collection Domaine Lautrec, "The Falconer". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Sun In Love
Bustamante signed and numbered bronze sculpture, "Sun In Love". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x6.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1 ct, VS2 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Chianti Country I by Ede
Original Lithograph. Dimensions are approx 24x26
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10x8". In excellent condition, comes unframed
Medium - Sculptures
Dali Limited Edition Silver Bronze Sculpture - Horse, The Temptation Of Saint Anthony
This is a limited edition, signed silver bronze sculpture entitled "HORSE" THE TEMPTATION OF SAINT ANTHONY (1946) by Salvador Dali. silver is approximately 10 OZ, comes with beautiful Chiparus Pedestal. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off an frightening mounting horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Approx. Dimensions: 8 in. x 4.5 in. x 2.5 in.
General - Prints/Reproductions
"Artist and Model" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Dog" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Very Fancy Sterling Silver "Tear Drop" White Sapphire Pendant
Lady's Very Fancy Sterling Silver "Tear Drop" White Sapphire Pendant, White Sapphires approx 3 cts.
Decorative Collectibles
Roseville Porcelain
2nd Generation Roseville Porcelain. Approx dimensions are 4x11
Medium - Sculptures
Remington Real .999 Silver -Bronco Buster on Pedestal
This Frederick Remington sculpture, "Bronco Buster" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Alvar Original Limited Edition Bronze
Alvar signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x12"x6"
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn-Limited Edition On Paper. " Portrait Of A Young Man" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - La Tortuga by J. Townsend
This bronze sculpture by J. Townsend is called, "La Tortuga" and measures approx. 423" x 16" x 16" and weighs approx. 104lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Irascible". Comes with COA and beautifully framed.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 23”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lautrec- Cirque Fornando - Collection Domaine Lautrec
Limited edition Lautrec from the Collection Domaine Lautrec, "Cirque Fornando". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - La Parisienne
Max Ernst signed and numbered bronze sculpture, "La Parisienne", 1950. Comes with COA. Some variation in patina might occur.
Medium - Sculptures
Fan Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Fan Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 21"x19.5"x4.5".
Medium - Sculptures
Fiery Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Fiery Dancer" is approx. 25"H x 8"Wx9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Melting Clock
Dali sculpture, "Melting Clock", is cast in bronze and layered in 24K gold. Sculpture measures approx. 6.5". Comes with foundry assay. Some variations in marble might occur.
Fine Jewelry
Lady's Fancy Silver Aquamarine, White Sapphire & Pigeon Blood Ruby Ring.
Lady's Fancy Silver Aquamarine, White Sapphire & Pigeon Blood Ruby Ring. Aquamarine approx 12 ct, White Sapphire approx 1 ct & Ruby approx .50 ct. (191DD)
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Encore - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Encore. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Medium - Sculptures
Henry Moore Limited Edition Real Silver Sculpture - Unknown
Henry Moore Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10Troy ounces of real silver.
General - Prints/Reproductions
Chianti Country II by Ede
Original Lithograph. Dimensions are approx 24x27
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- St John on the Cross
Dali sculpture, "St John on the Cross" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Remington Real .999 Silver -Bronco Buster on Pedestal
This Frederick Remington sculpture, "Bronco Buster" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay. Comes with beautiful Chiparus pedestal. Some variations in marble might occur. Approx. size: 10.5"x10"x6".
Medium - Sculptures
Hugue Original, limited Edition Bronze - Man With Wings
Hugue signed and numbered bronze sculpture, "Man With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
General - Prints/Reproductions
"The Juggler" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Ballet" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fancy Style Sterlilng Silver "Crown" Diamond Pendant
Lady's Fancy Style Sterlilng Silver "Crown" Diamond Pendant, Diamonds approx 1 ct, VS1, color G.
Medium - Sculptures
Real Silver Limited Edition Moreau Sculpture - Girl On A Swing with Pedestal
Beautiful real silver, limited edtition sculpture by Moreau, "Girl On A Swing". Comes with beautiful Chiparus pedestal. This piece contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JILL" CIRCA 1969. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - JAGUAR
Rufino Tamayo signed and numbered bronze sculpture. "JAGUAR". Comes with COA. Some variation in patina might occur. Approx. size: 7"x9"x5"
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - SignedLimited Edition On Paper. "Bureaucrat And Sewing Machine" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Fish On by J. Townsend
This bronze sculpture by J. Townsend is called, "Fish On" and measures approx. 17" x16" x 11" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "Farinata". Comes with COA and beautifully framed.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x27”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lautrec- Moulin Rouge - Collection Domaine Lautrec
Limited edition Lautrec from the Collection Domaine Lautrec, "Moulin Rouge". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - LA TOURANGELLE
Max Ernst signed and numbered bronze sculpture, "LA TOURANGELLE". Comes with COA. Some variation in patina might occur. Approx. size: 19x22x8.
Medium - Sculptures
Damascene - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Damascene. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Beautiful Silver Citrine Bracelet
Lady's Beautiful Silver Citrine Bracelet, Citrine approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
General - Prints/Reproductions
Devant Le Theatre by Andre D'Avignon
Signed Original Lithograph. Dimensions are approx 25x33
Medium - Sculptures
Kora- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kora. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
General - Original Works
Original Oil on Canvas. Autumn II by T. Mike
T. Mike Original Oil on Canvas. Dimensions are approx. 23x27.
Medium - Sculptures
Real Silver Limited Edition Moreau Sculpture - Girl On A Swing with Pedestal
Beautiful real silver, limited edtition sculpture by Moreau, "Girl On A Swing". Comes with beautiful Chiparus pedestal. This piece contains approx. 10 troy ounces of fine silver and comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Her Majesty
Joan Miro signed and numbered bronze sculpture, "Her Majesty". Comes with COA. Some variation in patina might occur. Approx. size: 17x5x5.
General - Prints/Reproductions
"Couple In Paris" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head In Profile" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Stylish/Fancy Sterling Silver Diamond Pendant
Lady's Stylish/Fancy Sterling Silver Diamond Pendant, Diamonds approx .5 ct, VS1, color G.
Medium - Sculptures
Remington Real .999 Silver -Rattlesnake with Pedestal
This Frederick Remington sculpture, "Rattlesnake" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and Chiparus pedestal. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - SNAKE
Rufino Tamayo signed and numbered bronze sculpture. "SNAKE". Comes with COA. Some variation in patina might occur. Approx. size: 7"x8"x5"
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Happy Unicorn" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Sailfish with Maihi by J. Townsend
This bronze sculpture by J. Townsend is called, "Sailfish with Maihi" and measures approx. 33" x 26" x 16" and weighs approx. 95lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "In Dark Limbo". Comes with COA and beautifully framed.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x19”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Limited Edition Lautrec- At The Moulin Rouge II - Collection Domaine Lautrec
Limited edition Lautrec from the Collection Domaine Lautrec, "At The Moulin Rouge II". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Toulouse Lautrec
Original Watercolor on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed A.R. Dergado Bronze and Ivory - Feuervogel
Signed bronze and ivory art deco sculpture "Feuervogel" by artist A.R. Dergado, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 12.2".
Fine Jewelry
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 4 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1.06 cts, VS2 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Tanara
Signed bronze and ivory art deco sculpture "Tanara" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 22"x8"x8"
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Medium - Sculptures
Remington Real .999 Silver -Rattlesnake with Pedestal
This Frederick Remington sculpture, "Rattlesnake" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and Chiparus pedestal. Some variations in marble might occur.
Medium - Sculptures
David Alfaro Siqueros Original, limited Edition Bronze - Revolutionary Protest
David Alfaro Siqueiros signed and numbered bronze sculpture, "Revolutionary Protest". Comes with COA. Some variation in patina might occur. Approx. size: 12x15x4.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Derriere Le Miroir". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
"Circus Horse and Rider" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Bread and Fruit Bowl" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Very Fancy Sterling Silver "Heart" White Sapphire Pendant
Lady's Very Fancy Sterling Silver "Heart" White Sapphire Pendant, White Sapphires approx 3 cts.
Medium - Sculptures
Original Fine Silver Sculpture - Cheyenne by F. Remington with Pedestal
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and beautiful Chiparus pedestal..
Medium - Sculptures
Dali Real .999 Silver Sculpture - Anthropormorphic
Dali sculpture, "Anthropormorphic" is approx. 1.94 oz of fine real .999 silver. Sculpture measures approx. 4". Comes with foundry Assay.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Henry Moore Limited Edition Bronze - Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:10"x14"x9".
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
Fine Jewelry
Loose 175ct square shaped, Step cut-Columbian Emerald-
One Loose square shaped, Step cut, Columbian Emerald. Weighing 175.00cts .
Medium - Sculptures
Bronze Sculpture - Turtle Rock by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Rock" and measures approx. 32" x 26" x 19" and weighs approx. 140lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Minotaur". Comes with COA and beautifully framed.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 24”x21”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Limited Edition Lautrec- At The Moulin Rouge - Collection Domaine Lautrec
Limited edition Lautrec from the Collection Domaine Lautrec, "At The Moulin Rouge ". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Young Man in Love
Max Ernst signed and numbered bronze sculpture, "Young Man in Love". Comes with COA. Some variation in patina might occur. Approx. size: 16x7x4.
Medium - Sculptures
Encore - Bronze and Ivory Sculpture by Preiss
Preiss bronze and ivory sculpture, Encore. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur.
Fine Jewelry
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 8 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- St John on the Cross
Dali sculpture, "St John on the Cross" , is cast in bronze and layered in 24K gold. Sculpture measures approx. 4". Comes with foundry assay. Some variations in marble might occur.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Star
Signed bronze and ivory art deco sculpture "Star" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Medium - Sculptures
Original Fine Silver Sculpture - Cheyenne by F. Remington with Pedestal
This Original Fine Silver sculpture by F. Remington is called, "Cheyenne" and contains approx. 10 troy ounces of real, fine silver. It comes with foundry assay and beautiful Chiparus pedestal..
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Reclining Figure: Turned Head
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Turned Head". Comes with COA. Some variation in patina might occur. Approx. size: 7x12x7.
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Billy Goat
Dali sculpture, "Billy Goat", is cast in bronze and layered in 24K gold. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With An Open Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Lady's Stylish Sterling Silver "Heart" Diamond Pendant
Lady's Stylish Sterling Silver "Heart" Diamond Pendant, Diamonds approx 5 cts.
Medium - Sculptures
Remington Real .999 Silver -Norther with Pedestal
This Frederick Remington sculpture, "Norther" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and beautiful Chiparus Pedestal. Some variations in marble might occur.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Watercolor on paper Signed Dali
Original Watercolor on paper In the manner Dali. Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
David Alfaro Siqueros Limited Edition Bronze - Proletarian Victim
David Alfaro Siqueiros signed and numbered bronze sculpture, ""Proletarian Victim"". Comes with COA. Some variation in patina might occur. Approx. size: 12"x9"x6".
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Das Meerweibchen ll" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Clowning Around by J. Townsend
This bronze sculpture by J. Townsend is called, "Clowning Around" and measures approx. 18" x 8" x 8" and weighs approx. 30lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Wood and the Suicide". Comes with COA and beautifully framed.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 22”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Limited Edition Pissaro- L'Hermitage At Pontoise - Collection Domaine Pissaro
Limited edition Pissaro from the Collection Domaine Pissaro, "L'Hermitage At Pontoise". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Hand Draw on paper Signed Toulouse Lautrec
Original Hand Draw on paper In the manner Toulouse Lautrec . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Unknown
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Medium - Sculptures
Kora- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Kora. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
Fine Jewelry
Lady's Gorgeous Silver Amethyst Bracelet
Lady's Gorgeous Silver Amethyst Bracelet, Amethyst approx 8 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring
Lady's Very Fancy 14 kt White Gold Antique Style White Diamond Ring, Diamonds approx 1.02 cts, VS2 color G.
Art
Picasso Limited Edition Lithographs - Hand Pulled and Signed
Picasso Limited Edition Lithographs Hand pulled, Signed and Numbered. From the suit "Le Gout Du Bonheur". Printed in the late sixties. Comes with COA and beautifully framed. Approx. size: 10" x 13".
Medium - Sculptures
Signed Chiparus Bronze and Ivory - A Day At The Beach
Signed bronze and ivory art deco sculpture by Chiparus "A Day At The Beach" sits on a marble/onyx base. Signed Chiparus, Etling Paris foundry mark and is about 11x8x25
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Medium - Sculptures
Remington Real .999 Silver -Norther with Pedestal
This Frederick Remington sculpture, "Norther" contains approx. 10 troy ounces of real .999 silver. Comes with foundry assay and beautiful Chiparus Pedestal. Some variations in marble might occur.
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Annette VI
Alberto Giacometti signed and numbered bronze sculpture, "Annette VI". Comes with COA. Some variation in patina might occur. Approx. size:16x6x7.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
"Me and the Village" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Engagement & Wedding
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set
Lady's Beautiful Sterling Silver Cubic Zirconia Wedding Set, C.Z. approx 2 cts.
Medium - Sculptures
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture with Pedestal
Bruno Bruni limited edition 24K gold layered bronze sculpture. Comes with beautiful Chiparus pedestal.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "PATIO" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - MAN ON HORSE
Marino Marini signed and numbered bronze sculpture "MAN ON HORSE". Comes with COA. Some variation in patina might occur. Approx. size: 13x10x6.
Fashion Jewelry
Very fancy Tiffany Sterling Silver Necklace
Very fancy Tiffany Sterling Silver Necklace
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Surrealist Gondola" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Seahorse by J. Townsend
This bronze sculpture by J. Townsend is called, "Seahorse" and measures approx. 18" x 12" x 12" and weighs approx. 133lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "The Seducers". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed Coleman
Original Watercolor on paper In the manner Coleman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Max Ernst Original, limited Edition Bronze - "Unknown"
Max Ernst signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur.
Fine Jewelry
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnet approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:12"x15".
Medium - Sculptures
Bruno Bruni Original Limited Edition 24K Gold Layered Bronze Sculpture with Pedestal
Bruno Bruni limited edition 24K gold layered bronze sculpture. Comes with beautiful Chiparus pedestal.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Seated Man-
Henry Moore signed and numbered bronze sculpture, " Seated Man". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x5 Inch.
General - Prints/Reproductions
"Doves Over The City" - Chagall - Limited Edition
Marc Chagall (7 July 1887 – 28 March 1985), was a Russian–French artist, associated with several key art movements and was one of the most successful artists of the twentieth century. He created a unique career in virtually every artistic medium, including paintings, book illustrations, stained glass, stage sets, ceramics, tapestries and fine art prints. Chagall's haunting, exuberant, and poetic images have enjoyed universal appeal, with art critic Robert Hughes referring to him as "the quintessential Jewish artist of the twentieth century."As a pioneer of modernism and one of the greatest figurative artists of the twentieth century, Marc Chagall achieved fame and fortune, and over the course of a long career created some of the best-known paintings of our time. According to art historian Michael J. Lewis, Chagall was considered to be "the last survivor of the first generation of European modernists." For decades he "had also been respected as the world's preeminent Jewish artist." Using the medium of stained glass, he produced windows for the cathedrals of Reims and Metz, windows for the United Nations, and the Jerusalem Windows in Israel. He also did large-scale paintings, including the ceiling for the Paris Opéra. His most vital work was made on the eve of World War I, when he traveled between St. Petersburg, Paris, and Berlin. During this period he created his own mixture and style of modern art based on his visions of Eastern European Jewish folk culture. He spent his wartime years in Russia, becoming one the country's most distinguished artists and a member of the modernist avante-garde, founding the Vitebsk Arts College before leaving again for Paris in 1922. Limited edition Limited Edition. Plate . Edition number varies. Approx. size: 19in x 22in
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Monte Carlo" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape White Sapphire Earrings
Lady's Antique Style Sterling Silver Round Shape White Sapphire Earrings, White Sapphires approx 2.5 cts.
Medium - Sculptures
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in. Comes with beautiful Chiparus pedestal.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DIANE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - CAVALIER
Marino Marini signed and numbered bronze sculpture "CAVALIER". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x6.
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Die Krote" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Playtime by J. Townsend
This bronze sculpture by J. Townsend is called, "Playtime" and measures approx. 65" x 30" x 28" and weighs approx. 350lbs. It comes with foundry paperwork and is part of an edition of 199 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original phey all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Inferno), "On Greyon's Back". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Matisse- The Red Room - Collection Domaine Matisse
Limited edition Matisse from the Collection Domaine Matisse, "The Red Room". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Moon in Tub-
Bustamante signed and numbered bronze sculpture, "Moon in Tub". Comes with COA. Some variation in patina might occur. Approx. size: 7x8x4.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Tanara
Signed bronze and ivory art deco sculpture "Tanara" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 22"x8"x8"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy Silver Multi Stone Bracelet
Lady's Fancy Silver Multi Stone Bracelet, Tourmaline approx 1.5 ct, Ruby approx 1.5 ct & Deep Purple Amrthyst approx 1.5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Billy Goat
Dali sculpture, "Billy Goat", is cast in bronze and layered in 24K gold. Sculpture measures approx. 5.5". Comes with foundry assay. Some variations in marble might occur.
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.30 cts, VS1 color H.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Odalisque
Signed bronze and ivory art deco sculpture "Odalisque" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Salvador Dali - Unknown Title
Salvador Dali original limited edition 24K gold layered bronze sculpture .
Medium - Sculptures
Dali Original LImited Edition 24K Gold Layered Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATI
This is a limited edition sculpture made from bronze and layered with 24K gold, entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. It comes with the foundry assay. Some variations in marble might occur. Approx. size: 21in x 8in x 5in. Comes with beautiful Chiparus pedestal.
Medium - Sculptures
Botero Bronze Sculpture - Nude
Botero signed and numbered bronze, "Nude". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x5.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "studio window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1.25 ct, VS1, color G.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RAGAZZE ALLA SPIAGGIA" CIRCA 1968. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Female Torso with P
Pablo Picasso Signed and Numbered 24K gold layered bronze sculpture, "Female Torso". Comes with foundry assay. Some variations in marble might occur. Approx. size: 15"x8"x4". Comes with fine Chiparus pedestal.
General - Original Works
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 30X29
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Le Vetement" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Key Largo Adventure by J. Townsend
This bronze sculpture by J. Townsend is called, "Key Largo Adventure" and measures approx. 22" x 16" x 19" and weighs approx. 92lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original p. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 20”x26”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Siren of the Dream". Comes with COA and beautifully framed.
General - Prints/Reproductions
Limited Edition Van Gogh- The Trinquetaille Bridge - Collection Domaine Van Gogh
Limited edition Van Gogh from the Collection Domaine Van Gogh, "The Trinquetaille Bridge". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Crounching Figure
Max Ernst signed and numbered bronze sculpture, " Crounching Figure". Comes with COA. Some variation in patina might occur. Approx. size: 12x5x5 Inch.
Medium - Sculptures
Egyptian Dancer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs. It is a Limited Edition out of 399. SB9H1FF
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Star
Signed bronze and ivory art deco sculpture "Star" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Fancy Silver Rose Garnet & Diamond Bracelet
Lady's Fancy Silver Rose Garnet & Diamond Bracelet, Garnet approx 10 ct, Diamonds approx 33 points VS1, G in color
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Medium - Sculptures
Original Fine Silver Sculpture - Jesus and the Blindman by D. Hunter
This Original Fine Silver sculpture by D. Hunter is called, "Jesus and the Blindman" and measures approx. 19" x 14" x 14" and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay and is part of an edition of 399 pieces.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - A Slight Accident
Signed bronze and ivory art deco sculpture "A Slight Accident" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
General - Prints/Reproductions
La Colina del Papaveri by Borelli
Hand Signed Original Lithograph. Dimensions are approx 16x21
General - Direct from the Artist
Original Oil on Canvas Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Canvas. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 10"x8". In excellent condition, comes unframed
General - Original Works
Original Oil on Canvas. Making Tortillas by Colville
Colville Original Oil on Canvas. Dimensions are approx. 23x27.
Medium - Sculptures
Rare Pablo Picasso Original Limited Edition 24K Gold Layered Bronze Sculpture - Female Torso with P
Pablo Picasso Signed and Numbered 24K gold layered bronze sculpture, "Female Torso". Comes with foundry assay. Some variations in marble might occur. Approx. size: 15"x8"x4". Comes with fine Chiparus pedestal.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Derriere Le Miroir". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
Naldeman Original, limited Edition Bronze Sculpture
Naldeman Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 18x5x3.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme Dans Un Fauteuil" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Square Shape White Topaz & Diamond Earrings
Lady's Antique Style Sterling Silver Square Shape White Topaz & Diamond Earrings, White Topaz & Diamonds approx total 3 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture -Giraffe Woman With Drawers with Pedestal
This is a limited edition, signed bronze sculpture that is layered with 24K gold entitled "Giraffe Woman With Drawers". Sculpture measures approx. 19"x 8.5" x 4". Comes with beautiful Chiparus pedestal
General - Original Works
Original Lithograph by artist William Brice
Lithograph in the manner of William Brice bearing the signature, titled "Untitled" comes with certificate of authenticity, framing available at an additional charge.
General - Original Works
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 31X25
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - DOG
Rufino Tamayo signed and numbered bronze sculpture. "DOG". Comes with COA. Some variation in patina might occur. Approx. size: 11"x14"x7"
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Assumpta Canaveral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Rogue by J. Townsend
This bronze sculpture by J. Townsend is called, "Rogue" and measures approx. 53" x 26" x 24" and weighs approx. 210lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Avaricious". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Limited Edition Van Gogh- The Courtyard Of The Hospital In Arles - Collection Domaine Van Gogh
Limited edition Van Gogh from the Collection Domaine Van Gogh, "The Courtyard Of The Hospital In Arles". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Putt
Original Watercolor on paper In the manner Putt Putman. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Twin Soul
Max Ernst signed and numbered bronze sculpture, " Twin Soul". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - A Day At The Beach
Signed bronze and ivory art deco sculpture by Chiparus "A Day At The Beach" sits on a marble/onyx base. Signed Chiparus, Etling Paris foundry mark and is about 11x8x25
Fine Jewelry
Lady's Beautiful Silver Sapphire Bracelet
Lady's Beautiful Silver Sapphire Bracelet, Sapphire approx 2 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Salvador Dali - Unknown Title
Salvador Dali original limited edition 24K gold layered bronze sculpture .
Other
T'D Off Posters by Michael Godard
"T'D Off" Posters by Michael Godard, approx dimension 22x19.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Anestesia
Signed bronze and ivory art deco sculpture "Anestesia" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Thin Man
Dali sculpture, "Thin Man", is cast in bronze and layered in 24K gold. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
G. Lachaise Original, limited Edition Bronze Sculpture
G. Lachaise Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 17x14x9.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Pigeons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Graduated Garnet Earrings, Grad. Garnets approx 3 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "NORTH LAGUNA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King with pedestal
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3". Comes with Chiparus pedestal.
General - Original Works
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size:23X21
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - SEATED DOG
Rufino Tamayo signed and numbered bronze sculpture. "SEATED DOG". Comes with COA. Some variation in patina might occur. Approx. size: 14"x8"x8"
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Quixote V" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Turtle Reef Table by J. Townsend
This bronze sculpture by J. Townsend is called, "Turtle Reef Table" and measures approx. 19" x 25" x 19" and weighs approx. 125lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 18”x26”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Golden Age". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Limited Edition Van Gogh- Terrace Cafe - Collection Domaine Van Gogh
Limited edition Van Gogh from the Collection Domaine Van Gogh, "Terrace Cafe". Museum stamped and comes with COA. Edition size: 500. Edition number varies.. CC
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - Habajuk
Max Ernst signed and numbered bronze sculpture, " Habajuk". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Odalisque
Signed bronze and ivory art deco sculpture "Odalisque" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Fancy Silver Rose Garnet Bracelet
Lady's Fancy Silver Rose Garnet Bracelet, Garnetapprox 6 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali 24K Gold Layered Bronze Sculpture- Thin Man
Dali sculpture, "Thin Man", is cast in bronze and layered in 24K gold. Sculpture measures approx. 9". Comes with foundry assay. Some variations in marble might occur.
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.26 cts, VS1 color H.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Chorus Girl
Signed bronze and ivory art deco sculpture "Chorus Girl" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
General - Prints/Reproductions
Trankquility by Kolisman
Hand Signed Original Lithograph. Dimensions are approx 16x20
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Helping Hand
Picasso sculpture, "Helping Hand", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bustamante Original Limited Edition 24K Gold Layered Bronze -Sun King with pedestal
Bustamante signed and numbered 24K gold layered bronze sculpture, "Sun King". Comes with COA. Approx. size: 10.5x12x3". Comes with Chiparus pedestal.
Medium - Sculptures
Jean Arp Original, limited Edition Bronze Sculpture
Jean Arp Org. Limited Edition Bronze Sculpture, signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size:Approx. size: 10x4x4.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Geclining Nude Before Window" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THE CAPTAIN'S HOUSE" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fashion Jewelry
UNISEX DIAMOND RING
UNISEX DIAMOND RING, DIAMOND IS APPROXIMATELY 2CT, CLARITY: VS1 I1 COLOR: SILVER CAPE.
General - Original Works
Original Pencil Drawing on laid paper - signed Botero
Original Pencil Drawing on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 23X20
Medium - Sculptures
Rufino Tamayo Original, limited Edition Bronze - MAN HEAD
Rufino Tamayo signed and numbered bronze sculpture. "MAN HEAD". Comes with COA. Some variation in patina might occur. Approx. size: 13"x11"x7"
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Geological Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Reef Dancer by J. Townsend
This bronze sculpture by J. Townsend is called, "Reef Dancer" and measures approx. 21" x 13" x 13" and weighs approx. 42lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 26”x22”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Prodigality". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Erich Heckel - Chorpus Christi in Bruges - Limited Edition on Paper
Erich Heckel - Chorpus Christi in Bruges - Limited Edition on Paper
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Double Life
Pablo Picasso signed and numbered bronze sculpture, "Double Life". Comes with COA. Some variation in patina might occur. Approx. size: 11x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - A Slight Accident
Signed bronze and ivory art deco sculpture "A Slight Accident" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Fine Jewelry
Lady's Fancy Silver Garnet Bracelet
Lady's Fancy Silver Garnet Bracelet, Garnet approx 7 ct.
Medium - Sculptures
Egyptian Dancer - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Egyptian Dancer" is approx. 21"H x 7"Wx 10"D and 31lbs and contains approx. 10 Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.SB9H1FF
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Other
Even Dirtier Martini Posters by Michael Godard
"Even Dirtier Martini" Posters by Michael Godard, approx dimension 21x18.
Medium - Sculptures
Signed Guiraud Riviere Bronze and Ivory - Nordica
Signed bronze and ivory art deco sculpture "Nordica" by artist Guiraud Riviere, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Bustamante Limited Edition.999 Silver Sculpture -Sun King
Bustamante signed and numbered silver sculpture, "Sun King". Contains approx. 10 Troy ounces of fine .999 silver and comes with the foundry assay.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Blue Sapphire & Diamond Earrings, Blue Sapphire & Diamonds approx total 1 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON FROM SUMMIT STREET" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Signed Botero Approx. size: 23X20
Medium - Sculptures
Jean Arp Original, limited Edition Bronze Sculpture WOMAN TORSO
Jean Arp Original Limited Edition Bronze Sculpture, signed and numbered bronze sculpture " WOMAN TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 14"x5"x5".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Eucharistic still Life" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Harmony (small) by Deniz
This bronze sculpture by Deniz is called, "Harmony (small)" and measures approx. 21" x 14" x 9" and weighs approx. 43lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Original Museum Lithographs Set- printed in the late 1800’s to early 1900’s
2 Pieces consisting of framed art work with Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original . They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 21”x27”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Greed". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Ernst Ludwig Kirchner - Women In The Street - Limited Edition on Paper
Ernst Ludwig Kirchner - Women In The Street - Limited Edition on Paper
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Safiro
Pablo Picasso signed and numbered bronze sculpture, "Safiro". Comes with COA. Some variation in patina might occur. Approx. size: 14x8x4 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Anestesia
Signed bronze and ivory art deco sculpture "Anestesia" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
Fine Jewelry
Lady's Beautiful Silver Orange Garnet Bracelet
Lady's Beautiful Silver Orange Garnet Bracelet, Garnet approx 5 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Moreau - Four Seasons Maiden
One of the Four Seasons by Moreau. Statue is about 15x15x45
Fashion Jewelry
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant
Lady's Very Fancy 14 kt White Gold Royal Queen Diamond Pendant, Diamonds approx 1.25 cts, VS1 color H.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Starfish
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 29"x10.5"x4.5".
General - Prints/Reproductions
Evening Glow II by Jose
Signed Original Lithograph. Dimensions are approx 16x20
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Woman on Bench -
Henry Moore signed and numbered bronze sculpture, "Woman on Bench". Comes with COA. Some variation in patina might occur. Approx. size: 10x10x6 Inch.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Vase And Pipe" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fancy Design Sterling Silver White Topaz & Dimaond Earrings
Lady's Fancy Design Sterling Silver White Topaz & Dimaond Earrings, Topaz & Diamonds approx total 5 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE STUDIO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
Original Pencil Drawing on laid paper - signed Botero
Original Pencil Drawing on laid Paper, Framed Under Glass In The Manner of Botero Approx. size: 20X25
Decorative Collectibles
1878 Hexagon shaped box made of 2nd Generation Whale tooth with Orante Hand carvings
1878 Hexagon shaped box made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 2x4
Medium - Sculptures
Jacque Lipchitz Original, limited Edition Bronze- Man with Guitar
Jacque Lipchitz signed and numbered bronze sculpture "Man with Guitar". Comes with COA. Some variation in patina might occur. Approx. size: 18"x8"x8"
General - Old Masters
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "Pierrots Funeral" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Caribean Queen by D. Hunter
This bronze sculpture by D. Hunter is called, "Caribean Queen" and measures approx. 26" x 15" x 13" and weighs approx. 55lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Tree of Punishment". Comes with COA and beautifully framed.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old. Frame Size: 15”x20”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Ernst Ludwig Kirchner - The Red Tower in Halle - Limited Edition on Paper
Ernst Ludwig Kirchner - The Red Tower in Halle - Limited Edition on Paper
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Woman With Child
Pablo Picasso signed and numbered bronze sculpture, "Woman With Child". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Chorus Girl
Signed bronze and ivory art deco sculpture "Chorus Girl" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 30"x10"x4"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Beautiful Silver Sapphire & Diamonds Bracelet
Lady's Beautiful Silver Sapphire & Diamonds Bracelet, Sapphire approx 6 ct, Diamonds approx 30 points VS1, G in color.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Helping Hand
Picasso sculpture, "Helping Hand", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Fashion Jewelry
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1 ct, VS2 color G.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Semiramus
Signed bronze and ivory art deco sculpture "Semiramus" by artist Chiparus. Semiramus was the Queen of the Assyrians and was the subject an 18th century play by Voltaire. Voltaire's play inspired many theatrical and operatic productions and the two best known were popular in Paris during the time Chiparus was designing his bronze and ivory figures. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 27.5"x21".
General - Prints/Reproductions
Romantic Moments by Marilyn Simandele
Signed Original Lithograph. Dimensions are approx 12x16
General - Direct from the Artist
Michael Schofield Original Oil on Canvas
Michael Schofield original oil on canvas. Signed . Approx. size:20"x16".
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - St. John On The Cross
Dali sculpture, "St. John On The Cross", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "The Forces Of Peace and War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Title "Unknown". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUEBIRD CANYON" CIRCA 1973. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Large Remington Real .999 Silver -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is approx. 10troy ounces of real .999 silver. Comes with foundry Assay.
General - Original Works
Original Color Pencil on laid paper - signed Botero
Original Color Pencil on laid Paper, Framed Under Glass In The Manner of Botero Approx. size:20X25
Medium - Sculptures
Gregor Kruk Original, limited Edition Bronze- Man with Bandura
Gregor Kruk signed and numbered bronze sculpture " Man with Bandura". Comes with COA. Some variation in patina might occur. Approx. size: 17"x11"x7"
General - Old Masters
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "Destiny" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Safe Harbor by D. Hunter
This bronze sculpture by D. Hunter is called, "Safe Harbor" and measures approx. 27" x19" x 15" and weighs approx. 93lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Fine Jewelry
Lady's Beautiful One of a kind design, 14kt White Gold White Sapphire Ring
Lady's Beautiful One of a kind design, 14kt White Gold White Sapphire Ring, White Sapphire approx 5ct.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Lustful". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Ernst Ludwig Kirchner - Circus Rider - Limited Edition on Paper
Ernst Ludwig Kirchner - Circus Rider - Limited Edition on Paper
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Equilibrist-
Bustamante signed and numbered bronze sculpture, "Equilibrist". Comes with COA. Some variation in patina might occur. Approx. size: 13x4x4 Inch.
Fine Jewelry
Lady's Fancy Silver Black Diamonds Bracelet
Lady's Fancy Silver Black Diamonds Bracelet, Black diamonds approx 5 ct.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Maiden With Jug
Gold and Silver Patina Maiden with Jug Statue. Statue is about 14x14x35
Fashion Jewelry
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.03 cts, VS2 color G.
General - Prints/Reproductions
Male Dancer by Sahall
Hand Signed Original Lithograph. Dimensions are approx 16x12
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Original Works
Original Oil on Canvas. Canal by Unknown
Original Oil on Canvas. Dimensions are approx. 18x14.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Woman with Dress
Henry Moore signed and numbered bronze sculpture, " Woman with Dress". Comes with COA. Some variation in patina might occur. Approx. size: 9x11x5 Inch.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Head Of A Faun" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fashionable Heart Design Sterling Silver Rhodolite Garnet Earrings
Lady's Fashionable Heart Design Sterling Silver Rhodolite Garnet Earrings, Rhodolites approx 2 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA PATIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
Original Ink Drawing on laid paper - signed Motherwell
Original Ink Drawing on laid paper, Framed Under Glass In The Manner of Motherwell. Approx. size: 21X24
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME ET OISEAU
Joan Miro signed and numbered bronze sculpture, "FEMME ET OISEAU". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. " A Hayrick Near A Farm" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Honu by D. Hunter
This bronze sculpture by D. Hunter is called, "Honu" and measures approx. 16" x 15" x 11" and weighs approx. 45lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. Very Rare!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Two Crowds of the Lustful". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Ernst Ludwig Kirchner - Red Elizabeth Bank in Berlin - Limited Edition on Paper
Ernst Ludwig Kirchner - Red Elizabeth Bank in Berlin - Limited Edition on Paper
General - Original Works
Original Watercolor on paper Signed Tarkay
Original Watercolor on paper In the manner Tarkay. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Woman
Pablo Picasso signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 14x4x4 Inch.
Medium - Sculptures
Signed Guiraud Riviere Bronze and Ivory - Nordica
Signed bronze and ivory art deco sculpture "Nordica" by artist Guiraud Riviere, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 30"x10"x4"
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Weighty Matters by Norman Rockwell
Fine Art Lithograph. Dimensions are approx 16x12
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Antinea
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 26"x10.5".
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Landscape II" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "FLOWER POTS" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -Man Head
Diego Giacometti signed and numbered bronze sculpture, "Man Head ". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x6".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. " St. John" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Gaurdian by D. Hunter
This bronze sculpture by D. Hunter is called, "Gaurdian" and measures approx. 32" x 36" x 22" and weighs approx. 113lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 34”x22”. In excellent condition!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Last Words". Comes with COA and beautifully framed.
General - Prints/Reproductions
Max Beckman - The Iron Bridge - Limited Edition on Paper
Max Beckman - The Iron Bridge - Limited Edition on Paper
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Head-
Pablo Picasso signed and numbered bronze sculpture, "Head". Comes with COA. Some variation in patina might occur. Approx. size: 16x6x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Starfish
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 29"x10.5"x4.5".
Fine Jewelry
Lady's Beautiful Silver Rose Garnet Bracelet
Lady's Beautiful Silver Rose Garnet Bracelet, Garnet approx 8 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture - St. John On The Cross
Dali sculpture, "St. John On The Cross", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur. Approx. size: 12"x3"x3".
Medium - Sculptures
Moreau - Maiden at Rocks
Moreau - Maiden at Rocks, statue is about 11x11x26
Medium - Sculptures
Male Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Male Russian Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base .
Movie - Memorabilia
Licenced Disney Etchings The Nightmare Before Christmas
Licenced Disney Etchings "The Nightmare Before Christmas" hand colored, approx dimension 18x14.
General - Prints/Reproductions
Moulin Rougue a la Nuit by Michael Delacroix
Fine Art Lithograph. Dimensions are approx 11x14
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Nostalgia Atomica
Dali sculpture, "Nostalgia Atomica",is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Original Oil on Board Hand Signed by Michael Schofield
This is a Michael Schofield hand signed Original Oil on Board. Artist Michael Schofield was born in Orlando, Florida in 1947. In that same year (1947), his family moved to Oakland, California. In his sophomore year at Oakland High School, under the private tutelage of Jackie Jensen (brother of internationally recognized watercolorist Robert Jensen), Schofield began to develop his skill in watercolor painting. Later Schofield would travel to Woodstock, New York, to study with renowned watercolorist John Pike, a contemporary of Robert Wood. Two years later, he opened his own studio (in Tennessee) where he says, "he taught, painted and starved." In 1980, Schofield returned to California and established a silkscreen printing studio. Approx. size: 12"x15". In excellent condition, comes unframed
General - Original Works
Original Oil on Canvas. Kids Building a Sandcastle by Rosa
Rosa Original Oil on Canvas. Dimensions are approx. 18x14.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Brancusi Original, limited Edition Bronze- Nude
Brancusi signed and numbered bronze sculpture,"Nude". Comes with COA. Some variation in patina might occur. Approx. size: 9x18x4.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Tete" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .33 cts, VS1, color G.
Decorative Collectibles
Hand Painted Nippon Porcelain Vase
2nd Generation Hand Painted Nippon Porcelain. Dimensions are approx 8x5
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LANDSCAPE" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Diego Giacometti Original, limited Edition Bronze -CAT
Diego Giacometti signed and numbered bronze sculpture, "CAT". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x7".
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Christ And His Disciples" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Otter with Baby by D. Hunter
This bronze sculpture by D. Hunter is called, "Otter with Baby" and measures approx. 9" x 11" x 6" and weighs approx. 19lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 20”x 30". In excellent condition!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Divine Forest". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Franz Marc - Tyrol - Limited Edition on Paper
Franz Marc - Tyrol - Limited Edition on Paper
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Lady Moon-
Bustamante signed and numbered bronze sculpture, "Lady Moon". Comes with COA. Some variation in patina might occur. Approx. size: 16x8x6 inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Semiramus
Signed bronze and ivory art deco sculpture "Semiramus" by artist Chiparus. Semiramus was the Queen of the Assyrians and was the subject an 18th century play by Voltaire. Voltaire's play inspired many theatrical and operatic productions and the two best known were popular in Paris during the time Chiparus was designing his bronze and ivory figures. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 27.5"x21".
Fine Jewelry
Lady's Fancy Silver Black Diamond Bracelet
Lady's Fancy Silver Black Diamond Bracelet, Black Diamonds approx 6 ct.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Louis Icart Litographs
Louis Icart Litograph signed, approx dimensions 20x20 in.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Starlight
Signed bronze and ivory art deco sculpture "Starlight" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Original Works
Original Oil on Canvas. Pin Up in Red I by Jimmie
Jimmie Original Oil on Canvas. Dimensions are approx. 38x27.
Medium - Sculptures
Leo Mol Original, limited Edition Bronze -Changing
Leo Mol signed and numbered bronze sculpture, "Changing". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Femme assise Dans Un Fauteuil Tresse" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fashionable Heart Design Sterling Silver Diamond off color Pinkish Earrings
Lady's Fashionable Heart Design Sterling Silver Diamond off color Pinkish Earrings, Diamonds approx 1 ct.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM TEMPLE HILLS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Alejandro Marquez Original, limited Edition Bronze - VIOLINIST-
Alejandro Marquez signed and numbered bronze sculpture "VIOLINIST". Comes with COA. Some variation in patina might occur. Approx. size: 9"x8"x6".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Prinz And Prinzessin" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Friends of the Deep by De Lier
This bronze sculpture by De Lier is called, "Friends of the Deep" and measures approx. 18" x 14" x 12" and weighs approx. 51lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Dante and Beatrice". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Franz Marc - Horse Dreaming - Limited Edition on Paper
Franz Marc - Horse Dreaming - Limited Edition on Paper
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Moon Mermaid-
Bustamante signed and numbered bronze sculpture, "Moon Mermaid". Comes with COA. Some variation in patina might occur. Approx. size: 16x9x8 inch.
Medium - Sculptures
Angel of War - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and 35lbs. It is a Limited Edition out of 399. SB9H
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Antinea
Signed bronze and ivory art deco sculpture "Starfish" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 26"x10.5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Fashion Jewelry
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant
Lady's Fancy 14 kt White Gold Heart Shaped Diamond Pendant, Diamonds approx 1.10 cts, VS2 color G.
Medium - Sculptures
Original Fine Silver Sculpture - Bronco Buster by F. Remington
This Original Fine Silver sculpture by F. Remington is called, "Bronco Buster" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Parrot Dancer
Signed bronze and ivory art deco sculpture "Parrot Dancer" by artist Chiparus, base signed, carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 22"x6"x6"
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still Life With Fish" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fine Jewelry
Lady's Fancy Design Sterling Silver Round Shape Black Diamond Earrings
Lady's Fancy Design Sterling Silver Round Shape Black Diamond Earrings, Black Diamonds approx 5 cts.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Titled - "Derriere Le Miroir". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BLUE BIRD CANYON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Lovers
Dali sculpture, "Lovers" is approx. 2.82 oz of fine real .999 silver. Sculpture measures approx. 7.5". Comes with foundry Assay.
Medium - Sculptures
Picasso Bronze Sculpture - Seated Woman
Beautiful bronze Picasso sculpture, "Seated Woman". Gold accents and marble base. Approx. size: 21"x14"x11".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Man
Henry Moore signed and numbered bronze sculpture, "Man". Comes with COA. Some variation in patina might occur. Approx. size:12"x6"x4".
General - Old Masters
Picasso Limited Edition
Picasso Limited Edition On Paper. "Can can Dancer" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
200ct Ladies Columbian Emerald Necklace oval shaped
Ladies Columbian Emerald oval shaped Necklace with 17 Maltese cross cut Emeralds. Weighing 200.00cts .
Medium - Etchings
Calder Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY CALDER Set includes 2 limited edition Lithographs. Signed and Numbered. Frame Size: 34”x22”. In excellent condition!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Dante's Repentance". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Franz Marc - Forms in Combat - Limited Edition on Paper
Franz Marc - Forms in Combat - Limited Edition on Paper
General - Original Works
J. Marin Watercolor Painting
Original Watercolor on paper, In the manner of J. Marin. Hand Signed. Paper Size: 11"x 14.5", comes in Beautiful custom matt & frame. In mint condition!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Dali Limited Edition 24K Gold Layered Bronze Sculpture- Nostalgia Atomica
Dali sculpture, "Nostalgia Atomica",is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Platinum Gold Bronze Hanzel Grettle Fountain Moreau
Platinum and gold patina bronze Hanzel and Grettle fountain by artist Moreau, dimensions are about 66x46x20
Other
Bubbly Bath Posters by Michael Godard
"Bubbly Bath" Posters by Michael Godard, approx dimension 21x18.
General - Prints/Reproductions
Mossant 1938 by Cappielo
Original Lithograph. Dimensions are approx 12x9
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Trooper Of The Plains
This Frederick sculpture, "Trooper Of The Plains", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - DIEGO (TÊTE AU COL ROULÉ)
Alberto Giacometti signed and numbered bronze sculpture, "DIEGO (TÊTE AU COL ROULÉ) ". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x6.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Portrait of Marie Terese" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Pink Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Pink Sapphire & Diamond Earrings, Pink Sapphires & Diamonds approx total 1.75 cts, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA WITH MOON" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture -Egyptian Motive
Alexander Archipenko signed and numbered bronze sculpture, "Egyptian Motive". Comes with COA. Some variation in patina might occur. Approx. size: 12"X4"X4".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Sigmund Freud" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Tranquility by D. Scott
This bronze sculpture by D. Scott is called, "Tranquility" and measures approx. 36" x 24" x 18" and weighs approx. 190lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Dante Re-Awakes". Comes with COA and beautifully framed.
Medium - Etchings
Picasso Limited Edition Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO Set includes 2 limited edition Lithographs. Signed and Numbered. Together they make the perfect pair. Frame Size: 21”x30”. In good condition !
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Franz Marc - The Mandrill - Limited Edition on Paper
Franz Marc - The Mandrill - Limited Edition on Paper
General - Original Works
Original Watercolor on paper Signed Eduardo Cortez
Original Watercolor on paper In the manner Eduardo Cortez . Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - ATHENS
Max Ernst signed and numbered bronze sculpture, "Athens". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x5.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Other
Last Crawl Posters by Michael Godard
"Last Crawl" Posters by Michael Godard, approx dimension 21x18.
General - Prints/Reproductions
Parapluie-Revel by Cappielo
Original Lithograph. Dimensions are approx 12x10
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Original Works
Original Oil on Canvas. Flowers by C. Freeman
C. Freeman Original Oil on Canvas. Dimensions are approx. 23x26.
Medium - Sculptures
Alberto Giacometti Original, limited Edition Bronze - Homme (Apollon)
Alberto Giacometti signed and numbered bronze sculpture, "Homme (Apollon)". Comes with COA. Some variation in patina might occur. Approx. size: 15x12x5.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman In A Green Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Square Shape White Cubic Zirconia Earrings
Lady's Antique Style Sterling Silver Square Shape White Cubic Zirconia Earrings, C.Z. approx 4 cts.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 16x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "VIEW FROM THE VICTOR HUGO" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Fernando Valls Original, limited Edition Bronze - Boy
Joan Miro signed and numbered bronze sculpture, "CHAIR". Comes with COA. Some variation in patina might occur. Approx. size: 15"x6"x5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Warrior" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Lost Treasure Dolphins by Piquera
This bronze sculpture by Piquera is called, "Lost Treasure Dolphins" and measures approx. 46" x 217" x 24" and weighs approx. 295lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Towards the Tree of Law". Comes with COA and beautifully framed.
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor by Chagall
Original Watercolor on paper In the manner Chagall. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze - YOUNG WOMAN IN FLOWER SHAPE
Max Ernst signed and numbered bronze sculpture, "Young woman in Flower ". Comes with COA. Some variation in patina might occur. Approx. size: 14x15x4.
Fine Jewelry
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet
Lady's Beautiful & Unique Silver Rhodeolite Garnet Bracelet, Garnet approx 2 ct.
Medium - Sculptures
Angel of War - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of War" is approx. 23"H x 7"W x 9"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Movie - Memorabilia
Good Fellas Giclee
"Good Fellas" Giclee, gun, cigar & bulletsapprox dimension 20x23.
Medium - Sculptures
Real .999 Silver Pablo Picasso Limited Edition- Female Torso
Dali Signed and Numbered Real Silver Sculpture, "Female Torso". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
General - Original Works
Original Oil on Canvas by J.M Croot
Original Oil on Canvas by J.M Croot. Dimensions are approx. 23x27.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Unknown
Henry Moore signed and numbered bronze sculpture, "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12x7x6 Inch.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Miller" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Emerald & Diamond Earrings
Lady's Antique Style Sterling Silver Emerald & Diamond Earrings, Emeralds approx .33 cts, Diamonds approx .50 cts, VS1, color G.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 7x11
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIN BEACH" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -HOMME
Joan Miro signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x3".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Die Sandmannchen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Dante Purified". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor Signed Picasso
Original Watercolor on paper In the manner of Picasso. Beautifully framed and Signed. Approx dimension :12"x16".
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - APPARATUS AND HAND
Salvador Dali signed and numbered bronze sculpture, "Apparatus and Hand". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x3".
Medium - Sculptures
Male Russian Dancer - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Male Russian Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base .
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Trooper Of The Plains
This Frederick sculpture, "Trooper Of The Plains", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Oriental Dancer
Signed bronze and ivory art deco sculpture "Oriental Dancer" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size:16"x6"x6"
General - Prints/Reproductions
The Check Up by Norman Rockwell
Original Lithograph. Dimensions are approx 8x10
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture-Norther
This Frederick Remington sulpture, "Norther", is cast in bronze then layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
General - Original Works
Original Oil on Canvas by Stevens
Original Oil on Canvas by Stevens. Dimensions are approx. 23x.27.
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Dancer Female
Botero signed and numbered bronze, "Dancer Female". Comes with COA. Some variation in patina might occur. Approx. size: 12x6x4 Inch.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Design For Picador" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy Design Sterling Silver Square Shape Black & White Diamond Earrings
Lady's Fancy Design Sterling Silver Square Shape Black & White Diamond Earrings, Black & White Diamonds approx total 5 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -WOMAN
Joan Miro signed and numbered bronze sculpture, "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Junge Entlein" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Reign of the Penitents". Comes with COA and beautifully framed.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor by Calder
Original Watercolor on paper In the manner Calder. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -WOMAN FACE
Pablo Picasso signed and numbered bronze sculpture, "Woman Face". Comes with COA. Some variation in patina might occur. Approx. size: 12x8x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Starlight
Signed bronze and ivory art deco sculpture "Starlight" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Movie - Memorabilia
Rat Pack Giclee with Sand's Sculpture Giclees
"Rat Pack" Giclee with Sand's Sculpture Giclees, with engraved signatures and real cards, approx dimension 35x25.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Signed Chiparus Bronze and Ivory - MIss Paris
Signed bronze and ivory art deco sculpture "MIss Paris" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, Title "Unknown". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Sculptures
Abraham Lincoln Memorial Sculpture by Daniel Chester French
Bronze recreation of the Lincoln Memorial by Daniel Chester French. Great detail. Some variation of patina may occur. Approx. size: 10x8x8.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Woman With Hat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Fashion Jewelry
Stylish Silver Tri-Color Stones Bracelet
Stylish Silver Tri-Color Stones Bracelet, Amethyst, Citrine, White & Golden Sapphires approx 50 cts.
Fine Jewelry
Lady's Fancy Sterling Silver Black & White Diamond Earrings
Lady's Fancy Sterling Silver Black & White Diamond Earrings, Black & White Diamonds approx 3 cts, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "ELEONOR'S SUN ROOM" CIRCA 1974. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Large Remington Real .999 Silver -Rattlesnake
This Frederick Remington sculpture, "Rattlesnake" is approx. 10 troy ounces of real .999 silver. Comes with foundry Assay.
Medium - Sculptures
Picasso Signed Limited Edition Bronze Plaque - Bullfight Corrida Matador
Picasso signed, limited edition Picasso plaque with stand, "Bullfight Corrida Matador". Plaque measures approx. 10.75" x 9.5" .
Fine Jewelry
Lady's Fancy 14kt White Gold Blue Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold Blue Sapphire & Diamond Ring, Blue Sapphire approx 1.5ct, Diamond 1 ct VS1, Color G.
General - Old Masters
Salvador Dali- Signed Limited Edition
Salvador Dali- Signed Limited Edition On Paper. "Aerican Trotting" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Virgil's Admonishment". Comes with COA and beautifully framed.
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set From the Collection Domaine Picasso. Together they make the perfect pair. Frame Size: 21”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -RECLINING WOMAN
Pablo Picasso signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size: 6x12x6 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Parrot Dancer
Signed bronze and ivory art deco sculpture "Parrot Dancer" by artist Chiparus, base signed, carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Approx size: 22"x6"x6"
Fine Jewelry
Lady's Real Fancy Silver White & Blue Sapphire Bracelet
Lady's Real Fancy Silver White & Blue Sapphire Bracelet, Blue Sapphire approx 8ct, White Sapphires approx 1.75 ct.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Ecstacy
Signed bronze and ivory art deco sculpture "Ecstacy" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Movie - Memorabilia
Frank Sinatra Giclee with Image of a real check
"Frank Sinatra" Giclee with Image of a real check, approx dimension 16x12.
General - Prints/Reproductions
Café Select by Tarkay
Fine Art Lithograph. Dimensions are approx 11x8
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Lady with Purse
Botero signed and numbered bronze, "Lady with Purse ". Comes with COA. Some variation in patina might occur. Approx. size: 11x4x4 Inch.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Le Rapas De Infants" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Jewelry & Watches
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .5 cts, VS1, color G.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MOSS POINT EUCALYPTUS" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -MAN
Joan Miro signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 16"x10"x5".
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "A Group Of Large Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Power's of Soul". Comes with COA and beautifully framed.
Medium - Etchings
Picasso and Pollock-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and POLLOCK, Set includes 2 Original lithographs. Frame Size: 23”x22”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper Signed E. Kelly
Original Watercolor on paper In the manner E. Kelly. Hand Signed. Paper Size: 16"x 12", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Salvador Dali Original, limited Edition Bronze - DAY DRESS
Salvador Dali signed and numbered bronze sculpture, "Day Dress". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Oriental Dancer
Signed bronze and ivory art deco sculpture "Oriental Dancer" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size:16"x6"x6"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Testris
Signed bronze and ivory art deco sculpture "Testris" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 20"x6"x8"
Movie - Memorabilia
Bruce Lee Giclee with Image of real check
"Bruce Lee" Giclee with Image of real check, approx dimension 16x12.
Medium - Sculptures
Icart Limited Edition 24K Gold Layered Bronze Sculpture- Illusion
This sculpture is cast in bronze then layered with beautiful 24K gold. By Icart, "Illusion". This piece comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
General - Original Works
Original Oil on Canvas by Stevens
Original Oil on Canvas by Stevens. Dimensions are approx. 23x.27.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Reclining Figure: Points
Henry Moore signed and numbered bronze sculpture, "Reclining Figure: Points". Comes with COA. Some variation in patina might occur. Approx. size: 11x9x5.
General - Prints/Reproductions
Pablo Picasso- Signed Limited Edition
Pablo Picasso – Signed Limited Edition On Paper Entitled "Still life With Lemons" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD TRUCK" CIRCA 1972. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Decorative Collectibles
Corkscrew made of 2nd Generation Whale tooth with Orante Hand carvings
Corkscrew made of Whale tooth with Orante Hand carvings. out of estate. Dimensions are about 4 x 4
Medium - Sculptures
Henry Moore Limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 10x16x6.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful". Comes with COA and beautifully framed.
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "The Blind Tobit With Goat" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Bubble Dolphin by Matthews
This bronze sculpture by Matthews is called, "Bubble Dolphin" and measures approx. 56" x 18" x 33" and weighs approx. 195lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Claude Monet and Camille Pissarro-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY MONET and PISSARRO, Set includes 2 Original lithographs. Frame Size: 22”x15”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Hand Draw, Ink and Pastel on paper Signed Miro
Original Hand Draw, Ink and Pastel on paper In the manner Joan miro.Hand Signed. Paper Size: 12"x 16", comes in Beautiful custom matt & frame. In mint condition!
Medium - Sculptures
Bustamante Original, limited Edition Bronze -GENTLEMAN-
Bustamante signed and numbered bronze sculpture, "Gentleman". Comes with COA. Some variation in patina might occur. Approx. size: 16x12x7 inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - MIss Paris
Signed bronze and ivory art deco sculpture "MIss Paris" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Fine Jewelry
Lady's Fancy Golden Diamond Sapphire Bracelet
Lady's Fancy Golden Diamond Sapphire Bracelet , Sapphire approx 8 ct, Diamonds approx .20 ct VS1, G in color.
Medium - Sculptures
Mexican Hat Dancer - Bronze and Ivory Sculpture by C. Mirval
C. Mirval bronze and ivory sculpture, Mexican Hat Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15"x7".
Movie - Memorabilia
James Dean Giclee with Image of a real check
"James Dean" Giclee with Image of a real check, approx dimension 16x12.
General - Prints/Reproductions
Old Jaffa Port by Tarkay
Fine Art Lithograph. Dimensions are approx 10x8
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Maquette for Reclining Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size:8x10x4.
Fashion Jewelry
Lady's 14kt Yellow Gold Opal Ring.
Lady's 14kt Yellow Gold Opal Ring, Opal approx 1.10 ct.
Jewelry & Watches
Lady's Antique Style Sterling Silver Diamond Earrings
Lady's Antique Style Sterling Silver Diamond Earrings, Diamonds approx .60 cts, VS1, color G.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 10x10
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Besse Potter Original, limited Edition THE FAMILY
Besse Potter Original, limited Edition "The Family" bronze sculpture, . Comes with COA. . Approx. size: 11X6X5.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Guiding Angel". Comes with COA and beautifully framed.
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Jacob's Dream" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Hog Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Hog Fish". It comes with foundry paperwork .
Medium - Etchings
2 Pieces Color Lithograph by Jean Fomard
2 Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 22”x16”.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Original Works
Original Watercolor on paper by Richard H. Clark
Original Watercolor on paper by Richard H. Clark. Hand Signed. Paper Size: 15"x 22". In mint condition!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -KNIGHT
Max Ernst signed and numbered bronze sculpture, " KNIGHT". Comes with COA. Some variation in patina might occur. Approx. size: 18x8x8 Inch.
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Ecstacy
Signed bronze and ivory art deco sculpture "Ecstacy" by artist Chiparus, base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base.
Medium - Sculptures
Dourga - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Dourga. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24.5"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Prints/Reproductions
Rendezvous by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Eduardo Chillida Original, limited Edition Bronze - Peine de Viento
Eduardo Chillida signed and numbered bronze sculpture, "Peine de Viento". Comes with COA. Some variation in patina might occur. Approx. size:12x8x5.
Jewelry & Watches
Lady's Antique Style Sterling Silver Black Diamond Earrings
Lady's Antique Style Sterling Silver Black Diamond Earrings, Black Diamonds approx 3 cts.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 5x12
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO VISTA - DUSK" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Alvar Original Limited Edition Bronze - DOVE
Alvar signed and numbered bronze sculpture "DOVE" . Comes with COA. Some variation in patina might occur. Approx. size: 10"x10"x7"
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Neglectful Meets Violent Death". Comes with COA and beautifully framed.
General - Old Masters
Picasso Limited Edition
Picasso Limited Edition On Paper. "French Can Can" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Lion Fish by J. Townsend
This bronze sculpture by J. Townsend is called, "Lion Fish" and measures approx. 12" x 12" x 6" and weighs approx. 28lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -BORN SWIMMER
Max Ernst signed and numbered bronze sculpture, " Born Swimmer". Comes with COA. Some variation in patina might occur. Approx. size: 19x7x7 Inch.
Medium - Sculptures
Angel of Prayer - Limited Edition Bronze by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Angel of Prayer" is approx. 20"H x10"W x 10"D and 32lbs. It is a Limited Edition out of 399. SB7H
Medium - Sculptures
Original Fine Silver Sculpture - Abe by D. Volk
This Original Fine Silver sculpture by D. Volk is called, "Abe" and measures approx. 8" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Medium - Sculptures
Friends Forever - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Friends Forever. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Icart Limited Edition 24K Gold Layered Bronze Sculpture- Illusion
This sculpture is cast in bronze then layered with beautiful 24K gold. By Icart, "Illusion". This piece comes with foundry assay. Some variations in marble might occur. Approx. size: 24"x8"x7".
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture - Jazz Dancer
This Chiparus sculpture, "Jazz Dancer", is a limited edition 24K gold layered bronze sculpture.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, from - "Ceramiques Monumentales". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
General - Prints/Reproductions
Harmony byTarkay
Fine Art Lithograph. Dimensions are approx 9x9
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Cat
Botero signed and numbered bronze, "Cat ". Comes with COA. Some variation in patina might occur. Approx. size: 6x19x4 Inch.
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Cannery Sapphire & Diamond Earrings
Lady's Antique Style Sterling Silver Round Shape Cannery Sapphire & Diamond Earrings, Cannery Sapphires & Diamonds total approx 3 ct.
Decorative Collectibles
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 4x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "LAGUNA TERRACE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Real .999 Silver Sculpture - Female Figure
Dali sculpture, "Female Figure" is approx. 2.11 oz of fine real .999 silver. Sculpture measures approx. 8". Comes with foundry Assay.
Fine Jewelry
Loose 125ct Pear shaped, Rose cut-Pigeon Blood Ruby-
One Loose Pear shaped, Rose cut, Pigeon Blood Ruby. Weighing 125.00cts .
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Rufino Tamayo Original limited Edition Bronze Sculpture -Girl with Flowers
Tamayo signed and numbered bronze, "Girl with Flowers" Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x6 Inch.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Law of Climbing". Comes with COA and beautifully framed.
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "The Westpoort At Rhenen" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Majestic Turtle and Ray by Matthews
This bronze sculpture by Matthews is called, "Majestic Turtle and Ray" and measures approx. 44" x 30" x 26" and weighs approx.125lbs. It comes with foundry paperwork.
Medium - Etchings
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -ALLEGRO
Max Ernst signed and numbered bronze sculpture, " Allegro". Comes with COA. Some variation in patina might occur. Approx. size: 15x8x8 Inch.
Medium - Sculptures
Mexican Hat Dancer - Bronze and Ivory Sculpture by C. Mirval
C. Mirval bronze and ivory sculpture, Mexican Hat Dancer. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x15"x7".
Medium - Sculptures
Chorus Line - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture. This piece was inspired by the famous chorus lines of les annees folles. Base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Movie - Memorabilia
Steve McQueen Giclee with Image of real check
"Steve McQueen" Giclee with Image of real check, approx dimension 16x12.
General - Prints/Reproductions
Blue Hat by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Girl -
Botero signed and numbered bronze, "Girl ". Comes with COA. Some variation in patina might occur. Approx. size: 15x6x6 Inch.
Fine Jewelry
Lady's Fashionable Heart Design Sterling Silver Diamond Earrings
Lady's Fashionable Heart Design Sterling Silver Diamond Earrings, Diamonds approx 1 ct, VS1, color G.
Decorative Collectibles
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 4x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAR VISTA TERRACE" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Gaurdians of the Valley of the Princes". Comes with COA and beautifully framed.
Medium - Sculptures
Hugue Original, limited Edition Bronze -
Hugue signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x4".
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Cottages Amongst High Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Sea Otter by D. Hunter
This bronze sculpture by D. Hunter is called, "Sea Otter" and measures approx. 32" x 18" x 15" and weighs approx. 137lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
4 Pieces Color Lithograph by Jean Fomard
Four Piece Color Lithograph by Jean Fomard. Set includes 4 beautiful Limited Edition Lithographs . Pencil signed in lower right. Frame Size: 23”x27”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
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Medium - Sculptures
Max Ernst Original, limited Edition Bronze -HEAD "Y"
Max Ernst signed and numbered bronze sculpture, " Head - Y". Comes with COA. Some variation in patina might occur. Approx. size: 15x7x4 Inch.
Medium - Sculptures
Miro - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Miro. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x5"x10".
Fine Jewelry
Lady's Fancy Silver Sapphire Bracelet
Lady's Fancy Silver Sapphire Bracelet, Sapphire approx 8.5 ct
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Moreau Limited Edition 24K Gold Layered Bronze Sculpture- Girl On A Swing
This sculpture is cast in bronze then layered with beautiful 24K gold. By Moreau, "Girl On A Swing". This piece comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Bronze Brittish Bulldog
This ia a lovely, lifesize bronze sculpture of a Brittish Bulldog. Sculpture is about 24x14x20 1008cch
Movie - Memorabilia
Elvis Giclee with Image of a real check
"Elvis" Giclee with Image of a real check, approx dimension 16x12.
General - Prints/Reproductions
Intimacy by Tarkay
Fine Art Lithograph. Dimensions are approx 9x9
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on Paper by Michael Schofield.
Michael Schofield original Original Watercolor on Paper. Signed. Approx. size:10"x12".
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Male Torso -
Botero signed and numbered bronze, "Male Torso ". Comes with COA. Some variation in patina might occur. Approx. size: 14x10x4 Inch.
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape White Cubic Zirconia Earrings
Lady's Antique Style Sterling Silver Round Shape White Cubic Zirconia Earrings, C.Z. approx 7 cts.
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Decorative Collectibles
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 13x6
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "STUDIO" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Eagle of Grace". Comes with COA and beautifully framed.
Medium - Sculptures
Alexander Archipenko Limited Edition Sculpture - Woman Combing Her Hair
Alexander Archipenko signed and numbered bronze sculpture, "Woman Combing Her Hair". Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4"
Medium - Sculptures
Bronze Sculpture - King of the Sea/ Orca by P. George
This bronze sculpture by P. George is called, "King of the Sea/ Orca" and measures approx. 35" x 22" x 12" and weighs approx. 85lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -BISHOP
Max Ernst signed and numbered bronze sculpture, " Bishop". Comes with COA. Some variation in patina might occur. Approx. size: 19x9x9 Inch.
Medium - Sculptures
Cleopatra - Bronze and Ivory Sculpture by Chiparus.
Chiparus broze and ivory sculpture, Cleopatra . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx. size: 15x8x4.
Medium - Sculptures
Salvador Dali Stunning Limited Edition Real Silver Sculpture - Apparatus and Hand
Salvador Dali signed and numbered real silver sculpture, "Apparatus and Hand". Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
24K Gold Layered Limited Edition Bear and the Bull Sculpture by Delair
This sculpture is cast in bronze then layered with beautiful 24K gold."Bear and the Bull" by Delair comes with foundry assay. Some variations in marble might occur. Approx. size: 7 1/2"x4"x4".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Movie - Memorabilia
Clark Gable Giclee with Image of a real check
"Clark Gable" Giclee with Image of a real check, approx dimension 16x12.
General - Prints/Reproductions
Summer Stroll by Patchell Olson
Hand Signed Limited Edition Lithograph. Dimensions are approx 8x38
General - Original Works
Original Oil on Canvas by Croft
Original Oil on Canvas by Croft. Dimensions are approx. 27x38.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Maquette for Three-Quarter Figure
Henry Moore signed and numbered bronze sculpture, "Maquette for There-Quarter Figure". Comes with COA. Some variation in patina might occur. Approx. size: 15x5x4.
Fine Jewelry
Lady's Butterflies Style Sterling Silver Diamond Earrings
Lady's Butterflies Style Sterling Silver Diamond Earrings, Diamonds approx .33 cts, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Our Lady of the Annunciation". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze - Lura G 25
Eduardo Chillida signed and numbered bronze, "Lura G 25". Comes with COA. Some variation in patina might occur. Approx. size:10"x7"x7".
General - Old Masters
Edouard Manet- Limited Edition
Edouard Manet- Limited Edition On Paper. "The Swallows" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Playmates by Denis
This bronze sculpture by Denis is called, "Playmates" and measures approx. 25" x 12" x 13" and weighs approx. 63lbs. It comes with foundry paperwork and is part of an edition of 399 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -FACE
Max Ernst signed and numbered bronze sculpture, " Face". Comes with COA. Some variation in patina might occur. Approx. size: 18x12x4 Inch.
Medium - Sculptures
Monica - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Monica. . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 24x13x7.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Fountain
Silver and Gold Patina cherub Fountain. Fountain is preplumbed for easy installation. Fountain is about 36x36x63
Movie - Memorabilia
Walt Disney Giclee with Image of a real check
"Walt Disney" Giclee with Image of a real check, approx dimension 16x12.
General - Prints/Reproductions
Roul Serigraph
Roul Limited Edition Serigraph 22x28
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Constantine Brancusi Original, limited Edition Bronze -Fish
Constantine Brancusi signed and numbered bronze sculpture, "Fish". Comes with COA. Some variation in patina might occur. Approx. size: 10x15x3
Jewelry & Watches
Lady's Antique Style Sterling Silver Round Shape Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Round Shape Graduated Garnet Earrings, Grad. Garnets approx 3 cts.
Decorative Collectibles
Roseville Porcelain Console Bowl
2nd Generation Roseville Porcelain approx dimensions are 12x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JAPANESE GARDEN" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Proud One". Comes with COA and beautifully framed.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Woman Of The Future" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Splash by Koop
This bronze sculpture by Koop is called, "Splash" and measures approx. 35" x 10" x 17" and weighs 75lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Dancer-
Pablo Picasso signed and numbered bronze sculpture, "Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x4".
Medium - Sculptures
Almeria - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Almeria. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, from - "Ceramiques Monumentales". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Movie - Memorabilia
Lucy Giclee with Image of a real check
"Lucy" Giclee with Image of a real check, approx dimension 16x12.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Vertebrae
Henry Moore signed and numbered bronze sculpture, "Vertebrae". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x4.
Jewelry & Watches
Lady's Antique Style Sterling Silver Square Shape Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Square Shape Graduated Garnet Earrings, Grad. Garnets approx 2 cts.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 13x8
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "CRANES" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Fancy Lady's 14kt White Gold Sapphire & Diamond Ring
Fancy Lady's 14kt White Gold Sapphire & Diamond Ring, Sapphire approx 2ct, Diamonds approx 1.25 ct VS11, Color G.
Medium - Sculptures
Dali Signed Limited Edition Bronze - Carmen, La Gitana
Dali signed, limited edition Dali sculpture, "Carmen, La Gitana". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "Ecstatic Visions". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Flordali l" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Courtship by Wallace
This bronze sculpture by Wallace is called, "Courtship" and measures approx. 18" x 12" x 12" and weighs approx. 47lbs. It comes with foundry paperwork and is part of an edition of 150 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -Man Standing-
Pablo Picasso signed and numbered bronze sculpture, "Man Standing". Comes with COA. Some variation in patina might occur. Approx. size: 17"x6"x6".
Medium - Sculptures
Actress - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, Actress. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Art Deco Chiparus Sculpture -Fan Dancer
This Chiparus sculpture, "Fan Dancer", is a limited edition 24K gold layered bronze sculpture.
Movie - Memorabilia
Marlon Brando Giclee with Image of real check
Marlon Brando Giclee with Image of real check, approx dimension 16x12.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze
Henry Moore signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 5x11x4.
Jewelry & Watches
Lady's Antique Style Sterlilng Silver Round Shape Cannery Sapphire & Diamond Earrings
Lady's Antique Style Sterlilng Silver Round Shape Cannery Sapphire & Diamond Earrings, Cannery Sapphires & Diamonds total approx 1 ct.
Decorative Collectibles
Roseville Porcelain Vase
2nd Generation Roseville Porcelain approx dimensions are 9x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK YARD" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Second Cornice". Comes with COA and beautifully framed.
Medium - Sculptures
Eduardo Chillida Limited Edition Bronze -
Eduardo Chillida signed and numbered bronze. Comes with COA. Some variation in patina might occur. Approx. size:12"x8"x5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "A FarmHouse Amoung The Trees" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Buubble Dolphin and Ray by Unknown
This bronze sculpture by Unknown is called, "Buubble Dolphin and Ray" and measures approx. 56" x 18" x 33" and weighs approx. 265lbs. It comes with foundry paperwork.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -TORSO-
Pablo Picasso signed and numbered bronze sculpture, "TORSO". Comes with COA. Some variation in patina might occur. Approx. size: 15"x4"x4".
Medium - Sculptures
Les Girls - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Les Girls". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 20"x24"x6".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Signed Chiparus Bronze and Ivory - Simplicity with Pedestal
Signed bronze and ivory art deco sculpture "Simplicity" by artist Chiparus, base signed , carved ivory beautiful patina bronze (some variations in patina may occur), sits on a marble/onyx base. Comes with signed Chiparus Marble pedestal Approx size: 20"x6"x8"
Medium - Sculptures
Bronze Umbrella Kids Moreau
Bronze Umbrella Kids by artist Moreau, dimensions are about 38x17x14
Movie - Memorabilia
The God Father Giclee with actual film cel from the film
"The God Father" Giclee with actual film cel from the film, approx dimension 15x18.
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
General - Original Works
Original Oil on Canvas by Preis
Original Oil on Canvas by Preis. Dimensions are approx. 27x40.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Standing Nude
Nadelman signed and numbered bronze sculpture, "Standing Nude". Comes with COA. Some variation in patina might occur. Approx. size: 17x6x4.
Jewelry & Watches
Lady's Antique Sterling Silver Round Shape Black Diamond Earrings
Lady's Antique Sterling Silver Round Shape Black Diamond Earrings, Black Diamonds approx 1.5 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORS OF JUNK" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Blind for Envy". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Moses" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Serenity by Koop
This bronze sculpture by Koop is called, "Serenity" and measures approx. 32" x 19" x 13" and weighs approx. 100lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bustamante Original, limited Edition Bronze -Moon in Chair-
Bustamante signed and numbered bronze sculpture, "Moon in Chair". Comes with COA. Some variation in patina might occur. Approx. size: 10x7x5 inch.
Medium - Sculptures
X- Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "X". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 29"x10.5"x4.5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze Horse PJ Mene
Bronze Horse by PJ Mene, beautiful patina, dimensions are about 42x11x47
Movie - Memorabilia
Bob Marley Giclee, mini guitar & Rock Legend I.D. card
"Bob Marley" Giclee, mini guitar & Rock Legend I.D. card, approx dimension 14x18.
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 19x8x8.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAN PEDRO REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Angel of Mercy". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
General - Old Masters
Henri Matisse Limited Edition
Henri Matisse Limited Edition On Paper. "The Dragon" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Sculptures
Bronze Sculpture - Mahi Bull Dolphin by Piquera
This bronze sculpture by Piquera is called, "Mahi Bull Dolphin" and measures approx. 32" x 23" x 19" and weighs approx. 142lbs. It comes with foundry paperwork and is part of an edition of 299 pieces.
Medium - Etchings
Norman Rockwell Lithographs
Two Piece Color Lithograph by Norman Rockwell. Set includes 2 beautiful Lithograph. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -HUNTER
Pablo Picasso signed and numbered bronze sculpture, "HUNTER". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Medium - Sculptures
The Aristocrats - Bronze and Ivory Sculpture by Poertzel
Poertzel bronze and ivory sculpture, The Aristocrats. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:24"x24"x5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
Lady's Beautiful Real Broka Multi Colored Pearl Necklace
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Woman
Nadelman signed and numbered bronze sculpture, "Woman". Comes with COA. Some variation in patina might occur. Approx. size: 18x6x5.
General - Prints/Reproductions
"Masquesade" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Jewelry & Watches
Lady's Antique Style Sterling Silver Graduated Garnet Earrings
Lady's Antique Style Sterling Silver Graduated Garnet Earrings, Grad. Garnets approx 8 cts.
Decorative Collectibles
Roseville Porcelain Pot
2nd Generation Roseville Porcelain approx dimensions are 9x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "DEPOSITO ROTTAMI" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Art
Extrememly Rare Original Salvador Dali Woodblock - Signed
In the Manner Of Salvador Dali, Bearing The Signature. This is from Dante's Divine Comedy Series (Purgatory), "The Smoke of Irascibility". Comes with COA and beautifully framed.
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Still Life With Lilies" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -HOMME
Pablo Picasso signed and numbered bronze sculpture, "HOMME". Comes with COA. Some variation in patina might occur. Approx. size: 18"x7"x5".
Medium - Sculptures
Original Fine Silver Sculpture - On The Fly by Whitten
This Original Fine Silver sculpture by Whitten is called, "On The Fly" and measures approx.18" x 8" x 7". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Medium - Sculptures
Lady On The Steps - Bronze and Ivory Sculpture by Andre Bouraine
Andre Bouraine bronze and ivory sculpture, Lady On The Steps. Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 22.5"x17"x5".
Fine Jewelry
Lady's Beautiful Real Broka Black Pearl Necklace
Lady's Beautiful Real Broka Black Pearl Necklace
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, titled - "La Danse du feu". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Art
Calder Limited Edition Lithograph
"Derriere Le Miroir" Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Movie - Memorabilia
Bruce Springsteen Giclee with mini guitar
"Bruce Springsteen" Giclee with mini guitar, approx dimension 15x18.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Medium - Sculptures
Nadelman Original, limited Edition Bronze - Woman's Face
Nadelman signed and numbered bronze sculpture, "Woman's Face". Comes with COA. Some variation in patina might occur. Approx. size: 9x5x5.
General - Prints/Reproductions
"Little Spider" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Jewelry & Watches
Lady's Antique Long Style Sterling White Topaz & Diamond Earrings
Lady's Antique Long Style Sterling White Topaz & Diamond Earrings, White Topaz & Diamonds approx total .50 cts, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "WEARHOUSE" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Signed and Numbered Bronze Sculpture - Dulcinea
Dali Signed and Numbered Bronze Sculpture - Dulcinea. Approx. size: 12"x3"x3".
Medium - Sculptures
Marino Marini Original, limited Edition Bronze - UNKNOWN
Marino Marini signed and numbered bronze sculpture "Unknown". Comes with COA. Some variation in patina might occur. Approx. size: 12"x6"x4".
General - Old Masters
Rembrandt Van Rijn- limited Edition
Rembrandt Van Rijn- Limited Edition On Paper. "Study For St. Peter" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Fanz Kline and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and KLINE, Set includes 2 Original lithographs. Frame Size: 28”x18”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -MAN
Pablo Picasso signed and numbered bronze sculpture, "MAN". Comes with COA. Some variation in patina might occur. Approx. size: 15"x5"x5".
Medium - Sculptures
Top Hat - Bronze and Ivory Sculpture by Chiparus
Chiparus bronze and ivory sculpture, "Top Hat". Base signed, carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size:21.5"x11"
Fine Jewelry
Lady's Beautiful Real Broka Pearl Necklace
Lady's Beautiful Real Broka Pearl Necklace
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Movie - Memorabilia
Bob Marley Giclee, mini guitar & Biography
"Bob Marley" Giclee, mini guitar & Biography approx dimension 15x18.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Reclining Figure -
Henry Moore signed and numbered bronze sculpture, "Reclining Figure". Comes with COA. Some variation in patina might occur. Approx. size: 8x10x7 Inch.
General - Prints/Reproductions
"Le Chapeau" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "OLD REFINERY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Decorative Collectibles
Hand Carved Horns-Pair
Fancy Hand Carved Bone And Scrimshaw Tusk (Pair) Approx. 26" x 6" x 6"
Medium - Sculptures
Zuniga Limited Edition Bronze - Mujer de Pie con Rebozo (Standing Woman With Shawl)
Zuniga signed and numbered bronze sculpture, "Mujer de Pie con Rebozo (Standing Woman with Shawl) ". Comes with COA. Some variation in patina might occur. Approx. size: 22"x9"x8".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "Cannibalism Of Objects" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Edgar Degas and Fernand Leger-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY DEGAS and LEGER, Set includes 2 Original lithographs. Frame Size: 18”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -BULL
Pablo Picasso signed and numbered bronze sculpture, "BULL". Comes with COA. Some variation in patina might occur. Approx. size: 11"x10"x5".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Conch
Joan Miro signed and numbered bronze sculpture, "Conch". Comes with COA. Some variation in patina might occur. Approx. size: 15x14x11.
General - Prints/Reproductions
"Cockatoo" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Jewelry & Watches
Lady's Antique Long Style Sterling Silver Pink Sapphire & Diamond Earrings
Lady's Antique Long Style Sterling Silver Pink Sapphire & Diamond Earrings, Pink Sapphires & Diamonds approx total 1.25 ct.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "TUB BOAT REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Hugue Limited Edition Bronze -Angel
Hugue signed and numbered bronze sculpture, "Angel". Comes with COA. Some variation in patina might occur. Approx. size: 16"x7"x5".
General - Old Masters
Picasso Limited Edition
Picasso Limited Edition On Paper. "Maoulin De La Galette" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Max Ernst Original, limited Edition Bronze -Daughter
Max Ernst signed and numbered bronze sculpture, "Daughter". Comes with COA. Some variation in patina might occur. Approx. size: 7x9x8 Inch.
Medium - Sculptures
Picasso Signed and Numbered Real Silver Sculpture - Helping Hand
Picasso Signed and Numbered Real Silver Sculpture, "Helping Hand". Contains approx. 10 Troy ounces of real silver and comes with foundry assay. Some variations in marble might occur.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Art
Calder Limited Edition Lithograph
Calder Limited Edition Lithograph Signed and Numbered. Comes with COA and beautifully framed. Approx. size: 16" x 12"
Movie - Memorabilia
Licenced Disney Etchings Donald Duck
Licenced Disney Etchings "Donald Duck" hand colored, approx dimension 16x12.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x16x16
General - Prints/Reproductions
"La Pais Amis" - Icart - Limited Edition on Paper
Louis Icart was born in Toulouse, France. He began drawing at an early age. He was particularly interested in fashion, and became famous for his sketches almost immediately. He worked for major design studios at a time when fashion was undergoing a radical change-from the fussiness of the late nineteenth century to the simple, clingy lines of the early twentieth century. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. Plate limited edition Limited Edition on paper. Edition number varies. Approx. size: 19"x22".
Jewelry & Watches
Lady's Antique Style Sterling Silver Golden Citrine & Diamond Earrings
Lady's Antique Style Sterling Silver Golden Citrine & Diamond Earrings, Golden Citrine approx 1 ct, Diamonds approx .75 cts, VS1, color G.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - Dove II
Botero signed and numbered bronze, " Dove II ". Comes with COA. Some variation in patina might occur. Approx. size: 8"x12"x9" Inch.
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Face Of War" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Pablo Picasso and Vincent Van Gogh -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and VAN GOGH, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
General - Prints/Reproductions
Dali - Limited Edition - Gala's Dream
Dali limited edition "Gala's Dream". Out of an edition of 95. Edition number may vary from pictured.
Jewelry & Watches
Lady's Antique Long Style Sterling Silver Black Diamond Earrings
Lady's Antique Long Style Sterling Silver Black Diamond Earrings, Black Diamonds approx 2.5 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 13"x7"x4".
General - Old Masters
Salvador Dali - Signed Limited Edition
Salvador Dali - Signed Limited Edition On Paper. "The Colossus Of Rhodes" Comes With COA Out of an Edition of 95. Edition Number May Vary From Picture. Comes In Beautiful Custom Matt and frame. Approx Dimensions 20" x 16"
Medium - Etchings
Pierre-Auguste Renoir and Jasper Johns -Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR and JOHNS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Enchanting Original, limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15x4x4.
Medium - Sculptures
Argentinian Dancer - Bronze and Ivory Sculpture by Chiparus
Signed bronze and ivory art deco sculpture "Argentinian Dancer" by artist Chiparus, base signed , carved ivory beautiful painted patina bronze, sits on a marble/onyx base. Approx size: 18"x7.5"x5"
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
General - Direct from the Artist
Michael Schofield Original Oil .
Michael Schofield signed original oil . Approx. size: 16"x12".
General - Prints/Reproductions
Dali Limited Edition - Dali Male, In Contemplation
Dali limited edition "Dali Male, In Contemplation". Out of an edition of 95. Edition number may vary from pictured.
Fine Jewelry
Lady's Beautiful Stylish Sterling Silver White Sapphire Hoop Earrings
Lady's Beautiful Stylish Sterling Silver White Sapphire Hoop Earrings, White Sapphires approx 3 cts.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MAIL BOXES" CIRCA 19777. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Dali Signed Limited Edition Bronze - Ama de Llaves
Dali signed, limited edition Dali sculpture, "Ama de Llaves". Sculpture measures approx. 6"x 2 1/4" x 2 1/4". Comes with COA.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 15"x7"x3".
Medium - Etchings
Constantin Brancusi and Robert Rauschenberg-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY BRANCUSI and RAUSCHENBERG, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -HOMME II
Pablo Picasso signed and numbered bronze sculpture, "HOMME II". Comes with COA. Some variation in patina might occur. Approx. size: 19"x8"x5".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
General - Prints/Reproductions
Dali Limited Edition - Spinning Man
Dali limited edition "Spinning Man". Out of an edition of 95. Edition number may vary from pictured.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Decorative Collectibles
Leap Frog Bank Cast Iron
Leap Frog Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x6
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "THREE-SEVEN-FOUR" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x4".
Medium - Etchings
Pierre-Auguste Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY RENOIR and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - FIGURE
Pablo Picasso signed and numbered bronze sculpture, "FIGURE". Comes with COA. Some variation in patina might occur. Approx. size: 16"x6"x5".
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
General - Prints/Reproductions
Dali Limited Edition - Gala's Castle At Pubol
Dali limited edition "Gala's Castle At Pubol". Out of an edition of 95. Edition number may vary from pictured.
Decorative Collectibles
World's Fair Bank Cast Iron
World's Fair Bank -Cast Iron- Original in the Collection of the Book of Knowledge. Dimensions are approx 7x7
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "JUNK ISLAND" CIRCA 1979. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 12"x4"x4".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Jasper Johns and Pablo Picasso-Lithographs Set
2 PIECES CONSISTING OF A FRAMED ARTWORK BY PICASSO and JHONS, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze - Young Man
Pablo Picasso signed and numbered bronze sculpture, "Young Man". Comes with COA. Some variation in patina might occur. Approx. size: 13"x6"x5".
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Bruno Bruni Original, limited Edition Bronze
Bruno Bruni signed and numbered bronze sculpture, . Comes with COA. Some variation in patina might occur. Approx. size: 19x4x4.
General - Prints/Reproductions
Chagall Limited Edition - The Still Life With Flowers
Chagall limited edition "The Still Life With Flowers". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 18"x3"x2".
Medium - Etchings
Edouard Manet and Paul Cezanne-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY MANET and CEZANNE, Set includes 2 Original lithographs. Frame Size: 20”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -MAN II
Pablo Picasso signed and numbered bronze sculpture, "MAN II". Comes with COA. Some variation in patina might occur. Approx. size: 14"x6"x5".
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Bronze "Carpenter" by artist Valtune.
Bronze "Carpenter" by artist Valtune, dimensions are approx 5x5x3 in.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Fernando Valls Original, limited Edition Bronze - Boy
Fernando Valls signed and numbered bronze, "Boy". Comes with COA. Some variation in patina might occur. Approx. size: 13x8x4.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO BAY" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze
Joan Miro signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 20"x6"x6".
Medium - Etchings
Constantin Brancusi Renoir and Alberto Giacometti-Lithographs Set
TWO PIECES CONSISTING OF A FRAMED ARTWORK BY BRANCUSI and GIACOMETTI, Set includes 2 Original lithographs. Frame Size: 22”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Pablo Picasso Original, limited Edition Bronze -MAN III
Pablo Picasso signed and numbered bronze sculpture, "MAN III". Comes with COA. Some variation in patina might occur. Approx. size: 19"x9"x5".
Medium - Sculptures
Lady Peacock - Limited Edition Real Silver Sculpture by Sergey
Sergey was born and educated in Moscow where he studied art at Stroganov Moscow State University of Arts and the Moscow School of Theatrical Art. As a young artist he worked in theaters and television stations specializing in sculpture for the performing arts. He always had a tendency to sculpt delicate and sophisticated figures in motion. Sergey immigrated to the United States in 1977 where he settled down in New York. He found work restoring church interiors, bronze and porcelain sculptures, oil paintings and antique frames. Sergey considers 1983 to be a very lucky year as he began working for Joel Mentsner & Co. as a sculptor. He met Erté and Yamagata and began creating sculptures from their sketches, drawings and graphics. After the death of Erté in 1990, Sergey continued developing his skills and the style he admired remaining faithful to the unique manner of the late artist. "Lady Peacock" is approx. 22"H x12"W x 4"D and contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of fine silver. It is a Limited Edition out of 399 and comes with the foundry assay.
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, from - "Ceramiques Monumentales". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
General - Prints/Reproductions
Dali Limited Edition - Invisible Sleeping Woman
Dali limited edition "Invisible Sleeping Woman". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "COLORI SULLA BAIA" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Lady's 14K Yellow Gold, Diamond Ring
This lady’s 14K Yellow gold diamond ring is comprised of 4 prongs set 3 round brilliant cut diamonds. Total estimated diamond’s weight is 1.05 cts. The total weight of the ring is 6.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 16"x4"x4".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Head of Man" and "Pierrot". Together they make the perfect pair. Frame Size: 22”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze
Salvador Dali signed and numbered bronze sculpture. Comes with COA. Some variation in patina might occur. Approx. size: 9"x14"x7".
Medium - Sculptures
Illuminated Temple Goddess - Bronze and Ivory Sculpture by Chiparus
Chiparus broze and ivory sculpture, Temple Goddess. Lights up . Base signed , carved ivory beautiful patina bronze, sits on a marble/onyx base. Some variations of marble and patina might occur. Approx size: 27"x18". CC111500
Medium - Sculptures
Bronze "Cupidon" by artist Monreau.
Bronze "Cupidon" by artist Monreau, dimensions are approx 9x4 in.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture - Ballerina
Alexander Archipenko signed and numbered bronze sculpture, "Ballerina". Comes with COA. Some variation in patina might occur. Approx. size: 13X7X4.
General - Prints/Reproductions
Picasso Limited Edition - Seated Bather
Picasso limited edition "Seated Bather". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SAUSALITO REFLECTIONS" CIRCA 1975. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -PERSONAJE
Joan Miro signed and numbered bronze sculpture, "PERSONAJE". Comes with COA. Some variation in patina might occur. Approx. size: 14"x4"x7".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Still Life with Basket of Fruit and Pitcher of Flowers " and "The Painter in His Studio". Together they make the perfect pair. Frame Size: 22”x30”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze SUN TABLE
Salvador Dali signed and numbered bronze sculpture " SUN TABLE". Comes with COA. Some variation in patina might occur. Approx. size: 11"x6"x5".
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture - Stehender Frauenakt
Alexander Archipenko signed and numbered bronze sculpture, "Stehender Frauenakt". Comes with COA. Some variation in patina might occur.
General - Prints/Reproductions
Picasso Limited Edition - Women Of Algiers
Picasso limited edition "Women Of Algiers". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ WATERFRONT" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -MADAME
Joan Miro signed and numbered bronze sculpture, "MADAME". Comes with COA. Some variation in patina might occur. Approx. size: 13"x8"x5".
Medium - Etchings
Picasso Limited Edition Lithographs
Pablo Picasso: 2 Piece Color Limited Edition Lithograph Set "Seated Woman " and "Portrait of Dora Maar". Together they make the perfect pair. Frame Size: 22”x28”.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- SUBLIME MOMENT
Salvador Dali signed and numbered bronze sculpture "SUBLIME MOMENT". Comes with COA. Some variation in patina might occur. Approx. size: 8"x7"x7".
Medium - Sculptures
Real .999 Silver Salvador Dali Limited Edition- The First Study For the Madonna
Dali Signed and Numbered Real Silver Sculpture, "The First Study For the Madonna". Contains approx. 10Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
Medium - Sculptures
Bronze "1909's Indian Chief" by artist Dallin.
Bronze "1909's Indian Chief" by artist Dallin, dimensions are approx 6X4X2 in.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
General - Prints/Reproductions
Chagall Limited Edition - Red House
Chagall limited edition "Red House". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ MARINA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Etchings
Lithographs Set by Lichtenstein, Mattisse and Leger
3 PIECES CONSISTING OF A FRAMED ARTWORK BY DIFERENTS ARTISTS INCLUDES : "A Woman Contemplating a Yellow Cup" by Roy Lichtenstein, "Pineapple and Anemones" by Henri Mattisse AND "Constructors with Tree" by Fernand Leger. Frame Size: 32”x17”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Salvador Dali Enchanting Limited Edition Bronze- WOMAN
Salvador Dali signed and numbered bronze sculpture "WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 8"x7"x7".
Medium - Sculptures
Original Limited Edition 24K Gold Layered Bronze Bronze Sculpture - Surist Angel
Archipenko original limited edition 24K gold layered bronze sculpture, "Surrealist Angel".
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Alexander Archipenko Original, limited Edition Sculpture - Torso
Alexander Archipenko signed and numbered bronze sculpture, "Torso". Comes with COA. Some variation in patina might occur. Approx. size:
General - Prints/Reproductions
Picasso Limited Edition - Unknown
Picasso limited edition "Unknown". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
Hugue Original, limited Edition Bronze - Woman With Wings
Hugue signed and numbered bronze sculpture, "Woman With Wings". Comes with COA. Some variation in patina might occur. Approx. size: 7x4x4.
Medium - Etchings
Lithographs Set by Picasso, Modigliani and Gauguin
3 PIECES CONSISTING OF A FRAMED ARTWORK BY DIFERENTS ARTISTS INCLUDES : "Child with Horse on Wheels" by Pablo Picasso, "Portrait of Paul Guillaume" by Amedeo Modigliani AND "Bathers" by Paul Gauguin. Frame Size: 20”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Original Fine Silver Sculpture - Semper Fidelis by DeLier
This Original Fine Silver sculpture by DeLier is called, "Semper Fidelis" and measures approx. 21" x 17" x 8". It contains approx. and contains approx. 10 Troy ounces of fine silver Troy ounces of real, fine silver. It comes with foundry assay
Medium - Sculptures
Alexander Archipenko Original Limited Edition 24K Gold Layered Bronze limited Edition Sculpture
Alexander Archipenko , limited edition 24K gold layered bronze sculpture, "Flat Torso".
Medium - Sculptures
Bronze "Inkwell" by artist Tiffany & Co. NY NY.
Bronze "Inkwell" by artist Tiffany & Co. New York New York, Face lifts up, dimensions are approx 6x3 in.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, from - "Ceramiques Monumentales". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Michael Schofield Hand Signed Water Color on Paper
This is a Michael Schofield hand water color. Hand Signed by Artist. Paper Size: 11" x 14.5" Comes unframed. In mint condition!
Medium - Sculptures
Joan Miro Original, limited Edition Bronze - Femme
Joan Miro signed and numbered bronze sculpture, "Femme". Comes with COA. Some variation in patina might occur. Approx. size: 13x17x17.
General - Prints/Reproductions
Picasso Limited Edition - Mediterranian Landscape
Picasso limited edition "Mediterranian Landscape". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ HARBOR" CIRCA 1977. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Lady's Fancy 14kt White Gold White Sapphire Ring
Lady's Fancy 14kt White Gold White Sapphire Ring, White Sapphire approx 6ct.
Medium - Sculptures
Dali Limited Edition Bronze Sculpture - SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY
This is a limited edition sculpture entitled "SPACE ELEPHANT FROM THE TEMPTATION OF SAINT ANTHONY" (1946) by Salvador Dali. After the Second World War, Dali converted, by his own account, to mysticism. The beginning of the Atomic Era strongly influenced his thinking and led to a strong spiritual foundation for his paintings which he made with a great appreciation for the classic art of painting. The temptation of Saint Anthony originated from an entry for a film poster competition. It shows Dali's nuclear mysticism in all its fierceness. A naked Antonius wards off a frightening mounted horse with a sword, which, standing on legs as thin as gossamer, defies the laws of gravity. The Saint tries not to be seduced by the earthly temptations, symbolized by the horse as a symbol of power, followed by almost floating elephants which carry on their backs symbols of lust and greed. Here Dali dovetails with a classical painter's theme, which before was used by the painters Bosch and Breugel, Dali's surrealistic predecessors. Dali, though, let the frightful temptations act in an alienating world between heaven and earth. However, this "levitation" will later reappear frequently as a theme in his work. Approx. size: 21" H x 8"W x 4.5"
Medium - Sculptures
Joan Miro Original, limited Edition Bronze -FEMME
Joan Miro signed and numbered bronze sculpture, "FEMME". Comes with COA. Some variation in patina might occur. Approx. size: 7"x5"x5".
Medium - Etchings
Lithographs Set by Picasso and Kooning
3 PIECES CONSISTING OF A FRAMED ARTWORK BY TWO DIFERENTS ARTISTS INCLUDES : "Woman with Beret" and "Bust of a Man" by Pablo Picasso also "Red, Yellow and Green" by Willem De Kooning . Frame Size: 20”x37”. Very Rare!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Seated Man
Henry Moore signed and numbered bronze sculpture, "Seated Man". Comes with COA. Some variation in patina might occur. Approx. size:12x8x6 Inch.
General - Prints/Reproductions
Picasso Limited Edition - The Artist
Picasso limited edition "The Artist". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "YACHT HARBOR" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Medium - Sculptures
M.Kostabi Original, limited Edition Bronze - THE SERVER
M.Kostabi signed and numbered bronze sculpture, "THE SERVER". Comes with COA. Some variation in patina might occur. Approx. size: 31"x13"x9".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bronze "Frog" by artist Tiffany & Co. NY NY.
Bronze "Frog" by artist Tiffany & Co. NY NY, dimensions are approx 2x5x4 in.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Homme
Henry Moore signed and numbered bronze sculpture, "Homme". Comes with COA. Some variation in patina might occur. Approx. size:12x11x6 Inch.
General - Prints/Reproductions
Picasso Limited Edition - Italian Woman
Picasso limited edition "Italian Woman". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BARCA ROSSA" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Sculptures
Lynn Chadwick Original, limited Edition Bronze -SEATED WOMAN
Lynn Chadwick signed and numbered bronze sculpture, "SEATED WOMAN". Comes with COA. Some variation in patina might occur. Approx. size: 11"x12"x8".
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Real .999 Silver Pablo Picasso Limited Edition- Vase Face.
Dali Signed and Numbered Real Silver Sculpture, " Vase Face.". Contains approx. 10 Troy ounces of .999 fine silver and comes with foundry assay. Some variations in marble might occur.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Seated Woman
Henry Moore signed and numbered bronze sculpture, "Seated Woman". Comes with COA. Some variation in patina might occur. Approx. size:12x8x7 Inch.
General - Prints/Reproductions
Picasso Limited Edition - Le Coiffure
Picasso limited edition "Le Coiffure". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "BAY REFLECTIONS" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bronze "Coyote" by artist Tiffany & Co. NY NY.
Bronze "Coyote" by artist Tiffany & Co. NY NY, dimensions are approx 1x2 in.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze - Mother and Child
Henry Moore signed and numbered bronze sculpture, "Mother and Child". Comes with COA. Some variation in patina might occur. Approx dimension 12x5x5 inches.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Dali Limited Edition - Little Ashes
Dali limited edition "Little Ashes". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "RIFLESSI DI BARCHE" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Collectibles
Joan Miro Original Signed Lithograph-
Lithograph, In the Manner of Joan Miro, Bearing the Signature, from - "Ceramiques Monumentales". Miro was the son of a watChmaking father and a goldsmith mother, he was exposed to the arts from a very young age. There have been some drawings reCovered by Miro dating to 1901, when he was only 8 years old. Miro enrolled at the SChool of Industrial and Fine Arts in BarCelona until 1910; during his attendanCe he was taught by Modest Urgell and Josep PasCó.After overComing a serious bout of typhoid fever in 1911, Miro deCided to devote his life entirely to painting by attending the sChool of art taught by FranCesC Galí. He studied at La Lonja SChool of Fine Arts in BarCelona, and in 1918 set up his first individual exhibition in the Dalmau Galleries, in the same City. His works before 1920 (the date of his first trip to Paris) refleCt the influenCe of different trends, like the pure and brilliant Colors used in Fauvism, shapes taken from Cubism, influenCes from folkloriC Catalan art and Roman fresCos from the ChurChes.His trip to Paris introduCed him to and developed his trend of surrealist painting. In 1921, he showed his first individual exhibition in Paris, at La LiCorne Gallery. In 1928, he exhibited with a group of surrealists in the Pierre Gallery, also in Paris, although Miró was always to maintain his independent qualities with respeCt to groups and ideologies. Own this one! Bid and Win TODAY!!! CC
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Reclining Woman
Henry Moore signed and numbered bronze sculpture, "Reclining Woman". Comes with COA. Some variation in patina might occur. Approx. size:8x14x6 Inch.
General - Prints/Reproductions
Chagall Limited Edition - The Juggler
Chagall limited edition "The Juggler". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "MARINA RIFLESSI" CIRCA 1978. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
Fine Jewelry
Lady's 14K White Gold Emerald/Diamond Ring
This lady’s 14K White Gold Emerald/Diamond Ring is comprised of 4 prongs set emerald cut emerald, 4 prongs set round cut 19 diamonds and bezel set 37 baguette cut diamonds. Total estimated diamond’s weight are 2.15 cts. Total estimated emerald's weight is 1.85 cts. The total weight of the ring is 15.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Bronze "Young Wolf Bell" by artist Moreau.
Bronze "Young Wolf Bell" by artist Moreau, dimensions are approx 6x45 in.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Henry Moore Original, limited Edition Bronze- Sculptural Object
Henry Moore signed and numbered bronze sculpture, "Sculptural Object". Comes with COA. Some variation in patina might occur. Approx. size:15x5x5 Inch.
General - Prints/Reproductions
Picasso Limited Edition - Sleeping Nude
Picasso limited edition "Sleeping Nude". Out of an edition of 95. Edition number may vary from pictured.
General - Original Works
ORIGINAL SIGNED LITHOGRAPH BY ARTIST MARCO SASSONE
LITHOGRAPH IN THE MANNER OF MARCO SASSONE BEARING THE SIGNATURE TITLED "SANTA CRUZ BAY" CIRCA 1976. COMES WITH CERTIFICATE OF AUTHENTICITY.FRAMING AVAILABLE AT AN ADDITIONAL CHARGE.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Direct from the Artist
Original Watercolor on paper by Michael Schofield
Original Watercolor on paper by Michael Schofield. Hand Signed. Paper Size: 11"x 14.5". In mint condition!
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture - The Thinker
Botero signed and numbered bronze, "The Thinker ". Comes with COA. Some variation in patina might occur. Approx. size: 13x7x8 Inch.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Ballet Dancer
Botero signed and numbered bronze, "Ballet Dancer "Comes with COA. Some variation in patina might occur.. Approx. size: 18x9x6 Inch.
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Gendarme
Botero signed and numbered bronze, "gendarme ".Comes with COA. Some variation in patina might occur. Approx. size: 11x10x7 Inch.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Original Works
ONE OF A KIND ORIGINAL LITHOGRAPH BY ARTIST AUBREY BEARDSLEY
LITHOGRAPH IN THE MANNER OF AUBREY BEARDSLEY; In 1892, Beardsley travelled to Paris, where he discovered the poster art of Henri de Toulouse-Lautrec, and the Parisian fashion for Japanese prints, both of which would be major influences on his own style. Beardsley's first commission was Le Morte d'Arthur by Thomas Malory (1893), which he illustrated for the publishing house Mssrs Dent His six years of major creative output can be divided into several periods, identified by the form of his signature. In the early period his work is mostly unsigned. During 1891 and 1892 he progressed to using his initials, A.V.B. In mid-1892, the period of Le Morte d'Arthur and The Bon Mots he used a Japanese-influenced mark which became progressively more graceful, sometimes accompanied by A.B. in block capitals.[6] He co-founded The Yellow Book with American writer Henry Harland, and for the first four editions he served as Art Editor and produced the cover designs and many illustrations for the magazine. He was also closely aligned with Aestheticism, the British counterpart of Decadence and Symbolism. Most of his images are done in ink, and feature large dark areas contrasted with large blank ones, and areas of fine detail contrasted with areas with none at all. Beardsley was the most controversial artist of the Art Nouveau era, renowned for his dark and perverse images and grotesque erotica, which were the main themes of his later work. His illustrations were in black and white, against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata, and his drawings for Oscar Wilde's play Salome, which eventually premiered in Paris in 1896. Other major illustration projects included an 1896 edition of The Rape of the Lock by Alexander Pope, and the collection A Book of Fifty Drawings by Aubrey Beardsley (1897).[7] The Peacock Skirt, 1893 He also produced extensive illustrations for books and magazines (e.g. for a deluxe edition of Sir Thomas Malory's Le Morte d'Arthur) and worked for magazines such as The Studio and The Savoy, of which he was a co-founder. Beardsley also wrote Under the Hill, an unfinished erotic tale based loosely on the legend of Tannhäuser, published in The Savoy. Beardsley was a caricaturist and did some political cartoons, mirroring Wilde's irreverent wit in art. Beardsley's work reflected the decadence of his era and his influence was enormous, clearly visible in the work of the French Symbolists, the Poster art Movement of the 1890s and the work of many later-period Art Nouveau artists like Pape and Clarke. Beardsley was a public as well as private eccentric. He said, "I have one aim—the grotesque. If I am not grotesque I am nothing." Wilde said he had "a face like a silver hatchet, and grass green hair." Beardsley was meticulous about his attire: dove-grey suits, hats, ties; yellow gloves. He would appear at his publisher's in a morning coat and patent leather pumps[disambiguation needed ]. Tailpiece or Cul de Lampe, 1893 Although Beardsley was associated with the homosexual clique that included Oscar Wilde and other English aesthetes, the details of his sexuality remain in question. He was generally regarded as asexual—which is hardly surprising, considering his chronic illness and his devotion to his work. Speculation about his sexuality include rumors of an incestuous relationship with his elder sister, Mabel, who may have become pregnant by her brother and miscarried.[8][9] During his entire career, Beardsley had recurrent attacks of the disease that would end it. He suffered frequent lung hemorrhages and was often unable to work or leave his home. Beardsley converted to Roman Catholicism in March 1897, and would subsequently beg his publisher, Leonard Smithers, to “destroy all copies of Lysistrata and bad drawings... by all that is holy all obscene drawings." Smithers ignored Beardsley’s wishes, and actually continued to sell reproductions as well as forgeries of Beardsley's work.[6] Beardsley was active till his death in Menton, France, at the age of 25 on 16 March 1898 of tuberculosis
Medium - Sculptures
Remington Limited Edition 24K Gold Layered Bronze Sculpture -Mountain Man
This Frederick Remington sculpture, "Mountain Man" is bronze layered with beautiful 24K gold. Comes with foundry assay. Some variations in marble might occur.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Botero Original limited Edition Bronze Sculpture -Nude Dancer
Botero signed and numbered bronze, "Nude Dancer". Comes with COA. Some variation in patina might occur. Approx. size: 16x11x9 Inch.
General - Prints/Reproductions
Dali Limited Edition - Galleta Of The Spheres
Dali limited edition "Galleta Of The Spheres". Out of an edition of 95. Edition number may vary from pictured.
Fine Jewelry
Lady's Fancy 14kt White Gold White Sapphire & Dimaond Ring
Lady's Fancy 14kt White Gold White Sapphire & Dimaond Ring, White Sapphire approx 3ct, Diamonds approx 1ct.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Picasso Limited Edition - Unknown
Picasso limited edition "Unknown". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Picasso Limited Edition - Portrait Of Bibi La Parte
Picasso limited edition "Portrait Of Bibi La Parte". Out of an edition of 95. Edition number may vary from pictured.
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Unkown
Moore signed and numbered bronze sculpture, "Unkown". Comes with COA. Some variation in patina might occur. Approx. size:10x9x4 Inch.
General - Prints/Reproductions
Picasso Limited Edition - Cavalier With A Pipe
Picasso limited edition "Cavalier With A Pipe". Out of an edition of 95. Edition number may vary from pictured.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Unisex Fancy Design 14kt White Gold Pink Sapphire & Diamond Ring
Unisex Fancy Design 14kt White Gold Pink Sapphire & Diamond Ring, Pink Sapphire approx 5ct, Diamonds approx 1ct VS1, Color G.
Medium - Sculptures
Picasso Original limited Edition Bronze Sculpture -Head of Warrior
Picasso signed and numbered bronze, "Head of Warrior "Comes with COA. Some variation in patina might occur.. Approx. size: 10x11x5 Inch.
General - Prints/Reproductions
Picasso Limited Edition - The Bathers
Picasso limited edition "The Bathers". Out of an edition of 95. Edition number may vary from pictured.
Medium - Sculptures
Tamayo Original limited Edition Bronze Sculpture -Man
Tamayo signed and numbered bronze, "Man "Comes with COA. Some variation in patina might occur.. Approx. size: 17x8x5 Inch.
General - Prints/Reproductions
Dali Limited Edition - Apparition Of The Visage Of Aphrodite
Dali limited edition "Apparition Of The Visage Of Aphrodite". Out of an edition of 95. Edition number may vary from pictured.
Fine Jewelry
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring
Lady's Fancy 14kt White Gold Ruby Red Spinel & Diamond Ring, Ruby Red Spinel approx 3ct, Diamonds approx .50ct VS1, Color G.
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Structural Object
Moore signed and numbered bronze, "Structural Object "Comes with COA. Some variation in patina might occur.. Approx. size: 9x9x7 Inch.
General - Prints/Reproductions
Dali Limited Edition - The Torreador
Dali limited edition "The Torreador". Out of an edition of 95. Edition number may vary from pictured.
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "Family "Comes with COA. Some variation in patina might occur.. Approx. size: 11x12x4 Inch.
General - Prints/Reproductions
Dali Limited Edition - Specier of Vermeer
Dali limited edition "Specier of Vermeer". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Family
Moore signed and numbered bronze, "family "Comes with COA. Some variation in patina might occur.. Approx. size: 12x7x4 Inch.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Dali Limited Edition - Head Bombarded With Grains Of Wheat
Dali limited edition "Head Bombarded With Grains Of Wheat". Out of an edition of 95. Edition number may vary from pictured.
Jewelry & Watches
Lady's Antique Style 14 kt White Gold Diamond Ring
Lady's Antique Style 14 kt White Gold Diamond Ring, Diamonds approx 1ct VS2, Color I.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Sculptures
Moore Original limited Edition Bronze Sculpture -Couple
Moore signed and numbered bronze, "Couple "Comes with COA. Some variation in patina might occur.. Approx. size: 10x5x4 Inch.
General - Prints/Reproductions
Picasso Limited Edition - Acrobat On A Ball
Picasso limited edition "Acrobat On A Ball". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Picasso Limited Edition - Interior With A Girl Drawing
Picasso limited edition "Interior With A Girl Drawing". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Picasso Limited Edition - Seated Woman 2
Picasso limited edition "Seated Woman 2". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Dali Limited Edition - The Maximum Speed of Raphael's Madonna
Dali limited edition "The Maximum Speed of Raphael's Madonna". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Dali Limited Edition - Meditative Rose
Dali limited edition "Meditative Rose". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Dali Limited Edition - Rhinoerotic Disentigration of Ullysses
Dali limited edition "Rhinoerotic Disentigration of Ullysses". Out of an edition of 95. Edition number may vary from pictured.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Chagall Limited Edition - Circus 511
Chagall limited edition "Circus 511". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Chagall Limited Edition - Night Bouqet
Chagall limited edition "Night Bouqet". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Chagall Limited Edition - Le Cirque 501
Chagall limited edition "Le Cirque 501". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Chagall Limited Edition - Lamon and Drya's Dream
Chagall limited edition "Lamon and Drya's Dream". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Picasso Limited Edition - The Old Guitarist
Picasso limited edition "The Old Guitarist". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Dali Limited Edition - Combination
Dali limited edition "Combination". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Chagall Limited Edition - Circus 524
Chagall limited edition "Circus 524". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
General - Prints/Reproductions
Chagall Limited Edition - Circus 491
Chagall limited edition "Circus 491". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Dali Limited Edition - Premature Ossification at a Railway Station
Dali limited edition "Premature Ossification at a Railway Station". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Dali Limited Edition - Honey Is Sweeter Than Blood
Dali limited edition "Honey Is Sweeter Than Blood". Out of an edition of 95. Edition number may vary from pictured.
Medium - Sculptures
Zuniga Limited Edition Real Silver Sculpture - Unknown
Zuniga Limited Edition Real Silver Sculpture - Unknown, Comes with foundry Assay. Contains approx. 10 Troy ounces of real silver. Some variation in marble might occur.
General - Prints/Reproductions
Dali Limited Edition - Accomodation of Desire
Dali limited edition "Accomodation of Desire". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Chagall Limited Edition - Winter
Chagall limited edition "Winter". Out of an edition of 95. Edition number may vary from pictured.
General - Prints/Reproductions
Dali Limited Edition - Morning Ossification of the Cypress
Dali limited edition "Morning Ossification of the Cypress". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Picasso Limited Edition - Pipers Of Pan
Picasso limited edition "Pipers of Pan". Out of an edition of 95. Edition number may vary from pictured.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Dali Limited Edition - The Ecumenical Council
Dali limited edition "The Ecumenical Council". Out of an edition of 95. Edition number may vary from pictured.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
General - Prints/Reproductions
Chagall Limited Edition - The White Window
Chagall limited edition "The White Window". Out of an edition of 95. Edition number may vary from pictured.
Fine Jewelry
Unisex Fancy 14kt White Gold Green Peridot Ring
Unisex Fancy 14kt White Gold Green Peridot Ring, Green Peridot approx 4ct.(35LK)
General - Prints/Reproductions
Dali Limited Edition - Anthromorphic Cabinet
Dali limited edition "Anthromorphic Cabinet". Out of an edition of 95. Edition number may vary from pictured.
Fine Jewelry
Lady's Beautiful 14kt White Gold Cognac Sapphire & Diamond Ring
Lady's Beautiful 14kt White Gold Cognac Sapphire & Diamond Ring, Cognac Sapphire approx 3ct, Diamonds approx .50 ct VS1, Color I.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Fashion Jewelry
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring
Lady's Fancy 14kt White Gold Multi Color (Ruby, White & Pink Sapphire & Peridot) Ring, approx 12 ct.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Fashion Jewelry
Unisex Fancy 14kt White Gold 2 Color Changing Alexandrite Ring
Unisex Fancy 14kt White Gold 2 Color Changing Alexandrite Ring, Alexandrite approx 2.5 ct.(33LK)
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Fine Jewelry
Lady's Fancy 14kt White Gold Diamond Promise Ring
Lady's Fancy 14kt White Gold Diamond Promise Ring, Diamonds approx .50ct VS1, Color G.(44LK)
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Fine Jewelry
Lady's Fancy 14kt White Gold White Sapphire & Diamond Ring
Lady's Fancy 14kt White Gold White Sapphire & Diamond Ring, White Sapphire approx 5ct, Diamonds approx 1ct VS1, Color G.(46LK)
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Fine Jewelry
Loose 1.50cts Round Brilliant Cut Black Diamond
One loose round brilliant cut black diamond weighing1.50cts and measuring 9.02 x 9.01 x 5.70mm.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Fine Jewelry
Lady's 14K White Gold, Diamond Ring
This lady’s 14K white gold diamond ring is comprised of 4 prongs set 3 round brilliant cut diamonds. Total estimated diamond’s weight is 1.00 cts. The total weight of the ring is 5.00 grams. Clarity: SI 1-SI 2-I 1, Color: H I
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
07/20/12 $50 START Practicaly EVERYTHING!! MUST PREBID!!!
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.
Medium - Etchings
Original Museum Lithographs printed in the late 1800’s to early 1900’s
These are Lithographs printed in the late 1800’s to early 1900’s by an Art Museum in Rome Italy. They are all Masterworks. In 1922 a flood and fire ravaged the Museum and these are all that is left from those original prints. They all have the original stamps from the Museum in the lower left or right hand corner of each print. They all are at least 90-100 years old.